Artistic, Beautiful, Classy, Elegant, Humorous, Sweet Romance, Mysterious
A Dream of Splendor is an adaptation of a very beloved classic story written by a playwright in the Yuan Dyansty (c. 1271–1368). The original story, titled 赵盼儿风月救风尘, in short “Saving the Courtesan” (救风尘), tells the story of Yinzhang marrying a man who forced her into prostitution. Zhao Pan'er came to help her by seducing the man into signing the divorce paper. Yinzhang later married the upstanding scholar who Zhao Pan’er was in love with. The story was so inspiring that over the years, it has been adapted into movie, TV series, dramas, plays, Chinese operas (越剧), and even into a comic book (manhua). In A Dream of Splendor, romance and politics are added to give it a complete flavor for today’s audience.Though fictional names are used, this drama is said to have set in the Song Dynasty, around c. 1019, during Emperor Zhenzong’s reign. The Emperor was sickly and his Empress, Liu E assisted him in the ruling, handling various state matters. Having a less than pristine family background, court officials had divided opinions of the Emperor taking Liu E as the Empress. In this fictional story, the Empress was an entertainer in the past, and her image was captured in a painting as she was entertaining her host and guests. As a Secret Service for the Imperial Palace, Gu Qianfan (Chen Xiao) is ordered to retrieve the painting before it’s fallen into the hands of those who want to use it to expose the Empress of her past.
While searching for that painting, Gu Qianfan crosses path with Zhao Pan’er (Liu Yifei). After saving Gu Qianfan when he is almost killed, Zhao Pan’er comes to the capital city in search of her fiancé, Ouyang Xu (Xu Haiqiao), together with her best friends, Song Yinzhang (Lin Yun aka Jelly Lin) and Sun San Niang (Liu Yan aka Ada Liu). Each of them has had gone through the worst of their lives: Sun San Niang is jilted by her husband and denied by her son and she attempts suicide, while Song Yinzhang is abused by her gigolo husband. Zhao Pan’er has rescued both women while going through a breakup with a relationship for three years. The trio decides they need to maintain their dignity, depend on themselves and will not be subjected to the manipulation of any men. They first start a small and elegant tea house, and later run the most talked-about restaurant in town, employing the skills each possesses – Zhao Pan’er’s art of tea, Song Yizhang’s talent of the pipa instrument and Sun San Niang’s outstanding gourmet cooking.
Zhao Pan’er has a modern-day business acumen. She turns her adversaries into her allies. She is good in putting two and two together to figure things out. She is artistic, intelligent, and fast witted. In this drama, she ends with the best love of her life whom she deserves. Liu Yifei’s acting is natural and amazing. Her charisma exudes elegance, beauty, grace and calmness.
Gu Qianfan is a ruthless, intelligent head of the Imperial Guard, and he can fight very well. Chen Xiao’s portrayal is convincing and natural, and most of all, he has an undeniable amazing chemistry with Liu Yifei. Their dynamics are over the top, and their romance is sweet and real.
Other cast members are just as good and convincing. Here we have a comedic character, Chi Yanei (Dai Xu), to light up the mood and add colors to the story. There’s a lot of growth with the main characters, in particular with Song Yinzhang who grows from a naïve gullible girl to an intelligent decisive business owner.
My Verdict
As lovely as the romance in this drama, this story is about courageous women helping and saving each other from their most egregious times and conditions. It is heart wrenching and anguish to watch the reality of life for ancient women and such trend is still persisting in today’s world that women are still being treated harshly and unfairly, in particular in light of the recent abortion ban in the USA.
The 2001 version of the drama starred Le Jiatong as Zhao Pan’er and Fan Bingbing as Yinzhang. In this earlier version, there were no Gu Qianfan nor Sun San Niang. The two female characters were flamboyant and very strong since the beginning, especially Yinzhang. Their costumes were colorful and tawdry as they were dancers. The music and dances were some of the most beautiful scenes to watch and are commendable.
In A Dream of Splendor, the Ouyang Xu character is being vilified (vis a vis the scholar that was loved by both women in the earlier version), and the women’s characters are subdued and more dignify, giving them more class and elegance; Zhao Pan’er’s expertise in the art of tea and Song Yinzhang’s brilliance in playing the pipa instrument. Any viewers will be mesmerized by the beauty and elegance of these ladies when they execute their exquisite art forms. I like the way the characters talk, softly, and directly without beating around the bush nor losing grace, and without fear nor hypocrisy. The drama explores the main five senses of our bodies with some more in-depth than others: visual, sound, taste, touch, smell. Though the story and plot are not perfect with a lot of unplugged holes, the romance is warm and desirable, the aesthetic value is one of the best (Zhao Pan'er's art of tea, her dancing, visual of Yinzhang's pipa playing etc), and the instrumental music and OSTs are excellent.
Overall, this is a very enjoyable drama for all romance buffs and for viewers who appreciate the beautiful things in life. Don’t miss it. BRAVO!
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The meek shall inherit the earth.
This is a very funny, romantic romp through the antics of an unlikely couple in a marriage of convenience that turns into the real thing. Xu Qingjia is a talented young scholar who jilts a highborn lady to fulfil an old promise to marry Hu Jiao, a butcher's daughter. At surface, they could not be more different - he is book smart, humble, meek and measured in his actions while she is street smart, commercial, direct impulsive and a total gangster when provoked. As Qingjia hilariously navigates the challenges of his new assignment as a backwater county magistrate, they discover their differences are complementary and where it counts, their core values are the same.The surrounding plot of this drama is yet another age old corruption case involving the previous generation with some decent twists. What's different about it is that it unravels slowly over the daily lives and trials of a group of humble merchants and working level government officials. The characters are colourful, often comical and avoid the most cringeworthy familial and love rival archetypes. The romances unfold at a realistic pace and have an honest, down to earth appeal about them. No one character is super smart, infallible or is the main driver of the plot. They all have strengths and weaknesses that make them at times succeed and other times fail. But together it is immensely satisfying to see their combined abilities enable them to prevail over the petty neighbourhood bullies, business rivals and corrupt politicians and win the day with their sincerity, persistence and hard work - the meek shall inherit the earth. Best of all, the ensemble cast is fun, witty and can be very, very funny without being slapstick.
I wouldn't say that the actors are among the best out there (its so great to see Tong Meng Shi/Uncle Wu Zhu from JOL as ML) but everyone delivers very solid performances and the cast somehow just "clicks". I really love how Tong Meng Shi manages to convey the henpecked husband with immense inner courage. Although not a huge Baby Zhang fan, I think she also managed to play the husband training shrew while retaining her femininity. I really enjoyed Gao Zheng and Yu Niang's story as well and I think the casting of Hu Jiao's bovine butcher brother is simply brilliant I laugh just looking at him!
This lively, riotously humorous watch that conveys some grains of wisdom about honour, friendship, love and marriage is a fantastic way to pass some time. I rate it a very enjoyable 7.5/10.
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have you tried lining up to ride in a roller coaster? what about being into a roller coaster? you haven't? are you curious to know the feeling? then go watch this drama for you to know, if you experienced riding it then you'll understand me why I compared it in a roller coaster after completely watching it. :)
This drama made me anxious, relieved, thrilled, frustrated, stress, it has its up and down, made me fall into tears then smile. I was supposed to score it 8.5 but then I changed my mind and I scored it 10^^ and yeah like the other said the ending was satisfying ;)
There is a touch of romance in it, something about 5%, I thought it was sad but towards the end it was beautiful :). Of course the story focus on the run, chase packed of action, hide and seek, and survival ;)
Acting:
all cast are great I love them all especially soo jin!! she soooooo cute and adorable!! asdfghjkl! Jang tae san, seung woo and in hye are my favorite character^^ ~omooooo!! I'm gonna miss them all of them especially soo jin!
Music:
damn! just from the very start of this drama you'l hear it! and boom! I like it!!~sooo cool!
for me I won't gonna re-watch it, 1 time viewing is enough. :)
recommended to everyone and highly recommend it to those who love a run and chase story.
Overall score 10! I don't give score technically I based it on my feels! :D
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This review may contain spoilers
Not a FLATLINE drama. GOOD JOB GMM
This review is a subjective opinion on what I liked and didn't like about this drama. It is in no way meant to sway anyone from watching it.When most of the GMM series that have come out lately have FLATLINED, here comes 1000 Stars to BEAT life in GMM again.
I will admit that 2021 has had some major disappointments when it comes to BLs. Most notably, GMM has left a bad taste in my mouth as of late. However, this drama really proved that THEY DO KNOW how to tell a story without the gimmicks of their preivous projects. ¯\_(ツ)_/¯
I was worried at first about GMM taking on topics such as death and organ donation without bastardizing it. I was plesantly surprised that they did such a good job marrying the story with these topics. I was really scared that they would go on the "Tian only cares for Phu because of Tofurn" and this would have made it difficult for me as a viewer to feel for any of the characters. I was very very glad they made it clear that Tian's feelings are his and his alone and nothing to do with him getting Tofurn's heart.
This drama was about Tian finding his real self more than it was about him fulfilling Tofurn's dreams. He was a reckless, spoiled and often uncaring individual, who by "fate" or whatever you want to call it, ended up getting sick and needing a heart. As fate would have it, the heart he ends up getting is of Tofurn a young woman who is in love with Chief Phupha. And althoug romance is a part of this drama, it isn't as central to me as Tian's self-descovery of his worth and what he can do for others.
This was obvious is the various ways the director created a parallel flashback with the present. Tian finding joy in flying kites as opposed to him gambling, Tian wearing traditional clothes and the flashback of how he could easily get expinsive clothing but could just as easily get rid of it. The way Tian felt proud to wear that traditional shirt because he felt welcomed into the village.
Cinematography was amazing. Music lovely, and characters were all central and important to the story. From the smallest (villager) to Tian's parents, everyone's role was not wasted.
The only caveat for me is that Ep 8 and a bit of Ep 9 had some unnecessary plot points, but overall this is a must watch.
9.5/10 Excellent.
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1Laughing through misery.
Saying it is a heavy watch would be an understatement. Not only will the show fuel you with anger, it will not help you calm down by the end.Showing the grim reality of the broken military system, sprinkled with comedy, made this quite an emotional ride. We are shown how a few good people are not enough to fix the environment where bad behavior is rewarded.
While it was amazing to watch the main characters trying to make even small changes, at some point they've hit the wall and needed to face the reality of how powerless they are - how they are also part of the problem. We follow a patient and introverted Joon Ho and confident and street smart Ho Yul, as they try to find and bring back defectors. During their job they face a lot of issues ranging from external issues like unsupportive and corrupted superiors to internal struggles revolving around morality and their own principles.
Warning needed - D.P. is filled with abuse, both physical and emotional, and justice is usually not served. The drama shows how it is, without trying to make the topic more approachable and easy to digest. You will be left with building up frustration, and yet glad, you decided to watch it till the end.
The cast did an amazing job. Everyone delivered both the emotional and the comedic parts well. I laughed, I cried, I shouted with anger. Biggest props to Koo Kyo Hwan for his portrayal of Ho Yul. Outstanding performance that made me fall in love with the character.
The production and the writing left nothing to desire. Mixing the tragic aspects of reality with well fitted comedic bits was done in a good taste, not taking away from the serious topic tackled.
Overall, one of the best shorter dramas of 2021. Not an easy watch, might be too much for some people - was almost too much for me. It won't leave you on a hopeful note, but it is a story worth witnessing.
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The Daesang for the 57th Baeksang goes to…
Shin Ha Kyun, of course! I can’t think of any other more worthy recipient of this prestigious accolade. He truly is the driving force behind Beyond Evil because without him, this drama would have ended up being Not Quite Evil. In fact this drama isn’t as much about evil as it is about filial piety (or lack thereof) and shady business ethics, with a dose of mental health issues included. In any case, I hope he gets a nomination at the very least because he is definitely deserving of the recognition for all the good work he has done here, and I have thoroughly enjoyed myself watching his performance in this extremely well made production.This drama is set in the small town of Manyang, which has a sinister history of mysterious killings and gruesome mutilation of young women that remain unsolved until the present day. Part of this local community is a close-knit group of childhood friends, most of whom grew up to become members of the police force, while the others comprise the local butcher and convenience store operator, respectively. One day, a young hotshot police detective gets transferred to the Manyang police substation and all hell breaks loose in this sleepy town.
The plot is exquisitely written, despite not being groundbreaking, and we’ve seen this premise in many psychological crime thrillers. A small town with a hideous past and its suspicious inhabitants harbouring many unknown secrets, the perfect recipe for a can of worms that would’ve been better off left unopened. Except, in this case, it gets much more convoluted than that - a decades’ long conspiracy that culminates in a scandal of the highest order. This is very much a character driven drama and represents an in-depth case study of the complicated dynamics among the central characters. This is a complex and slowburn psychological whodunnit with dark humour and suspense along with themes of friendship, familial bond, betrayal, forgiveness and redemption.
Helmed by the young director Shim Na Yeon, a relative newcomer to the industry whose recent works cover mostly youth-themed melodramas and romance, and written by the experienced Kim Soo Jin whose previous crime dramas include Mad Dog and Life Special Investigation Team. Being part of the spring drama lineup of JTBC Studios, this drama features commendable production values. The cinematography showcases excellent shots of the Manyang town landscape, including the beautifully tall grass fields where multiple crime scenes have purportedly occurred, and the scenic port city of Busan for a story arc that lasts a couple of episodes. Other than that, the majority of the drama is set in the bright interrogation rooms and gloomy holding cells of the Manyang police substation, Munju police station and the Seoul police HQ. There are countless scenes of barbequing meat and drinking at the Manyang diner-cum-butcher shop as well.
The drama’s true strength lies in its cast and their superb acting, as well as the overall quality of the dialogue. Ever the consummate pro, Shin Ha Kyun does what Shin Ha Kyun does best. For the uninitiated (and for the purpose of managing excessive shock or awe), expect visceral intensity and raw emotions conveyed via truly immersive wholehearted portrayals. For regular viewers and admirers, his execution here is even more elevated from his usual performances in Less Than Evil and Pied Piper. His characterization of Lee Dong Shik is a delicate balancing act between nuanced and downright insane, and will probably represent the standard of acting for this genre in years to come (a close comparison would be Lee Hee Joon’s characterization in Mouse, so there’s potential in this area). Depicting a flawed anti-hero complex and emotionally traumatized character shouldering the burden of a profoundly tragic past is certainly no mean feat and Shin Ha Kyun does it magnificently indeed.
Of the 2 MLs featured in this drama, the other lead is the character of Han Joo Won who is decently portrayed by Yeo Jin Goo. Those familiar with his works would no doubt witness the same signature aspects of his acting. Since Hotel Del Luna (and even earlier, The Royal Gambler) he has perfected the art of the “intense gaze”. Not many actors can pull off this trademark look. An added bonus in this show, he does a near-complete character change that lasts a few episodes at the midway point. Despite not being a fan of the character - he comes across as aloof, sanctimonious, petulant, selfish and entitled, who possesses an unhealthy and somewhat irrational obsession for solving crimes while incessantly defying his own father at every turn - I do appreciate the characterization. The chemistry between the two men, Lee Dong Shik and Han Joo Won, is on point and works very well.
They are ably supported by the rest of the cast comprising the experienced veterans Chun Ho Jin, Choi Jin Ho, Kil Hae Yeon, Heo Sung Tae, Kim Shin Rok and Lee Kyu Hoe. Their versatility truly shows in playing a mix of understated, layered, OTT and mentally unstable characters. I’m also quite impressed with Choi Sung Eun in particular, whose portrayal of Yoo Jae Yi is very powerful and convincing and she stands out as the strongest female character in the show.
Aside from the acting, one aspect that probably doesn't get enough appreciation and recognition is the music for the drama. Kudos to the music director, the hugely experienced and prolific Ha Geun Young, who has done a fantastic job of arranging the original score with an infusion of contemplative jazz performed by a big band ensemble. There's more than a hint of cabaret and the vibe of classic film noir that somehow perfectly captures the essence of the drama. In addition to the music score, the accompanying original songs are terrific as well:
1. Choi Baek Ho - The Night
2. BIBI - Timeless
3. Car The Garden - Empty
4. SunWoo JungA - The Road
All things considered, Beyond Evil has been a hugely satisfying watch and certainly went beyond my initial expectations. I sincerely hope this drama and Shin Ha Kyun will be part of the nominations to be announced next week for the 57th Baeksang Awards this year. They absolutely deserve it!
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Sweet, Fun, Rom-Com
This is a low budget web drama that hardly has any promotion and goes under many viewers' radar. It is a non-serious romantic comedy, and initially, I thought I wouldn't like it. Somehow, though an easy-to-follow story, there are some twists and turns, mysteries and crimes, and a big overall conspiracy that really got me hooked on.The acting is more like a high school drama - playful and silly. The names of the characters are hilarious to say the least. The Chinese characters used in Zhao Cuo's name have the homophone with the meaning "wrong anyway", whereas his father's name Zhao Juan Dui literally means, "All correct". The play of words in the dialogues with the names is simply hilarious.
Despite being a very light-hearted cute drama, there are some really wonderful moments, especially between the main leads and the dynamics between Zhao Cuo and his parents. With all the bickering and playfulness, Tian San Qi and Zhao Cuo have good chemistry together. I also love the side couple Bai Yi Fei and He Ruo Yao. Though very good looking, Bai Yi Fei is like a piece of wood and is very cute and funny, and He Ruo Yao has a wonderful female personality that I love.
I love the songs sung during the moments when one thinks or longs for the other. The melodies are contemporary love ballads which are very beautiful. Of all the songs, I fall in love with a nursery rhyme that is repeatedly sung by Tian San Qi and Zhao Cuo for each other; it is one of the most adorable nursery rhymes I've ever loved.
My verdict: If you don't have any other dramas to watch, or waiting in between dramas, "I've Fallen For You" is a pleasant one to watch given its light-heartedness and a short series.
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Fresh twists on old cliches.
At first glance, Autumn Ballad looks like just another light historical romance featuring a strong, independent heroine with 21st-century attitudes and aspirations. Yet with a chock full of fresh twists on old cliches, this manages to surprise and delight with an all too familiar tale of a lowly illegitimate daughter who finds love most unexpectedly on her quest for self-determination. This well-told story with an authentic voice is carried by Xu Zhengxi and Qiao Xin's heartfelt performances which make me invested in their characters before I even like them.What I like most about Qiu Yan is that she is really not that nice or always that smart. Phew, what a welcome relief from the all too common suffocatingly flawless heroines. This is where notably Yu Zheng's recent, much higher budget projects fall way short by comparison despite big-name actresses. Trapped and exploited by her low birth status, Qiu Yan is the anti-Cinderella - her stepmother is her fairy godmother; she gives as good as she gets to her step-sisters and her mysterious prince leaves her a fan at the stroke of midnight. She tries for the best hand from the cards she is dealt and if she has to use a few people or step on toes along the way, so be it. She can be as harsh, selfish, and unforgiving as she is brave, capable, and loyal. She schemes, miscalculates, and makes mistakes with real consequences for herself and for others. I don't always like or agree with her but can understand her desperation and humanity.
Liang Yi is a pretty gray character which makes him my kind of male lead. Beneath his icy, civilized veneer he is a calculating, manipulative, ends-justify-the-means kind of guy with an agenda and he plays a long game. His path crosses with Qiu Yan repeatedly over the course of his investigations as head of the powerful Firewood Bureau. From the get-go, Liang Yi sees through Qiu Yan's machinations with contempt and tries to frustrate her designs on Qin Xuan. But he stops short of throwing her under the bus, perhaps in silent acknowledgment of his own utilitarian nature. When their interest align they agree to collaborate and are unflinchingly honest with each other about what's in it for them. In doing so, they also reveal the better sides of their nature and as they grow on each other, I fall for them. Qiu Yan is no damsel in distress in need of rescuing and Liang Yi can be as much cad as a knight in shining armor. They are kindred spirits and when they join forces, the sum of the parts is greater than the whole. It is inevitable that conflict and antagonism spark mutual awareness and passion. Their repartee is witty and the dialogue humorously highlights universal truths about human nature and the role of women in society. Is it too contemporary to be realistic? Probably but who cares?
This drama ought to be the gold standard for how realistic, believable relationships should be developed and portrayed. Xu Zhengxi really captures the essence of how Liang Yi's feelings for Qiu Yan evolve from dislike and distrust to grudging respect and consternation when it dawns upon him that he added to her burdens. His ironic, disbelieving expression as he comes to terms with his feelings for her kills me every time. This is by far the best-acted, anchor performance in the drama, elevated by the OTP's undeniable screen chemistry. While Qiao Xin stages a convincing, empathetic complimentary act, she falls short in her crying scenes.
The supporting characters are also mostly well-written and I particularly appreciate the balanced point of view with respect to the sibling rivalry between Qiu Min and Qiu Yan. Both Qiu Min and Qin Xuan are less thoughtfully written but despite their character flaws, they both get a pretty raw deal. The writers seem to know how to design layered and interesting characters but don't know how to finish their stories. Too many characters get outcomes (good and bad) that are underserved. There are so many gratuitous deaths I wonder whether they were running out of money.
Though far from a masterpiece of suspense and intrigue, the overarching conspiracy that loosely connects the cases moves at a fast pace and is quite well conceived and not just contrived to allow the couple to discover each other. It is a story that has enough momentum and characters with agency that the ending should write itself. Instead, with about 6 episodes to go, the writing inexplicably deviates into flashbacks, forced angst, melodrama, and excessive plot twists that culminate in a just barely satisfactory ending. If not for the sag towards the end, I would rate this production that shines in spite of its modest budget better than a very enjoyable 8/10.
This is not a fairytale but that is what makes it so much fun. It is well worth watching for the fascinating and hilarious relationship dynamics alone.
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Cute, happy fluff
Highly recommended if you're looking for some light romance that will make you feel happy and fluffy after watching. What I love about this drama is we start seeing the happy fluff from pretty much the very beginning, and there's no draggy plotline or crazy second male/female lead who's here to ruin it for everyone.Not to say there aren't misunderstandings or bad bad villains somewhere, but those problems tend to get resolved quickly and in a satisfactory way, and only serve to improve the characters' relationships.
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The novel is so much more convincing when it comes to the main relationship, the Beloved Enemies because in it Gu Qing Pei is actually gay and is extremely attractive to other gay men that surround him (His foxy cunning is so alluring). Yuan Yang is young and brash and initially has non consensual sex with GQP, but the passion in their relationship gradually is very convincing. But that is the novel.
This Drama is a separate beast altogether. Though the main relationship remains explosive with unresolved sexual tension that is very palpable, in absence of actual sex a real mentor and pupil relationship comes to a forefront and the progression of said relationship is very realistic. As a rule the story deals with two very different and lonely people who have no one they can trust, as they are thrust into a situation they both don't want while being chained by their temperaments and positions., And the show does very well with the options it got. I mean, I would watch it for the suiting (costumes) and visuals alone, but it also has an intriguing plot and some good arcs and a great eye-candy cast. So kudos to this. I know it's futile, but I hope that one day we will get a proper BL adaptation of this too... *sigh*
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Only enjoyable if you feel a connect with any of the characters
Definitely not a romantic comedy as marketed, this show is more like a Romantic Office melodrama with interesting side storylines that capture different types of relationships. The first 3 episodes will not convince you to watch it, so give it time till episode 5. After that you’ll be more invested in what goes on.The main couple‘s romance takes time to develop, but once they do it is endearing to see them develop together. The ML’s 2 sisters however have much more interesting storylines- I would look forward to seeing their scenes more than the main couple’s after a point. I also thought the SML and SFL did not get enough screen time and I wished we saw more of them to understand and empathise with them better.
It had its flaws, but the show managed to capture maturity in most relationships (particularly the side ones) and also managed to give all the side plots satisfactory endings. As for the main couple, I would have preferred a different or an open ending rather than the one given, but I’m definitely not unhappy with how the show wrapped.
If you don’t feel connected to any character until 5 episodes you might not enjoy the show as a whole. However if you wish to continue, give it time as it’s a slow ride which might take you by surprise.
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1"Grooming" has never been more romantic.
Do not take the title of the review seriously - taking it at face value would be as misleading as the premise of the show, that sounds so wrong, but the drama itself feels so right. I truly hope people won’t get discouraged by the student/teacher relationship and give it a chance, because this is so much more than just romance. It’s a weirdly heartwarming story of two people healing, learning about each other, but also exploring their own thoughts, feelings and ideas they hold.What truly makes it work is how self-aware the writing is. For every flirting attempt and stalker behavior, we get a witted call out. All presented in the best dry humor I have seen in dramas for ages. Many scenes that would give you butterflies in your stomach end on a joke and it works so well. I’ve got a sense of: we know it’s wrong, we trust the audience knows it's wrong, but just watch and enjoy how cute they are. And I’m totally fine with it.
As I said though, this drama is more than just a romance. Every scene is drenched in hard hitting topic - suicide. Personally, I think the writing around this issue was done masterfully. Heavy issue presented in such a light manner. Quirky humor that made it more approachable, but never felt disrespectful. For someone who at some point in their life struggled with suicidal thoughts, many of the jokes felt just right. Not once have I thought they are not taking the subject seriously or just using it to make the romance more “angsty” (as many other rom-coms do). The story kept the heart and sincere tone, while also giving me some laughs . It felt refreshing.
The performances were what built the drama though. Hashimoto Ryo perfectly captured the idea of those who smile the brightest are the saddest - no matter how happy-go-lucky Haiba Jin might have felt, you could always sense the hesitation, unsureness and not yet completely healed pain. Takaishi Akari was able to somehow mix innocence with a strong personality and it created a cohesive persona that was Ochiai Mikoto. Both extremely loveable characters portrayed in a perfect manner.
Overall, surprising on so many levels. Completely flipped my expectations of what I’m about to watch and made me fall in love with the characters. Not only the drama is worth a watch, but also a rewatch once in a while.
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This movie is perfect with just the light and bitter-sweet music and perfect, so perfect acting, the colors it has, the beautiful yellow and deep blue, the calm air it has around...the words are distracting...
If you think you are going to watch a story how a girl made a human out of a boy raised/born as a wolf, you are so far away from what you are going to see in this movie. This is a story about people, how some people look like monsters and are the most humane beings you could find, this is a story about people that look nice, but the worst monsters you could have the misfortune to meet... this is a story about choice and responsibility we bear for every person we meet in our life, how our smallest action can influence their life, how their action - could influence yours, how careful you should be with the words you use, as you never know what it will mean for the person before you...
I am really fighting for words with my brain to explain in what a mess I am right now, this movie just blew the air out of me, and I am really fighting to bring a string of cohesive thought back into my head (that is full of guitars, alphabet letters, yellow fields and blue forests, books and sweaters, shoe-laces and pencils, and finally JoongKi's eyes, oh, those eyes...)
In the beginning I mentioned about the words in the movie, well, believe it or not, JoongKi says only 10 words in the movie (and you'll be sane enough to hear only 1 of them, as then you'll still be holding on, but when the other 9 will be said, you'll be... as I was... weeping into you blanket/pillow, not to wake your parents...)
This movie was one of the most beautifully shot movies I have ever seen, so much calmness and so many colors...
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Writing for this series remained consistent and strong throughout, even maintaining good pace. Characters rarely failed to behave in an intelligent manner. The much-lauded, flooring twists are just as crazy as you've heard (and better yet, even supported by prior evidence in the story). What is most impressive to me though, is that the script remains faithful to itself and the spirit of the genre. We are shown a seedy, pessimistic world which is…well, cruel. Potential viewer expectation aside, this kind of darkness is what we were promised from the first and delivered at the last.
Nearly every lead was dynamic, from Shi Hyun and Hyung Min to Jin Sook and Safari. Even the hardcore villains had strokes of complexity which made most more than mustache-twirling monsters. These grounding factors may not cease our hatred of them, but at least add some level of understanding. Yoon Soo Min likely is the weakest link of the main cast, her arc included; she needed a bit more weight to contend on equal footing with the other plot lines. The completion of her journey manages to be satisfying nonetheless.
Jung Kyung Ho shines brilliantly as both star and main draw of Cruel City. Decadent charisma pours from him in droves, lending his Doctor’s Son an impossibly fierce magnetism. The most compelling action sequences belonged to Kyung Ho also; I quickly fell in love with his sharp knife skills and cat-like elegance. It's important to note he filmed the final episodes with a nasty back injury; his epic performance is not only a product of talent, but dedication and hard work. This drama was also very kind to Lee Jae Yoon, whose slowly developing Hyung Min I gradually gained affection for. He portrays the team leader as smart, sympathetic, and steady -- with a shot of menace to prevent him being a boring goody-two-shoes. Honorable mentions go to Kim Yoo Mi and Yoon Hyun Min; their respective characters Jin Sook and Hyun Soo are over the top cool and attractive. To say I became deeply invested in the fate of both of them is an understatement.
“Love is dead,” according to one of Cruel City’s most recognizable themes: Kim Young Jin’s “Wound.” My love for the music will never die, though. It is stirring and atmospheric, always well-utilized in show. Even instrumental tracks are memorable, though the rare vocal was always delicious. Many fans here at MDL went crazy trying to find out their artists and song titles before the soundtrack was released.
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This review may contain spoilers
I really thought people were exaggerating, but unfortunately they screwed up everything on final episodes. The only thing that was outstanding in this drama was the mature and understanding relationship between the main leads. They always solved everything through talking to each other but in the last 4 episodes the writers just thought were a good idea changing this amazing couple dynamic. It made no sense that Yang Hua, who always were straightforward about his feelings, simply not being able to answer QS twice when she asks who he would choose between her and Yao Yao.Then, instead of talking about the problem, YH just came with the stupid jealousy game to make QS come around with her feelings, he even let her thinking he was that boy's father. That was so out of character and the last no sense was that reunion. YH wanted her to admit and tell that she love him but in the end they get together and she still never confesses her feelings. That separation seemed so meaningless. I feel the writing was just messy, a lot was obviously cut and the end was completely unsatisfying. It's a shame because even though I skipped a lot, until episode 34 the drama was good and the main leads romance was one of the best I ever saw. Yang Hua is simply a perfect man, so precious, I will just keep this in my memories and forget that stupid end.
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