This review may contain spoilers
Compelling, complex vendetta, expressive play, impressive spirit & cunning plot development
KDrama Orbit starts into 2023 just as the year 2022 had been – full of productions with their fingers put right into the sore of wounds of society, savouring its imbalance with relish. "Payback: Money and Power", again, is one of those. It offers an exciting, astute, complex and clever story about revenge against those giants, who can hardly ever successfully be confronted by legal means. Money helps… those... who want to have things turn out the way that they prefer… who can afford to have things turn out the way that they prefer... who have a strong vision, too.The underlying premises are pretty sobering, yet well-known territory in KDrama land:
-The system (democracy and the rule of law) serves the money, not the people, because the people who fill the system with life can be bought.
-Power and money are inseparable.
-Hierarchical class thinking is far from overcome. The value of a person's wealth directly determines their value as a human being.
-Huge fortunes and legality rarely go hand in hand.
-The good news for the wealthy: money can buy you justice (and law).
-The bad news for the ordinary: Life is unfair.
-With legal means (alone) justice is not a given.
"Payback: Money and Power" bluntly takes all of these premises and blends them in a vendetta against Goliath revisited. Therefore, David first becomes a Goliath himself. In this case, David's real name is Eun Yong. He has risen from a penniless, simple young man to become the CEO of a private-equity fund who successfully speculates astronomical sums of money. Together with a team, that for him is family, too, he takes on a financial cartel in which politicians and especially the public prosecutor's office are also involved. Thus, it is not played fairly. On the contrary: it is actually life-threatening.
So, at first glance the plot doesn't seem to promise much that's new. Nevertheless, "Payback: Money and Power" offers a dense, strong story, with expressive play and impressive spirit. The presence of the mimes in front of a rough, gloomy background is haunting. To be honest, I paused for a moment - not sure whether I really want to know and see everything or rather drop. Eventually, I couldn't help it, couldn´t let go of it. I WANTED to know and see. The impression, the KDrama left with each episode, was just too powerful... And I'm thoroughly glad about it. A great story. With a considerably cunning plot development. Despite the underlying bitter seriousness an invigorating (for all the refreshing poetic freedom - e.g. not everyone is as talented, tactically adept, self-confident and yet grounded in a good balance of heart, mind and soul as Eun Yong) and encouragingly optimistic perspective.
Oh, actually, here's another premise I forgot to mention at first...
-But what a relief that the law still exists... and also those few, who stick to it, believe in its value and power, and thus keep fighting for it with wits and passion...
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Also, it had kissing. I haven't really seen Japanese dramas having skin contact much, and that kinda annoys me. This drama didn't have that anime feel to it either, which I like sometimes, but I know alot of people who don't like Jdramas because of that comical way they talk and stuff. Oh yea, I liked the ending ;D
Overall, I would recommend this drama to all. It was nice to watch. Blah... now I want to find a similar drama!
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This review may contain spoilers
'Iljimae' has left me sitting in a puddle of my own (hypothetical) tears. Although the first 6 episodes are a bit slow, the story soon picks up with a quick-fire, rapid pace that will leave your heart feeling as if it had been pulled out and stamped upon. It was truly a beautiful drama.The story is similar to Robin Hood, but it's more sophisticated, powerful, moving and gritty than the traditional English folk tale. It is, without giving anything way, a revenge story. However, unlike most revenge stories, it has a heart. Our hero isn't some morally conflicted guy who can't tell right from wrong - in fact, the drama does well by clearly defining the hero's morals and making sure that he never strays too far away from them. It is beautiful to watch the story unfold and see our hero grow.
The father/son relationship was also incredibly moving. You can tell that Seo Dol has this completely unconditional love for Yong (despite him not being his biological son), and their relationship is so special and beautiful. I haven't seen a father/son relationship, like that, in K-Drama - ever. The impact Seo Dol and Yong have on each other just pulls on my heartstrings, and I am usually a person who remains highly unmoved by fiction.
I also have a lot of admiration for Yong's adoptive mother Dan-ee. She appears to be cold and indifferent towards both Seo Dol and Yong (and even her own biological son, Ja Dol/Shi Hoo), but that's just way of trying to protect herself if anything bad happened to either of them. You can tell that she truly loves them.
Overall, the story was very good; however, the romantic aspect of the plot really did weigh it down. I saw no true purpose, asides from being a romantic tool, for Eun Chae; yes, she was caring, kind and seemingly selfless (well, at least that is what she liked to think) but her character lacked development, depth and heart. Every time she would pop up on screen, the story would end up slowing down. She was an unnecessary character, in my opinion, and her romance with Iljimae was highly unconvincing. The second main girl - who actually had a more significant impact, and had a purpose in the story - had much more convincing chemistry with Yong and I would have preferred her to be his primary love interest. She was a brilliant 3-dimensional character - like Yoong - and she had true depth.
I didn't have a problem with Ja Do/Shi Hoo, though. I thought it was kind of weird how he loved Eun Chae (not a spoiler, this is pretty much obvious from the outset of the drama) because he believed her to be his sister, although she wasn't (again, not a spoiler), so that incest-but-not-incest thing kind of grossed me off him for a while. However, his moral conflicts and his struggles with his identity were quite touching, and although he didn't have the same impact as Yoong, I did sympathise with him a lot.
The drama does not suffer from bad acting at all. The cast fully suited their roles, and although Lee Jun-ki is partial to some overacting, it wasn't anything that detracted away from the drama. The actor who played Seo Dol was amazing - that guy put me through emotional highs and lows, and he had amazing chemistry with Lee Jun-ki. I actually felt like I was watching a father/son team whenever those two were on screen with each other.
The best performances, in my opinion, came from Lee Moon Shik, Lee Yong Ah, Lee Jun Ki and Kim Sung Ryung, Lee Won Jong (who was perfect as the delightfully self-serving and wicked, Byun Shik) and Park Shi Hoo. There wasn't really anything that I could call a 'bad performance' in the drama, and though I didn't like Eun Chae, Han Hyo Joo did what she could with such a bland character.
The only reason why this drama doesn't get a perfect 10 from me is because I felt that the romance did actually weigh things down quite a bit and whilst the ending was good, the slight openness of it did irk me off because I prefer more defined endings. (Especially after watching a drama for 20 hours!) However, it was a beautiful story with beautiful characters (and great action scenes) and I recommend it to all. It has heart, humour and depth and it has really perked an interest in the saeguk genre, for me.
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An incredibly intense espionage thriller
Before getting into the review, here is some historical background for the film:The film is set during the Second Sino-Japanese War and WWII. There are several powers in play at this time: the Chinese Communist Party, the Chinese Nationalist Party or Kuomintang, and Imperial Japan. Imperial Japan invaded Manchuria (located in northeastern China) in the early 1930s and established the puppet state of Manchukuo. It was here where they hoped to establish a base from where they would continue their expansion into Asia.
In 1937, after many years of conflict, Japan occupied Shanghai, Nanjing, and Beijing. The Nanjing Massacre occurred at this time. After the fall of Nanjing, which had been the capital of the Republic of China at that time, the Kuomintang moved the capital west to Chongqing, under Jiang Jieshi's leadership. During this time, the Chinese Communist Party and the Kuomintang formed a temporary alliance, suspending the years of civil conflict between them, although their vie for power continued.
In 1940, Wang Jingwei, who was once a member of the Kuomintang but had always been in opposition against Jiang Jieshi, collaborated with Japan to establish the Wang Jingwei regime. They claimed to be the leadership of the Republic of China, when in fact they were a puppet government of Japan, overseeing the Japanese-occupied territory in eastern China, under Japan's control. They established their capital in Nanjing and used the Kuomintang flag. The Axis powers recognized the Wang Jingwei regime, while the Allied powers still recognized Jiang Jieshi as the leader of the Republic of China.
From 1937-1941, Japan had left a few neighbourhoods in Shanghai unoccupied, because that was where the American-British joint settlement and French Concession were located. Many people fled to this area to live at that time. After Pearl Harbor in 1941, the entirety of Shanghai became occupied by Japan. Many cities were bombed during these years, including Guangzhou, which experienced bombings for 14 months in 1937-1938.
During this era of war, which is also called the War of Resistance in China, espionage networks were established to try to undermine the enemy. Hidden Blade tells a story about these individuals.
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Even without knowing the historical context, Hidden Blade presents a visual feast of vivid characters and imagery. Cheng Er uses a non-linear narrative approach to reveal the stories of these characters. The main characters, Mr. He (Tony Leung) and Mr. Ye (Wang Yibo), are both enigmatic and morally ambiguous. We meet Mr. He, the charming man who hides intimidation behind a pleasant smile, and Mr. Ye, a rootless man who does not shy away from violence. Tony Leung does not disappoint as the veteran actor that he is, as the man who can tell stories with just his eyes or a slight smile, and he delivers a charismatic performance that reaffirms why he is such a revered actor. Wang Yibo delivers a phenomenal performance to match. Mr. Ye is a compelling character who is mesmerizing, perplexing, suave, and incredibly human at the same time. Wang Yibo does a fantastic job of portraying this complex character with mysterious motives, who seems to hide much more than he lets on behind his cool and composed appearance. He excels at playing a character whose inner turmoil is silently repressed.
The cast of side characters are also worth mentioning, with memorable performances from all of the actors. I take half a star off only because I feel that the female character stories could have been explored further. Zhou Xun makes a special appearance as Ms. Chen, and although her part is brief, she captivates the audience from the moment she walks onto the scene with her package of pastries and she leaves an emotional impact on the audience even in the short time that she has on screen. Jiang Shuying (Ms. Jiang) and Zhang Jingyi (Ms. Fang) are both charming as well, however their opportunity to showcase their strengths is quite limited.
The cinematography is well-executed and the attention to detail is remarkable. In one interview, Cheng Er reveals that even the ties that are worn by the characters are all actual ties from that era that have been collected. The music also compliments the scenes beautifully, adding further to the tension which Cheng Er builds so skillfully throughout the film. The choreography of the fight scenes is also top-tier and will not disappoint.
As a movie depicting times of war, there are several scenes that are difficult to watch and Cheng Er does not shy away from showing the cruelty of what people may have experienced. General content warnings without spoilers include torture, suffocation, death of an animal, implied rape (not depicted), as well as genre-typical violence that one may expect from an espionage war thriller.
Overall, the cast and crew have created a incredibly intense thriller that will keep you on the edge of your seat and leave you thinking about many scenes even after finishing the film. There are many parallels drawn throughout the film and it is a film that only gets better with rewatching as one lets the details marinate. At the end you're left with a lingering admiration for the individuals who struggled to free themselves from the oppression that they lived under. In doing so, they have sacrificed their own lives, their relationships, and even their own values in their effort to forge a path forward, towards a future where the nameless ones might once again stand in the sunlight.
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So why'd I rate it highly? Well, because the drama was brilliantly executed.
Story: The plot was unique unlike most dramas that tend to be a total cliche plus the story really had a deep meaning about revenge, hatred, redemption, love, and faith. But since this is a remake of a korean drama, the credit for the story should probably be given to the korean writer. :)
Acting/Cast: I think all of the actors did a really great job at portraying their characters and making the audience understand and sympathize with the characters' struggles especially Ohno Satoshi. Although some say that he was a little stiff, I think how he portrayed Naruse was the best direction for the character because with just his facial expressions, you can understand and feel what Naruse is going through emotionally. His best actor award for this drama was truly deserved by him.
Music: Jdramas usually have only one or two songs for the soundtrack but here, they had a variety of music that went with every scene smoothly adding tension to the drama.
Rewatch value: I only gave it a 6 because it's not something I'd want to watch over and over again. As I've said, it is a sad drama. It would probably take a month or two before I'd want to watch it all over again.
All in all, this drama, in my opinion, was one of the best that I've seen. Watch it so you can see! :)
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A Decent Sitcom
I have seen the other comments and reviews and I get why people are not that impressed. Yes, it has some outdated jokes but it also has some really hilarious scenes. The story is overall fun and anyone can see that some of the sub plots were not tied up indicating a possible s2.Also, coming to the acting part, Except for Park Se Wan I havent seen any of them in a major role. Plus as I am a kpop fan, I really enjoyed Minnie and Youngjae acting. Even the rest of the cast delivered what they were expected to.
Not to mention there were so many cameos!! If you watch korean variety shows, u will absolutely like the cameos and some references too.
To conclude, It is a really good sitcom.. It is best to binge or to watch ep by ep when u feeling down and need something to lift your mood. I sincerely hope there will be a s2 to this!!
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2
1Angel & Grim Reaper
If you’re obsessed with professional dancing, I’m gonna go out on a limb and say you will probably be head over heels for this one, way more than I was. Don’t get me wrong, the movie isn’t bad by any stretch. In fact, it’s pretty damn impressive. They dive deep into the nitty-gritty of dance techniques, the ins and outs of the competitive ballroom world and how that high-stakes environment messes with the people caught up in it. I was honestly blown away by how authentic it felt. But if I’m being real, the romance in this was way too slow of a waltz for my taste.The story centers on two men: Sugiki and Suzuki. These guys are internationally ranked competitive dancers, but they’ve never gone head-to-head because they dominate in different styles. Sugiki is all about Standard Ballroom, while Suzuki slays in Latin Dance. Still, they have got this long-standing rivalry that keeps them hyper-aware of each other. Then, out of nowhere, Sugiki throws a wild proposition: they train each other in their respective styles and take on the 10DANCE. For those not in the know, that’s an event combining all five Standard Ballroom dances and all five Latin Dances. In competition, they dance with their female partners but during practice, it’s mostly just the two of them and that’s where things get interesting. There’s this undercurrent of competitive flirtation that simmers beneath every step and turn they take together. It’s hot, no doubt but it’s also frustratingly understated for a hopeless romantic like me.
I will say, the actors absolutely killed it. Their movements are mesmerizing. When Sugiki and Suzuki train together, you can feel the tension through the screen. Their bodies move with such precision and passion, it’s almost erotic without even trying to be. The way Sugiki’s Standard style clashes with Suzuki’s hip-rolling Latin flair is pure art. I mean the chemistry between them is off the charts. The actors nailed every single detail.
The production quality is also top-notch. The cinematography captures every angle of the dances with such grace and the music has the perfect heartbeat to every scene, whether it’s a slow tango or a fast-paced cha-cha. Honestly, the movie is a feast for the eyes and ears. I can see why so many people would fall in love with it, especially if you’re into the technical side of things or just appreciate a beautifully crafted film.
But here’s where I’m gonna be brutally honest: I wanted more romance, damn it! From the trailer, I got the vibe that this would be a love story but I’d say romance was maybe 20% of the movie. I get it, the title and premise say “dance first,” and they executed that part flawlessly. I’m not saying they did anything wrong; it’s just not what I expected and that’s on me for hyping up the love angle in my head. If dance is your jam, you will probably eat this up and ask for seconds.
And well...the ending...I hate to say it, but it was such a letdown. Without giving spoilers, I’ll just say it felt kind of empty. I wanted a bigger payoff, something to make my heart race or at least leave me satisfied. Instead, it just kinda fizzled out.
So, bottom line: this movie is amazing in its own right. It’s artistic, beautifully made and the actors are phenomenal. If you are into dance or just appreciate a visually stunning film, you have got every reason to love this. I’m just a sucker for romance and I felt a bit shortchanged on that front. Plus, that flat ending didn’t help. Still, I would say give it a shot. It’s worth watching for the talent and passion on display. Just don’t go in expecting a full-blown love story like I did or you might walk away a little disappointed too.
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This review may contain spoilers
In Defense of Together With Me
Normally, I don't like to write reviews until I've completed whatever I'm reviewing, but I feel like all of the negativity being thrown towards TWM: The Next Chapter is incredibly frustrating, unfair, and undeserved. I'm so sad to see it get such a low rating because it pursues a story line we don't typically see in BL dramas, and people apparently can't handle that. No, it isn't lighthearted and easygoing like other series out there; but it's raw and authentic and definitely deserves a higher score than what it's been given on here. I feel like the low score is because people went into this expecting one thing but got something different, and their disappointment has resulted in them closing their minds to what we're given. So now because of that this series is rated lower than dramas with worse script writing, worse acting, and worse production. The actors here are fantastic as always, and the writing is not terrible like some are making it out to be; clearly something's working because it's doing what a good story is supposed to do: it's making people react, it's evoking emotions.So, the primary reason why people are canceling this show is because of the so-called abudance of cheating. Without getting too bogged down, I'll just say that I respectfully disagree with these assessments. People are acting like this season contains nothing but an endless stream of people having affairs, living hedonistic lifestyles with no regrets. But, except for Farm and Bright's story (which is essentially Farm giving Bright a taste of his own medicine), this isn't true. Both Yihwa and Korn (the two "cheaters") are placed in situations that test their feelings and relationships. Korn's is induced by mounting pressure from his conservative, overbearing father to denounce his homosexuality and the strain this puts on his relationship with Knock (which causes them to fight about other little things as well), while Yihwa finds herself being seduced by her senior and boss. They're conflicted and act out of moments of weakness. Korn has ONE sexual encounter with his boss during a night of drinking and commiserating. Yihwa, beginning to feel conflicted and confused about her feelings towards Cho in light of the flirtatious attention from her boss, decides to take a break from both and figure herself out. And that's it! Afterwards, both are torn and devastated and yes, they do suffer tremendously for their conflicted feelings and mistaken actions. Forgiveness from their partners is far from automatic, and it is not coming easily.
Individuals in Yihwa's and Korn's position are not automatically bad people because of what they did or how they feel. Nor do their actions/feelings mean that they don't love their partner. Yes, it's unpleasant watching couples we love go through such hardships, but as a viewer and fan of the show, I have to believe that this will only make them stronger in the end.
That aside, I'm loving Farm and Bright's story so far, but I do wish that their story got a bit more attention, as they are my favorite couple in this universe. I found it odd that Farm's character did a complete 180 in terms of appearance and personality (it's like he was fused with Phu) but I warmed up to it really quickly. And I like that although he has Bright wrapped around his little fingers, he still shows a softer, affectionate side towards the doctor as well. Feelings are still there, and despite what Bright did to Farm in TWM, I'm rooting really hard for them to end up together. Rit, Farm's little boy toy that he's using to make Bright jealous, is cute, but he's rather dull and boring. Not a lot going on. Farm has much better chemistry with Bright, which just radiates off the screen.
Bottom line: People aren't black and white. They are complex, driven by a range of passions and emotions. You can't fit them neatly into precise little boxes. Life isn't always rainbows and sunshine, and the events that happen in this season happen in real life. Of course they don't happen in *every* relationship, but they do happen. The writers chose to explore these themes in this season, and all of the actors are doing an amazing job portraying their roles. Please don't let all of the negative comments, complaining, and undeserved low rating discourage you from watching this season. Go in with an open mind and understanding that humans are complex, especially when it comes to feelings of love and attraction, and this series explores that beautifully.
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Checkmate, I Win
Stand By Me began airing exactly 12 months after Love and Redemption was released last year, much to the happiness and joy of Cheng Yi fans all around the world (myself included). L&R was the drama that propelled him to stardom, and this production reaffirmed his status as one of the most anticipated drama actors in the C-historical genre. Starring numerous colleagues from his agency, H&R Century Pictures, we get a L&R reunion of sorts. This includes his “sister-in-law” Zhang Yu Xi who plays his significant other this time around.Production details that may interest you
Originally titled Dream Awakening Chang’an, the title was changed to Stand by Me along with the setting of the story as a result of the censorship requirements imposed by China’s NRTA. Initially planned as a romanticised retelling of the Tang Dynasty Emperor Li Yan aka Wuzong’s reign, the script was changed to a fictional tale of an alternate version of Tang, the Xing Dynasty’s Emperor Qi Yan. That said, the historical account of actual happenings and real life figures such as the Grand Eunuch Qiu Shiliang and Sweet Dew or Morning Dew (Ganlu) incident in the 9th century remain present in the story. The social as well as court conventions are very much Tang in appearance, most obviously the attire being worn by the various characters.
Stand by Me is both a TV drama and a web series, being simultaneously released on Hunan Satellite TV’s Golden Eagle Private Theatre and Mango TV. Filmed entirely at Hengdian, the drama is directed by Liu Guo Nan who helmed the Glory of Tang anthology, and assisted by Zhao Li Jun, who helmed Deep Lurk, another Cheng Yi drama slated for release some time later. The award-winning Shao Chang Yong serves as art director, which adds a touch of class and credibility to the production design.
The screenplay is written by Shi Si Que (十四阙), who is the current editor-in-chief of China’s Dongxi Animation Club. He has written numerous novels and short stories, while this drama represents his first foray into screenwriting.
The Production Values
The overall quality of the production is reasonably high, as can be seen from the art direction and set designs. For the most part, the technical execution is decent in terms of the direction and cinematography. During the first few episodes, there are a few noticeable editing and dubbing issues which I attribute to the change in settings from Tang to Xing Dynasty. The subtitles are generally correct but for those who understand Mandarin, the name “Great Tang” is mentioned in lieu of Great Xing on a few occasions. The buildup of the backstory in the first episode does feel somewhat rushed with the frenetic scene transitions but things begin to settle down not long afterwards.
The action sequences, particularly the synchronised swordplay formations and sword fights in general appear to be reasonably well choreographed. I like that there is no excessive use of fast cuts, slow-motion and close-ups, which makes the flow of the action less contrived. The villainous character of Qiu Shiliang employing the use of the traditional Taoist “horse-tail whisk” (拂尘), typically used in Wudang martial arts, adds a nice touch to the depiction.
The Narrative
Stand By Me is adapted from the novel Sword Weapon (Jian Qi Hang 剑器行) by the writer Feihua (飞花), a talented novelist who had won the Top Ten Novel Award of the Second Online Literature Competition in 1999.
The drama follows the journey of two sisters, descendants of a noble family that have fallen from grace as a result of political machinations and treachery. Due to the tragic events that followed, both sisters went their separate ways only to reunite at the very place that caused the downfall of their family - the royal palace. At either end of the continuing political tug-of-war is the noble Emperor and the wily chief eunuch who seeks to undermine the authority of the throne. Amidst this tumultuous backdrop, somehow the sisters end up on opposing sides in this court intrigue.
Palace politics with all its clever schemes and nefarious plots are heavily featured, in addition to themes of romance and love, as well as betrayal and revenge. This is one of the most riveting, thrilling, and suspenseful palace dramas of the year. Unpredictable twists and turns, shocking revelations, and countless exchanges between “multiple sides” merge beautifully into an exciting historical extravaganza. The storytelling is fast paced and action-packed, involving various perspectives and hidden agendas by multiple POV characters. The momentum never lets up and is sustained until the very end. All of this culminates in a profound conclusion that promises to leave a lasting impression on viewers.
It’s worth mentioning that there is more than a subtle hint of Chinese Chess (Xiangqi 象棋) being referenced throughout. Usually Go (Weiqi 围棋) is showcased in historicals as the boardgame of choice for aristocrats but it’s a nice change to see another ancient game being featured. Aside from the Purple Robed Bureau (subtitled as Violet Bureau), a fictional organisation that bears close relation to Xiangqi is the Chess of Generals Bureau, whose members represent the chess pieces such as Left and Right Advisors, Chariots, Ministers and the Chess Overseer. Fascinating stuff indeed.
The Cast Performance
Cheng Yi headlines this drama by portraying the role of Emperor Qi Yan. There isn’t much left to be said about this magnificent actor who brings his A-game every time he puts on a show for us viewers. As in L&R and also The Promise of Chang’an, it’s hard to see other actors surpassing Cheng Yi’s supreme mastery of poignant and emotional scenes of great torment and suffering, including his now trademark “poetically beautiful blood-spitting” moments. Truly the best of the best. In Stand by Me, Cheng Yi provides us with further glimpses of his versatility and range with a vastly different and never-seen-before side to his very multifaceted portrayal - the cold, ruthless and sensual Emperor. Seeing is believing and I truly do believe there is much more to this man than meets the eye that, hopefully, will be showcased in his future projects.
Zhang Yu Xi, who had previously played Chu Ling Long in L&R, appears as the female lead and primary love interest this time, Cheng Ruo Yu. A promising actress who possesses much depth in her moving portrayal of emotional pain and suffering. As it was in L&R when her character had suffered PTSD, the conviction of her expressions certainly reflects her growing maturity in tackling complex characterizations, which is the case in this drama. She manages to infuse her character here with a fusion of kindness and righteousness that are borne of purity, as well as a developing sense of awareness and pragmatism. These are qualities that reflect the tremendous growth her character experiences through the course of the story.
Deserving of equal billing as part of the three leads, the ever charming and elegant Xuan Lu graces this drama with her appearance as one of the estranged sisters. She had previously caught the eye with her memorable depiction of the delicate and kind Jiang Yan Li in The Untamed. This time, she brings an air of sophistication to the cool and calculated character that is perpetually shrouded in mystery, Qiu Yan Zhi. I honestly feel that there are moments where she manages to steal the limelight from Cheng Yi and Zhang Yu Xi, for she has such a presence that lights up the screen whenever she appears.
Notable mentions for other major characters go to Han Dong who plays Prince Guang, and He Cheng Ming as the chief eunuch Qiu Shiliang. Han Dong is an exceptional actor who has appeared in many historicals so there are no surprises to the dimensions he imbues the characters he portrays. His nuanced microexpressions are always expertly delivered and a joy to behold. He Cheng Ming, who previously played Si Feng’s father and Master of Li Ze Palace in L&R, is another experienced hand with a wide repertoire of works in many varied roles. This time around, he is perhaps more subdued and less OTT, but still retains that aura of an expert performer who immerses into the character with such consummate ease. In short, he always looks like he’s having fun and he carries the role with glee. I have to admit, the mannerisms in his depiction remind me at times of Sun Wukong the Monkey King.
Among the familiar faces in supporting roles, look out for Xi Xue (Under the Power, Lin Ling), who has a significant arc as Cheng Xi, Yang Xi Zi (L&R, Xiao Yin Hua) as Princess Misha, He Zhong Hua (L&R, Xuan Ji’s father) as Li Deyun, Li Jun Yi (L&R, Zhong Min Yan) as Yan Xiu, Ethan Yao (L&R, Ting Nu) as Han Yue, Fu Fang Jun (L&R, Wu Zhi Qi) as Han Ding, and of course, the unforgettable Bai Shu (L&R, Tengshe) as Prince An.
The Music
No C-historical would be complete without epic songs from the likes of Zhou Shen and Liu Yuning. Cheng Yi also contributes to the soundtrack with his beautiful rendition of Shou Shou, which is my favourite track of this drama. Along with the BGM, there are a total of 7 tracks:
Yu Yan Shuo 鱼雁说 by Audio Monster/Silver Lin (音频怪物 / 银临)
Chang'an 长安 by Liu Yuning 刘宇宁
In Through Dream若梦 by Zhou Shen 周深
Small Dust 小尘 by Shuang Sheng 双生
High Above in the Sky 当空 by Nana 许艺娜
Shou Shou 相守 by Cheng Yi 成毅
Worrying about the Sky 杞人忧天 by Allen Su Xing 苏醒
Overall
Stand by Me is a drama I had been anticipating from Cheng Yi since last year, and I’m pleased to say I haven’t been disappointed with the plot and overall technical execution of the production as well as the performance of the cast. It is not flawless by any means but I appreciate the nature of the storytelling that eventually culminates in a rather conceptual ending, which somehow seems to be the standard for C-historicals these days. In any case, the entertainment value is high and I have thoroughly enjoyed the intrigue as well as unexpected plot points throughout the 49 episodes of its run.
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Rough path with some sweetness and the ending that lost focus…
A Shoulder to Cry On delivered quite a few good messages that would resonate with teens and young adults, and even a few lessons that can change the perspective of the adults, as long as they are willing to think about these topics after the episodes end. A nice step into a different direction in a well known high school set up.That said, is this truly the deep and complex psychological story as some people claim it to be? Depends on what you compare it to. It’s not as sweet and silly as many high school and university BLs, and there is an attempt to add layers to the characters, especially on Tae Hyun’s side. So compared to other K-BLs, one could see it as something more. If you look at it in a broader manner, sadly it’s just another enemy to lovers trope with trauma as a cherry on top.
Yes, it does tackle some serious and important topics like childhood trauma, lack of emotional support, repressed feelings, guilt, resentment, forgiveness. Yet, all on surface level. It’s like a weather talk - just a starter for the conversation.
I think the biggest disappointment for me comes from how black and white they tried to present really complex situations and how fast they moved away from them without truly putting time and effort to give a proper resolution, which was especially obvious in the last two episodes. How to put it… it lacked nuance. It made me feel like the production team does not trust the audience to handle difficult topics so they made them as approachable and simple as possible. God forbid someone finishes an episode with conflicted feelings about the characters.
Personally, my favorite part of the plot was Da Yeol’s doubts about his path. It’s an issue most young people resonate with and many adults still struggle with. It was best written, paced and concluded part of the story and I wish the drama focused on it a little bit more.
Then we have the acting, which was fine during the teen daily life scenes, and questionable at best during the emotional scenes. There were a few moments I could see Shin Ye Chan tried to convey strong emotions, but it just did not translate on screen. Similar issues happened with more “heart wrenching” scenes from Kim Jae Han. Realistically speaking, for debut roles, these were quite challenging, so I’m; not exactly surprised by the end product.
Undoubtedly the production was a massive improvement compared to other short k-bls. Longer episodes allowed the story to have a more even pacing without too many things being painfully rushed (putting aside the final conclusions). While it still lacks in comparison to mainstream dramas, it’s on par with other web dramas, which is far better than what we’ve got until this point from Korean BLs.
Improvement from makeup artists needed though.
Overall, it’s great to see a longer format and I’m glad it was given to a story with an actual plot that at least attempted something more than “sweet teen romance”.
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The first few episodes seemed to deliver on the promise. In my rush to judgement on MDL I even posted an early rating of 9.5, in part because I wanted other BL fans to know that this was worth a look.
The series started out by exclusively taking Tine's POV, allowing Sarawat to develop as a character who was at times funny, charming, prickly, seductive, and above all, unpredictable. It was mainly because of Sarawat's interactions with Tine that the first few episodes of '2gether' were so enjoyable.
Then, about halfway through, '2gether' took a wrong turn and never found its way back. Around this time in the series Sarawat and Tine finally became boyfriends, and along with that the two boys took the momentous step of moving in together -- sharing an apartment, a bedroom, and (of course) a bed.
Now, the definition of 'boyfriend' can vary from person to person and even across different cultures, but for most of modern civilization, when two people are romantically involved to the point of living together, certain assumptions apply. One of those is that the relationship has evolved to the point of physical intimacy.
Once Sarawat and Tine had advanced past the flirting stage and become a couple, this became '2gether's' biggest problem. From that point on, one detail after another clashed with the everyday experiences of everyday people. While cohabitating, the boys would share the bed, but they slept fully clothed and never cuddled. They would stand together romantically under a starry night sky and not put their arms around each other or hold hands. They would comfort each other with words but not with a warm embrace. And a kiss, even a quick peck on the lips? Not happening.
The bottom line was that despite being two college-age guys in a m/m relationship, Sarawat and Tine showed no signs of sexual attraction. In fact any physical contact between them came off as awkward and uncomfortable. Somehow, whether at the behest of GMMTV, the director, the actors, or some element unknown, the decision had been made that despite Sarawat and Tine's boyfriend status and shared living arrangement, there would be virtually no displays of affection on-screen.
It was a wacky decision, and it showed in the final product. Time and again, a scene between the two guys would work its way to a point where the mood was clearly set for a moment of physical affection (whether it be an arm around the waist, a held hand, a tender hug, or a kiss), and '2gether' would veer away at the last second, often resorting to a substitute gesture that was more suited to best buds or actual sibling brothers. The substitute most frequently used was a pat on the head from Sarawat to Tine (which with each occurrence looked more and more condescending), but sometimes they didn't bother with any substitute at all. A scene would just end.
This is simply not how real boyfriends interact, and I think it's safe to say that everyone knows it, even adamant supporters of the series who have defended it for its 'purity' (as though the purpose of '2gether' was to depict a divine love unblemished by anything as sordid as hand-holding.) When a work of fiction deviates from commonly perceived reality without first establishing a believable reason for doing so, viewers get confused. When it happens over and over without explanation, viewers get frustrated.
What bothered me personally was that I sensed an agenda at play. I grew disillusioned, and found I was now watching each episode mainly to see how they'd keep screwing with reality. Along the way I noticed that Sarawat wasn't so endearing anymore, and Tine had become a paranoid bundle of nerves who forgot how to smile. The joy I found in their relationship -- and in the series -- was in ashes. When the final episode approached and the script deployed the trusty "ex-girlfriend who's still in love" trope to stir up some drama, the result just lay there like the stupid and insulting tactic that it was. You can't revive a patient who's already dead in the ICU.
By this time I'd finished mourning the loss of what '2gether' had started out to be, moved past my anger and resentment, and settled into amusement. I looked back on how much I'd anticipated the series and laughed at how I'd been fooled. This was a production presumably written and directed by experienced professionals who are familiar with the BL genre. It was mind-boggling how they'd squandered the fantastic beginning and ended up with something so phony and awkward. For me the plot had gone completely off the rails, so whatever story the series was trying to tell didn't matter anymore. What I became most curious about each week was how they'd finally pull this mess into the station, and what kind of shape it would be in when they did it.
And the way they ended it, of course, was with the high-five between Sarawat and Tine that has already gained near-legend status. I must admit that this was where the series, which had already established itself as a mockery of BL, proved it could still surprise me. It was as though the production team had gotten together to brainstorm and find a way for '2gether' to deliver a final, unmistakable "F U" to fans of the BL genre -- a gesture guaranteed to become the ultimate meme.
In this I think they succeeded, but it makes me fearful over what GMMTV will do with their future BL productions.
ACTING
In general I think the actors did a fine job with the script and the direction they were given.
Win's work as Tine deserves a lot of praise since he had no prior acting experience, whereas almost all of the rest of the cast did. His first foray into a series was a tremendous success for him personally and promises great things for his future career.
Regarding Bright, it's hard to tell if Sarawat's detachment and wooden affect was a result of Bright's inability to act or the fault of the director. Given the way the entire second half of the series was botched by the director, it wouldn't be a stretch to blame him for Bright's performance, at least in part.
That said, I get the sense that Bright did not enjoy being in a BL series. He was smart to agree to it because it provided the perfect target audience to rocket him to fame. (His previous acting gigs didn't result in anything close to this fanbase.) From here I'll be surprised if we ever see him play any other role other than a heterosexual male. And honestly, that's fine with me.
MUSIC
Scrubb! Awesome band, great songs. You don't even have to understand Thai to feel what the lyrics are saying.
I suspect that Scrubb might have also written the song that plays over the end credits of each episode, sung by Bright. It has their vibe and Bright does a nice job with it.
I'm not a fan of the song sung by Bright that was released as the series ended, but this opinion is probably tarnished by my disappointment over everything else.
REWATCH VALUE
I will never rewatch this series. While the beginning episodes are wonderful, there'd be no way to enjoy them knowing what comes later. In fact I'd probably start to pick apart the good episodes too, looking for hints of the lameness to come.
THE 'PORN' DEFENSE
A lot of diehard fans of the series have defended it by saying that anyone who criticizes the lack of physical affection between the leads is looking for a series that depicts explicit sex.
All I can say is: if this is your best argument then you have already lost. Nobody in their right mind wants explicit sex or porn in a BL series. When you have to misrepresent an opponent's argument in order to counter it, you're only saying that you don't have an intelligent response to what they are actually saying. You are admitting defeat. You are admitting that '2gether' is a failure.
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Best web drama!
Everything about this drama is superb! Their chemistry is out of this world. The most romantic korean series i ever watched . Every episode in this drama always make me melt. This drama gives a roller coaster of emotions. I love Ji chang wook and Kim ji won. The original soundtrack, cinematography, unique concept, i am in love with this drama. Ji chang wook is very handsome and kim ji won is very beautiful, they both look together. Fighting lovestruck in the city, i hope there’s will be season 2.Was this review helpful to you?
1'Cause I saw the end, before we'd began.
Zhousheng Chen pledged his life to protect the realm with an unbreakable vow to never marry or father children. Cui Shiyi, a peerless beauty 倾国倾城 (qing guo qing cheng) was promised to the Crown Prince from birth. He is her shifu, her master; thus any romantic relationship between them is forbidden. This kind of story never ends well - Zhousheng Chen knew it, Shiyi knew it and I knew it. Yet I fell helplessly down the rabbit hole with them and almost drowned myself with tears. I did not expect to be so moved or so heartbroken 'cause I saw the end, before we'd began. So be warned, this moving, legendary love story between the noble Nanchen wang and Shiyi is sad and unforgettable.This drama's production values are incredible from the movie aspect ratio, stunning sets, gorgeous costumes drenched in a soft palette that accentuates the beauty and ethos of the unspoken, unspeakable emotions that encompasses every loaded moment. The haunting and poignant OSTs are the only times their feelings and promises are verbalized. The lyrics are layered with meaning that compliments the beautiful prose of Mo Bao Fei Bao's popular novel 一生一世美人骨., that is woven seamlessly into the script.
I love how Mo Bao Fei Bao writes - her composition style is simple and profound at the same time and yet I am unable to finish the novel. It is set in the present, with Shiyi flashing back to their past. I simply can't relate to a docile modern woman with such ancient values, whose whole reason for existence is one man. The drama adaptation that starts with the past makes for far better storytelling as Shiyi is a product of her time, a Northern Wei noblewoman raised to dutifully abide by all the social strictures and expectations of the day. Underlying her gentle, serene expression, she is incredibly single minded ("my heart already belongs to someone, it will not change") and the imperceptible flashes of fury in her magnificent eyes says she is far from docile. Bai Lu interprets Shiyi brilliantly and brings her gentle strength and courage to life in a way that vastly exceeds the novel.
As for Ren Jialun, he is truly one of those rare actors who says it best when he says nothing at all. He never has to tell Shiyi how he feels about her, it it is evident in all the small gestures and most of all, it is in his eyes, in the sublimely romantic way he eyes her ever so longingly... and so regretfully. It emanates from the core of his being and breaks free from all of the constraints imposed by duty, responsibility and his toxic oath. With this mature, charismatic and substantive performance, Ren Jialun sheds his more youthful persona and proves his ability to compel in more complex roles that require some heft and gravitas. That said, I wish Zhousheng Chen wasn't quite so restrained; that they had given us at least one moment of temptation, where for once if only briefly, he forgets he is Nanchen wang so that they can be just Chen and Shiyi. If I remember correctly it is hinted heavily that there was one such moment in the novel. Nonetheless the palpable chemistry between the leads convinces that while not in deed, they are lovers in every other sense and meaning of the word. This captivating and shattering performance by both leads underpinned by their remarkable chemistry makes this slow burn, tragic romance a must watch.
Even though the drama adaptation attempts to better flesh out the past, the story's focus remains predominantly on the romance and that is where it shines. The external political plot is designed almost solely to either frustrate or facilitate the romance and thus does not bear close scrutiny. It is clear that political plots are not the screenwriter/novelist's forte although she does a credible job pulling together perhaps too many common tropes - rival clans, power struggles, Wu Tzetian-lite (brainless) and thwarted love rival wrapped up in filicide, murder and betrayal. Although all of the supporting roles including the villains are very well acted, there are many side characters who do not advance the plot and the inter-relationships and rivalries among the main clans and the consequent political dynamics are not well explained. And then there are characters like Yang Shao who conveniently pops up as alternately friend or foe as and when required by the plot. His motives and loyalties are not obvious and for such a poorly developed character, he gets to do some pretty important stuff. Neither villain is that complex and they both seize power without the means to secure the border and thus the empire without Nanchen wang. They are not intelligent or worthy opponents - even when they win, it is by foul means that lead to self destruction. Nonetheless, I watched this with a forgiving eye, mostly because I was too busy emptying my tear ducts to have the emotional energy to be bothered by the logic flaws.
This drama really enraged me at the end. The lovers' fates are well telegraphed from the get go so that is not my issue. My problem is with how Zhousheng Chen the character was mutilated by the writers at the end. The core of what makes Zhousheng Chen noble down to his beautiful bones is the conviction that his sacrifice, their sacrifice is worthy. And it is manifestly not worthy - he makes the same mistake twice of shoring up a ruler who simply cannot hold on to the throne and is bound to be a puppet. What it comes down to is he chose to save his bloodline and a bunch of worthless, doomed ministers at the cost of peace at the border, his beloved Nanchen army and Shiyi; leaving the country defenseless and in the hands of a sociopath. Even though the writers acknowledge they did him dirty when Shiyi piteously comes to the same damning conclusion and it just breaks her, how they wrote themselves into this corner is unforgiveable. It could have been avoided if the external plot were better configured to begin with and if they had the courage to change some aspects of the novel rather than simply writing to back-solve for certain outcomes. In doing so, they made an incredibly compelling case for Zhousheng Chen to just kiss the girl, revolt and seize power or to ride off with her in the sunset and defect to Nanxiao. He would still stay more true to character because that is what would have achieved the greater good instead of simply protecting his brother's legacy at all cost. Thus with regret that oozes from every pore, Zhousheng Chen foolishly forsakes both the common people and his Shiyi for the king and country that forsook him. There is no level on which this is a satisfying outcome and Zhousheng Chen deserves better than that.
Since I am ranting, I would add that I am not in the least consoled by the fact their unfulfilled love even moves the universe to give them another shot in the modern sequel Forever and Ever. First of all, this takes thousands of years. Secondly, if I were Shiyi, I would run, run, run, run, run AWAY from Zhousheng Chen after what he did. And finally, to get my much needed closure, I am really irritated at having to try to watch a darned modern romance, a genre I normally avoid like covid.
I still rate this a 9.0 largely due to mesmerizing performances by both Bail Lu and Ren Jialun, in their rendition of this love story that captured my heart and soul in a stunning depiction of 色授魂与 (se shou hun yu). I don't need to elaborate on what that means, it is there in every glance, every word, every interaction.
Postscript:
For those of you who need closure, there is a very well fan made alternate ending ending produced by industry professionals. I have fan subbed it and hidden it as a spoiler in the comment section of this review.
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Sweetness with genuine feelings.
Saying it was adorable would be understatement. It’s a perfect BL for everyone who is tired of overdramatized plotlines, stiff chemistry, bad acting and problematic leads. Our Dating Sim is the purest form of romantic comedy put in a refreshing frame of a dating game.One of the strongest good points about this show was the well paced and smart storytelling. Just enough opening ambiguity about the main leads relationship in the past and the present was enough to set up a solid opening stage for the rest of this story to unfold. And from that point, it was a full fluff fest with just a tiny bit of angst so we don’t get diabetes. The angst you can enjoy, because you know it's just a tiny momentary feeling that will end well.
I am pretty sure we all fell in love with Gi Tae. It’s amazing to see a character who is confident, but not overbearing. He truly radiates positive energy and presents a perfect level of playful teasing.
Honestly speaking, while I enjoyed Lee Wan’s character, I found it hard to describe him. A little bit passive, truly hardworking with spontaneous outburst of courage with flight reaction that follows. Compared to Gi Tae, who was more stationary in terms of development, Lee Wan presents a subtle journey to self-discovery and bravery to stick with the things he find important, instead of running away from them.
Lee Seung Gyu and Lee Jong Hyuk had an amazing and natural chemistry that put a smile on my face during every episode. Acting wise, they both delivered believable performances. While many people praised Lee Seung Gyu (for solid reasons, I rewatched quite a few scenes simply because I enjoyed his performance so much), I also want to compliment Lee Jong Hyuk for his take on Lee Wan’s character, especially with scenes presenting concern, worry or confusion.
For such a short drama, the production value was perfect. I loved the dating game framing and the game stages scenes at the end of each episode presenting additional small doses of sweetness between the main characters.
Overall, while it feels like 8.5 for me, my brain actually wants to give it 9. Often such simple and short stories feel empty, dull, cringe, but Our Dating Sim could not be described by any of these adjectives. While it might be a classic story with well known tropes, the execution makes it an entertaining watch that many will enjoy.
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