An Underrated Gem Destined To Become a Comedy Classic
[Originally written in May 2022]WHY I LOVED IT . . .
Crazy Love is so unique and unpredictable and LOL crazy yet at the same time, unexpectedly moving, it’s really a shame it’s not getting more attention. While it does get off to a bit of a slow start—which is often the case with early ep exposition and all the players being introduced—each ep is better than the last and this trend continues even after the halfway point.
One minute you’ll be laughing so hard your stomach's sore, amazed at how truly batsh!t crazy Kim Jae-uck and Krystal are acting on your screen, the next you’ll be hurting so badly for them as you learn their backstories, especially that of Noh Go-jin (Kim Jae-uck).
The character development is so compelling and believable and well-acted, you can’t help but root for the OTP couple, despite the fact that the ML starts off as an arrogant, insufferable jerk and he and the FL really, really hate each other’s guts when the story opens. And when he does finally start to realize the error of his ways, it’s not solely the result of his falling head over heels for the FL.
Crazy Love’s got a bit of everything—enemies to lovers, a fake engagement, a sweet romance, swoony kisses, hilarious knock-down-drag-out fights, intrigue, tons of unexpected LOL moments, and a FL who gives as good as she gets, if not moreso, when pushed hard enough.
We also have a lead couple who, much like the OTP in Her Private Life (which pairs Kim Jae-uck with Park Min-young), actually communicates openly with each other and works together to resolve issues and potential misunderstandings—once they’ve stopped hating each other, of course. Sure we’ve got a few tropes but the show revels in its tropiness, subverting them in fun and surprising ways, and doesn’t take itself too seriously.
Kudos to Kim Jae-uck for throwing his sexy, cool image right out the window. (Although he's still plenty sexy as Noh Go-jin, despite the less-than-flattering CEO hairstyle, and the man knows his way around a kiss.) This is a great role for him as it’s really given him an opportunity to flex his formidable acting chops, tugging at our heartstrings with his beautifully nuanced emotional scenes and tickling our funny bones with his physical comedy skills. And despite what happens in Crazy Love, Kim Jae-uck can actually carry a tune. He majored in music in college and is the lead vocalist, guitarist, and composer for his indie rock band Walrus, named for The Beatles song “I Am the Walrus.”
It’s been a revelation watching him and Krystal really let loose as I never imagined they could be so funny and they are clearly having a blast. I was not a fan of Krystal’s before, having only seen her in Sweet & Sour, but I like her portrayal of Lee Shin-ah and their chemistry is surprisingly good. The show’s at its best when they’re the focus so I did sometimes find myself wishing it spent less time on the supporting characters, but I guess that’s true of many dramas with an appealing OTP.
ABOUT THOSE RATINGS . . .
Crazy Love’s Nielsen ratings in South Korea started out at 3.4% and spent much of its run at 2.5 - 2.6%, but the show finally broke into the 4s with Ep 11, building to a series high of 4.6% for the Ep 16 finale.
When Crazy Love premiered in March, Business Proposal, 2521, and Military Prosecutor Doberman had already caught fire with audiences, and while those shows received global marketing support from Netflix/Viki, Crazy Love was released with negligible promotional support from Disney+ which didn’t seem to know or care what the heck it was doing with its K-Dramas back then.
And for some inexplicable reason, D+ has only released Crazy Love in nine APAC countries: Australia, Hong Kong, Indonesia, Japan, Malaysia, Singapore, South Korea, Taiwan, and Thailand; hopefully, D+ will make the show available to the rest of the world ASAP now that it’s ended its run in SK. (Shows like Grid and Soundtrack #1 are in the same D+ limbo as Crazy Love.)
Another issue may have been that dark, edgy comedies like Crazy Love don’t tend to appeal to older women, who are the primary viewers of dramas during their initial television broadcast. (This older audience is why the longer “family” K-Dramas with 50+ eps often achieve ratings of 20% and even higher.) Younger viewers who are more likely to like this genre often watch online and on DVRs but these views are not reflected in the ratings. (In the U.S., most networks use Nielsen's Live Plus service which does track these delayed views.)
IN CONCLUSION . . .
Kim Jae-uck said he chose to do Crazy Love after his three-year hiatus because he wanted to make people laugh and help relieve some of the stress brought on by the pandemic. If the 6,200+ comments here and its 8.3 rating (as of the 4/26 finale) are anything to go by, he and Krystal and the rest of the cast succeeded.
Please give Crazy Love a try! It’s a lot of fun and keeps getting better and better—although the last few eps focus less on romance and more on figuring out who-dun-it—culminating in a satisfying ending that manages to give closure to not just the main characters, but the supporting ones as well. The show is not perfect by any means but I tend to judge entertainment based on whether it delivers more than the sum of its parts—and the way it makes me feel and think—and Crazy Love comes through on all counts with plenty of feels and food for thought along with the laughs.
(Full disclosure: I’m a big fan of Kim Jae-uck but most of his dramas and movies have landed in the 8s and 7s for me rating-wise. Even gave one drama a 6.0.)
[1/14/23 Update: D+ U.S. has made some of its K-Content available on Hulu, including Big Mouth, Grid, May It Please the Court, Connect, Kiss Sixth Sense, etc. Sadly, Crazy Love is still not available outside of Asia/Oceania.]
[5/24/23 Update: As of today, more than a year after it first aired in South Korea, Crazy Love is finally available on Hulu in the U.S., Disney+ in Canada, the UK, and Europe, and Star+ in Latin America. Unfortunately, there has been zero promotion in the U.S. The only reason U.S. fans knew it was even a possibility was because Disney+ Latin America announced it was releasing there.]
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That said, I couldn't give it this movie a 10 because there are some problematic ideas about beauty expressed, specifically about skin color. As I watch more Thai movies, I'm realizing the prejudice against darker skin is in fact very real and pressing in Thai culture. Although this isn't a focus of this movie, the idea that darker girls are ugly is clearly present (whether it's completely endorsed or not,.) That makes me concerned about younger girls of color seeing this film without discussing it first.
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A Wonderfully Crafted Love Story
This is a wonderfully crafted love story that takes a unique spin on the time travel genre. I've seen many time travel dramas, but this one is undoubtedly the most intriguing. In this drama, the first time our male lead, Shen Bu Yan, travels back in time and meets our female lead, Lu Yuan, is actually the last time she sees him. He first meets the older Lu Yuan - and each time he time travels, he meets a younger Lu Yuan. So it's like a reverse timeline story which makes it even more depressing imo.It is a low-budget drama, but I think they've used the budget very well. I can tell there's been a lot of care put into this. The cinematography actually looks really good and has some memorable shots.
I have to say, Zhang Ya Qin [Lu Yuan] carried this drama! She absolutely nailed the character. She perfectly showed the different personalities of each Lu Yuan, from a carefree Lu Yuan to an empress. She's also so beautiful I can't- On the other hand, Guo Jia Nan [Shen Bu Yan] honestly delivered a very mid performance imo... He was definitely outshined by Zhang Ya Qin.
Overall, I highly recommend this gem. It's a short one, so it should be very easy to get through. Plus, the story makes you wanna watch the next episode right away lol.
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Tree with Deep Roots
44 people found this review helpful
1A vividly told emotional story about the creation of Hangul and its impact. Absorbing. Gripping.
Of course, this historical drama is (as many others) full of intrigues, power struggles and revenge. But King Sejong, the 4th Joseon king, who is the historical subject of this KDrama, was indeed a bright shining star in the Joseon sky. So is this KDrama.King Sejong created the Korean alphabet. Not just him alone. But this great achievement goes back to his driving force and his vision of a mature people. The story impressively tells of the bumpy road to Hangul. It also tells of how important it is as an identity-creating medium for self-confident citizens. Previously, Hanja - the canon of sheer countless characters of Chinese origin - was the country's binding writing. Not only that, but a whole range of Korean words are loanwords of Chinese origin - to this day. At the same time, this reflects the asymmetrical balance of power between the Korean dynasties and the Chinese dynasties. The use of the Han signs not only symbolizes the hierarchy among the peoples, but also within one's own people. Scribes and scholars were needed, who had the muse and time to learn these characters (more than 100,000 in total). Thus, they had the authority to interpret. It was hardly possible for ordinary people to learn. A scripture that connotes words and meanings in characters is based on a completely different concept than a scripture composed of a compact alphabet. Based on the phonetics of the Korean language, King Sejong developed an alphabet finally consisting of 14 symbols for consonants and 10 for vowels. The writing system to apply those in a way to form words and sentences can be learned comparatively quickly, even by ordinary people. What a progressive concept at the time! What a threat to the elite of scholars and noblemen!
The title "Deep Rooted Tree" refers to verses from the 'Songs of the Dragons That Fly to the Sky' - the Yongbieocheonga. This contemporary document about the Joseon Dynasty and its legacy was the first book that was ALSO written in the new Hangul writing system.
"Deep Rooted Tree" is (among many other truly exciting dramatic events throughout the story) about the impact of scripture for the people of Joseon - a story vividly told in an absorbing manner. A truly fantastic presentation. With gripping protagonists. Multidimensional. With high emotional impact.
The dramaturgical setting introduces the king (from the perspective of the male protagonist) as the bad guy. But the 24 episodes (analogous to the alphabet?) provide an impressive insight into the fascinating life´s work of that great king - embedded in the excitingly increasing momentum of the vendetta of a boy from humble origins who grows up to become an outstanding warrior and finally ends up as royal guard.
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The world of banking portrayed in this drama is one of deception and treachery. Bankers don't care about their customers or even the integrity of the their banking institutions; they seek only to improve their positions by manipulation and betrayal. The senior banking officers make bad decisions and their underlings have to clean up the mess or risk demotion or even worse relocation.
In walks Hanzawa Naoki. A brilliant banker who cares about his customers, his bank and his friends. He is thrown under the bus by his boss and must clean up the mess or get transferred. There are so many hurdles in his way but Hanzawa is a fighter. His catch phrase, "If you screw me, I'll screw back. Double payback!" It was exciting to see him get fired up in these situations.
The story was a bit predictable but it was so well told that I don't mind that at all. The acting was astounding with the exception of the guy who played the inspector from the tax bureau (gross over actor) and the only thing about the drama that i didn't like really. Sakai-san was in one word SUPERB; the best actor overall in the cast. I wish we got more of Ueno Aya but what we got from her was great. She played the role of the strong dedicated wife well.
I live in Japan and people can't seem to stop talking about this drama. It is one of, if not the best drama for 2013. It is a must watch for jdrama fans. And with Hanzawa's tenacity, the fan love and the way this drama ended I fully anticipate a season 2. Hopefully we will get it next summer.
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Once again I've confirmed my true love for sagueks. I was blown away by the brilliance of this drama right from the first episode. The way it is told, directed and acted is what makes this drama special for me. I've seen a lot sagueks, but this one is one of the rarest and I guarantee it'll stay in my heart... forever.
Story is quite unusual. In Yub, young noblewoman, precious and only child in househould falls in a status of a low-maid when her father gets accused of a treason. She then, must learn to adapt to a poor and cruel life of maids. With a help from Moo Myung, a servant with hidden identity and other maids in a household she learns what a true happiness and love in this world means.
Personally, watching this drama gave me a lot of emotions, I was 100% invested in a story and its characters' and I really respect when a writer can brings that to viewers. I call that quality. Every character is perfectly written, with its own story and depth giving this drama a darker tone and deepness. What I love the most is that the story is told of a maids' perspective, showing us their emotions and thoughts they had, what they can do and what they can't do. Also, a great demonstrating a difference between a noblemens' and maids', in fact a difference in their actions and their punishments for that. I have to say that it's a very cruel drama, however once you start it, story will pull you in and you won't be able to stop it. At least that was a case for me.
As I said before, characters are perfectly written, from the main to the supporting ones. There wasn't a single boring moment, because every character that is shown is worth showing and she/he will always have some influence on a plot. Believe it or not, but that's how it is.
I TOTALLY became a fan of Jung Yoo Mi. That girl blowed me away! Her acting is first what makes this drama worth a try. She made her character to be so believable and true, that I don't think any other acterss would be able to bring a character of In Yub as she did. BRAVO! Her struggle when she falls from the priveleged status to the one of the lowest in that period, her emotions, thoughts, actions is so very-well written. You could actually feel for her. Definitely going into my list of the strongest female characters. ;)
I adore Oh Ji Ho and they totally chose a right actor for a role of Moo Myung. Wooden, emotionless, cruel... ufff just right. Moo Myung is a servant with a hidden identity, clever, calculative and skilled man, a man that you don't know what he thinks. He's loyal to his masters, but when In Yub enters in his life, his world will change.
Actually, no matter how I love OJH, this time my attention stole Kim Dong Wook. Damn, that man sure deserve some prize. His wonderful performance to the sweet, kind-hearted to the evil man was absolutely AMAZING. However, I COULDN'T get angry no matter what he did. BECAUSE, all he has done and all he did was for a In Yub's sake. His endless love for her, really never ended. He is a true proof to that. And that's why his character is sooo special to me, really, really special.
Also, that girl Sa Wol is the most positive and kind-hearted character I've ever met in dramaland. Believe it or not, I cried for her at least three times. Likewise, all maids and servants in this drama are not just to be written, they did have a good reason to be made in this drama.
It's the first time I hear that in a drama, especially in saguek they didn't use any single ost. It's not that I'm complaining though. Even instrumentals were very beautiful and they exactly fitted the scenes.
If we were to look from the perspective of twists, cliffhangers and turn of events this drama gave, I would say that it's not something new, although there were REALLY some epic moments. But they way this drama is made and showed to the viewers is definitely worth giving a pure 10, for me. Cinematography, directing, clever, life lesson's dialogues and also very unique story is definitely worth to be remembered for. I'll never ever forget this outstanding drama.
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There were subtle doses of humor sprinkled throughout. From the cliche situational comedy with our leads, to the caring but disgruntled "forever-alone" best friend who was stuck in an ongoing cycle of on-again, off-again with his off-screen boyfriend.
The kiss scenes were built up to pretty well, but generally lacked in the proportional execution for the build-up. I enjoyed it nonetheless though.
What I did not enjoy is how poorly constructed and inconsistent the plot was, even for a character-driven drama. It seemed to want to be a food drama, but lacked the proper attention and care for the food aspect to really warrant the title.
Even with Korean alcohol culture in mind, Jiyu could be interpreted as at least on the cusp of alcoholism for the majority of the drama (before someone comes at me with the most common rebuttal: it's been over half a year since the break up). Meanwhile, Kihoon's reason for not liking alcohol, that we seemed to have been building up tension to for so long, was too flatly delivered to have impact. Not to mention, the pacing from him being angry about the prospect of being around alcohol to selling it to openly drinking it with the rest of the characters was enough to give whiplash. Not to mention the fact that this same man who passed out after one shot is now able to drink multiple glasses with ease in the span of MAYBE a few months...
And then there were other areas of tension that were introduced and resolved too quickly. Or even an area of tension that was consistently put into subtext from beginning to end, but never resolved (the fact that Jiyu's superiors all seem to think poorly of him, resulting in a palpable lack of confidence in their presence).
I liked the ending messages though:
-The prospect of everyone liking the same dish, but liking it prepared in different ways. This same message isn't exactly uncommon with food dramas, and even dramas that only have minor focus on food (Moonlight Chicken for example).
-Food and drinks are best enjoyed in the presence of friendly company and tastes best when celebrating.
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!!!!! Wow
Story: AMAZING. There were so many twists and turns in the storyline that just came out of nowhere (in a good way) I was constantly on my toes and never knew who was good or bad and who was in the right or wrong. Are they on the good team? Have they now switched to the bad team or were they there all along? Who knows. (Well me, because I’ve seen it ;) )It made me feel ALL the emotions, even the ones I didn’t want to feel, I was on edge one minute, then swooning at Joon Hwi the next and then crying about something afterwards.
Acting/Cast: For me, the acting never felt stiff or forced, obviously I can’t speak for others. Everyone played their role well and I think the perfect people were cast for each role. I loved that we got backstories and plots for a lot of the characters as well, it helped immerse me in the story because I felt like I knew everyone I was seeing on screen, I could understand their actions and motives better.
Music: Gosh that one song was catchy “it’s pulling me undeeeerrrrr, it’s driving me CRAAAAZYYYY”. The music was dark and sinister when it needed to be which made me feel in danger at the right moments and help keep the pacing of the show.
I would definitely watch again, if not for Ye Seul’s storyline and Joon Hwi’s heart eyes then for the rush I felt during the high intensity scenes.
If you like investigation/law (kind of detectivy I guess) dramas, then this is a good watch for you. Enjoy!
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1Heavenly potential, demonic execution
The novel “Chong Zi”, penned over 10 years ago, features a once popular, now outdated premise — master-disciple relationship. To adapt such an old novel in 2023 is a risky move; not only has the audience already seen similar works that they would naturally draw comparison to (e.g. Journey of Flower), but even the official “synopsis” gives the entire plot away. There is not much room left to tell a compelling story, let alone something new and refreshing. This drama ended up having a very mixed reception and for good reasons. Here I will try to review this drama honestly by listing out why it is good and why it is bad.【Why is it good?】
— Interesting male lead —
One would think all this drama could offer is an old-fashioned story absent of any surprises. But behind the datedness, there lies an innovative gem. The highlight of the show, and a huge reason why people are enjoying it, is the male lead Luo Yin Fan’s intriguing characterization (and Jeremy Tsui’s perfect portrayal of him). Luo Yin Fan starts off being quite the typical gentle, warm and caring male lead, but behind that exterior lies something darker waiting to be manifested. While most anti-heroes eventually achieve greatness, Luo Yin Fan slowly descends into madness for love. If you’re interested in fifty shades of morally grey leads, then you’re in for a treat. This is as much a story about Chong Zi becoming a demon as it is about Luo Yin Fan going bonkers. They are like the mirror image of each other, or the yin yang couple — one has light under their darkness, and the other has darkness under their light. One is an immortal with a demon skin, the other a demon with an immortal skin. They complete each other like the Taichi symbol. This goes to show that there is no pure good and evil, a human is an embodiment of both.
— Thought-provoking message —
The side characters also illustrate this message — seemingly rightous immortals commit the most heinous of crimes, and inside their hearts live demons that are far worst than any physical demon in the story. The message is powerful and well presented. As a fan of the original novel, I came into this drama with very specific expectations — to see in action one of the most interesting male leads ever written, and to witness the beautiful symbolisms and character nuances from the original work. In these regards, the drama did a passing job at delivering. However, certain pivotal scenes from the source material (that were meant to tie into the core theme) were butchered by nonsensical changes in the story due to censorship and bad writing.
— Nice symbolism —
The Taichi symbol appears in the drama poster. It is also in the black-white necklace Chong Zi gifts to Luo Yin Fan. The costumes are simple but have symbolic meaning In them as well. Kind-hearted demons wear costumes that are mainly black but have white fringes, while evil immortals/fairies wear costumes that are white but have dark accent colors. The male lead, Luo Yin Fan’s costumes were mainly white at first, but gradually turned purple the more he fell for Chong Zi (“Zi” means purple in Chinese). I found that to be very cute. The OSTs of this drama were also very well crafted, with beautiful melodies and lyrics that were themed around each of the main characters.
All in all, stellar work from the cast, costume designers, music producers and the source novel author.
We then shriek in agony as we witness this hard work go down the drain... due to the points below.
【Why is it bad?】
— Sloppy directing, writing and editing —
For starters, the director does a poor job grasping what the audience wants to see and what they don’t. Often times, people would wait for a certain scene in anticipation, excitedly picturing it in their heads, only to end up with a choppy, censored, and emotionally underwhelming rendition of what they were expecting. Meanwhile, uninteresting parts of the plot would take up more time than it should. Scenes that were meant to elicit emotions from the audience felt flat, and just like another commenter has said, "the angst is not angsting".
Behind-the-scenes clips would reveal that many scenes did not make it into the final release. This is due to censorship - protagonists cannot do anything borderline evil, master & disciple cannot be intimate with each other, everything that's core to the story is lost. Certain scenes do not transition well due to cut scenes. Each episode also does not start from the end of the previous episode and feels disjointed.
— Changing the novel in a bad way —
Certain parts of the plot were changed to make the male lead more likable and forgivable, which is understandable because the male lead in the novel does not deserve the female lead. But not all changes were good changes. Around 60% of the story and dialogue comes from the novel, and that 60% lives up to standards because they stem from the original author’s consistent understanding of the source material. But the remaining 40% that was added by the screenwriter, not so much. Dialogue was occasionally cringey and showed a general lack of logical thinking from characters. The forbidden aspect of the master-disciple romance was also removed, thereby causing certain character decisions and dialogue to not make much sense as they were originally written under the premise that master-disciple relationship was taboo. The screenwriter tried to come up with other reasons for the characters to do or say those things, but the reasoning was weak. (e.g. Ep.23-26). Many unnecessary misunderstandings were added just to drag the plot along. It’s fine to deviate from the novel and tell a different story, but have it make sense and do it only if it enhances the work.
— Poorly written side characters —
While the characters all serve a central theme or message, the characterizations of most of the characters are lacking. Often more than not, characters feel like tools to move the plot forward and do not resemble real-life people. Several evil female supporting roles have shallow character motivations and all serve the same purpose, and most male supporting roles are merely love interests (5 of them!) of the female lead but without solid chemistry. Reverse harem was probably meant to be a gimmick that sadly did not work out. Not only do those love interests lack screen time to properly flesh out their relationship with the female lead, they also fall in love with her for no reason. (Ironically, the one character who has the most chemistry with the female lead is not even a love interest.) Luckily, the main couple has decent chemistry to offer. The romance is a slowburn and the leads start off as more like teacher and student due to female lead’s childish personality at first, but this grows into something fiery and passionate later on when the female lead gets character development. However, it takes time for the ship to sail and some may find the chemistry lacking early on.
— Childish female lead —
A lot of people cannot get through the first arc of the story, mostly due to their distaste for the female lead’s childish, bratty and trouble-making personality. The female lead goes through a three-stage character development. She starts off like a kid — naive, impulsive, overly sheltered and spoiled, but has a kind heart that would help anyone in need. She is showered with love but caged like a bird. In her second life, she becomes more calm and composed, but also more possessive and insecure, like a young maiden in puberty. And by the end, she becomes more independent and free, takes justice in her own hands. Since she does not mature quick enough to satisfy certain audiences, if you hate childish female leads, this is probably not the drama for you.
— Costumes/Makeup/Props —
The costumes are the typical “funeral” style you’d see in other xianxia dramas — white, white, and shades of white. There are quite an amount of details they tried to add to the costumes, but the overly bright and smooth filter effects managed to undo all the hard work the textile team put in. The makeup was a hot mess. Handsome men looked less handsome with overdone eyeshadow. Close-up shots would reveal unblended powder and face-neck skin tone differences. As for the sets and props, they would’ve looked better with less CGI applied, since the CGI looks quite subpar for an S tier drama.
【Conclusion】
It may sound as though I hate this drama, but as a novel fan, this is the only adaptation I could root for, and I wished for nothing but the best to happen to this drama. Sadly, it didn't deliver to even half of its potential. I suggest the director and writer to either quit the industry, or stop working on this genre. There might not be a clear distinction between right and wrong, good and evil, but there definitely is a clear cut between good and bad storytelling, and sadly this drama falls into the bad side. For those who are interested in the premise, I recommend you to read the original novel instead.
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A Letter to the Ordinary You and Me
I have so many thoughts about this drama that I am not sure I can even fully express it.This drama takes us on a journey with Su Cheng Cheng, an ordinary woman (but also incredibly strong) who gains this filter bracelet that allows her to learn something new about the world and herself with every transformation. Filter is not just about her transformations; it is also about the filters people have on each other that influences our views of each other. Once we have a bad impression of someone, we tend to only view their behaviors in a negative light and vice versa. This drama showed us what we thought was correct might not be the actual truth. Through these trials, Su Cheng Cheng learned what it means to love herself, the platonic loves she had from the very beginning, and a romantic love that shakes her core over and over again.
On the other side of the story, we have Tang Qi, an incredibly intelligent man who can also be awkward. He too had his own filters on which prevented him from seeing the person who was next to him all along. However, Tang Qi proved over and over again that he has the sincerest heart, and he loves with his entire being. He is able to self-reflect and try to see Su Cheng Cheng's POV on why things escalated the way it did. He is one of the best male leads I have seen in terms of development and viewers can't help but fall for him.
This drama has it all; comedy that you don't even see coming, friendship that is mutual and solid, family that is supportive, sci-fi that adds a layer of mystery, case-solving that actually gets intense, introspection about beauty standards, gender, societal norms, and a romantic love that is so pure and sincere that you can't help but smile every time you see Su Cheng Cheng and Tang Qi on screen. It is a story of misunderstanding and a story of relearning each other again. Thank you to this amazing drama and this excellent cast. I was so happy chasing this drama for the past 2-3 weeks and losing sleep was 543753345% worth it.
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This review may contain spoilers
It´s comparably less makjang, but more morals – and Schubert's Serenade, again and again
"Summer Scent" is one of those early classical KDramas, marking the emergence of the South Korean TVdrama genre as an export hit with all its quality features. In the early 2000s the Hallyu, the Korean Wave started creating a stir, first in Asia and at last throughout the rest of the world.Typically, the narration is so richly peppered with sometimes malicious, sometimes tragic twists - ´makjang´ at its best - that for some the emotionalism might be almost unbearable, if you are not ready open up for the deepest dramas of heart and soul. KDrama is in that context also a master of nasty, often enough quite malicious twists and turns. However, "Summer Scent" is comparably less makjang, but more morals. Nevertheless, with their decisions the protagonists truely can put a strain on your nerves. You should to be prepared to sympathy, suffering and compassion - even if you might struggle at times. This KDrama, too, with its twists and turns rocks the boat until the very end...
The plot juggles a heart transplant with the idea of cell memory. The whole story is poetically told, memorably filmed in front of a summery backdrop and played with a lot of heart. On top of that, the soundtrack eats its way mercilessly into the hearts of the audience: Schubert's Serenade, sometimes in German, sometimes in Korean, sometimes instrumental, but: the serenade again and again...
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Let me begin that what I really like about this series is that it is fantasy, science fiction based story that didn't used Computer Generated Images or Computer graphics with blue/green screen behind. They utilizes editing, lighting and cinematography that can rival any sci-fi/fantasy series/movies out there. Even with a better with some movies/series in the same category.
What I also like about this is that the series was able to showcase a student's potential dedicating an episode for each, except of course ... I don't want to spoil, and culminates towards the end of the series. It gave depth and richness to each and every character.
The symbolism in each character's background and potential that you can relate to real life situation. Like Wave, being smart doesn't always make you to be on the top. One way or the other, you will need someone's help. Namtarn, no matter how hard to try to forget something in your past, there will still be a way to catch up with you in the present. Ohm, when the world seems to be against you, it doesn't hurt so smile and be happy. Punn, there's a demon in every one of us that we battle every day to keep it at bay and the strive to be the best in whatever field we want to. Claire, that we can not please everyone and people will drag you down on your way to the top. Korn, for some, it can be consider a gift but for others, a curse; and the risk of trusting someone too much that that person could actually hurt in you the most unimaginable ways. Mon, sacrifices are need to be made for other's sake.
It makes you wonder, given a potential, what are you going to do with it? Will you use it to better the system, the society? Or make use of it for your own gains and advantage. I will end this part for I will borrow Spiderman's line, "With great powers, come with great responsibility."
ACTING/CAST
I will review them on how they progress/mature by giving what series I HAVE WATCHED before and how did they do in this series.
Sing (Ohm) - Love Sick, Slam Dance, My Dear Loser.
For me is the most versatile actor among the cast but under-rated. I saw him in Love Sick how he potrayed a confused boy, unsure of himself. In Slam Dance, he is more of a serious, headstorng character. In My Dear Loser, showed his jovial, goofy and happy-go-lucky side. In this series, he took his acting on a different and upgraded level in the episode where his potential was focused. Still the joyful, happy-go-lucky, serious, angry and cried. His character in this series is not stereotype of being goofy, which by the way I like about him, but showed a serious side too.
Fiat (Korn) - Slam Dance, SOTUS S.
It feels like that he is being stereotype as being a longer, anti-social character as evident in the previous 2 series that I watched and as well as in this. But no way that he is less effective in portraying that character.
Chimon (Wave) - My Dear Loser.
One of the versatile actor of the series. In My Dear Loser, he was able to show how docile, vulnerable and gentle he can be. But in this series, his played a character that is way different. A laser focused, goal-oriented and confident character. And given these two series, I am definitely looking forward as he renew his role as Sun.
Jane (Claire) - My Dear Loser.
As I watched My Dear Loser, right there and then I knew that I can see her in a queen bee role. Admire by many, envy by many too. And I was not disappointed with her acting in this series as it confirms my suspicion.
Plumek (Mon) - My Dear Loser, SOTUS.
In her role as Ainam in My Dear Loser and in SOTUS are can be easily forgotten, perhaps she was not given enough airtime to showcase her acting skill. What I like her about in this series is how she looks. A boyish type of girl especially in her action and looks. After all, given the club she is in, it is a must. She was able to give justice with her role.
Victor (Pom) - Water Boyy the series.
When he appeared in the very first episode, I was really surprised and made me excited. Comparing his role as Min in Water Boyy where his role appears to be just chasing after girls. He was able to showcase a more matured role and was able to live up to it. Guiding the Gifted students to be the best in what they can be.
Lilly (Namtarn) - None.
I haven't seen any series she appeared before so I can only based her acting in this series alone. She played the role of Namtarn pretty darn good. A nerd, weak girl that is loyal to her friends that is willing to do antying for them.
Nanon (Pang) - My Dear Loser.
In his role as the dorky Oh that has the potential to be cool, ravishing and handsome guy in My Dear Loser. I am not surprise that he was able to carry the lead of the series. Charming, adorable and serious type of role suits his face and acting too. And his cry is credible enough for me to believe that he is actually hurting. An acting that "acts" like a glue for the Gifted class and that of a true leader.
What I am really looking for acting is not just how they deliver their own lines, but with the corresponding facial expression that gives you what their are really feeling that time. And every one of the cast was able to send those emotions across.
Lastly, all of them brought their acting skill in a new, higher and better level.
MUSIC
The opening score will definitely set your mood into something that you need to focus on. Every detail, every line they speak. I get this vibe that this is about mystery and not so much of suspense. The sound effects too is spot on, especially when Wave is using his potential.
REWATCH VALUE
Unfortunately, once you gone through the series, from start to finish, there is really little need to rewatch it, not unless you know that there will be a season 2 for this. Since by the end, you know all of the gifted's potential, and you can already anticipate the "surprise".
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This review may contain spoilers
Loved It
Three things you should know about me: (a) I don't cry while watching movies and tv shows.; (b) I don't clap at the end of the last episode of a tv show; and (c) I rarely ever re-watch a drama. Once Again nearly made a liar out of me with (a) and did with (b). I thought, 'Why am I clapping? I don't clap at the end of dramas.' smh As for (c), well, I could start re-watching right now and I just finished the last episode 5 minutes ago. In other words I truly enjoyed Once Again.This is a great family drama. The storylines are nothing new. If you even watched soap operas, there's definitely nothing new. The writing had heart though. Lots and lots of heart. It was funny. It was sad. It was annoying and even made me angry from time to time. The writer did a good job with character development. At approx 35 minutes per episode the story moves quickly. The production team did an excellent job at keeping the story fluid.
The cast is fantastic. Honestly, I started the drama because I really like Lee Sang Yeob. Of course I was happy to see a few faces I recognized not just because they've been in dramas I've watched, but because they stood out in dramas I've watched. I loved the bromance(s) between the stunt guys. The 3 child actors were very good as well. Everyone pulled their weight. At no point did it feel like any one actor was being supported by the other actors in the scene. It was truly an ensemble in every sense of the word.
The music was pretty good. I tend not to pay attention to the music unless it annoys me, but I actually liked the themes. I liked everything (ok almost everything) about Once Again, which is why it has a high re-watch value.
In all fairness here are a few cons: (1) continuity. (Oh boy there are some glaring continuity issues, mostly surrounding scenes with food. A sausage re-grew itself. It was almost gone and 2 seconds later it was back. Personally, I wouldn't mind a neverending sausage. ) ; (2) relationship between Ga Hee and Hyo Sin (most probably ship them, but not me. I was happy to see an older women with a younger man as we ALWAYS see the other way. However, it's obvious that she was just lonely and he saw her as the caring mother he wished he had. It would have been more honest if while separated they realized they should just be friends and dated other people.); (3) Jae Seok's fake laugh. (JS is such a great character. I loved him. But that fake laugh was just awkward and annoying.); and (4) food. (OMG will Once Again make you hungry. I wanted fried chicken with every episode. I'm thinking about getting delivery from a Korean place now. Watch it with snacks. Seriously. ) I've tried to think up a 5th con, but I can't.
Obviously my cons don't outweigh the pros. I enjoyed Once Again from episode 1-100 (or 50 as it shows on streaming sites). If you like family dramas, a little mischief, a bit of heartbreak, I think you'd enjoy, too.
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A promising yet unfulfilled journey
Prior to touching on any unfavorable points in the adaptation, I would be remiss not to honor the quiet revolution unfolding on screen: Ahn Ji Ho and Lee Sang Jun, rising stars in Korean cinema, have chosen paths less traveled. They performed resistance, stepping into characters whose very existence defies the heterosexist orthodoxy and setting an example for other mainstream performers to follow in their footstepsThe interplay between Ji Ho (Hee Su) and Sang Jun (Seung Won) is, without a shadow of a doubt, endearing. Sang Jun (Seung Won) is a reticent and emotionally guarded suitor, yearning to draw closer to Ji Ho (Hee Su). True to the source material, the glances that linger just beyond propriety, the verbal exchanges, and the physical proximities that tremble with implication accumulate with intentionality and culminate in a long-withheld romantic confession
Seung Won: "I don't like Ji Yu"
Hee Su: "Why did you lie?"
Seung Won: "Because I wanted to keep hanging out with you" (chapters 42-43)
A screenshot: https://imgur.com/a/7ElUfSX
Drama Seung Won, too, nudges drama Hee Su to acknowledge his true feelings and discover the solace and happiness that await him in drama Seung Won's arms
Complementing Ji Ho (Hee Su) and Sang Jun (Seung Won)'s chemistry, the adaptation gains narrative sophistication through drama Hee Su's empathetic disposition. This is exemplified in the first episode (5:10-7:04), where he lends an impartial ear to a woman's self-exploration of same-sex desire/introspective reckoning with her attraction toward another woman. He invites us into a space of uncoerced emotional authenticity
Now, it's conceivable that my observation might provoke debate; however, I'm disengaged by a dissonance between the performers' mature appearances and the adolescent characters they're tasked with embodying. Their mature appearances suggest individuals well into their late twenties, if not beyond
The cognitive dissonance elicited by witnessing adults enacting the affective and behavioral tropes of high school adolescence proves jarring. A more coherent and plausible alternative might've been to transpose the setting into a university or workplace
I can be lenient with these matters. What troubles me is the pacing and the straightwashing of the source material to cater to the squeamishness of homophobic audiences wary of encountering too many rainbows on their screens. The central gay relationship spends the bulk of its runtime vying for visibility and relevance against the privileged "straight" script that overshadows it in both duration and execution. "Straightness" centers the stage by force, reasserting its dominance and softening the gayness for broader consumption. It has no rightful place here
The source material refrains from constructing a non-platonic Chan Yeong x Ji Yu storyline. To fabricate one where none exists, and to do so by excising the secondary gay pairing of Sun Woo and Yoo Dahm, is a move I find dishonest and regressive. A screenshot of Sun Woo and Yoo Dahm from chapter 56: https://imgur.com/a/OInfwbQ
How mind-boggling it is that our same-sex ships/pairings are condemned as corrosive to friendships, while society destroys opposite-sex friendships by defaulting to non-platonic arcs with nary a consequence
Some might rationalize the excision of the secondary gay couple by appealing to their placement in the second season. It's a dubious, flimsy excuse at best. Being classmates and friends, Hee Su's acquainted with the secondary gay couple. Their early introduction could've contributed to the exploration of identity, intimacy, or social belonging and accelerated Hee Su's journey toward self-acceptance. Sun Woo and Yoo Dahm need not have been "useless" or "irrelevant"
Timelines are malleable. The screenwriters were afforded the opportunity to recalibrate the timeline of the source material/fine-tune the sequence of events in order to optimize the seamless integration of two seasons into a compact drama format. Nevertheless, their creativity wasn't exercised in service of non-straight visibility. They delegitimized non-straight modes of subjectivity and relegated them to an inferior, irrelevant, or disruptive status
Those reading might pose the question, "are you a hater?" To which I'll respond in the negative. Neither animosity nor resentment informs my evaluation. That'd be incompatible with my 8/10 rating
My contention is that preserving one of the two gay pairings is not a sufficient or ambitious act of fidelity. It is, in fact, justified for audiences to experience discomfort when confronted with deviations from the source material. The phenomenon is not unprecedented; public discourse surrounding the cinematic reimaginings of "The Little Mermaid" (2023) and "Snow White" (2025) demonstrated how even superficial modifications precipitate public disapproval. By parallel reasoning, it follows that modifications to gay source materials would precipitate scrutiny and disapproval
Questioning the producers' call to accommodate societal prejudices against gay-centered narratives doesn't amount to prejudice or -phobia. The public dissemination of a creative or intellectual work instigates a dynamic feedback mechanism, wherein audience reception, positive or negative, re-enters the production process and compels producers to adapt to the cultural climate and evolve or risk obsolescence
I do appreciate the effort invested in the part-BL/part-gay adaptation. Moving forward, I'd love to see BLs exclusive in focus that center and honor gay love without compromise or dilution
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