This review may contain spoilers
It's Either The Three Of Us, Or None Of Us
This show was such a fun and sweet experience. I genuinely looked forward to it every week, I liked these three weirdos and their chaotic softness.The premise is kind of wild in the best way, it starts off with a child narrator talking about Takuzo, a lonely guy who’s starting to think about marriage. Then there’s Mia, his ex, now dating a younger dancer named Shinpei. Things get interesting when the two attend a lesbian wedding, and Shinpei just casually suggests, “Hey, what if the three of us got married?”
At first, Mia’s thrown off (understandably), and instead of confronting it directly, she takes her boyfriend to her ex’s place, hoping it’ll stir some jealousy and kill the idea. But surprise, Shinpei and Takuzo actually hit it off. Not even a hint of rivalry. They get along so well it catches Mia off guard.
The sweet twist early on is that the child narrator turns out to be Pakhun, the pet rabbit Mia and Takuzo raised when they were dating. He’s been watching over them from rabbit heaven this whole time. That reveal mid-ep 1 was such a funny, touching moment and instantly made me love the tone the show was going for.
Throughout the episodes, we slowly unpack each character, we got some focus on Takuzo, his past, his insecurities, and his lingering feelings for Mia. We meet Sayo, a co-worker who shares his random hobby of building Lego cities. She believes in platonic friendship between men and women, but the show teases her as a love rival. Honestly, I wish they’d kept her strictly as a friend. The trio dynamic was strong enough, and her romance subplot felt unnecessary.
One of the highlights for me was how the show portrayed the trio relationship. It had its ups and downs, but it wasn’t over-dramatized. The three of them actually talk, support each other, and even argue in a realistic way. When Takuzo gets sick and Mia and Shinpei come over to take care of him, I was like okay, these three are already kind of living like a family. You can really feel how their connection grows, slowly and believably.
The final episodes bring everything together. There are a few emotional stumbles, some pushback from people around them, but nothing overly cruel or unrealistic. Even the mothers’ reactions were done well, shocked but not villainized. They take time to process, then try to support. It felt grounded.
And the ending was So cute. The trio basically says: it’s either the three of us or none of us. And they actually go through with the marriage. The show doesn’t treat it as a joke or phase, it gives them a real, soft, happy ending.
My only real critique is that while the show depicts a poly relationship, it doesn’t feel like it was written by someone who’s poly or queer. There’s a slight outsider lens, like it’s more of a thought experiment than something personal. It’s respectful, yes, but not quite as layered or lived-in as it could’ve been.
Still, overall, Sannin Fufu was a warm, charming, and refreshingly odd little gem. It didn’t always hit super deep, but it knew what it was doing: telling a story about people figuring out how to love each other in a way that works for them. And that’s honestly enough.
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I loved the friendship between the empress and our main character which was the main focus for first half of the drama. They just complete each other, and you can’t help but love Ying luo played dirty to protect herself and the empress. The later half of the drama focused on Ying luo’s revenge and her relationship with the emperor which just as interesting. They are one crazy pairing compared to Ying luo’s first love but i somehow feel like they also completed each other the best. You can see the progress in their relationship. Some time push and pull really goes along the way. I love when he hated her at first but end up falling for her. I know Ying luo’s character is unrealistic at times for some people but in order to survive in the palace, you need to be like her LOL. She have both luck and the brain to protect herself. This drama would not be as interesting if she’s weak and can’t do anything about her situation most of the time.
Overall, it was a nice surprise approaching this drama. Every characters, including the maids and eunuchs were all memorable. Beside it’s insane popularity in China, the hype was real in Vietnam as well. Memes and talks about this drama are every where because of the satisfying plot and diverse characters. 10/10 would recommend even if it’s long, you would still want to watch more if you end up loving it.
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This isn`t the best JDRAMAS have to offer ¬ Though you`ll think that because of all the top lists
The purpose of my review basically boils down to the headline: This drama is in ALL the top lists recommending Japanese dramas to viewers- and they are utterly WRONG. And this mess shouldn`t be blamed on being an adaptation - That`s too much leeway. A Story To Read When You First Fall in Love, Love Lasts Forever and Hans Yori Dango are all dramas adapted from romance drama material. Only, these cases had caring writers who fixed what was wrong(if anything) and added to people wanting to see them. That`s why it`s called an ADAPTATION, not shot-for-shot(or panel-for-panel) remake. I`m well acquainted with the original mangaka of this drama and most of her work(because she has been working for a long time) is grounded in the popular points of the past, when readers weren`t really that concerned with how creepy even the whole premise is. Most of her male leads are exasperating, arrogant and on-the-nose willful, so I wasn`t surprised by that going into it.What I am surprised about, however, is, though I haven`t read the manga, I`m familiar with her stuff enough to know that the writers probably stuck to most of how things were in the manga. And if my hunch is right, let me ask:Why?Love Lasts Forever`s Kairi was, in the manga, very possessive, manipulative and overall overbearing. However, the drama`s version doesn`t even possess a fraction of those misgivings and that`s thanks to very talented writing team. So what happened here?A drama can retain the feelings of the manga without having to abide by every plot point and reason. In fact, if you see that the material you are supposed to ADAPT is too outdated for your audience, then fix those elements accordingly. I am really struggling with director`s vision here. Now, onto the acting, which was serviceable, but overshadowed by absolute godawful character building. I`ve seen this drama a few months ago and I just kept thinking, Why would these two end up together?Why is he such a nonce and a whole stalker?Why are we abandoning her wanting to be ambitious and forward thinking, to turn her into yet another female lead won over by constant following and borderline harassment?There is absolutely no connection or chemistry between the characters here. I finished this drama feeling both weirded out and worried for those who put this in their favorite Japanese dramas. Just...don`t.
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By making the ghost, Shin Sun Ae, the second female lead instead of the female lead the show immediately opened itself up to a storm of problems. Our main male lead, Kang Seon Woo, falls in love with the ghost-possessed version of the female lead first and because of that fact the viewer is left wondering throughout every subsequent interaction between the two leads whether he actually loves Na Bong Sun for her own qualities or loves the version of her that is actually Sun Ae. This confusion both on the part of Seon Woo and the audience completely destroys the validity of the romance between the two leads. What's more the writer did little to engender Bong Sun to either Seon Woo or the audience based on her own merits. Sun Ae is clearly the more fun, kind, and lively of the two women and Bong Sun is so painfully shy for the first half of the show that she is almost entirely devoid of personality. The show's choice to stop clearly showing the audience when Bong Sun is being possessed versus when she isn't was also executed poorly. Bong Sun's personality, as she becomes less shy, starts to resemble Sun Ae's too much. There were times when I could not tell which version of Bong Sun I was watching in a scene. Was she possessed? Not possessed? Is Seon Woo in love with Bong Sun? With Sun Ae? I certainly didn't know and still don't.
Another issue was with the virgin ghost character in general. Shin Sun Ae's motivations at the beginning of the show boil down to just one thing: sleep with someone. When she attempts to seduce Seon Woo he rejects her advances and yet she just keeps going. It made me so uncomfortable to watch as she pretty much sexually harassed him after he very clearly told her no. It was creepy and should not have been included in the drama. If the tables were turned and he was harassing her no one would have found this plot point funny. It would have been seen as downright villainous.
The acting wasn't terrible but it also wasn't Park Bo Young or Jo Jong Suk's best work. Overall this drama was a failure. It made me uncomfortable and I regret watching it.
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Are we getting a 2nd season?
I am only talking about this remake, and there's no comparison between this and other versions because I haven't watched them, but this felt incomplete and needs a second season for sure!- Story wise, it is not an original story and I've read many books with the same story-line.
Did I predict this ending? DEFINITELY NO. NOT AT ALL. It didn't even cross my mind because that's the worst case scenario in a romance story. Bro who wrote this?!!! We need to talk. Seriously, if that's it and there is no season 2, it is the worst end to ever happen to such story!
*I dislike the miscommunication trope the most, this drama relied heavily on it, and it was left unsolved which angered me a lot. I understand the female lead feelings and how hurt she was, but the male lead kinda did his best (he wasn't the most amazing husband but he tried) and he deserved to have a proper closure with her at least.
- Acting wise, I think the cast was decent and really had potential.. I know because I have watched other works for most of these actors/actresses and they were great, specially the male lead and the female lead. I guess the short episodes were unfair to them. And most of the side characters were kinda pointless.
*Tokito Yuki for example, I don't understand what his role is in the drama, his scenes were actually good but he needed more time for his character to develop!
*Nakabayashi Taiki is probably my fave here. Watching him was so much fun and this role fit him really well!
- I don't talk about the music usually, but this one had great soundtracks. Yes I am obsessed with them since I started watching this drama! These are by a boy band called "One N' Only" and I highly recommend checking them out!
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Wow. Just wow. It starts off kind of slow, but when it picks up..good golly does it pick up. The story revolves around revenge, then moves from that to just standing up for whats right. Pretty much from revenge to Good Vs. Evil. Really really well written, I loved it. End was good aswell. Not a major love store here guys, if you're looking for that move on along. I, myself, usually watch only romcoms, but this...this is really good.
Characters/Actors::
Actors performed really well. Hats off to Kim Kang Woo though, really well played psychopath. Right till the end. Every role he played was played really well.
Music::
I have the OST on my playlist, its freaking amazing.
Rewatch::
I dont.
OVerall 10/10 Awesome!
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A Refreshing Side of Cho Seung Woo - Divorce - Class Difference and Social Issues
I love Cho Seung Woo as the corky Hwang Shi Mok in the Stranger series. It is the best he has ever done as an actor. Still, I would be remiss not to enunciate how much I enjoy him as Shin Sung Han, a great pianist turned divorce lawyer. I've never seen Cho Seung Woo like this, which could be why I greatly appreciate the character. His approach to the role of an uncle, friend, lawyer, and brother is brilliant. It suits him so much that it's hard to separate the actor from the character. I love how each episode addresses or tries to shed light on different divorce scenarios, and even though it's viewed as evil, sometimes it's a necessary evil. More importantly, I love SSH's approach to it.I commend the writer for Shin Sung Han, but all the credit goes to Cho Seung Woo for embodying such an intelligently funny, creative, caring, simple yet complicated man driven by love, grief, and the need for justice. It's not just Cho Seung Woo that shines in this drama. I love his tight-knit friendship with Jeong Moon Seong and Kim Seong Kyoon, how they feed off each other while at the same time always being acutely aware of each other's weaknesses, strengths, and pains, no words needed, knowing when to give each other the space they need and when to be each other's comfort. Truly each other's extensions. They are an accurate depiction of what and how friendship should be. I love it.
Many people try to hold on to a union for the wrong reasons. Some people do it solely for their children. Some do it because they think divorce will make them a failure and their family and society will ostracize them. Some even do it because they don't believe they can survive financially. The easiest thing to do to solve a problem is absolutely nothing. But, when one does nothing to appease family or society, that doesn't make the problem disappear. No one goes into a marriage thinking they will divorce. However, certain things in a marriage, be it gaslighting, cheating, or abuse (physical, mental, emotional), are unforgivable and require a divorce for the mental health of all involved. Getting a divorce, especially in a society such as South Korea and others like it, where it is considered taboo, has to be one of the most complex, if not the most frightening, decisions; I admire Divorce Attorney Shin for trying to convey in their special way that these are all pitfalls and misconceptions that stand in the form of progress.
I loved this drama's journey, but most importantly, I loved the ending. Yes, it was very K-drama-like, but I still liked it a lot. As much as Divorce Attorney Shin is about the social issues and suffering that arise from a hierarchical institution that, without thought or consequences, openly accepts social discrimination regarding different class marriages, divorce, custody issues, broken family relationships, parenting rights, and gender stereotypes, it is also an inspirational, dramatic story about adults and children struggling to live their mundane lives with these inherited issues. But rather than give in, they fight to be the change they want to see happen, to find their own way to a happy and fair life with the support of friendships and family ties that transcend blood relations.
The drama touches on many social issues, but none more important than the inequality perpetuated by the influence of historically structured social class differences that drive inequality and remain a hindrance to change. But the core of the story for me is the friendship between three friends who have a stronger bond than blood, which is the charm of this drama. I like that Shin Sung Han's final battle was not just about winning but about righting the wrongs adults made, yet a child was paying the price, one that was very personal to him. I will admit I thought the drama should have taken a much stronger stance towards the Vietnamese wife and the stepmom rather than backtrack on its strong message with the different cases it portrayed early on. I hope the message this drama tries to convey gets across, regardless. Yes, it's a work of fiction, but as far as I am concerned, there is always some truth in every fictional story.
Kudos to all the actors -- the adults but especially the child actors, the little men of this drama Kang Hyeon-U and Seo Gi-Yeong, who are mature far beyond their little ages, suffering in silence to protect those they love. They put the adults to share. Lastly, I would be remiss not to praise Noh Susanna, who was brilliant as Jin Yeong-Ju, the materialistically socially obsessed evil stepmom and wife who couldn't escape the influence and, worse, the trap of class hierarchy. I will miss Cho Seung Woo, but I hope to see him in Stranger 3, where he shines the most if the K-drama gods allow it.
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Story:
The story is really good, and like they said it's a lot similar to the robin hood figure we know. It keeps the action going and there is really never a dull moment, you're either laughing, crying or on your toes wondering what's going to happen next.
The only problem I would have with it is that they either should of taken the romance out of it that they attempted to squeeze in, or they should of put more effort into it.
I was also a little unsure about the ending as well as it seems to just leave you to imagine what happened, but I still left this drama feeling satisfied either way!
Acting/Cast:
LOVED the cast, absolutely loved it! I started this drama strictly because of my love for Park Shi Hoo as well as historical dramas, and found myself a whole new cast of people that I would love to see in other dramas.
Music:
The music was good, nothing was too overplayed or obnoxious and it seemed to fit the drama as well as the moments just fine.
Overall:
Overall I would definitely add this to your Plan to Watch list because it's way worth it! You'll find yourself getting attached to the characters and cheering for them in the end. Watch it for the amazing cast and the great story!
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Is There Enough “ Bewitching” Charisma In ‘ The Witch’s Diner’ To Keep You Watching ?
Wish-granting storylines aren’t anything new to fiction, and certainly not to K-dramas. However, screenwriter Lee Young Sook’s adaptation of the eponymous novel (by writer Go Sang Hee )attempts to whisk away the audience to the magical diner of wish-granting witch Jo Hee -Ra ( Song Ji -Hyo) and her human business co-owner Jeong Jin ( Nam Ji -Hyun), as they deliver a dish of revenge best served cold…
There’s a lot to say and critique about ‘ The Witch’s Diner’. Appraisingly actress Song Ji Hyo was really good here. Starting off on a note which was hard to take seriously with her patchy red hair-dye job, Ji-Hyo undeniably has a charisma which allows you to easily become attached to her as the drama unfolds. This performance was equally rivalled by Chae Jong Hyeop’s sweet ambience onscreen as side character and teen high-schooler Gil-yong. Whilst the drama seemed to sometimes struggle with “ sticking out” in comparison to fantasy predecessors, it did have some surprisingly profundity scenarios in weekly episodes ( as well as tasty-looking food)- Gil Young painfully finds himself unable to help a classmate who is being mercilessly bullied , a customer at the diner makes a shocking sacrifice in order to escape his status of being a “ cowardly loser”, a young woman suffers heartbreak and throws away her own talent in order to be with him again
On a more critical note ‘ The Witch’s Diner’ doesn’t quite have the same charm in order to make it as memorable from previous fantasy drama predecessors due to the poor build-up of screenwriting at times. Ji Hyo’s onscreen persona Hee-Ra is a case and point of this problem; a character who the screenwriters want to keep you in the dark about for as long as possible, but rarely arising strong emotions for viewers with her recondite past, as there was little dramatic buildup or unseen twists which haven’t been “seen and done before” here.
Costar Nam Ji Hyun wasn’t bad per say here as Jeong Jin, but her performance didn’t quite resonate as much as it should’ve done either. Admittedly this isn’t entirely the actress’ fault. It was evident to see the goal here with her character ; a relatable and normal female lead with a mysterious past, but the ideology behind this type of FL is usually built upon emotional investment and sentimentality . Jin instead was nearly always unfazed and apathetic. Whilst it didn’t seem to be intentional, Ji Hyun’s facial expressions just seemed to radiated stoic expressions half the time , as though seeing a magical wish come to life is just another daily occurrence in the life of a mundane heroine.
If this matter couldn’t be worse, there was also Jin’s complicated co-partnership with Hee-Ra. It should’ve been interesting, but the gradual development was just poorly-tackled. Hee-Ra initially acts upon Jin’s wish for revenge in a more lethal form. Jin was seemingly disgusted to the core by the actions of the witch only to happily sign a a better business deal with Hee-Ra( who Jin now considers to effectively be a contract killer). It is understandable how the drama wanted to build this relationship up from “ resentment to solidarity” but the quick excuse that Jin was seemingly “ too emotionally inflicted by her own troubles ” only to happily going along with someone she deemed as merciless felt an odd and unsatisfactory leap in development.
Then there’s the “ potentially romantic “setup between Jin and Gil-Young onscreen. Whilst respectfully in real-life we shouldn’t forget these actors are nearly the same age and do have really good onscreen chemistry , the age gap between their onscreen personas was fairly significant . The result being that Gil-yong's obvious crush on Jin feels like it should be a more plausible romance than it really should. This might or might not relate to his “ secretive” wish, but then most of the problems of this drama seemed to manifest by tense build-ups, and then unsatisfactory results.
“ The Witch’s Diner” is a fairly mediocre fantasy drama-not bad with solid performances by most of the cast and intriguing subplots, but just lacking the grandeur and originality of its fantasy predecessors. The series could’ve easily done with more division even in this short space of time to build upon the characters ( who often felt one-dimensional), or at least have commissioned more episodes in order to divide time between storyline and character development more interchangeably.
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The misunderstood prince
Just finished watching this drama today. I must say I'm quite surprised to see all the hate directed towards the prince by the viewers. I expected a wicked man after reading all the reviews but all I saw was a young man of twenty whose mother had been killed when he was born, who was brought up by the empress to be used as a pawn in her power games, who was used by his brother in the war against the empire's arch enemy so that he became the villain/hero of the piece depending on which way one viewed the episode, who had the misfortune to fall in love with the beloved granddaughter of the said enemy, who was hated by the girl he loved because he had killed her grandfather, who fell into the river of oblivion trying to save her, who lost his memory and had people he trusted lie to him and keep him in the dark, and above all, who fell in love with the same girl all over again having no memory of having loved her before.Though the general tendency of the viewer is to love and sympathise with the princess, it is the prince's life that is truly tragic. She slowly recovers her memory - that is her tragedy. But he doesn't recover his - that is his tragedy. He succeeds so well in concealing his love for the princess and covertly protecting her from the machinations of the court and the threats from the inner court, that viewers are tempted to think of him as an arrogant and vile man.
I would have loved this story to have ended with some well-deserved happiness for the two of them, but it was not to be. But it was heartwarming that he kept his love for her alive in his heart, never married again, lived to be a good emperor and abdicated his throne to his nephew when the time came. The writer of this drama had never meant to show the prince in a poor light ; I wonder why the viewers did.
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Best 2023 Modern Drama. Realistic, non-cliche story, slow burn romance & fantastic cinematography
This drama tells the story of a female lead who is a spoiled princess until her father dies and she loses everything, and a male lead who is a ruthless investor but despite all odds, decides to help her revive her father’s old shoe company. The drama shows the realistic side of life and starting a business, with morally grey and flawed characters who make mistakes but learn from them. Both male and female leads go through a major character development, from a spoiled princess the female lead becomes a hard-working business woman and from a ruthless investor the male lead opens up emotionally and becomes more caring and loving towards others, realising that money and making the most profitable deals is not the most important thing in life.The drama executed fantastically many important life lessons such as never giving up, no matter how much challenges life throws at you, that money is not everything, about selfless love and sticking to your morals and promises no matter what.
POSITIVE:
- Realistic drama about the struggles of life and starting a new business
- Morally grey characters that feel like real human beings (make mistakes and are not perfect).
- Non-cliche/predictable storylines.
- Hot chemistry between the main leads.
- Platonic relationships between men and women are done well (which is very rare to see in cdramas).
- Breathtaking cinematography - the aesthetics from colours to buildings and people’s wardrobe is on point.
- Exceptionally well done directing - when characters are experiencing internal struggles, it's visually represented very well.
- Stella cast with brilliant acting (especially the female lead).
- Slow burn romance.
- Cute dog scenes.
- Great pacing, engaging plot, no filler episodes or boring parts.
- Business talks are part of the plot and meaningful compared to other dramas that feel more like filler scenes.
- Male and female lead that are both strong willed and determined.
- Happy ending for both couples.
NEGATIVE:
- The first 8-10 episodes of the drama are quite heavy on business talks. If you don’t know anything about business you might find it hard to follow. But the talks are done really well and easy to digest. I especially learned a lot from this drama so it's not a hard negative but personal preference.
OVERALL:
This is one of the best modern cdramas that I’ve watched with fantastic cast, meaningful storyline and beautiful cinematography and OST. If you want to watch a realistic drama that feels like a biography, with an engaging and non-cliche/predictable story about reviving a business and a slow burn romance with characters that are human and real, this drama is for you.
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Worth a tear but worth more Laughs
Finally, a SOLID non copy paste plot drama. Title is much better in Chinese! 不讨好的勇气 "Courage not to please others"Drama is much more enjoyable than all the other dramas currently out there right now.
Are there draggy episodes? Yes, and there are definite character scenes that I didn't care for, but it was within 80/20 (good/bad) ratio, so it remained enjoyable all the way through for me. And if you dropped it before the end, you'll miss the best growth story of the EX, whom to my surprise ended to be my favorite character.
Not quite a slice of life drama but there are surface level adulting problems in need of some comedy relief.
I've been anticipating actor Wei Da Xun in more ML roles ever since "Fireworks in my Heart" (Let's face it, he was the highlight of that drama). Of course, if you are just into popular dramas with pretty faces with giant white light shining on their skin smoothing faces then this is not it for you.
As for Teresa Li, she's been a hit or miss for me in her prior works, but this role fits her and she's doing a great job.
The show isn't all about standup comedy so don't expect all jokes no story. Rather it's about self-discovery through their love for standup comedy. As the drama develops, 16 ep on, there are more memorable longer skits, humorous and well written.
Worth complimenting:
1. Not having any one-dimensional bad characters. Yes, there were annoying characters, but almost all of them had "redemption" moments.
2. No silly women cat fights. Wow so civilized!
3. The Ex. How he changed little by little was so loveable. It was hard to decide who to ship w/ the FL. Favorite scene, Ep 22, 15 min in the ex and her confronting each other.
4. Hint of romance with no cringy drama tropes.
5. Open ended ending. As this is about self-discovery, the journey continues. So not ending up in a ... standard finale is very fitting.
Great script! Well done writers!
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This review may contain spoilers
Far too many toxic elements in the story
Spoiler heavy. This could have been so much better. Cinematography and technical aspects were good. The mismatched friendship had promise at the beginning and could have been a good start but only to a completely different story. Ai Di's story could have been great if he'd been allowed to stay away and rebuild a better life.Instead we start with someone barely above the legal age limit but very inexperienced in relationships and an older mafia underling (actors' age gap is 10 years and if the novel made the characters' less it wasn't mentioned in the series) who really should know better. He gives some token resistance on age - enough to show he understands that it is wrong - and then dives in. He doesn't even do that on the risks his criminal family will bring to the kid he repeatedly calls Kiddo.
Add in (fake) amnesia, (not fake) short term memory loss (which they keep saying is temporary but show no signs of that), time jump for prison cause the kid was coerced by the mafia to take the blame for a murder he didn't commit*, another young man who gets free from the mafia but is carried back in literally kicking and screaming but it's all fantastic because the man who dicked him around for years finally decided to kiss him.
Seriously? All for an absolute kitchen sink mess of a plot which says EVERYTHING will be forgiven for a first love.
The fandom really will ignore any red flag situation or behaviour if there are cute boys kissing.
*Don't give me that BS that this was somehow ok, or it justified the character's age - he was literally too young to be given a full adult sentence. Stop and think that through.
He wasn't old enough for the rest of it either.
And going to jail in the name of "love"? That's not romantic, it's part of an abuse dynamic. Oh but cute boys kiss. Swoon.
Now add in that the murder rap will follow this kid for the ENTIRE REST OF HIS LIFE. It's not just a few years lost, or his university and career plans.
I get that many fans like a lot of Drama and Tension to heighten the effect of the resolution. And yes, abuse dynamics are an easy way of increasing drama and tension within a relationship. But are those the narratives we really want to be embracing wholeheartedly when there are so many more ways to make compelling drama?
Like I said at the beginning, both the mismatched friendship and Ai Di's story had a lot of potential. They could have taken other paths, ones without abuse dynamics, to create better story and you would have loved it just as much.
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