This review may contain spoilers
How can you tell it is a romantic J-drama? Shhh! Don’t interrupt the skinship.
In J romance dramas we trust. I do declare! The Japanese really know how to deliver a short, nice, easy-binge drama that just seems to hit the spot.There is no point in calling out the drama for being shallow or one note. Let’s be honest, most of this type of j-dramas can be summarised on the back of a small napkin. This is also the difference between a j-drama and a similar Korean show. The Korean version will overthink and overwork the plots and probably add a lunatic killer, just because. On the other hand, an equivalent c-drama will be stretched to 40 episodes, and we shall pray for deliverance from the endless angsty tropes and breakups. Not that j-dramas don’t have tropes, there are plenty. However, they are usually under a tight rein and the plot is distilled into a set of key markers so that we get what is needed just at the right juncture.
For this drama, the plot can’t be simpler. We start with a cohabitation trope between two long lost high school classmates. This is signed, sealed and delivered within the opening minutes. The rest of the show is all about how the ML confesses (repeatedly) and pursuits the FL tirelessly. All the while chipping away at her armour and make her fall in love with him even though he is the one who is obsessed with her for 10 years.
Before you jump to the conclusion that he is some kind of psycho with despicable design on the poor hapless FL, you need to take a chill pill. ;) What you will find is a ML who is totally devoted to the FL and pretty much worships her. It is also important that he respects her and will do anything to please her and protect her. All this is done in an open and adorable way. He certainly has no problem telling her how he feels. It took a little longer for the FL to reciprocate though.
Needless to say, he yearns for her, but he is willing to wait for her to accept him first. When that happens, it is on for young and old! Our skinship quota went into orbit. Don’t get me wrong. It is not sleazy nor egregious. They accept that physical intimacy is an important part of a healthy relationship. FL went from being unsure and timid to being quite bold.
Like other similar j-dramas, we see a steady progress in their relationship. There are lumps and bumps along the way but they work to overcome them as a couple. Communication is the key. They are also sensitive to each other’s feelings and will act upon signs before they fester into sores.
Most importantly, the ML helps the FL to thrive and embrace the world beyond books. There are many sweet and swoon worthy moments. Don't judge this show by its poster. ;)
If you are a romantic looking for a straightforward, swoon-y show then add 1 extra point to the score. Seriously, if you feel jaded after watching a disappointing or just plain exasperating “romance” drama, just fire this up and lose yourself in it for a few hours. This show will make you believe in true love again. Highly recommended.
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This review may contain spoilers
BRACE YOURSELVES, LONG REVIEW COMING!It’s kinda hard for me to rate and review this drama as a -one thing- because the -mini drama- doesn't follow one story line so, I’m rating them and reviewing them individually. The general rate it’s basically an average I did with the rates I gave to each story, but if you don't wanna read the entire review just pick the story you want to read or if you don't want to do that either and just want to know if this is worth watching, then, yes it is worth watching. If you like love stories in general you'll definitely enjoy this hehe...
So, let's go!
NO SPOILER
*1st story* -Seung Yeon and WooJin-
Overall rating--- 7.0
Rewatch value--- 5.0
A kinda heartbreaking story about a couple that has to face death and loss in their relationship, this story also has a sci-fi-time-traveling plus that makes it interesting and different. The story can make you cry and laugh and make you sit at the edge of your chair because you basically don’t know what’s gonna happen later, so you suffer with the characters. It has a pretty good acting of both sides and a satisfying ending, the chemistry between them was ok, I didn’t feel an awesome connection but it was good enough to make me root for them.
*2nd story* -Goo Hara and Kim Young Kwang-
Overall rating--- 10
Rewatch value--- 10
Oh my...! I’m so glad I watched this, seriously. The chemistry was like BOOM! I totally felt the sparks when they were together. Ok, the story goes like this: This shy and ordinary girl who works in a convenience store, one day realizes that she has terminal cancer and makes this list of things she wants to do before dying, and in the path of fulfilling these wishes, she meets (in a very odd and funny way) this crazy-problematic guy who is gonna become our hero, so the rest... You have to watch it. The story is clever and funny and the reason is that the characters are the strong point of the drama. They are so loveable and enjoyable, because they are real and they have flaws and craziness and energy and chemistry, and problems, and scars and fears and so on... I liked that this drama took a serious and sad topic like this one and turned it into a light and easy-to-watch thing. This could have been a perfect 16 episodes drama :)
*3rd story* -Kang Ji Young and Bae Su Bin-
Overall rating--- 7.0
Rewatch value--- 6.0
This drama tells us an innocent lovestory, I’d say a one side lovestory, but probably you won’t agree with me, anyway, after you watch it you can describe it as you think it actually is. The acting was pretty good of both sides, and the drama has a plus that I can’t tell you but it’s basically the soul of the story, in other words the writer of this drama is genius srsly. Hehe, although it takes a little to take off but it's worth watching 'till the end.
*4th story* -Jung Nicole and Lee Kwang Soo-
Overall rating--- 9.0
Rewatch value--- 7.0
I don’t have much to say about this one, although I really enjoyed it. The story follows the journey our main characters have to follow to solve a riddle that will lead them to an inheritance. The story has 2 kinds of love. One is the father-daughter’s love and the other one is the love between our couple. The acting was GREAT! I loved Jung Nicole and Lee Kwang Soo’s acting sooo much! And also the chemistry was awesome.
*5th story* -Park Gyuri and Ji Chang Wook-
Overall rating--- 10
Rewatch value--- 10
Please watch this story!!!
This one was probably my favorite one, although I didn’t like her character that much, actually I found her kind of annoying sometimes, but still...
Her character is the perfect Oh HaNi (Playful Kiss)- If you know what I mean-, a crazy, prideless stalker girl, but still cute. She works for a travelling agency in Jeju Island, so you can imagine how beautiful the scenery is.
His character is super enjoyable, he’s kinda jerky, he’s kinda cute and funny and DAMN! This man is beautiful, it should be illegal being this mesmerizing, srsly. He’s an angel, actually he’s her guardian angel and that’s what makes this story awesome. The way these two meet and how they develop the angel-human relationship was pretty well written, performed and directed.This is the only one story of the series that has a second male lead and an actual love triangle. I was really sad when this ended because this SHOULD be a 16-20 episodes drama. Who do I have to talk with to make this a drama? Please drama gods!! Come on!
Sorry for the long review... If someone actually reads this, thank you and I hope this has been helpful to you
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First, there are SOOOO many unnecessary story arcs that didn’t need to happen. They literally did NOTHING haha Dr. Ruan’s dad dying, for one. Why did he die? Why did they keep that?Another was the story arc with Dr. Ning’s son. All they had to do was just integrate the birth mom into their lives and write her in as just being a part of the new family dynamic. The entire second trip to Africa was utterly a waste of time, memory cards, and money. The story arc between Dr. Cheng and Dr. Ding was fine if they just left it. But no, they had to also be an on again and off again couple. The fact that a REBEL…A WANTED REBEL is openly out and at a candle light vigil at the hospital where there are governmental soldiers present was ridiculous.
The emotional moment of her waking up and discovering he was no where to be found was meant to invoke deep feelings in the viewer but those died long ago in me along with my patience in all the story plot holes, horrible acting, questionable choices, and this weak ass FL character that basically spends her entire adult life following this man like a little puppy. And it NEVER stops. She gives it a try here and there, but it never lasts and is always half hearted.
The drama should have ended with their second walk down the aisle and maybe a glimpse into an overly sweet and completely predictable future of their lives. But no, they dragged this on for another waaay too many episodes.
Twice, they had the doctors perform life and death surgeries on their own loved ones. Is that not allowed??
Why the HECK did the hospital discharge him without notifying his WIFE?! The reason being because she was so exhausted from the stress, surgery, and worry that she finally passed out and slept for three days?! And then for his family to up and disappear with him without so much as a note or ANY communication is sooooo disrespectful and utterly unforgivable. And THEN no one tells her when he wakes up and has amnesia…LOL wtf?! Just because he couldn’t remember her (his WIFE, mind you), they decided to just cut her out of what happened to him?! And her response was “it’s cool. He’s alive, I’m good” LOL no but seriously, THAT’S WHAT HAPPENED. THAT’S WHAT SHE SAID. Yes, I should spoiler that, but I wanted to give you fair warning…THAT is the type of story you are in for if you make poor watching decisions…..like me 😭😆
The constant back and forth flip flop of past and present was hella annoying. They should have just started from the beginning and ONLY gone back with flashbacks on moments where the character finally realized something they weren’t aware of until that moment. Like when she was told about him looking for the necklace.
He forgot how to be a doctor, watched a few surgeries and then remembered, so the hospital was all cool with it and let him perform medical aid?!
I could go on, but most of my frustrations are due to the fact that I didn’t just let it drop LOL. It was bad from the get go, but I wanted to wait and give it a few more episodes. Then before I knew it, it was too late. I kept hoping it would get better, but it never did. In fact, it got worse. It was as though the writers gave up, realized they had all these episodes left and just started throwing story lines on a wall and they just said “what the heck, we will put it all in!”
Or maybe the writers just didn’t know how to end it and basically just kept writing and the Production kept shooting haha
It’s a mess of a drama. The FL never grows a stronger spine and her entire being revolves around this one man - from start to finish. That part never changes. This is not romantic. This is sad and dangerous for younger women who could fall into the trap that this is how you should love a person. What is acceptable in relationships. What is expected. 🤮
4/10. Don’t waste your time or your brain cells. Go rewatch something else that you know you will enjoy. You’ll have spent your time in a much wiser fashion.
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A strong production. A bold story that comes across without make-up by Korean standards
If you're looking for a KDrama of the usual type, then you won't find it in "Children of Nobody". Here you are dealing with an impressive psychological thriller with lasting influence that comes across without make-up by Korean standards. This is about child abuse. The powerful here are not the economic giants, but the parents in their sacred halls. Not funny. The story wants to stir you up and it does. In the original, the title is actually "Red Moon, Blue Sun" and alludes to modern South Korean poetry that has been quoted several times. In connection with the crimes against children, poetry seems downright paradoxical.If "Children of Nobody" at the time didn't make spectacular waves in the ratings, it's not because it wasn't done convincingly, but because there are a large number of unreported families in South Korea for whom physical abuse and the "stick of love" are still taken for granted. Sooner or later, these viewers would have to take a good look at their own noses. The topic is treated in a differentiated manner from a wide variety of perspectives.
----------------------------------------- SIDE NOTE: --- child abuse vs free, upright citizens ---
If people are broken mentally and physically from an early age, how are they supposed to learn to live as upright citizens? The road to free, responsible citizens still seems a long way off. 20/30 years ago in South Korea - without high technology, ubiquitous internet and social media - many people in their personal world largely only knew people for whom these practices of physical abuse were also a matter of course. The children and young people of today and the young parents of tomorrow, on the other hand, grew up in a time when they could learn a lot more about alternative living environments, value systems and educational concepts through the media. The field of consciousness is expanding. Conflicts with traditional structures arise. New perspectives are given space. In the exchange via social media, resistance and support can form, discussions are held and new values and self-images spread. Change becomes possible.
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KDramas increasingly provide positive models of how things must become different in the future. In its own way, it tries to straighten things out in the context of child abuse that many take for granted.
Therfore "Children of Nobody" is a strong production. A bold story. A commitment to a future with free, responsible citizens - precisely because they are ruthlessly confronting with where society (in South Korea) actually stands.
Fantastic actors. Captivating story. Highly valuable.
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Humorous & Witty
OK, I admit, I came to watch this drama because of XiaoZhan. After the drama Chenqing Ling (The Untamed), I started to search for dramas by Xiao Zhan, and this drama is one of them. (By the way, if you haven’t watched The Untamed yet, you might want to check it out.)Initially, at episode 1, I almost gave it up because it started off as a modern-day drama, so I thought; I had expected a historical wuxia drama. But very quickly within the first episode, it moves into historical settings and I was totally hooked since then.
Accordingly, this drama is adapted from a novel whose popular author has also written many other works including Ever Night. I have not read this particular novel (Joy of Life), but I understand that it is a super long novel, and the drama adaptation is planning for a five-year 3-season run, and we are currently in season 1. Whether the following seasons would run into any unforeseeable issues is anybody’s guess (such as the change of actors etc).
In the actual novel, it is supposedly a time travel story. But because such stories (time travel) are banned in China film production (I don’t understand why China wants to stymie such creativity), the production team has cleverly adapted the story by cutting out the time travel part hence passing censorship.
I must say, unexpectedly, this drama is so good! The story is interesting. The dialogues are funny and unexpected. The play of words and homophones, puns and use of chenyu (idioms) are hilarious, and yet witty, deep, meaningful and cultured. Too bad many of these wonderful characters (Chinese words) are lost in the translation and non-Chinese native speakers may not find the dialogues as wonderful as the native speakers do. Seemingly a light-hearted drama, but when it comes to emotional moments, the director has successfully squeezed out a tear or two from me. The acting is immaculate! I love the relationship Fan Xian has with his siblings and with others whom he considers as friends; it’s deep and genuine. Unlike most actors who act in historical dramas, Zhang Ruoyun has a presence day physique making him a perfect Fan Xian as he is supposed to be a modern man; his etiquettes are simply hilarious and Zhang delivers 100%. The supporting cast is equally good, in particular Guo Qilin who plays Fan Xian’s little brother; he is adorable and amazing. I hope to see more of him. I love the opening and ending OSTs, with the ending song being sung by Xiao Zhan, another talented actor and singer.
33 episodes in, I still haven’t seen a whiff of Xiao Zhan. Nonetheless, this hasn’t reduced the enjoyment I have got out from this delightful drama. Xiao Zhan plays a supporting role and for marketing purposes, his name is being displayed or used prominently to attract attention. I can understand why the team is doing this (Xiao Zhan is currently the hottest Chinese actor in China), but I find it deceiving and I can't say I appreciate it. This drama should receive the attention it duly deserves if being marketed properly, because it is indeed a great drama.
Updates:
Finally Xiao Zhan appears at the end of episode 38. His screen time is so little that I haven't had enough time to make out of his character, and hence provide a correct assessment of his acting. Nonetheless, at the end of season 1 (episode 46), as expected, there are still tons of unsolved mysteries, new twists, plots within plots -- getting the viewers all hooked up for the next season.
If you are checking this drama out, do watch it. It’s amazingly wonderful. This is truly a wuxia story and the fighting choreography and qing gong are done beautifully. I can’t emphasize enough: it’s a MUST-WATCH!
Two thumbs up!!
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3
1Being a single mother in South Korea can be quite hopeless, that´s where this story is coming from
Yes, you should watch it.As the title suggests, "Mother" deals with the archetypal theme of 'motherhood'. When is a mother a (good) mother? Once a mother = always a mother? Who can become a mother? Who has to be, no matter what? ... So far "Mother" isn't necessarily specific to Korea in terms of its story. (Actually the original is Japanese). But "Mother" is also (and most importantly) about the stigma of single mothers - and for South Korea that is outstandingly detrimental. From this point of view, this KDrama becomes immediately socially critical: if the position of the single mother in South Korea weren't so hopeless, then the whole story wouldn't have developed the emotional drive that it has.
In this context, "Mother" also confronts the viewers with two other socially sensitive issues in their manifold entanglements: child abuse and vigilantism. It is a dramatic fact around the world on the subject of child abuse that dealing with domestic violence is legally difficult. If you go the official route, you can only intervene when it is already too late. In the case of "Mother", essentially almost all mothers featured are to some extend criminals before the law (of one kind or another).
The hearty fare in terms of its sensitive content is, however, in a digestible way illuminated with all the proven stylistic devices of KDrama. The subject is dark and exhausting, but there is still room for light, color, joy and heartwarming in the presentation. Despite all the traumatization, the abused child is primarily a ray of hope (isn´t poetic freedom just wonderful!). It's no surprise that up-and-coming actress Heo Yool was named "Best New Actress" at the 2018 BaekSang Arts Awards... Her play ist simply amazing! (And not just hers...)
"Mother" aired on South Korean television during weekdays at 9:30 p.m. Regarding the scenes about child abuse, the age rating here has been set at 16, as opposed to the more usual 13 years. The KDrama "Mother" was released in 2018. It may be simple coincidence or even correlation: the KDrama just happened to present a burning topic of society at the time: In 2019 there was a change in law, which means that at least abortion now is legally possible for all women in the first 14 weeks without punishment.
-------------------- Side note: --- Orphanage and Single Motherhood in South Korea ---
If you are unmarried and happen to get pregnant, in South Korea you will have a hard time, still today. Exclusion, hostility, mobbing, unemployment, pressure from all sides are not uncommon.
If you are the child of a single mother, trauma of some sort is almost certain - mobbing, devaluation, child abuse, orphanage and/or adoption, you name it.
Noticeably, the 'orphanage' often plays a role for one of the protagonists in KDrama. That's not because it's such a stirring story hook, but because it's a current influence in the lives of many children (and now adults) of South Korean descent. Since the 1950s, the number of officially and unofficially adopted South Korean children, mainly from abroad, is estimated at 150,000 to 200,000. Another global leading position for South Korea... At first there were many war-orphans among them, otherwise there were also children from poor families. But since the 1980s, the main causes have been that the mothers are single parents. Desperate women - for whatever reason single with a child - often have no choice (to give themselves and the child a promising chance in life) than to give the child away - thus giving them a new chance with the option of being adopted to a solid family sooner or later...
For the children in the orphanage, the parents are not necessarily dead. However, their mothers gave up their parenthood at the door for a good reason: because society with its traditional value system does not accept a concept beyond ´traditional´ family. Single parents are not welcome. However, since abortions were also undesirable - i.e. forbidden for ages, unmarried pregnant women always found themselves in great distress... It was only in 2019 that the ban on abortions - that had been in force up to that point - was declared unconstitutional, so that pregnant women are now at least up to the 14th week without specifying abortion without punishment, in the case of rape up to the 24th week.
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Raging comedic banter, battle and romance. I highly recommend!
Cho Yeo Hwa (Lee Ha Nee), lives as a dutiful widow by day and by night she's running across rooftops fighting criminals for the poor secretly. One night, she got into a chaotic fight, she landed in the arms of a palace guard, Park Soo Ho (Lee Jong-won). Unbeknownst to both, there’s a secret in the past left to be unfold. As Yeo Hwa continues living her lifestyle, Soo Ho keeps running into her, wanting to know who she really is… will she be able to keep her disguise?This drama is consistently entertaining! While I expected the show to be as fun as it was, I didn’t expect to be immediately connected with our characters and their motivations. I love Yeo Hwa, her mother-in-law and her quirky friend, too. That she's widowed due to a tragic past, controlled by her mother-in-law and almost 100% locked inside her house, it all sounds depressing, but the storytelling is so so fresh. Also it's interesting to see like how our male lead, Soo Ho with his role to serve justice but he's bind by a lot of rules, while he sees this mysterious person just do it each night.
The intro and the epilogue scenes are A+! Each episode is meaningful with steady pacing. Interesting twists happened here and there. There's a whole lot of wuxia-style fight scenes; flying to the roof, hitting people by acorns, and I enjoyed a lot. The action scenes are funny, also the little gestures, sound effect, visual effect, they're all worked together perfectly. The romance is fun, low-stake, and heart-fluttering! Every romantic scene counts. Not much complicated intrigue until the last few episodes, where it was resolved but falters flat. Though so, the whole experience of my watching is truly entertaining!
-Feb 2024, Yovita
Find me on Instagram: @kdramajudge
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There's simply no comparison. The movie is just a better overall production, even counting the fact that movies tend to have a higher budget. It's best to think of them as being in two different universes-having similar characters, a similar setup, but completely different characterizations, different plot, different tone, different extrapolation. I suspect that a lot of people rate the series higher because it ends happily, where the movie is tragic. As a gay man, I totally understand the bias against LGBT movies with tragic endings; there's simply too many of them. But still, the movie's better.
But I'm not dismissing this series. The series comes into it's own about halfway when it spends time with new characters and explores themes of it's own.
Overall, you won't regret watching it. I wish I had time for a rewatch as my own comparisons to the movie spoiled the beginning for me. Looking forward to Season 2 instead!
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Intelligent suspense takes its most elegant form in The Bad Kids
My preferences in entertainment go a little something like this: sure, I’ll give it a shot. Wait. It’s scary? Yes, I’m slowly backing out of the room.The Bad Kids is not horror, nor would I—even in all of my yellow-bellied glory—consider it traditionally scary. Even so, you'll be able to tell about five minutes into the first episode that this is not to be watched on any day when you want a fun, happy time. If fully immersed in this drama’s eerie atmosphere, I can wholly believe that you may lay awake that very night, contemplating the series of fictional events that you have borne witness to. It's an addictive kind of insanity. I’m definitely not saying this out of personal experience…don’t know what’s leading you to think that…
I strongly advise potential viewers to go for a totally blind watch-through; hence, I won't be mentioning any aspects of the plot here. Even if you usually do not care about being spoiled before watching something, you absolutely should not look up anything about this show before you finish every single episode. Central to The Bad Kids is how it produces a phantom instinct within your gut as you try to figure out what is going to happen next, and that engrossment in the story evolves into a part of your own satisfaction. Let the show work its wonders and let yourself absorb it fully.
One point about the story that should be mentioned as a selling point, though, is that while The Bad Kids is about crime, it focuses on that through relatable themes like family bonds. A major plus to the watching experience is how you are forced to form and change your opinions about each character based on how they treat one another—and in what situations. I’ve rarely seen characters being depicted with this degree of care in other works. They feel genuinely human: imperfect, self-contradictory, and emotional.
I was also impressed to the extremes with the acting. Imagine the perfection that's in not needing to fall to the level of typical high-school dramas, where the lead teen is played by a dude in his twenties with clear skin. That perfection exists in The Bad Kids, where each of the three child actors—whose roles are incredibly demanding—are literal children who do not falter at all within their roles. Though I’m giving a special shoutout to the kids, I don’t want to gloss over the other actors who elevated the story. Every cast member was flawless in their depiction of their characters and how they collaborated with one another to depict intensely real relationships. Qin Hao is also someone that I will be keeping an eye on in the future; the way that he balanced the good and evil of his character so naturally gave me chills.
The Bad Kids has skyrocketed up to become one of (if not the superlative) my favorite dramas ever. Days after finishing the last episode, I couldn’t fend off the temptation to start again: and this time, I took notes so that I could keep track of every possible hint that the producers dropped. That’s right—this self-proclaimed hater of note-taking in school willingly opened a notebook and clicked a pen just so she could wrap her head around this show. And I loved every second of it. You might take this as evidence that I'm a tad cuckoo in the head (you probably wouldn’t be wrong), but you’ll understand me as soon as the credits roll on the last episode. There's so much detail to process and make sense of.
If this level of writing, acting, and production could be held as the standard for Chinese dramas, then I am impatient for what is to come. Until then, I’m going to treat my drama withdrawal with perhaps a third dive into this show.
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Which is the main couple?
The very first thing that I believe every watchers think of the same way, the main couple supposed to got more screentime. Due to lot of second couple scene (tbh, I skipped a lot), I started to confuse and feeling like Xu Qing You and Mo Ling Ze is not the main couple. What I like the most from this series is that was no dumb FL that appeared in most c-drama (well, XQY is dumb in another way, lol), the FL is fashionable here (I don't think she re-put on the same outfit) and for sure the mature relationship.This series is not coming in the vibes I expected for, I don't really can relate it to the title. But, at least, it's 'so so' and still watchable for me. For the casting and acting skills, I don't think there're any problem, they looked great--well built chemistry and suit on all their own characters. Although I don't really remember the songs played in the drama, but I like that sexy opening song! :D lol.
The two essences of this story:
"What's the point of enduring in a toxic relationship?"
"We can't 'form' people, because they are ALIVE!"
P.S: I put the rewatchable value amounted at 5, but actually I'm not type of watcher who rewatching any, so it means it's 5:5 according on your own taste.
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This review may contain spoilers
This is a feminist movie. What kind of image does it conjure up for you?I can tell you that this isn't a story about a confident, "girl crush" woman. Rather, it follows the story of an ordinary woman and the gender based microaggressions she faces.
This movie isn't an easy watch precisely because it's so real (similar to Misaeng). You could only hope that all of those events don't happen to the same person in real life though.
I knew about the general plot before watching the movie but it still really hit me hard. At the start, I thought it was really fast-paced because it just threw you into the movie. But as the movie progressed, I got used to it and was able to connect with it more.
However, I think reading the book would help you understand the movie better. There was a few scenes that didn't feel resolved in the movie, but I think were explored in the book.
I was also confused if Kim Ji Young's behavior was supposed to be more metaphorical or literal. After reading some reviews of the book, I think I understand what it's trying to say. There was one review in particular that said she didn't have a voice in this society so she had to adopt other personas / mimic other people in her life to say something.
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Story: Right or Wrong gives us a lovely storyline that does not actually start with a love line but a main "get to know the life of the characters" plotline. Soon though, it picks up the pace and gives you a lot more than you expected. The story gives you some drama, a lot of funny remarks or conversations (at least I sometimes found them quite funny) but mostly it gives you loveliness...RoW is lovely from beginning to end and when you start you don't wanna stop because the characters grow on you rather quickly. Also it gives us a little unusual storyline for BL series and movies, so that's something new and fresh.
Cast: The cast was a little bit awkward at first but after getting to know the characters better, you start loving them and the awkwardness disappears. The acting is good enough, for me to forget that they are actors and for me to want to know what they will act in next. Also the cast managed to give their own flavour to the characters.
Music: The music was great. I love the ending song!!
Rewatch: Oh yes, definitely. Probably right now ^.^
Overall: Overall the story did not disappoint at all and was interesting and refreshing especially for a BL series. The characters were lovely, the cast did a great job, the music is noticeable and nice to listen to and I definitely love this as much as Obsessed. Well, the expectations for the rest of HIStory 2 are rising...
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This review may contain spoilers
The epilogue or continuation to ep 36 and the ending to the series.
If you have watched 36 eps of Word of Honor, then do watch this as it wraps up the series and answers the questions you may have after ep 36. This small episode shows what happened to Wen Kexing and Zhou Zishu after we last saw them in the armory. We also get to see Gao Xiao Lian's family. A happy end to the series and for WKX and ZZS. Nice to see them be together and retire from jianghu to teach the future disciples of the rebuilt four season's manor.Ep 36 leaves off with Gao Xiao Lian calling everyone to a meal and here we see Deng Kuan (her husband) come to collect their son for the meal with mother. We see the disciple practicing 18 steps of Qiuming that only WKX knows so he is learning from WKX. ZZS turns up to instruct him and then WKX shows up to disagree with his teaching methods as he tends to do. Deng Kuan then whisks away his confused son, saying that the two of them have been fighting like this their entire lives and says that they are now immortals. In 36 we are shown that Chengling has rebuilt the manor near the ice mountains. So, all of them live nearby. Great that their family of three is still together.
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As typical as this set up may sound, it's so well done and enjoyable to watch it doesn't matter. I've actually never seen a movie premise like this. Well that's not true. A few years back there was an American movie about a ghost writer helping an author to pen a book but it was done poorly and there is no comparison.
Remember that they are writing an adult comic. There are a lot of sexual references but it's done very tongue in cheek as the female writer is faking 99% of her sexual experience. Most of the graphic sexual images are in fact, in graphic (comic book) form.
Watching Jung Bae get wise to her act...I loved it! Dae Rim is such a character and Jung Bae finds her tough to take at first. But when he begins to draw...it's her face that appears on paper. As the two leads gravitate toward each other and their feelings grow...it's so cute!
Lee Sun Gyun and Choi Gang Hee make a great pair. Able to be comedic and have you believe when they are sincere.
I recommend this movie highly.
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This review may contain spoilers
A coming of age & slice-of-life masterpiece that I will never forget
My review will contain spoilers, but I'll warn before spoiling, so you can read the safe parts before watching the show! Also, be ready, this is going to be long, but this drama is so excellent that it's hard to stop myself lolIf you look into my profile, you will know how many korean and chinese dramas I have watched. I rarely write reviews, but I feel like I need to write one for Northward (and also I've been obsessed with this drama since day 1 so I hope writing it all out will help me think of something else lmao).
If you're hesitating to watch this drama : go ahead and try it. This is a masterpiece. But you need to know two things before going : first, this drama was made to be realistic, no character is perfect ; second, while watching, you must analyze the characters yourself through their dialogues and actions and not let characters tell you how A or B is (even when they're talking about themselves). If you're confused about my second advice, here is what I can tell you : in life, you don't necessarily understand your decisions or other people's decisions. You can misinterpret other people, and misinterpret yourself, especially when you're young. So if a character tells you he did this for Y reason, or he thinks X, that doesn't mean it's true. You need to look at what they do and what they say when confronted to the situation to actually know how they feel about something. So, while watching this show, you musn't take everything at face value, you have to analyze their actions and dialogues to actually know the truth If you don't, you're likely to misunderstand them.
This is actually the reason why I loved this drama so much, and why I say it's a masterpiece. Weirdly, my favorite scenes are almost only scenes where characters fight or confront each other, because that's the moments when you actually understand the characters motivations and sufferings. Otherwise, they don't talk about it, just like we don't spend our time talking about what we feel or why motivate us to do X ou Y. We only talk about it in specific contexts.
I know a lot of people hated on Wanghe sometimes, and I get it, but he's definitely my favorite character here. He is so complex and realistic and a mess (just like 4D people are). He was a delight to analyze. I've been supporting him since the beggining and seeing his growth was such a pleasure.
Every character is interesting, very well written and complex, even the less important ones. I admire the screenwriters for how they managed to create such deep and realistic characters.
The cinematography is exceptional ; I was already a big fan of Yao Xiao Feng after seeing Tender Light, and his work here is just as wonderful. I am very peaky regarding the cinematography of the shows that I watch, so when I compliment it, it means it really is great.
I wrote an analysis of the first 28 episodes a few days ago ; you can find it here : https://mydramalist.com/740015-bei-shang#comment-21293186 .
--- SPOILERS AHEAD ---
I am SO glad it wasn't a sad ending. I was scared they would end it with Fenghua dying because she deserved so much better, and I felt like Wanghe had gone through enough deads. First Siyi's grandma, then Siyi's little brother, then his employee. And he blames himself for each of them. I can't imagine how much he would have blame himself if Fenghua died. He would've thought he should've made a move on her sooner to enjoy her presence more.
But thanks god : it did not happen. Everyone got the happy ending they deserved.
I am glad the drama didn't push the Siyi/Wanghe agenda too much. As I said in my previous analysis, for me, Wanghe never truly loved Siyi (as a woman). And I don't think Siyi feelings for Wanghe were very deep either. They probably were more linked to her fear of being abandoned, and she may have felt like Wanghe was "abandoning her" everytime she saw him with Fenghua (which made sense, because Wanghe never planned his future with Siyi, outside of his promises to "take care of her", that were, to me, the proof he had a savior syndrome with her). At the end, when they're all watching footages of the younger them and we see Wanghe and Fenghua's interactions, it's so obvious that Wanghe already had romantic feelings for her (even the friends make fun of them and say they're "having a date on the balcony").
I loved LOVED every Wanghe/Xingchi confrontation. As an anti-capitalist myself, I saw my own ideals in Xingchi's, and yet I sided with Wanghe, especially in the fight episode 31. To me, Xingchi thought too high of himself. He thought only his values were important, and that his employees were stupid to put their lives on the line just to get money. It was easy for him to dismiss Wanghe and them by saying they're "evil capitalist". But, in my opinion, it only sounded like a selfish character who imposed his values on other people. I would even say... he sounded like a priviliged character. Just like Wanghe said, it's easy to say money isn't important when you're not hungry ; but when you need money to survive and support your family, money IS (sadly) important. Aknowledging that doesn't make Wanghe the evil capitalist everyone thought he was (including Fenghua). On the opposite, he understood better than anyone that the true problem was political. People shouldn't have to put their life on the line to survive, but the truth is, they sometimes have to, and he could only make sure they would get correctly paid for it. What Xingchi did was foolish and selfish, and not truly for his employee's wellbeing, but he was too immature to understand it. If he wanted to fight for what was right, he either had to climb in a waaay higher position, or make an union with his employees and protest against the politics, or make his own business with his own rules (like Fenghua). Instead of thinking he knew better his employee's needs than themselves, he should have asked himself why they were ready to put their life in danger just for money. And he should have understood their distress, instead of dismissing it and stopping them from making the money the needed. To me, that fight showed that, despite Xingchi's sad background, he was still a boy who knew he had parents and friends who were ready to provide for him if needed. Not even once did he try to understand why people were desperate for money.
Wanghe, on the other side, definitely made mistakes, but he was trying to actually change things in a way higher scale than Xingchi. The scene where Xingchi sees his ex employees eat outside and screams about how unfair it is that the cafetaria got shut down, meanwhile Wanghe actually takes action with his boss to provide correct meals to the employees, shows exactly that - Xingchi was all talk, Wanghe tried to take actions. He's definitely the most misundertsood character in this show : he was not cold-blooded, he just believed he could actually change things from the inside, even if it meant making sacrifices by doing things that did not align with his values and tiring himself out.
One of my favorite scene of the show is when the company refuses to pay compensations for He's death. The way his heart hurts, and he loses balances, and he feels sick, how he throws up in the toilets and curls himself up, all of that filmed as if it was a horror movie : to me, that's when Wanghe realized how much his efforts were in vain, and how evil the world was. He was in so much pain it literally made him sick, but no one knows about that. He doesn't talk about it. And he will forever be seen as the "shark that thrives in Beijing" (to quote Xingchi's lines to describe him).
Wanghe was never thriving in Beijing. He had failures after failures, and a huge pressure on his shoulders. Remember how he was told by his father, as a child, to succeed in life to make him proud? How many promises he made to everyone, that he would succeed and be there for them? And how he thought he needed to be rich to deserve Fenghua? He was not thriving, he was dying inside trying to succeed. In a dialogue with Fenghua, he says himself he can never show his vulnerable side (which shows that he is already suffering) ; later, he says to Haikuo how tired he is in Beijing (and yet he chooses to stay there for the funerals). In Beijing, the easy-going and (apparently) confident Wanghe was so stressed out he had stomach issues (they're mentionned in the beginning of the adult era, as something recurrent for him). But no one aknowledges that because Wanghe just never complains.
Another of my favorite scenes (I think it's my top 1) is the fight between Fenghua and Wanghe in episode 24. That's when Wanghe needed a wake-up call, because he was making ruthless decisions. Xingchi and Haikuo both tried to confront him about it and both only managed to make him angry. The only character who knows how to handle Wanghe is Fenghua : he goes to her already pissed off about his fight with his friends, persuaded he's in the right. Fenghua knows it's useless to scream or attack him. She begins by complimenting him, making him dream of the future he so desperately wants (him being successful). When he takes the bait, and starts seeing himself in this success and tells her he will make her as famous as him, she slaps him with the hard truth : "that day will never come, because I need to stay away from a company who doesn't treat well their employees". BAM. And then she calls him cold-bloooded. DOUBLE BAM. I loooved this scene so much because you can see just how hurt he is. He didn't question himself before that, and if that worked, it's not only because it's Fenghua (of all people) who tells him that, but also because she handled him just right. She's such a smart girl, and the only one who actually gets him and knows how to get to him.
To conclude this (way too long) review, I need to talk about Chen Rui and Haikuo. I loved, loved Haikuo. He was a sensitive lost boy and a certified lover boy. He took so much after his father, and I mean it in the best way, because Yan Lin was the best father of the show (imo). Chen Rui was my second favorite character after Wang He (Fenghua is not in this ranking because she's so much better than the other characters). His crave for his mother's akwnoledgment was so touching. I just love his confrontation with his mother in episode 27 ("the boy who is worthless in the eyes of the world will be recognized by his family. all he needs is just a little trust.").
So, this review is way too long, but hopefully there are people as obsessed by Northward as me who are willing to read all of this. The fact that I have to make myself stop here because I could talk about the details of this drama for hours just shows how good this show is!
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