Typical romcom
I started watching this looking at the positive reviews & hype. But its not that good as I expected. Male lead's acting was good. FL umm idk. Sound production was pretty good but not best. 2-3 scenes are rewatchable. Chemistry 5/10. Overall I think Male lead carried the show. The visuals of leads are good. Direction aint that bad. But the drama isnt as good as its hyped. I think there are better dramas out there. Sometimes typical dramas also become great because of lead's chemistry & good sound productions. But somehow i felt this drama lacked it.Was this review helpful to you?
Wow, is all I can say.
Thriller/Mystery drama's are not something I watch often, but when I do, it takes a lot for me to commit and do it and when I do; I hope that it's worth it. It's been a while since I've watched a mind blowing K-Drama to be honest and I can say that I didn't know what I was getting into when I started Flower of Evil, but I saw a clip and immediately I was sucked in to something I will never regret watching in my entire life.The synopsis in itself is already a rollercoaster, even though this is similar to a lot of other mystery/thriller/crime dramas; you don't really know you'll be invested into something even more mind blowing and emotionally tolling. You have a man that's the perfect husband, father, worker. You have a woman that's the perfect wife, mother and partner in general. They are both hard working, they met randomly by fate one day and the rest is history, their love is absolutely mind blowing and just plain...impeccable. But the male lead has a past, an unknown one. And unfortunately sometimes, you can't run away forever, especially when your demons are not only haunting you mentally, but then they start doing so physically. So you're going to go through what it's like to love someone but want to protect them no matter what happens, you're going to see that some people will go to the end to protect their own even though it's putting themselves on the line, you're going to see what it's like to be abandon by those who love you most and what it's like to be looked at like a monster. There' s so many ups and downs in this show but it's one of the best journey's I've completely been on. The love they had was wonderful, the characters that helped, the officer team, everything was just a nice flow of things.
Let me tell you, this is one of the best acting I've seen in such a long time. I love the raw emotions you got to witness between every single character; but you're taking so many veteran actors and actresses and putting them into something that they made just pure genius. The emotion and control that Lee Jong Gi has is amazing, the strong, bold character that Moon Chae Won played and the CHEMISTRY the two had, is absolutely everything. There was a prefect balance of their love and the show. The daughter was a fantastic aspect. The bad characters were so good at being bad. The reporter was a nice spice; the sister being added into the twist. The way the detective team carried themselves; if this show doesn't win rewards for the story, the ACTING will for sure win something.
The music was wonderful, I loved the timing that they had. I'm obsessed with the OST that Shin Yong Jae put together for this; everything about it is beautiful, raw and emotional all in one and that's how this show will leave you feeling.
Overall, this show was amazing. It's worth watching and rewatching within seconds. I actually binged this show and woke up just to rewatch the last 2 episodes because I couldn't get enough. The ending was quite bittersweet but I felt the craziest thing while watching it and I've never watched a show where I was so satisfied with the 2nd to last episode that I couldn't stopped there. I was literally so satisfied how this show played out and where it went that I'm absolutely mind blown at this beautiful master piece. My heart ached with the emotions of the characters, I cried and was angry all in one. And that's what a good drama is. One that you cannot stop thinking of and that was this for me. This really made me realize how much I love watching Asian Dramas in general. This was so good.
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Women hold up half the sky.
Song of Youth is a historical Chinese soap opera that pays tribute to 红楼梦 Hongloumeng (Dream of the Red Chamber), widely regarded as China's greatest novel. Fans of the novel will immediately recognize that the backstory of an aristocratic family in decline and the multiple character blueprints that are based on this vernacular classic. Uniquely, this narrative plucks out the all-consuming, angsty, tragically epic love triangle that forms the core of the novel and focuses instead on broader, often less appreciated themes. The love triangle is still there but it is been muted to the extent that it is only peeks out towards the end.Lin Shaochun, a talented actress from a performing troupe marries Sun Yulou, the youngest scion of the noble Sun family. With her innate resourcefulness and the support of her husband, she becomes indispensable to his initially disapproving family by ably resolving all their internal and external conflicts and challenges. Bai Lu as always delivers a very enjoyable performance as the supportive and loving wife of Sun Yulou and the clever, thoughtful and femininely authoritative Sun family fixer. Even though I think Wang Yizhe has a lot of potential as an actor, he struggled to get into character and I didn't see much spark between him and Bai Lu. But it doesn't matter because albeit with some challenges, their arc is short and it is ultimately a rather pedestrian love match. After that the narrative explores more complicated and more poignant relationships where the couples have limited ability to make their own choices. Very much like Court Lady, Lin Shaochun is just a tour guide through the social structures, culture, relationships, vanities and daily life details of feudal 18th century China. Thankfully unlike Court Lady, Bai Lu's portrayal of the role as occasionally ruthless and not overly preachy and righteous makes Lin Shaochun very likeable if too infallible to be that interesting.
What stands out about this drama is that very much like Hongloumeng, it celebrates the contribution of women to society - Mao Zedong was far from the first to acknowledge that women hold up half the sky. True to the novel, the drama is very female centric - Lin Shaochun is the main protagonist and in a fitting role reversal the ML Sun Yulou is just a prop; an attractive, decorative vase. Even the best antagonists are formidable and devious women. In fact, most of the male characters in the drama are rather weak and not that intelligent - Sun Yulou only pulls himself together to be worthy of Lin Shaochun, his oldest brother is a foolish gold digger's wet dream, his second brother is the most capable of the lot and his third brother is a henpecked wastrel. All of them become better, more successful men thanks to their smart, determined and capable wives. I find both the eldest and (especially) the second brothers' stories to be far more interesting than that of the main CP. Unfortunately the second brother's story fizzles out in the middle and ends in a slightly disappointing way. Nonetheless, Yao Dizu is by far the most multi-faceted and refreshing character in the drama, more so than Lin Shaochun. She is also the only character that gets to be the author of her own story. If Lin Shaochun were written to be more of a bystander and less of the person who always saves the day, this would be a much better drama. She always wins by the same modus operandi so by the second or third arc, I was on to her and the "twists" become predictable.
The other problem with this drama is that it doesn't seem to be written in one voice or tone and thus gives the impression that it doesn't know what it wants to be. I think it is intended to be a satire or parody of bourgeois upper society during Ming Dynasty. Unfortunately in parts the humor is quite slapstick when it comes to Lamu Yangzi and some of Jin Chen's scenes because that matches the kind of humor they do best. Bai Lu and the rest of the cast however, are better suited towards more subtle, satirical humor and when the writing tries for something in between, it comes across as forced and half the time it misses the mark. That said, there are some really good laugh out loud moments but overall the wit and humor is hit or miss. The rhythm of the screenplay is particularly awkward at the beginning but more enjoyable from the middle episodes. After the four brothers' stories, the recycling of themes around the fallout from arranged marriages gets old and the final arcs flatline - I saw the final end twist a mile away so the end was predictable and anti-climatic.
This gorgeous production was clearly shot with meticulous attention to detail from the sets to the authenticity of the costumes, make up and the cultural details. The only lapse is perhaps the fact that the classic Cantonese opera Legend of the Purple Hairpin is sung in Mandarin and not in its original language (this was one of my grandma's favorite operas, she used to play the Liza Wang/Adam Cheng recording all the time). Overall a high quality production that is an enjoyable light watch even though it falls well short of Hongloumeng in terms of panoramic impression, breadth of social commentary and lasting impact. This is fun enough for me to rate this a 7.5.
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Someone made this at gunpoint.
Putting production aside, which you have to if you're determined to watch this, I have to begin with the cast. All but the two leads are unmemorable and oft squealing. Folk as Bar is adequate and a committed actor. I think under better circumstances, his Bar could have been quite charming.I didn't expect when I looked up Win (Gun) that he might be any older than eighteen. This, possibly because of his struggle to fill Gun's bold shoes. There's nothing wrong with a romantic lead whose soft or less-than-stunning as long as they're written that way. There's no equivocating, Gun was written for someone charming, muscular, and worthy of fawning. Win's Gun (I'm sorry Win) is none of these things and we're meant to believe it because the other characters say so.
The plot of this show is negligible. Undoubtedly the short run of this show is in part to blame for the jumbled mess of the plot. There were seeds of events, such as competing love interests and a half-assed faculty competition, that suggested to me a once-complete story. The micro inclusion of these elements was more confusing and unmoving than it might have been had they cut them entirely or chosen to focus on decidedly less and written them to their full potential.
In all honesty, I sped through the last episode as I had had enough by the start of the third. I was never able to latch onto any characters and the conclusion of their relationship was unconvincing.
If all you ask for in a show is a happy ending, go for it I guess.
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1One that loved not wisely but too well.
Once upon a time in Beili, there lived a woman who was simply too beautiful 倾国倾城/qīng guó qīngchéng; she could fell a city with one look and fell a kingdom with a second look. This kind of woman is a menace to mankind that can only be locked out of sight in a gilded cage. This is the cautionary tale of a brave man, one that loved not wisely but too well who dared to set her free. And his one true friend who tried to help him do the right thing.Dashing Youth 少年白马醉春风 or Young White Horse Drunk in the Spring Breeze is the highly anticipated prequel to 2022's dark horse hit high fantasy martial arts drama The Blood of Youth 少年哥行. Like its predecessor, it is a youthful coming of age story about friendship, adventure and the spirited idealism of youth. Even though Baili Dongjun is the titular character, it is equally his best friend Ye Yun's villain origin story. They are parallel characters; both innate martial artists and scions of the Beili empire's founding families. As boys, they vowed to storm the martial world together when they grew up; Yun as the Sword Deity and Dongjun as the Liquor Deity. After the Ye family's downfall, they are destined to go down opposite paths. Dongjun lives a charmed life; making a name for himself as Li Changsheng's final disciple at the prestigious Jixia Academy; surrounded by new friends like Sikong Changfeng and Beili's Eight Talented Gentlemen. He reunites briefly with Ye Yun, who now calls himself Ye Dingzhi. In sharp contrast, Ye Dingzhi's path is a lonely one, full of obstacles, inequities, betrayals and brief snatches of happiness.
At its core, this is quite a straightforward story that is cluttered in the storytelling. There are too many digressions into the Who's Who of the martial world and and its pretentious rankings. While the fan service is terrific, such a dazzling array of too hot to handle swordsmen put my exploding ovaries in danger of apoplexy. The surfeit of hot filler characters with shallow side stories distract from the main arcs. For all their fancy swords and pompous rankings, all we see are a few showy poses and twirls before the CGI takes over and screen explodes in a gory orgy of light and digital creatures. While the CGI is well done, it is a big let-down not to see a few well choreographed live action fight sequences.
I was happy to see Hou Minghao dub himself as Baili Dongjun. It makes a big difference in how the character comes to life. While his acting is still a work in progress, he plays a character he can relate to and it shows. Ye Dingzhi is a more complex and intense role, one that He Yu pulls off charismatically. Even though he does questionable things, I empathized with him every step of the way. It would have been nice to see more of Xia Zhiguang's Sikong Changfeng. The humor and camaraderie between all the dashing youths is one of the drama's highlights. Even though the romances are not convincingly written or well developed, I liked all of the couples enough to root for them. The role of Yi Wenjun should have been more sympathetically portrayed instead of just as helpless, selfish and willful. The lovely Ye Yao is only Dongjun's muse, her character doesn't get to do much.
The irreverent Li Changsheng/Nangong Chunshui is the funniest, best acted and most engaging character in this story. Even though his arcs don't tie well with the main plot, the narrative visibly sags after his exit. His parting words to his disciples 凭心而动/píng xīn ér dòng or "act according to your heart" captures the spirit and idealism of youth that is Dongjun's lifelong mantra; one that years later, he passes on to his disciple Tang Lian. He helps Dingzhi steal the bride because Wenjun was not willing and therefor it is wrong to force her. It is the simple, absolute truth that trumps the cynical calculations driven by politics and expedience. He never wavers from this belief. It is true that Wenjun is a selfish, weak and dislikable character who makes terrible decisions with devastating consequences. But she was still wronged in the first place. Thus like Dongjun, I understood, even tried to empathize with her until she was too easily manipulated into returning to Tianqi. That was not only a stupid decision, it showed that she simply did not trust and love Dingzhi enough to wait for him. Poor Dingzhi, he never got any breaks. Even the love of his life failed him at the end. Through sick and sin, it was always and only Dongjun who remained his one true friend.
There is little new in the political plot that wasn't revealed in dialogue and flashbacks in TBOY. Which would be fine if they fleshed out the character stories and the succession struggle instead. But those are dealt with cursorily with Ruojin left as a blank cartoon character and the relationship between the brothers not explored. TBOY romanticizes Prince Langya as a tragic hero, the noble uncrowned king of Beili. In this prequel, he is the character that disappointed me most. He tore up his father's will out of misplaced loyalty and his own selfish desire to live an unrestrained life. He never made the case for why Ruojin was more worthy, supported him unconditionally and in the case of Wenjun, enabled him even though he knew it was wrong. There was never a so called greater good or do or die reason why Wenjun had to marry Ruojin, it was simply a matter of imperial privilege and entitlement. They could have escaped with his help and everything could have been so different. But I don't hold him solely responsible; there were so many malign forces at play and bad decisions that there is plenty of blame to go around.
The ending to this story leaves that bitter after taste that the bad guys won. It makes too convincing a case that a too beautiful woman who can topple kingdoms must be safely locked out of sight so she can do no harm. Both Wenjun and Dingzhi paid a high price for their mistakes but too many people who pushed Dingzhi down the dark path got off unscathed. In the novel, Dongjun has an epiphany about his own dào/道 or convictions in the middle of his fight with Dingzhi. He switches sides and punches the daylights out of the emperor instead. He scolds him: "She does not like you, why force her to marry you? She has escaped and is living a happy life, why lock her up again? You are the emperor with a harem of 3000. My brother only loves one person. Live and let live. Learn from your brother, he can even let you have the throne, why can't you let my brother have one wife?" Even though it changed nothing it was something that had to be said. Without this scene, Ruojin is never called out or held accountable for his role in starting a war over a woman. Instead it is Dingzhi who is destroyed and villainized for trying to hold on to a grass hut in a tiny corner of the world where he was happy. It is very hard to feel good about a story that ends like this.
This messy and disappointing prequel was in some ways limited by what was already canon in TBOY but still could have been better on multiple fronts, Nonetheless it is a chock full of eye candy and a fun watch if you don't look too hard at it and ignore the inconsistencies with TBOY. Even though this is a critical review I enjoyed the drama. I am just mad because it had the potential to be almost as good as TBOY. But it wasn't and so I can only rate this 8/10. I am still happy to recommend it , especially if you loved TBOY. If you liked Wuxin before, you will love him more after knowing his parent's story.
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Shining characters trapped in a drab plot line
Standout characters immediately grab your attention, and Do You Like Brahms? starts with one of the strongest first 4 episodes of 2020 premieres, second only to Flower of Evil. The two main leads, a burned out superstar and a struggling artist, seem cliché, but their foil is fully explored and surprisingly relatable. However, little substance is built on the foundation of their relationship. You better understand and relate with each character, with each episode, but the evolution of their relationship stagnates. Either DYLB? should have been told in fewer episodes or bigger dramatics were needed to stimulate a more engaging reaction.Story:
The contrast between the quality of characters vs plot is stark by the ending of Do You Like Brahms? From leads to supports, the characters have an incredible amount of depth. Even the motivations of the antagonists are mired in complexity. As a character drama, DYLB? excels by making the unique lives and challenges of musicians relatable to casual drama viewers.
As a thrilling romance or gripping melodrama, it falls short. The love triangle(s) that is crux to the plot of DYLB? is presented in the first couple episodes, and its potential outcome feels inevitable (i.e. miscommunication, confusion, heartbreak). The lack of suspense transforms into frustration as the middle segment of DYLB? trundles toward the finale following a subdued climax.
I want to include one last comment about time skips and flashbacks. They were not always crystal clear, but I appreciate that the director did not baby the audience with title cards like “1 year ago”, “1 month later”, etc. Overall, the plot is the main weakness in an otherwise well directed drama.
Acting:
The combination of character design and cast brings to life the fictional characters on screen. Park Eun Bin adds another excellent role after her underappreciated performance in Hot Stove League. Kim Min Jae has a long list of great roles for such a young actor, almost comparable to Yeo Jin Goo. Their interpretations of their characters just make sense. They act and behave like genuine human beings instead of characters.
The rest of the cast is equally decorated, but I will specifically praise Choi Dae Hoon and Baek Ji Won for creating characters that knew all the right buttons to push for maximum irritation. The way they frustrate the viewers and the main leads is the definition of entertainment, in stark contrast to my frustration with the flat plot.
Music:
More so than the characters and cast, the music within Do You Like Brahms? rises above First, the use of classical music is slightly cheesy and often used as a plot device, but it is refreshing to hear a different sound from the standard drama ballads. Second, the OST of DYLB? is anything but “standard”. The same musical producer from Hotel Del Luna worked on this drama, and the quality of the OST is unparalleled in 2020. It is hit after hit sung by some of the biggest names in Korean music, from Taeyeon to Heize. It is good enough to listen without even watching DYLB?
Rewatch Value:
The lack of dynamic plot and explosive confrontations make it hard to justify a rewatch. This weakness even bleeds into the strong character designs. The main female lead starts off as a relatable, struggling young adult, but she seems too perfect as the story drags on. Being untalented or soft-spoken is far from a real character flaw, and her immaculate actions wear her initial relatability thin. I may be overly critical since I started DYLB? with high hopes. Unfortunately, it falls short of the best drama of 2020 which currently belongs to Crash Landing on You (depends if you consider it a 2019 or 2020 drama) or Flower of Evil.
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This review may contain spoilers
A Beautifully Painful Drama Of Life
This drama caught me off guard. Not with plot twists or flashy romance, but with its honesty. It’s a slice of life, but the kind that doesn’t taste sweet all the time. It’s a little burnt around the edges, soft in the middle. Real.Cheng Le Le is in her 40s, doing stand-up comedy that barely stands on its own. So she works part-time at a convenience store too. That’s her life. Not a dream, not a tragedy. Just life. Her story unfolds around the people in her orbit, her dad who believes in aliens, two friends who shouldn’t make sense together but somehow do, a husband she once loved, maybe still does in some quiet corner of her heart. But deosnt matter as the marriage life is near its end.
There’s no climax. No victory lap. Just roads she has to walk. Because life doesn’t come with a final destination. It flows. Sometimes like a river, sometimes like a flood. And when loss comes, no amount of preparation saves you from breaking. What hurts even more is when you realize you have to keep walking, even when your legs don’t know this new path.
The show was labeled with a healing tag, but don’t believe that. No one heals here. Not in the way we want. They endure. They laugh, they cry, sometimes in the same scene. And I cried with them. For joy. For grief. For being alive.
That’s the thing about Taiwanese dramas. They’re too real. They don’t pretend. They remind you you’re human, beautifully, painfully human. And I love them for that. Even when I say I hate them.
I was especially grateful this wasn’t about some teenager/20-something figuring out life. This was about a woman who’s already halfway through it, still stumbling, still unsure, still trying. Cheng Le Le is not your ideal protagonist, and that’s what makes her perfect. She’s ordinary, unpolished. She turns her pain into punchlines, not healing. Just survival.
And her dad—what a character. He says, “Being childish for your whole life is quite an achievement.” And he’s right. I’m going to hold onto that. But let’s not pretend his life was all sunshine and UFOs. His sadness was there too, packed deep inside, not hidden from us, but from himself. I liked him. I really did. And like Cheng Le Le, I’ll keep looking for aliens after him.
His death was a quiet, painful unraveling. But the harder part was watching her feel it. That kind of grief lingers. It lingers even now.
Visually, the drama is stunning. Not dramatic. Just beautiful in the way reality is, natural light, soft shadows, warm colors that bleed into everyday spaces. The kind of cinematography that makes you feel like you’re there.
And this line will stay with me:
“Others call their dads superheroes, but I call mine an alien. He always said the universe is infinite, and humans are insignificant. We should take it easy in life. However, he forgot to tell me, humans exist in the world, and humans are complicated.”
What a beautiful, aching piece of work.
8 out of 10
And a piece of my heart with it.
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It's a revenge story and while watching I really felt the angst of the characters and it was quite clear why they were holding on to their feelings and what motivation there was for their actions. This also showed how in life there is never a simple love or hate and how the human character is so complex you can never predict how a person is goinig to act on what he is presented with.
The acting was point on without anyone overacting. Everyone was so natural in portraying their characters. I really enjoyed getting to know the characters and getting involved in their lives.
The music was very good and was fit for the different scenarios.
I am not sure whether I will be able to re-watch this at once because it was quite a tear jerker. However I know that in the future it is one I would not hesitate to watch again.
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Unlike most j-doramas, this drama concentrate with in depth with one character only, and most other characters are seen from his point of view. The story starts with our protagonist's first day at the university. He thinks he's destined for greatness, and everyone else is beneath his capabilities. Little did he know of the hardship and competition he'd need to face to reach anything close to greatness. As much as comedy is at the forefront of everything that is dealt with, it is undeniably a coming of age piece through and through. University time is a tricky time. It's a time where they need to leave their childhood behind and actually take hold of their future to accomplish their goals and fulfill their dreams, but the road is not only bumpy, but also not clear at all. It gets more obscure when you haven't set a specific goal and only dream of the reward. I think most of us go through this phase at one point in our life, but this dorama gives us an exposition of it in an extreme sense through the eyes of Moyuru Honoo.
I have to say, I cannot imagine what this show would've turned out with the hands of a lesser actor than Yugira Yuuya. He acted it out, with every inch of his body and soul. With all the things his character goes through, with all its craziness and patheticness, he still manages to be cute and makes an adorable grumpy face. I can't think of him as anything short of a genius. It isn't surprising that he's Canne's youngest prize winner back in 2004. That guy is to watch out for! Another role that stood out mostly thanks to its portrayal by the actor is Yasuda Ken's Hideaki Anno. He was flawless as the genius workaholic geek with no sense of awareness of what is going on around him. Anno is everything Honoo fails to become, for better or for worse. Another honorary mention is Muro Tsuyushi as Hiroyuki Yamaga, with his - my meal ticket- face he does. All the other characters were pretty normal people, and we don't really go in depth with their personality, but the cast still does a good job in portraying them.
The music perfectly sets the tone of the era, and adds more hilarity to the situation. The direction here had an image and knew exactly what to aim for.
This drama is a must watch for anyone who loves japanese comedies, specially over the top ones, also for anime fan. People not familiar with that type of don't like the over the top slap stick comedy may have trouble accepting it, but if you give it a chance, I'm pretty sure you'll find a gem here.
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A Kiddie Wuxia
To start and continue watching this drama, viewers need to remain patient. Many of the actions of the main characters are childish but by the middle of the drama, they become more responsible and mature. Nonetheless, the overall writing still comes across as immature and at times, nonsensical. By the end of the drama, I breathed a sigh of relief as I congratulate myself for enduring and completing it eventually.This drama started shooting with the pandemic hitting shortly after. It stopped shooting until the authority lifted the lockdown. I was really surprised that it managed to finish shooting and cutting, and released within the same year before the end of 2020, all done in a matter of a short few months.
Fierce fighting erupts among viewers on almost every discussion board. Wang Yi Bo’s fans are angry at Zhao Li Ying for playing the female lead as she is a lot older than him, and fans claim they don’t feel any chemistry between the pair. They also attack any viewers who criticize their idol. Zhao Li Ying’s fans come to her defense and attack Wang Yi Bo’s fans. Impartial viewers are also viciously attacked for their honest opinions which can be merciless towards the two main leads and the overall production, and are labeled as haters.
Accordingly, the drama is adapted from a very popular novel, You Fei, which literally means Bandits. However, for the drama, the word “Fei” (bandits) is changed to the word “Fei” (jade) as in the name of the female lead character Zhou “Fei” which means jade. From here, we can see the original story emphasizes on the “bandits” as the 48 Camps imply, but the adaptation has shifted the focus to Zhou Fei (Zhao Li Ying). Many readers claim the original work has been butchered. This is also confirmed by Zhao Li Ying herself when shooting started. According to readers, large sections of the original story were deleted and replaced with badly conceived plots and writings, rendering the whole story fragmented and ruined.
Zhao Li Ying is convincing with her styling as a very young girl who is strong and rebellious. Her makeup may look a bit cakey closeup, but she looks fine from afar. She looks tired and listless though. Wang Yi Bo is perhaps a bit out of his comfort zone but his character as a cocky and flamboyant Xie Yun is adorable and Wang Yi Bo’s acting is passable.
What I Like:
• I like the wuxia elements here – justice and righteousness.
• I like the storyline – the kids mature, each learning their respective skills and take on more responsibilities and become the leaders for their sect. There’s a lurking conspiracy, a treasure hunt, and the fighting for time to save a life.
• I like the OSTs especially the tune played by Xie Yun on the recorder.
• I like the characters of the two main leads, Zhou Fei and Xie Yun, both strong and composed, though the Xie Yun character is also playful and cocky.
What I Don’t Like:
• Horrendous screen writing.
• Camerawork is everywhere and haphazard.
• Special effects are embarrassing.
• Immature script writing. YouTubers can write and shoot better.
• The dialogues can be funny but out of place most of the times.
• Dubbing is off at times, especially with the Xie Yun character as if he’s inhaled nitrogen gas.
• The characters are inconsistent. At times, they show leadership, at times they’re simply dumb. The kids lack the sense of priority and urgency. Everything sounds like fun to them even when they’re under hot pursuit by their enemies.
• The martial arts fighting scenes are inconsistent. Sometimes, they are passable. Sometimes, my cats fight better.
My Verdict
Do not hold high expectations for this drama just because it stars Zhao Li Ying and Wang Yi Bo. Overall, I don't hate this drama, but I don't particularly love it either. And yes, there are kissing scenes – one just for a fleeting moment, the other from afar, and quickly blurred. The chemistry for the main couple is not 100% but also not totally zero. This drama is basically like a rom-com in kiddie wuxia style. Watch it if there’s nothing better to watch.
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A story of love, deceit and survival!
The drama throws you headfirst into a gritty, neon-soaked world where revenge is messy and love can cost you almost everything. From the start, it makes a bold impression with adrenaline-pumping action, some good and real visuals. Though the storytelling is very layered, it does wobble a bit in the middle but eventually it drew me back.Sun, freshly out of prison and burning with rage and revenge, set up his own gang. His journey starts off looking like a typical revenge story but his story wasn't that straightforward.
It quickly becomes clear that it’s much more than that. Beneath the surface lied a complex power struggle, where nothing is as it appears and every choice he made came with an emotional fallout.
On this journey, he meets Peace, the son of very man Sun is at war with. (Also I found his name very iconic xD) .Their love story felt heart breaking from the start. The relationship was delicate and beautiful but it was built on manipulation and lies even though the intention might not be wrong. The push and pull made sense and to be honest, I enjoyed it.
They really had good chemistry and the Korean-Thai blend worked for me. It didn't feel forced and the backstories were solid enough to support it.
The antagonists were cold and calculated, as they should have been in stories like this. They didn't just solely relief on the physical violence but a lot of emotional manipulation too. Especially Jihun, I found his character very smartly written compared to other villains here.
But somewhere in the middle, the drama seems to lose its focus. Too many new plotlines were introduced which weren't logical or realistic and some of the twists seemed unnecessary, only to overcomplicate an already complex story. It also started to feel a bit repetitive.
Acting-wise, everyone seemed to be doing a decent job though some emotional scenes could have been better. Visually, I think the drama did a good job with those dark alleys to those intentionally chaotic cityscapes. The fight scenes were sharp and well-choreographed.
The ending does seem to hint at season 2 but I feel they tied up the ends neatly and if there wasn't a next season, I wouldn't mind.
Overall, this was brutal, smart and intense that it occasionally stumbled under the weight of its own complexity. The love here wasn't the saving grace but it held the power to heal and harm. I would recommend it if you are looking for something gritty, where everything revolves around love and choices and their consequences but not "romance", though I feel there is plenty.
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The twist in the story isn't too hard to figure out, but the story is more than enjoyable regardless. You'll laugh, you'll cry, but you'll be sure to enjoy every second of it.
I was immediately drawn into the story and characters, already rooting for Haruo within the first few minutes of the story. I actually cried pretty hard at the end, too, which makes this the first drama I have ever cried over. (though in my case, that's only because it really hit home with me)
I really wish I had a better way to word just how beautiful this drama is, but I hope you'll take my word for it and give it a try. It will forever leave a bittersweet impression in your mind and is without a doubt one of the best dramas out there.
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All I can say is that dramas from 90s were the best! Beach Boys is a masterpiece of bromance.
I will miss Hiromi and Kaito.
The actors were great. They made me laugh and cry until the end. Everyone has something interesting and touchful.
I would like to watch it over and over and over.
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Lynn Hung pretty much steals the show. She plays a gorgeous model who is out to net a wealthy tycoon. She is the discerning buyer who is out for the best deal. For sale is her beauty and charm and she can sweet talk her way into any man's heart. She is friendless: women hate her because of her beauty and success, men hate her because they can't keep her. She's off to a better conquest. The best parts are her manipulation of men. Her rejects are out for revenge. I never laughed so hard at her scheming.
Enter Vaness Wu as the poor, babbling, lovelorn guy whom she falls for. I would have liked him better without the punk rock hair, but he is romantic. Some of his rescue scenes are a bit slapstick with silly suspense music accompaniment. At times it seems the drama is a romance spoof with some of the silly melodrmatic scenes, especially at the end.
But even if you don't like the story, you will feel like you are watching a runway fashion show. In every scene Lynn Hung has a gorgeous wardrobe and unique hairdo. She is possibly the most beautiful actress out there. In real life she is a Chinese supermodel. I wish there were more shows with her devouring men. This watch was delicious!
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This review may contain spoilers
It's a good drama overall, but not the best and most productive use of time
So at the beginning of this drama, I'm talking the first 15 or so episodes, it was certainly a drama that any historical-drama lovers would want to binge. The plot, romance and setting was fresh in its own little way which made it easy to watch. With the addition of an amazing cast, it really incited the "butterflies in stomach" feel.The reason as to why I am rating this show as only 4 stars is simply because of the noticeable discrepancies within the series. The biggest one of note is the inconsistency of the romantic relationship between the leads and their sudden change in personalities after the city setting switched from Song to Wei. After the setting was switched, it felt like the series was split into 2 separate storylines and the memories of the both the male and female lead were wiped or something even though there were no signs of such a thing ever happening. Whatever romance occurred between the two leads seemed to have disappeared entirely, making the second part of the drama difficult to comprehend since they had to rebuild their romantic interest for each other from rock bottom.
Furthermore, the series was dragged on for a tad bit too long. Stopping the series around the 30 episode mark would have been perfectly fine because everything from there onwards was repetitive scheming formed from greed and political power struggles from the antagonist and male lead.
Overall, I wouldn't recommend this drama if you're looking for one that's worth your time and if you're looking for a fluffy, romance-fileld drama, because unfortunately, this drama won't be able to provide that. However if you're still interested in this drama even after reading this review and other reviews, I suggest watching the episodes before the setting changes from Song to Wei (you'll understand what I mean when you get there 😉) coz those were really good.
Happy Binging!!
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