"You're not dead until you die"; an ode to death and demise.
"The fear of death follows from the fear of life. Someone who lives fully is prepared to die at any time." The quote from Mark Twin might be too philosophical for some but it is equally meaningful. This also reminds me a quote from Harry Potter that says that death is like an adventure for the well-organised mind. On that context, death only ends a life, not the relationships, so knowing that you're gonna die soon is more hurtful when you think about the ones who'll be left behind.Every single day of life is moving forward towards your death and the drama beautifully brings out the essence of one's life, no matter they're on the verge of death or have a long to live. Death might be an enemy for the living but embracing it with grace when there's a call for you to bid goodbye, is considered an act of wise, thereby making their lives meaningful.
Produced by KeyEast and broadcasted on JTBC, "The One and Only" is written by Moon Jung Min and directed by Oh Hyun Jong. The production had to halt filming thrice because of staff members testing covid19 positive at different times, but they could wrap up well despite the delay.
"The One and Only" is a story about a woman in her late twenties getting admitted to a hospice for receiving care after being diagnosed with a terminal illnesses, having only few months to live. There, she shares the room with two other, with contrasting natures. Their lives get entangled with a contract serial killer who ends up falling for the first woman and the story is all about the investigative murder case, the individual lives of the three women and at their days at the hospice as they await death.
Pyo In Sook (Ahn Eun Ji) who has been brought up by her grandma, works as a scrubber and is mostly expressionless. At a young age she turns terminally ill and chooses to stay at a hospice. There she meets Kang Se Yeon (Kang Se Won), an ordinary housewife who has never lived for herself and Sung Mi Do (JOY), a social media influencer, deprived of love and a lonely young girl. All three on an usual day encounter Min Woo Chan (Kim Kyung Nam), a hitman, following which these 4 people get intertwined with a mysterious serial killing incident. All these people delivered amazing performances in their respective roles.
Yook Sung Ja (Go Doo Shim) and Pyo Kang Sun (Jang Hyun Sung) are experienced actors who played In Sook's Grandma and Father respectively. The Regional Investigation Unit comprises of team leader Hwang Ma Jin (Lee Bo Ryun), lieutenant Cho Shi Young (Do Sang Woo) and Detective Oh Jin Gyu (Jang In Sub). Gu Ji Pyo (Han Gyu Won) played Mido's boyfriend and LE group's hier.
Other familiar faces are So Hee Jung, Sung Byung Suk, Han Kyu Won, Ahn Chang Hwan, Choi Young Woo, Lee So Mi, Yoon Bora, Lee Hang Na and Joo In Young. The 2 child actress Seo Yoon Woo and Kim Soo Hyung were good too.
About plot development... I've mixed feelings about this and this is the only thing to complain about this drama. The overall story reminded me about "You are my Spring" and "When the Camellia Blooms"; obviously the vibes are different but the overall story felt similar: a feel good romance with plenty of slice of life elements accompanied with a murder mystery plot. Well, the difference is that this drama indulges a coherent investigative plot, unlike the other two where there were lots of other things; the entire script works around one single murder leading to others. Personally, I loved the progression for most of the parts (1-11th); the introductory episodes were perfectly impressive, though it might take some time to get acquainted to the mood. The furtherance was nice.
The life at hospice of people awaiting death was a beautifully emotional journey. It also includes scenes of Insook halmieone and her povs as a family to someone who is fighting death, and I would give a plus point for that. About the investigation plot, it started off really really good but somewhere around 10th, they started dragging it which became plainly visible from the 11th episode. The murder mystery thingy didn't have any pothole but it could have been wrapped up very easily way before than the finale. And the rest of the drama could have been about the hospice and other beautiful elements that made the drama unique (just saying if the case was that they thought the script will have nothing interesting left bcs everything other than that were better, i loved them). It was stretched till the finale week to an extent and I can't ignore it.
Despite all that, I ended up loving the ending sequence. The drama wasn't supposed to be realistic to being with even though it's a slice of life genre for most of its parts, but there were few things I didn't like or thought could've been better not done. The ending was full of life, agony, misery and sadness; I found myself crying and choking multiple times. Even so the script ran out of substance, making the script draggy for a while, it was a matter of relief getting back to track in the finale week. The intended messages were perfectly delivered.
Oh Hyun Jong PD is quite experienced having some hugely acclaimed dramas im his resume and it was reflected in this drama as well. The pacing of the drama, in my opinion, was very apt; the drama is basically slice of life genre and warm pure romance and hence needed the pacing to be slow and steady. The screenplay management and execution is up to par. The cinematography with the pale hue and yellow pallettes were very beautiful.
Moon Jung Min PDnim is quite a rookie and has had 2 qualitatively flop scripts before this drama but I see a great jump in her skills here which made me satisfied. I can't say it's something great but judging from her previous dramas, she's improved more than expected. The screenwriting is incorporated with many essence of life, death and struggle for survival, making it very meaningful. The mystery thriller plot which is equally emphasized had a very good basic outline though the execution of it went a lil draggy, but I think it was not that bad, in fact manageable. The character dynamics are well painted with some potential of improvement for few like Min Woo Chan and Ko Ji Pyo, which I think could have been better. The narrative and messages the story wanted to deliver has been accomplished, totally!
Composed by Lee Joon Suk, the OST album has total 4 number of tracks all aptly suiting the mood and vibes of the drama. There was no need of extensive background editing, neither with OSTs nor with different scores; it was a wise choice. "STAY" by SLAY & Avin is my most favorite among all which is about possibilities in life. "Happy Ending" by Yangpa is a song with beautifully written lyrics about cessation of pain and beginning afresh. "The One and Only" by msftz and "Your Name" by JOY (ReVe) are other 2 tracks.
The pacing felt perfect to me given the narrative and method of storytelling. The flux of conversations and shift in moods were aesthetically pretty. The way the characters were learning to love what they were becoming, was a pleasurable treat. It wasn't exaggerated at least.
There are numerous povs (about 10?) to look forward to. Although the story mostly revolves around the major characters as usual, the writer has tried to subsume perspectives of seemingly minor characters at parts of the story, thereby helping the viewers to relate on a larger range and understand their feelings in a deeper sense.
The trio friendship of Insook, Seyeon and Mido is another thing to anticipate about in the drama. They came from different backgrounds and had difference in their mindsets, yet the way they blended with each other and consolidated their friendship on a robust base, was an overwhelming watch.
The long conversations were my most favourite thing about this drama and let me tell you, you'd encounter that quite a lot in here. The simple yet very important topics discussed were heartening enough to jerk tears. The way the characters express their emotions was wholesomely gratifying.
The bucketful romance is surely satisfying if not something very new and has some cliché tropes. I am sure warm pure romance is not everyone's cup of tea but I wish people become fond of it. In Sook and Woo Chan as couples were both adorable and fierce; their chemistry was up to par though not very extensively portrayed, and I think it was intentional and also feel it was of appropriate amount.
Final Remarks... "The One and Only" is a drama of unique mood. It's hugely a story for those who are admirer of quiddity lf life, slow pacing, long conversations and warm romance. I absolutely loved it but given that I can't ignore the technical aspects I would have to reflect the shortcomings in my ratings too. I would definitely recommend you to give it a try.
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Unpopular opinion but honest...
Ok, here is my unpopular opinion. After years of people recommending this drama, and so many perfect reviews, and a brand new season, and a pandemic, I decided to finally watch Stranger, and honestly, I was bored. I kept waiting to get sucked into the story and it never happened. I kept wanting to root for the blank-faced Hwang Shi Mok, but I was as indifferent to him as he looked. Bae Doo Na as Han Yeo Jin was the only character I really liked a lot, and I did think the Lieutenant and Prosecutor duo had some great moments together, but as for the story - mostly I was very VERY bored.I admit that I don't have much interest in political crime dramas. I prefer thrillers, and this is definitely more crime drama than thriller. It starts off with a thriller vibe, but the pace was very slow and even tedious to me at times. There are several characters who are duplicitous, which is the main focus of this story, but not as much actual action and suspense. Most of this drama is conversations, arguments, eavesdropping, thinking aloud... LOTS of thinking aloud... I consider myself to be pretty analytical, but the plot didn't grab me enough to justify dwelling on the details. There are twists, but nothing truly surprising. There was nothing that made me excited to tune in to the next episode besides mild curiosity.
This is the kind of drama where you really have to love the characters to like it, and I found most of them to be pretty forgettable. The main character, who should have been the most interesting considering his back story, was too flat. I can't necessarily blame any performance, the acting isn't the issue, it's just that I had a hard time caring about any of them based on the plot. One character, Shin Hye Sun as Young Eun Soo, seemed completely unreasonable to me and I just couldn't sympathize. Other characters started to feel one-note, with lots of corrupt, greedy, and ambitious tropes.
Would I watch this again? Clearly not. I was tempted to watch this mostly in preparation for the 2nd Stranger season, but I will most likely pass on that one too. Well, maybe I'll give episode one a chance... but just out of more mild curiosity.
Overall, if you are not excited by the story early on don't expect it to be more exciting later. Most of the action is in the very beginning and the very end. I did become more interested around episode 14 and that's a long time to watch and wait for some excitement. To be honest, I should have dropped this and left it at that but with so many amazing reviews I was tempted to see if it would all be worth it in the end. The end is well done in some ways, and everything does come together, but for me, it wasn't worth completing. I wanted to add my opinion just in case anyone has a similar feeling while watching and is on the fence. The payoff wasn't big enough for me to justify recommending this. The most disappointing part is how they barely go into the main character's backstory, which would have been far more interesting than just watching him be slightly smarter than everyone with a mostly emotionless face, and maybe would have made him less boring to me. I won't say it's overrated, but it's certainly not for everyone. If corruption dramas are what you love you will probably like this way more than I did. If you find yourself wondering if there's romance... you probably want to skip this one. The political thriller shows I like are more like "House of Cards", but If watching someone solve a jumbo puzzle for 16 hrs sounds like a good time, you're in luck, because that's what watching this felt like to me.
Part of me wonders if high expectations made me dislike it more, but that's also what kept me from dropping it for good.
This isn't my first time not liking a beloved drama, so I'm fine being one of the less impressed few.
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LOTBS was a solid drama that I fully enjoyed watching week after week. Was it amazing though? Maybe not so much. I definitely enjoyed LOTBS far more than I would care to admit, as there was some lack in plot direction-sometimes the same problem would meander for a few episodes, or the villains had too much screen time not being threatening so it wasn't compelling. The villains were not that smart, plain out. They were stock and annoying to me. They didn't pose much threat and I was just not a fan, honestly. I couldn't relate to them whatsoever except for one. Lee Ji Hoon gave substance and sympathy to Chi Hyun as a character.
Now, the beginning in Spain was lovely visually and a good start to the drama. The plot of LOTBS is pretty simple: you get the mermaid on land antics, then the starting to care to actually caring relationship. It's nothing new, but I still loved watching it. It could be that Lee Min Ho is the best I've ever seen here. He's emoting well and I no longer think his acting has huge limitations because he's portraying so many different emotions here-romantic, familial, and family.
The OTP between Joon Jae and Shim Chung was cute and touching at times but I felt like it lacked a bit of something. I think there was some emotional disconnect in some scenes. As a whole, though, Lee Min Ho and Jeon Ji Hyeon had good chemistry and are visually stunning together.
The bromance was spot on! If you like bromance, then this is the drama for you. I love Joon Jae, Tae Oh, and Nam Do together. They are just too cute.
I was a little disappointed that the story became more about reincarnations, rather than mermaid folklore. The drama did drag in some spots here and there so it could've benefitted from a tighter episode count.
I liked the OST a lot! It had nice instrumentals and the theme songs were very fantastical and appropriate to the story.
LOTBS wasn't the next DOTS everything thought it was going to be. However, I did enjoy this drama a lot throughout its run. It has all the elements to be a great star-crossed lovers romance, but it just lacked the extra oomph. Despite that, I still recommend it for its light-hearted, romantic fare that veered melodramatic in the latter half, but pulled back to the fluffiness I love eventually.
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This review may contain spoilers
Uneven pacing, rushed story, and a fizzled out romance really disappointed me
SPOILERS....Overall, I was very disappointed with part 2: They had some amazing scenes: Pretty much all of the emperor, empress, consort Yue, and 3rd prince scenes were awesome!
I also loved the arc where CSS, YSJ, and 3rd prince team up to help exonerate LBY. Those episodes were amazing and the FL was consistently smart again during this period. I remember saying to my sister, "we're back with part 1 FL and why couldn't she have been more like this for the entirety of part 2?"
But the arcs after this were almost all terribly rushed and edited. The Lou Ben arc in particular was a complete disaster! Probably the worst edited scenes in this entire drama...the events just happened because the writers said so. More attention and care to the script was needed to come up with a reasonable explanation for why Lou Ben acted in that manner. Someone of his talents and patience wouldn't have committed those acts without something happening that's life threatening to his loved ones. And if he had this dark/twisted/"ambition over everything" side, the drama should have revealed it to us.
And don't even get me started with the most retarded scene of all: The LJT carriage scene where CSS, despite not trusting her, still rides with her alone and ends up almost killed had LBY not come to her rescue. That scene was horrendously written and it makes CSS seem extremely dumb since she clearly doesn't trust LJT, yet chooses to be alone with her anyway without any protection. Like, huh? I thought LBY taught you some moves and if you're unable to even handle a physically weak female, how were you able to lead soldiers and protect villages? Again, this scene was nothing more than a cheap way to make LBY look heroic and to hasten CSS's eventual forgiveness.
Which leads me to the other retarded scene where CSS repeats her mistake: Despite being suspicious of Lou Li (Lou Yao's stupid cousin) and having never gotten along with her, she chooses to go with her alone anyway without any guards (she could have taken any of the dozens that were behind her). Why do the drama creators constantly have the FL purposely placing herself in danger when she had no reason to do so? Why does she constantly go off to dangerous places alone despite knowing she lacks martial arts skills? And what was the point of her previously asking LBY to teach her self defense skills if she never intends on using them in crucial situations?
Not only that, shortly after arriving at the Lou residence, she's constantly eyeing Lou Li with suspicion and wouldn't even drink the soup laced with poison. Yet she still does nothing but roll with whatever Lou Li wants, ending up trapped with YSS and ZJ. The idea that a braindead girl like Lou Li could have successfully lured one of the smartest drama FLs is so laughable and ridiculous -we have truly hit the bottom of the barrel.
If the director needed to get the FL into the trap to continue the story, he could have done so without sacrificing all her brain cells. Seriously, the FL's character in the later episodes of part 2 was so inconsistent, constantly vacillating between brilliance and retardation, that it gave me whiplash. The drama successfully turned her into a walking plot device, being whatever the plot point demands her to be.
The subsequent underground reveal was also rushed: I tried to hold back my laughter when LBY just came leaping down when the last time we saw him, he was still outside and didn't even mention the Lou residence. It's like entire scenes were skipped just to get to the showdowns more quickly.
I also really hated using LBY's near death to force CSS into finally forgiving him: It was done really badly and felt cheap. The drama writers fit his whole regretful speech and near death experience all in one rushed scene to reconcile the leads. I felt nothing as I couldn't even take his near death seriously: LBY was able to take down dozens of guards with only a few followers, yet couldn't even handle a frail woman holding onto his leg? He does nothing to shake her off and only stares up at CSS, waiting to die and see her reaction. It seems the drama creators wanted to make that scene touching, but instead, it felt so unbelievable and laughable. Once again, horrible writing and execution.
The drama writers pretty much went with my worst nightmare: Using lame near-death experiences as a shortcut to speed up the leads' reconciliation. This is pretty much the least satisfying and cheapest way to force a forgiveness in any romance. And it's definitely not enough for our leads' specific situation: LBY abandons CSS when she's already a character with trust issues due to being abandoned by her parents for 10+ years. This is not something she can get over after two near death situations (not to mention they're two of the worst written/executed scenes in the drama).
Overall, the pacing in part 2 was uneven (certain scenes stretched too long while others were too short) and certain arcs like Lou Ben, Cheng family calamity, and the last few episodes all felt rushed and sloppily written. It's like the drama creators ran out of time and decided to just give us all the payoffs without the proper setups, which effectively made everything feel unearned.
I also hated all the whitewashing: No way would grandmother Cheng ever say that she'll save all her treasures to use on CSS (completely out of character). The mother trying to reconcile with CSS also felt forced and shoehorned in just because the writers wanted to tie everything up with a neat bow. If the writers intended on making everyone regret their actions, they would have had to put in a lot more character work and heartfelt interactions to make it convincing. But what we ended up getting felt completely half baked and unbelievable.
Yet, even with all the writing inconsistencies and uneven pacing, I still could have been satisfied had the drama creators continued to deliver on the romance.
Unfortunately, the romance later on was too passive and subdued for me, kind of boring. After five years, I wanted to see LBY really fight to get his girl back, but instead, he stayed too passive and never lost control. That's just not exciting nor is it true to his character.
He's somebody who lost his whole clan as a kid and found it extremely hard to connect/fall in love with anyone. Thus, once he finally found the love of his life, he tends to be extremely possessive and protective. No way would he remain this subdued after five years of being without his girl.
In the novel, as soon as he's anywhere near the FL, he loses control and would end up going after her. That's the LBY I know and love. Not this passive guy that's content to never make a move unless she wants him to...LBY was never the type of guy to watch from afar and keep waiting. He could delude himself into thinking he'd be able to "do the right thing" by letting CSS go only if she's not in his vicinity. But as soon as she comes into his sight, all hell would break lose and he won't be able to stay away from her. Such is CSS's effect on him.
Now, THAT version of novel LBY would have been really exciting to watch: Somebody who's very human and unable to contain himself after being starved of CSS for 5 long years. No way would he be as controlled as he was in the drama. Come on drama creators, where's the passion and desperation?!! Where's the emotional catharsis?!!!
The fighting/clawing and emotional groveling scenes from the book where LBY pleads with CSS to not be so cruel to him would have stimulated the romance like nothing else. It also would have given the actors more to work with and we could have gotten some truly emotional/angsty scenes from them, making full use of their chemistry! I wanted to see WL and ZLS go all out with their acting.
Instead, the drama creators made all their subsequent interactions too tame/subdued, effectively devoid of any tension. The romance simply fizzled out completely for me by the end. I couldn't believe how bored and checked out I was in their final scene together (felt long and stretched out too).
That last sequence showcasing everyone all happy/giddy felt more like fanservice and it just kept on meandering. I could have used another follow-up scene of the 3rd prince and LBY after their touching battle scenes.
In closing, I felt part 1 was much stronger than part 2 in terms of storytelling and quality of script. Even though the love story wasn't heavily underway and there were less intense plot points, the actual slice of life story presented was much better told. Other than a few minor quibbles (FL mother's repetitive criticisms, some unreasonable amplifying of bitch drama, and the FL's love revelation), I found the overall pacing and storytelling of part 1 to be pretty even and smooth. There weren't any arcs and story events I found to be sloppily executed or confusing. The FL's characterization was also much more consistent, unlike part 2, where she's smart one moment and foolish/sloppy the next. Altogether, much more care was taken when filming and writing part 1.
I'll still give the overall drama an 8.5/10 (very generous rating mainly due to my HUGE bias) due to the storytelling in part 1, our favorite royal trio/3rd prince esp. in part 2, the intense LBY trial in part 2, and how invested I became by its world and characters. I also loved the initial tension and buildup of the leads' romance up until the manor massacre.
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Wow, that was as dull as dull can get.
This had a lot of good ingredients - it's well-shot, the central love story is reasonably coherent and realistic, and it's full of charismatic and beautiful actors. Regrettably, all except the main pair.Soh starts out well - he's strange and awkward, but he ends up more or less unlikeable for the ridiculous cliche he's saddled with to generate drama near the end of the series. Mon is dull and tiresome all the way through. The problem here is that when you put two depressed, introverted emotionally distant people together, there's really not a lot of chance of chemistry or any sparks at all.
The character of Saint is interesting and different, and played by the etherial and beautiful Offroad Kantapon, who I hope we see a lot of in the future, but I'm not sure what the point of the character was - but you could say that about almost all the characters.
The cast is gigantic, with characters coming in, taking up some time, then disappearing without ever accomplishing anything., and somehow led to not even one secondary couple, which was desperately needed to contrast with the almost supernaturlly dull main couple. One of Soh's bandmates, Q, has an interesting interaction with Mon's youngr brother Micky that had so much more chemistry than the main pair that I wanted them together badly, even though Micky's a bit too young to date a college student - I hope we see more of the actor, Copper Phuriwat, too. He's adorable and charming. The characters Poon, Q, and Tack also made impressions, but the caliber of the supporting actors was in general high.
The problem with this series is the pacing. Not the pacing of the plot, but the pacing of each scene, more specifically the dialog. They are way too long, with people taking 45-minute pauses between each phrase, a strange virus that's infected Thai BL lately. The acting style of the genre is already very understated - adding to that an incredibly slow line delivery is just fatal.
This also had the misfortune of airing on the heels of the much better You're My Sky, another basketball series. Why is basketball the only sport allowed in BL? It's not even in the Top 10 of popularity in Thailand - far behind volleyball and badminton. I guess because it wouldn't be the same if ukes got hit in the head with a shuttlecock whenever they stray near a badminton game.
Anyway, I can't recommend this. There's no payoff for the time invested, and it's so boring that it feels dull and slow even set on 2X speed.
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So I love all the actors and the story is alright if not a little banal...but wow what a fkn trainwreck. I had such high hopes for this - Matsuda Shota, one of my all time favourite actors and Taemin (I am a big Taemin fan) in a drama together?! I was so excited. But...whether or not it was the director's decisions or the production company's decision or whoever - the drama felt lazy and engorged. The flashy film-student-esque cinematography and casting of the massively popular Taemin does little to hide the immensely awkward self-indulgence and at many points, the drama - and the actors - come across as painfully self-aware (and not in the good way).
Here are some of the GOOD POINTS:
-Actors: They had some big veteran actors come on board and Matsuda Shota was definitely one of my favourite aspects of the drama.
-Cinematography: Though I hated the over stylised, MV-like cinematography, there were a few shots and sequences that were beautifully shot. Also, some of the cuts were interesting choices to make on the director's behalf. I mean, I'll give kudos where it's deserved. I'm not entirely unfair haha.
-Potential bromance: Taemin and Shota's characters could potentially have had a fantastic bromance/friendship. However, it was let down a bit by the lack of chemistry between the actors. Needless to say, this is my opinion. You might read it differently.
-Music: Music is A+.
-Violence: I LOVE violence and gore and action and this drama does a great job of throwing out unexpected, sudden violence.
BAD POINTS:
-Actors: You can tell Taemin is a little uncomfortable in this role. Maybe it's the language or maybe it's the writing or the directing. I just think he's been totally underutilised here. I really hope he's able to show his true potential in his next acting role. I was disappointed here.
-Plot: Bleurgh. It's very slow-paced and it didn't hold my interest very long.
-Cinematography: Seriously, wtf. It reminds me of the kind of style that the overcompensating hipster film students would utilise for their projects (you know the type - the ones who would list Tarantino, avant garde french films, and vintage Belarus fashion as their creative inspirations). It's uninspired, confused, awkward, flash with no depth, and a little too forced. Also, the lighting proved to be distracting a lot of the time.
-Pace: Just.........wow. I watched a few episodes at 2x speed and it was still slow.
-Obligatory MV Time: Like the surety of ad-breaks when watching your favourite drama on Viki, Obligatory MV Time rolled around like clockwork. It's essentially a random 30 second music video thrown into the middle of several episodes. It's quite jarring when it happens actually. One moment, you're watching a drama and the next you're watching a Taemin MV. They did little to push the plot forward and what little plot they did tell - I just found it to be a lazy technique of doing so. I personally skipped past these bits.
In fact, I skipped past a lot of bits because I couldn't stand the cringe. I guess some people would love it, some people would hate it. I just think there needs to be more consideration before hitting the 10-rating because Taemin and Shota are starring in the drama (though yes, they are super pretty and pretty super).
IDK what you'd take from this. Watch if you will I guess?
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James did an amazing job as Boo. I believed every second of his acting and it truly broke my heart. I could clearly see how vulnerable he was. How he fought, gave up and fought again. The few glimpses of hope he showed, how it motivated him to take action, but also the fear that paralyzed him at times. The whole arc of the character was amazing. The parallel between the beginning and ending scenes created this perfect, cohesive picture. Truth to be told, when I saw the ending sequence with Boo's narration I was shocked by how perfect it was. I would not change anything. The most satisfying ending I have ever seen in a drama. I could see that a lot of thought and planning was put into filming and writing it.
The good writing can also be seen with Bell's character. In the beginning the conversation she has with her superior about the connection and empathy she feels to her patients was foreshadowing of what's to come. She was an amazing friend to Boo, but she was truly not that good of a psychiatrist. And I am 100% fine with it, as it was well written for her character. Not only was she just an intern, so she did not have that much practical experience yet, she also picked that specific job because of emotional and personal reasons that made it hard for her to stay objective.
I love how the show tackled the issue of how depression can affect others around the patient and how hard it is for people who have never been depressed and have no psychological/psychiatric knowledge to understand it. Starting with the dad, who had a hard time accepting his son might have such a big problem, to Simon who might have had good intentions, but at times his actions were not fitting when dealing with someone struggling emotionally like Boo.
The show hints about many issues concerning mental health. One of the lines that is stuck in my head is "You think because he's depressed, he can't do anything wrong?" said by one of Simon's friends. Just this one line made me pause the show. I started to think, how much responsibility can a person with severe mental problems really take, how can a victim of their actions feel and react when they can't even truly blame anyone for what happened? Who should take the responsibility? There were many moments that just made you stop and think about the presented topic.
I also have to talk about the clever editing and them trying to visually present the symptoms of depression and Boo's feelings. I felt like they truly wanted to make sure the audience would understand the presented content. The perfection of the scene that was Bell explaining to Boo's dad the core idea of what depression is, was too perfect for me to describe. Her psychiatric approach and explanations intertwined with Boo describing how these symptoms express in him... wow. I literally clapped as I was watching this scene, because I was simply so impressed.
That said, even though in my eyes, this show is pure perfection, it's not for everyone. It's extremely graphic and at times emotionally exhausting. It presents the severe case of depression with all the symptoms of it (including self harm and suicide attempts). It might be too heavy for some.
I would recommend it for anyone who struggles with grasping the idea of mental health struggles and feels like it's hard to imagine how it can manifest in a daily behavior and what it truly means. The explanation does not get any better than here.
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i dropped it i’m sorry
the show was good at the start, pretty much therapy it was so sweet and silly. until i’m not gonna lie it just got a bit boring… jimmy came in and there was a whole backstory and everytime there was a backstory i just could never be bothered to watch or care about it, it was obviously relevant but it felt like it was dragging a bit. i was on my phone for most of it because it was dragging on and on… tbf i saw a few clips and it turned out to be like quite sad or smth idrk, clearly i had dropped it by then. i’ve got no idea if i’ll ever complete this but it’s really not appealing to me.it was silly and fun until it just felt like jay kept changing his mind and confusing sant and sant was falling for him but kind of refused to accept it, it just felt like it was never gonna work out especially when jimmy came in… i mean someone can totally prove me wrong and reply and tell me that it gets better but ive had it dropped for so long now, i think i got to like ep 6, started ep 7… kind of tempted to maybe keep going but i think i’d rather just watch something else
i think markohm deserved a better story because i know full well that they’re both incredible actors with lots of chemistry. i love them still but this drama is just not doing it for me
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This review may contain spoilers
TTEOTM compelled me to make my first MDL review
Till the End of the Moon (TTEOTM) was adapted from a DARK ROMANCE novel literally entitled, "Black Moonlight Guaranteed Bad Ending Script". Please let that clue you in but not deter you from watching the drama.The story mostly follows the plot of the source material. On the toxicity of the ML and FL, the drama does not even compare to how cruel these characters are to each other in the novel. I do not defend toxic relationships in real life but this fictional premise is set up for the characters to hate and love in equal measures. Li Susu, who saw the annihilation of the sects and the destruction caused by Devil God, was sent back to kill evil fetus Tantai Jin. While drama Tantai Jin is more sympathetic, it doesn't remove the fact that his existence means eventual destruction. Li Susu is ruthless because their love, hate, and personal desires are secondary compared to the saving of the Three Realms. The inherent conflict is already there.
Xianxias are influenced by the philosophies of Taoism and Buddhism thus showing concepts like Yin and Yang, severing worldly desires to attain immortality, and living in harmony with the universe.
These are overarching themes that go beyond the typical love story and the reason why the drama ended so.
I personally thought the editing of the first quarter of the drama was on point but suffered from occasional editing issues after that due to the regulation change. The Bo're Dream arc should have been shortened to flesh out the mortal and immortal arcs more. It would have been nice if more focus on the resolutions of different storylines was made, too. However, the story was mostly intact and comprehensible.
The acting of most of the cast is unassailable. Luo Yunxi and Bailu embodied the different characters they portrayed with such deftness. It was amazing to see the nuances in their behaviors and mannerisms so you can tell them apart not just because of the costumes.
Speaking of which, these are perhaps some of the most beautiful and impactful costumes I've seen. The designer drew inspiration from different Chinese cultural elements and really brought forth the resurgence of the Dunhuang style.
The CGI was outstanding especially in the battle scenes and the sceneries for the different realms. I do not know what standards people have for special effects but I have seen several xianxias and TTEOTM has one of the best.
The OST and scoring were fine but nothing to rave about. There were occasional jarring use of that romcom style song that I personally thought didn't suit the drama as a whole. I do recall two specific scenes that had perfect use of soundtrack - Black Bird for the Water Festival scene and the OST used for the farewell talk between TTJ and LSS in the last episode. Those gave me goosebumps.
As for the rewatch value, let me just say that in my years of drama watching, I have not rewatched any because I feel the time I have spent watching it once is enough already. However with TTEOTM, I have not only rewatched scenes but entire episodes so that I can fully appreciate the details. I am even planning to rewatch the entire thing from the first episode. LOL!
Many of us here watched TTEOTM and know that it has its highs and lows. We love it because, even with its flaws, it resonates with us. It is perfectly imperfect and it is one for the books.
P.S. Many of us still can't over it and if it is true for you too, please join us in our friendly forum community. 😊
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THE BEST LIGHT HEARTED DRAMA for people who looking for it
Its so disappointing to read other review .. such childish to just rate drama by just watching 3 episode where the female lead character not yet developing... but who cares.. because its reach 8000 bilion popularity and this morning result too being top 1 in certain social media platform... if you hate the female lead character to the core and have beef with "her" thats mean crystal yuan have successfully potray her character LOL .. that some of you being emotional like crystal yuan was really PRINCESS LIU LING lol 😂.
What i can said is.. this is LIGHT HEARTED drama if you looking for masterpiece drama go watch LOVE AND REDEMPTION.. ANCIENT LOVE POETRY... MY GENERAL AND I... STAND BY ME... this is not drama where you have to wreck your brain or being deadly serious... its fluffy.. romantic.. but still heart wrenching...
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What i can said crystal yuan and zheng ye cheng have good chemistry and both of them potray their character very well... congaratulation to them
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So i HIGHLY RECOMEND you to watch this drama if you looking for light hearted and fluffy drama.. but you need to continue watching it because the female character annoyed at first 5 episode then its slowly develop and you will know why her character made lole that.. and you can see the other side of the female lead...
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Its enjoyable drama for me... bring all the emotion .. sad.. happy...funny... romantic
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This review may contain spoilers
Dramas like these are tough to review. Really. It's not BAD so much as...lame. The story is lame, the acting is lame, EVERYTHING is lame. You could see that the director REALLY, REALLY wanted to paint this grandiose picture of the leads' life amidst the (admittedly beautiful) backdrop of the Shanghai skyline, but fell flat when a cold dose of reality set in: it isn't interesting enough. Had the story fallen into the hands of a talented writer, it could have been so much more. The potential was there. I could see brief glimpses of it when they tried narrating how exactly the female lead ended up getting amnesia and forgetting our male lead (this isn't a spoiler, btw, the description is just half done.) But after the first few minutes of the first episode- poof! We have to wait for MANY, MANY more episodes of unnecessary yammering and plot fillers to get to the actual point. And when it does- it still doesn't.
52 episodes for what could essentially be condensed into a 10 episode drama is excruciatingly painful. Each scene, each event and each action is stretched like a rubber band pulled far apart by nothing but prayer. Each episode was 40 minutes. 40-freaking-minutes. At one point early on in the show, the male lead tries persuading the female to join the contest (yeah, that's another thing they don't mention in the description) for 2 EPISODES! Hell, screw the writers, I would get massively unimaginative if I had to fill 52 episodes of this thing.
The acting is Terrible. The capital T was intentional. Is Ma Ke supposed to be attractive? I don't know. All the female supporting characters in the show seem to think so. He certainly wasn't a good (or even decent) actor. Guan Gabrielle was good as long as she didn't do anything because, in many ways, she was a worse actor than Ma Ke. The supporting characters are so utterly forgettable and recycled from other dramas they aren't even worth a mention.
Lastly, the female lead is supposed to be like, the best dancer (or something?) in the university she attended in California but SUCKS everytime we see an actual performance of hers. One of the judges instantly takes a liking to her because she reminds her of herself and (even though she ruthlessly denies it all the time) gives SO much leeway to the stupid shit our female lead does. Heck, even during this 'really important performance', she chooses the female lead's team that performed some boring shadow act with minimal dance over an actually decently choreographed, power-packed team in a DANCE COMPETITION. Why? Because the her team had actual "heart" and understood "the value of a team."
Yeah, give me a break.
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This review may contain spoilers
Generic in Disguise
Attracted by the warm glow, the sparkly dresses paired with fairy-like make-up and accessories, and the funny, almost “never-seen-before” atmosphere in a wuxia/xianxia-ish historical Chinese drama, I thought this would be a refreshing take on the transmigration-into-a-novel trope. But I was proven wrong… unfortunately.Transmigration was merely a backdrop for a straight-up royal political intrigue, and a generic one at that. Your typical struggle for the throne, with revenge turning a supposed male lead into a villain and a greedy queen who just wants power and money.
The villain, Xiahou Bo, is a hell-bent character who wants the throne and hates Dan at every turn. But his hatred doesn’t feel justified. It often comes across as if his actions are driven by whim rather than depth, which makes his character feel flat and underdeveloped.
The Empress is similar, existing mostly for the audience to hate and condemn for her actions toward Dan.
Our male lead, Xiahou Dan, has so much more to his character and story. He represents the darker side of transmigration, different from the glamorous fantasy one might imagine when traveling into a novel. He entered the novel at the age of fifteen and had to endure everything from that young age. The trauma he experienced and the life he lived are deeply tragic. Yet the way other characters reacted to his story felt lacking, almost as if they never truly processed what he had gone through. Had the lens shifted more toward his perspective, it would have been a far more intriguing drama to watch, even if it meant embracing a darker tone.
Our female lead, Yu Wanyin, is head-on and headstrong. However, the way she processes waking up in a fictional novel feels far too quick and almost unrealistic. Her goal is to survive the story, not by trying to escape the novel, but by making sure she is the one who has the last laugh in the end. That, to me, is the entire issue. There is no moment of grief, no confusion, no desperation to return to her original life. It was strange how easily she seemed to throw her previous life away and fully integrate herself into this world. She barely thought about her family, only bringing them up later when convincing Yong-er to side with her. Her attitude did remind me of Ting Yan from When Destiny Brings the Demon, where she accepted her fate and did not care much for her real life because of how overworked she was. But the drama never showed Yu Wanyin or Wang Cuihua having such a difficult life to justify that kind of detachment. Without that foundation, her mindset feels less like strength and more like narrative convenience.
The chemistry between the leads is there. But perhaps the circumstances placed them together too conveniently and too quickly, leaving no real room for proper development. Because of that absence of growth, the chemistry never moved beyond a slight spark. It was not bland or flat. It simply existed. Not the kind of chemistry that makes you swoon or feel something deeper beyond what is shown on screen.
Other characters also felt used for convenience, with little depth to properly sympathize with or feel intrigued about what happens to them.
Overall, the story failed to meet the expectations built from what the trailer teased. It was not a story about a transmigrator finding her way through a pre-written narrative. Instead, it was your usual historical political plot with a dash of sparkly dresses, pretty make-up, and good lighting.
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THE SHOW GIVES WHAT ITS SUPPOSED TO GIVE!
Park Shin Hye is having the time of her life with this show...💅💅. She has executed the character to the T. Da On (downy...lol🤣 according to Kang Bitna his name sounds like that detergent) has a face you cant help but like.One question though, does anyone know why Kang Bitna broke up with Assemblyman's son? Why is the second son also very creepy?... And the other demon dude that Arong killed coz he showed emotion?
There is no boring scene in the Judge from hell from the very first episode to the current one!
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1This review may contain spoilers
Attentive drama needs to meet people who know how to taste.
This is not just a drama that simply catalyzes sweetness. Under the vast background of the sea of stars, it restores the ordinary face of life, but creates a romantic atmosphere, adult love is not only sugar, but also insurmountable helplessness in life, and it also comes from hormones. Impulse, and love and pursuit of ideals. All these sentiments are presented in the passionate interpretation of the two leading actors. The ingenious combination of lighting and space scenes pushes the delicate expression of emotion to the extreme. This kind of drama in which all members are devoted. It is worth savoring carefully, 10 points of great drama in my mind.The leads Just played Their characters perfectly. Chemistry, romance, emotions every single thing was perfect. Absolutely Best modern Romance Chinese drama of This year so far.
Love Yu Tu the most. He really showed us the realistic things in life. Yu Tu represents not only aerospace workers, he represents thousands of ordinary people. Qiao Jingjing showed us the purity and sincerity.
As an a brilliant aerospace engineer, the male protagonist Yu Tu struggled between reality and ideals, and at this time he got the star heroine’s favor. Love and encouragement, and re-enter the path of the stars and the sea. This process is the core of glory and the concentrated expression of the "drama" you said. Compared with the common derailments, births, misunderstandings, childhood sweethearts, and glorious romances in current romance dramas The plot is obviously more realistic and advanced, and also more romantic. A large number of life and supporting role plots also make the influence of stars and astronauts fuller. In short, compared to the classic and excellent TV series with high tide, you are my glory closer to the healing anime.
Finally, I would like to confess that Chen Xueran's "Born to be an Eagle" is very well written.
Also, Yang Yang is the YYDS!
People who seek for true real life dedicated drama, it's one of the best one.
Must Say greatly done every single thing in this drama.
Can’t get out of the glorious world, I believe there must be a parallel time and space. This beautiful story continues. Never going to forget Yu Tu .
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Either way, a waste!
Having watched the original show “Jane the Virgin”, I was, at first, a bit hesitant because I liked that. But then I thought I should check out how the Kdrama essence changes it. And I am sadly (not really) declaring that they did fail and this was entirely a horrible attempt. It was obvious to compare this with the previous but then I thought I should actually consider it as a separate show because things must have changed with given circumstances, which did happen. Either way, it did disappoint.Developed by ‘Studio S’ & ‘Lifetime’ and produced by ‘Group 8”, “Woori the Virgin” is a comedy melodrama plus partly romcom drama, adopted from the American satire telenovela “Jane the Virgin”. Written by Jang Ah Mi and directed by Jung Jung Hwa, the drama was broadcasted on SBS TV and internationally distributed by “Viu” in limited countries. Notably, this is not a remake of the original show, rather an adaptation since all the 5 seasons from have been summed into a single season. Also, the show reunites Sung Hoon and Im Soo Hyang after 6 years who, again, happen to have debuted together 11 years ago.
Oh Woo Ri (Im Soo Hyang), daughter to a single mother and raised alongside her grandmother, is a woman in early 30s who has been virgin due to her religious beliefs. During a regular checkup, she gets pregnant due to medical malpractice at her OB-GYN clinic. To her surprise, the sperm owner turns out to be a man Rafael (Sung Hoon) with whom she had a momentary fling five years back. As she decides to keep the baby and the story follows the consequences and unfamiliar events she faces.
Lee Kang Jae (Shin Dong Wook) is Woori’s boyfriend and a detective. Other familiar faces in the story in various major roles were: Hong Eun Hee, Yun Won Kyung, Kim Soo Ro, Lee Do Yeon, Nam Mi Jung, Hong Ji Yoon, Joo Jin Mo and Yun Woon Kyung.
Plot development was the entire problem with the drama. The remake was a bad idea; they could have made a story based on the concept but they went for an adaptation, making foolish decisions. The pilot episode did its job of creating an impression at the end but the episode, as its own, was not very pleasant. However, the furtherance following that and the set of events became interesting with plenty of comic elements and revelations done for the major characters. To my disappointment, it didn’t last long; it seemed smooth till 5th but what happened in 6th and the way the episode ended, I was skeptical about the rest of the show, because it hadn’t even reached its interval.
With only the crime scandal and the main culprit left to be unveiled, everything else became stupid and not worth of watching as soon as the 7th episode started. I can’t say that the mystery plot and the investigation process kept me engaged, it’s just I wanted to know the culprit’s face even when the show had already fallen through, that’s it. It kept getting stupider and logic-less towards the ending and for my habit of not being able to leave anything unfinished, I watched 7th-14th at 3x, ngl.
Emphasizing on my opinion, once again, adaptation isn’t an easy job as it seems. Even if the audience doesn’t expect you to justify the originality, as a writer, you must be careful not to mislay the essence of what’s been presented earlier, which the debutant Jang Ah Mi jakka-nim clearly failed to accomplish. First of all, the idea to adapt a 5 seasoned show was stupid to begin with; secondly, it could have simply referred to the story and created one of their own; finally, bringing all the 5 seasons into one was where they stooped to rock-bottom.
With not being able to create something noteworthy in his almost 15 year caarrer, Jung Jung Hwa PD-nim has again failed to bring another drama to justice. The flow of direction was inconsistent, very much. Things like screenplay management, sound editing and screen editing might have been handled to par but the erratic pacing and irregular development come as annoyances. While the first half was smooth and worth the patience, the latter half becomes too rushed in order to include everything within the predetermined quota. Imo, they could have made to more episodes, minimizing the damage.
Composed by Choi Seung Kwon, the show has a total of 5 OSTs and my ‘Kdrama OST Sucker’ heart couldn’t bring itself to love any single of them. I would say ‘”I’m In Love” by Sin Ye Young was the only likable track which also fits to the drama. While “Gosh” by Jessi is a fabulous track individually, this has no particular essence to be contributed to the show. Other 3 tracks are: “Sunday to Monday” by Woody and “I’m goin’ crazy” which has both male & female versions, sung by Kim Bum Soo & Lee Young Hyun, respectively.
What I liked…
Nothing really
What I didn’t like…
# Sung Hoon’s acting doesn’t improve remarkably even though he has been acting for a while and his irregular casting should be the reason, but it’s obvious he isn’t getting many offers bcs there seems no will power to improve. He could utilize his time in taking classes. (Some of y’all will come at me foe this but fact never changes.)
# Character arcs for many were shoddy; not even the 3 leads had anything significance. Flaws make characters realistic but for a 14 episode fictional drama there were way too many flaws, provided they didn’t have a single fraction of development. In the second half, it wasn’t even funny rather ridiculous.
# Kang Jae’s character was horribly written with no particular sense. As a cop, he didn’t show any trait that would make him a good detective. The number of times he and his wit failed, implied his incompetency and also showed how incapable the police is. In short, this was so very unrealistic and had no logic.
# Chemistry between the 2 possible pairs were zero. While Im Soo Hyang did click with one showing little compatibility, pairing her up with the other was so useless and was presented with cliché elements as fillers only. The original show was convincing, but as the culture and essence have changed with the remake, the same felt extremely stupid here.
# The illogical plot devices were irritating in the sense that they did repeat few just to stall time and match the timelines of different subplots. Then, they used some just to fill the gaps created due to the removal of major events from the original show. Finally, the way of representation was choppy.
Final remarks... Overally, “Woori the Virgin” is not only a bad remake but also a poor quality show if you don’t take the original show into consoider. I came here knowing I might get bored but the stupidity and failures have made me mad. I understand the low budget is where the problems stem from but we have seen enough such cases, where makers have aced the race despite every hurdles. Since the show has way too many cons and almost no pro, I decline to acknowledge it as an average show, even. Don’t watch.
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