A promise in front of the moon yet beyond the light.
Are you confused because of my title? Let's examine and resonate what, how, why, when, where and find the answers.Note: It's a obvious that ITSAY is way better than IPYTM but will you actually discredit the work? NO, Never do that. Let's talk. If you haven't watched you can skip the 2nd part for now.
1st PART: REVIEW
ITSAY (s1) is indeed a game-changer in the world of Thai BL, being the best ever Thai BL ever produced; it is inclined more towards the LGBT pov of a BL, yeah! But If we are gonna compare it with IPYTM (s2), it's better to realize that we are on the wrong boat. The type of storytelling, as everyone can feel and see, has obviously changed from "an artistic narration of love that complements a soul" to "simple narration of love that doesn't want to be bound within limits" kind of story.
THE TITLE:
So when the title of the 2nd season along with the first poster was released, everyone was so happy but at the same time difference in interpreting the title was seen. Many people perceived it as 'one pledging their lover to do anything for them at any given cost' and others explained it as 'promising something that's difficult to keep or even impossible to achieve'. Despite of all the speculations, each of us wished for a happy ending even though we were in doubts. But as the series is over what we can conclude is, Moon that's full of spots as imperfection, is also a sign of love and perfection; because even the most perfect relationship has some flaws. Notably, the 1st episode started on a full moon and the 5th episode or finale ended on a full moon depicting how our lives are drawn in full circles, making us come back to the same different spot; but it's upon us to find our way out of it to achieve what we wish for. I am amazed the way the writers put symbolic meanings to it along with the use of various props with deep meanings.
PRODUCTION: There are bigger production companies in Thailand but when it comes to quality, Nadao Bangkok is the BEST among all. I have trusted in Nadao and the team it formed since ITSAY and this time even though Nadao changed the team, my trust still remained the same. I am sure they never compromise when it comes to producing. The quality of their work can never ever be discredited. P'Boss who was the director of ITSAY remained in IPYTM as a producer to supervise everything. I was a little disappointed when Goy was removed from the screenwriters' team but she was casted in the show as a character and I believe there was a reason behind it. After everything, I really wanna commend the entire team who has always believed in the immense study on life, critical analysis and putting best of their efforts in writing, managing and directing the series. People who are fool to misinterprete and jumped into conclusion thrashing and bashing you all for the story don't deseve such a precious series at all. Do not listen to them as I trust you guys must have reasons behind all these when you clearly knew that you'll have to face backlash once it goes on air. Thank you for the courage. Also, Bravo, Nadao! As someone who has always complained about the lil production value of Thai BL industry, ITSAY and IPYTM came as a revolution in the Thai BL history writing a chapter that no other can ever claim.
STORY: I am really not sure how to explain but let me tell you, you will never see such realistic approach in any other BL series as they've shown us in both ITSAY and IPYTM. I feel the entire crew that includes the directors, producers and the screenwriters are masters of storytelling on individual level and their combined efforts has been successfully paid through the series. Both ITSAY and IPYTM are more like "feeling-based romance" stories with very heavy plots and despite the obvious changes from one season to another, IPYTM still kept us going for the quality work put by the production and the cast. ITSAY was an awakening and realization of blooming youth whereas IPYTM is a reflection of struggles of adulthood or precisely the process of adulting as an individual and evolving in a relationship. Given both the seasons have 5 episodes each, there was no way to be bored or feel like it's going slow because every episode is filled with a lot of solid contents. I really don't know how to express my feelings for the fact that IPYTM is so very realistic and relatable that threatened the inner-self of lots of people. May be that's the reason a large no of audience are disappointed for they were shown their own reflection through the story, hence making them dislike it. Not just the main leads, rather each and every character we encounter in this series more or less represent us and our life who either run away from reality or chase after it. Both the seasons are coming of age stories set in different premises and involves different stages of life. They in fact have proved that how one's persona can define the other at points where two persons are in a relationship and what are the ways to come out of it. Just like ITSAY, IPTYM has been successful in showing the artistic pov of how the turmoil of conflicted emotions can shake lives which is both tragic and eye-pleasing at the same time and hence making the audience hooked up the complexity of the feelings that the character had to go through. Also, it's not an one year or few months story, rather a relationship of years so they had to go through all these anyways. Us being upset is totally unreasonable because people gotta get out of happy-go-lucly fairytale stories. PLEASE.
DIRECTION:
OOF! How many times I gotta repeat it? P'Meen and P'Boss are brilliant directors and stupendous creators of art and probably the best directors Thailand has ever produced. Given their age and experience, they can turn soil into gold which is reflected through this series, ain't it? If you're set to discredit them, please stop wherever you're because you're absolutely moving towards a wrong direction. The way they've set the entire thing and the kind of screenplay by drawing parallels and portraying contradictions between ITSAY and IPYTM is so very fabulous and worth the appreciation.
UNIQUENESS: One of the many peculiar things about both the seasons is that, the series is different from other BL series in which too many illogical plots are drawn. Plus unlike others, in ITSAY and IPYTM the supporting characters have not been portrayed as the sidekicks of the leads who always tag along with the main characters and keep teasing them. Also, the usual BL-fetish fujoshi/fudnashi stuffs have also been prevented from the series where others keep pestering the lead couple (I am in no way demeaning the BL culture since I too am a part of it, rather saying how it's not necessary to put the same thing in every other series). Even a girl like Khim's character was so mature and enough to move our hearts. Another thing is that unlike ITSAY, IPYTM is a time jump story. In five episodes we saw (i forgot) at least 3 or 4 leaps (?) and that included their entire university time plus the last episode was after the graduation and their professional lives.
ACTING: Do I really need to explain a lot about this? I mean give a huge award to the casting director. Nadao could be a small company with few artists but all of them are skilled and quality actors. BK and PP were so into their characters as Teh nd Oh-aew that it felt very real, it's like they've absorbed the entire persona of someone else and turned into real beings and not just mere characters of a series. There are scenes which could seem usual to you but the way they performed is just way beyond the cringeworthy acting of other actors. I mean the way they felt natural is wow and also their accurate facial expressions for every other emotions; in fact what makes ITSAY and IPYTM standout on the top of the pyramid is the performance. Apart from BKPP the supporting characters are also good as actors. Especially Khim (Goy) and Jai (Oab) are fantastic performers who were able to make a strong impressions upon us and I believe the Nadao directors have a part to play in how they've taught the actors in the workshops.
DIALOGUE WRITING: Well, as I have already told, the writers a set of brilliant storytellers and the part of dialogue writing has been so beautifully done that it compensates for even the tragic moments. Some were so simple yet so deep and meaningful, I must say they must have pull the heartstrings of millions. Teh who has been a emotional fool all along this season had not much to say but look at the lines of Oh-aew, Jai and Khim. I felt triggered at points and those things hit just right at my heart.
CINEMATOGRAPHY: Ummmmm, master quality skills of cinematography. I heard even the camera person were changed in this season but I still loved because as I have already told, we are not in the same boat as ITSAY this time. The camera angles were so very apt, particularly during the stage performances and the rehearsals that Jai conducted. The aesthetic views during their first meet on the foot bridge, the aquarium, the temple scene, in Oh-aew's condo scene; everything was done very beautifully and left me speechless. The colour coordination work has been amazingly done by the screenplay editors too and it's sometimes that had ITSAY vibes too. So a plus point for the quality editing too.
OSTs: This is something which many are complaining about but why do we need to do everything as we did in ITSAY? Season 1was definitely made to feel us overwhelming and content hence the old-style deep and pleasing lyricism was introduced. But in season 2, as I have already said that the kind of storytelling has changed, they changed the OSTs to simple and relatable lyricism that somehow felt deep and touched hearts too. I am so in love with the OSTs. One thing to note that, in ITSAY BK has more original tracks than PP and PP was made to cover one, whereas in IPYTM PP has more original tracks plus one cover from BK. Only common thing is in both the seasons, BK and PP has a very beautiful duet. Also, like ITSAY, IPYTM too left us awe with the sound effects that even made the subtle scenes beautiful; no unnecessary editing and no use of OSTs multiple times just for promotion sake.
ENDING: Not gonna spoil but if you're wary about it, please don't be because it's worth it. The series that has left us awestrucken all along during the entire thing deserved this ending. All that matters is the growth, development and the evolution in individual level as well as in a relationship that's been immensely picturized in this. Happy or sad ending, what actually matters is the journey that we have been put through. Believe me, we all are blessed to have ITSAY+IPYTM and we should definitely be thankful for it.
Let me tell you that if you're actually moved by the script, as in cried with Oh-awe, crused your heart out for Teh and hated Jai to your core, congratulations because that's what the team wanted. They've succeeded in their job when you are left with demeaning thoughts towards the entire thing. As already mentioned, ITSAY and IPYTM are nothing but revolutionary examples in the Thai BL industry that deserves much mote attention, recognition and attention. This too deserves a 9.5 if not 10/10.
In my 7 years of watching Kdramas and BLs this is the first time I paid to watch something with the anticipation to have all kinda nostalgia and art like ITSAY. Although it didn't have the same thing as the prequel rather I was hit really hard with reality, it is worth the money I have spent and worth best of the best appreciations.
2nd PART: ANALYSIS
(SKIP FROM HERE UNTIL YOU WATCH. If you want to read my analysis, you can come back after finishing)
Let's analyse!
Cheating is when you do things deliberately, with your full consciousness, without caring about your conscience. So from this, whatever Teh did, can't be considered entirely as cheating, because if being swayed from/getting confused about your feelings is considered as cheating, then more than half of the relationships of the world will fall apart right away as you read my review. Let's understand Teh's situation.
1) Firstly, in the Ep2 he saw his most dear person, Oh-aew growing away from him. It's not like Oh-aew's love for him was becoming lesser but just like many people Teh, who always finds deeper meaning to whatever happens with/around him, felt like with Oh-aew changing his major things between them might change too. He was insecure and afraid to lose Oh-aew whom he loves so much. But he was wrong when he mocked Oh during the dinner with his seniors, because it's okay if you're flustered but he should have taken his time to understand Oh-aew's situation for changing himself.
2) Secondly, after Goy and Top passed out of the Acting School, Teh was left with Jai Only. Because of the club, he never made friends from his dept nor did he hung out with anyone except these 3 people. Morever Jai was someone who was like-minded with Teh. Their field of study, their interest, their choice of career and their way of seeking meaning in lil stuffs; everything matched as if they were meant to be. We as human beings usually tend to get attracted towards someone with similar interest and thought process, isn't it? Many of us end up falling for someone with whom we spend almost all the time of our day, it's psychology. So Teh falling for Jai isn't something very big of a matter though he should has have control on himself as he's already in a relationship with someone else. He should have hold himself back even if he was intimidated by Jai's behaviour. Jai somehow was kind of a jerk even though Teh is to be blamed more for whatever happened.
3) Thirdly, the kissing scene. Yeah, Teh was at fault too but whatever happened was just a spark of the moment. Basically it was a rehearsal plus the scene's purpose was to depict intimacy. So while practising Teh, who was already swayed, ended up doing a mistake without consciousness and he was clearly out of his mind. He definitely did wrong but that can't be counted as cheating, again because that was so sudden during the rehersal and Jai had a part to play in the matter. Oh-aew as expected had to be upset and flustered seeing this and I totally cried all night, not because Teh kissed a 3rd person, rather Oh witnessing it was so tragic. I felt so poor for him.
4) Fourthly, the 4th episode that was an absolute tragedy. Teh who was caught off guard even though he did wrong over intimidation, he should have come to sense when confronted by Oh-aew. He should have understood that being seen kissing with another person by your boyfriend is not a small matter. He should have tried even harder to resist his emotions but that emotional fool! Everything went okay till the final play and was going smooth during the after party but that fool had to go out after Jai and confront him about whatever happened between them even when Oh-aew was present there, why!? He was given a very fair chance by Oh who himself was hurt to the core but Teh just couldn't draw a line and realize that everything should have a certain limit and committed a grave mistake. But still, would you call that cheating? NO! It still isn't because it's not like he did it deliberately behind Oh-aew's back. Oh himself was there and whatever Teh did was without his consciousness and everyone could clearly see that he was totally intimidated. So even if he had acquired some feelings for Jai, it can't be interpreted as cheating.
5) Teh never stopped loving Oh, even when he was swayed by Jai. He obviously was afraid of the fading relationship but he tried well to understand the situation and cope with it plus to make things better in their relationship. He was a fool to be intimidated but at the same time he never wanted to let go of Oh-aew.
6) Ep1 to Ep4 are the story's side from Oh-aew's pov whereas Ep5 and particularly Teh's thesis play which lasted for a short while is from his pov. Please try to understand that too.
On my last note, I wanna remind y'all about the conversation that Oh-aew had with his school friend,Boss. If you were carefully listening them and tried to understand what exactly it meant, then I am sure all my analysis and explanation wouldn't be necessary to prove anything. Also, Teh and Oh-aew's last conversation on the beach made sense to a great deal, if you didn't understand it, I am sorry you didn't deserve it. Life, love and relationships are always unpredictable. So accept it as it comes to you and embrace all the hurdles with grace, and of course, together.
Finally I just want to say that, when it comes to love stories, we only have very few options or let's say 2 options: "moving on" and "reunion". What matters is how that's represented and whether it's reasonable or not. I am truly happy that Nadao didn't let us down. THANK YOU FOR EVERYTHING.
I really hope my analysis, examination and interpretation would help you in better understanding the things and what the directors plus the entire team have tried to convey. If you still don't agree, I welcome any argument in the comment section. Thank you for bearing with this long review, I wish it helps.
Lastly, I TOLD SUNSET ABOUT YOU and I PROMISED YOU THE MOON will forever be in my heart as THE BEST THAI BL SERIES EVER PRODUCED. I am so happy, so content and so grateful I can't even express them through words. Can't really bring myself to say goodbye to TEH and OH-AEW as well the entire thing of 2 years but I will remember everything till the moment I die, I PROMISE.
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"If obsession isn't love, then I have never loved before"
The film stars Kim Go eun as Jaehee, a bold and free-spirited woman, and Noh Sang hyun as Heungsoo, a young gay man struggling to accept his identity in conservative Seoul, navigating their unusual and unique friendship.Jaehee, who often misunderstood and misjudged by others, finds comfort in Heung-soo's company, while Heungsoo learns to embrace himself with Jaehee's help. The film beautifully balances heavy themes with lighthearted moments, all thanks to the strong chemistry between the leads.
>>Comparing the movie to the series:
The series showcased ML's bold lifestyle in different stages of life and his journey towards love, heartbreak and acceptance, on the other hand the movie emphasized one of his important part of life i.e his friendship with the FL, we did see a bit part of her in the series. Both versions stayed true to the main storyline but differ in their execution.
Both Lee Soo Kyung/Nam Yoon Su and Kim Go Eun/Noh Sang Hyun are different genre of same kind. Please don't try differentiate between the series and movie as both has its own charm. I enjoyed both of them very much.
Overall, it is a touching tale of friendship, self-discovery, and acceptance, making it a must-watch for fans of heartfelt romances.
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Song Wei Long is Adorable!
This is a sweet, sweet, sweet little rom-com. Sweet in every sense. Though there are some conflicts, nothing too outrageous or unsolvable. Song Wei Long who plays the character Yuan Song has definitely brought life into this lovely drama and his character. I'm normally not a light-headed blurry eyed person, but Song Wei Long has turned me into a silly teenager basking in his youthfulness.When Song Wei Long made this drama, he was still a teenager (18). Despite his very young age, his acting is mature and convincing. As Yuan Song, he doesn't hold back with anything, especially when it comes to intimacy. He dares to kiss and love. Young, handsome and sunny, he is a heart throb. I just can't have enough of his scenes because I love watching him from the start. I love his youthfulness that doesn't lack maturity.
When He Fanxing (played by Victoria Song) meets Yuan Song, she's attracted to him. Fighting back her own emotions, she doesn't know what to do. On the other hand, Yuan Song falls head-over-toe in love with Fanxing and he knows this woman is exactly who he wants in life. Compared with Yuan Song, Fanxing is like a little girl emotionally; she doesn't have what a normal woman her age has. Though smart and strong, Fanxing is naive and clueless when it comes to intimate relationships. Yuan Song however, is mature and devoted. Despite a huge age difference of 10 years, the pair looks perfect for each other.
Of course nothing sails smoothly in life. Comes the killjoy Ye Lu Ming (played by David Wang). He tells Fanxing that their friendship is only platonic, she believes him and treats him as her confidante. But he uses this opportunity to winning the hearts of her parents and making her indebted to him. He creates dates after dates pretending these are their innocent hangouts, and she is oblivious to the facts. He plays her naivete to the fullest. At this point, many viewers curse the Fanxing character, and inevitably the actor herself. This is silly because Victoria Song should not be condemned for being such a good actor that brings the Fanxing character to life.
Initially I questioned the writer for giving us such an emotionally naive character as in Fanxing, and such a foxy character as in Ye Lu Ming; I thought such characters were unrealistic. However, when I searched deep into my own experiences, such characters do exist. I used to know someone who used the same tricks as Ye Lu Ming does, and trapped a girl that he had been pursuing without the girl realizing she was being trapped.
I love the side couples here, in particular Cai Min Min (played by Esther Yu) and He Can Yang (played by Zhang Yu Jian). Cai Min Min is so adorable like a little toddler. He Can Yang's relationship with his twin sister He Fanxing is simply so cute and silly. It's rare for Chinese dramas to portray parents as open-minded as the He's - both of their children have a penchant for very young partners, like at least 10 years younger. The family dynamic is amazing and nostalgic for me.
Many viewers show doubts in following a story that involves a large age gap between the main couple. To this, I'd say, keep an open mind. It's always socially acceptable for a man to marry a very young wife, but not so the other way round. I understand the rationale behind such norm as there is a limitation within a woman's body when it comes to the biological clock and reproduction, but who were to say a couple must always produce offspring in a relationship? Intimacy in a relationship can be expressed in many forms. How Yuan Song plays out in this drama makes me believe that happiness does exist despite the age gap.
I hope through this drama, some single ladies take up the courage to start dating younger men of which I'm supportive. Discard any social pressure or traditional norms. Follow one's heart. Find one's true love. Don't make do with just any men. No one can tell how one should live one's life.
What a wonderful sweet drama this is. Worth watching.
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True Lies
This must watch crime drama hooked me from the start and commanded my undivided attention till the end. My review is going to be brief because for this drama, spoilers will vastly diminish your viewing experience so best steer clear of the threads until you are done.Three children from broken families - Zhu Chao Yang (Rong Zishan), Yan Liang (Shi Pengyao) and Yue Pu (Wang Shengdi) accidentally record footage of a murder in progress. They bite off more than they can chew when they go toe to toe with the murderer in a deadly cat and mouse chess game that could lead to mutually assured destruction. This is brilliantly written and superbly acted, with dynamic relationships, complex emotions and mirror lead antagonists. The sophisticated and nuanced performances of all three child actors and notably Rong Zishan are impressive beyond words. They are surrounded by a veteran cast that deftly portrays realistic, empathetic characters with very human failings. This is a dark story about how social and familial pressure and occasionally just darn bad luck can make people do both deeply moving and terrifyingly chilling things. The suspense builds naturally as a result of gripping storytelling and acting and is not artificially induced by music.
As a mystery buff, I have loved the unreliable narrator style of storytelling since I read Agatha Christie's "The Murder of Roger Ackroyd". The kind of darkness of human nature explored in this drama also coincides with my other Christie favorite "Crooked House" so this drama checks all my boxes. However, the adaption of this type of narrative style to film is incredibly difficult and usually disappointing - the movie version of Ian McEwan's Atonement is a classic example. So I am just bowled over by how meticulously and insidiously well executed The Bad Kids is. Even if you watch this without blinking, you will inevitably miss many of the true lies and scratch your head as to when and where the lines between fact and fantasy get blurred. There is no shocking "Aha!" moment - indeed initially I was convinced with and unquestioning of my first impression of what happened. I fell for the fairy tale hook, line and sinker. And then insidiously, all the alternate possibilities started to creep up upon me and drew me into re-watching. I watched this two times and and parts of it more than that and yet the ambiguities and different possibilities persist. That is actually what is fascinating, thrilling, chilling and absolutely mind blowing about this experience.
Of course there are some mild logic flaws but this is truly so well executed there is little to pick at without being petty. I can't praise this enough, it has to be the best crime/mystery I have watched as of June 2020. It can hold its own relative to the best in class of this genre not just in China but anywhere and everywhere. Two thumbs up!!!
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The story is excellent. You can see how much effort the writer and director put into it right from the first scene. While it gets dark and depressing, there is also a light tone to it during some parts. This is the first time I have watched a lesbian Korean movie and found myself highly loving it. While the two women serve as the main characters, Ha Jeong Woo also plays the male lead and has quite a presence throughout. During the entire course of the film, it will give you the feeling of reading a book than watching a film. It's poetic and literary in its narration and the atmosphere of the movie just amplifies all the best parts about the film.
There were a few erotic scenes but I felt like they were tastefully filmed. The girls have good chemistry with each other and Ha Jeong Woo was the perfect barrier between them. I was impressed by how well all three spoke Japanese in the movie (also the supporting cast). Plus the era the film is set in makes it a hundred times more interesting. It's intriguing to see Korea portrayed under the rule of Japan and you can see how much Korean culture was influenced by the Japanese during then. You could watch the movie just for the periodic setting and even then you could enjoy it for that solely as well.
What's cool about the movie is the plot- the conning, friendship, romance, perversion and obsession. There's also a slight revenge aspect to the story which was the main twist and made this movie way more likable. Also the costumes, sets and dialogues are what made it so fun. I swear I blushed during a few parts of the film because I never realized how erotic Japanese can sound with the right diction.
If you wanna know what sets this movie apart, it's the setting/era (undoubtedly) and also the ending. YES. The ending makes it all worth it. The entire 2+ hours will fly by and you will not even notice it. And the twist was so, so clever. Kudos to the writer.
Only watch it if you are over 18 or a mature teen. There are some scenes of torture and hints of BDSM and perversion. They are not too overbearing so do not worry. Just sit down and enjoy it- like me. The ending makes it the best thing ever. TRUST ME.
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Li Chengyin is the character I’ve always wanted to see. He is a complex character living in a treacherous world. He has to use his cunning every single moment of every single day just to stay alive. Every mistake that made him appear soft brought danger to his doorstep, so can you blame him for the person he’s become? He’s so clever in the face of his enemies, but that becomes his downfall in the face of love. You love him and then you hate him and then you love him all over again.
Qu Xiaofeng is such a charming girl. She defies norms in costume/historical dramas wherein she IS the politically-favored wife, she doesn’t have to fight her way to the top of the harem, she has almost no trouble getting along with anyone in the palace, yet she’s put in this lonely predicament because of the narrative Li Chengyin fabricates in his best attempt to protect her. He tries so hard to protect her from everyone that he forgets to protect her from himself. The thing is— she doesn’t need to be sheltered; she’s brave, upstanding and receptive. His attempts to preserve her innocent spirit pushes them further away from each other.
While Chengyin lives in a world of darkness dealing with the demons surrounding them, Xiaofeng is the brightest light, his polar opposite. And that’s why they seem to never agree on anything. In another lifetime, their love could have been a romantic comedy; if he were just a regular tea merchant, they would have lived every single day together, trifling and loving. Their chemistry is undeniable. On top of that, the performance by Chen Xingxu and Peng Xiaoran breathes life into the characters from the novel. They convincingly portrayed every sweet moment and every heartbreak. I still feel strong sorrow for these characters as if they’re actual people I know.
The costumes and cinematography in the drama are so lovely, the characters are charming, the dubbing is really well done, the OST is unforgettable, and above all, the story is beautiful. This drama exceeded all of my expectations. If you’re interested in a tale that dares to straddle the line between love and hate and still manages to make it work, I implore you to give this drama a chance.
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Anyone who knows me, knows that I am particularly hard rater. (I have only ever given one perfect 10 out of over 150 dramas watched). However, this ALMOST made my second, as this drama was utter perfection until almost the very end. Dark, mature, suspenseful. This drama had me on the edge of my seat each episode and desperately awaiting each week’s new chapters. Besides the ending, I LOVED everything about the show: the acting, cinematography, soundtrack, writing, and wardrobe. Everything contributed to an amazing story that was unlike anything I’ve ever seen!!
In this drama, Kim Nam Joo blew me away!! She was unbelievable. However, I must say, EVERY SINGLE person in the cast did a fantastic job. This drama had characters that were so layered and complex, that could tell a story based solely on their eyes and facial expressions. There are so many aspects that I loved about this drama and its characters, as flawed as many of them were. One of the best things about this show, was that it was riveting from episode 1 to episode 16, no filler episodes, and filled with intelligent writing with twists and intrigue throughout. Its only downfall was the finale where it floundered what could have been an epic ending. It is not that it is unhappy or happy and I disliked their choice. Instead it was lacking, weak, and inconclusive.
Originally, I did not start this drama until episode 6 or 7 had already been aired, as I had doubts about whether this drama was for me. I love romantic comedies and have never heard of the leads. However, I am so glad that I tried it because it has now in my top 3 dramas of all time. DO NOT LET THE GENRE OR CAST SCARE YOU OFF--or the ending!!! This drama is definitely worth watching. Highly recommend. :)
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1This review may contain spoilers
Please forgive me if this review's going to be a little unconventional, I'm in no mood for serious considerations on a drama that doesn't take itself too seriously. The followings are random conversations between me and my watching partner, aka my husband (H). Try to imagine us as the two old men at the end of The Muppet Show.H: Why the heck is he (Seung Gi) pining for that almost sister of his when he can have the prettier and much nicer one (Suzy)?
Me: He thinks she's a boy.
H: Rrrrrright. And the winner of Genius of the Year is…
[Kang Chi finds out Yeo Wol's a girl in a slightly unorthodox way]
H: Ok, I take back everything I've said before: the guy IS a genius!!!!
°°°°°°°°°°°°°
[scene: Kang Chi and Yeo Wol are staring into each other's eyes]
H: Whoa, he's finally going to kiss the girl
Me: Hmm, I wouldn't be that optimistic.
H: Trust me, he has that glint in his eyes. He's going to kiss her, I tell you!
Music: "Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
[more staring followed by sudden wrist grabbing]
H: Finally…
[off they go eating]
*collective and colourful grunts from the audience*
Me: He clearly hasn't taken after his father
H: Yeah, daddy knew his business. Save the girl, hide the girl, kiss the girl, ta-da… a BABY!
°°°°°°°°°°°°°
[the monk urges Kang Chi to flee for the nth time]
Me: Is that monk ever going to give a valuable advice? Nobody listens to him anyway.
H: Ikr? That monk is as useful as a concrete parachute (he used a different simile, but it can't be repeated here)
°°°°°°°°°°°°°
H: His eyes turned green! What do you think, is he going to morph into Perry Parky now?
Me: Sure, Perry Park would bomb them all, but if you want him to kiss the girl, Shin Se Gi's definitely the one to morph into.
H: Shin Se Gi had red eyes and eyeliner.
Me: True. Like daddy gumiho, now that I think of it.
H: Daddy again. Are we sure Kang Chi's not the monk's child?
(references to Kill Me, Heal Me are sort of involuntary. I hereby decline every responsibility)
°°°°°°°°°°°°°
Me: What do you think is that Gu Book about?
H: A kissing manual?
Me: A recipe for Kimchi, more likely.
"Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
°°°°°°°°°°°°
[Kang Chi, his face half covered with a scarf, is surrounded by his comrades, all demanding to know who he is]
Me: Are we the only ones who would recognize him from a 10-km distance? I mean, the clothes, the hairdo, the bracelet…
H: I know. Perhaps they think it's the head Gisaeng incognito. After all, they share 1 neuron among the 20 of them.
°°°°°°°°°°°°°
Me: LOL, now that thug thinks his dongsaeng Kang Chi's gay. A gay gumiho is an interesting take of the trope
H: So he too thinks Yeo Wol is a boy? This drama should be called "The Goofy Family Book"
°°°°°°°°°°°°°
H: Ha, now he's really going to kiss the girl!
Me: You may be right this time. The moment is perfect and the song is clearly suggesting romance.
[7 and a half minutes later, the scene is still frozen like it was 7 and a half minutes before]
Me [making coffee]: Are their heads a little closer now?
H: Hmmm, I'm not sure. 2 cm closer, maybe?
Me: All right, I'm making sandwiches. And please mute that misleading Saranghae song before I explode.
°°°°°°°°°°°
To give this review some semblance of usefulness, let me conclude by saying this is a highly entertaining drama, with a good, rounded-up plot, lots of fun – although laughter is often involuntarily induced - a Seung Gi who never fails to put me in a good mood by simply existing, a lovable Suzy, a despicable villain with a certain, almost compelling elegance, good romance and a fairy-tale feel that won't let you down. Recommended to everyone looking for a light watch with glints of unexpected depth and an awesome finale . If you have a watching partner to frolic with, so much the better.
P.S. Allow me a tiny spoiler: the kiss does come, after all, much to the joy of the two Muppet Old Men.
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I had to think for a couple of days before writing this review because I had to sort out my feelings and thoughts so I could form them into words. Sadly though, mission is not accomplished. No matter how hard I thought about it, it is really hard to put this movie into words. It is a movie that you need to “sense” not “read” about. Thanks to director Lee Yoon-Ki, who is known as an emotional delicate director, the movie had so much charm and beauty added to the already beautiful story.
'One Day' is a healing-fantasy movie about two wounded people, it depicts the story of a man and a spirit with a similar pain and scar who meet each other ‘one day’. One of the reasons I labeled this movie as a new genre is because even though there was no love story going on between the two, the story was very much about ‘love’. It was fascinating to me that loneliness, emptiness, anxiety, and lack of heart of two people could be healed without the ‘I love you, I don’t love you’ format. I can’t even begin to express how captivated I was by the fact that this movie healed wounds without "love" between Kang Soo and Mi So. With all the sorrow in disguise it still managed to be a refreshing new genre.
One of the modest yet profound messages in the movie is when it suggests that a ‘blind’ person should be referred to as ‘blind’ person and not ‘impaired’ (it made a huge difference in Korean language and in my opinion it makes a difference in English as well as my own language).
Kang Soo and Mi So are two people who face each other through their scars and as they get closer, they realize that their wounds are in 'contact'. The best expression I could define them with is, 'window' because they were like a window to each other. On one hand Mi So is Kang Soo’s window to his inner-self and the memories that he locked away after losing his wife. On the other hand, Kang Soo is Mi So’s window to the world.
The story on the surface ‘a living person meeting a spirit’ is not a new material it's been done before countless of times. However, unlike other projects, ‘One Day’ depicts pain and loss in a beautifully healing fantasy. Mi So as a character as her name suggests (her name means ‘smile’), is not just your average spirit, she’s a bright, vivid, warm, sweet and endearing bundle of joy. Watching her smile was all the joy I needed.
The delicate and modest directing of Lee Yoo-Ki takes this fantasy and naturally applies it in our reality without risking the material becoming overwhelming.
Two of the most remarkable points in 'One Day' are Kim Nam Gil and Chun Woo Hee’s golden performance (calling it 'golden' is an understatement). KNG’s charismatic act through his deep expressive eyes even with scenes featuring no dialogues at all has once again swept me off my feet. He embodied Kang Soo and captured every bits and pieces of his pain and sorrow. KNG’s delicate display of Kang Soo’s emotion was top class graceful performance. However, this movie’s heartthrob I shall say is Chun Woo Hee. It is hard enough to play a blind character, but to also have to play a spirit, who on the other hand can actually see, is a challenge on its own. I don’t know how I will adjust to the fact that she’s not Mi So and she’ll be playing other characters in the future but I do very much look forward to her future projects.
Music:
Wonderful instruments combined with exquisite sceneries that had me taking deep breathe several times as I feast my eyes. This is the first time I’m actually happy with the music section in a movie.
Overall:
I’m a person who enjoys dramas a lot more than I do with movies, simply because movies have different format and the fact that they end so quickly doesn’t allow me to connect emotionally as well as I do mentally. Thus, it’s really hard to find a movie that not only do I NOT want to ever finish, but also makes me feel as if I’ve entered a different world. ‘One Day’ is that kind of movie to me, a movie that I never thought I’d come to meet. I went to watch it as a huge KNG’s fan and came out with a movie that I can finally label as an absolute favorite of mine. ‘One Day’ is definitely not a movie for everyone, but it’s a movie that will have you sensing all shades and colors of emotions.'One Day' is a beautiful, fresh, artistic, delicate, ‘feel good’ (despite the sadness) and enriched with classic vibes movie. It has ‘rightfully’ stole my heart. Finally I have met my 10/10 movie.
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A Good RomCom! Watch With An Open Mind!
I don’t understand why everyone seems to hate this show! I found the basis of the plot interesting and the main leads kept me coming back for more. Their dynamic was great and I had a lot of fun watching this show. Very cute and lots of funny moments!It’s also pretty tame for a Thai BL, so maybe some reviewers who found it “boring” were just looking for something a bit more explicit.
To each their own, I do highly recommend this show if you’re looking for a lighter-hearted funny show with a cute main couple who has really good chemistry. I looked more into Joong and Dunk after I finished the show, their chemistry in real-life ABSOLUTELY translates onto the screen.
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The prevailing mood is hilarious as the siblings spend their time swindling people of their money. And even though these siblings have such a heavy past hanging over them their banter with each other is fast, upbeat, and hilarious. Nevertheless the story doesn't seem silly but has depth because of the serious and sad moments when the three remember their parents and the pain over their loss.
So it's not a lie, this drama is surprisingly funny. And cleaver camera work too, you can be watching one scene and suddenly realize in the background there's a continuation of another scene going on at the same time. Brilliant!
"I would recommend it to everyone who likes stories which leave you with a laughing and a weeping eye.." - and I second that.
(Lingering thought: Nino as Ryo's older brother was a bit hard to swallow at first but that's just getting nit-picky on my part)
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Never Give Up and Never Give In (In Sports and In Love)
There have been other good Noona romances in recent dramas, but Falling Into You tops the rewatch list for me.The theme centered around track and field athletes and their passions, dreams, and doubts. However, it was the love story that was candy for me. Those looking for good romance will not be disappointed by the great mix of sweet yet flirtatious, innocent yet sexy, complex yet enduring love between an aspiring coach and her idealistic student.
This show was already off to an awesome start when it featured two gorgeous actors as the main CP, who also had fantastic chemistry with each other. Nothing could get in the way of sparks between these two, especially when the romance began to heat up. I love that the actors were not shy about the kiss and intimate scenes, and I have to say they did remarkably well in this aspect.
Perhaps part of the credit should go to the director, Yi Zheng, who also directed "Love Between a Fairy and Devil", in which he was able to draw out excellent emoting from the leads.
Fun fact: Gina Jin is 8 years older than Wang An Yu, the same age gap as the main characters that they portrayed. Despite the age difference, they did an excellent job as a couple whose journey of love was so organic and wholesome. It was so enjoyable to watch our CP grow from the natural conflict of their budding relationship and going through the challenges of other people's prejudices to becoming a couple that inspired relationship goals. Once committed, they were unwavering in their support of each other and their faith in one another.
I was not surprised by Gina Jin's wonderful performance as Luo Na, the older woman who resisted at first but eventually fell for the charms of her persistent student. She is definitely a talent and simply stunning, even in plain athletic gear. She has played a similar role in "Why Women Love" and I hope she will not be typecasted.
Our perfectly handsome male lead was no doubt an eye candy. Perfect face, flawless skin, great physique. However, Wang An Yu wasn't all looks. This pretty face can cry! I am impressed with his emotional scenes, and there were many of them. After all, our adorable Duan Yu Cheng was still a 20-year-old boy on a path of self-discovery and smitten with Luo Na while trying to achieve his dream of being a top high jumper. I also liked Duan Yu Cheng's sportswear and casual outfits. This guy looks good in everything.
Some other characters fell flat or were unnecessary, but the cast did well overall. Watching the interactions between team members and coaches was fun; there were many hilarious and heartwarming moments. The show could have done away with some filler episodes and given us less of a rushed feeling toward the end. Still, it was a satisfying ending.
The OST was memorable, and I particularly liked the various songs played throughout the episodes. The two leads also sang a song each, and for posterity, I have listed all the songs I could track down at the end of this review.
All in all, Falling Into You was refreshing, entertaining, and binge-able. I could not recommend it more!
OST list:
* Love Blinds (Kéren)
https://www.youtube.com/watch?v=dneyEcIm0Hg
https://open.spotify.com/track/7iwGlPC4KxQ96CjYFD2YvU?si=bb90e03c45be43b4
* The Biggest Part of Me (The Home of Happy and Dane Etteridge)
https://open.spotify.com/track/29CBEod7xU7sVqpb7XaK5d?si=bbff9b8140134d2d
https://www.youtube.com/watch?v=YStkj_2m2Ko
* Everybody On Your Feet (Amphibious Zoo Music)
https://open.spotify.com/track/00vS1coaTZjwiA4MKQbCnR?si=53314df83ca84768
https://www.youtube.com/watch?v=87LdNYETuGI
* Standing in the Moonlight (Soul Mechanic)
https://www.youtube.com/watch?v=Ad91jxkTuak
https://open.spotify.com/track/0GVYSKXYMn4NzQC6DMnXNs?si=a4e5938621624d52
Call it What you Want (Antisocialites)
https://www.youtube.com/watch?v=4zRCUXKCkJM
https://open.spotify.com/track/0u60YRwLtd4HnaxkB7hmg9?si=2b820d94f7c04beb
* Girls Like You (Corban Shane Calhoun & Gabriel Canadian & Joshua Joseph Wilcutts)
No link
Brighter Days (Hanna Lynn Miller)
https://open.spotify.com/track/7ecwUJoCpwrfeN9tb5Vxgj?si=4857cadc31a14015
Uncorrupted (Julia Church)
https://www.youtube.com/watch?v=S5t_9ydDJm8
https://open.spotify.com/track/7tOu3piRvStm3BCk5CH7Q2?si=960e749f8cd94f8b
* 阳光 海浪 我和你 (Sunshine, waves, me and you) - 刘宇宁 (Liu Yu Ning)
https://www.youtube.com/watch?v=qk1o2AnIO_k
* 阴天转晴 (Cloudy and sunny) - 王安宇 (Wang Anyu)
https://www.youtube.com/watch?v=nLLr3K7aQDA
https://open.spotify.com/track/6OPvc0ghjjsXwG1Dh4xYzA?si=4b1a8b99e2234e29
* 度过此刻 (Spend This Moment) - 夏日入侵企画 (Summer Invasion Project)
https://open.spotify.com/track/5DmlNe79sX7LUHJrPZ9gSj?si=02df7f3e1e404ada
https://www.youtube.com/watch?v=Jnj8v43ktdA
* 怦然心动 (Heartbroken) - 汪睿 (Wang Rui)
https://open.spotify.com/track/6UosPIGzBTMm3psQapq6ps?si=f0f989ec59994978
https://www.youtube.com/watch?v=-y4MlP4H8jU
* 要不要留下来 (Do you want to stay) - 金晨 (Jin Chen)
https://www.youtube.com/watch?v=QjAE5v2pyQM
https://open.spotify.com/track/4jilfKy9z2tYwUN4jV57Pn?si=df0fc232693a4526
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This film has a very 40's film noir feelng and it's nicely shot. The costumes and set design are pretty to look at as well. The story interested me because living in America, you don't often get a good history of World War II seen from other points of view during that time. There was a lot going on in the world at that time; in China, Spain and Russia not just the major players like England, France, Germany, Japan and so on.
The sex scenes are intense but they lent themselves to the relationship of the two involved. Through their passionate affair you watch the spy and the target fall victim to what happens when you become physically intimate with someone. Feelings inevitably get involved. There were some scenes frought with tension as you watch the woman get in over her head in the name of her cause.
I'm giving this a 10 for great acting, directing and script. This is a very well done film. There is a reason why it was nominatd for so many awards including Best Foreign Film by The Golden Globes and BAFTA.
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I have been led to think by past experiences that the more I watch Asian dramas, the more fastidious I become; it is therefore quite ironic that in this case my better knowledge came out as an incentive to appreciate the drama more, not less.
When I approached Proposal Daisakusen the first time, all my attention was captured by the love story between Kenzo and Rei. I was so anxious for him to do the right thing and say the right words that I overlooked all the rest. But guess what: as odd as it may sound, this drama is all about 'the rest'. Daisakusen in Japanese means 'big strategy', as in organizing a war campaign. View in this light, we could think of Kenzo's time travelling as it were a war where single episodes are the several battles fought. To maintain the analogy, if while watching you put all your energy in trying to win every single battle, you'll end up frustrated, but if you keep the target in mind, i.e. win the war, you may truly appreciate this 'big strategy'. Despite all premises to the contrary, this drama is not so much about Kenzo managing to change Rei's heart as it is a journey of a young man understanding what's truly important in life and establishing clear priorities. It also makes you reflect upon the true meaning of love, whether it were only about declaring it aloud or rather be there when the person you love needs you.
In this sense, I believe this drama to be a lot cleverer than your average romantic comedy. It touches issues like friendship, family, loyalty, generosity and honesty. It takes its time, lingering on what seem little details, but it turns out that changing a small detail can make a huge difference not only in your life, but on the direction the people around you will take as well. The thin thread underlying the whole show is an old friend: carpe diem. Seize the moment and the opportunity, you may not have a second chance. This is a very simple philosophy, but it is so dear to me I firmly believe it cannot be repeated or stressed enough. Don't procrastinate, don't give the people around you for granted, thinking you have all the time in the world to do the right thing, to convey your feeling or to listen to them when they need an ear.
I consider the special as integral part of the drama, so I indirectly include that one in this review. They called it special, but it could just as well be episode 12, so I suggest you watch the special too before rating the show.
The acting is fine. It could have been more intense, but I'm willing to forgive the occasional stone-face because the characters created by the whole cast are truly endearing and hard to forget. They are very natural as a group of friends and as such I ended up imagining them.
The music isn't the strong trait of the drama. It has a lovely instrumental piece and a very old-fashioned song repeated now and again. In the end, I have become quite deaf to both. A little variety wouldn’t have hurt...
I suppose there's no need for me to explain why the re-watch value is so high. If you are ready to put aside Kenzo's eternal hesitation and Rei's insecurity - which by the way are paramount traits of their personality, without which the drama wouldn't have been created - and you fix gaze and mind on the whole picture, you may end up loving it as much as I did on second watching. There's a constellation of little events, many related to the Japanese culture and rituals, that is delicious and heart-warming.
After 7 years, I'm now ready to recommend this drama to everyone.
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Frank's and Drake's acting can be amateurish, but is also refreshing - its just like watching real people in real life situation and are not overacting, besides, the two of them being cute together is enough for me to stick with the show. I also liked the fact that no one in the whole cast is annoying.
Id reccommend it if you are a BL and romance story fans. Just enjoy the show. Would i rewatch it - yes, ive become a FrankDrake shipper!
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