I can't think of one bad actor in this cast. Jung Woo Sung, as Yang Kang Chil, was intense, and very moving. Han Ji Min, as cool/controlled Jung Ji Nah, was his perfect counterpart. Their relationship had all the familiar elements (opposites attracting, destined path crossings, and family disapproval...) but without simply relying on clichés. My only small criticism is that they had some of the worst onscreen kisses I've ever seen, though the rest of their romantic moments more than make up for it. It could be argued that their awkwardness fit the story, but I just found it distracting. Their romance was portrayed as much deeper than a few cute moments, so I do have to give them a lot of credit for that.
Of the exceptional supporting cast, I have 3 favorites. Na Moon Hee, as the mother, was a really great character, and expertly played. Choi Tae Joon, as the son, was the only character that made me actually cry. Kim Bum, as the charming yet odd Lee Gook Soo, was my absolute favorite. His character's journey was so awesomely unexpected, and he did an amazing job with it.
As I mentioned earlier, this is a tearjerker, but there are plenty of funny, sweet, intriguing, and inspiring moments too. Some aspects of the story are left open ended, but that didn't bother me at all. I thought the end episode was beautifully done, and gave me all the closure I needed. I can't agree that this drama is perfect, but It is certainly better than most, and not to be missed.
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The story is not a very complicated one. You have an obsessive school girl who's crazy about her teacher and thinks what they have is love. The teacher wavers slightly and pays the price for it with his family at stake. A simple setting but what sets this movie apart are the layers of complexities in each character's personality. More so than the obsession, the film makes you see these characters as individuals whose stories you are watching. A really well directed and written piece.
The actors did a splendid job. Jang Hyuk and Jo Bo Ah were completely engrossed in their roles. I really need to mention that these people have a huge age gap in real life and to portray such a tender and hard-to-digest topic with such realism is commendable. There were times when I was too repulsed to watch the scenes but couldn't take my eyes off of the screen because the actors were doing such a brilliant job. Worth the watch for the actors' work if not anything else.
It is definitely not something just anybody can see. You need the appetite for this sort of movie. When they say there's lust, betrayal, obsession and revenge, they mean it. There's no sugarcoating anything here. Just raw emotions. In fact, I don't think I'd be able to watch this movie again even if I wanted to. Everyone gave such a powerful performance, It's going to stay in my head for a long time.
I might not have enjoyed this movie in the true sense of enjoying a movie, but I sure respect and admire the work. It's a really good movie. Not made for everyone though. It's also rated R because of explicit scenes that are shown, but there's nothing extremely offensive about them. So that's another thing to consider before watching the movie if you're not ready for that sort of content.
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1For clown and country.
Fighting For Love is a drama adaptation of a novel with the same Chinese title Ā Mài Cóngjūn/阿麦从军 or A Mai Joins the Army. The novel enjoys an impressive 8.6 score on Douban. It is a female centric story about A Mai, an orphaned noblewoman who seeks justice for her family's betrayal. She joins the army and works her way up to become a fierce and undefeated general. She discovers a greater purpose along the way, which is to defend her country. This takes place during the Northern and Southern dynasties, a period of war, chaos and political turmoil. It is not a romance and there is no real male protagonist; it is about one brave and patriotic woman's awesome journey. I abandoned the book because of its intense and graphic focus on war.Clearly the original story does not fit with the typical male-centric costume drama formula with plenty of romance tropes. What a breath of fresh air, right? Wrong. In the adaptation, Shang Yizhi is elevated to male protagonist and his story arc is as central as A Mai's. Which in and of itself, is not a terrible thing. Like A Mai, Yizhi has a hidden identity and was a victim of foul play. His cause becomes hers as she rescues him and helps him outsmart his enemies. She discovers her military prowess, forms life and death bonds with her troops and finds meaning in defending the citizens of Nanxia. They have a shared purpose and are catalysts for each other's growth. It is natural for attraction or feelings to develop between them though it does not need to be romantic.
The critical fail in the adaptation is they wrote Yizhi as a kind hearted and playful anti-hero character. While some of his comedic scenes are witty and funny, this diminishes him into a parody role. This should be a complex character who does consequential things; a once carefree young nobleman whose world changes overnight. Instead, the writers stuck him with a love brain and Peter Pan syndrome until the final arc. As he is pushed first to survive and then to reclaim his birthright, all of his motivations continue to simply revolve around A'Mai. A character that chooses each time to save the girl and let the world rot does not deserve to end up where he does! This devalues A'Mai and the Zhenbei army's achievements and sacrifices into a fight for clown and country. Even though he becomes morally ambiguous and utilitarian at the end, this evolution is too abrupt. His character progression should have begun well before he returned to the capital. Zhang Haowei did his best with this role but the character is just too poorly designed.
A Mai is quite consistently written throughout even though it is difficult to connect with her feelings for Yizhi. Even though she is too lovely to ever be mistaken for a man, Zhang Tianai does a wonderful job with the role. Her mannerisms are very masculine and she literally shakes with rage and hatred in her scenes with Chen Qi. Best of all, she is no Mary Sue in need of constant rescuing even though all the men fall for her. She just has terrible luck with men; she gets involved with a backstabber, a clown and an enemy with a choking fetish. The one good man she meets is brother-zoned, father-zoned and what happens to him is definitely over-kill. Chen Qi is the most interesting and conflicted antagonist and his and A Mai's story is really sad. Wang Ruichang is very charismatic and the fan favorite but his Chang Yuqing has no development and no real story arc. He just pops up whenever something needs to go wrong for the leads.
The first few arcs of this story are quite good and the cinematography and action scenes are pretty awesome. The story falls apart mid-way and snowballs downhill into the palace arc. It is yet another perfectly good drama that is ruined by ignorant and silly romance writers who can't write palace intrigue (i.e., Destined, Legend of Zhuohua, Wonderland of Love etc etc). This arc is ridden with predictable villains, plot holes, clichés and a flabby dancing emperor who looks like a sloppy fashion mistake. To my surprise, the story comes together again in the final episodes to end fittingly and on a strong note.
It is not easy to rate this because there are many good parts. The first 12-15 episodes and the ending is good and worth ~8 but the middle and dreadful palace arc are only worth ~6+. I think ~7.5 overall is fair but I am only going to call it a 7.0 because the production deserves to be spanked for desecrating a fantastic novel.
Scroll down for SPOILER ending thoughts.
ENDING SPOILER
The final showdown between A Mai and Chen Qi is exciting and moving and it finally gives her closure. Poor Chen Qi is such an interesting, conflicted and ultimately tragic character it is a shame he was not better fleshed out. In the end he probably loved A Mai best.
I don't believe it is in character for A Mai to go off with Chang Yuqing at the end. His feelings for her are not better developed than Yizhi's and at least in the drama, they are one-sided. He is a rising star in Beimo and if A Mai were to marry him, she would have to defect to the enemy to be another caged bird as the wife of a Marquis. After just escaping the terrible fate of being the favorite concubine of an emperor?!? As advisor Xu points out, the countries are at perfect stalemate because their top generals A'Mai and Chang Yuqing don't really want to fight each other. There is peace with them glowering fiercely at each other across the border. A Mai is simply setting off for a well earned 3-year vacation while Beimo's internal palace politics play out. It is a perfect, strong independent woman ending in the spirit of the original novel; one that says A Mai does not have to be someone's arm candy to have a meaningful life.
X
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I consider Eriko Kitagawa one of the best drama scriptwriters. She has the ability to pick up an ordinary event and make it into an unpredictable twist, all with a subtle calm pace which makes you restless. This plot is made of little hints: a word, a glance, a brief scene. There's no abundance of words, each line carries its meaning into the silence that follows.
And the actors get inside their roles brilliantly, creating around them an aura of mystery which makes you grope in the dark as to who did what and why.
The cinematography is scanty and sober, totally devoid of gloss. With the exception of the very effective close-up shots of the characters and the use of the light, it doesn't rely on beauty. Oh, the actors are beautiful all right. Kimura Takuya and Fukatsu Eri in particular are wonderfully intense, together as well as individually and play their part so well I was left speechless more than once.
The same scantiness applies to the music. Used with economy and without much variety, it manages to create the right expectations at exactly the right moment.
When all this is said and done, I am left with only one question: did I personally like this drama? The answer is: no. Did I fall in love with any of the characters? No. They intrigued me, fascinated me even, but I didn't like any of them, and felt somehow totally detached, despite the high-voltage chemistry between the leads.
I marathoned through the drama in 2 days, which is proof of its being a very well built thriller. Once started, you want to know. However, because I felt neither identification, nor true compassion or love for these people, it's as if I had read a very interesting and brilliantly written essay on human nature but was happy to see it end. The ending came to me as the only possible solution: a destination this journey was destined to land to.
Therefore, I recommend this drama to only a few people. Forget brightness, sunny love, suspend judgment and value this for its intrinsic quality and you will appreciate it. If you're not ready for a trip down dark lane, I suggest you stay well away from it.
I am certainly not going to repeat the experience.
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The story is about comic book characters becoming self-aware, so right off the bat it reminded me of Extraordinary You and W: Two Worlds, but it still manages to be original. This drama occasionally pokes fun at C-drama cliches and never takes itself too seriously. In fact, the drama is an altered adaptation (kind of like a parody) of a very corny romance novel that actually exists in real life.
Story follows our FL who is a self-aware comic book actress. She has a lot of experience playing the female antagonist in different comics, and since she retains the memories of each comic, her actual personality is cunning, smart and anti-heroish. (Seldom do we see smart female leads in these kinds of Asian dramas, so this point alone is enough for this drama to score high!) She is tasked to play an antagonist again in a new comic, but when she is thrown into that world, a system error occurs and she ends up become the female lead instead, all the while retaining her self-awareness and villainous personality. Due to the mishap, the male lead (I denote him as OG-ML) which she is supposed to romance with is temporarily incapacitated, and she crosses paths with the male antagonist (ML in this drama) instead. Since both FL and ML have villainous personalities, they start playing 4-dimensional chess with each other and always correctly guess each other's intentions. Not only do they have chemistry, they're pretty much the same kind of person, like a match made in heaven. I really enjoyed their interactions. Feelings of love happen early on but naturally, unlike many dramas with rushed and half-baked romance lines. They even came up with a good excuse to add kissing scenes that can be explained by the plot.
In the later half of the drama is where the suspense kicks in and it kept me at the edge of my seat after every episode. I really could not predict what would happen next with all the plot twists. The drama ticks all the right boxes. And even though it's short, it never felt rushed or shallow. It probably told a better story than a lot of full length dramas.
I recommend this drama to anyone who likes fantasy romance. There's literally no reason not to try this - it's short so even if you end up not enjoying it, it's not a huge waste of time.
Positives:
- We get to see romance between two villainous characters, which is very uncommon
- We have a smart and cunning FL who can defend herself
- Plot makes fun of drama cliches (even FL points out how cheesy some of the plot is)
- Unpredictable twists and turns, engaging from start to finish
- Liu Xie Ning's acting really stands out
Negatives:
- Why in the world is this drama so short, when some way shxxier dramas get 30+ episodes?
- Characters are paper-thin, they have no backstory except the several lines of description given to them by the comic
- Certain plot points make no sense at all, such as the knife stabbing scenes in the drama
- The logic of the comic world is unclear and inconsistent, causing problems to arise and get resolved out of the blue without a convincing explanation. This is one of those dramas that are not to be taken too seriously.
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This review may contain spoilers
don't blink
This screenplay has to have the most diverse story line I have ever watched in an Asian drama. The story twists and turns from present to past to present and has strong story lines for supporting characters in addition to the the two main leads, who are actually four different people themselves (two each). This drama is only on episode 8 but is revealing some pretty heavy secrets already. The writer wittingly keeps us guessing the true identity of the two leads, especially the male. They both have a pseudo identity who is a mix of past and present identities. There are many deep topics covered in the drama such as same sex attraction, suicide and murder. The murder has not happened in real time as of yet and the culprit has not been truly revealed only suggested. There is innuendo at every turn but I have learned not to take anything for granted. If you like mystery, romance, time travel, teen love, and a complicated plot, you will enjoy this one. I am so in love with the main OST as well. The song Last Dance by China Blue is the vehicle that spurs the time travel by the way, but this is not realized until episode 8 by the actors. Alice Ke and Greg Han are both adorable in this at times. I have to say that although it is deep frequently, do not give up on it after a couple of episodes. It gets better and better. As you can see I am totally enjoying this drama so far. I do have a bit of trepidation of how it is going to end though. Of course, I always hope for a happy ending. But, no mater I am loyal until the end! I am watching it on Vikiupdate! I just finished episode 13 without subtitles and let us just say, I didn't see that coming. I am so in love with this couple and their romance! They left it open ended so that there could be a season two which would be a dream come true. Pun intended! Wow! I just finished watching this drama and I feel no written review can do it justice, simply because the level of writing in this drama is the best I have ever seen. It can not compare with my little review. The plot is so in depth. It has so many layers that twist and turn and often overlap that it is difficult at times to sort it all out! But you do in the end! The plot revolves around the two main characters, which actually are four (two each) as well as a well developed second layer of active characters whose roles are recurring. The four main characters are played by Greg Han and Alice Ke, each playing double roles. The romance factor is a 10 and the mystery/suspense factor is also a 10. I guarantee once you begin watching, you will not be able to stop until the end so plan accordingly! This no light drama. The plot includes murder, suicides, a love triangle and even a wonderful second lead. The music became my favorite song as well. There are some sexual undertones so this is not recommended for younger viewers. A 10 overall. I will not give away the ending! But, lets just say, I didn't see that one coming! This is a hidden jewel! I can see it becoming a cult classic in the future!
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"Do you want to have a drink with me?"
"Counseling with a twist." That is how I initially perceived the theme Mystic Pop-up Bar. Dramas that touch on mental health issues are often either of melodrama or suspense genre. But here is a gem of a show that gives you a release and relief from a shot of soju, without the usual hangover.In the first few episodes of this drama, you'll find stories of persons whose grudges could well be the same as many of us have. The counseling part comes naturally in the dialogue between the characters, often in a comical way. (It could be a good idea to have a paper and pen ready to take down some quotable lines.) As the drama progresses, it begins to focus more on the main characters' own concerns which has been taking 500 years to settle.
What's so awesome about Mystic Pop-up Bar is, while it's generally comedy, you'll also find some bits of romance, drama and action in it. Worthy of mentioning also is how clean the CGI effects they used in the show. I'm not sure with the others, but for me, each episode was like a movie.
Even though I chose to watch this because of SKY Castle actor Choi Won Young, I must say all the actors in this drama are worth applauding. Yook Sung Jae made a great choice of doing this drama before his military enlistment; he did really well as Han Kang Bae. Also, I could say that we have a different Hwang Jung Eum here, so if you're not a fan of the way she acted in her previous dramas, don't let that get in the way of you experiencing a one-of-a-kind journey in Mystic Pop-up Bar.
The OST is worth adding to your playlist as well, especially the song for Part 1 of the soundtrack.
I recommend this drama after watching heavy drama, suspense or action, or to those who simply want to have a good laugh after a tiring day.
Enjoy Mystic Pop-up Bar!
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Sometimes I skip parts in dramas because they predictable, but this drama was the complete opposite. If you skip an episode you will be lost or will greatly regret it.
This is the first drama that has ever made me cry, laugh, and ship 4 couples with four cast mates (think about it hahaha)
I usually don't watch melo dramas because I like happy endings and melo dramas don't really follow that story line, but this drama is different it's not a romance comedy-but is, and not a melo drama- but defiantly is. Some points in the drama you cry or tear up for a very sad reason which in my case seem like a melo drama. other times you laugh with the characters which seem like comic relief.
I started to watch 49 days because I saw Jung Il Woo dressed in all black with black hair- hello one of my top actors of all time looking sexy... of course I will watch it. i can say he is hot the whole way through the drama, but he will make you cry- a lot...
All the cast mates let you connect with their character. Each character has a story to be told watch 49 days and find out their stories. I promise you won't regret watching it. i sure didn't
i true hope you enjoy watch the drama as much as i did!
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Be careful what you wish for...
...because it might just come true. The Witch’s Diner is an urban fantasy that revolves around the arcane ways of contemporary witchcraft. It combines the supernatural with slice of life, and includes elements of a mystery as well as romance. In addition to the dark arts, the culinary arts are featured prominently through the variety of delectable gourmet dishes which are central to the core narrative.The concept is straightforward - customers make a wish at the eponymous restaurant, and the resident witch-cum-masterchef will magically prepare a unique dish accordingly. Eating the dish will grant the wish but not without a price in return.
Following the TVING brand revamp in 2020 after the joint venture between JTBC and CJ E&M was finalised (and most recently Naver bought into the venture as well), the streaming service currently provides premium content via paid subscription. Included as part of its original programming for 2021, this drama certainly reflects the production values strived for by the streaming service. The overall quality and technical aspects, including the visual effects, are unquestionably well executed. The art direction and the production design are quite impressive, in particular the diner which has been sumptuously remodelled to induce a palpable gothic atmosphere. I’ve enjoyed the cinematic grading as well as how the colour palettes seamlessly contrast between darker moments and the more lighthearted scenes.
Similar in premise and tone to other stories that deal with paranormal activities, such as Mystic Pop-up Bar and Hotel Del Luna, this drama falls somewhere in the middle in terms of its plotline and themes. It isn’t spine-chillingly frightening or morbidly infused with gore and horror, while at the same time it is slightly melodramatic with a number of poignant moments that may induce a tear or two. The overarching mystery concerns who the witch is, how the “wish-fulfilment” service came about, and how the ML and FL are connected to her. Along the way, we observe mini story-arcs of folks with problems who somehow end up at the diner seeking otherworldly solutions to what ails them.
At a relatively short 8 episodes, the storytelling is compact without the intrusion of unnecessary fillers. It is engagingly paced where the drama takes its time to explore the backstories of the various characters. It’s worth pointing out certain themes that may trigger such as abuse and bullying. The sense of tension and anxiety are sufficiently imbued into the story as it unfolds, and continues to build right to the climactic end.
The performances of the cast certainly deserve praise. I’ve truly enjoyed Chae Jong Hyeop’s emotional depth through his nuanced characterization as the noble and warmhearted Lee Gil Yong. I feel he is more suited to this role than the one in Sisyphus: The Myth. Nam Ji Hyun displays impressive range in her depiction of the conflicted Jung Jin, a character that goes through much adversity. The role of Jo Hee Ra the witch is played by the experienced Song Ji Hyo. Despite looking very much the part, I do feel that the portrayal is rather understated because of how the character was written - unlike other similar dramas, Jo Hee Ra isn’t an outrageous OTT character that’s loud or stands out from the crowd. She’s probably the most down-to-earth witch I’ve ever come across in a drama. I do however admire her avant garde fashion sense and found myself chuckling at her portrayal of a younger self.
Special mentions go to a number of supporting and guest stars who make their appearances in this production. These include So Hee Jung who plays FL's mother with such conviction and relatability. Ahn Eun Jin, the musical actress who delivers a fantastic solo rendition in a stage play, as well as Lee Joo Shil and Im Won Hee who portray mother and son respectively in one of the more heartbreaking scenes in the drama. I was actually taken aback by how good he is in dramatic capacity compared to his somewhat more comical role in Dark Hole.
The soundtrack features a total of four songs that fits the mellow undertone of the drama, with the exception of YESEO’s Fair Dish which provides an interestingly magical and mysterious vibe with a hint of mischief.
1. Se.A – Holding On
2. JUNNY – Alone
3. YESEO – Fair Dish
4. Han Seungwoo (VICTON) – Please
All in all, I would classify The Witch’s Diner as a healing, introspective and evocative drama. It's perfectly understated without all the fanfare and light enough to be enjoyed without heavy exertion. I certainly savoured the experience.
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1The show is more action and the characters/relationships driven compared to my initial assumption of it focusing on the story itself. The plot is quite simple: people turn into monsters, humanity has to survive, but in the midst of it, Sweet Home asks one important question "What does it mean to be human?" and explores it throughout all the episodes. It shows the best and the worst side of humanity - the will to survive that can unite or turn people against each other; the will to be humane as a way of fighting against the circumstances, but also using the horrifying situation as an excuse to abandon empathy.
Despite the show claiming to be in line with thriller, horror and psychological genres, it falls closer to action as a leading one. The plot might seem simple, but it did an amazing job connecting the dots slowly presented. Quite a few times in the 2nd half I recognized the continuation of the plots and hints dropped in the beginning episodes. While the main question might not be answered and the ending could seem disappointing and unsatisfying for some, I found it to be the best possible approach. Any other take would fall short and seem forced. It definitely leaves a lot of room for possible season two, but lack of continuation of the story would not make me angry either.
We are introduced to a brilliant cast of characters, that all have different stories to tell, that will resonate with the audience. In a short period of 10 episodes, I've got to see well built character development not only for Cha Hyun Soo, but also for many side characters. While I strongly disagreed with many of the character's decisions and behaviors, at the same time I could understand their reasoning behind it. If I had to pick my favorite characters (beside the star of the show Hyun Soo) I would pick empathetic Yoon Ji Su, brave Jung Jae Heon, resourceful Han Du Sik and level-headed Lee Eun Hyuk. That said, the chemistry between the whole cast was out of this world and they played off of each other well.
The wise advice I could give to anyone before starting: don't expect dark psychological horror. Even though the show explores quite a few psychological themes, as I mentioned before, it leans more towards action in addition to some dark humor, especially in the beginning episodes. That said, the thing it has to be applauded for - the stakes were real. You know the shows, where you feel close to nothing when characters are in danger because you know they will survive anyway? Not here. Each problem presented to them, each encounter with monsters, each turn made me tense, scared, but also excited for what's to come.
I'm not exactly one to pay attention to music in movies or shows, unless it truly catches my attention. Here, all the songs were extremely fitting and perfectly supported scenes they were played in. At first some choices might feel out of place, but as the drama progresses it starts to feel like a deliberate choice that somehow works.
If I had to complain about anything, I'd say I was not the biggest fan of the CGI monsters at first. Since I was expecting a dark psychological horror like Strangers From Hell, the cartoon-ish like models with questionable motion put me off. The moment I accepted this is not what I signed up for and started to enjoy the action, I started to appreciate the design of the creatures. Some had comical features (we see an a*s once), but it balanced well the dreadful emotional moments happening among the characters.
What's more, in the beginning episode the plot was not presented in a linear way, so it might be confusing. Later on the time jumps are barely happening and it's easier to follow the story.
In conclusion: I cried a lot. I got attached to each and every character. I cared for what's going to happen to them. I was curious about their past stories and how they affect their current decisions and actions. The show simply made me engage in whatever was happening on the screen, to the point of me binge watching it for 10 hours and forgetting to eat.
Warning: there is a lot of blood, some gore, story about child abuse and one for severe bullying. It talks about suicide and self harm. These themes might be too much for some viewers, so feel warned before giving it a shot.
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Artistic, Beautiful, Classy, Elegant, Humorous, Sweet Romance, Mysterious
A Dream of Splendor is an adaptation of a very beloved classic story written by a playwright in the Yuan Dyansty (c. 1271–1368). The original story, titled 赵盼儿风月救风尘, in short “Saving the Courtesan” (救风尘), tells the story of Yinzhang marrying a man who forced her into prostitution. Zhao Pan'er came to help her by seducing the man into signing the divorce paper. Yinzhang later married the upstanding scholar who Zhao Pan’er was in love with. The story was so inspiring that over the years, it has been adapted into movie, TV series, dramas, plays, Chinese operas (越剧), and even into a comic book (manhua). In A Dream of Splendor, romance and politics are added to give it a complete flavor for today’s audience.Though fictional names are used, this drama is said to have set in the Song Dynasty, around c. 1019, during Emperor Zhenzong’s reign. The Emperor was sickly and his Empress, Liu E assisted him in the ruling, handling various state matters. Having a less than pristine family background, court officials had divided opinions of the Emperor taking Liu E as the Empress. In this fictional story, the Empress was an entertainer in the past, and her image was captured in a painting as she was entertaining her host and guests. As a Secret Service for the Imperial Palace, Gu Qianfan (Chen Xiao) is ordered to retrieve the painting before it’s fallen into the hands of those who want to use it to expose the Empress of her past.
While searching for that painting, Gu Qianfan crosses path with Zhao Pan’er (Liu Yifei). After saving Gu Qianfan when he is almost killed, Zhao Pan’er comes to the capital city in search of her fiancé, Ouyang Xu (Xu Haiqiao), together with her best friends, Song Yinzhang (Lin Yun aka Jelly Lin) and Sun San Niang (Liu Yan aka Ada Liu). Each of them has had gone through the worst of their lives: Sun San Niang is jilted by her husband and denied by her son and she attempts suicide, while Song Yinzhang is abused by her gigolo husband. Zhao Pan’er has rescued both women while going through a breakup with a relationship for three years. The trio decides they need to maintain their dignity, depend on themselves and will not be subjected to the manipulation of any men. They first start a small and elegant tea house, and later run the most talked-about restaurant in town, employing the skills each possesses – Zhao Pan’er’s art of tea, Song Yizhang’s talent of the pipa instrument and Sun San Niang’s outstanding gourmet cooking.
Zhao Pan’er has a modern-day business acumen. She turns her adversaries into her allies. She is good in putting two and two together to figure things out. She is artistic, intelligent, and fast witted. In this drama, she ends with the best love of her life whom she deserves. Liu Yifei’s acting is natural and amazing. Her charisma exudes elegance, beauty, grace and calmness.
Gu Qianfan is a ruthless, intelligent head of the Imperial Guard, and he can fight very well. Chen Xiao’s portrayal is convincing and natural, and most of all, he has an undeniable amazing chemistry with Liu Yifei. Their dynamics are over the top, and their romance is sweet and real.
Other cast members are just as good and convincing. Here we have a comedic character, Chi Yanei (Dai Xu), to light up the mood and add colors to the story. There’s a lot of growth with the main characters, in particular with Song Yinzhang who grows from a naïve gullible girl to an intelligent decisive business owner.
My Verdict
As lovely as the romance in this drama, this story is about courageous women helping and saving each other from their most egregious times and conditions. It is heart wrenching and anguish to watch the reality of life for ancient women and such trend is still persisting in today’s world that women are still being treated harshly and unfairly, in particular in light of the recent abortion ban in the USA.
The 2001 version of the drama starred Le Jiatong as Zhao Pan’er and Fan Bingbing as Yinzhang. In this earlier version, there were no Gu Qianfan nor Sun San Niang. The two female characters were flamboyant and very strong since the beginning, especially Yinzhang. Their costumes were colorful and tawdry as they were dancers. The music and dances were some of the most beautiful scenes to watch and are commendable.
In A Dream of Splendor, the Ouyang Xu character is being vilified (vis a vis the scholar that was loved by both women in the earlier version), and the women’s characters are subdued and more dignify, giving them more class and elegance; Zhao Pan’er’s expertise in the art of tea and Song Yinzhang’s brilliance in playing the pipa instrument. Any viewers will be mesmerized by the beauty and elegance of these ladies when they execute their exquisite art forms. I like the way the characters talk, softly, and directly without beating around the bush nor losing grace, and without fear nor hypocrisy. The drama explores the main five senses of our bodies with some more in-depth than others: visual, sound, taste, touch, smell. Though the story and plot are not perfect with a lot of unplugged holes, the romance is warm and desirable, the aesthetic value is one of the best (Zhao Pan'er's art of tea, her dancing, visual of Yinzhang's pipa playing etc), and the instrumental music and OSTs are excellent.
Overall, this is a very enjoyable drama for all romance buffs and for viewers who appreciate the beautiful things in life. Don’t miss it. BRAVO!
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This review may contain spoilers
This is my first time writing a review for a Chinese drama and Scarlet Heart has an honor for it.I don't even know from where to begin with. You know when drama leaves you spechless, with many emotions that even after finishing it you can't gather yourself and keep replaying that song that reminds you of every single moment of a drama. Yes, that's how I am right now. Here I am sitting on a chair with tears in my eyes and writing a review for this wonderful drama.
I liked everything about this drama. Literally. The story-time travel, historical, romantic one, princes and Ruoxi who had so many beautiful relationships with them. One phenomenal story that will move you to bones. Beautiful China, deep, passionate love, season changing, scenery, every single detail is done in the most professional way that you totally forgot about the time and enjoy in this magnificent piece. Cecilia is a beautiful woman, so beautiful that I couldn't take my eyes of her. They way she acts, cries, loves is the wonderful enjoyment for my eyes. Everyone did a fantastic job in their own roles just like as it is written for them.
The part that made me bound for a drama is Ruoxi's relationships that she had with all princes. With one she was a drinking buddy, the one who understands her the most, with the other she was goofy and happy, with third she felt protected and with last she was in love with. Their interactions with each other, words, gestrures, glance they shared with each other simply crawls into your skin and you become a part of it.
Another thing that fascinated me is that every character in this drama has it's faults, nobody is perfect. As the story progress you see them change eather good or bad, precisely they changed in a way which their ambition led. Nobody's perfect, we all know that, we all make mistakes and regret later, we all have that moment of glory that makes us forget how we really were before, that moment when we all want to go to the past and correct things is something we all have and this was exactly the case in this drama. Their decions, mistakes, pain, sadness, happiness are made in such a stong way that you can feel it, understand why they done that and simply connect with every character in there.
***** SPOILER ALERT!*** ( About her relationship she had with princes, so if you want to know nothing, don't read it).
13th prince was the one for me. Right from the start. Their relationship was real, they understood each other completely, for him she didn't need to say anything, he'll understood her with one single gesture she makes. She liked him as her drinking buddy, but I, I felt that that is the real relationship between man and woman. He was there in her the most hardest times, happiest times, he was always there as a loyal friend. Soulmate friend. The scene when he deeply hugged her, directing her this words: "When the grass is green next year, old friends will no longer look the same. The sea holds our closest friends and the ends of the earth are our neighbours" moved me to bones and that's why it'll be carved in my heart forever.
14th prince has a special place in my heart. Principle man, weighed down by deep sense of honor and loyalty, kind, strong, He liked Ruoxi as a friend, even married her just so he can help her and that was what I appreciated the most.
Ah, here are her two loves 8th and 4th prince. 8th prince is her first love, the man whom she experienced the meaning of a love. He is romantic, protective, she felt safe when she was with him. They both know that it is a forbidden love, love that hurts, but what do you really can go against the feelings? Rouxi and 8th loved each other, but not enough to give up on everything. Later, their love was replaced by respect towards each other.
As for 4th Prince, well he was her true love, love 'till her death. Their chemistry was breathtaking, passionate, intense. It was so stong and powerful that when they were apart, their longing makes your heart break and you can't help but cry. He is calculative, with secrets, but towards Rouxi, he's different. He can be honest with her, tells her openly that he wants the throne, he was like himself with her. And that was love. Love that can last 'till eternity even when they're not together. But, when 4th Prince became Empreror their minds and opinions changed. Like they are strangers they didn't understand each other. The more they didn't understand each other, the more their love hurt. They were so close, yet so far, under one Heaven, but like miles away. They hurt each other, wanted to hate but they couldn't, longed for each other. He didn't care for anyone, only for her. Ruoxi was her everything, his soul, heart, mind, love. I vividly remember when he told 13th prince: "She cares for other, I care only for her."That was the proof how much he loved her. I wasn't that fond of him, cause he became selfish and tyranic, but their love was truly the strong one and it will always stay with me.
*** SPOILER END***
Oh and to say that Rouxi is the one of the strongest female characters in dramaland. She is intellegent, brave, unselfish, when she loves she loves till her core. The burden she carry is big, but wasn't able to share her story. She was a true survivor after all. She smiled, cried and loved to the fullest and that makes a woman strong, that even know it hurts, you're trying to get the best out of it. And that job was done by Cecilia whom I just have a words of praise and admiration.
I'll for sure rewatch this drama cause it's totally worth it. Even though it is sad, I took a positive side of it and placed some hope at the end. It is truly a beautiful story about love, friendship and passion. I laughed, cried, felt happy. I simply lived with this drama.
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A mature, no-nonsense love story, where the leads are real adults.
I had avoided this show for a while, because from the posters and synopsis I felt it would be a cheesy rom-com involving three guys and a woman wanting a baby. I was not interested to see a love square with 3 guys and a girl, even if it boasted the casting of Jang Nara, no thank you.Yet, I was curious nevertheless and decided to just give two episodes a try (you'all know how this usually ends)
You will love Oh My Baby, if you can relate to any of the following elements in a show:-
1. Adults (leads, second leads) actually having proper conversations. They talk things out, having meaningful conversations.
2. If you love FL with a no-nonsense approach but not crass and rude, bravely taking a lead in love but pulling back too, feeling hurt but recovering, a FL that does not resort to whining, screaming or shouting, not being pitiful even in a worst scenario.
3. If you had bad trauma from the mother in Something in the Rain, then Oh My Baby will restore faith in good mothers. She is similar to, but much better than the cool mom in Witch's Romance. This mom gets angry yes, but tells her daughter immediately that she should not lose her sense of self or feel guilty just because her mom is being angry with her. She stands by her daughter through all decisions, even those involving public ridicule. She doesn't care two hoots about societal response and family comments. This is a mom that does mountaineering and dancing, while also constantly looking for a match for her daughter. This is a mom that made friends with ML even even before she knew of her daughters interest in him and vice versa. Not just acquaintances in friendly terms, I mean real buddies.
I usually skip mom scenes in kdramas, and if you are like me, don't skip this mom's dialogues. She is sassy and open minded, and her scenes are worth listening to. This is a mom to end all kdrama moms.
4. There are no jealous female second leads, (but jealous male lead yes ) not everyone around the male lead is pining for his love, and they are all actually shipping them together, yes even the gals. No one bitchy and manipulative. Second male lead gets angsty a bit but that doesn't last more than a couple of episodes. He never stood a chance, it was clear from the beginning.
5. A romance that is gentle, but cracking with chemistry all the same.
6. Its not fluffy, silly rom-com but at the same time retains elements of fun throughout. The topics they deal with are emotional but handled with directness and spirit.
7. This is even better than Search WWW in terms of female portrayal because this is more realistic and honest. The women are not out-of-the-world sassy and bold, but rather as much real as anyone in that society would be. The only unreal element is that the FL is too pretty to be actually someone who never had proper romance for her age, but they also show why this is so,. its convincing.
If you liked Because this is my First Life, then you will definitely love this. I guarantee. Come back and trash me here if I am wrong.
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I really like both Jasper Liu and Eugenie Liu and the premise of this series sounded like fun - gangster's daughter meets and falls in love with the actor she's always fangirled over! The action scenes in the show are purely comedic, cheesy and just for fun. Sometimes it's over the top, but I can accept that. Eugenie does a great job portraying Angie, a fierce, bubbly young woman who tries to forge an independent path for herself. On the other hand, Jasper's character Yi Hang felt underdeveloped. He's a cute, charming, popular actor who loves elephants. That's all I got really. Their relationship developed UNBELIEVABLY quickly. Emphasis on unbelievable as in "I absolutely did not believe it." In comparison, I found myself liking Eddie Kim much more and thought the actor who plays him, Tsao Yu Ning, was excellent.
A lot of interesting side stories are introduced - Ding Ding, Ling Yun, Sophia, etc - but none of them are developed nearly enough. If Netflix releases more episodes (I mean, they'd BETTER!), then I will definitely continue watching. There's so much potential.
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Fresh twists on old cliches.
At first glance, Autumn Ballad looks like just another light historical romance featuring a strong, independent heroine with 21st-century attitudes and aspirations. Yet with a chock full of fresh twists on old cliches, this manages to surprise and delight with an all too familiar tale of a lowly illegitimate daughter who finds love most unexpectedly on her quest for self-determination. This well-told story with an authentic voice is carried by Xu Zhengxi and Qiao Xin's heartfelt performances which make me invested in their characters before I even like them.What I like most about Qiu Yan is that she is really not that nice or always that smart. Phew, what a welcome relief from the all too common suffocatingly flawless heroines. This is where notably Yu Zheng's recent, much higher budget projects fall way short by comparison despite big-name actresses. Trapped and exploited by her low birth status, Qiu Yan is the anti-Cinderella - her stepmother is her fairy godmother; she gives as good as she gets to her step-sisters and her mysterious prince leaves her a fan at the stroke of midnight. She tries for the best hand from the cards she is dealt and if she has to use a few people or step on toes along the way, so be it. She can be as harsh, selfish, and unforgiving as she is brave, capable, and loyal. She schemes, miscalculates, and makes mistakes with real consequences for herself and for others. I don't always like or agree with her but can understand her desperation and humanity.
Liang Yi is a pretty gray character which makes him my kind of male lead. Beneath his icy, civilized veneer he is a calculating, manipulative, ends-justify-the-means kind of guy with an agenda and he plays a long game. His path crosses with Qiu Yan repeatedly over the course of his investigations as head of the powerful Firewood Bureau. From the get-go, Liang Yi sees through Qiu Yan's machinations with contempt and tries to frustrate her designs on Qin Xuan. But he stops short of throwing her under the bus, perhaps in silent acknowledgment of his own utilitarian nature. When their interest align they agree to collaborate and are unflinchingly honest with each other about what's in it for them. In doing so, they also reveal the better sides of their nature and as they grow on each other, I fall for them. Qiu Yan is no damsel in distress in need of rescuing and Liang Yi can be as much cad as a knight in shining armor. They are kindred spirits and when they join forces, the sum of the parts is greater than the whole. It is inevitable that conflict and antagonism spark mutual awareness and passion. Their repartee is witty and the dialogue humorously highlights universal truths about human nature and the role of women in society. Is it too contemporary to be realistic? Probably but who cares?
This drama ought to be the gold standard for how realistic, believable relationships should be developed and portrayed. Xu Zhengxi really captures the essence of how Liang Yi's feelings for Qiu Yan evolve from dislike and distrust to grudging respect and consternation when it dawns upon him that he added to her burdens. His ironic, disbelieving expression as he comes to terms with his feelings for her kills me every time. This is by far the best-acted, anchor performance in the drama, elevated by the OTP's undeniable screen chemistry. While Qiao Xin stages a convincing, empathetic complimentary act, she falls short in her crying scenes.
The supporting characters are also mostly well-written and I particularly appreciate the balanced point of view with respect to the sibling rivalry between Qiu Min and Qiu Yan. Both Qiu Min and Qin Xuan are less thoughtfully written but despite their character flaws, they both get a pretty raw deal. The writers seem to know how to design layered and interesting characters but don't know how to finish their stories. Too many characters get outcomes (good and bad) that are underserved. There are so many gratuitous deaths I wonder whether they were running out of money.
Though far from a masterpiece of suspense and intrigue, the overarching conspiracy that loosely connects the cases moves at a fast pace and is quite well conceived and not just contrived to allow the couple to discover each other. It is a story that has enough momentum and characters with agency that the ending should write itself. Instead, with about 6 episodes to go, the writing inexplicably deviates into flashbacks, forced angst, melodrama, and excessive plot twists that culminate in a just barely satisfactory ending. If not for the sag towards the end, I would rate this production that shines in spite of its modest budget better than a very enjoyable 8/10.
This is not a fairytale but that is what makes it so much fun. It is well worth watching for the fascinating and hilarious relationship dynamics alone.
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