This drama is in some ways your typical historical Chinese palace drama which as expected, revolves around rivalry between concubines and endless plots to take each other out of the picture. However, Yanxi Palace provides a less conformative story line with an independent and smart heroine who is loyal to those who genuinely help her and doesn't take BS from anyone (even the emperor). The plot twists within the drama were also unique and often unexpected, when watching I never knew what was going to happen next. It is these minor details that differ it from other palace dramas and make it worth a watch.
I'm sad this is over especially as who knows when I'll next find a drama that can match up to it but I wholeheartedly recommend this drama to anyone who doesn't mind seeing all the male characters with the half shaven head hairstyle (doesn't matter how many dramas I watch, still not a fan) and likes a sassy and smart heroine who stays true to herself.
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I'll try to explain why Legend of Concubines Zhen Huan is so special to me and why eventually it left me speechless but I know that won't be easy job, still I want to write about this drama cause I want to always remember all the things I experienced while watching it and remember how it was a real inspiration for me. First I need to say that it instantly became one of my ultimate favorite dramas, it was totally addicting, interesting, entertaining, and even more informative than any other Chinese historical dramas I've watched about Palace (palace intrigues and palace etiquette) especially about concubine ranks (from Daying to Huanghou), how they have to behave and follow the proper etiquette when meeting the Emperor, Empress, Empress Dowager or concubines with higher rank and even also how concubine's parents have to salute and address them very strict conduct. it's like I've learn lot of things only with that drama and made me want to read a lot more about Qing Dynasty. This drama impressed me on so many levels that I hardly have words to express the beauty of this piece as everything is simply perfect from the writting of characters and story to the costumes which are so exquisite, make up, sceneries, music, poetry … In my opinion the costumes and make up in this drama are the best I've seen, all the concubines look so graceful and sublime in all these different dresses with their make up and headpiece which make them so unique and different from each other, but of course for me the Queen of the Palace is Zhen Huan, she's so dazzling and the most beautiful woman the emperor ever has in his harem and somehow I totally understand why he fell for her, why he wanted to always be in her company and asked a lot about her opinion for private matters because of her superior education and great cleverness.
Now I'll write about Zhen Huan and her story just if you plan to watch this drama I don't really know if what's coming can be considered as a spoil so just in case do not read the next lines, only about Zhen Huan's part though), so it deals with her story and how from an innocent and pure hearted girl she becomes one of the most powerful and scary women in the harem. What I liked about her when she entered the palace is despite that she was very young she was not careless but very cautious, in the very beginning we can see that she does not want to gain the emperor's favor to stay away from all those schemes/plot and I have to say that it was her most peaceful moments, living in harmony with her two dearest friends. But of course it did not turn like she wanted it to be and after all the sad things that happened to her what she then did was not because she wanted fame and power or favor from the emperor but only to survive and protect the ones that are dear to her, parents and sister, her love, her children, her best friend. Even if people would say she became heartless and greedy I can't really agree with them and I can't hate Zhen Huan either, on the contrary I think she was so smart, strong and daring, all what a woman in the harem needs if she wants to live and survive. After finishing this drama I realise how I love Zhen Huan, she automatically became my favorite female character because she always manages to remain unscathed no matter what's happening to her not showing her true feelings to her opponent, I admire her so much for that, I also love her imposing character, her braveness, her heart and her scary face as well.
I've always liked Sun Li and found her incredibly talented but in this drama she showed another facet of her acting, in my opinion she delivered her most outstanding performance In LOCZH. A Stunning Actress indeed <3.
In this drama I generally like Zhen Huan's relationship with all other characters, I'll talk about some of them :
-Mei Zhuang her sister of heart, the only woman in the palace with whom she could be fully herself and tell all of her inner thoughts, I like so much their bonding and their conversations it was always so genuine and so adorable how they care for each other and help the other when necessary and I can't even count the number of time they tried to help each other in dire situation, her best friend and her best confidant in this awful palace.
-Jing Fei one of Zhen Huan's Jie Jie in the Palace who was always here for her, I love seeing them together and despite their age gap I found their friendship so beautiful, as much as Jing Fei did a lot for Zhen Huan, Zhen Huan always helped her in return and gave her one of her most precious thing in life, one of the most wonderful present ever.
-Duan Fei, I love so much those two, I don't really know why Duan Fei decided to go near Zhen Huan and approached her (maybe I'll understand more when I rewatch the drama) but for sure they have one of the most incredible friendship in this palace, I also love the way they always salute each other, and only both of them do that in the Palace making them look so cool and unique. Duan Fei is such a respectful and dignified woman and I'm glad I could see more of her in the second part of the drama.
-Hua Fei, ahaha what an incredible and hateful relationship they have those two, such a threatening woman Hua Fei is but Zhen Huan never showed her feelings towards her I mean she never ever showed her weakness and so it was so hard for Hua Fei to attack her and destroy Zhen Huan however she's for me one of the greatest villain I've seen in drama, Jiang Xin did a really great job in portraying the cruel and scheming Hua Fei, SUPERB !
-4th Prince, he is cute and very well educated I'm glad Zhen Huan paid attention to him and decided to take care of him and keeping him company.
-Ning Pin, this woman is so unpredictable and dangerous and we love her like that (at least I do), she never ever showed some attention about all those scheming in the palace nor for high position or favoritism cause after all she was like lost in an empty island , a place she was not meant to be and maybe I think that befriending Zhen Huan made her life a bit more positive and interesting, love love so much those two together and all the things she did for ZH . Definitely a character I will never forget since she made such a great impression on me when I first saw her.
Generally I liked all of the different characters even those I haven't cited above (Guo Jun Wang, Zhen Huan's maids especially Liu Zu and Jin Xi, Doctor Wen...)
Frankly speaking there's not a character I truly hated, I rather sympathize with some of them nevertheless there's one exception and that is the emperor whom I just couldn't like and totally hated all what he did to all the concubines, how he treated them like merchandises, shows favoritism to some of them and doesn't even look at the older ones arousing jealousy of each other. I particularly disliked that he couldn't trust them and believe his favorite women and not look for evidence and punish them whe he thought what he had before his eye were crucial proof. I won't say more but yeah that's pretty much what I think.
The Music also was so beautiful, another one of the aspect of the drama I truly enjoy and that's true that at first I did not really notice it I would even say that I did not like it either especially the op and end songs which I found pretty boring but honestly I realised after some time that they fitted perfectly with the tone of the drama and I even started to like them and enjoying listening to those songs that we can hear in some sad and memorable scenes in the drama. I also love so much the instrumentals.
Personally I enjoyed every second of this drama and I know the beginning is a little bit slow I would say the first 15 episodes but it was necessary for the comprehension of the story and the main characters. After that everything was so addicting and all I wanted was to watch the next eps and follow Zhen Huan's and her friend's adventures, how she will evolve throughout the drama and what would she do. I'll definitely rewatch this drama for sure, I'm not scared to rewatch the entire drama as it is one of those dramas we know no matter how much we rewatch them we won't be bored and at least maybe it'll give me the opportunity to understand more the characters and their difficulties.
without any doubt I would recommend it to everyone and especially for those who aren't afraid to watch a long drama and wants to learn more about palace etiquette and how it worked at that time.
This is one of those rare drama I knew I would love and yes it totally lived up to my expectation and even more than that since I loved it much much more than I expected.
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1Really cute and with a good message
On the face of it, the main character, Fukuhara, has terrible luck. One day, he realizes the popular Shinomiya is the opposite - he has fantastic luck, and Fukuhara decides to get close to him to take advantage of this, and accidentally becomes his boyfriend.This seems a fairly straightforward fake relationship to real relationship story, with the lucky/unlucky framework. But where the story takes on some complexity that is easy to miss, is that Fukuhara sees everything in black and white - good luck vs bad luck - but he never considers how good luck can be a curse too. Shinomiya never knows when people really like him or if they're trying to exploit him - he doesn't have to develop any skills, or work at anything, or can he get a sense of satisfaction for accomplishing anything, because everyhing goes his way. In fact, the first time they meet, it's Fukuhara that rescues Shinomiya from being swamped by adoring girls - and it's "bad" luck that brings Shinomiya into his life. It's very yin and yang - good luck and bad luck are also each other.
But the other message of the story is that luck is a matter of attitude. Have you ever noticed that when you're in a hurry, all the traffic lights are red? Why is that? It's because when you're not in a hurry, you don't really notice them. They're just part of driving. Likewise, if you have a negative outlook, you focus on unfortunate things that happen, and might miss all the positive things happening around you, or fail to take advantage of opportunities that come your way. The opposite is true for someone who has a positive outlook.
How unlucky is Fukuhara? Everyone likes him, and a beautiful man, inside and out (especially out) falls in love with him instantly, both for his looks and his quirky personality. A lot of the "bad" luck leads to positive results - it's just that he doesn't see it that way because he's focused on the negative. Even the final crisis - was it unlucky? It certainly appeared to be spectacularly unlucky - but nothing bad happened, and nothing bad could have happened, but it had a very positive outome. So wasn't it actually lucky?
Deep, right?
The writing avoids predictability and cliche - Shimomiya is a classic Prince Charming, but there are times when Fukuhara makes confessions that in a "standard" BL would result in a serious and romantic swoop by the seme, but here Shinomiya cracks up laughing - and it's perfect instead of cringey.
The acting is wonderful - both actors have great comic timing. Soto Ryosuke is adorable and hilarious, OTT, but in just the right way, and Sato Yusuke is just beautiful. Especially when he takes his shirt off. (I'm shallow. And I own it.)
What prevents this from reaching 9 or 10 territory for me is that it's really almost a bromance, and there's really no particular reason for this. A little too much of the run time is taken up by what feels like a repetitive cycle of Fukuhara resisting Shinomiya. In the discussion forum, people came up with many justifications - Fukuhara felt guilty, Fukuhara had low self-esteem and didn't feel worthy, etc. The problem is that we hear Fukuhara's entire inner monologue, and he "thinks" none of these - he just feels the needs to resist. This, and the lack of any physical resolution to their relationship - not even a hug - smells of institutional homophobia. The writing isn't explicitly so - Fukuhara never says "I can't be gay!", and Shinomya appears to be gay, as he states what his "type" is. Fukuhara doesn't think he can manage to fall asleep in the same bed as Shinomiya, suggesting he's sexually excited by the intimate proximity, etc. But, well, actions speak louder than words, and at the end they have a tickle fight, which is cute, but not really the most satisfying end to a romance.
Still, this is a pleasant watch, with some funny moments, more depth than it appears to have on the surface, sharp dialog, and plenty of eye candy, so I have no problem recommending this to everyone - it's hard to imagine anyone not liking it.
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Story: The story was cliche, but I live for cliches, especially mob-related so basically I adored it. Due to the length, certain very small scenes were a tad confusing if only because the cut into them seemed random, but they soon became clear. By the end of each chapter (which are usually ~15 min. segments), I had a very clear understanding of what was going on, so the confusion wasn’t long-lasting.
Acting/Cast: I’m not gonna lie, for a small studio film, I wasn’t expecting much re: the acting, but I was absolutely blown away. The actors are incredible and create such dynamic characters through facial expressions alone. They were an amazing cast that I would love to see in future dramas.
Music: So cute! The reoccurring song that played every time Gitae and Chisoo had a moment was sweet, gentle, and just downright adorable. It encapsulated that fuzzy feeling of butterflies in your stomach. The music for the action scenes were perfect for creating a high intensity environment, as well.
Rewatch Value: The only reason I am not immediately rewatching this movie is because I have to go to class in the morning. Needless to say, I will be watching this movie many more times in the future.
TL;DR: If you’re looking for a good LGBT movie with great acting, a fun plot, and a happy ending, then Long Time, No See is the choice for you. Please support this movie and the studio STRONGBERRY by buying the chapters ($12) so we can hopefully see more wonderful content like this in the future!
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The Effects of Juvenile Delinquency And the Role Society Plays
From its opener, this drama came out swinging, and it didn't stop to the end. I had high expectations, and I am glad it didn't disappoint. I thoroughly enjoyed this drama, everything from the overwhelming storytelling and cases to the cinematography, directing, and especially the acting of the leads and the supporting cast. Both Kim Hye Soo and Kim Mu Yeol were outstanding, and complimentary of each other. Her strong stance on punishment and his clear belief in nurturing and reform completed each other in many ways. It was almost like when she ran cold, he warmed her up, and when he threatened to go cold, she found a way to warm him up. Their personal traumas helped me understand their stance and shaped the story.What I like most about this drama is how daringly it tackled the complex and staggering psychological and social circumstances surrounding juvenile delinquency, the juvenile court system, and the effects it has on the victims, the juvenile delinquents themselves, their families, and even society as a whole. The thought that the stories it tells maybe someone's real life reality is heartbreakingly crushing. Right after I watching Juvenile Justice I read a review that described the script as "having a tendency to devolve into preachy monologues, which did a disservice to the drama". I was utterly surprised, because I thought those preachy parts were precisely what made the drama so impactful, given the heavy subject matter.
As much as I enjoyed the drama, some episodes were hard to watch, almost cruelly so, especially how desensitized society has become to the pain and injustice of others. The drama was thought provoking. It made me question myself and how I would react to the many uncomfortable situations. I have a newfound respect and admiration for juvenile delinquent judges, counselors, social workers, and everybody who works with and around children. I don't think I could do it. The whole time I watched the drama, I kept thinking that when parents cover up for their children's wrongdoings, are they doing it for their children or for their own sake? I also couldn't stop thinking how children as young as nine could be so disconnected from their community and society that they could commit such atrocities; where and how does it go wrong, be it with the children, the parents or society. A lot to ponder.
I am not a parent, but I know it isn't easy. As an aunt actively involved in raising my nieces and nephews, I know how important it is for children to know that they are loved unconditionally, particularly when they make mistakes because everybody make mistakes. But they also need to those mistakes have consequences, especially when they cause harm to others. Parents sternly disciplining their children is the tough love they need. It's far more helpful in the long run than covering up those mistakes, no matter how bad. And this is especially important in a country like South Korea, where society plays a big role in shaping its citizens, that it becomes part of the solution, not a contributing factor. I wonder if I sound preachy, hmmmm!
Juvenile delinquency isn't just a legal issue that can be taken care of by law, but a major social problem that requires urgent attention. I pray this drama in its ten episodes succeeds in casting the needed attention, and more importantly, to relay the message that punishment shouldn't only be about imprisonment, but also development and reform. As Shim Eun Seok says in the drama, it takes a village to raise a child. It's why we still need the "village" strengthening support mentality for our children today. Is Juvenile Justice a perfect drama; perhaps not, but it does a darn good job expressing how the inadequacy of the criminal and judicial justice system, the breakdown of the family unit, particularly parental guidance, and resulting trauma as well as societal neglect exacerbate serious youth crimes. Yes, reforming juveniles is paramount, but their victims matter too and shouldn't be marginalized in the process.
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First of all, this drama should not be called ‘Legend of Fuyao’ because didn’t focus enough on Fuyao. It should not be called ‘Legend of Wuji’ either because Wuji was willing the risk the safety of all the people in the 5 kingdoms for his love interest. Though his love and devotion to Fuyao was admirable and touching, this is not what a good ruler should be doing. So, no, Wuji does not deserve to be called a legend either.
I think a more appropriate title for this drama would be ‘The story of Fuyao, the woman who changed Wuji’s life’, because Fuyao turned Wuji’s life upside-down and brought his arrogance down a few notches the moment she entered his life. It is also a coming-of-age story of both Fuyao and Wuji as it shows how they change as a result of knowing each other and going through the trials in their lives.
The story takes us through 5 kingdoms (Taiyuan, Tianquan, Tiansha, Xuanji and Qiongcang) and has a lot going for it – court intrigue, action, adventures in strange lands, long lost identities and an epic love story. However, the focus, development and pacing of the script was inconsistent. . The drama’s title and first 8 episodes in Xuanyuan Mt. had us anticipating Fuyao embarking on a quest to find her true identity and remove her 5 seals. However, after she left Xuanyuan Mt, the focus changed all to Wuji and Fuyao became an accidental follower in his schemes instead of leading the story as the main character. Too many episodes were devoted to the court intrigue in Taiyuan which did not move Fuyao’s quest along one bit. The result of this was that everything else had to be squeezed into the remaining half of the drama and so there was no time for proper development of the stories in the remaining kingdoms. The story in Xuanji kingdom - where Fuyao’s childhood story and true identity were revealed - was especially short and rushed (only 6 episodes). Wasn’t this drama supposed to be about Fuyao? I would have loved to see more time devoted to Fuyao’s backstory (because it was just so tragic) and how it shaped her strong character.
ACTING
(1) Yang Mi as Fuyao
I liked Yang Mi since TMOPB, but after Fuyao, I have become a fan. Her performance was simply PHENOMENAL! I love actors who can emote with their eyes and Yang Mi did this superbly here. Her eyes are so gorgeous and expressive, I found myself drawn to them every time she appears on screen. She had a lot of epic scenes that had no dialog – the attempted rape scene, Yao City battle, rain scene, when she regained her memory, when she turned evil). She relied only on her eyes to convey Fuyao’s emotions and slayed every scene. Just a simple change in the expression in her eyes could convey so much, especially when she teared or cried – my heart just went out to Fuyao and I could really feel her pain. I particularly love her scenes with Uncle Zhou as the surrogate father-daughter bond was just so heart-warming and touching. And despite all the heart-break and hardships Fuyao endured, there was always strength and fire in her eyes.
I feel a lot of viewers do not give Yang Mi enough credit. I guess this is because majority of viewers are female and prefer to focus and swoon over the male lead. When a male lead cries, it is hailed as good acting whereas the female lead can cry buckets and no one takes notice. Is it because females are expected to cry, so that no one thinks much of it anymore? I vividly remember 3 scenes - just before Fuyao passed out after her fight with Zhangsun Ping Rong, right after she regained her memory and just before she stabbed herself. In each of these scenes, Yang Mi dropped a tear that totally broke my heart. It’s sad no viewers bother to mention her great acting in these, as well as many other scenes, whereas when the male lead drops a tear, viewers shout about it.
So, I do wish to give special mention to Yang Mi here because her exquisite and excellent performance was one of the main reasons I enjoyed this drama. At the end of the drama, I realise the character I remember most is Fuyao. Yang Mi made Fuyao come alive. She made me care for Fuyao and want to continue watching the drama to find out her fate. I only wish she had more screen time. She lights up the screen every time she appears and stole the show.
(2) Ethan Ruan as Wuji
This is the first time I have ever seen Ethan Ruan acting and so I did not know what to expect from him. His performance as Wuji was both a hit and miss for me. It was a hit because he looks handsome as Wuji, had great chemistry with Yang Mi and was good as the cheeky and flirty prince. But it was also a miss because some of his facial expressions, especially his smiles/smirks, come across as sleazy and goofy instead of suave or endearing. There were several OTP scenes where he suddenly gave a goofy smile that just totally spoiled the tender moment. And he tends to overact, such as crunching his face into an unrecognisable mess to express pain or angst. It made the last few episodes, when Wuji was crying over his parents’ betrayal and when he was chained to the ice on the mountain, very difficult to watch. I cringed more than I felt touched. I just wish he had used more of his eyes to emote (like the senior actors and Yang Mi) instead of such exaggerated acting, because some of his emotional scenes were good.
OTP’S LOVE STORY
Fuyao and Wuji’s love story has got to be one of the most well-written and best developed I have ever seen in a Chinese historical drama. Their epic love story is one of the things that really draws you in to this drama. It was wonderful seeing their relationship grow from the initial fighting and flirting to trust, support and finally self-sacrifice for each other. And Yang Mi and Ethan’s chemistry was simply sizzling! They looked so natural and comfortable around each other and their scenes together were a joy to watch.
MUSIC & CINEMATOGRAPHY
I absolutely love the OST and BGM. Every piece of music suited the mood of every scene so well. I daresay I prefer Fuyao’s OST/BGM to TMOPB’s. Cinematography, sets and costumes were also very good and gave the drama a grandeur more common to movies than a TV drama.
FIGHT SCENES
One of my favourite are the fight scenes. There are more fight scenes here than the average Chinese historical drama and you could tell a lot of effort was put into these as they were all very well-choreographed and visually stunning. Fuyao had the best fight scenes and Yang Mi just looked soooo freaking COOL fighting and flirting!
FINAL THOUGHTS
As someone who read the novel before watching the drama, I was very frustrated over how the drama scriptwriter had changed and butchered Fuyao’s character. Drama Fuyao was a victim of circumstances. In contrast, novel Fuyao was a dictator of events. All the schemes that Wuji planned in the drama were actually plotted by Fuyao. She single-handled plotted and helped put all 5 male leads on the thrones in their own kingdoms. So, I didn’t like the fact that the drama made Wuji more like the lead character and accredited all of novel Fuyao’s achievements to him.
When writing this review, I had to treat the drama as being NOT RELATED to the novel at all. Otherwise, it would not have been fair to all the cast and crew who put up such a fine production. Other than the inconsistent script, everything else about the drama was very good – from acting to music to cinematography and fight sequences. Putting my drama vs novel bias aside, this is still an entertaining drama with lots of action, adventure and intrigue to keep you engaged. If nothing else, Yang Mi’s and Ethan’s superb chemistry and love story will keep you invested and wanting more.
If you are debating whether to read the novel or watch the drama first, do yourself a favour and watch the drama first. You will enjoy the drama a lot more this way. Then go read the novel to understand what a truly awesome character Fuyao is and why she is a legend. The drama totally does not do any justice to Fuyao and the novel.
REWATCH VALUE
I will definitely rewatch this drama for my favourites scenes, action sequences and Yang Mi’s superb acting.
* ENDING SPOILER ALERT *
In case anyone is still confused about the ending, Fuyao and Wuji did not die. In the last scene, they are alive and well on a bridge (probably in Tianquan), not in heaven. The words spoken by Wuji in that scene (ie. follow her to the mortal realm etc. etc.) are actually lines from the novel that novel fans love. The scriptwriter probably put it in thinking that it would please novel fans but instead, it ended up confusing everyone about whether they lived or died.
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I wasn't too sure about the story in the beginning, and I'll admit that throughout this drama there were moments were I thought it would go south. However, after I finished it, I realized I couldn't have been more wrong. The writers pulled off the storyline wonderfully. Even when the plot seemed a bit too complicated to execute well, the writers did a great job at it!
Now, I just want to talk a little about the acting in this drama. Honestly, this is one of the most well acted dramas I've seen so far. Park Bo Young and Jo Jung Suk have AMAZING chemistry. I would find myself playing certain scenes over and over again, just because these two are so great together! The way their relationship grows from beginning to end is so sweet. I also want to say that these two share the most real and believable kisses I've ever seen in a drama. Seriously! Whenever they were on screen, I would always look forward to how they would interact with each other. Part of that is because this drama has really down to earth acting. You can tell that all the actors have fun with their roles (especially the kitchen crew), and they bring that excitement to the screen. Not only are the interactions between Na Bong and Chef very real and believable, but the interactions between all the other characters as well. I loved watching the kitchen crew going through their day, bickering and cracking jokes at one another. Their acting was so real that I would forget what they were saying was actually scripted. It was fun watching them, especially during the moments where you could tell they were about to break out of character and burst out laughing! I especially loved Sous Chef (Kang Ki Young). Some people might find him a little annoying, but honestly he made me laugh numerous times throughout the drama!
Im Joo Hwan is also amazing in this drama. His portrayal of Officer Choi was spot on, and I was really moved by his character towards the end. The same goes for Kim Seul Gi (Soon Ae). There were times where I was a little confused and annoyed about where her character was going plot wise, but toward the end I'd come to understand and appreciate what she did for the story.
This drama does have some minor flaws, like pacing issues in the last few episodes and sort of a rushed ending. Despite all that, this drama is still a perfect 10/10 for me. I don't normally do reviews, so the fact that I came here to write this immediately after I finished it is saying something. If you're looking for a great romance/comedy/mystery drama with amazing acting and lovable characters, then give Oh My Ghost a chance!
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Like a mucus bath.
Don't be fooled by this drama's engaging start - a hint of intrigue, the promise of adventure, a powerful secret weapon, political conspiracies aplenty and a heart stopping romance between a intrepid princess and a valiant guard. After about a dozen thrilling episodes this drama turns so icky that it feels like a mucus bath.Instead of the incomprehensible Rebirth For You, this drama's real title should be The Story of Miaorong. Because over 30 super long episodes (50+ minutes), practically all of the screen time is hijacked by the deranged machinations of the female and male love rejects' pathetic, slimy and absurd schemes. Every time you are about to jump ship out of frustration, they will throw some sugar at you with some sweet scenes between Bao Ning and Li Qian but make no mistake, the very boring actress that plays Miaorong gets MOST of the screentime. The final insult to the injury is this smart couple becomes stupid and their devotion and absolute faith in each other devolves into angsty and immature misunderstandings toward the end. The promising plot threads and interesting antagonists are left largely under exploited while the writers strive to bore us to death with every silly, malicious cat fight and scorned lover trope ever conceived of. This is a total waste of both Ju Jingyi and Zeng Shunxi's acting talent and is little more than a shameless exercise in letting second rate actors get too much exposure.
If you are die hard fans, watch about the first twelve episodes and the last one or two. All the rest can be skipped but my overall recommendation is to save some brain cells and not watch this at all. This is my shortest review ever to avoid wasting any more time on this abomination. Rating 3.5/10.0.
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I Love My President Though He's A Psycho
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I briefly considered giving this a 10 (like another review for this drama) simply because I just could not believe that the writer would, with their hand over their heart, believe this steaming pile of dog shit masquerading as a script could actually be halfway-decent enough to be shown to the world. But that would mean the rating for this drama would increase, which would be false advertising. So hence, here is my very honest and slightly disgruntled review (after all, I wasted a good day watching all 10 episodes. A day I will never get back.)
This show is low budget, but that's okay. Low budget shows can also be great (read: Go Princess Go) or at the very least, watchable (read: Master Devil Do Not Kiss Me). Here, on the other hand, it was like the producers didn't even have enough to hire actors. Hell, my aunt who stays at home and reads to her 12 cats can probably act better. For example, when the male lead was talking about his 'Paranoid Personality Disorder' (does this even exist?), he put on this facial expression that really, really wanted to be tortured, but sort of fell in the ballpark of constipated. I think that if the producers spent less on all the fancy sets and locations, they could've afforded some decent actors, but hey, who cares about actors anyway.
I still can't believe this story is what it is. It gives me hope that if crap like THIS can get produced, then anything I end up writing will have the producers queuing in front of my house.
It starts off with our bug-eyed, small faced heroine (whose face kinda creeped me out with its very apparent plasticky-ness) being kidnapped and tied to a chair with a cheap-looking alien brain-sucking device on her head- or so you'd think (muwahaha the budget strikes again!) Its actually a lie detector. We see a bunch of science-y looking scientists (because lab coats, duh) ask her where she hid the baby. Female lead gets confused and vehemently denies ever being pregnant. Lie detector says she's lying, and the scientists keep asking her where she hid the baby. The heroine faints. Fast forward a bit, and we see our hero, looking all serious and hero-like while having a face that is 3 shades lighter than his neck (good make up artists cost money). Now, even HE asks her about the baby- his baby, apparently- and absolutely refuses to accept that they never had sex in the first place, because according to him, they both were drunk at a party she was waitressing at when they had it. While a normal person would accept that an ordinary woman would know if she ever pushed out a baby, this guy was somehow convinced that our female lead birthed a human without her knowledge.
Once this idiocy got over, the male lead had no reason to keep her at his mansion, but ya' know, he still did because he is 'ohmagerd obsezzed!!!' The female lead eventually stayed because Stockholm Syndrome.
Okay, I'll stop there. Not only because I was getting more and more annoyed as I typed, but the review was also suffering (if it hasn't already suffered enough.)
Tl;dr- The actors can't act, the writer can't write, the directors can't direct and the producers can't produce.
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A highbrow production with broad appeal.
The Longest Day in Chang'an is an immersive, visually stunning, culturally authentic and thrilling journey back over 1000 years in time to Lantern Festival in Chang'an at the peak of the Tang Dynasty. This is a highbrow and very demanding drama that is immensely enjoyable even if taken simply at face value. The viewer gets to decide how much they wish to invest in it. The production basks in rich historical and cultural detail that marvels over the intellectual, political, legal, administrative, military, cultural and scientific sophistication of Chang'an and the Tang Dynasty more broadly. The faithfulness to historical accuracy and strong edu-drama aspect to this show has history buffs raving with ecstasy. As a layman, the finer nuances would be lost on me were it not for the many knowledgeable insights on this and other sites. That doesn't appeal to everyone and some have remarked on the frequent historical and cultural digressions that interrupt the story-line. My simple take is that "smart fillers" are better than the nonsensical fillers that other dramas spam us with.The absolutely stunning cinematography is the first and most consistent impression throughout - every frame is beautifully angled to create a visual, vibrant feast for the eyes. Even flames from explosions burst in an artistic pattern of controlled natural assymetry. The production is not shy about indulging in artistic license and is littered with lithe and gorgeously willowy Tang ladies with only one small section acknowledging more ingrained images of the classical, prosperously rotund Tang lady. A number of Chinese manhua worthy characters are almost casually dropped in among the otherwise characteristically Tang dynasty cast including Djimon Hounson's Gao Le, the menacing African slave-trader and lord of Changán's underworld; a deadly female assassin who is fanatically devoted to her radical master; and a wildly improbable Western Persian Prince priest with impressive kung fu and building leaping skills. At the end of the day, this is very much a work of fiction and suspension of disbelief will be required as the lead characters achieve superhuman physical feats and survive certain death. All of which make for gripping, visually compelling and heart stopping action scenes.
The drama is not an easy, light watch. The first season (24 episodes) opens with the intense urgency of a fast moving, action packed thriller as the two leads Zhang Xiaojing (Lei Jia Yun) and Li Bi's (Jackson Yi) race against time to foil a terrorist plot during the Lantern Festival. The constraint of the 24 hour timeline forces the narrative to alternate between the high speed chase, political machinations around a power struggle and flashbacks that set up the backstory; all threads which converge in the unraveling of the conspiracy. The many plot twists interact with an extensive cast of complex characters from various factions with unclear and/or malleable loyalties in the power struggle between Li Bi's patron the Crown Prince and his powerful rival the Right Chancellor. In short, there is already a lot to take in so the occasional non sequitur cultural or historical digression can come off as one thing too many.
It took me a long time to care for any of the main characters in this show. Even relatively "good" characters are flawed, primarily driven by self interests and had questionable loyalties and morals. It wasn't obvious that Li Bi' s cause, the Crown Prince was more worthy than the Right Chancellor. Zhao Xiaojing's dealings with Gao Le alienated me; especially when it appeared his real motive was to protect the reckless and misguided Wen Ran. That episode and short lived character stayed with me for a long time because it is the first of many times that bad things happen to good people. And that is how good people can end up doing bad things. Thus there are no outright good or bad characters in this show, they are all products of events beyond their control. Time and again the drama explores how circumstances can push any character to act against his innate nature and self interest. It is a very realistic portrayal of the complexity of human nature's capacity for both good and evil and was acted out compellingly by a truly superb cast. I started to understand the true spirit of the drama when the plight of the common man of the Peacekeeper Corps moved the phlegmatic Li Bi to tears and made him their reckless champion. The real "heroes" in this drama are the common people; that is why it intentionally neglects the main characters and does not attempt to make you root for them and does not care if they have a happy ending. It celebrates the hardships and unrecognized capabilities of the nameless, faceless, powerless, voiceless man - from the forgotten soldier that gives his life for king and country to the ordinary citizens of Chang'an. It wants you to see them, hear them and care about them.
Season 2 (episodes 25-48) was much more enjoyable for me as the intensity of the chase abates and the narrative focus really zeroes in on the power struggle and the unvieling of the conspiracy and ulitmate mastermind. Finally the lead characters are also allowed to shine and shine they did. Zhao Yi Wei's Long Bo was the most provocative and masterfully portrayed character in the drama. As his path converges with that of Zhao Xiaojing, we see the many parallels between the one who seeks vengence and the one who fights to keep dreams alive.
I was surprised by how much I fun I had unraveling the conspiracy. It was very well done and largely kept to the unspoken bargain of hiding enough clues in plain sight that I was able to figure much of it out on my own. The motives of the ultimate mastermind were not convincing. While I had my eye on him as a suspicous character early on, I assumed he was just a link in the chain but not "the guy". It was a stretch that was probably one plot twist too many. One of the other suspects may have been a more credible choice.
Of course it is a foregone conclusion that the emperor was the ultimate villian. While the power dynamics between a manipulative and insecure emperor and his most trusted advisor and his heir has been done before, it was still extremely very well done here. I was completely satisfied when the son takes a leaf out of his father's book in the ultimate act of emotional manipulation. Checkmate. This was the most satisfaction I got from the ending. The bigger question of whether good things happen to good people is left open.
This is definitely the most epic, most idealistic, substantive and thought provoking drama of 2019. Its biggest flaw is that it is overly ambitious and tries to take on too many themes. That it came together so well is a feat in and of itself but as a result, it was not always easy to watch and certainly not something I wanted to dive right into after a hard day at the office. That said, I truly believe it is a must watch and may even be more enjoyable if taken more simplistically just for its stunning aesthetics, intrigue and action.
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The Plagiarist Cookbook
Who Rules the World is based on a well-loved, strong female centric novel that is normally my kind of story. However, the drama adaptation was undermined by the mid-production departure of the director and a key scriptwriter in the bitter aftermath of over fraternisation between production staff. It is clear that the drama was salvaged by borrowing heavily from other dramas and accusations of plagiarism have further weighed on the reception. I watched this for lack of anything better but to my surprise, it comes together quite well. It is indubitably the result of The Plagiarist Cookbook and is best enjoyed with a sense of humor for its stirring romance and parody plot.This drama starts strongly, promising a sensational fusion of romance, wuxia, palace intrigue and art of war. Set in a fictional Dadong empire, the Empyrean Token, which vests the imperial family with the mandate to rule mysteriously disappears, sending the empire onto the brink of war. All six vassal states vie to recover the token and potentially seize power. Longtime friendly rivals and top martial artists Bai Fengxi and Hei Fengxi get dragged into the fray as they stumble across a string of inexplicable killings. Together, they discover a sect with shadowy motives that could be linked to the struggle for control of Dadong. Behind their carefree jianghu personas, they both conceal identities with vested interests in the coming battle to decide who rules the world. Can their romance survive the battle for a new world order?
This drama's strongest selling point is Bai Fengxi and Hei Fengxi; they are simply the most awesome jianghu power couple. I was expecting more of the same old, same old Zhao Lusi. And my first impression of Yang Yang in what looked like Wang Yibo's hand-me-down Legend of Fei wig was meh, just another idol actor with a sharp, useless look about him. So to my surprise and delight, I enjoyed Lusi and Yang Yang's combined chemistry immensely. I love that their romance develops after years of friendly competition, when they are both secure, fully realised beings. Their relationship dynamics are captured in as much in their witty banter as in the nonverbal communication of their eyes, facial expressions and small gestures. They make for such a stunning looking couple with 夫妻相/fū qī xiàng or the look of a couple that it is hard not to root for them. That said, their relationship is mature and already perfect. They are on the same wavelength with mutual understanding that even in the matter of their secret identities, the reveal is in each case rather anti-climatic; an unimportant and unsurprising detail. While they experience many challenges together, most of the time they sail through them so effortlessly that the intensity is diminished. Since the drama is all about this couple, as charming as it is, their relationship after awhile feels static.
I really like how the smart women (to be clear, that means excluding Langhua) are portrayed in this drama. They are clever, independent and capable decision makers who don't succumb to the dumbest and most boring love rival tropes. Yet ultimately this is not the strong female-centric story I was expecting as it is much more Lanxi's story than it is Xiyun's story. Which is a shame because Lusi really takes her acting to another level in her portrayal of an indomitable and powerful character who cries as persuasively as she laughs and whose stomach is a bottomless pit. Her comedic expression remains her forte and in this production, her articulation is more mature and subtle than her earlier works. Hopefully down the road, she gets another shot at playing a strong female lead character and preferably one that drives the plot.
This is my first Yang Yang drama and wow, he is a sight for sore eyes and a much better actor than I guessed. He has incredibly expressive eyes such excellent micro expressions that he pulls off every imaginable romantic expression effortlessly. I can only applaud the neck breaking effort and dedication that goes into presenting his incomparable jawline at the most optimal camera angle at all times. If only we can unlock that frozen shoulder and see more natural body movement. Beyond that, he appears determined to cling to a righteous, gallant and conventional interpretation of his character. But I did not see the greyer, more complex side to Lanxi which I believe is consistent with how the role is actually written. While I enjoyed the slap that reverberated across the Dadong empire, I needed more. Like his father, I wanted to see Lanxi rise to the occasion, get angry, voice his resentment and demand justice. Instead, his brothers stole his lines while Lanxi simply stares down regally at the antagonists, best chin angle forward and nary a hair out of place. So definitely a young actor with lots of potential but Yang Yang's performance overall does not rise to the level of the character's complexity.
If I had to pinpoint where another writing/direction team takes over, it must be in the over extended Yongzhou arc. It is manifestly obvious that the Yongzhou royal family blueprint and at least two sub-plots in that arc are dumbed down knock offs from Royal Nirvana. I could be forgiving if they'd managed to make it better or more interesting than the original but nope, that did not happen. It is baffling how they chose to focus on done before royal succession palace intrigue tropes and less intelligent, archetypal villains at the expense of more compelling plot threads of conspiracies around dark sects committing murder and mayhem, missing tokens with fascinating grey characters like Huang Chao and Yu Wuyuan. There is an entire missing arc that could have better explored their back stories and more interesting dynamics.
The drama ends well after an exciting climax but the final six episodes are rushed and don't quite manage to close all of the open and more interesting plot threads. The war sequences are very well done even though they don't come together that coherently. But I don't like how they kill off good characters. To me, a few side characters I managed to get invested in deserved better deaths than what they got. And as for the final outcome, everyone got what they most wanted. If only Bai Fengxi knew the irony of her insistence that bai (white) precedes hei (black) in all matters.
The problem with using The Plagiarist Cookbook is the end product feels familiar but ultimately lacks substance and definition. I genuinely enjoyed watching this and laughed my way through it but more so because the MDL thread was amazing with many viewers with a great sense of humor and openness to plurality of opinions. I probably would have still enjoyed it but a lot less had I watched it by myself. While this has been my most fun watch of 2022, I can only rate this 8.0/10.0.
As promised for posterity:
Rules of The World:
#1 Falling down a steep cliff does not result in death
#2 Bai always precedes Hei - it is just the natural order of things
#3 Food has no calories and should be consumed at every opportunity
#4 When bad guys try to kill your love rival, let them
#5 Bai Fengxi remembers what she sees
#6 If you are going to dance seductively, wear a red dress
#7 The sleeve and the fan are mightier than the sword
#8 Don't bother with blankets, just use body heat
#9 Hand made noodles will unlock his life story
#10 Must have at least one bad parent and imaginary cousins
#11 The timely ankle twist is a more important skill than showy gravity defying flying kicks
#12 Must have strong piggy back and copious blood factory
#13 Never hold hands with just any girl in the streets, only that one girl
#14 You don't draw that well, she just looks that good
#15 Be greedy when it comes to food and all four elegant gentlemen
#16 Funerals are for dead people and not those you wish dead
#17 To eat or to Hei Fengxi, that is the question?
#18 Heaven hath no thunder greater than that of a long dead queen
#19 Be known by a dark foxy stripper 名号/name
#20 Surprise - they met when they were kids!
#21 Spicy exotic delicacies to ward off black dogs blood is just another excuse to eat
#22 Introducing your girlfriend to the girl who wants to be your girlfriend makes you the third wheel
#23 Don't give your master love advice unless you like memorizing military stratagems
#24 You get better love advice from romance novels than from your inexperienced subordinate
#25 A real hero need not take advantage of a woman to rule the world
#26 I promise to feed her well
#27 Foreshadowing is when her drawings and clay figures of you are all so.... round
#28 Be sure to let the villain and no one else know you are on to him
#29 When in doubt just stab the least likely suspect in the back
#30 The flower medicine kiss is a cure all for inner energy loss to deep stab wounds
#31 Greatest fool theory of sect leadership
#32 Stop dreaming about kissing her and just do it
#33 Two can play hide and seek in closets made for one
#34 Don't: As my most important wife and empress, I will give you the world
#35 Do: Xiyun who? You are my world
#36 Give your treacherous brother the coup de slap that is heard across the Dadong empire
#37 Revenge is a dish best served with a piece of long white cloth
#38 Let me see if you are good looking enough for my daughter?
#39 It is Hei Bai (black and white) that no son of mine should have to marry above him!
#40 Mess with my woman and I will knock the sacred jade out of your moon
#41 Nothing says hands off, he's mine like your bright red lipstick plastered over his cheek
#42 If Mo Yuan and Ye Hua can survive a weapon of mass destruction, so can I... oh... oops... wrong genre...
#43 Honey, 白头偕老/Bái tóu xié lǎo (grow white hair/old together) is not meant to be taken so literally or so independently.
And they lived heavily one decade after. Burp!
The End.
Warning: DO NOT try at home. May result in substantial weight gain, stomach ache, premature greying and/or loss of life and limb. Also, backstabbing and bitch slapping could be offences punishable by law in your jurisdiction.
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How To Get 4 Men to Fall in Love with You at the Same Time
To enjoy watching this drama, viewers are advised to watch it with a sense of humor, and not with your normal logic, for this drama that seems dead serious (no “comedy” tag), may seem to have loaded with bizarre and unfathomable logic. Many actions and scenes are over exaggerated with overacting which are also embellished with playful music. The pace is rather fast with many events taking place in each scene, only temporarily slowing down for the romance. If viewers can endure the first couple of the episodes which may seem farfetched, the later part is rather addictive. Therefore, sit back and let the story take you away, and enjoy.This drama is said to have adapted from a web novel of the same name. However, according to some readers, the main female character has been drastically changed “to make her seem more relatable for audience consumption”. In the novel, her personality is said to be, to quote a reader, “the most endearing element of the storyline. She's casual in demeanor but absolutely savage in her plotting. They did such a disservice to the female lead.” Even with the altered toned down version, I still love the female lead character as I find her strong, determined, intelligent and devoted.
Princess Jiuling (Peng Xiaoran) is an inspiring character. Despite the horrendous change of her life including the loss of her family, her identity and her look, she is determined to stay low, strengthen her power, and make a comeback for revenge. Her patience and her endurance to injustices, at the same time, honing her skills and waiting for the right moment, are qualities that are commendable. She exudes confidence and composure even in the most trying conditions, and her dignified demeanor captures all hearts.
Peng Xiaoran who plays the Princess Jiuling role, is an amazing actor. I got to know her in Goodbye My Princess when she was relatively unknown and was chosen to play that role because of a clash in schedule for the original actor who was a lot more popular. I was so glad they made the switch then as it brought us another talented actor who would have been buried if not for the opportunity. Here, as in Goodbye My Princess, Peng Xiaoran is so natural, graceful and authentic, successfully bringing her character to live.
Despite Jiuling is surrounded by numerous men who are deeply in love with her, she has only one true love, Zhu Zan (Jin Han) whom she had spent a great deal of time with when they were growing up. Zhu Zan is now a general guarding the frontier with his father since their separation. Free spirited and unrestrained, Zhu Zan is humorous and chivalrous. He continues to care for orphans, finding shelter and providing food for the displaced people due to wars and disasters. It is these qualities that Jiuling falls in love with him again as they align with her own values. Zhu Zan is infatuated with Jiuling, and regardless of how the world sees him and what trouble he may get into, he goes all the way out for Jiuling and helps her overcome her obstacles.
Jin Han’s portrayal of Zhu Zan is adorable, making the character very lovable like a big cuddly teddy bear. Unfortunately, many viewers criticize the choice and complain that Jin Han is not good looking enough. Perhaps these viewers hope to see a more effeminate actor as this seem to be the trend in today’s historical dramas, and Jin Han’s physical appearance is the total opposite to that. Some viewers also complain that they cannot place Jin Han’s face as a protagonist as the actor has previously played some antagonistic roles in other dramas. Whatever the criticisms are, I feel we all need to give these young actors opportunities to prove themselves, and Jin Han has proved that he is a versatile actor.
My Verdict
Sure there are flaws everywhere like in most Chinese dramas. But if we look pass these flaws and be less critical, this is a rather decent drama. A lot of the story only happens in conversations instead of in scenes, hence non-native speakers may want to get proper English subs to ensure accurate conveyance of the messages. The development of the main characters is quite well done with very well acting by the whole cast including the supporting cast. The storyline may be serious but this is a very humorous drama.
Overall, this is a drama deserved to be watched. I have enjoyed it very much.
Recommended! Bravo!
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This review may contain spoilers
I love the way this ended! ( I won't give spoilers.) I started watching this one afternoon and found myself going to bed at 7:45 am the next morning having completed it. It is definately a "I'll just watch one more episode" kind of drama. I was unfamiliar with all of the actors, but thery were great. The plot was definately a lot spicier than K-Drama. I would highly recommend this for a rainey Saturday or an all night marathon!! Was this review helpful to you?
The Glory
166 people found this review helpful
This review may contain spoilers
Gripping, intense, a success all round
"The Glory" comes with a drum roll at the turn of the year 2022/23. With a high-end production team in every instance, "The Glory" cleverly intertwines the burning subject of bullying with the long-running topic ´revenge campaign´. The result is gripping, intense, a success all round. (However, one major criticism: Netflix cuts the story in half with a long break in between.)In 2022, for the sad issue of bullying, streaming services cleared the stage several times with their own productions (e.g. "Weak Hero Class 1" and "Revenge of Others"). All of these stories are unbelievable in their brutality and cruelty - teenagers against teenagers! No mercy. Without pity. Without scruples. Without any feeling of guilt. For once, I don't want to blame the streaming providers for the shown cruelty, on the contrary. Maybe the topic is in better hands with them because they have no problem with such radical scenes (compared to TV stations). Isn´t it simply scandalous that such unbelievable violent abuse - and may it be only half as drastic - is part of everyday life in (i.e. South Korean) schools and among young people? Even more scandalous: parents and teachers tolerate it or actively support it and even act up themselves.
"The Glory" swings back and forth between past and present and thus draws a complex picture of the individual characters. Back then the perpetrators, they are becoming victims today. Back then the victim, she finally wants to get out of her role and also make life hell for her abusers. The painful past provides the moral framework, allowing the audience to nod off the plans for vigilantism. Eventually, the protagonist also gains helpers on her way.
Sad enough, in "The Glory" no one is truly happy with their life except for the perpetrator's (still) innocent little daughter.
The bullies of that time live bored and/or stoned and still trapped in their bullying role. Still tangled up in their clique from back then in uneasy ties. None of them found ´true´ friends. Trust and love are words without substance in their life, which rather appears as a shiny variation of Hell disguised with silk and glamourous accessories.
The victim of that time, on the other hand, has found meaning, direction and grounding in her life, no matter how sad the circumstances. Coincidentally, she even made trustworthy friends. Since she has experienced firsthand what hell is like, she can at least distinguish it, as other experiences of brief moments of happiness are also indicated in between. This experience (how happiness actually feels compared to suffering) puts her ahead of her opponents, who aren't even aware that they're living in a hell of emotional emptiness. They only suspect it when Moon-Dong-eun threatens to shake their house of cards and they have to face the illusions of their self-satisfied lives.
The story isn´t completely told yet - after 8 episodes. We will see, how things actually turn out for Moon Dong-eun, as she is indeed messing with someone, who is not willing to give in, whatsoever...
---------- EDIT after finishing the SECOND SEASON: -------------------
Well. Second season is definitely on the revenge-side. Some may say revenge is sweet. In any case it is drastic. And "the Glory" made sure, the mean-spirited deserved it... Among them is so much violence and exorbitant abuse. Almost too much to bear at times. A bit overdone maybe with unnecessary Netflix ruction here and there. Nevertheless suspenseful. Certainly with a coherent ending.
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PS.:
Actually, the screenwriter is herself mother of a high school student...)
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SIDE NOTE: ---- Fiction and reality are not that far apart ---
Some might say that the bullying brutality in "The Glory" - such as the curling wand scene - was exaggerated.
In fact, in South Korea in 2006, there was just such a case.
At a middle school in Cheongju, a student was bullied for money by three classmates. For not delivering, she was beaten with a baseball bat, tormented with a barrette, kicked, hit with fists, and burned on her arms with a hot curling wand. The burns didn't even have time to heal because the girls checked the temperature of the curling iron on the victim's arms again and again every few days. On the contrary, healing blisters were specifically removed by the bullies with their fingernails. The brutal beating also resulted in an injury to the tailbone, which resulted in a six-week hospital stay.
In fact, in this actual case in Cheongju, the perpetrators were apparently officially punished after the victim, despite threats, reported the perpetrators by name. And not only the perpetrators, but also the school administration and teachers were apparently sort of admonished. (However, with that the police report ends. We do not know how the victim, the perpetrators and the school dealt with each other afterwards).
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