A light hearted drama for in between with great cinematic elements and beautiful cast
Story/plot: ★★★The drama is about a 4 people insurance investigation agency specializing in solving insurance fraud cases; eventually, the cases lead to revealing of the mastermind villain behind all the evil doings.
I must admit I was not a big fan of the story. Though the cases themselves did have interesting outcomes and twists in-between a lot of the details seem a bit out of this world and felt rather artificial in order to create the surprise effect. The cases also do not build well towards the climax so that even before the final reveal at the end, I did not have an urge to find out who was behind all this. The villain himself was also not big of a surprise to me. And worst of all, they left the ending sort of open but nowhere a second season was mentioned.
What I did like a lot is the relationship between the leads. First, their specialties and characters complement each other very well. The viewers can clearly see how all the main characters started off not trusting each other but solely worked together for their own benefits. But slowly through their teamwork and even life-death situations they grew trusting, caring for and relying on each other, eventually not wanting to continue without one another. This was well depicted in the final case. Though this drama is not at all a BL drama there are some really beautiful shot scenes between the two male leads which satisfy the female viewers’ craving.
Acting and cast: ★★★★
I really liked the cast and found their acting is pretty decent. Gao Ren playing the team lead Fang Yuan did a fantastic job. He is the more mature actor from the crew. Fang Yuan's character has a lot of depth as he went through a lot and this was well demonstrated by Gao Ren’s great acting skills.
The second lead Mi Ruo, played by Xiao Yu Liang, was younger and had still a bit more room to grow in terms of his acting. However, I think he was able to showcase good acting skills in quite a number of scenes (one of my favorite being the refrigerated truck scene in ep. 12). On top of that Xiao Yu Liang is sooo cute (which is one of the main reasons why this not so famous drama caught my attention). I think I haven’t seen such an angel-liked face in Chinese drama land for a while. My husband says that he even looked prettier than the female lead Fan Meng which I totally agree with. I would really love to see him appearing in more dramas going forward (my dream would him playing in a proper BL-adopted drama...he would be such a fit!!)
Fan Meng, playing Luo Xing, the computer geek did also a good job. I rate her in a similar stage as Xiao Yu Liang: a very talented young actress with room to grow. Her character is very like likable: an independent, smart girl who does not obey to anyone, a more refreshing type of character compared to a lot of “proper female lady type of lead characters” in C-drama land.
Cinematography and music: ★★★★★
This is the major selling point of this drama. Most scenes are beautifully shot; they use well-positioned perspectives and angels, zoom-in and outs and frame and rendering techniques. A lot of the scenes remind me of a movie rather than a drama. The drama has almost no action scenes but the dramatic scenes are well depicted. The music was also top-notch: a lot of various combinations that successfully created intended emotions with the viewer. Sometimes they could have turned it down a little bit as some scenes were accomplices by really dramatic music thought the scenes themselves were not all that dramatic; as if they were trying to compensate the missing suspense from the plot.
Summary: ★★★★
All in all, I would say that if you are into detective type of mysteries with a nice touch of brotherhood, you will like this drama. It would not blow your mind or deprive your sleep but it is nice in-between drama with beautiful cinematography and good looking and talented actors.
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A dark trip to nowhere
I am not going to give any spoilers -- just want to advise any watchers that this is a risky investment of viewer time. What starts out with potential quickly falls off the cliff in a fog of poor decisions by the writers. The word "Artificial" is the first clue to the problems with the direction this drama takes. Nothing seems real or feasible and the responses of so many people in positions of power seem a little "off the human chart." Korean dramas often portray a "slice of life" for the country -- this drama neither represents family, values, morals, accountability, normal human reactions, or consequential damage. It almost becomes a fairy tale fantasy drama when you compare it to the reality of many who hold positions of power or have star power popularity. The voices of social media and the netizen factor in this country reign supreme. So I am warning any potential viewer - the acting is good -- but just don't count on any feelings of satisfaction at the end. Just read most of the comments of those that have finished the drama. If I wanted to be in a hopeless dark place I would pick this drama to watch.Was this review helpful to you?
I am little unhappy
awww.... the day I got the news there will be 2nd season for yumi's cells in 3 days I completed season 1 and started 2nd season. starting till they broke up I had so much fun. when they reunion I was so so happy but I am so sad they didn't ended up together. I loved their chemistry, the drama, the issues they both faced. I loved Ba Bi part, he was so so supportive in the end he lost because of 3rd person. when you love someone you should trust them that was missing in their relationship. If their is 3rd season please end them together and let them trust each other.Good work Yumi's cells Team and all characters. Congratulations on completing Drama.
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Featured story
If elder abuse is a taboo subject that is rarely afforded the serious consideration and action that such horrors demand, then elder sexual abuse is even more so. Playing at the 2020 Toronto International Film Festival as a Private Screening, with her film An Old Lady, South Korean filmmaker Lim Sun-ae tackles an extraordinarily challenging subject with such enormous grace, delicacy, compassion and thoughtfulness that it renders this close-to-perfect film as one of the year’s most easily missed cinema highlights.The film follows Hyo-jeong (Ye Soo-jung), who we first meet in the film’s opening moments in total darkness. Over a black screen, we hear her politely chat to a male nurse during a physical therapy session, his flattery increasing until a narrative ellipses and a dramatic cut to the abstracted, empty hospital itself implies without relying on sensationalized explicitness that something has clearly happened. As the title suggests, Hyo-jeong is very much a “lady” in the most traditional sense of the word; she is polite, reserved, and clearly does not like to make a fuss. How a 69 year old woman who has been raped in a hospital by a care giver responds to this situation is largely the question around which An Old Lady spins.
While there are numerous factors that render An Old Lady such an important film, the combined performance of Ye Soo-jung with Lim Sun-ae – the latter of whom also wrote the screenplay – is very much the engine that drives the film to its gentle but authentic conclusion. Making a film about rape is already a ethically challenging terrain, but by so fearlessly deciding to add the element of elder abuse to the equation, Lim Sun-ae proves herself to be braver than most.
Even more importantly, of course, is how well she succeeds: Hyo-jeong is never reduced to a pathetic victim, but neither is she patronizingly rendered as an unbelievable superhero. Her challenges feel real and are handled with great sensitivity: was the encounter consensual and did Hyo-jeong merely forget, possibly suffering from the first stages of dementia? The questions Lim Sun-ae knows the audience are, in our most shameful moments, asking ourselves are made explicit in the film by Hyo-jeong herself as she struggles to deal not only with the trauma of what happened to her, but her lack of faith in her own capacity to remember it with clarity.
There’s a sense of sadness with a film this courageous and well executed about such a difficult subject that it will go largely unseen, the taboo nature of the subject matter alone turning an audience off. But that alone is precisely what makes this film so urgent; An Old Lady tells us something we don’t really want to hear in a way that makes us forget why we refused to listen for so long.
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A charming and delightful film based on a manga and about manga
BL Metamorphosis is the story of Urara and Yuki (Sunshine and Snow) who build a cross-generational friendship based on their mutual enjoyment of BL manga. Urara (Ashida Mana) is in her second to last year of high school and facing the choice of what college programs to apply for next year. She's working at a local bookstore when a recently widowed calligraphy teacher Yuki (Miyamoto Nobuko) wanders in to escape the summer heat and a finds a popular BL which catches her eye. Urara is an embarrassed secret fan of the genre, and Yuki had no idea such a thing existed but quickly finds that she loves it and seeks out Urara's advice to learn more about it and get her recommendations.Acting is reacting, and, as ever, Ashida's reactions are on point, expressing all the embarrassment and social awkwardness of a young woman who has not found herself yet. Yes, she has a crush. But he's already dating the tall, popular, beautiful Eri, and what would happen if he or, worse, THEY ever found out she's into BL? Nevertheless, Urara guides Yuki into the world of BL fandom, and Yuki encourages Urara to try making a manga of her own.
The film is quite smart with lovely parallels drawn between the manga that the two are reading, and the other things happening in their lives. The score and song choices help to propel the story along and as whole the film feels much shorter than its two hour runtime.
It is, indeed, rare for a film to center on a friendship between two people with an age difference of over 60 years, and this film does so lovingly and well. Ashida, if she chooses to, will be Japan's breakout star in the coming years and Miyamoto is a good solid veteran actor. Together their scene work provides all the warm-fuzzies you could want.
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So Far The Best Mini Series Out There
Out of all the miniseries I've watched, this is hands down one of the best. It's not cringey or very stereotypical; it's very concise, straightforward, and the actors are excellent. Both are very good looking, and I see a lot of chemistry between them. There are some flaws in the acting, but compared to other minidramas, these actors can truly act. The second couple is also amazing; I didn't skip their scenes at all. I like how it's just 13 minutes per episode because it made it so easy to watch. It's definitely worth binging.I watched it on kisskh.co just in case someone wants to know where to watch.
Don’t be discouraged by the ratings; this one is really good.
Also, it has a happy ending and lots and lots of kisses too, if that will encourage you to watch this. 🤭
Acting: it's really good
Chemistry: i really like them
Storyline: typical but honestly not cringe
OST: I WANT TO FIND ALL OF THEM COZ IT'S REALLY GOOD TOO
Rewatch Value: i definitely would want to watch it again.
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It really makes one thing about life, illnesses, death and the impact it can have on others.
One particular part hit home: "-Will you remember me? -How can I forget you... -I mean, the good times". It is easy when you lose someone to remember the bad and difficult times, which are often the immediate past. We tend to forget all of the beautiful moments because they're further in our memories. One Day was a good reminder as I am guilty of that.
I also loved that there was no romance involved, though we can easily imagine there was. This fine line between love and care was just perfect, and I like that Kang Soo took the time to appreciate her for what she was, and not only because he was reminded of his wife.
It is a masterpiece in my book (do I have to mention how it can start a debate on euthanasia? and the way to address the visually impaired?) and great if you're looking for some heart-warming human interaction.
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Messy Execution!
The only reason I finished the drama was Li Ji Ah's character, Shim Soo Ryun, and her quest to avenge the death of her daughter. I wanted to watch her journey and I was rewarded when she achieved her goal. The rest...sadly were just fluff, full of over-the top vile, despicable characters from the bullying teens, to the screeching like banshees parents who lacked class, finesse and intelligence. I don't know if this is a culture in Korea but the truly wealthy people do not behave like them. So many unnecessary filler scenes with continuous bullying by the kids as well as the adults that I, like some of the viewers here, constantly rolled my eyes. The exhibited behaviour from most of the characters was so infantile that I was wondering if the writer is a fan of reality TV "real housewives" where people pull each other's hair.It's almost comical that these rich families are figuratively cutting each other's throat so their children can be the best opera singer. To be a great singer like Maria Callas and Kiri Te Kanawa requires real talent and the truly best diva sopranos in the world are so few that you can count them with your fingers. Children of the wealthy are normally groomed to be the heir of their family's fortunes. So the idea that these families, residing in one building, all obsessed with their children's singing is not only silly and ridiculous but unrealistic.
The breath of fresh air in this drama was Li Ji Ah. Her acting was perfect and she was so classy as Shim So Ryun. Even the way she carried herself, the way she talked , her mannerisms, her clothes reeked with elegance, sophistication and high class. I'll only watch the succeeding seasons 2 and 3 if she's in it.
Season ending sucks!
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This review may contain spoilers
Well, this is a good comedy drama to pass the time, but I won't say it was impressive, and I probably forget it soon.If you're in for the "summer readings" then give it a try.
I liked that they tried to put more depth to the prosopagnosia trope (now, this desease is a trend in dramaland and it seem to affect a lot of young ceos LOL can you please not be so obvious when you take inspiration?) by comparing Min Ik to her blind brother (even tho it was a very weak and short moment) and describing it as something scary and anxious. I mean you can't recognize people around you, that could be a setback, especially for someone who needs to recognize friends from foes.
I also liked the fact they talked about how some workplaces are a real hell (this thing was also treated in "Jugglers") for employees as maids, secretaries, drivers and so on, and they have a sort of will of change it.
But they kinda didn't handle it very well, the whole plot about the "robin hood secretary fight club" who sell the bribes their boss get from other people and use that money to cover employees issues is a bit boring, moreover because it doesn't concern the two leads or second leads, at least not entirely.
I liked a lot Veronica Park. I was scared when she was introduced because I thought she would be THAT annoying second female lead character, but her being too extra is, in fact, refreshing and amusing. I liked how she was somehow "naive" (not with love relationships LOL) but supporting towards the female protagonist AND her sister.
Well, what I didn't really liked was how much episodes and focus was spent for the whole "I pretend to be someone else" thing, it's something we saw a lot of time, also in western shows and movies, so I don't think it was needed...the show could've take another road without it and it would have been fine.
I find it hard to cheer for the protagonist if she pretend to be someone else, taking advantage of his illness, in order to obtain his love. It's lame and honestly if you think about it, it never ends well. I especially despise her sharade because she knew he had issues with his family and trust issues...she was too greedy, Our fictional characters are lucky their partner are sooo in love and understanding they come to forgive them, but in real life...well suing is the very least imo.
And the plot was pretty much stark...there are some evident plot holes, especially about the disguise and the assault thing that made me wonder if they thought I was too stupid to realize it.
I mean why in the world the driver would change a lightbulb in his boss office at night and why, when Min Ik finds out, he attacks him instead of saying "I'm your driver" . This doesn't make sense at all.
Also I wont' even try to analyse the medical aspect of it: his illness can be "cured" if he has high pressure or if he sees the one he loves....even sticking to it, there were moments were he was supposed to be excited or nervous (like when he confessed to Gal Hee, when they almost made sex and so on) but nothing happened. Conveniently at the end he has a scare in the elevator and his illness just goes away. I'd rather use the fantasy elements than this.
The last thing got me a bit annoyed it's an aspect of their romance. They were cute yes, but a bit too teenage-style to be 30 something. Min Ik hinted he had other relationships in that "stocking moment" (LOL) but they were awkward just by holding their hands or hugging (while in the first episode, when she was just the secretary I thought they were more chill about touching). I'm not saying I wanted hot stuff or whatever, it's just a bit surreal to see them being too much naive for their actual age.
I would rewatch this? I don't know, honestly. I was annoyed at her lies and I don't know if I want to face that again...but overall was cute and not to dramatic, LOL in the first episode Gal Hee's mother death was comic instead of sad.
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I really, truly enjoyed watching this drama. Not because it's deep or serious is super original story-wise... but simply because I've always had fun watching it - you can lean back and enjoy, just don't expect it to be more than it is: a nice and simple high school drama, with lots of fluff, cute scenes and fun.
STORY
It's a high school drama about an angel that became human and two guys that become interested in her romance-wise. Nothing more to add here, read the plot.
ACTING
The acting of the three main actors was perfectly good. I've always had the feeling that the actors enjoyed themselves and had fun while filming, especially Kim Sae Ron who acts impressively good for her young age.
MUSIC
Not the best soundtrack ever and highly repetitive (although that is usually the case with K/J-dramas...), but still cute and it always fit the story.
REWATCH VALUE
Definitely high for me! Simply because I became a total addict to this drama and there was always just one episode per week, so I always rewatched the episodes to help my addiction.
Also, I'll definitely rewatch the series some time later... whenever I feel like watching something fluff, easy and funny...
OVERALL
I loved it! The feeling I got from it was a bit Coffee Prince - like. Like the actors themselves really enjoyed being these characters and having fun with each other in comedic scenes. Every week when this drama aired, it was like coming up for fresh air and it totally put me in fangirl-mode... I'll miss it a lot!
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Disturbing story of suffering people.
It's hard for me to wrap my head around what I have just seen and what exactly I was supposed to get out of watching this show.The idea behind the story and the issues presented were extremely interesting, but at some point I had a feeling as if too much was happening in too quick of a pace with too much of over the top action. It moved from dark psychological school thriller to dark action flick? I felt like instead of giving us a cohesive story, the writer wanted to outdo himself by writing more extra and shocking scenes and plot lines one after the other.
The biggest problem I had was the fact some characters did not feel grounded in the story. Gi Tae and Hae Gyung were the two that stood out for me the most and I failed to understand them and their motivations. The change from school bully and teen delinquent to whatever Gi Tae became at the end seems random. Hae Gyung's introduction to the plot and her obsession over the case were also questionable.
On the bright side (if you can even call it that), all the characters were bad people, morally gray at best. While it was refreshing and interesting to watch a show where there are no heroes and no one to truly root for, it can also make you feel depressed and overwhelmed.
Some plot lines that were introduced led nowhere and were mere devices to push the characters into a corner, hence never got a proper closure, like the whole side story of Ji Soo's father or the guy Gyuri's parents worked with, that clearly was interested in her.
But then, truth to be told, the whole drama had no closure and clear cut ending. The last few scenes literally presented more new questions than answers. With that heavy of a story, leaving viewers without proper explanation may be risky. I myself feel as if my brain was just turned into pudding and any attempts to understand the ending or certain plots would lead me to more confusion and frustration.
The acting was quite a masterpiece. All the lead actors aced their roles, which were not easy to pull off. To sell a story, performers often use their own experience as a reference, but with crazy stuff happening in this show, it's hard to even imagine what the characters would feel, not to mention act it out. On other technicalities, it was beautifully shot. While the pictures were gruesome at times, I still enjoyed the camera work, use of colors and shadows and the transitions between the scenes.
Overall, not a drama for everyone. Gore, death, pain, suffering, abuse, mental and physical struggle - it's a perfect combination to get yourself in a depressive state or murderous mood. I took my sweet time watching this drama, not being able to watch more than one episode per day. But then binged watched the last three just to get it over with. While, in some weird way, I enjoyed the process of watching, I also feel exhausted and happy it's finally over.
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This review may contain spoilers
No Way Out: The Letdown..
The drama had a slow start.. With the production quality being average right from the beginning.. The first four episodes were particularly disappointing and didn't hold my interest.. It wasn't the pacing that was the issue.. But rather the lack of any real engaging content.. Honestly the only reason I continued watching was for Greg Hsu and his character.. Who should have made his appearance sooner..
One of the most frustrating parts of the storyline was how unrealistic it was for the wife to wait 13 years to file for divorce.. He was a convicted serial rapist and murderer.. No court would have denied her divorce petition in such a case.. And she would have obviously got the child's custody as well.. This plot point was not only illogical but also stupid..
Despite his limited screentime.. Greg Hsu a.k.a Mr. Smile was the highlight of the entire show for me.. His undeniable charm and compelling presence stood out.. I was glad to finally see him at the end again.. Hinting that he will have a significant role if there’s another season.. He absolutely deserves his own drama.. And with rumors that he might be getting one.. I am hopeful we will see more of him.. Especially since his character's still alive..
One another major disappointment was the music.. None of the scenes had good bgm.. Which was disappointing..
Overall.. There really weren’t many good things to talk about.. Just an average drama with a half baked story and poor execution..
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1
1This review may contain spoilers
Idol & Inconsistency
Good chemistry. Fake premise. A lawyer drama that forgot the law, a murder mystery that ran in circles, and a finale that wasted its last shot. The romance carried this harder than it should have had to.-
I signed up for the ultimate Seong-deok fanfic, saving your bias from a murder charge. The cards were on the table. Se-na is an ace attorney. Ra-ik is an idol in handcuffs. Idol I did not bait and switch me. It promised a lawyer with a murder to solve and then spent eleven episodes refusing to actually show her being a lawyer. Every single beat of potential legal tension evaporates into nothing. Her profession is decorative, it is a typo, it is a fanfic device to justify proximity to her crush. You could have swapped her law background for a barista apron or florist shears or a sushi chef hat or walking dogs and nothing would have changed. Same scenes. Same dialogue. Same total absence of stakes. The script treats her profession like it was a typo that slipped past casting. Watching her do literally anything legal is like staring into an empty room waiting for fireworks. Nothing happens. Court scnes? nah?. Not an investigation she drives. Not a clever legal pivot. Nothing. Nada. Ugh.
The murder mystery is limp. Toxic substances in Ra-ik’s and his friend’s blood appear and then vanish. Who gave it to them? Why? Was it overlooked by sloppy investigators? Did someone cover it up? The show doesn’t care. Eleven episodes of circling the same evidence, pretending it counts as tension. They even run away to a cabin right after Ra-ik is indicted like being officially charged means nothing. Cozy romantic fantasy replaces stakes. I am furious.
Se-na dating her client? Ethics evaporated. Prosecutor Jung Jae-kwang suddenly grows a conscience after one conversation with Se-na. His father Kim Min-sang is cartoonish. Obstruction of justice is a casual hobby. These are not plot choices, they are insults to anyone who knows how justice works. The whole thing is nonsense. The story pretends consequences exist while actively ignoring them.
Romance is infuriatingly effective. Confessions, letter in the morning, Se-na running out late at night to deliver a hat. Cute, impulsive, human. The lawyer-suspect tension should create stakes, danger, stress, legal fireworks. Instead, it is proximity to justify romance. Chemistry doing the emotional labor the story refuses to do. I am charmed and furious at the same time.
The ML and 2FL conversations are pointless. One episode he’s in love, next episode he’s not. Watching it feels like staring into a void while someone waves their hands. Surface-level, invisible, whatever their contribution is, it is nothing. 2ML, the prosecutor, is vapid, and his one personality pivot is laughable. Watching actors try to make sense of this vacuum is maddening.
Han Do-hee as the ex-girlfriend does good work. She acts bitter, brittle, dangerous. But the writing refuses to earn it. Accidental harm escalates to premeditated murder mechanically. I believed her rage, her resentment, her self-pity wrapped in cruelty. I wish the writing cared as much as her acting.
Kim Jae-young and Sooyoung are the only reason this drama limps along. They give weight, pulse, emotional grounding. Without them, it is rubble. With them, it drags itself to the finish line. They fight the script with everything they have. Watching them is thrilling and enraging because everything else refuses to exist.
Park Chung Jae, played by Kim Hyun-jin, exists to pine and hand over evidence. It is infuriating watching him fight a script that cannot write him a single proper motivation. Side characters barely have motivations. I have seen cardboard targets with more interior life.
Idol/fandom moments land sometimes. Goldys waving flags, obsessive fans, parasocial ugliness, constant pressure, glimpses of real fandom intelligence, morse code in a song that makes me laugh and groan at the same time. It is absurd, ridiculous, but it works in the narrow context of fan energy. Still, it is another reminder of how lazy the rest of the writing is.
The finale is such a waste. Her father’s case barely matters, shoved into a single episode, literally a five-second footnote. Se-na finally functions as a lawyer and it barely matters. Romantic awkwardness happens after the relationship is established, which creates weird timing. The rest of the finale should have been ten minutes tacked onto episode eleven. Everything else is random fan-survival footage.
Idol I flashes brilliance constantly and then immediately smothers it. Se-na could have been a powerhouse lawyer. Ra-ik’s suspense could have carried fire. The investigation could have delivered tension. But the show chooses fanfic logistics over stakes, romance over logic, chemistry over plot, flashes of fandom insight over coherent procedural. It teases you, riles you, makes you believe something might happen, and then refuses to be anything other than padded, sloppy, frustrating nonsense.
It is maddening. It is infuriating. It is exhausting. It could have been sharp, biting, thrilling. Instead, it is chaos wrapped in cute gestures, fan service, and actors refusing to let the nonsense collapse entirely. I am furious and I cannot stop thinking about it.
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A Hot Mess!
Gosh, I don't even know where to start. This was one of my most anticipated BLs of this year, and I am so disappointed.Let me start with the good. I adore Zee. I have been following him since Why R U? and he is literally why I was looking forward to this drama. His acting did not disappoint, and I was pleasantly surprised by NuNew. For a first-time actor, he did a great job. There were a couple of scenes where I felt like he could have delivered more, but overall them and the rest of the cast did a pretty good job acting-wise.
Another thing that actually led me to finish this instead of dropping it, is the side couple. Syn and Nuer. OMG. They are just the cutest lil beans I have ever seen in my life, and if I had to watch an entire drama of them just staring into each other eyes, I would!!!!
Finally, the music. I will be honest and say I don't know much about Thai music, but this drama introduced me to so many great songs that I have been listening to on repeat.
Now let's move on to the bad. The story was a complete mess! And honestly, calling it a storyline, is a bit of a stretch. The same plot was dragged and spun for the entire twelve episodes and the characters just kept lying and deceiving each other. Not to mention, the pacing was so hard to follow. I felt like I had no idea what was happening half the time. I get that the whole point of this drama was to watch them grow and learn to communicate, but I still feel like they haven't. In fact, this show had some of the most stagnant characters I have ever seen. There was little to no character development for both of them, in the end, they both found out each other's secrets, did nothing to resolve the miscommunication, and continued on in their lives like nothing was wrong, but NOTHING CHANGED! There are so many things that I felt went unaddressed. The show should have focused less on being preachy and more on actually writing a plot with substance.
Hot kissing scenes are always fun to watch, but it's not going to save a drama with a boring messy plot or boring stagnant characters. The saddest thing is, this had the potential to be so good. A stellar cast, a good budget, and an established fanbase. It had everything going for it. Unfortunately, it just couldn't deliver.
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This review may contain spoilers
Poor Hyun Bin. I don't even know where to begin with this review. Let's see...if you drop the first four episodes and the last four episodes, then it is a pretty decent drama. The writing is just horrible. I can't write spoilers so I can't go into it all, but if you want to know more, then PM me. First, the female lead character is horrible. I can't stand her from beginning to end. Selfless my ass. Everything she did was selfish under the guise of selflessness and she is stupid. The male leads in one person may sound interesting, but it is the stupidest thing I have ever had the misfortune to watch. What was the purpose of the circus or any of those characters that add nothing to the story? What is the purpose of the cousin or whomever he was trying to out Seo Jin? What was the doctor's purpose? Forget it. I'm done. EDIT: OMG...I forgot about the over used hypnosis. Great idea, poorly executed.
Hyun Bin is great and some of the side actors are good. I don't know what happened to Han Ji Min. Did she always act that horribly and I just didn't notice? Sung Joon was beautifully "bad".
The music was ok sometimes.
I will never ever rewatch this.
Don't watch it. Watch something else!!!
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