Dont watch it just read the novel or manhwa
The LA changed too many crucial points in the story to the point its just a hollow shell of the novel. Its clear that the director didnt even take a peak at the novel and just created this abomination to their own liking. The actors chosen doesnt fit well with the roles they are assigned to and the non-human characters look nothing like the description in the novel nor the art in the manhwa. The stories of each character and their roles in the story were drastically changed. Kim dokja just became a wanna be hero and a former bully with a loving family when he was the bullied one and came from an abusive household. Yoo sangah went from a skilled assassin to some healer which goes against her character story. Yoo junghyuk the mc of the story dokja read, TWSA, turned into some dumbass side character. In a nutshell, this LA is a piece of shit from the depths of hell. Scrap that. Even Satan would need bleach to cleanse his eyes of this atrocious crap. If you want to give ORV a go, read the novel. If you dont want to read the novel then read the manhwa. Its ongoing and its a great adaptation, something this LA can never be.Was this review helpful to you?
Taking Away The Romanticism Of The South-Korean Militia…
Military enlistment is a topic which is often swept under the carpet in South-Korean culture, or romanticised in stories near the finale as part of the “ long wait” between lovers at the end of a drama storyline . ( The drama itself presenting a parody of this scene when a young woman causes a scene to promote her “ love” for her boyfriend enrolling only to present a stark contrast in the circumstances afterwards .)
PD and screenwriter Han Jun Hee as well as screenwriter Kim Bo Tong takes an anti-romantic ‘Fullmetal Jacket’ - style approach to the short series ‘ D.P’ The enlisted men alongside Jun Ho are viewed as nothing more that batch coded weapons and those who leave their side are viewed as merely loose-cannons without names or dignity . Yet the drama is unsurprisingly without director Han Jun Hee’s wry sense of comedy either- sardonic and satirical rather than sweet and slapstick, but woven well into the introduction of characters and the narrative.
The cast undeniably helped to make the storyline come to life. Actor Jung Jae In did a brilliant job ( like the rest of the cast) as main lead Jun Ho ( Jung Hae In). A troubled youth who shares his own conflicts and troubles before enlisting in the army and being forced into the military defect arrest team , Jun Ho becomes morally conflicted over the reasons why men leave the army for various personal reasons and the dire corruption of the authorities. From romantic heroism turned tragic to bittersweet realism, the duller and stark cinematography presents a harsher and prominent message to viewers about these stories shown per episode .
On a more critical note the drama isn’t without its flaws either. Whilst the messages are prominent as a criticism against the authorities and corruption ‘ D.P.’ began falling short especially after the 3/4 mark. The acting notably did degrade slightly as well as delivered line deliverances, and the pacing began to struggle Adding to the dilemma was defining more about Jun Ho’s calling of identity from given inferences in more vivid detail to explain his ideologies, as well as during the last few episodes. On the other hand the ending was certainly unexpected-profound and helping to define the key messages of the drama, but will likely leave viewers with their jaws dropping.
Overall a fairly good watch though admittedly not for the faint hearted . The pacing and more definitive character writing were sadly slight letdowns for this drama but ‘ D.P’ does make up for it with a profound and critique about the South-Korean military enlistment scheme, as well as using a catchy OST and moody cinematography to present these messages clearly .
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1) Love Set - Two women get entangled in an intense battle of wills on the tennis court and try to pummel one another, but the stakes are higher than they realise.
Review: I don’t know if it was the plot in general or just my inability to comprehend the message being conveyed but the end left me kind of confused. I’m trying to find a deeper meaning but can’t seem to come to a conclusion. Perhaps there isn’t a deeper meaning behind the plot and what happened at the end, just happened. Other than that, the acting was great.
2) Collector - A befuddled man wants to know why a woman he’s seeing disappeared to go travelling with her male friends - but she demands a gesture of his true love.
Review: This was pretty creepy, a stark contrast to the previous one but I really enjoyed it. This might be my favourite out of all the short films. The plot was different and gripping, the acting was superb and IU is so pretty!
3) Kiss burn - As she listens to her friend’s tale about how the marks on her face are from making out with a guy, the two of them inadvertently cause a mishap.
Review: This one was more light hearted than the other two and even had me chuckling at the end.
4) Walking at Night - A man and a woman take an evening stroll together and ruminate about dreams and their various past moments spent together - as well as death.
Review: I enjoyed the noir style cinematography which added to the eeriness of the film. However, I found myself getting a bit bored halfway through. But the actors again did an amazing job.
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This review may contain spoilers
Wasted Potential
A good story and captivating start but developed to be an "excessive" tearjerker, TBH it could have been a big hit (Facepalm).But it didn't.
Why it could have been a big hit?
It got a generally-likeable fantasy genre, a mysterious yet charming immortal male lead, an A-class casting lineup, a great couple chemistry and mostly, a fascinating storyline (in the start).
But why it didn't became one?
Poor arrangement on plots, less impressive production, a let-down on the mysterious characters development, dull climax and mostly, too much unnecessary parting and whining (from the girl who is facing death).
I really enjoyed the start where the female lead signed a contract with "Myeol Mang" (sort of like a destroyer) and thereafter started their ill-fated relationship. I was actually pretty excited when the female lead swore that she was going to make "Myeol Mang" her love of life so he can die for her, so "Korean drama cliche" but I just love it. Of course we all know they will eventually fall in love but "How?" is something we anticipate. Well, it turned out they fell in love before I even noticed, and oddly started with all the emotional parting (again and again) and accepted their fate (again and again). The flow was a bit off for me as I didn't feel their deep-down love and suddenly they are willing to give up their lives for each other, like huh? I don't deny they look pretty good together, but the story development was quite lacking though.
At first, I felt the story was a little complicated, especially the conversation between "Myeol Mang" and the "Deity girl", so I thought they were somehow building up for the climax, hmmm it turns out to be.... nothing. When you are always waiting for something unexpected, it failed your expectation. It's like you are eating a candy floss, the first bite was so great but before you can savour it, it's gone. Yes, the second half of the drama was an empty-shell. There was so much potential in the "Deity girl" character, but she didn't really contribute anything significant to the show and it turns out like destiny has controlled her instead, she gave up and become a Samaritan for the couple LOL
Honestly, it could have been better if they have more plots on how they developed feelings (maybe on how their hate turns into love) instead of just using almost 10 episodes to cry, to escape and to get back together. As for second couple, a so-so to me too, as their love-triangle was pretty draggy too, however I find Cha Joo Ik's role pretty interesting, especially how he uses his poker face for love confession, sarcasm, even when cracking a joke LOL.
Basically, I stayed on to the end mainly for the casts, simply enjoying Seo In Guk's alluring smirk, Park Bo Young's adorable expression and Lee Soo Hyuk's attractive deep voice. That's about it. Wasn't that excited for the storyline as you will be able to figure out the ending on your own by looking at the pace of the story and how it develops, it's like even if you missed out a few episodes you will be able to catch up haha.
These are just my point of view, and I believe people might have different thoughts on the drama, saw the comment area is just flooded with criticism. I don't regretted watching it though, that's why it deserves at least 7.0 for me, a "slightly above-average" piece? Just that we have so much dramas out there to compare with and it just loses out, but not so bad actually, or maybe because I have seen worse.
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This review may contain spoilers
I found this drama both wonderful and frustrating at the same time. I loved the overall message of 'if you have a dream, you remain young forever'. The fulfilment of broken dreams, even though it didn't happen the way the five SOLO players planned for it to happen, was a very satisfying journey. HSY is a character that had to grow on me. His frowns and shortness seemed so overkill at the start, it was difficult to get behind. But TN, grandpa, his step-mom, the KK team brought out the warmth in him and one couldn't help but smile and laugh with him by the end of the drama.
TN was confusing to me. I kept being told she was this super intelligent girl, but I rarely got to see her high IQ at work. Most of the time, she was just the typical, dazed, female lead that you get in most Chinese dramas. It was disappointing to me that they didn't flesh out her character more and showed her to be more than this girl that keeps giving heart eyes to HSY. I did love her brightness and how she bought HSY out of his shell and wrapped him in her love. I just felt they could have done so much more with her character.
Yang Zi and Li Xian had such an awkward chemistry. Even though I could tell they gave it their best and in a way, it worked to the character's advantage, it felt like hard work to buy into them as a couple. But I did end up loving them as a couple and giggling like a little schoolgirl every time they were just cheeseballs to one another. They were very cute in an awkward way.
Wu Bai was just such an awkward character. It felt a little like HYT's management placed him in this role to punish him or something. He was too big of a star to be in this role that had no depth and his sole purpose is to be the best player on the team. And it was obvious at the end that they couldn't film him with a lot of the big group shots and so they just put in solo cuts of him. He felt completely out of place and as much as I wanted to like him, it was just frustrating to watch.
Mi Shao Fei has to be MY FAVOURITE CHARACTER of this entire drama. And I wish so bad that they spent more time on him and Yaya's story. Their storyline captivated me so much more than HSY and TN's storyline. I felt the chemistry was better between the two actors. When Mi Shao Fei was starving for encouragement, Yaya naturally poured out endless amounts of it for him. He held onto her like a lifeline when he had absolutely nothing.
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Overall
Negatives: I felt that the drama itself is disjointed and inconsistent. It had these wonderful storylines that were rich and full of life, but then they would not be able to bring out its true potential. I also think the cutting of scenes/directing was a little off which was a bit distracting to watch.
Positives: I did end up loving each of the characters. I wanted more of each character and more of these romances in the story. I think the actors did a great job with the material and overall, I laughed, I cried, I cringed and I cheered. I would recommend this drama despite its shortcoming. Mi Xiao Fei and Yaya had my heart.
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Really, you should watch me watch him.
I have a huge school-girl crush-y grin on my face, my heart starts palpitating and all the Aaahs and Ooohs on the spectrum emit from my mouth.
However, my personal bias aside, there is no denying that he is an excellent actor. No matter what role he's given, he puts in his 11O% and owns it. Unsurprisingly, he does the same in Suspicious Partner. I spent all my time swooning at his adorable actions, fawning at his beautiful face and admiring the way he is able to smoothly deliver so many expressions all at once.
My obsession with him is exactly the reason why I hate giving any drama JCW stars in, a rating less than 8. It makes me feel all sorts of 'disloyal', but unfortunately sometimes you just gotta tell it how it is.
And the 'it' here is the fact that aside from Ji Chang Wook, this show has little to nothing going on for it.
Suspicious Partner starts as a strong, romantic suspense drama but somewhere in between it loses its identity. So much so, that when we're done with it, it fails to properly execute either of the genres.
I want to give credit to the female lead, for she does try and do her best to be quirky but unfortunately, I don't feel much for her. She feels like a support role, at best. There's also the fact that I had to put a lot of effort in getting over her role as the annoying kid Queen Seon Duk, which was a feat in it self 'cause ten years later, her mannerisms are exactly the same as before.
While there is a good dynamic between Ji Wook's Law Team and some hilarious moments between them, nothing really stands out. The sisterhood and bromance has so much potential to be a golden point of the show but unfortunately, it is left untapped.
There is some majorly good acting put out by the antagonist but the show does not develop his character as much as it deserves to be.
The whole crime mystery is dead and very predictable. The second lead romance falls flat and more often than not, the drama stumbles into the realm of utter boredom.
There are some good OST songs here and there but again, there's nothing I would lose sleep over. A lot of questions are given unsatisfactory answers, plot-holes are abundant and so are convenient plot-devices.
The story-line is mediocre, if we're being kind. They use so many ideas from Ji Chang Wook's other shows. Some scenes are copy pasted from The K2, a whole plot-line regarding the heroine's father is taken from Healer and it is all just more of the same ol' same ol' bs.
If it wasn't for JCW, I'm sure I'd rate it even less. And even though I am an eternal fangirl; I love him to the moon and back and I think he is as perfect as always in this show, I will still say that I didn't see him go the extra mile here. This role couldn't have been a challenge for him and because I know that he's an incredibly versatile actor; I'm so ready for him to bring us something phenomenal and better than this.
So over-all I guess it's a good time-pass.
Not too bad, not too good but extremely forgettable.
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First impression: a exploration of desire and the consequences of following it blindly
The opening episodes of Only Friends: Dream On reveal a series that is very aware of its own appeal. Rather than softening the emotional chaos that made the franchise popular, the new season dives even deeper into it. The result is an intense start, filled with tension, provocation, and questionable decisions that always seem on the verge of setting the characters’ relationships on fire. There is a clear enjoyment in watching this game of messy emotions and poorly calculated impulses unfold, and the direction knows exactly how to make the most of that unstable atmosphere.Much of this strength comes from the cast. The chemistry between the actors is the true engine of the narrative, and the camera often relies more on glances, pauses, and teasing than on long stretches of dialogue. The interactions carry a constant energy of attraction and conflict, creating a sense of unpredictability that keeps the viewer engaged. Some pairings thrive on the almost provocative friction between strong personalities, while others build a softer, slower tension. This variety helps prevent the drama from feeling repetitive, even when the story fully embraces its more exaggerated side.
Another strong point lies in how the series treats its characters as flawed people. No one appears entirely right or wrong, and much of the dramatic interest comes precisely from that moral ambiguity. Jealousy, insecurity, and desire are presented with very little filtering, giving the conflicts a raw and spontaneous tone. At the same time, the production maintains an engaging rhythm, balancing moments of intensity with pauses that allow emotions to build before eventually erupting.
On the other hand, the series occasionally stumbles over stylistic habits that attempt to add a level of sophistication that is not always necessary. The cuts to testimonial-style interviews, while intended to provide depth, sometimes interrupt the natural flow of scenes that would stand perfectly well on silence and subtle expressions alone. By over-explaining the characters' internal worlds, the script risks insulting the audience's intelligence, trading organic tension for a structured commentary that feels more like a safety net than a narrative leap.
There is also a slightly risky sense of comfort in the casting. By relying on pairings whose dynamics are already well known to fans, the narrative loses some of the “who will end up with whom” mystery, making the script feel a bit too dependent on the actors’ charisma rather than the unpredictability of the plot. Some musical transitions also feel somewhat dated, with a soundtrack that occasionally tries to dictate the emotional tone more loudly than the performances themselves.
Even so, these details rarely undermine the overall experience. Technical issues in mixing and pacing are easily forgiven thanks to the series’ willingness to present characters who are flawed, possessive, and delightfully human. Only Friends: Dream On does not try to be a philosophical treatise on love, but rather a vibrant exploration of desire and the disastrous consequences of following it blindly.
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A lot loved it, me, not so much
After all the hype, I thought I'd give this one a try. I'll be honest, I have difficulty watching shows about mental illness, but I especially have a hard time watching shows in which mental illness is not addressed. I felt that either the writers really dropped the ball on this, or just grabbed onto something that would further the storyline.The cinematography was beautiful. I loved the different camera angles, looking up, looking down, etc. Costuming was lovely, especially for Seo Ye Ji (think IU in Hotel Del Luna).
Oh Jung Tae as Moon Sang Tae - his portrayal of autism was wonderful, even down to the smallest movements of his fingers. I don't follow Korean award shows, but he deserves an award for his performance.
Kim Soo Hyun as Moon Gang Tae - his performance was very understated and powerful. There were times that I could almost feel his exhaustion with his life. His love for his brother was lovely to watch. As an actor Kim Soo Hyun tends to always play parts where he doesn't have much facial expression, and this time it really worked for him. He was able to convey so much with just his eyes, and when he cries? My breaking heart!
Here's where my problem with the show came in: Seo Ye Ji as Ko Moon Young. They allude to antisocial personality disorder, but I didn't find anything redeeming about her character, and she wasn't able to bring anything to the table to make her likeable. She was displaying classic sociopathic tendencies ("I want that") that were very scary. I get that we are all broken in some way, but I didn't buy that he could love someone that messed up, especially with the all-consuming job of being responsible for his brother. When she got the haircut, I think that's when we were supposed to see a change in her, but by that point I wasn't able to get back from my dislike. What about counseling? What about medication?
The twist with the mom was interesting, but very implausible.
I did like the ending, and I liked how the autistic brother was able to bring so much to the table to build a family with the other two.
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1He meets and learns from you, or He kills and takes from you
It’s been a while since Yang Yang shows up on my screen and I miss this handsome guy. Of course, I have to check out “The Immortal Ascension” as he’s looking gorgeous and I am hungry for good wuxia with fight scenes. However, I was warned of 2 things about this drama - 1) CGI and 2) RomanceI would NOT recommend you watch this drama if you:
1. Can’t stand below-average CGI. Most newer xianxia has beautifully created cinematography with high definition and super colorful screens. If you are used to that and can’t lower your expectations, then don’t watch this drama. Aside from a few excellent battles, it’s pretty bad, especially when the characters are ‘flying’.
2 Only want a good romance storyline because all the unrequited love plotlines in this drama suck!! I personally do not like any of the female characters who have a crush on ML. Their stories are unimportant and repetitive, and one of them is super annoying. The one I was rooting for ended up having the least amount of screen time and acted like a lovesick girl when she’s supposed to be this badass goddess.
3. Only want to watch this because of the cast not named Yang Yang. This is Han Li’s (ML) story and the focus is on him. Everyone else is in a supporting or guest role, and that includes Gina Jin and Wang Duo. If you are not a fan of Yang Yang, skip this drama. If you only want to watch Wang Duo and Gina Jin only, skip this drama.
However I WOULD recommend you to watch this drama if you:
1. Are a fan of Yang Yang. Not only does he look great, he also plays the character very well. I didn’t watch the donghua but from the comments I read, Yang Yang is well-casted. I also really like Han Li as a character. He’s not your typical green/red/gray flag. He’s just a normal guy who wants to focus on cultivation and keeps to himself. He doesn’t care to socialize with friends or chase after girls, but is also not rude or mean. He’s smart, resourceful, calm and calculating, and doesn’t act like he’s a hero thinking he can save the world. Yang Yang did really well portraying this character. I do not think he is such a bad actor, and it’s not his fault when the director wants to point the camera at him to make him look good.
2. Are hungry for some good fight scenes, especially in xianxia. I would say "The Immortal Ascension” is a combo wuxia/xianxia drama. I was impressed with some of the duels and fight scenes when weapons and close combat action happens. The fight choreography was great and exciting. It’s not like a regular xianxia where the actors just stand there, move their fingers and arms, and let the computer graphics do the work for them. Actors actually fight here! The best fight with great CGI was the cave battle in episode 19. Then the big fights in episodes 24-25 aren’t bad, but not as good as the other ones.
3. Enjoy the cultivation journey of the main character. Even though the drama has the typical good sects vs evil sects, the focus is on Han Li’s humble beginnings to achieving immortality. And this is more than just his quest to fight, fight and fight. I read some commenters mentioning Harry Potter and I can’t un-see those comments and some similarities. During Han Li’s ascension, he had to learn more than just to fight. He learns from his first master about medicine and herbs, then continues to educate himself of spells, potions and different artifacts to increase his ability since he was born not having the best ‘genetics’. As I watch this journey, it feels like he’s Harry Potter and taking different classes at Hogwarts. Oh wait, there’s also the ‘Sorting Hat’ and shopping at ‘Diagon Alley' and meeting different characters. Let’s not forget a competition of the 7 different sects, just like the Triwizard Tournament (+ Hunger Games) of the 3 magical schools! Now, don’t you want to watch “The Immortal Ascension” just to see if I was right? LOL
I read that the drama was cut short, thus, it only has 30 episodes for season 1. I enjoyed Han Li’s journey very much for the first 20-25 episodes, despite crappy CGI and green screens. But the last arc about the battle of the sects was rushed and edited weirdly/choppily. I was disappointed that the drama did not really show any big battles between the good and bad guys. The ending was OK, but it was not as exciting as I had hoped for.
“The Immortal Ascension” obviously has a small budget. Did they spend all the money on both actor and director, Yang Yang? How can you cast Yang Yang in a drama with such crappy CGI? Did the drama spend the rest of the money on the 3 excellent battles where it needs to generate lots of graphics for the lights, spells, artifacts, and fights?
Overall, I had a good time watching this drama but I wish I had liked the last 5 episodes as much as the earlier ones. The OST is eclectic with memorable songs. Hopefully we don’t have to wait for too long for season 2 and to also have Yang Yang back as the male lead. Otherwise, I am going to skip it, just like I didn’t watch “Ever Night” when Arthur Chen wasn’t in season 2 anymore.
Completed: 8/12/2025 Review #612
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People will love it if they like that sort of thing, even if it's not even the best example of it. But if you're tired of everything about the setup and execution of romcoms then strictly avoid. The worst thing about this show is that it was made in 2017 but feels much older in how regressive it is.
Candy is here in all her incompetent, self-absorbed, whiny victimhood and she falls for Chaebol in all his asshole finery. Candy is a nutritionist, not like that matters either to her or anyone else. Especially not to the writer who seems to have only a vague notion of what nutritionists do for a living. It's just a new way to throw her in the path of Chaebol, with whom she shared a (naturally drunken) one night stand three years before. Can't have anyone thinking she's a slut by letting her choose to sleep with a guy when she's sober.
At the beginning of the show, there was quite a nice connection between these two characters. Both were incompetent losers even if one of them was a rich one. But when the show shifted forward three years, any goodwill from their initial interactions was quickly lost as he uses his position of authority to bully her and she acts like both a martyr and an idiot about it - not necessarily in that order. Episode after episode involved him ordering her to bring him food and then either abusing, insulting or harassing her when she did. She endured, as Candy does, and still liked him even after all of this. Dude must have been amazing in the sack. That's the only explanation.
There's a second female lead in this. I don't even need to tell you about her - you already know. Get a life, old-school second female leads. You're pathetic. There's a thing called feminism. It's well over 100 years old. You might have heard about it. It'll help.
There's also a second male lead. You've met him too. He's perfect and in love with the female lead but at least he never Nice Guys her so he has that going for him. He deserved to be in a better show.
While Asshole Chaebol at least retains a core of vulnerability that allows you to keep some sympathy for him as a character, Candy is endlessly self-absorbed and wedded to victimhood, especially around her mother and the dreaded S.E.X. on account of being a good girl and not one of those sluts.
One of the show's biggest fakeouts revolves around Candy's little brother whom she treats as a burden and refers to as "her dog" so people won't discover the scandalous fact that he exists. These are not her finest moments in a show filled with extremely poor behaviour on her part. One of my chief gripes about romcoms is that they only include sex if they want to do a pregnancy fakeout. I was willing to give the show credit for not going there except - oh no, it went there! Not only did it include it but it executed it in the most annoying, most sexist, and most horrible way possible.
Basically, this show is a quintessential old-school Korean romcom dripping with sexism and misogynism, double standards, nun/whore dichotomies and a female lead who is as annoying as she is useless. Her actions especially in the final episode are teeth grindingly annoying.
Some people who love this kind of thing will no doubt be annoyed by how much I hated this show. I just think it's a shame that shows like this are still being made.
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worth the wait!!!
peoples say Boss lost the Phayu's Aura when I already used to heard his lame flirting & see his clingy to Noeul since day1 🤣🤣so happy to watch their real personality in their series 🥰 my sassy Noeul becomes a sassy pretty diva in this series 💅🏻😳 his diversity really proven this time. He can be a naughty innocent Rain, a smart cutie Phu, a cool boy S2 & a pretty sassy diva Moomoo 😍
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Then the focus was lost or shall i say shifted. The Dan tae birth secret and uncovering culprit should have and would have made an okay side plot. Instead this thin plot with an unremarkable antagonist (that was transparent and revealed very early on) was stretch to fill many episodes. If they had stared true on the Gong shim path, more on her character development, growth in career and confidence and interactions with both Dan tae and Jun soo this drama would have been better. Instead she became a prop, mostly on the sidelines and only utilise when the writers feel like it.
Overall the storyline is forgettable but i will remember the wig, the brush Gong shim used to brush her teeth and some of the cuter moments of the trio.
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Too much “aesthetics” for me
The photography is undeniably beautiful, but they went overboard with the sheer number of completely silent scenes. You can count on your fingers the moments when the soundtrack fills a dialogue-less scene. They went too far in the name of "aesthetics," and sometimes I wondered if I was watching a mediocre alternative indie short film.About Doona: this is your typical "not like other girls" story, and it's getting a bit old.
Personally, I found her to be an insufferable character - she doesn't elicit any empathy. She's traumatized, selfish, clueless, and has the emotional intelligence of a rock. She refuses to explain herself, making it hard for the viewer to understand her journey and empathize with her story.
Wonjoon ends up being a pitiful character, letting himself be dragged along by Doona even though it's clear she's incapable of relating to others. He takes too long to question her, and when he finally does, he doesn't do it right.
The only thing that made sense to me was the ending. Even then, it was one of the weakest stories of the year.
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THE MOST beautiful and realest chemistry
When you watch a series the most important thing is the chemistry between the leads then the story ,and when the story is one and only it will always leave a mark on your heart , and this series is the first real omegaverse series so it will always be in our heart .as a someone who have read the novel , i just can't describe how good the novel is and the show gives justice to the novel despite losing some important points which will affect those who don't know anything about ABO , but if you are intersted in the show it's not hard to ask the questions you have anywhere to be answered .
-if i talk about the chemistry and the beauty of the actors , words will never be enough ,the way actors love each other outside the show is enough to know how good the chemistry is .
-so this show is definetly 10/10
it deserves no less than 10
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A Korean billionaire romance with potential
Seven episodes in, I'm yet to see what the proposal is or what it has to do with any of the businesses in the show because the contractual relationship doesn't seem to be it considering how it was treated. ABP is also guilty of following several stereotypes and clichés that are now so old that they might as well be outdated. How many times haven't we already watched/read a story of a fake identity/contractual relationship? In how many dramas have we not seen women subtly or unsubtly directly or indirectly taking each other down? Since I've not read the original work this series is based on, I can't say if this typical storytelling is the brainchild of the author or the screenwriter but for the premise it promises, it lacks substance.There is the usual hardworking middle class family of the female lead, her equally crazy and supportive best friend who, refreshingly, has a thing for the second male lead, the charismatic and rich hero who has a tragic past, a sweet and reserved SML who is his best friend and an eccentric grandfather who just wants to hold great grandchildren in his arms. So, the characters are ready, and the foundation is laid but when these are established, there is not much to take the story forward. ABP thus transcends genres in the sense that it jumps from comedy to romance to what is looking to be melo. The point of discontent here is that the story had (still has) potential but instead goes chasing after useless elements.
An unrequited crush who leads the heroine on, his on again-off again girlfriend who is existentially jealous of Shin Ha Ri and a perverted neighbour are plot devices of yesteryears, not 2022. Of course, the men save their women every time and the two women have nothing to talk about other than their suitors or love interests. When this first happened in episode 1, I decided to wait out and hope for some betterment, seeing that it all begins with a blind date, but nothing seems to have improved from then to now. While passing the Bechdel test is not indicative of how well a series does, it is tiring to see women whose entire lives revolve around men, and not themselves. That the original novel has a better reason for Ha Ri agreeing to the contract is just another fact to lament.
BUT the male characters are written well. Their traits are cute, lovable and new. A big plus to ABP's characterisation is their gentleness. How often do we find an old man addicted to dramas so much that he actually sets up alarms and gives a running commentary while watching them? I can totally see Ha Ri's mother and Tae Moo's grandpa hitting it off when they meet. Tae Moo, in turn, maybe an archaeopteryx who for whatever reason puts on a cold and severe look (that looks very put on) but he's actually a big softie who likes to clean Sung Hoon's apartment whenever he's stressed. Then there's this fuzzy fur ball of a Sung Hoon who's just fluff bundled into a human. Nothing much can be said of Ha Ri and Yeong Soo but the food product development team is a delight (pun intended). Music delivers and after a while, the drama is watchable only for its actors.
It's not that ABP is bad. Even though it takes its women for granted, it gives them room to breathe. They make their own decisions, and they initiate the relationships when they are ready. There are no toxic narcissistic overbearing tropes to be found. It's just that ABP fails to utilise its characters, their quirks and a solid foundation of a popular and successful premise.
NOTE: Ratings may vary by the time the drama ends and if, like I'm hoping, the show redeems itself, this review may vary too.
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EDIT: Turns out I was rather wishful. The last two episodes were particularly over the top dramatic, as if no one knew how to end this story. I guess they didn't. The characters don't change and even until the end, remain good on their own, failing in their dynamics with other characters. The plot takes unnecessary turns that are illogical and are not given a proper closure. Min Woo and Yoo Ra remain consistent in how much of a train wreck they are, and their arcs remain meaningless. Tae Moo's past also meanders into a dead end.
There is some pointless last episode drama as well and we see some deviation in characters here- favourite grandpa unusually (but maybe not unexpectedly) turns into a typical mother-in-law and instead of seeing a rosy wedding (which in my opinion would have saved the drama's ending), there is just added frustration. He also never got to meet the owners of the chicken house, and he'd wished his granddaughter would come from a modest family like that in the first episode. *sigh*
Even though it puts a smile on our faces, ABP largely remains a wasted potential, and the lone bright spot remains the Tae Moo- Sung Hoon duo. It makes me want to ask- why are people still writing such shallow plots and why are people still watching them? Most importantly, why is it that people think visuals and kisses can salvage a story? (The high ratings despite everything will probably explain it).
ABP is lighthearted and doesn't take itself seriously at any point. Recommended only for those looking for some sweet mindless romance.
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