This review may contain spoilers
✨ Deliciously Deranged, Dramatically Divine✨
Ok listen. This one is deliciously scandalous, y’all — and I am so here for it.Now, Gemini will stretch your mental gymnastics a bit in the beginning with that “wait… are they siblings?” confusion. Fear not — they are not siblings (thank the drama gods). I’m personally not a fan of the ''siblings, even if not blood related'' trope, but once I got past that tiny heart attack, oh boy — this drama turned into a buffet of revenge, rebirth, and raging chemistry.
The leads? Electric. Even before they share the screen properly, you can feel the tension simmering. When they finally meet? Hyperventilating. They’re playful, non-toxic, and radiate total power couple energy.
The FL? Badass incarnate. Both actresses who portray her absolutely slay — elegant, fierce, and dangerously smart. And the ML? Slightly unhinged but in the best way possible. A feral golden retriever with a dark side and a talent for kissing that could power a small city. Throw in a few shirtless scenes? Yeah. Woof.
Acting? Fantastic. Fights? Chef’s kiss. The side characters are actually somewhat interesting (we love to see it). The villains? A full-on color palette of wicked — it’s giving art gallery of bad decisions. The OST and costumes are top-tier, and visually, it’s just so pleasing.
I'm definitely keeping an eye of this director because i'm also watching the other drama that's almost done airing and having a blast.
In conclusion: I am sat for the entire thing, glued to my screen, snacks in hand, emotional stability hanging by a thread. There are still nine episodes left, and I’m low-key terrified it might go tits up… but for now, this drama is serving chaotic excellence on a silver platter.
Will update once I'm done watching the whole thing (pending emotional damage review post-finale).
✨Update✨
Oki, plot twist: emotional damage = absent. Surprising, I know. My tear ducts were braced for betrayal but instead? We got served an ending that was… dare I say… wholesome.
Ep. 23 though? Comedy gold. So you’re telling me y’all had time to spin in pirouettes like it’s a villainous Swan Lake audition but not enough time to simply step aside from the falling trap? Classic. I was rolling. (Yes, yes, I get it — they were tricking the villain, but still. I laughed way too hard.)
Speaking of the villain — um, hot alert?? The man was compelling, layered, and I actually felt something for him. His motivation, his grief, the way his sister’s tragedy shaped him… chef’s kiss villain material. I was conflicted, ngl.
Now, one of my favorite choices: ML didn’t hide the truth from FL about his origins. No unnecessary noble idiocy, no “I lied to protect you” circus. Just raw honesty. THANK YOU, writers, for sparing us that clusterfluff. What we got instead was the ultimate supportive power couple, and I was living for it.
Of course, flaws? Yep, they exist. The “raised as siblings but not blood related” angle requires some… moral flexibilty. But it’s digestible here (at least for me), ok technically this is not a flaw, rather an afterthought. Pacing hiccups? Sure. Logic loopholes? A couple. And whoever thought a 20-year-old swallowed bloody document would come out looking magenta fresh-off-the-printer… you’re bold. But hey, it gave me a laugh, so points for entertainment.
Overall? This mini had a bigger budget than your usual C-drama short project, and it showed — costumes, cinematography, aesthetics, the color palette — beautifully done. The cast carried everything with intensity and charm.
So if you’re craving revenge, rebirth, intense plot, sizzling chemistry, and an ML who is so down bad for his FL it’s basically his life support, this one’s your jam. The FL? Fierce, soft, and iconic ( and also a baby girl for her man). The ML? Rocking that grey hair. The ending? Happy, unhurried, and slightly “to be continued,” which… honestly, I don’t hate.
Verdict: Gemini is a worthy stop on the drama express. Highly recommend.
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This drama has everything you would expect from and Asian drama AND more. It's all i thought about for days, I literally dreamt of the characters when i slept.
The story, although it is appears to be a stereotypical 'good girl meets bad boy' theme, is actually far more deeper then that. The girl wasn't always so reserved, and the boy wasn't always such a womanizer. It really touches upon the consuming physiological problems that tragedy can create. Its normal to see the male lead 'change' throughout the drama and become a better person while falling in love with the female lead, but it is extremely rare to see both characters changing so much; together.
The acting was amazing. That's to be expected with Barbie and Vic. I laughed and i cried with these characters. I felt their heartbreak as much as my own.
Its the rare kind of drama that gets better with each passing episode, and at the end you just wish you could watch it all over again with new eyes.
I would recommend this to anyone.
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Music Lovers
Just finished the ending of this series on YouTube and I feel the urge to write a review. I’ve mixed feelings, because I’ve been hooked by every episode, but felt some irritation as well.Synopsis
All her life Yang Zhen Zhen (Janice Wu) wants to be a pop artist. She works as a jack-of-all-trades at a major music agency, in the after hours she puts all her energy in talent shows. She never wins, but she decides to aid her former contest opponent Yu Zi Rui (Niu Jun Feng) to become a star one day.
Zhen Zhen is friendly, optimistic, fighting for her beliefs. That’s why her boss entrusts her with the difficult task of being a personal assistant to c-pop artist Zheng Bai Xu (Huang Zitao). Bai Xu is the big star of his agency, but he’s pursued by media scandals due to his unpredictability and unrestrained actions. He gives Zhen Zhen a lot of head aches and anxiety. They bicker non-stop, but are in fact kindred spirits. They both like to live and fight for their music. Bai Xu wants to become his own singer-songwriter but his agency won’t let him, earning money from his career as it is. Question is: will they succeed in living their life the way they want to?
The Good
Don’t expect just another c-pop vehicle for ZTao, this drama has some good side stories, f.e. the relationship with his rich father and siblings, and there's a nice flow in the story telling.
If you’re a fan of Janice Wu, you won’t be disappointed. She really shines. Although her character should have clothing that is plain and simple, her styling is perfect, every episode another outfit. Also ZTao doesn’t look bad when he leaves the swimming pool, and together they have a lot of cute, sweet moments. The supporting cast delivers a good job as well, especially the ideal-son-in-law Niu Jun Feng who plays a darker sort of character for a change.
The Bad
It is almost symptomatic in Chinese series, but there it is…this drama fails to deliver a sound closure. Really, how difficult can it be to portray a struggling artist who becomes a succes in the end, in his own right, without the help of his rich father, or agency? I won’t give any spoilers, you’ll have to see this for yourself.
Another minor thing, the styling of the actors is great, but it pains me to see what they did to ZTao. His lipstick is thicker, pinker than anyone. Combined with his dramatic hair-do and eyeliner he looks more like a drag queen to me. The only time I could believe Zhen Zhen would fall in love with him, was at the pool and on the beach where he was filmed without the heavy makeup.
Thanks to Janice the chemistry with ZTao was on point, but it took a long time before they kissed, and when they did, it was an anti climax for me. Aigoo, I was waiting for a lingering kiss full of intense emotion, not a touch of the lips left in "pause" mode.
Verdict
Still I recommend this c-drama to all romcom/music/boss-secretary lovers. Leave your brain on the shelf and enjoy this classic story about the arrogant male and his female assistant who become of one mind completing each other.
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Low quality but fluffy
This story may seem like just another teen romance, Icicle knight in shining armour (School uniform) saves the bullied "damsel in distress". But it actually does have quite a bit more to offer and has s slightly different angle than the one we are used to seeing.Icicle ML seems to have spent 10 years completely lacking the ability to communicate when he now suddenly has to take it all at once and is therefore slightly obsessed, and oddly clingy... Hover he is very kind and we as viewers to ge too understand the reasoning behind it.
Weak ML is so weak it is almost made me wonder how he survived so far, he is however kind, forgiving and oddly enough the one character in this drama that is probably the most hard working self aware person in this drama,
The way they interact with each eother shows very clearly how people are different depending on the context they are in, and these two seem to bring out the best in each other, at least if you support clinging...
Non of them are the type to make you swoon but they do seem human , and seem to deal with their imperfections pretty well. Though I must add that the acting was far from perfect... it was still enjoyable and did not distract from the story.
The friendships in this drama are sweet and so are the parental relationships. There Drama has some tension ant there are definitely parts to make you nervous about their future parts that may raise your pulse and keep this from being too bland.
Deffenetly a decent watch, easy to bine and has lots of feel good fluff... soft clothing, soft filming, soft petals... soft cake... yep fluff all around...
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This review may contain spoilers
Beautiful xianxia drama that may have its flaws but overall is still worth the watch
Before I get into this, I would like to say that negative reviews have had no effect on me and I think Zhou Dong Yu looks the part.This story follows Shang Gu as she lives up to her role as the leader of the four immortals and takes responsibility for the realms.
The story starts out somewhat stereotypical: Shang Gu needs to get stronger so she trains under Bai Jue. However, the character development was nicely done in this: Shang Gu grows from a mischievous, useless goddess to a powerful, self-sacrificing leader. Bai Jue also begins to open up, and the chemistry between the two is adorable. Shang Gu is like a puppy dog of happiness whenever she's around Bai Jue! The plot also begins to pick up around 4 episodes too, and the story becomes very interesting.
The second life is also neat, but one of my only criticisms of the show comes here: Shang Gu(or Houchi in this life) becomes a bit wooden. Zhou Dong Yu still acts out Houchi like she was the strong female ruler she was, but after 30 episodes it starts to get a little stale and unbelievable. In Xianxia dramas (or any drama, really) I wish to see a lot of character development and growth. Shang Gu experienced emotional and physical growth, but I'm not sensing a lot of emotional growth from Houchi where it feels like there should be some. She still faces problems and reacts to things in exactly the same way for 20 episodes straight. I find it hard to believe that her personality will change drastically when she becomes Shang Gu again too. Despite this, I still enjoyed the second arc.
The third phase (starting from the return of Bai Jue) was both the best and the worst phase. It was the worst because in some places, there were some cheesy and unbelievable scenes, such as (no major spoilers) when everyone stood in a circle around Bai Jue and Jing Zhao and watched everything unfold without reacting. There were some pretty shocking things happening, so the vast majority just standing there like statues kind of took the emotional impact out of that moment for me. Another thing is Shang Gu interacting with Bai Jue during the period when they weren't on the best terms. They basically said the same things for three encounters. Xu Kai's acting saved the day because he has the best despairing gaze, but I feel like they needed to switch up their interactions a bit.
Now for the best parts (and these override the bad parts by miles ). I said above that I may not like Zhou Dong Yu's acting in the third arc, but I was pleasantly surprised. Her acting, like in the first arc, feels lively, spirited, and quick-witted. The second great thing is actually the villain's development. I want to give props to Jenny Zhang for portraying Wu Huan's character with such depth. Her desperation and resignation of fate led her to her actions, and I can even relate with her a bit. Her story was well written and her ending was justified. And that leads me to the third thing. Ancient Love Poetry has one of the best endings that I've seen. All the characters were written off nicely, everyone got what they deserved, and the ending was beautiful. Nothing felt rushed or unsatisfactory. The ending sealed the deal for this drama being a great drama overall.
About the main characters: I sometimes felt Zhou Dong Yu could've acted some parts with more emotion. She's awesome at the cheerful/intellectual/imposing scenes, but her sad scenes aren't totally there yet. Xu Kai is great; he goes from an emotionless True God to a hot-blooded immortal, and he's great at subtly showing his emotions in his third form. Like Zhou Dong Yu, his acting is also a bit wooden at times, but his emotional scenes hit me where it hurts. He's got some great acting abilities. Despite their individual acting, their chemistry was adorable. I also liked the fact that their relationship was not a stereotypical guy-is-the-best-at-everything relationship.
The side characters are a joy to watch in this show. I love them all, from the friends to the villains. They are multifaceted and compelling, and I'm as invested in their stories as I am in the main couples'. Wu Huan is a dislikeable but understandable villain, Yue Mi and Feng Ran are friends with interesting backstories, the other immortals are all people with flaws struggling to do their best, and the Demon Tribe is just another group with its own troubles and stories. Tian Qi is actually one of my favorite characters. They are part of what makes this show charming.
For the animation: the trailer was beyond beautiful, but making every little part look amazing is going to cost a lot of money, and this drama is already CGI heavy. However, this show is the best-edited among long-length xianxia dramas up to and during its air. It really is dazzling and gorgeous.
Overall, Ancient Love Poetry is definitely a drama worth watching, and despite my criticisms, the number of great scenes vastly outnumber them. Also, once you get deep into the story, you want to know what happens next!
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M A S T E R P I E C E
I find myself having a different taste than most users here on MDL so I would totally not recommend it if you can't handle slow type of movie especially this one which is 2 1/2 hours long. This movie also contains sex scenes so definitely not for everyone. People with attention span of a goldfish would hate this movie.Jongsu is an aspiring writer; he also works as a part time delivery man. One day while doing his delivery task he bumps into hae min, who is apparently his childhood friend. hae min said she is going to africa and ask jongsu to look after her cat. Hae min comes back along with mysterious guy named ben. One day ben and hae min visits jongsu, later on ben confessed to jongsu his secret hobby.
It is the definition of slow burn no pun intended, utilizing the time to explore the life of the lead character, his affection to Hae min, conflicts with his family and his view to korean society. The film is a character study and Jongsu is just our extension in the movie. The movie is very philosophical in which the central theme revolves around "little and great hunger"(what we want / what we need), it is also very metaphorical, simmering with ambiguity, it's the best example of less talk see it in action and it also loaded with symbolism throughout. Though being the film a slow burn and with its 2 1/2 hours running time, it is by no means a dull or boring movie. It is a hypnotic experience and throughout the movie you will use your brain a lot as mysteries after mysteries unfolds.
Cinematography is topnotch. It's beautifully shot, able to capture the eerie atmosphere on screen. I also love the shots at dawn, it's enigmatic yet mesmerizing. Music just makes this thriller movie 100x better. It is haunting, builds tension, underlines the mood and evokes characters emotion.
Acting is masterful, might be the best I've seen in years. Let's talk about the lead girl first. Jeon Jong Seo as a free spirited gypsy is just brilliant, the way she pantomime eating orange is very believable, the philosophical element of the movie plays here, that's why that scene is important in the movie. She also not just good looking but also has great screen presence. Yoo Ah In who played Jongsu is equally brilliant. The development of his character is handled really well especially during the later part when his character became obsessed. Steven Yeun is not just a guy from walking dead, the dude can really act. I love the way he made the character more mysterious through his facial expressions.
Perfectly crafted movie, you would feel the labor of love put by a director making movies like this. It's that type of movie that you would get something new every time you watch it. Definitely the best movie I've seen this year and the best korean film I've seen in a decade. This is a masterpiece.
If you enjoy the though provoking element and the whole ambiance in this movie I'm sure you would love to read some Haruki Murakami novels.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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First of all, this drama should not be called ‘Legend of Fuyao’ because didn’t focus enough on Fuyao. It should not be called ‘Legend of Wuji’ either because Wuji was willing the risk the safety of all the people in the 5 kingdoms for his love interest. Though his love and devotion to Fuyao was admirable and touching, this is not what a good ruler should be doing. So, no, Wuji does not deserve to be called a legend either.
I think a more appropriate title for this drama would be ‘The story of Fuyao, the woman who changed Wuji’s life’, because Fuyao turned Wuji’s life upside-down and brought his arrogance down a few notches the moment she entered his life. It is also a coming-of-age story of both Fuyao and Wuji as it shows how they change as a result of knowing each other and going through the trials in their lives.
The story takes us through 5 kingdoms (Taiyuan, Tianquan, Tiansha, Xuanji and Qiongcang) and has a lot going for it – court intrigue, action, adventures in strange lands, long lost identities and an epic love story. However, the focus, development and pacing of the script was inconsistent. . The drama’s title and first 8 episodes in Xuanyuan Mt. had us anticipating Fuyao embarking on a quest to find her true identity and remove her 5 seals. However, after she left Xuanyuan Mt, the focus changed all to Wuji and Fuyao became an accidental follower in his schemes instead of leading the story as the main character. Too many episodes were devoted to the court intrigue in Taiyuan which did not move Fuyao’s quest along one bit. The result of this was that everything else had to be squeezed into the remaining half of the drama and so there was no time for proper development of the stories in the remaining kingdoms. The story in Xuanji kingdom - where Fuyao’s childhood story and true identity were revealed - was especially short and rushed (only 6 episodes). Wasn’t this drama supposed to be about Fuyao? I would have loved to see more time devoted to Fuyao’s backstory (because it was just so tragic) and how it shaped her strong character.
ACTING
(1) Yang Mi as Fuyao
I liked Yang Mi since TMOPB, but after Fuyao, I have become a fan. Her performance was simply PHENOMENAL! I love actors who can emote with their eyes and Yang Mi did this superbly here. Her eyes are so gorgeous and expressive, I found myself drawn to them every time she appears on screen. She had a lot of epic scenes that had no dialog – the attempted rape scene, Yao City battle, rain scene, when she regained her memory, when she turned evil). She relied only on her eyes to convey Fuyao’s emotions and slayed every scene. Just a simple change in the expression in her eyes could convey so much, especially when she teared or cried – my heart just went out to Fuyao and I could really feel her pain. I particularly love her scenes with Uncle Zhou as the surrogate father-daughter bond was just so heart-warming and touching. And despite all the heart-break and hardships Fuyao endured, there was always strength and fire in her eyes.
I feel a lot of viewers do not give Yang Mi enough credit. I guess this is because majority of viewers are female and prefer to focus and swoon over the male lead. When a male lead cries, it is hailed as good acting whereas the female lead can cry buckets and no one takes notice. Is it because females are expected to cry, so that no one thinks much of it anymore? I vividly remember 3 scenes - just before Fuyao passed out after her fight with Zhangsun Ping Rong, right after she regained her memory and just before she stabbed herself. In each of these scenes, Yang Mi dropped a tear that totally broke my heart. It’s sad no viewers bother to mention her great acting in these, as well as many other scenes, whereas when the male lead drops a tear, viewers shout about it.
So, I do wish to give special mention to Yang Mi here because her exquisite and excellent performance was one of the main reasons I enjoyed this drama. At the end of the drama, I realise the character I remember most is Fuyao. Yang Mi made Fuyao come alive. She made me care for Fuyao and want to continue watching the drama to find out her fate. I only wish she had more screen time. She lights up the screen every time she appears and stole the show.
(2) Ethan Ruan as Wuji
This is the first time I have ever seen Ethan Ruan acting and so I did not know what to expect from him. His performance as Wuji was both a hit and miss for me. It was a hit because he looks handsome as Wuji, had great chemistry with Yang Mi and was good as the cheeky and flirty prince. But it was also a miss because some of his facial expressions, especially his smiles/smirks, come across as sleazy and goofy instead of suave or endearing. There were several OTP scenes where he suddenly gave a goofy smile that just totally spoiled the tender moment. And he tends to overact, such as crunching his face into an unrecognisable mess to express pain or angst. It made the last few episodes, when Wuji was crying over his parents’ betrayal and when he was chained to the ice on the mountain, very difficult to watch. I cringed more than I felt touched. I just wish he had used more of his eyes to emote (like the senior actors and Yang Mi) instead of such exaggerated acting, because some of his emotional scenes were good.
OTP’S LOVE STORY
Fuyao and Wuji’s love story has got to be one of the most well-written and best developed I have ever seen in a Chinese historical drama. Their epic love story is one of the things that really draws you in to this drama. It was wonderful seeing their relationship grow from the initial fighting and flirting to trust, support and finally self-sacrifice for each other. And Yang Mi and Ethan’s chemistry was simply sizzling! They looked so natural and comfortable around each other and their scenes together were a joy to watch.
MUSIC & CINEMATOGRAPHY
I absolutely love the OST and BGM. Every piece of music suited the mood of every scene so well. I daresay I prefer Fuyao’s OST/BGM to TMOPB’s. Cinematography, sets and costumes were also very good and gave the drama a grandeur more common to movies than a TV drama.
FIGHT SCENES
One of my favourite are the fight scenes. There are more fight scenes here than the average Chinese historical drama and you could tell a lot of effort was put into these as they were all very well-choreographed and visually stunning. Fuyao had the best fight scenes and Yang Mi just looked soooo freaking COOL fighting and flirting!
FINAL THOUGHTS
As someone who read the novel before watching the drama, I was very frustrated over how the drama scriptwriter had changed and butchered Fuyao’s character. Drama Fuyao was a victim of circumstances. In contrast, novel Fuyao was a dictator of events. All the schemes that Wuji planned in the drama were actually plotted by Fuyao. She single-handled plotted and helped put all 5 male leads on the thrones in their own kingdoms. So, I didn’t like the fact that the drama made Wuji more like the lead character and accredited all of novel Fuyao’s achievements to him.
When writing this review, I had to treat the drama as being NOT RELATED to the novel at all. Otherwise, it would not have been fair to all the cast and crew who put up such a fine production. Other than the inconsistent script, everything else about the drama was very good – from acting to music to cinematography and fight sequences. Putting my drama vs novel bias aside, this is still an entertaining drama with lots of action, adventure and intrigue to keep you engaged. If nothing else, Yang Mi’s and Ethan’s superb chemistry and love story will keep you invested and wanting more.
If you are debating whether to read the novel or watch the drama first, do yourself a favour and watch the drama first. You will enjoy the drama a lot more this way. Then go read the novel to understand what a truly awesome character Fuyao is and why she is a legend. The drama totally does not do any justice to Fuyao and the novel.
REWATCH VALUE
I will definitely rewatch this drama for my favourites scenes, action sequences and Yang Mi’s superb acting.
* ENDING SPOILER ALERT *
In case anyone is still confused about the ending, Fuyao and Wuji did not die. In the last scene, they are alive and well on a bridge (probably in Tianquan), not in heaven. The words spoken by Wuji in that scene (ie. follow her to the mortal realm etc. etc.) are actually lines from the novel that novel fans love. The scriptwriter probably put it in thinking that it would please novel fans but instead, it ended up confusing everyone about whether they lived or died.
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This review may contain spoilers
A little too much chemistry and a little too much of my obsession towards this!!
Set against the backdrop of racecars, winding racetracks, and high-stakes competitions, this series gripped me from the first rev of the engine. I personally liked this premises and the way it's presented, even the whole Alpha X Alpha set up. The drama cranked up quite a bit in the later half of the series plus the stakes were really high and I won't say everything was executed perfectly but regardless I enjoyed watching this. I ain't an avid Omegaverse reader and I don't even know if this can be called Omegaverse but trust me even if you don't know a thing about Omegaverse you can just dive in, it's still interesting because even I just know a thing or two about it.Starting with Babe, I absolutely love him. Pavel nailed his role as Babe. Whether he's delivering a cutting remark or revealing a softer side, Pavel keeps you invested in Babe's journey. Babe is savage but the good kind of savage- if you know what I mean. He seems cold and rude but that's not all there is to him. There's a depth to his character and he is really charismatic. He is impulsive and he's been manipulated his whole life which describes why he can't trust other easily and he is one hell of a jealous type.
Then, we have Charlie, his cuteness blinds me. He is so freaking cute and it makes me want to protect him but then again it seemed like he had a hidden motive and I was scared. I was torn between wanting to trust Charlie and the nagging fear of a potential betrayal. Pooh did a really great job in portraying Charlie. And every time he was treated wrong I felt so freaking bad. I really really love him.
And then there's the chemistry between Charlie and Babe, which is nothing short of electric. They are all over each other. Their chemistry is seriously insane and what makes it more intriguing is their contrast personalities. I absolutely love them. Their papa mama talks were so cliche but damn they are absolutely adorable.
Then we have Alan, the garage and Hunter X owner, I like him so much especially his scenes with Jeff. Jeff is a cold on the outside but soft in the inside kind of genius kid and I absolutely adore his bond with Charlie. Also him and Alan are seriously adorable. Their interactions, subtle moves and glances towards each other, damn I love how their story was portrayed. I loved Charlie and Babe but I was dying to see Alan Jeff's scenes. They had really captured my mind as well as heart. From their very first scene, I found myself rooting for them and I was the happiest seeing their scenes.
Moving on to Way, he is Babe's best friend but he is in love with Babe and Babe doesn't know. All he is ever thinking is about Babe Babe and Babe. He might come off as nosy and sometimes annoying too but no doubt he is a good friend and I just wanted him to move on. I was genuinely rooting for Way and Pete and- urghh I don't want to spoil this. Watch it yourself to know. Also, North and Sonic, they are those likeable support leads who no one can hate and they are best friends but their equation didn't seem like that of just friends. I enjoyed their bond and them too.
A little bumpy ride but I would definitely recommend this!!!
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I had my reservations before beginning this show, since I'm no fan of religiously oriented stories. Should you hesistate for the same reason, rest assured that, aside from the beautiful temple that plays as a setting and a few sutras read in the background, the monk hero is less religious than me - if possible.
In fact, here's one of those rare examples in rom-coms where the leads have physical desires. That a monk has to take more icy showers than your average CEO to suppress his wordly lust is an entertaining concept. Not to mention that, if you're a fan of Yamapi you may find this habit of his very pleasing.
As I said, there's a lot to laugh about while watching. Indeed, I'd say this is a rom-COM, where the comedic aspect wins over the romance. The romantic aspect, on the other hand, is seesawing, and I found myself laughing at the couple, hating the couple, loving the couple, re-hating it and re-loving it. There are in all respect more couples to enjoy here, even though I personally loved the side characters as a whole, not paired, if that makes any sense.
Don't expect some deep characterization because, in perfect from-manga-to-live-action style, the stress is on the characters' present actions, rather than how they came to this point. Hints, however, are given now and again, and I personally found those touching and well played out.
Out of the lot, I found the best acting performance to be that of Satomi Ishihara, solid, elegant and believable. A pity her character undergoes a few unwatchable tests that made me cringe on my womanly seat, but that's the plot and the actress won the challenge whether she had to be spunky or sad.
Yamashita's character requires him to be hilariously robotic, something he does very well, since he manages to convey quite a lot through his eyes. I appreciate this trait of him and loved it here. This monk can stretch your patience to its limits, but it turns out he's truly endearing and I'm very happy at his decision by the end - and I'm not referring to the very end.
Music? Nothing to talk about.
I think I'll rewatch this one day, either because I'm a rewatcher by nature or simply because it managed to draw me out of a slump with some welcomed laugh and a deserved (?) Yamapi fix.
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1This review may contain spoilers
I dare to say this drama is perfect. And I was stupid enough to almost not watch it. The hype was just too strong and so off putting. WARNING: this is NOT a review for someone who has not seen the show. I just need to express all my thoughts somewhere.
So… Are you bored and tired of the “I’m not gay, I only like you” plot lines in BLs? How much do you wish some shows would address the hardship of coming out? The fear and confusion related to it? How much do you wish to see a well written, heartbreaking conflict that is not based on poorly written and ridiculous random jealousy? How much do you wish to see well written supporting female characters, whose whole arc is not just “I ship two cute boys together”? You get all of that and more in Like in the Movies.
The story revolves around the exploration of sexuality and identity. What makes us who we are? How much should we compromise between who we are, want to be and who others want us to be? How to react when you are both pulled back in line and pushed out of it by people you love and care about? How to make a relationship work when one person has already finished the race, but the other is not even on the track yet? Each character represents a different story, different perspective and different point of view. Their actions might make us angry, sad, heartbroken, happy or annoyed, but we see the reasoning behind what they do. We might disagree, but we understand. And this just proves how good of a writing quality Like in the Movies presents. There are no silly villains, nor over the top crazy exes or evil parents. There are just people. Real people with flaws, fears, hopes and dreams.
“Don’t be scared of the word. You can say it. I don’t mind”.
Vlad was an emotional fluff that spoke the truth and gave everyone some real lessons. I cried because of the words he had spoken. He showed how much being an educator can accomplish. Knowing Karl has no bad intentions, he was willing to explain everything to him, was patient, but firm about his views. As someone who would rather sit down and explain things over getting defensive and offended myself, I truly appreciated and loved that about Vlad. Of course, it was not his responsibility to guide Karl, but his understanding approach just impressed me. Communication is the key, not only in romantic relationships, but also any type of social interactions. He didn’t play mind games, spoke what he thought and felt and it was up to others to accept it or not.
His story is also truly heartbreaking. It shows how stigma and homophobia in a society can shape the way we see and interpret situations, especially at a young age. In the past, he associated every negative and bad action of people around him as a result of him being gay, even if it was not true. But the truth is often meaningless. It’s the perception that matters. It’s the perception that guides your thoughts and feelings. And, like in Vlad's case, it takes years to look at the situation from a different perspective. If society did not present being gay as something bad, Vlad would never assume his dad left because of that. He would never assume his mom was against his relationship because she did not want her son to be gay.
Vlad represents someone who fully accepted himself. Who is proud about his identity and does not want to hide it. Who, after facing so much hurt and struggle, does not waver. Who wants to proudly give and receive love. Who just wants to be happy.
“I don’t know if I’m like you. I don’t even know who I am”
Karl never had a chance to explore who he was. He lived for his brother. He lived as his brother. Getting away from the expectations put on him by his family, allowed him to slowly learn about himself. And it was scary. It was unfamiliar. It felt great when he didn’t think about it, but you cannot shut the thoughts out for eternity. You need to face them one day, but if that day comes too fast, if you are not ready… that can break you. Or push you even more into a corner. And that’s what happened with Karl. External circumstances forced him to face it when he was not ready, when he felt emotionally confused and vulnerable.
He was brave enough to tell his parents about his dream, about the goal of switching majors, about his will to chase his dreams. It was a tough decision to make and required a lot of strength. The aftermath of his decision was still unknown to him, and yet others expected him to do it again. To face the expectations of his parents. To rebuild the identity he had so far, to completely reevaluate how he thought about himself. No time to think, no time to accept, just expected to act accordingly. But he deserved that time. He deserved a minute to explore and get accustomed to who he was. Coming out should have been his decision, that he made on his own terms, in the time that he felt comfortable with.
“But I just don’t know how to get to you (...). I’m still navigating through this.”
Judit represents what happens when driven by guilt, you go from one extreme to the other. She is clearly close to being paranoid and definitely overprotective over Vlad. Taking into consideration the pain she caused him in the past with the words she said, now she does everything she can to save Vlad from disappointment and heartbreak. And she definitely crosses the line doing so.
She acts as a fake ally persona, which is closer to fujoshi. Not knowing the full story and observing her behavior in the first two episodes, one could assume she is another crazy female character without depth who just ships all the guys that are in close proximity (flashbacks to Zol and her “shipping my brother and writing stories about it” behavior). But then, with episode six we get a complete shift of the perspective and actual explanation for her action.
While I still didn’t like her overpowering and overbearing presence, I understood where it came from. As Judit said: she is still navigating through it. It’s obvious her and Vlad never seriously talked about the situation, the past and how to move forward. During that episode she faced her mistakes for the first time, she apologized for the first time. Before that she did what she thought was correct, not what actually would be helpful. As always kids, communication is the key. But even after that confrontation, she still does not completely change her ways. And it’s frustrating, but also realistic. You cannot just change who you were for years after one honest conversation. It takes time, it takes others pointing out your mistakes countless times. Talking with Vlad was a great start. But it was just a start. All the hard work is still ahead of her.
“I don’t want to blame her one day for all the time that I have lost for myself”.
One could say that statement and Anna “running away” from her child is selfish, but it’s the opposite of that. She is not giving up on her kid, but she is not willing to give up on herself too. She is a mother, a great one, who raised her child alone for years, but she is also just Anna, a woman that needs time for herself. Need time to chase her dream, to live and have fun. How could she make her child happy and encourage her to work hard if she gave up on herself? Words are not enough, you need to be a true model for your child. And that’s what she is doing. Feelings are not something we can control. She can love her child with all her heart, but still have these small “what ifs” creeping and poisoning the relationship and bond they have. What if I didn't have her? Where would I be? Who would I be? Would I be happier? Would I be more successful? What would my life look like? The thoughts that we have no control over. So yes, Anna is a badass person and an amazing mother. Even though she is just a supporting character, she also tells an important story that brings more value to the series itself.
Moving away from the characters, I have to admit something: this show slapped me across my dumbass face quite a few times and I’m glad it did. I like to think I’m not one to judge and jump to conclusions (especially negative ones) quickly, and this drama showed me I’m not quite there yet.
It started with the opening scene and my “glorious” thought “wow… way to start a BL with a cliche of 2 pretty guys dancing in random pretty location”. Boy, I was wrong, and when we finally got to see the full scene in episode five, I just felt stupid. It was not “just cliche”, it had powerful messages and quite an impact. “Maybe that’s why it’s such a big deal to me because it’s just a small thing and I still got deprived of it” is quite honestly one of my favorite lines, one of the most impactful, and one that represents well how twisted and wrong the world is.
Another moment that hit me hard was the Judit and Vlad’s conversation I already mentioned. I truly thought she was just hyped fujoshi and there is nothing more to it. And yet again, I have been wrong and I felt stupid for jumping to a conclusion when nothing was even presented to me to validate my position. Don’t know if these two moments say more about me or the BLs as part of the entertainment industry. I was fed poorly written female characters and cliche plot lines for so long, sometimes it’s hard to have higher expectations.
Another thing I loved about Like In The Movies: it had big brain energy. It has been just clever and not a second of screen time was wasted. All the small interactions and details were meaningful and I’m legit too dumb to even notice them all. I just loved how scenes, interactions, small behaviors connected and were explained at different parts of the story. Vlad not liking people touching his hair? Far more than “just because he doesn’t like it”. Small details like that, turned out to have so much emotions and depth for them. Vlad finishing a scary story with the “corpse in the closet” idea, and then he finds a photo of Karl’s brother in the closet, thinking it’s Karl. Truly big brain energy. There were many moments when I went ”damn… that’s why they showed it a few episodes ago”. Everything connects and everything has a meaning and I’m about to cry from happiness overwhelmed by this perfection.
Now, let’s talk about music. I am not an ost person. Unless the soundtrack is truly outstanding or truly bad, I don’t pay that much attention to it. Here we have the case of “truly outstanding”. Each song was beautiful. They were perfectly fitting for the moments and scenes they were playing for. The lyrics were just the cherry on top of this beautiful cake that brought me to tears. This is ALSO the case of big brain energy.
You know what else is big brain energy? The credit scenes! I’m amazed. Truly. You can tell how much care and thought was put into this show when they decided to even use the credits as a way to convey the message, describe the relationship and its progression. As I said, not a second was wasted. There were no fillers. No line wasted. Everything was crafted perfectly to give us this masterpiece, with quotes at the end of the episodes being the dot at the end of the sentence. Tying it all together, leaving us hopeful, emotional and grateful.
Though this will never be seen by anyone involved in the production, I just want to say thank you from the bottom of my heart. This was an amazing, emotional and engaging journey that will stay with me forever. I cared for the characters deeply, as if they were truly my friends. I cried, laughed and screamed with anger. Thank you for making me this emotional mess.
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Li Chengyin is the character I’ve always wanted to see. He is a complex character living in a treacherous world. He has to use his cunning every single moment of every single day just to stay alive. Every mistake that made him appear soft brought danger to his doorstep, so can you blame him for the person he’s become? He’s so clever in the face of his enemies, but that becomes his downfall in the face of love. You love him and then you hate him and then you love him all over again.
Qu Xiaofeng is such a charming girl. She defies norms in costume/historical dramas wherein she IS the politically-favored wife, she doesn’t have to fight her way to the top of the harem, she has almost no trouble getting along with anyone in the palace, yet she’s put in this lonely predicament because of the narrative Li Chengyin fabricates in his best attempt to protect her. He tries so hard to protect her from everyone that he forgets to protect her from himself. The thing is— she doesn’t need to be sheltered; she’s brave, upstanding and receptive. His attempts to preserve her innocent spirit pushes them further away from each other.
While Chengyin lives in a world of darkness dealing with the demons surrounding them, Xiaofeng is the brightest light, his polar opposite. And that’s why they seem to never agree on anything. In another lifetime, their love could have been a romantic comedy; if he were just a regular tea merchant, they would have lived every single day together, trifling and loving. Their chemistry is undeniable. On top of that, the performance by Chen Xingxu and Peng Xiaoran breathes life into the characters from the novel. They convincingly portrayed every sweet moment and every heartbreak. I still feel strong sorrow for these characters as if they’re actual people I know.
The costumes and cinematography in the drama are so lovely, the characters are charming, the dubbing is really well done, the OST is unforgettable, and above all, the story is beautiful. This drama exceeded all of my expectations. If you’re interested in a tale that dares to straddle the line between love and hate and still manages to make it work, I implore you to give this drama a chance.
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A highbrow production with broad appeal.
The Longest Day in Chang'an is an immersive, visually stunning, culturally authentic and thrilling journey back over 1000 years in time to Lantern Festival in Chang'an at the peak of the Tang Dynasty. This is a highbrow and very demanding drama that is immensely enjoyable even if taken simply at face value. The viewer gets to decide how much they wish to invest in it. The production basks in rich historical and cultural detail that marvels over the intellectual, political, legal, administrative, military, cultural and scientific sophistication of Chang'an and the Tang Dynasty more broadly. The faithfulness to historical accuracy and strong edu-drama aspect to this show has history buffs raving with ecstasy. As a layman, the finer nuances would be lost on me were it not for the many knowledgeable insights on this and other sites. That doesn't appeal to everyone and some have remarked on the frequent historical and cultural digressions that interrupt the story-line. My simple take is that "smart fillers" are better than the nonsensical fillers that other dramas spam us with.The absolutely stunning cinematography is the first and most consistent impression throughout - every frame is beautifully angled to create a visual, vibrant feast for the eyes. Even flames from explosions burst in an artistic pattern of controlled natural assymetry. The production is not shy about indulging in artistic license and is littered with lithe and gorgeously willowy Tang ladies with only one small section acknowledging more ingrained images of the classical, prosperously rotund Tang lady. A number of Chinese manhua worthy characters are almost casually dropped in among the otherwise characteristically Tang dynasty cast including Djimon Hounson's Gao Le, the menacing African slave-trader and lord of Changán's underworld; a deadly female assassin who is fanatically devoted to her radical master; and a wildly improbable Western Persian Prince priest with impressive kung fu and building leaping skills. At the end of the day, this is very much a work of fiction and suspension of disbelief will be required as the lead characters achieve superhuman physical feats and survive certain death. All of which make for gripping, visually compelling and heart stopping action scenes.
The drama is not an easy, light watch. The first season (24 episodes) opens with the intense urgency of a fast moving, action packed thriller as the two leads Zhang Xiaojing (Lei Jia Yun) and Li Bi's (Jackson Yi) race against time to foil a terrorist plot during the Lantern Festival. The constraint of the 24 hour timeline forces the narrative to alternate between the high speed chase, political machinations around a power struggle and flashbacks that set up the backstory; all threads which converge in the unraveling of the conspiracy. The many plot twists interact with an extensive cast of complex characters from various factions with unclear and/or malleable loyalties in the power struggle between Li Bi's patron the Crown Prince and his powerful rival the Right Chancellor. In short, there is already a lot to take in so the occasional non sequitur cultural or historical digression can come off as one thing too many.
It took me a long time to care for any of the main characters in this show. Even relatively "good" characters are flawed, primarily driven by self interests and had questionable loyalties and morals. It wasn't obvious that Li Bi' s cause, the Crown Prince was more worthy than the Right Chancellor. Zhao Xiaojing's dealings with Gao Le alienated me; especially when it appeared his real motive was to protect the reckless and misguided Wen Ran. That episode and short lived character stayed with me for a long time because it is the first of many times that bad things happen to good people. And that is how good people can end up doing bad things. Thus there are no outright good or bad characters in this show, they are all products of events beyond their control. Time and again the drama explores how circumstances can push any character to act against his innate nature and self interest. It is a very realistic portrayal of the complexity of human nature's capacity for both good and evil and was acted out compellingly by a truly superb cast. I started to understand the true spirit of the drama when the plight of the common man of the Peacekeeper Corps moved the phlegmatic Li Bi to tears and made him their reckless champion. The real "heroes" in this drama are the common people; that is why it intentionally neglects the main characters and does not attempt to make you root for them and does not care if they have a happy ending. It celebrates the hardships and unrecognized capabilities of the nameless, faceless, powerless, voiceless man - from the forgotten soldier that gives his life for king and country to the ordinary citizens of Chang'an. It wants you to see them, hear them and care about them.
Season 2 (episodes 25-48) was much more enjoyable for me as the intensity of the chase abates and the narrative focus really zeroes in on the power struggle and the unvieling of the conspiracy and ulitmate mastermind. Finally the lead characters are also allowed to shine and shine they did. Zhao Yi Wei's Long Bo was the most provocative and masterfully portrayed character in the drama. As his path converges with that of Zhao Xiaojing, we see the many parallels between the one who seeks vengence and the one who fights to keep dreams alive.
I was surprised by how much I fun I had unraveling the conspiracy. It was very well done and largely kept to the unspoken bargain of hiding enough clues in plain sight that I was able to figure much of it out on my own. The motives of the ultimate mastermind were not convincing. While I had my eye on him as a suspicous character early on, I assumed he was just a link in the chain but not "the guy". It was a stretch that was probably one plot twist too many. One of the other suspects may have been a more credible choice.
Of course it is a foregone conclusion that the emperor was the ultimate villian. While the power dynamics between a manipulative and insecure emperor and his most trusted advisor and his heir has been done before, it was still extremely very well done here. I was completely satisfied when the son takes a leaf out of his father's book in the ultimate act of emotional manipulation. Checkmate. This was the most satisfaction I got from the ending. The bigger question of whether good things happen to good people is left open.
This is definitely the most epic, most idealistic, substantive and thought provoking drama of 2019. Its biggest flaw is that it is overly ambitious and tries to take on too many themes. That it came together so well is a feat in and of itself but as a result, it was not always easy to watch and certainly not something I wanted to dive right into after a hard day at the office. That said, I truly believe it is a must watch and may even be more enjoyable if taken more simplistically just for its stunning aesthetics, intrigue and action.
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The Plagiarist Cookbook
Who Rules the World is based on a well-loved, strong female centric novel that is normally my kind of story. However, the drama adaptation was undermined by the mid-production departure of the director and a key scriptwriter in the bitter aftermath of over fraternisation between production staff. It is clear that the drama was salvaged by borrowing heavily from other dramas and accusations of plagiarism have further weighed on the reception. I watched this for lack of anything better but to my surprise, it comes together quite well. It is indubitably the result of The Plagiarist Cookbook and is best enjoyed with a sense of humor for its stirring romance and parody plot.This drama starts strongly, promising a sensational fusion of romance, wuxia, palace intrigue and art of war. Set in a fictional Dadong empire, the Empyrean Token, which vests the imperial family with the mandate to rule mysteriously disappears, sending the empire onto the brink of war. All six vassal states vie to recover the token and potentially seize power. Longtime friendly rivals and top martial artists Bai Fengxi and Hei Fengxi get dragged into the fray as they stumble across a string of inexplicable killings. Together, they discover a sect with shadowy motives that could be linked to the struggle for control of Dadong. Behind their carefree jianghu personas, they both conceal identities with vested interests in the coming battle to decide who rules the world. Can their romance survive the battle for a new world order?
This drama's strongest selling point is Bai Fengxi and Hei Fengxi; they are simply the most awesome jianghu power couple. I was expecting more of the same old, same old Zhao Lusi. And my first impression of Yang Yang in what looked like Wang Yibo's hand-me-down Legend of Fei wig was meh, just another idol actor with a sharp, useless look about him. So to my surprise and delight, I enjoyed Lusi and Yang Yang's combined chemistry immensely. I love that their romance develops after years of friendly competition, when they are both secure, fully realised beings. Their relationship dynamics are captured in as much in their witty banter as in the nonverbal communication of their eyes, facial expressions and small gestures. They make for such a stunning looking couple with 夫妻相/fū qī xiàng or the look of a couple that it is hard not to root for them. That said, their relationship is mature and already perfect. They are on the same wavelength with mutual understanding that even in the matter of their secret identities, the reveal is in each case rather anti-climatic; an unimportant and unsurprising detail. While they experience many challenges together, most of the time they sail through them so effortlessly that the intensity is diminished. Since the drama is all about this couple, as charming as it is, their relationship after awhile feels static.
I really like how the smart women (to be clear, that means excluding Langhua) are portrayed in this drama. They are clever, independent and capable decision makers who don't succumb to the dumbest and most boring love rival tropes. Yet ultimately this is not the strong female-centric story I was expecting as it is much more Lanxi's story than it is Xiyun's story. Which is a shame because Lusi really takes her acting to another level in her portrayal of an indomitable and powerful character who cries as persuasively as she laughs and whose stomach is a bottomless pit. Her comedic expression remains her forte and in this production, her articulation is more mature and subtle than her earlier works. Hopefully down the road, she gets another shot at playing a strong female lead character and preferably one that drives the plot.
This is my first Yang Yang drama and wow, he is a sight for sore eyes and a much better actor than I guessed. He has incredibly expressive eyes such excellent micro expressions that he pulls off every imaginable romantic expression effortlessly. I can only applaud the neck breaking effort and dedication that goes into presenting his incomparable jawline at the most optimal camera angle at all times. If only we can unlock that frozen shoulder and see more natural body movement. Beyond that, he appears determined to cling to a righteous, gallant and conventional interpretation of his character. But I did not see the greyer, more complex side to Lanxi which I believe is consistent with how the role is actually written. While I enjoyed the slap that reverberated across the Dadong empire, I needed more. Like his father, I wanted to see Lanxi rise to the occasion, get angry, voice his resentment and demand justice. Instead, his brothers stole his lines while Lanxi simply stares down regally at the antagonists, best chin angle forward and nary a hair out of place. So definitely a young actor with lots of potential but Yang Yang's performance overall does not rise to the level of the character's complexity.
If I had to pinpoint where another writing/direction team takes over, it must be in the over extended Yongzhou arc. It is manifestly obvious that the Yongzhou royal family blueprint and at least two sub-plots in that arc are dumbed down knock offs from Royal Nirvana. I could be forgiving if they'd managed to make it better or more interesting than the original but nope, that did not happen. It is baffling how they chose to focus on done before royal succession palace intrigue tropes and less intelligent, archetypal villains at the expense of more compelling plot threads of conspiracies around dark sects committing murder and mayhem, missing tokens with fascinating grey characters like Huang Chao and Yu Wuyuan. There is an entire missing arc that could have better explored their back stories and more interesting dynamics.
The drama ends well after an exciting climax but the final six episodes are rushed and don't quite manage to close all of the open and more interesting plot threads. The war sequences are very well done even though they don't come together that coherently. But I don't like how they kill off good characters. To me, a few side characters I managed to get invested in deserved better deaths than what they got. And as for the final outcome, everyone got what they most wanted. If only Bai Fengxi knew the irony of her insistence that bai (white) precedes hei (black) in all matters.
The problem with using The Plagiarist Cookbook is the end product feels familiar but ultimately lacks substance and definition. I genuinely enjoyed watching this and laughed my way through it but more so because the MDL thread was amazing with many viewers with a great sense of humor and openness to plurality of opinions. I probably would have still enjoyed it but a lot less had I watched it by myself. While this has been my most fun watch of 2022, I can only rate this 8.0/10.0.
As promised for posterity:
Rules of The World:
#1 Falling down a steep cliff does not result in death
#2 Bai always precedes Hei - it is just the natural order of things
#3 Food has no calories and should be consumed at every opportunity
#4 When bad guys try to kill your love rival, let them
#5 Bai Fengxi remembers what she sees
#6 If you are going to dance seductively, wear a red dress
#7 The sleeve and the fan are mightier than the sword
#8 Don't bother with blankets, just use body heat
#9 Hand made noodles will unlock his life story
#10 Must have at least one bad parent and imaginary cousins
#11 The timely ankle twist is a more important skill than showy gravity defying flying kicks
#12 Must have strong piggy back and copious blood factory
#13 Never hold hands with just any girl in the streets, only that one girl
#14 You don't draw that well, she just looks that good
#15 Be greedy when it comes to food and all four elegant gentlemen
#16 Funerals are for dead people and not those you wish dead
#17 To eat or to Hei Fengxi, that is the question?
#18 Heaven hath no thunder greater than that of a long dead queen
#19 Be known by a dark foxy stripper 名号/name
#20 Surprise - they met when they were kids!
#21 Spicy exotic delicacies to ward off black dogs blood is just another excuse to eat
#22 Introducing your girlfriend to the girl who wants to be your girlfriend makes you the third wheel
#23 Don't give your master love advice unless you like memorizing military stratagems
#24 You get better love advice from romance novels than from your inexperienced subordinate
#25 A real hero need not take advantage of a woman to rule the world
#26 I promise to feed her well
#27 Foreshadowing is when her drawings and clay figures of you are all so.... round
#28 Be sure to let the villain and no one else know you are on to him
#29 When in doubt just stab the least likely suspect in the back
#30 The flower medicine kiss is a cure all for inner energy loss to deep stab wounds
#31 Greatest fool theory of sect leadership
#32 Stop dreaming about kissing her and just do it
#33 Two can play hide and seek in closets made for one
#34 Don't: As my most important wife and empress, I will give you the world
#35 Do: Xiyun who? You are my world
#36 Give your treacherous brother the coup de slap that is heard across the Dadong empire
#37 Revenge is a dish best served with a piece of long white cloth
#38 Let me see if you are good looking enough for my daughter?
#39 It is Hei Bai (black and white) that no son of mine should have to marry above him!
#40 Mess with my woman and I will knock the sacred jade out of your moon
#41 Nothing says hands off, he's mine like your bright red lipstick plastered over his cheek
#42 If Mo Yuan and Ye Hua can survive a weapon of mass destruction, so can I... oh... oops... wrong genre...
#43 Honey, 白头偕老/Bái tóu xié lǎo (grow white hair/old together) is not meant to be taken so literally or so independently.
And they lived heavily one decade after. Burp!
The End.
Warning: DO NOT try at home. May result in substantial weight gain, stomach ache, premature greying and/or loss of life and limb. Also, backstabbing and bitch slapping could be offences punishable by law in your jurisdiction.
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Anyone who knows me, knows that I am particularly hard rater. (I have only ever given one perfect 10 out of over 150 dramas watched). However, this ALMOST made my second, as this drama was utter perfection until almost the very end. Dark, mature, suspenseful. This drama had me on the edge of my seat each episode and desperately awaiting each week’s new chapters. Besides the ending, I LOVED everything about the show: the acting, cinematography, soundtrack, writing, and wardrobe. Everything contributed to an amazing story that was unlike anything I’ve ever seen!!
In this drama, Kim Nam Joo blew me away!! She was unbelievable. However, I must say, EVERY SINGLE person in the cast did a fantastic job. This drama had characters that were so layered and complex, that could tell a story based solely on their eyes and facial expressions. There are so many aspects that I loved about this drama and its characters, as flawed as many of them were. One of the best things about this show, was that it was riveting from episode 1 to episode 16, no filler episodes, and filled with intelligent writing with twists and intrigue throughout. Its only downfall was the finale where it floundered what could have been an epic ending. It is not that it is unhappy or happy and I disliked their choice. Instead it was lacking, weak, and inconclusive.
Originally, I did not start this drama until episode 6 or 7 had already been aired, as I had doubts about whether this drama was for me. I love romantic comedies and have never heard of the leads. However, I am so glad that I tried it because it has now in my top 3 dramas of all time. DO NOT LET THE GENRE OR CAST SCARE YOU OFF--or the ending!!! This drama is definitely worth watching. Highly recommend. :)
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This review may contain spoilers
Please forgive me if this review's going to be a little unconventional, I'm in no mood for serious considerations on a drama that doesn't take itself too seriously. The followings are random conversations between me and my watching partner, aka my husband (H). Try to imagine us as the two old men at the end of The Muppet Show.H: Why the heck is he (Seung Gi) pining for that almost sister of his when he can have the prettier and much nicer one (Suzy)?
Me: He thinks she's a boy.
H: Rrrrrright. And the winner of Genius of the Year is…
[Kang Chi finds out Yeo Wol's a girl in a slightly unorthodox way]
H: Ok, I take back everything I've said before: the guy IS a genius!!!!
°°°°°°°°°°°°°
[scene: Kang Chi and Yeo Wol are staring into each other's eyes]
H: Whoa, he's finally going to kiss the girl
Me: Hmm, I wouldn't be that optimistic.
H: Trust me, he has that glint in his eyes. He's going to kiss her, I tell you!
Music: "Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
[more staring followed by sudden wrist grabbing]
H: Finally…
[off they go eating]
*collective and colourful grunts from the audience*
Me: He clearly hasn't taken after his father
H: Yeah, daddy knew his business. Save the girl, hide the girl, kiss the girl, ta-da… a BABY!
°°°°°°°°°°°°°
[the monk urges Kang Chi to flee for the nth time]
Me: Is that monk ever going to give a valuable advice? Nobody listens to him anyway.
H: Ikr? That monk is as useful as a concrete parachute (he used a different simile, but it can't be repeated here)
°°°°°°°°°°°°°
H: His eyes turned green! What do you think, is he going to morph into Perry Parky now?
Me: Sure, Perry Park would bomb them all, but if you want him to kiss the girl, Shin Se Gi's definitely the one to morph into.
H: Shin Se Gi had red eyes and eyeliner.
Me: True. Like daddy gumiho, now that I think of it.
H: Daddy again. Are we sure Kang Chi's not the monk's child?
(references to Kill Me, Heal Me are sort of involuntary. I hereby decline every responsibility)
°°°°°°°°°°°°°
Me: What do you think is that Gu Book about?
H: A kissing manual?
Me: A recipe for Kimchi, more likely.
"Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
°°°°°°°°°°°°
[Kang Chi, his face half covered with a scarf, is surrounded by his comrades, all demanding to know who he is]
Me: Are we the only ones who would recognize him from a 10-km distance? I mean, the clothes, the hairdo, the bracelet…
H: I know. Perhaps they think it's the head Gisaeng incognito. After all, they share 1 neuron among the 20 of them.
°°°°°°°°°°°°°
Me: LOL, now that thug thinks his dongsaeng Kang Chi's gay. A gay gumiho is an interesting take of the trope
H: So he too thinks Yeo Wol is a boy? This drama should be called "The Goofy Family Book"
°°°°°°°°°°°°°
H: Ha, now he's really going to kiss the girl!
Me: You may be right this time. The moment is perfect and the song is clearly suggesting romance.
[7 and a half minutes later, the scene is still frozen like it was 7 and a half minutes before]
Me [making coffee]: Are their heads a little closer now?
H: Hmmm, I'm not sure. 2 cm closer, maybe?
Me: All right, I'm making sandwiches. And please mute that misleading Saranghae song before I explode.
°°°°°°°°°°°
To give this review some semblance of usefulness, let me conclude by saying this is a highly entertaining drama, with a good, rounded-up plot, lots of fun – although laughter is often involuntarily induced - a Seung Gi who never fails to put me in a good mood by simply existing, a lovable Suzy, a despicable villain with a certain, almost compelling elegance, good romance and a fairy-tale feel that won't let you down. Recommended to everyone looking for a light watch with glints of unexpected depth and an awesome finale . If you have a watching partner to frolic with, so much the better.
P.S. Allow me a tiny spoiler: the kiss does come, after all, much to the joy of the two Muppet Old Men.
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