no expectations no disappointment
what was this I came to see this because of FLUKE AND NIKE but what the hell this is UGH I want to like it but I just DON'T LIKE IT I didn't meet the expectations I had of it.What went through the mind of the producer and director when they made it.
An angel coming out of a TREE? I knew that elves, fairies, etc. live in the trees, but this is the first time I've heard of angels in the trees.
The special effects are exaggerated, not to mention the sound.
Not even the NC scene was good angel krit reminded me of pharm at that moment with the haircut and everything and that scene died there and we are talking about FLUKE who can achieve great scenes and proof of this is RED WINE IN THE DARK NIGHT.
I expected something better knowing that it was a series by the same writer as TRIAGE AND MANER OF DEAD and knowing that I was part of the production but this is a total disappointment, if this is the same as the novel I will say that the writer did it in a day where all his imagination had gone to create such nonsense and I hope the next book that is going to be adapted is better than this. It is not worth that it lasts an hour and more than 30 minutes is more than enough for this kind of show. And that I waited for all the episodes to see if it improved but apart from the great performance of NIKE Y PON there is nothing else.
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The Dark Side of the Moon.
This drama is about how a power couple that is well matched in terms of cunning, ambition and capability scale the upper echelons of banking and finance during 1930s Shanghai. The narrative vividly captures the wild, morally ambiguous, highly speculative, wheeling and dealing nature of the mafia dominated banking and finance industries during that early period of industrialisation.Cheng Yizhi is a scrappy, enterprising, self educated young orphan with a knack for numbers and finance who is raised by a kindly shopkeeper. He starts out in a lowly position at a bank but his talent propels his rapid advancement to become the protege of banking magnate Huang Ruhong. Wu Lizi is the pampered daughter of a distinguished banker whose world falls apart when her father is framed and commits suicide. Hell bent on revenge, she marries Yizhi and ruthlessly uses his access to banking circles to investigate her father's downfall. Mutual lack of communication and a terrible, irreversible decision by Lizi ruins their marriage but leads to a very rewarding business partnership where they build a bank together.
Wu Lizi is one of the most selfish, devious, manipulative, ruthless and utterly charming female protagonists I have come across. It is such a treat to get complex and fascinating female characters like Lizi. That is why I kept watching this even though at one point I was enraged and disappointed to the point of almost dropping. I still don't like how they wrote Lizi to lash out so viciously and vindictively with such heavy consequences but I am glad I kept going because she really moved me with her stoic remorse and acceptance later on. Even though there were some rough edges to Cai Weijing's performance, overall she is tough, willful, curiously vulnerable and so charismatic that I could literally see how she tied Yizhi, Charlie and Xu Du up into knots emotionally.
Zhang Xincheng delivered a most excellent performance in this drama as Cheng Yizhi, a cynical character that well understands the dark side of the moon due to his upbringing on the rough side of town. So he is the ultimate nemesis of dark characters like Huang Ruhong because he can get into their heads and narrowly manages to stay one step head of them. In sharp contrast, he seeks the light in all of his dealings and finances some of the most promising industrialists of the day. At the onset Yizhi goes toe to toe with crooked businessmen and corrupt politicians with equally scheming and wily tactics. But as the story advances and his dark secrets are revealed, the character is whitewashed and becomes too perfect, so understanding with such shiny plated plot armor that I had to roll my eyes. I needed more flaws or to see him be a little bit petty or selfish and to play dirty sometimes. Instead Charlie, a far more interesting and lovable character rises to the occasion to do all the slightly shady things that need to be done in order to stymie their unscrupulous rivals. Nonetheless the lead couple has superb chemistry and the way their relationship blossoms from mistrust and suspicion into an incredible partnership on multiple levels is one of the drama's strengths.
The business subplots are quite interesting, well written and the financial concepts are kept at a simple enough level for laymen. The characters however are less well written and notably Lizi, is not consistently written. For such a smart character she does some retarded things that can only be put down to sloppy writing. Huang Ruhong's somewhat creepy and unfathomable hard on for Yizhe is also unconvincing and not in character for the leader of the criminal underworld. Indeed the true love triangle in this drama is the one between Ruhong, Yizhe and Lizi. This was such a promising antagonist at the start but gets sidelined as the ending arc digresses into yet another patriotic fight the Japanese invaders plot. I would have preferred to see a more satisfying cat and mouse takedown of this smart antagonist play out properly. Towards the later episodes, many key characters are gratuitously killed off to squeeze out the obligatory tears expected of a Republican period drama. This backfires as I only felt very sad for two of the deaths which only highlights that the other characters were two dimensional ones that I never got invested in.
There are many enjoyable and unique aspects to this drama that make it worth watching even though it falls down on messy plot, sloppy character writing and a lame ending arc. Charlie was my favorite character and his wit, style and wisdom saved the show. Overall this is just a 7.5 for me despite strong acting by the leads. And MVP Charlie (Wang Zijian).
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I’m not even mad about bls delivering all the cliche tropes, romances based on misunderstanding, the amazing soft angst, the naive lead falling for the grumpy lead that we’ve got in the post from straight romance stories. These plots sell, these plots attract the biggest audience and these plots are simply entertaining. And this is kind of what we’ve got from the Unintentional Love Story.
It was a fun journey to follow. While Ji Won Young was a painfully frustrating character at first, I cannot deny - this child grew on me. Surprisingly, he delivered some of the best and most mature lines out of all the characters. Yoon Tae Joon was one of the soft emo guys that makes your heart ache just the right way. Dong Hee and Ho Tae were rays of sunshine impossible not to love.
Truth to be told, at some point I started to be more curious and invested in this second couple, and I cannot stop myself from being quite disappointed with the lack of screentime and development, and only hope for a separate show that will follow their story.
The quality of acting depends on which actor you will focus on. Personally I enjoyed Han Do Woo's and Won Tae Min's performances the most (which was also one of the reason I enjoyed following their characters’ story more).
Cha Seo Won did an amazing job with the “I’m hurt, but I want to hide it and control my facial expression, but I still need to show it enough for the audience to see” scenes. Moments when we need to both clearly see what emotions the character is feeling, but also understand they want to hide it. On the other hand, Gongchan delivered a deer caught in headlights acting - mostly looking confused or scared with his pretty big eyes.
The kissing was basically like trying to stick two magnets together by the same pole. I could literally see how much force they had to put into getting so close together. I laughed... badly.
Production was great. Vast improvement from many k-bls. Would appreciate a little bit less smoothing filter on the actors’ faces though.
Overall, for such a nice watch. Not as emotionally touching as I wished it would, but something I for sure do not regret watching and would probably recommend others to check out.
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Almost gave up on this...
Was struggling with this one for a bit and put it on hiatus twice. Only managed to finish it 2 mths after i started watching it. In the beginning this gave me "The Guest" vibes, which i disliked because that storyline just went around in circles for me. And things were a little draggy and predictable with the entire "main characters with parent issues" theme, which i must say seems to be a recurring theme in a lot of Asian dramas.It wasn't until episode 7 where things got more interesting with the plot. What seemed predictable wasn't, and while i disliked some parts which were over-dramatic (too much screaming...) overall i liked the message that this drama was trying to put across. Which was to make the audience rethink whether it is better to be dead than alive in suffering.
The ending scene was perfect imo and i thoroughly enjoyed the acting from the three main characters. Although I do wish the Professor's character was written to be a bit more eccentric and less whiney rich boy laden with the guilt of his forefathers. His relationship with Ujin could've been expanded a lot more.
I would recommend watching this if you are someone with quite a bit of patience and can get all the way to ep 7...
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Hwayi reviewed by Hwayi hehe
My friend suggested that it would be cute to see Hwayi review Hwayi so here I am.Getting into this review, for this movie, I did not check the ratings (Like Rated 15+, 18+) and jumped straight into it. Let me just say, I was shocked but not pleasantly. I realized from this movie, that I'm not into really dark things. This was simply way too dark for me.
Story: The story actually wasn't the bad. It looked good. And it looked exactly what I like to watch. However, I was totally wrong. There was too much death. Literally every five seconds a "dad" would die, it felt like. There was just so much stuff thrown at me that I couldn't catch up. And there's a brief butt naked scene where it showed after the raping of a young girl, that literally scared/disgusted me. I really should've checked the rating before watching it.
I feel really bad for Hwayi for having to grow up underneath these maniacs. I do remember liking one of the dads a lot but everyone else was just not it for me.
Acting: The acting was amazing! Yeo Jin Goo pulled off a splendid performance at just the young age of 16. And of course, the other actors as well did amazing.
This is not a movie for people who can't deal with blood, gore, extreme profanity.
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Didn't really like Zhang Yu Jian character in this show. He was too immature and like a child. Yes, there was a gradual improvement in character, but it was very very little. Even till the very end, I did not see a big improvement. That decision to disappear for 2 years at the end without a word to You You was just plain immature. I admit that the decision to leave the entertainment scene and let the online vitriol calm down was acceptable, but that does not mean you leave the girl you like in the lurch, without any word whatsoever. Love is about facing the ups and downs of life together （有难同当）. The mature thing to do is the talk to You You and discuss with her what he intends to do and see how they can overcome the adversity together.
I much prefer the character Zhang Yu Jian played in LCDF (Yan Mo), where he is much more mature and responsible. Seeing this 360deg change in the character he plays here makes me irritated.
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This review may contain spoilers
One of the reasons I loved this drama is because it subtly tackles mental health. Yes, I know this is considered as a family drama but how they personified and tackled depression was so close to reality that it almost hit home to me. Will elaborate more in a while. I first watched this drama without knowing anything about it except for the cast. I heard Uee was offered the role first as Seo Jian but declined, and no matter how much I love Uee I'm so glad she did decline because OMG SHIN HYE SUN IS GOLD. I really love her acting style. She's an outstanding actress and I cannot imagine anyone else as Seo Jian. The role was made for her. period.
However, I would like to say that I'm not the biggest fan of the love line between the FL and ML. I might even say that I like them better when they were siblings. Not too fond also of the relationship of the second leads. I don't know why, but no matter how cute they were together something felt off for me but I can't seem to point my finger on it. Actually my favorite couple in this series is Seo Jiho and Choi Seohyun. They just look so cute together and they grew their relationship more naturally as they spend more time together. I find it very unfortunate that they ended up as just friends but at the same time I understand also why it must be done as it will just be so wrong if they ended up together because first they will be at the same boat as their older siblings and second they will be in-laws when Seo Jian and Choi Dogyeong gets married. My second favorite couple here in this series is actually Choi Jaesung and Noh Myeonghui because even though they did not have the best relationship during their marriage you can still see that they did marry for love and they still have a bit of respect towards each other during their time together. I personally believe that their greed got the best of them sometime during their marriage and that's where it started to go wrong BUT they still did love each other they just had different priorities in life but I'm glad they found their way back. I mean it's hard to believe that they didn't love each other when you have three children together :)
As I've mentioned earlier, I believe depression was part of the theme of this drama also. Throughout this series, there were three characters who had depression (actually more but will focus on these three): Choi Jaesung - Andropause (male menopause); Seo Jian - Suicidal; Seo Taesu - passive suicidal.
Out of these three, Choi Jaesung was the mildest case, however it only meant that if it wasn't prevented properly there was a possibility that it could've worsen. I deeply empathize with Seo Taesu, as in his case it was built up over the years after his family started treating him different due to the change in their financial position. It was actually sad to see that because he was so down that he wanted to die but in no means wants to kill himself. And Lastly, Seo Jian. She did attempt to commit suicide and I'm glad she did recover fast. It goes to show that all of us are vulnerable it's just that others have a stronger facade than most. Out of all the family dramas I have watched, this drama had the most realistic depiction of depression. So realistic in fact that I think they should've placed a trigger warning for the audience.
Overall, it was fun watching this drama. The ending was satisfactory, it was realistic as I think after everything that have happened they all needed time to heal their own wounds.
PS: One of the worst grandpas ever in a series: Noh Yangho!!!
PPS: Other mental issues I've observed in this drama:
Dependent Personality - Noh Myeonghui, Choi Seohyun
Inferiority Complex - Seo Jisu, Noh Jinhee
Manipulative behavior - Noh Yangho
Victim Mentality - Noh Myeonghui
I believe there are more but I'll stop here for now :)
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The plot is centered on the Japanese upper class in 1912, an era that’s very rare to find in Japanese or Asian productions in general which made me appreciate its use. Although the beginning was a bit slow, the love story was done quite well and let me tell you, this is not one of those cheesy stories where everything gets resolved with “I love you” and “I love you too”. This is a mature romance that goes in depth of emotions and struggles to reach its peak. While watching the romantic developments, you will get a taste of flowing innocence, painful denial, endless suffering, forbidden encounters as well as hunting desire that led the storyline into dark yet enjoyable corners because it was one of the basic chapters of this movie.
The story’s developments weren’t always right or very well done. Actually, some of them felt predictable and quite bothersome to follow such as familial quarrels and the barriers against the main leads’ relationship. However, if we judge it by the overall atmosphere; the screenwriting was able to pull it off and create a pleasant and mature love story.
The acting department was almost flawless. As usual, Tsumabuki Satoshi was able to get complete control of his role like he always does; that guy is an astonishing actor indeed. It doesn’t matter what kind of role you give him, he will manage to shine in it no matter how badly written it is. On the other hand, Takeuchi Yuko happens to be an expert in romantic stories. Of course, I am not denying her acting skills but if you saw her other romance oriented productions, you will notice that she always manages to create gripping chemistry with her partners and this movie wasn’t any different.
Spring Snow is all about chemistry, so if Satoshi and Yuko didn’t pull it off the way they did; everything about this movie would’ve fallen apart. It was so consuming and very different from other Japanese productions; from now on, that’s how chemistry is supposed to be done. Moreover, the characters’ development was quite neat and enjoyable overall even if some of them felt quite messed up at times.
You should watch this if you’re looking for mature romance, great acting and astounding chemistry. Needless to say, if you’re expecting something fluffy and cute then you’re definitely in the wrong place.
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How much can one's skin, one's face tell you…
Under the Skin is a crime drama that revolves around two main characters Shen Yi (Tan Jian Ci) and Du Cheng (Jin Shi Jia) and how they solve cases together. Shen Yi was an art professor but he joins Criminal investigation Detachment of Beijiang as a forensic artist and helps them with his great observation skills and his professional art skills. Captain Du Cheng bears a grudge against Shen Yi as he once drew a portrait for his undercover friend who later died.
The balanced tension between these two where one carries guilt and the other carries a past grudge was visible right from the beginning but since this combo was tied together by circumstances it was gonna be fun watching how the latter story progresses. Their bond that develops over time and the trust that comes along as they solve mysteries together is the precious part.
Favorite lines from the drama »»»
—"Humans give intriguing expressions when they're alive but once they're dead, their face becomes so dull"
—"Dead men are expressive too. Sometimes it's even reliable than a living person"
A major highlight of the drama are "portraits". If not for this drama, I could've never expected art is this deep and they can actually recover faces with such less hints. I appreciate the amount of art and portraits in this drama. It made things more realistic and reasonable. It's about the details that makes this drama more interesting.
This has a total of 10 cases including 9 cases of the present and 1 case from past 7 years ago which are intriguing, unpredictable and unique. The best part is that their stories will not disappoint you at all.
Acting — Tan Jianci as the invincible portraitist is the perfect actor for this role. His minute expressions everytime he is drawing or sketching is just flawless. The way he acts as if he is observing things looks so real and he is like totally into his character. Jin Shijia is also good acting as the cool leader of the team. Even all those guest actors who acted only for 2-3 episodes when their case was going on were so on point. I was touched by some of their stories and no doubt their acting played an important part.
Okay so overall, I enjoyed the drama totally. I was looking forward to the revelation of all those cases and I liked the stories in them. The acting is perfect and I recommend this thriller mystery drama that has little sprinkles of bromance along.
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Don’t Frighten the Horses
Well I got what I was wanting, something totally unchallenging. Yes I just wanted to veg out for a few days and this met the bill exactly. It also provided a good number of unscripted lmao moments as the ludicrousness - if that’s even a real word, it has the ring of a non-aural onomatopoeia - unfolded shamelessly before my eyes. It’s no Ming Lan, which is a pity because taken a bit more seriously it had all the ingredients. So how can I really get stuck into something that managed to keep me watching for all 40 episodes. There has got to be some good stuff there even though it undermined itself at every opportunity.The storylines had interest and they offered good opportunity for character development and showcasing contrasting character traits. This is mainly what kept me engaged for the duration, although even this wore a bit thin at the end. They were a series of set pieces rather than one long twisting narrative twisting and these varied scenarios were paced well and showcased different characters.
But the time taken to achieve remarkable results was drastically foreshortened. Things that should have taken at least two years were achieved in six months. In doing this, all sense of realism and difficulty was undermined and the whole drama, and particularly the characters, were coated with a gloss of immature fantasy. The script didn’t help by reducing the business conversations to a mockery. Simply by lengthening the time-frames and writing more credible business dealings the characters could have achieved so much more depth and been offered space to reveal determination, grit and courage which were not really evident in the easy-success-piled-on-easy-success procession. It was episode 32 before there was any bite and real consequences were more fully explored. Unfortunately, before and to some extent, after that, any nasty unpleasantness had a feel-good blanket pulled over it.
Although lip service was paid, the opportunity was mainly missed as there was no real exploration of the cost or difficulty. Things happened and slid by without much of the proverbial s**t sticking to the protagonists. In fact they glided through the whole thing with serene, wrinkleless (another impossible word) faces. I was less than impressed by Hu Yi Tian (Gu Yan Xi) who managed to get through virtually the whole thing with one facial expression, except for the odd occasion where the director requested him to open his eyes in surprise. Which he did, to mirthful effect. Zhang Jing Yi (Hua Zhi) was a little more expressive, but remained far too calm to be convincing. The chemistry between them was placid rather than fizzing without that visible excitement you get when you’re bang slap in love.
I was more invested in some of the minor characters who had more life and animation. It was a large cast and showcased female actors and the story was predominantly shown from the women’s perspective, particularly early on.
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Girl Power – Delightful and Inspiring
Despite being set with a background of a royal harem in a fictional world, this drama exudes positive aura throughout, without the typical and tiring hair-pulling cat fights commonly seen in historical palace dramas. “New Life Begins” describes a utopia where girls band together to help each other, freeing themselves and achieving their goals, realizing the adage “unite is power”. Most of the characters are lovable, albeit with flaws, and their growth is distinct, from being weak and helpless to being strong and courageous. The story is inspiring and comforting.Centers around Xin Chuan, one of the nine kingdoms, and its sixth Prince, Yin Zheng (Bai Jingting)’s household, the story contrasts each kingdom which has its individual unique characteristics, features and cultures, with Xin Chuan being the leader of the pact. To build cordial relationships with all the other kingdoms, the King of Xin Chuan wants his sons to marry noble girls from the various kingdoms. He calls for the kingdoms to send their best eligible girls. Li Wei (Tian Xiwei) is selected and sent to Xin Chuan; she is reluctant, for Li Wei doesn’t want to marry a man she doesn’t love, and she wants a one-man-one-woman marriage with equal rights practiced by her home kingdom whereas Xin Chuan still follows the traditional polygamous system.
Among all the noble girls, Li Wei seems to be the least favorable for she tries to wriggle out of the wife selection process. Despite that, she is chosen by Yin Zheng the 6th Prince as a “side” wife, for Yin Zheng wants to maintain his low profile by marrying a girl nobody wants. Yin Zheng looks sickly and to survive in the back-stabbing treacherous palatial world, he blends himself into the background that nobody takes notice of. What seemingly an unlikely relationship, Yin Zheng and Li Wei fall in love with each other.
Li Wei is intelligent, compassionate, and down to earth. She provides Yin Zheng with practical ideas and helps him maneuver and eventually get noticed by his father, the King. How she makes friends with Yin Zheng’s “proper” wife and the wives of his brothers, all of whom later become her business partners and they help each other to become independent, is very inspiring. Tian Xiwei’s Li Wei is natural and believable. She has given a wonderful performance here.
Bai Jingting’s Yin Zheng is equally great. The actor is very pale and slim and does look sickly, which is perfect for the Yin Zheng character. Under that weakling skin, Yin Zheng is intelligent, well-read and a competent fighter that no one is aware of. Despite he has two wives initially, he is devoted to Li Wei only; his relationship with his “proper” wife is cordial and platonic. Bai Jingting has been one of my favorite actors. His acting range is very wide, from a ping pong champion in Ping Pong Life, to a special taskforce police officer in You are My Hero, to a silly and humble character in Octogenarian and the 90s, and to a historical prince in New Life Begins. He immerses himself completely into all his characters, giving viewers very convincing and lovely performance in each. He is always subtly funny.
Each prince has his story with his wife/wives. Most of their stories are hilarious and relatable. For example, the fifth Prince loves his wife and is helpful, but he can’t get a thing right; the third Prince has multiple wives but can never get their names straight. All the other characters are lovable, even the antagonists are pitiful, and the whole cast is very believable. Though despicable, the second Prince who is groomed to succeed the throne, and the fourth Prince, extract sympathy from the viewers when they get into trouble.
My Verdict
This is a heart-warming drama with girls helping girls, and trying to change the male-centered system. All the girls are intelligent, courageous, and independent. Despite their unfavorable environment, they don’t self-pity nor fight among themselves but help and take care of each other. This eventually makes the group strong and enables them to be financially independent, maintain their dignity and eventually change the society to a fairy one. This may sound very feminist to many viewers, nonetheless, it's one of those easy and delightful story that can cheer viewers' mood.
Romance wise, the chemistry between Bai Jingting and Tian Xiwei is pretty good and sweet. There is also a very lovely second couple here with a very funny relationship.
The message: No matter where one comes from, be it Iran, Afghanistan, Pakistan, China, or even the open west where girls are being suppressed and their rights infringed, only when girls unite and work together, great things can be achieved, and dignity maintained.
Easy watching and entertaining. Recommended!
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This review may contain spoilers
So you have heard this show is good, but you are wondering whether a 12 episode show about a famous chef will be interesting for you. However, this show is about so much more than just cooking and is definitely one of the best Japanese drama’s out there. I’ll explain why in this spoiler free review :) .Story: The show is based on the true story of Akiyama, a young man who shows little potential to be successful in life, but will somehow become the emperor’s chef someday. The story is the main strong point of this drama. The story is not about ‘just cooking’, but focuses on Akiyama and his family and friends who have to overcome various obstacles. It is hard to explain why the story is interesting without spoiling, but let's just say the story is more about pursuing a dream/ family problems/love/etc and not about 'kitchen trouble'.
It is made clear from the beginning that Akiyama will be the emperor’s chef, so the question is not whether he will succeed, but how. Akiyama must make a lot of sacrifices to pursue his dream and that’s where the drama aspect comes in. The story is about how we need the help of other’s to be successful, but simultaneously can be slowed down by getting too attached to these same people. This forces Akiyama to make hard and dramatic decisions.
Akiyama is a bit selfish, doesn’t mind bending some rules and has a quick temper, which makes his character very interesting. There are various side-characters, who all have their own problems, ambitions and agenda. The screen time is well divided and they all get their moments to shine, which will make you care about their fates as well.
Moreover, the story is well divided over the twelve episodes. Some might think that the first episode is slow, but after that the story makes progress every episode. Around episode 3 / 4 I was already hooked. The ending is also well written and is likely to have a lasting impact. The show is sometimes funny, often dramatic and continuously inspiring.
What makes this show truly great, is that the good story is combined with flawless acting. Takeru Sato shines as his role and deserves all the recognition he got for this part. As time progresses Akiyama’s personality matures. Sato aptly portrays all the different Akiyama’s through changes in posture / voice / expression very naturally so you will hardly notice it. Moreover, he is able to play both the funny and the dramatic scenes very well.
Kuroki Haru does a great job as Toshiko with the use of some subtle but great acting. She has great chemistry with Takeru. Suzuki Ryohei was the biggest surprise for me. In this show he proves he can also play a different role than the usual brute type he plays. He played his emotional older brother role very well. Hopefully this will make him play more varied roles in the future. Most of the secondary characters are portrayed quite well by the actors, who are able to give their characters personality with only limited screen time (BANZAI!).Furthermore, I really liked the acting of the French girl and the old shop owner. Besides the French girl, there are various foreign actors in this show, but I was not very impressed by their acting. Two secondary characters even annoyed me with their poor acting skills. But it was probably hard to find good acting for the various smaller foreign roles. They were not in many episodes, so it didn’t bother me that much. The main cast (that also includes a foreign actor)did a great job.
The music was quite good. There were nice sound effects, and some good tunes. They complemented the show nicely.
Rewatch value: I do not usually rewatch shows, but I will probably rewatch this one someday if I crave for some good story telling.
I normally do not give 10’s (other than 1 Litre of Tears), but this show has a brilliant story, combined with great acting. Besides some very small complaints, this show was just perfect. This will remain the one of the best Japanese shows for a very long time. Give this show a chance, you will not regret it. BANZAI!
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Lee Kwang Soo stood out to me when I first saw him in City Hunter. I don't know why; he just did. He quickly became one of my favorite cast members on Running Man. Since then, I've seen almost all his series and a fair amount of his movies. His acting has gotten better and better. As the lead in Sound, he's perfect. The cast he leads which includes the phenomenal Kim Mi Kyung. (I swear she is the hardest working woman in South Korea) are equally as perfect. This is the odd case where the casting director got it right all the way around. Speaking of RM, ex-RM, Song Joon-Ki is in an episode for maybe 2 minutes. Current member Kim Jong Kook is in another episode for perhaps 10-15 minutes. That brings me to the episodes. The webtoons were 15 minutes. Luckily, I found 30 minute episodes (2 web eps put together of course).
The writing is fantastic. There are some crude scenes (remember that potty humor I mentioned), but don't let that deter you. Those couple of scenes are really setting up something bigger and funnier. WARNING: The funny may sneak up on you. I started watching Sound at work. A scene came out of left field and took me by surprise. I basically holler laughed and had my supervisor at my desk wondering what I was doing. There's very little character development as it's not that kind of a show. There is character familiarity. You get to know these characters quickly as you do if you were just starting to read a comic or watch an animation. Hopefully, there will be more seasons and we'll see them develop.
The music was good... I guess. LOL I remember there was music and it fit well. I didn't find it hokey or silly. Just appropriate.
Overall, I adored The Sound of Your Heart. For me it was the perfect 30 minute nugget to help get me through my days. I've actually watched it twice in less than 2 weeks. I guess the rewatch factor is kind of high, huh? ;-) Mind you, the type of slapsticky comedy might not be for everyone, but you never know until you try.
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