This review may contain spoilers
I really thought people were exaggerating, but unfortunately they screwed up everything on final episodes. The only thing that was outstanding in this drama was the mature and understanding relationship between the main leads. They always solved everything through talking to each other but in the last 4 episodes the writers just thought were a good idea changing this amazing couple dynamic. It made no sense that Yang Hua, who always were straightforward about his feelings, simply not being able to answer QS twice when she asks who he would choose between her and Yao Yao.Then, instead of talking about the problem, YH just came with the stupid jealousy game to make QS come around with her feelings, he even let her thinking he was that boy's father. That was so out of character and the last no sense was that reunion. YH wanted her to admit and tell that she love him but in the end they get together and she still never confesses her feelings. That separation seemed so meaningless. I feel the writing was just messy, a lot was obviously cut and the end was completely unsatisfying. It's a shame because even though I skipped a lot, until episode 34 the drama was good and the main leads romance was one of the best I ever saw. Yang Hua is simply a perfect man, so precious, I will just keep this in my memories and forget that stupid end.
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Perfect writing; no holes or no loose ends. Everything is connected brilliantly. The amount of pain and laughter are balanced wonderfully. The characters are well-written and the actors have done a perfect job performing them. Chapeau to the writer, the director and the cast.
To actually fall in love with Choi Kang Hee was something I never imagined but after this drama there was no way I wouldn't. I hope she's OK after playing the role.
A realistic approach of traumas and pain. No forgiveness simply granted. People do commit crimes and make mistakes. Not everyone is redeemed just because the drama is ending. How one person's not confessed crime would haunt so many people. Family and its complications. All are tackled in the drama.
Now comes the most bewitching theme; love. Hey! Hey! I'm someone who vowed to stay single forever! This drama had made me want to date again! Insane! How true people are to their feelings. No noble idiocy, no unnecessary self-blame, no giving up, no escaping. I'm feeling this way I'll be true to my feelings and simply confess and take responsibility. If you can't recognise your own feelings I'll help you but I won't give up on you. The past grudges won't stand in the way of our love because you simply mean the world to me. '' I either see you or die. And since I can't die I'll just see you.'' No shame or pretense when it comes to physical love. I want you, I express it. '' Love for me is touching''. Honest and realistic but so moving. Memorable in every aspect!
Though at the beginning I was worried about the second female lead but she thankfully found the right track. Every character has its own tale and every one can relate to each tale.
The OSTs and the music are so distinctive and soooooooooo suitable.
I will definitely re-watch it if ever have the time.
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One unique Thai drama! + THE BEST CHEMISTRY EVER!❤️❤️
I've been watching American and asian dramas for the past twelve years, I can assure you, its something I've never seen in my life before! STRONGLY RECOMMENDED!!It is so amazing that it gives you a total roller coaster ride - especially in the last few episodes. Make sure to watch it with subtitles!
The story is a big plus for the drama, and the main leads - Mark and Mew did an amazing job. AND THEIR CHEMISTRY IS JUST MIND BLOWING!!! I can't imagine any other actors playing the characters.
You may find the first episode nothing extraordinary, but the last few minutes of ep1 will make you go on with the drama. By episode 6 or 7, you will be hooked on- its totally addictive and when the drama is over be ready to get delusional, watching their off-screen and bts videos in Instagram, trying to slap yourself out of Tian and Muey’s world!
Mark and Mew portrayed the emotions of Thien and Moei perfectly! The male lead is handsome, smart, arrogant and stuck up but cares for the female lead without knowing it himself. And when he realises his love for her, it's just sweet and emotional. The female lead is Not your typical drama character but she's cute, funny, energetic, sassy, smart, bold and really caring and totally lovable. Her selfless care for her loved one is just adorable ❤️.
And I don't have any words to describe the scenes when they confess their love for each other. Mark and Mew's acting is just out of the world!! Believe me, Mark and Mew literally make you laugh when they laugh and you'll cry when they cry.
Also the dialogues of the female lead and the little poem snippets are just sassy and lovable❤️. The scenes shot in Myanmar and Mew in traditional Myanmar dress are just beautiful and worth watching! Plus Mew nittha's bright smile really suits Moei's character!
Not only the main leads, but also the TPC gang, Hammock gang, P'Ri, P'Mon, and Thien's mom, Yada and Co. (also Ohuya dog and Snow cat) did a very good job . You won't find any annoying characters in the drama, and the plot doesn't involve Revenge, kidnap, forced love unlike typical Thai drama (no offense to those who like them though!)
On the whole every character in the drama makes it enjoyable. The cinematography is really good! And the music is also amazing! Loved the Ost by Sin (singular). Also don't miss their promotional interviews and special events, its all over Instagram with subtitles. (People went crazy asking for subs even for promotions !)
The only minus I could point out is the editing in some episodes was a bit sloppy when they tried to add the flash back scenes, but it doesn't affect the story. Also, there's a bit of drama in last couple of episodes, however the director aptly justified it in an interview, quoting
'love doesn't end with the word LOVE,
love doesn't end with loving each other,
but love needs understanding and confidence in each other.'
Overall the drama has humour, romance, hot scenes, but also emotional and very sweet. Don't miss it! This will be that one drama I'll never be able to forget in my life! Hoping to watch another drama by mark and Mew soon. MARK AND MEW HAVE GOT THE BEST CHEMISTRY EVER!! And they'll be my favourite on-screen couple! (I do respect their personal life!)
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Mischievous Kiss: Love in Tokyo Season 2
88 people found this review helpful
For those who’ve said goodbye to Kotoko and Irie several times, we know it doesn’t get easy. Maybe because they truly are the perfect couple. Every flaw Kotoko has is a strength Irie has and every flaw Irie has is a strength Kotoko has, but they graciously accept it and consider each other the half they need to be complete.
Theirs is a relationship of encouragement. The INK story is about never giving up. Never give up on your dreams, whether it be what you want to do, who you want to do it with, or who you want to be. The seemingly impossible is possible. (Sometimes it just takes an earthquake, meteorite, or fire to get fate going.)
I actually think I might’ve liked season two of Mischievous Kiss more than season one. It’s a pleasant mixture of comedy and fluff. From Kotoko’s iconic yells and zone out moments to Irie watching over Kotoko fondly as if she’s the sun itself, what could anyone possible dislike about this show?
Now newly wedded, our favorite couple try their best to finish internships and become legitimate medical professionals. However, being married to the love your life doesn’t mean the rest of your life is magically uncomplicated. There are plenty of insecurities and doubts that sprout up between our leads, but it's not as dramatic as other dramas. If you're looking for realistic but quickly solved troubles this is it. It's interesting enough that it's not boring, but it's light enough that you don't get too stressed.
We see how much better these two are when they have each other. Our Kotoko becomes a (semi-)capable nurse when just a couple years ago she was in the lowest grade class. And our Irie shows emotions never seen before. Who could imagine the practically permanent “stone face” Irie Naoki laughing? You’d have to see it to believe it.
Furukawa Yuki and Miki Honoka play their roles as if they were made for them. Yuki flawlessly transitions between attitudes of indifference, annoyance, and warmth like no other actor I’ve watched and I couldn’t get over how amazing Honoka played Kotoko in this season. She grew a lot as an actress. I’d watch scenes and it’d feel like I was watching an actual anime because she gives so much life to Kotoko that it’s unreal.
The soundtrack is pretty decent. As of now, I still prefer season one's ost but maybe that's because it already makes me a little nostalgic. You can tell care went into the soundtrack unlike some dramas that just throw any instrumental mess into the background and recycle the main themes every ten minutes. INK’s music has always enhanced the characters' actions and the overall moods.
So the million dollar question. Is this show re-watchable? As a certified Itazura Na Kiss stan that's watched almost four of the five show adaptions completely, I'd say yeah. It's kinda totally re-watchable.
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2The Daesang for the 57th Baeksang goes to…
Shin Ha Kyun, of course! I can’t think of any other more worthy recipient of this prestigious accolade. He truly is the driving force behind Beyond Evil because without him, this drama would have ended up being Not Quite Evil. In fact this drama isn’t as much about evil as it is about filial piety (or lack thereof) and shady business ethics, with a dose of mental health issues included. In any case, I hope he gets a nomination at the very least because he is definitely deserving of the recognition for all the good work he has done here, and I have thoroughly enjoyed myself watching his performance in this extremely well made production.This drama is set in the small town of Manyang, which has a sinister history of mysterious killings and gruesome mutilation of young women that remain unsolved until the present day. Part of this local community is a close-knit group of childhood friends, most of whom grew up to become members of the police force, while the others comprise the local butcher and convenience store operator, respectively. One day, a young hotshot police detective gets transferred to the Manyang police substation and all hell breaks loose in this sleepy town.
The plot is exquisitely written, despite not being groundbreaking, and we’ve seen this premise in many psychological crime thrillers. A small town with a hideous past and its suspicious inhabitants harbouring many unknown secrets, the perfect recipe for a can of worms that would’ve been better off left unopened. Except, in this case, it gets much more convoluted than that - a decades’ long conspiracy that culminates in a scandal of the highest order. This is very much a character driven drama and represents an in-depth case study of the complicated dynamics among the central characters. This is a complex and slowburn psychological whodunnit with dark humour and suspense along with themes of friendship, familial bond, betrayal, forgiveness and redemption.
Helmed by the young director Shim Na Yeon, a relative newcomer to the industry whose recent works cover mostly youth-themed melodramas and romance, and written by the experienced Kim Soo Jin whose previous crime dramas include Mad Dog and Life Special Investigation Team. Being part of the spring drama lineup of JTBC Studios, this drama features commendable production values. The cinematography showcases excellent shots of the Manyang town landscape, including the beautifully tall grass fields where multiple crime scenes have purportedly occurred, and the scenic port city of Busan for a story arc that lasts a couple of episodes. Other than that, the majority of the drama is set in the bright interrogation rooms and gloomy holding cells of the Manyang police substation, Munju police station and the Seoul police HQ. There are countless scenes of barbequing meat and drinking at the Manyang diner-cum-butcher shop as well.
The drama’s true strength lies in its cast and their superb acting, as well as the overall quality of the dialogue. Ever the consummate pro, Shin Ha Kyun does what Shin Ha Kyun does best. For the uninitiated (and for the purpose of managing excessive shock or awe), expect visceral intensity and raw emotions conveyed via truly immersive wholehearted portrayals. For regular viewers and admirers, his execution here is even more elevated from his usual performances in Less Than Evil and Pied Piper. His characterization of Lee Dong Shik is a delicate balancing act between nuanced and downright insane, and will probably represent the standard of acting for this genre in years to come (a close comparison would be Lee Hee Joon’s characterization in Mouse, so there’s potential in this area). Depicting a flawed anti-hero complex and emotionally traumatized character shouldering the burden of a profoundly tragic past is certainly no mean feat and Shin Ha Kyun does it magnificently indeed.
Of the 2 MLs featured in this drama, the other lead is the character of Han Joo Won who is decently portrayed by Yeo Jin Goo. Those familiar with his works would no doubt witness the same signature aspects of his acting. Since Hotel Del Luna (and even earlier, The Royal Gambler) he has perfected the art of the “intense gaze”. Not many actors can pull off this trademark look. An added bonus in this show, he does a near-complete character change that lasts a few episodes at the midway point. Despite not being a fan of the character - he comes across as aloof, sanctimonious, petulant, selfish and entitled, who possesses an unhealthy and somewhat irrational obsession for solving crimes while incessantly defying his own father at every turn - I do appreciate the characterization. The chemistry between the two men, Lee Dong Shik and Han Joo Won, is on point and works very well.
They are ably supported by the rest of the cast comprising the experienced veterans Chun Ho Jin, Choi Jin Ho, Kil Hae Yeon, Heo Sung Tae, Kim Shin Rok and Lee Kyu Hoe. Their versatility truly shows in playing a mix of understated, layered, OTT and mentally unstable characters. I’m also quite impressed with Choi Sung Eun in particular, whose portrayal of Yoo Jae Yi is very powerful and convincing and she stands out as the strongest female character in the show.
Aside from the acting, one aspect that probably doesn't get enough appreciation and recognition is the music for the drama. Kudos to the music director, the hugely experienced and prolific Ha Geun Young, who has done a fantastic job of arranging the original score with an infusion of contemplative jazz performed by a big band ensemble. There's more than a hint of cabaret and the vibe of classic film noir that somehow perfectly captures the essence of the drama. In addition to the music score, the accompanying original songs are terrific as well:
1. Choi Baek Ho - The Night
2. BIBI - Timeless
3. Car The Garden - Empty
4. SunWoo JungA - The Road
All things considered, Beyond Evil has been a hugely satisfying watch and certainly went beyond my initial expectations. I sincerely hope this drama and Shin Ha Kyun will be part of the nominations to be announced next week for the 57th Baeksang Awards this year. They absolutely deserve it!
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After finally being pushed to her limit, and after more than one failed suicide attempt, she does the last thing she feels she can do to live a happy life. The story following the surgery is about her journey to accepting her new self while not completely forgetting her old self.
Acting/Cast: I loved the acting and the cast.
Kim Ah Joong did an amazing job of portraying an overweight person, and an amazing job of portraying the skinny person she becomes. In most shows/movies like that, the girl is instantly 500% more confident, while Kim Ah Joong still had to get used to people not gawking at her for being the "ugly, fat chick." Even little things, like learning to walk in heels, were a joy to watch.
I'm still unsure about Joo Jin Mo's character. He seemed to have two different opinions depending on who he was with, so I wasn't really sure what think about him. I suppose, if I ignore the fact that his character confused me, I can easily say his acting was amazing.
Music: Loved the music throughout the movie.
Rewatch Value: I could definitely see myself rewatching this movie often. Definitely. The last 10 minutes or so of the movie (mostly the speech in particular) had me bawling. Just full-on bawling.
Overall: Overall, even though I loved the movie, I had to give it an 8.
While the character herself makes it known that the surgery is for herself, and not for anybody else, it doesn't erase the fact that, ultimately, this was a movie about a person who's life becomes better only after becoming pretty in society's eye. It's just not the type of message I enjoy seeing in the media.
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I can't think of one bad actor in this cast. Jung Woo Sung, as Yang Kang Chil, was intense, and very moving. Han Ji Min, as cool/controlled Jung Ji Nah, was his perfect counterpart. Their relationship had all the familiar elements (opposites attracting, destined path crossings, and family disapproval...) but without simply relying on clichés. My only small criticism is that they had some of the worst onscreen kisses I've ever seen, though the rest of their romantic moments more than make up for it. It could be argued that their awkwardness fit the story, but I just found it distracting. Their romance was portrayed as much deeper than a few cute moments, so I do have to give them a lot of credit for that.
Of the exceptional supporting cast, I have 3 favorites. Na Moon Hee, as the mother, was a really great character, and expertly played. Choi Tae Joon, as the son, was the only character that made me actually cry. Kim Bum, as the charming yet odd Lee Gook Soo, was my absolute favorite. His character's journey was so awesomely unexpected, and he did an amazing job with it.
As I mentioned earlier, this is a tearjerker, but there are plenty of funny, sweet, intriguing, and inspiring moments too. Some aspects of the story are left open ended, but that didn't bother me at all. I thought the end episode was beautifully done, and gave me all the closure I needed. I can't agree that this drama is perfect, but It is certainly better than most, and not to be missed.
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The story is not a very complicated one. You have an obsessive school girl who's crazy about her teacher and thinks what they have is love. The teacher wavers slightly and pays the price for it with his family at stake. A simple setting but what sets this movie apart are the layers of complexities in each character's personality. More so than the obsession, the film makes you see these characters as individuals whose stories you are watching. A really well directed and written piece.
The actors did a splendid job. Jang Hyuk and Jo Bo Ah were completely engrossed in their roles. I really need to mention that these people have a huge age gap in real life and to portray such a tender and hard-to-digest topic with such realism is commendable. There were times when I was too repulsed to watch the scenes but couldn't take my eyes off of the screen because the actors were doing such a brilliant job. Worth the watch for the actors' work if not anything else.
It is definitely not something just anybody can see. You need the appetite for this sort of movie. When they say there's lust, betrayal, obsession and revenge, they mean it. There's no sugarcoating anything here. Just raw emotions. In fact, I don't think I'd be able to watch this movie again even if I wanted to. Everyone gave such a powerful performance, It's going to stay in my head for a long time.
I might not have enjoyed this movie in the true sense of enjoying a movie, but I sure respect and admire the work. It's a really good movie. Not made for everyone though. It's also rated R because of explicit scenes that are shown, but there's nothing extremely offensive about them. So that's another thing to consider before watching the movie if you're not ready for that sort of content.
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For clown and country.
Fighting For Love is a drama adaptation of a novel with the same Chinese title Ā Mài Cóngjūn/阿麦从军 or A Mai Joins the Army. The novel enjoys an impressive 8.6 score on Douban. It is a female centric story about A Mai, an orphaned noblewoman who seeks justice for her family's betrayal. She joins the army and works her way up to become a fierce and undefeated general. She discovers a greater purpose along the way, which is to defend her country. This takes place during the Northern and Southern dynasties, a period of war, chaos and political turmoil. It is not a romance and there is no real male protagonist; it is about one brave and patriotic woman's awesome journey. I abandoned the book because of its intense and graphic focus on war.Clearly the original story does not fit with the typical male-centric costume drama formula with plenty of romance tropes. What a breath of fresh air, right? Wrong. In the adaptation, Shang Yizhi is elevated to male protagonist and his story arc is as central as A Mai's. Which in and of itself, is not a terrible thing. Like A Mai, Yizhi has a hidden identity and was a victim of foul play. His cause becomes hers as she rescues him and helps him outsmart his enemies. She discovers her military prowess, forms life and death bonds with her troops and finds meaning in defending the citizens of Nanxia. They have a shared purpose and are catalysts for each other's growth. It is natural for attraction or feelings to develop between them though it does not need to be romantic.
The critical fail in the adaptation is they wrote Yizhi as a kind hearted and playful anti-hero character. While some of his comedic scenes are witty and funny, this diminishes him into a parody role. This should be a complex character who does consequential things; a once carefree young nobleman whose world changes overnight. Instead, the writers stuck him with a love brain and Peter Pan syndrome until the final arc. As he is pushed first to survive and then to reclaim his birthright, all of his motivations continue to simply revolve around A'Mai. A character that chooses each time to save the girl and let the world rot does not deserve to end up where he does! This devalues A'Mai and the Zhenbei army's achievements and sacrifices into a fight for clown and country. Even though he becomes morally ambiguous and utilitarian at the end, this evolution is too abrupt. His character progression should have begun well before he returned to the capital. Zhang Haowei did his best with this role but the character is just too poorly designed.
A Mai is quite consistently written throughout even though it is difficult to connect with her feelings for Yizhi. Even though she is too lovely to ever be mistaken for a man, Zhang Tianai does a wonderful job with the role. Her mannerisms are very masculine and she literally shakes with rage and hatred in her scenes with Chen Qi. Best of all, she is no Mary Sue in need of constant rescuing even though all the men fall for her. She just has terrible luck with men; she gets involved with a backstabber, a clown and an enemy with a choking fetish. The one good man she meets is brother-zoned, father-zoned and what happens to him is definitely over-kill. Chen Qi is the most interesting and conflicted antagonist and his and A Mai's story is really sad. Wang Ruichang is very charismatic and the fan favorite but his Chang Yuqing has no development and no real story arc. He just pops up whenever something needs to go wrong for the leads.
The first few arcs of this story are quite good and the cinematography and action scenes are pretty awesome. The story falls apart mid-way and snowballs downhill into the palace arc. It is yet another perfectly good drama that is ruined by ignorant and silly romance writers who can't write palace intrigue (i.e., Destined, Legend of Zhuohua, Wonderland of Love etc etc). This arc is ridden with predictable villains, plot holes, clichés and a flabby dancing emperor who looks like a sloppy fashion mistake. To my surprise, the story comes together again in the final episodes to end fittingly and on a strong note.
It is not easy to rate this because there are many good parts. The first 12-15 episodes and the ending is good and worth ~8 but the middle and dreadful palace arc are only worth ~6+. I think ~7.5 overall is fair but I am only going to call it a 7.0 because the production deserves to be spanked for desecrating a fantastic novel.
Scroll down for SPOILER ending thoughts.
ENDING SPOILER
The final showdown between A Mai and Chen Qi is exciting and moving and it finally gives her closure. Poor Chen Qi is such an interesting, conflicted and ultimately tragic character it is a shame he was not better fleshed out. In the end he probably loved A Mai best.
I don't believe it is in character for A Mai to go off with Chang Yuqing at the end. His feelings for her are not better developed than Yizhi's and at least in the drama, they are one-sided. He is a rising star in Beimo and if A Mai were to marry him, she would have to defect to the enemy to be another caged bird as the wife of a Marquis. After just escaping the terrible fate of being the favorite concubine of an emperor?!? As advisor Xu points out, the countries are at perfect stalemate because their top generals A'Mai and Chang Yuqing don't really want to fight each other. There is peace with them glowering fiercely at each other across the border. A Mai is simply setting off for a well earned 3-year vacation while Beimo's internal palace politics play out. It is a perfect, strong independent woman ending in the spirit of the original novel; one that says A Mai does not have to be someone's arm candy to have a meaningful life.
X
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I consider Eriko Kitagawa one of the best drama scriptwriters. She has the ability to pick up an ordinary event and make it into an unpredictable twist, all with a subtle calm pace which makes you restless. This plot is made of little hints: a word, a glance, a brief scene. There's no abundance of words, each line carries its meaning into the silence that follows.
And the actors get inside their roles brilliantly, creating around them an aura of mystery which makes you grope in the dark as to who did what and why.
The cinematography is scanty and sober, totally devoid of gloss. With the exception of the very effective close-up shots of the characters and the use of the light, it doesn't rely on beauty. Oh, the actors are beautiful all right. Kimura Takuya and Fukatsu Eri in particular are wonderfully intense, together as well as individually and play their part so well I was left speechless more than once.
The same scantiness applies to the music. Used with economy and without much variety, it manages to create the right expectations at exactly the right moment.
When all this is said and done, I am left with only one question: did I personally like this drama? The answer is: no. Did I fall in love with any of the characters? No. They intrigued me, fascinated me even, but I didn't like any of them, and felt somehow totally detached, despite the high-voltage chemistry between the leads.
I marathoned through the drama in 2 days, which is proof of its being a very well built thriller. Once started, you want to know. However, because I felt neither identification, nor true compassion or love for these people, it's as if I had read a very interesting and brilliantly written essay on human nature but was happy to see it end. The ending came to me as the only possible solution: a destination this journey was destined to land to.
Therefore, I recommend this drama to only a few people. Forget brightness, sunny love, suspend judgment and value this for its intrinsic quality and you will appreciate it. If you're not ready for a trip down dark lane, I suggest you stay well away from it.
I am certainly not going to repeat the experience.
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This review may contain spoilers
don't blink
This screenplay has to have the most diverse story line I have ever watched in an Asian drama. The story twists and turns from present to past to present and has strong story lines for supporting characters in addition to the the two main leads, who are actually four different people themselves (two each). This drama is only on episode 8 but is revealing some pretty heavy secrets already. The writer wittingly keeps us guessing the true identity of the two leads, especially the male. They both have a pseudo identity who is a mix of past and present identities. There are many deep topics covered in the drama such as same sex attraction, suicide and murder. The murder has not happened in real time as of yet and the culprit has not been truly revealed only suggested. There is innuendo at every turn but I have learned not to take anything for granted. If you like mystery, romance, time travel, teen love, and a complicated plot, you will enjoy this one. I am so in love with the main OST as well. The song Last Dance by China Blue is the vehicle that spurs the time travel by the way, but this is not realized until episode 8 by the actors. Alice Ke and Greg Han are both adorable in this at times. I have to say that although it is deep frequently, do not give up on it after a couple of episodes. It gets better and better. As you can see I am totally enjoying this drama so far. I do have a bit of trepidation of how it is going to end though. Of course, I always hope for a happy ending. But, no mater I am loyal until the end! I am watching it on Vikiupdate! I just finished episode 13 without subtitles and let us just say, I didn't see that coming. I am so in love with this couple and their romance! They left it open ended so that there could be a season two which would be a dream come true. Pun intended! Wow! I just finished watching this drama and I feel no written review can do it justice, simply because the level of writing in this drama is the best I have ever seen. It can not compare with my little review. The plot is so in depth. It has so many layers that twist and turn and often overlap that it is difficult at times to sort it all out! But you do in the end! The plot revolves around the two main characters, which actually are four (two each) as well as a well developed second layer of active characters whose roles are recurring. The four main characters are played by Greg Han and Alice Ke, each playing double roles. The romance factor is a 10 and the mystery/suspense factor is also a 10. I guarantee once you begin watching, you will not be able to stop until the end so plan accordingly! This no light drama. The plot includes murder, suicides, a love triangle and even a wonderful second lead. The music became my favorite song as well. There are some sexual undertones so this is not recommended for younger viewers. A 10 overall. I will not give away the ending! But, lets just say, I didn't see that one coming! This is a hidden jewel! I can see it becoming a cult classic in the future!
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"Do you want to have a drink with me?"
"Counseling with a twist." That is how I initially perceived the theme Mystic Pop-up Bar. Dramas that touch on mental health issues are often either of melodrama or suspense genre. But here is a gem of a show that gives you a release and relief from a shot of soju, without the usual hangover.In the first few episodes of this drama, you'll find stories of persons whose grudges could well be the same as many of us have. The counseling part comes naturally in the dialogue between the characters, often in a comical way. (It could be a good idea to have a paper and pen ready to take down some quotable lines.) As the drama progresses, it begins to focus more on the main characters' own concerns which has been taking 500 years to settle.
What's so awesome about Mystic Pop-up Bar is, while it's generally comedy, you'll also find some bits of romance, drama and action in it. Worthy of mentioning also is how clean the CGI effects they used in the show. I'm not sure with the others, but for me, each episode was like a movie.
Even though I chose to watch this because of SKY Castle actor Choi Won Young, I must say all the actors in this drama are worth applauding. Yook Sung Jae made a great choice of doing this drama before his military enlistment; he did really well as Han Kang Bae. Also, I could say that we have a different Hwang Jung Eum here, so if you're not a fan of the way she acted in her previous dramas, don't let that get in the way of you experiencing a one-of-a-kind journey in Mystic Pop-up Bar.
The OST is worth adding to your playlist as well, especially the song for Part 1 of the soundtrack.
I recommend this drama after watching heavy drama, suspense or action, or to those who simply want to have a good laugh after a tiring day.
Enjoy Mystic Pop-up Bar!
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Sometimes I skip parts in dramas because they predictable, but this drama was the complete opposite. If you skip an episode you will be lost or will greatly regret it.
This is the first drama that has ever made me cry, laugh, and ship 4 couples with four cast mates (think about it hahaha)
I usually don't watch melo dramas because I like happy endings and melo dramas don't really follow that story line, but this drama is different it's not a romance comedy-but is, and not a melo drama- but defiantly is. Some points in the drama you cry or tear up for a very sad reason which in my case seem like a melo drama. other times you laugh with the characters which seem like comic relief.
I started to watch 49 days because I saw Jung Il Woo dressed in all black with black hair- hello one of my top actors of all time looking sexy... of course I will watch it. i can say he is hot the whole way through the drama, but he will make you cry- a lot...
All the cast mates let you connect with their character. Each character has a story to be told watch 49 days and find out their stories. I promise you won't regret watching it. i sure didn't
i true hope you enjoy watch the drama as much as i did!
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Be careful what you wish for...
...because it might just come true. The Witch’s Diner is an urban fantasy that revolves around the arcane ways of contemporary witchcraft. It combines the supernatural with slice of life, and includes elements of a mystery as well as romance. In addition to the dark arts, the culinary arts are featured prominently through the variety of delectable gourmet dishes which are central to the core narrative.The concept is straightforward - customers make a wish at the eponymous restaurant, and the resident witch-cum-masterchef will magically prepare a unique dish accordingly. Eating the dish will grant the wish but not without a price in return.
Following the TVING brand revamp in 2020 after the joint venture between JTBC and CJ E&M was finalised (and most recently Naver bought into the venture as well), the streaming service currently provides premium content via paid subscription. Included as part of its original programming for 2021, this drama certainly reflects the production values strived for by the streaming service. The overall quality and technical aspects, including the visual effects, are unquestionably well executed. The art direction and the production design are quite impressive, in particular the diner which has been sumptuously remodelled to induce a palpable gothic atmosphere. I’ve enjoyed the cinematic grading as well as how the colour palettes seamlessly contrast between darker moments and the more lighthearted scenes.
Similar in premise and tone to other stories that deal with paranormal activities, such as Mystic Pop-up Bar and Hotel Del Luna, this drama falls somewhere in the middle in terms of its plotline and themes. It isn’t spine-chillingly frightening or morbidly infused with gore and horror, while at the same time it is slightly melodramatic with a number of poignant moments that may induce a tear or two. The overarching mystery concerns who the witch is, how the “wish-fulfilment” service came about, and how the ML and FL are connected to her. Along the way, we observe mini story-arcs of folks with problems who somehow end up at the diner seeking otherworldly solutions to what ails them.
At a relatively short 8 episodes, the storytelling is compact without the intrusion of unnecessary fillers. It is engagingly paced where the drama takes its time to explore the backstories of the various characters. It’s worth pointing out certain themes that may trigger such as abuse and bullying. The sense of tension and anxiety are sufficiently imbued into the story as it unfolds, and continues to build right to the climactic end.
The performances of the cast certainly deserve praise. I’ve truly enjoyed Chae Jong Hyeop’s emotional depth through his nuanced characterization as the noble and warmhearted Lee Gil Yong. I feel he is more suited to this role than the one in Sisyphus: The Myth. Nam Ji Hyun displays impressive range in her depiction of the conflicted Jung Jin, a character that goes through much adversity. The role of Jo Hee Ra the witch is played by the experienced Song Ji Hyo. Despite looking very much the part, I do feel that the portrayal is rather understated because of how the character was written - unlike other similar dramas, Jo Hee Ra isn’t an outrageous OTT character that’s loud or stands out from the crowd. She’s probably the most down-to-earth witch I’ve ever come across in a drama. I do however admire her avant garde fashion sense and found myself chuckling at her portrayal of a younger self.
Special mentions go to a number of supporting and guest stars who make their appearances in this production. These include So Hee Jung who plays FL's mother with such conviction and relatability. Ahn Eun Jin, the musical actress who delivers a fantastic solo rendition in a stage play, as well as Lee Joo Shil and Im Won Hee who portray mother and son respectively in one of the more heartbreaking scenes in the drama. I was actually taken aback by how good he is in dramatic capacity compared to his somewhat more comical role in Dark Hole.
The soundtrack features a total of four songs that fits the mellow undertone of the drama, with the exception of YESEO’s Fair Dish which provides an interestingly magical and mysterious vibe with a hint of mischief.
1. Se.A – Holding On
2. JUNNY – Alone
3. YESEO – Fair Dish
4. Han Seungwoo (VICTON) – Please
All in all, I would classify The Witch’s Diner as a healing, introspective and evocative drama. It's perfectly understated without all the fanfare and light enough to be enjoyed without heavy exertion. I certainly savoured the experience.
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This review may contain spoilers
I have absolutely no idea why there are so many negative reviews about this drama
Listen.I'd like to begin with the fact that yes, many people have different tastes and this might not suit some but it truly wasn't THAT bad as the majority comments say.
I, for one, enjoyed it IMMENSELY. In fact I came out, feeling sad that it ended.
Let's start with the storyline, shall we? There's not much spoilers in this little review but i tagged it just in case.
So it begins in a fantasy realm where our mc Rembrary is a very powerful healing figure. Then he transports to the actual human realm & switches places with a washed up idol Yeonwoo. Min gue did that drastic change in plot really well. You could FEEL Rembrary's confusion and anguish so really kudos to him.
I liked the corny parts too, the comedic bits didn't seem too overwhelming & out of place. It made me laugh out loud many times.
What I don't get is how people expected an aspect of realism when it's purely fictional, even a fantasy genre at that.
It started off good, the premise was promising and with only minor hits in between, it generally delivered well.
For one: i liked that the romance component was kept lowkey so we could focus on Rembrary AND the gigantic pile of tasks he had to accomplish to go back to his own realm. It also gave time and room for better development. Had the romance been early on, I really don't think I'd buy into it. Esp in the later episodes, where they have to MEAN alot to each other in order to take steps that they did to protect each other. Yall will know when you watch it. I think the transition from fan to friend to helper to lover was just fine.
So yes, a slow romance is better than a shallow one.
If I talk about the characters, I liked the mc, i could see him struggle and learn and care and bond. So yes. That made me root for him. Mingue really did the double roles well, i could distinguish between the two just by the look in their eyes.
FL, tho started off a bit shady (that saesang bit i got irked a little but they explain it later so idk but it gets better i promise), and i do feel like her backstory needed more weight perhaps? But she was actually smart and added to the resolution of conflicts rather than just being there as a place holder in the series. She's a capable woman who knows how to utilize her resources for the benefit of the team she manages. If not for her, Rembrary wouldn't have solved half the shit xD
The band members were enjoyable to watch. I wanted more depth to their stories but then again I realized it wasn't their story to tell and we had to focus on our mc. Still I would've liked to see more of them.
One complain i have is: NOT ONCE DID WE GET TO SEE WILD ANIMAL PERFORM IN THOSE GORGEOUS FITS PLS I WAS CRYING AND SCREAMING EVERYTIME THEY GOT INTERRUPTED JFKSKDKSKS
Anyways, the supporting characters were alright. Samjae was so cute and comedic, that man had nothing up there in the head except vibes and air.
Moving onto quite a few important topics that were talked about in the series which I haven't seen anyone acknowledge yet: the talks about mental health, the overall toxic environment that goes in the showbiz, how unpopular ppl are treated, how idols are reduced to nothing but dirt if they don't bring anything to the table, how hard it is to stay steaddfast when chances don't work in your favor, how taxing it is to keep hoping despite knowing it's going nowhere. Plus, there were a few discussions about human nature, selfishness, desires, greediness and goodness. The balance between the two.
So yeah. That was something to watch and think about.
I would say overall it wrapped everything up nicely. I did want the Evil One to actually do something, you know, evil but he was just a man desperate to be loved back.
The last few eps get slightlyyyy draggy what with the Redrin wind up and I thought her reasons didn't add up but like. meh. I didn't care enough about her. I just wanted my boy Rem to unite with the people he's come to care about.
The few plot twists that it DID have left me SHOOK. I did not see those coming at ALL. So kudos to the writer for getting some OOOOs and gasps out of me. That was something.
All in all, it was a good watch and i will definitely rewatch it. It's that light kdrama you search for after you're done watching something heavy. Shits and giggles, a bit plot, fun characters, cute dynamics, weird squads that no one saw coming AND REMBRARY HAVING GAY SCANDALS LMAOOO
I REQUEST you not to go in searching for something mind boggling or life changing (that I've seen ppl expect in the reviews here) bcs it's not. It's a simple plot, simple characters trying to navigate plot conflicts to the best of their capabilities. The good thing is it doesn't get boring. Atleast it didn't to me. It kept things dynamic and that made me not drop it and mind yall, im a very notorious dropper. If I don't like it, I drop it. So extra accolades to this series for that.
I would recommend everyone to atleast give the first 3 eps a chance. If it's up your alley, you'll have a blast and if it's not, well there's plenty of fish to pick from.
That's all I could write bcs i couldn't just watch it get absolutely shit on. It really isn't THAT bad. Kudos to the whole staff for pulling it off.
Hope this hot mess of a review helps someone discover their new fav drama. Happy watching everyone!!!
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