This review may contain spoilers
First and Last May With You
처음과 마지막 5 월 당신과 함께This is a sweet love story, with no cringe and an unnecessary love triangle. I was waiting for this kind of drama that shows life in 1980. I love the 80's and 90's and I would have liked to live in that period.
The set, clothes, cars and even old buses, every scenery and the camera filter they used gave me the '80s vibe. Even if I am not girly, I am a tomboy like Soo Ryeon, I liked all of Myung Hee's outfits and Soo Ryeon dress at the Engagement Ceremony. Ah and because I am a tomboy I loved Hee Tae and Soo Chan outfit too.
And all 31 instrumental soundtracks and those 10 songs with their touching lyrics fit Perfect the story.
Some of them made you smile when was sweet moments, some made you laugh when were funny moments, some made you feel scared and anxious and not forget about the songs that made you cry.
I LOVE the main characters. And Go Min Si and Lee Do Hyun are my favourite actors, actually i have many favourite actors but they are one of them.
First, let's start with HeeTae and MyungHee. Well, this is what I call An Outstanding Chemistry.
They are the definition of Good Chemistry.
They are just perfect on screen. I love their relationship development, it wasn't rushed and everything had its time.
Little by little they got to know each other and fell in love.
Now let's pay attention to their little brothers.
Myung Soo and Jung Tae their relationship weren't that great at the beginning but eventually, they got closer.
I liked the moment when the other kids were making fun of Myung Soo's father because he was limping and Jung Tae punched that guy. I felt so bad for Myung Soo is not easy to watch other kids making fun of your own parents. I guess that is where they started a friendship. And Jung Tae in the present day because of the unexpected incident in the past he was limping too. They didn't show it but I guess that they remained friends. Cause Jung Tae was the first to find out that Myung Hee was found.
I have another 2 more characters that I love
Soo Ryeon even if she is a bit selfish, I liked that she wasn't bothered that HeeTae and MyungHee loved each other. The only reason she wanted to get married to him is because of her father's company.
Soo Chan - he is the definition of a loyal friend that despite liking MyungHee he gave up and wasn't the villain that we all hate. He understood that MyungHee does not belong to him. Even if he was at first a bit disappointed that she wasn't wearing the shoes that he bought for her. But after seeing her happy with HeeTae he just let his feelings to cool down and remain friends.
To be frank, I thought that he will be a villain, but seeing him next to the hurt people and trying to help them changed my opinion about him to 180° from -100 to +100.
Kyung Soo is HeeTae's friend and the soldier that helped Myung Soo to run away. I loved the moment when he shot in the air and told MyungSoo to run away. Pretending that he shot him.
And also he is the last person that saw MyungHee and he is the old person at the train station.
There is a lot to say about the characters but all character shines when the plot is Strong and Interesting.
I loved the love story with strong and touching words in their dialogues. The dialogues made you smile laugh and cry.
Even if it's not the ending that I wanted, I still love the ending.
Even if this love story is not based on a real one, but I think that MyungHee and HeeTae's love story portrayed the love story of many people that had the same tragic final.
Their first and last May together was May 1980.
One thing that hit me hard is when in the present days HeeTae said
"The 41st May when you finally returned"
That just broke my heart, i burst into tears.
Youth Of May sounds beautiful, romantic, sweet, lovely and very sad.
MyungHee died but HeeTae suffered in their YOUTH OF MAY
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This review may contain spoilers
Family Matters on the Farm
This has been on my reserve list since it was first announced and I was looking forward to this concept as a costume drama on a farm was new to me. Joseph always pulls off solid acting. I know the video game concept was put in due to censorship and I have no complaints regarding it. All of that said, the English title didn't fit it at all and it should have just been called Family Matters on the Farm.Pros: The entire concept was interesting. Had everyone guessing how many of the characters were none NPC. The theories and ideas were great to discuss with other viewers. ML did the best and was my favorite character though everyone did a great job at playing whichever character even the ones we didn't like so much like the toxic family. Our FL was very business oriented but though she spoke her mind, she had a kind heart which I think sometimes was too kind. Everyone that harmed her or her NPC parents and brother did get their comeuppance in more ways than one. Everyone you wanted to hit, absolutely received theirs villains included. The last episode and the hard earned forgiveness of many was actually necessary before the FL could return to her real world.
I liked how they mixed the farming life and the martial arts of SN and 13. There was a nice balance. I know a lot of people weren't pleased with the ending but I think it was a happy ending in both worlds though very subtle. Not every show requires a wedding and babies. They loved each other and even though the extra episode was only like a minute long and didn't show SY aka SN's face, it was obvious from LMN's face and tears that those two would be together in the real world too. I actually got a bit emotional in that last episode with the forgiveness and LMN saying goodbye to everyone. What I'm not sure others noticed was that she somehow exited the VR world without actually putting that last tael of money into the box, it was left on the table and she was still in fact a bit short. So my reasoning is that ML went to meet her and also exited them both out of the game after sitting and chatting about being together forever, then he went to meet her irl to give her the woven horse and reinforce the promise he made in the game.
I love Joseph's OST the most; I don't know why they had someone else also sing it later. His voice was soothing and really brought the song to life. But I have no qualms on costumes, scenery, save for one of FL's hairstyles which was thankfully short lived. You didn't need a large budget here.
Cons: Not very many here; but I do wish that they returned ML to FL sooner at the end and before the last few moments before she exited the game. And I wish that 1 minute special episode had Joseph's face and was part of the last actual episode because as someone mentioned, it did seem like an afterthought. I also wish that FL sounded more mature and less whiny in her conversations; I think that the actress has more or less typecasted herself into these kinds of roles. Would be nice for her to try something where she doesn't always appear brainy and pouty. I'm really nitpicking here because this drama didn't have many cons. Also do wish since they chose to use it, explain more about the game aspect itself; like how long are actual time lapses as opposed to the real world and so forth as well as close out what happened to FL's stingy, uncaring parents irl. That part was left hanging.
Would I recommend it? Yes I would. Just forget the title as romance is nowhere near the primary theme though it does occur and there is great chemistry between the leads. If you're looking for a different costume drama, give it a whirl.
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A mix of slice of life, romance, mystery and some political intrigue
I finished "Are You the One" more than two months ago, so it's still somewhat fresh in my mind. Thankfully, I wrote down my comments and episode recaps, so I have references to refresh my memory as I write this.This drama tells how fate and circumstances brought two strong, determined and principled characters from opposing sides together, and how they worked through their problems and challenges, and emerged with a better understanding of each other.
The story has two major arcs. The first arc is when Liu Mian Tang had amnesia and there were many unknowns, and the second one is when she fully recovered her memory and the ensuing events that happened. What I like about the first part, among other things, are the mystery, the unknown details, and anticipating when the truth will be found out. The comedy also helps. I like Cui Xing Zhou and Liu Mian Tang's getting-to-know each other phase, the slice of life moments and how they are reviving their porcelain business. For me, this part is best watched without knowing major spoilers. I accidentally read one, which dampened some of my excitement, but at least, I was a few episodes away and was near to guessing it.
Episodes 20 to 23 contain some of the major turning points in the story. I think the transitions are well done. The second part's focus is on their growth and reconciliation, as well as the palace intrigue. It's more serious compared to the first arc, but still has sprinklings of humor. The politics is not heavy here, so don't expect heart-pounding scenes. One thing I wish they had shown (instead of just mentioning it) would be some scenes or flashbacks of CXZ and LMT as forces on opposing sides, fighting for their beliefs. Not sure in what part of the drama they could insert these, but just a thought anyway. The drama's ending wrapped things up nicely, although I have a question or two, but it's not a big deal.
Now on to the main cast. Zhang Wan Yi did a good job portraying Cui Xing Zhou. He was able to show the serious, in-love, torn, heart-broken, and funny sides of CXZ. And I like his voice! Wang Chu Ran gave a convincing portrayal as Liu Mian Tang, especially in the first arc, where she showed innocence, savviness, trust and vulnerability. Plus, I find her pretty and elegant. In addition, Zhang Wan Yi and Wang Chu Ran have great chemistry. The interactions between CXZ and LMT come out naturally and are believable.
As for Chang Hua Sen, I first saw him as Li Tong Guang in "A Journey to Love", and his performance left a good impression on me. Here, his character, Zi Yu, is multi-layered, with mysteries that were eventually revealed. His portrayal is good, though I think Zi Yu's character could have been developed further. Shi Xue Ji, played by Yuan Yu Xuan, is a very likeable character. She's the dark horse in the family, someone you would root for and would want to succeed. Her growth is played out well.
Zhang Chi as Marquis Zhennan is the proverbial best friend, who's supportive and also comical at times. Liu Ling Zi as He Zhen is average for me. I've seen her play a similar character - strong, smart, but initially not appreciated by those around her.
The soundtrack is nice. The songs are well chosen and suit the drama.
Final Verdict: The romance and slice of life aspects are good, and despite some touching moments, politics, and fight scenes, it's generally a fun, entertaining and light watch. So if these are what you're looking for, then go watch this drama.
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Story:
The story is simply stunning, exceptionally well written, well-constructed characters with very human and powerful conflicts. It's different from other kdramas because, although there is a forbidden romance, what is really striking is how it shows the strength of family ties through many souls who can't find happiness because they are tormented by the past (and here, the past is represented by the piano).
To recapitulate. An incompetent former mobster, who has just found out that he has a son, marries a single mother. A few years later when the woman dies in an accident, the stepchildren hate as much the stepfather as one of them ignores him and the other is given to low life almost like revenge.
Thus in this story no one is willing to forgive: the stepchildren don't forgive the stepfather, the stepfather not forgive himself and the stepfather's son can't forgive himself for loving his stepsister. The only one who seems to be happy is the last daughter, who while filled with light the family, at the same time turns out to be the guilty to make the lovers' romance impossible.
Acting:
Absolutely outstanding performances. If I had never seen this drama, I would never have known that Korea also has its Al Pacino and it's called Jo Jae Hyeon. I take my hat off to his talent. On the other hand, I had never seen any work of Jo In Sung, but surely if you see this drama you will never see him in the same way. Most of the time he is covered with wounds and blood, hating his life and his stepfather. His performance is just extraordinary.
OST:
I started watching this show because I listened "Spring days of my life" by CAN, one of the most memorable songs in Korea. In the videoclip they showed scenes of the drama and so I decided to see it. Apart from this popular song, the OST is really very original.
To end. This drama is full of homesickness and teaches us that we never reach happiness without forgiveness. The stepson never understand the love and good intentions of his clumsy stepfather until he discovers how much he can love a child that is not his. Beautiful reflection and sample of how life turns on a dime. Deep message that leaves you thinking how ironic we are as human beings. Furthermore, most likely you'll end up with a fervent desire to learn to play piano.
1000% recommended!
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I haven't been this fascinated by a movie in a long time. Sure, excited and caught by movies but not fascinated.
Story - the story is awesome. The ending did not really go for my taste but I liked it better than expected, let's say - it fits the movie well. While in the beginning you start thinking "Will this movie really be interesting?" the characters suck you into their life and feelings and you cannot stop watching until you know what's gonna happen. I liked how the story went along and like I said the ending fits quite well.
Acting/Cast - First off, I'm amazingly happy that the actor for Jaeha (I just forgot his name right now), a really known and popular actor, is in this movie and it's not just made by newbies or so. This gives this kind of mature movie a more serious and experienced feeling. As for the acting - it was awesome. I loved it. Nothing more to say.
Music - You don't really notice but then you do. It fits really really well.
Rewatch - Probably. Pretty sure.
Overall - Overall, Method is a piece of art where everything was put together neatly. It's definitely interesting, although not to everyone's taste I presume, and I think all the parts fit so well together which makes it enjoyable to watch even if it is quite dark. I recommend it, definitely!
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And every single breath we drew was Hallelujah
You know what's the most difficult thing to deal with in the world? It's your soul. Yes, the struggle with your ownself is the most arduous task one must go through at least once in their lifetime. LOST, the Kdrama is the portrayal of the very same aspect that uses immense storytelling method to narrate stories of lost lives, striving to find themselves and see themselves becoming something in some way.Note: I am sure this drama just like it's title, LOST, has made the audience lost for words to describe or write about properly. Even after I'm done writing, I will look forward to reviews which will have more and better described perspective than me. I love analytical readings after all, haha.
Trust me, the drama is not what it's synopsis says. You might assume that it's a love story between 2 lost beings but more than its simply written plot, it's all about the viewers' mood and frame of mind. What "Lost" demands from its audience are patience and an open mind to embrace anything that is thrown at them. The amount of angst it contains, is good enough for to take a toll on your mind too, so be careful. The drama might look slow but that's the method of storytelling throughout, so if you don't like it, may be it's not your cup of tea. The unique element of this is the immense use of inner monologue narration of the 2 main characters, in the form of writing notes to their respective fathers.
LOST is the story of ordinary individuals who have dreamt to achieve extraordinary things in life and done their very best. But, at the crucial points of their lives, they find themselves lost in an unfamiliar direction and their longing hopes are nowhere to be seen. They're not sure what's happening with them, nor do they have any plans ahead; they're simply breathing their lives until death embraces them. So the basic plot is about a man & a woman seeking immediate meaning to their individual lives while they encounter each other often due to situations and become friends. They help each other comfort and grow as persons and in their subconscious they end up falling for each other at the end which somehow makes everything complicated.
Lee Bu Jung (Jeon Do Yeon) is an ex-team leader at a publishing forum as well as a ghost writer who had once dreamt of publishing a book with her own name on it, as the author. At the age of 40, she, an unemployed is simply making money even when her mental health is completely ruined because of her personal and professional lives. Lee Gang Jae (Ryu Jun Yul), is a prominent & famous face in the line of stand-in service world with his own individual business. At the age of 27 and a almost withering youth, he often finds himself living in a fake world full of fantasy where he's left behind when his clients go back to reality once the task is over.
The story also invoves people around both of these lead characters,their relationship issues, carrer problems and individual struggle to sustain in this harsh and cruel society. I would refeain from describing them to avoid mentioning any spoiler because there's no solid plot as mentioned earlier; It's greatly a slice of life story and everything that happens with the characters, count as minor or major details of the script that should be rather witnessed than simply read, in order to understand.
LOST is truly a depiction of mystery of life and it's operation. The world has undergone a devastating change over years and with our changing lives, we all have become lone men army, lost in our perceptions of life and continuously constructing barriers to assure self sustainability. On our journey to achieve big, we somehow lose the meaning of our existence and end up questioning the worth of living. This leads to the deterioration of our mental health subsequently resulting in depression, loneliness, anxiety as well as panic attacks and sometimes to jealousy, insecurities, possessiveness and ultimately to something as toxic as sadism. LOST is about all these elements of life that either make us miserable or help us learn and grow. LOST is about losing everything you own just to find it little by little, each day. Don't you think that this, in some way, is a pleasurable experience? But I wish the drama were that simple TT.
"아버지, 나는 아무것도 되지 않았습니다." Trans: "Dad, I didn't become anything." is the utmost distress signal or a cry for help by Bu Jung to his 70yo father who is at declining health and the onset of expiration. The feeling of emptiness has taken a toll on her, even when she's surrounded with people, making her a sadist woman who seeks joy when her enemy trembles with insecurities. She has become suicidal because of the unwavering life motos and lack of motives, however, she doesn't have the courage to end everything either. She just wants to run away from everything, knowing that her life has turned into nothingness after the severe downfall she had to go through a year ago.
"사랑하는 아버지, 내 삶의 본질을 잃어버린 것 같합니다" Trans: "Dear loving father, I think I have lost the essence of my life" is the grievance of Gang Jae to his late father whom he lost to a long-term illness when he was in highschool. He could never find any profession suitable for him nor had he any passion he loved, and to earn living he relied on being a companion to others and quickly rose up to be a familiar face in the Stand-in service business. Even with few close people around him, he always felt he's living in a world of illusions where he is left behind alone as soon as his assigned task is over.
One might think the drama is about the romantic development between the ML & FL leading to a relationship but there's strictly the least amount of romance portrayed in the drama. It's neither a chemistry development or a bond strengthening, rather the buildup of peaceful and comforting "soulmate" who help you heal your deepest wounds and nurtures you into a better being. Most part of the story progresses a lot on individual level of the leads showing their lives separately. On that note, the development between them is also a depiction of mutual liking of people stuck in complicated situations, which makes it difficult for their unison. Even for Jung soo and Gyeong Eun's development, it felt so pure. Even though the situation involving 4 of them got complicated by it, they were held back because they felt so disconnected and lost. So how could it not be moving when they were finally able to connect both physically and emotionally with someone? One thing that was common between them was both had that one person, they considered their confidante; for Bu Jung it was his old father and for Gang Jae it was Sun Joo (Just/Taegi).
However, when both of them come into a single frame, the wind changes into something else; something that could be felt well but very intricate to describe with words; something so pure that it can't be named as a particular relationship; that's how I felt all along the drama. On that note, the vibe of the drama is very heavy though heartfelt shades & emotions it depicts are all greatly realistic and awfully relatable, more or less for every single one of us. Bu Jung's relationship with her father was the most beautiful one after the lead's storyline.
The drama showcases various psychological (not psychiatric) mental health issues which are very common among human beings, making it even more congeneric, so it strikes deeper than anything else; make sure you watch it with a major TW and take it easy & slow, in case you're sensitive.
The story is filled with ironies. It is hugely character-driven having characters with flaws, their method of interplay, their real arcs as individuals and how they perceive each other. The writer has very beautifully drawn every character of her story, and those characters have served their roles unerringly, making them lively & relatable. The flaws of the characters are what make them real in any story and this drama implies that no one is good or evil, or even entirely innocent, and no deed is moral & immoral; as long as it's dependent on perceptions, it varies to a great extent. The dialogues are so well written here, both for conversations and for the monologue notes, one might get lost in emotions and tremble with melancholy. They are very thought-provoking, sometimes inspirational & uplifting and some other times emotionally challenging for your mind. Simply, the emotionally moving and very human experiences that the drama visualizes will make you witness, understand and empathize/sympathize the hidden shades of human life and make it easier for you to embrace every forthcoming possibility. What I also loved is the way of reminiscing own's past and relating it with your present; no matter that brings you joy or sadness. The story is accompanied with light comedy here and there in a scattered manner, nevertheless, it's mostly a heavy setup.
I am not a believer, a hardcore atheist but from the pov of quality music, I have known and loved the song "Hallelujah" by Jeff Buckley (originally by Leonard Choen) but the drama using the old track as a prop to narrate the story, has again changed my perspective of the song as well as life. It's been used a multiple times in the drama which suitably blended into the scenarios portraying different emotions like sorrow, grievance, downfall, isolation, etc.
I wonder the reason the writer Kim Ji Hye was in hiatus for 7 years. Is it because she was busy creating this piece of gem that will stand out for it's way of unique storytelling techniques and awe the world with very-human approaches it has made in order to portray the essence of life? Haha, I'm certain that's not the case but the drama is on some other dimensional level to make you assume so. She herself told it's an ordinary tale, which in actual is true, but what makes it extraordinary is the seemingly ordinary characters on their journey to achieve the longing significance, that they have been seeking for time immemorial. This ain't a predictable trope, rather every single thing that happens, welcomes every possible result which is difficult to guess or make certain of, truly.
The directors have done a job as good as the scriptwriting, I must say. The screenplay techniques used to connect the characters & their stories are very intriguing. The frames jumping from one character to the other at the time of inner monologue narrations of the 2 leads, shows how common the story we have, are yet how different it is for each of us. The way they have tried interpreting simple dialogues with the use of aesthetically pleasing cinematography work and by the use of dark and shady colour palettes, deserves applauses.
In regards of OST too, the composer has been able to do a fabulous job. I mean for a drama with such unique emotions and moods, it'd have been a difficult task to create and produce suitable tracks to fit into the scenarios but how beautiful the songs are! In fact the background tracks and their appropriate editing with subtle classic instrumental gives off the shady vibes and might make it seem slow but trust me, it enhances the quality of storytelling in a different perspective. The loan English song "Hallelujah" is the base of the drama. Other than that, the song that tells the essence of one's tale is "My Story sung by Ha Dong Qn which has the touch of melancholic beauty. "From Me" is the track meant for uplifting the fallen spirits decorated by the beautiful vocal of Sonidia. The high notes of Kim Yuna in "Under the blossom shadow" are highly pleasing and touching. "My Home" by Hajin is a very comforting track.
The other important aspects of life involving both the leads and other supporting characters, portrayed in the drama are: Worrying parents, understanding child, parent-children bonding, fighting long term illness, taking care of bedridden patients, dicorce & separation, untimely demise of life-partner, widowhood, dating relationships, breakups, late age single life, one sided liking, deep friendships, workplace problems, career failure, celebrity life, rich family issues, dirty secrets of entertainment industry, domestic abuse, extra-marital affairs, married life hardships, consequences of ill relationships, miscarriage, stress disorders, loyalty, admiration, respect, caring for family, live-in relationships, second marriages, dreams & hopes, indecisiveness, confusion, swaying of heart, change in feelings, exhaustion from relationships, etc.
I would like to write a little about 2 things that I particularly want to bring to the notice of readers who might not have thought much about:
a) The way the writer has painted the arcs of Gang Jae in regards of his stand-in service profession, is very real. It's just matter of choice and open-mind nature, to realize that this exists in real. In a world where we choose to rely on strangers during odds rather than our close ones, stand-in substitute is in fact what people with money go for in case they're deprived of love & affection, or simply are lonely. Only a few percent of them require the service in events or parties to fill the venue in and show-off. Some others also use substitutes in dates too. Despite the fact that all these are fake, we can't deny it's become a trend in the changing world as more and more of us are growing fond of solitude and lonely lives.
b) Just like the mother-in-laws for most of the shows, Bu-jung's MIL was surely insecure of her daughter-in-law and complaints a lot but the portrayal of her as a person is what intrigued me. She could be nagging and screaming and telling on her a lot but at the end of all, she understands everything. She secretly cherishes her DIL and worries about her at times as well as his son's married life. She's very caring and even concerns about Bu-jung's old father and his health. The sides of a MIL shown in here is truly that ecstatic which are a rare example in the real life.
Not sure how should express my feelings about the ending. Some might think it's absurd and some might be mad because how it ended but trust me you wouldn't see a more realistic approach than this. I mean things ended just as we wanted it to but the time provided to it is very short, which again is very justified if we consider the pace events of the drama. Some things were sorted, some were not, however that's how real it felt, because a story might end, but life continues. I am just lost for words to tell anything or may be I am not knowledgeable enough to state anything about it, pardon.
Some side storylines, the supporting characters and their lives were not clarified well, in fact the 2 lead characters had the same case, which can be interpreted as an open ending, leading to possibilities, but isn't that how slice of life dramas are supposed to be? I think it's safe to assume and imagine here rather expecting for another season, so that it doesn't hurt us later, haha.
To sum up everything, LOST is the story of lost lives, seeking help and prosperity and the ride is surely full of unbearable angst. The relationship between Bu Jung and Gang Jae are beyond the definitions of chemistry or bonding, more of long-lost mates striving to find each other. It's a super slow-burn development yet immensely intense and the seemingly slow paced story that actually is an appropriate one, given the utilized storytelling method. The unspoken intimacy that elicit emotions are truly ecstatic. Also, such seasoned & familiar actors that made the characters justified, I wanna praise all of them. The subtle development of bonding that accumulates a lot and bursts oepn into blooming love at the end is indeed a journey of warmth and pleasure. This is a drama that said a lot without exactly saying anything. The best reason to watch this should be the immense opportunity of character study so grab it as soon as you can.
I'm someone who is over-sensitive and becomes overwhelmed over every little thing, but this drama is actually that intense that my heart felt heavy till the end and I couldn't really bring myself to cry till the ending episodes, when tbe basic plot finally attaining it's peak. I was just watching along with the flow and my heart was trying hard to understand and feel whatever was happening. I cried very lil in the last 2 episodes over naturally moving scenes but after finishing, it suddenly hit me hard that ahh it's over. I immediately strated crying out of despair which went on for a while, in fact I completed writing this thing as my eyes were still teary. (Adding these 2 lines now only)
This drama, again, is not for everyone to watch, and the writer has intentionally tried to test the viewer's patience here; but for someone who is open to trying out everything and watching stuffs with suitable perspective, this drama is a must watch. The genre is a common but for me, the method of storytelling is very very new, certainly a first, and I entirely felt in love with it, I should admit. My sole interest for starting this drama was Ryu Jun Yeol choosing this, and ofc, I have loved Jeon Do Yun and Park Byung Eun, but now that I've finished it, I have no words to describe how it has gone way beyond all my feelings, leaving me with no satisfying word to praise it. LOST is indeed one of a kind unique drama which must get it's worth-deserving attention and recognition, please because it's very underrated. I'm definitely coming back to this again.
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Story: This is by the best story line I have ever seen. All the actors are perfect. I felt their pain, their happiness, their frustrations, everything. This drama made me smile, laugh, and cry. Nothing can explain the feelings I had while waiting every week for new episodes.
The writer did such a good job at keeping the suspense always there. The fact that the story has many questions left to answer and is kept for the audience to decipher on what they want to happen is so breathtakingly beautiful. Its just so amazing that the writer and director was able to mesh all that and bring this wonderful work. This drama is definitely by far one of the best detective dramas, or drama overall.
Actors: I love the actors. Every one of them meshed into their character so well, I couldn't even tell they were acting. The child actors just hit my heart so so bad, especially the famous omelet scene. Gotta give it to the boy, I cried so much watching that scene. After this drama, I am definitely having an ahjussi-crush on Jo Jin Woong. The mains of this drama was just the best ones the directors could have gotten. I can't even imagine any one else playing their characters. Kim Hye-soo was also superb. Her acting during the shock scene was just...no words possible. Last but not least, Le Je Hoon was not just eye candy. The emotions he showed touched my heart soo much. I fell for him even more after this drama. Overall, the actors and actresses were TERRIFIC. I wished this drama never ends.
Music: Love the OST. Been jamming with it every day. It's definitely going to be on repeat to relinquish my withdrawals from this drama.
So many questions are left after I finished this drama... Despite that fact, this is still a must watch drama!
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The first few episodes seemed to deliver on the promise. In my rush to judgement on MDL I even posted an early rating of 9.5, in part because I wanted other BL fans to know that this was worth a look.
The series started out by exclusively taking Tine's POV, allowing Sarawat to develop as a character who was at times funny, charming, prickly, seductive, and above all, unpredictable. It was mainly because of Sarawat's interactions with Tine that the first few episodes of '2gether' were so enjoyable.
Then, about halfway through, '2gether' took a wrong turn and never found its way back. Around this time in the series Sarawat and Tine finally became boyfriends, and along with that the two boys took the momentous step of moving in together -- sharing an apartment, a bedroom, and (of course) a bed.
Now, the definition of 'boyfriend' can vary from person to person and even across different cultures, but for most of modern civilization, when two people are romantically involved to the point of living together, certain assumptions apply. One of those is that the relationship has evolved to the point of physical intimacy.
Once Sarawat and Tine had advanced past the flirting stage and become a couple, this became '2gether's' biggest problem. From that point on, one detail after another clashed with the everyday experiences of everyday people. While cohabitating, the boys would share the bed, but they slept fully clothed and never cuddled. They would stand together romantically under a starry night sky and not put their arms around each other or hold hands. They would comfort each other with words but not with a warm embrace. And a kiss, even a quick peck on the lips? Not happening.
The bottom line was that despite being two college-age guys in a m/m relationship, Sarawat and Tine showed no signs of sexual attraction. In fact any physical contact between them came off as awkward and uncomfortable. Somehow, whether at the behest of GMMTV, the director, the actors, or some element unknown, the decision had been made that despite Sarawat and Tine's boyfriend status and shared living arrangement, there would be virtually no displays of affection on-screen.
It was a wacky decision, and it showed in the final product. Time and again, a scene between the two guys would work its way to a point where the mood was clearly set for a moment of physical affection (whether it be an arm around the waist, a held hand, a tender hug, or a kiss), and '2gether' would veer away at the last second, often resorting to a substitute gesture that was more suited to best buds or actual sibling brothers. The substitute most frequently used was a pat on the head from Sarawat to Tine (which with each occurrence looked more and more condescending), but sometimes they didn't bother with any substitute at all. A scene would just end.
This is simply not how real boyfriends interact, and I think it's safe to say that everyone knows it, even adamant supporters of the series who have defended it for its 'purity' (as though the purpose of '2gether' was to depict a divine love unblemished by anything as sordid as hand-holding.) When a work of fiction deviates from commonly perceived reality without first establishing a believable reason for doing so, viewers get confused. When it happens over and over without explanation, viewers get frustrated.
What bothered me personally was that I sensed an agenda at play. I grew disillusioned, and found I was now watching each episode mainly to see how they'd keep screwing with reality. Along the way I noticed that Sarawat wasn't so endearing anymore, and Tine had become a paranoid bundle of nerves who forgot how to smile. The joy I found in their relationship -- and in the series -- was in ashes. When the final episode approached and the script deployed the trusty "ex-girlfriend who's still in love" trope to stir up some drama, the result just lay there like the stupid and insulting tactic that it was. You can't revive a patient who's already dead in the ICU.
By this time I'd finished mourning the loss of what '2gether' had started out to be, moved past my anger and resentment, and settled into amusement. I looked back on how much I'd anticipated the series and laughed at how I'd been fooled. This was a production presumably written and directed by experienced professionals who are familiar with the BL genre. It was mind-boggling how they'd squandered the fantastic beginning and ended up with something so phony and awkward. For me the plot had gone completely off the rails, so whatever story the series was trying to tell didn't matter anymore. What I became most curious about each week was how they'd finally pull this mess into the station, and what kind of shape it would be in when they did it.
And the way they ended it, of course, was with the high-five between Sarawat and Tine that has already gained near-legend status. I must admit that this was where the series, which had already established itself as a mockery of BL, proved it could still surprise me. It was as though the production team had gotten together to brainstorm and find a way for '2gether' to deliver a final, unmistakable "F U" to fans of the BL genre -- a gesture guaranteed to become the ultimate meme.
In this I think they succeeded, but it makes me fearful over what GMMTV will do with their future BL productions.
ACTING
In general I think the actors did a fine job with the script and the direction they were given.
Win's work as Tine deserves a lot of praise since he had no prior acting experience, whereas almost all of the rest of the cast did. His first foray into a series was a tremendous success for him personally and promises great things for his future career.
Regarding Bright, it's hard to tell if Sarawat's detachment and wooden affect was a result of Bright's inability to act or the fault of the director. Given the way the entire second half of the series was botched by the director, it wouldn't be a stretch to blame him for Bright's performance, at least in part.
That said, I get the sense that Bright did not enjoy being in a BL series. He was smart to agree to it because it provided the perfect target audience to rocket him to fame. (His previous acting gigs didn't result in anything close to this fanbase.) From here I'll be surprised if we ever see him play any other role other than a heterosexual male. And honestly, that's fine with me.
MUSIC
Scrubb! Awesome band, great songs. You don't even have to understand Thai to feel what the lyrics are saying.
I suspect that Scrubb might have also written the song that plays over the end credits of each episode, sung by Bright. It has their vibe and Bright does a nice job with it.
I'm not a fan of the song sung by Bright that was released as the series ended, but this opinion is probably tarnished by my disappointment over everything else.
REWATCH VALUE
I will never rewatch this series. While the beginning episodes are wonderful, there'd be no way to enjoy them knowing what comes later. In fact I'd probably start to pick apart the good episodes too, looking for hints of the lameness to come.
THE 'PORN' DEFENSE
A lot of diehard fans of the series have defended it by saying that anyone who criticizes the lack of physical affection between the leads is looking for a series that depicts explicit sex.
All I can say is: if this is your best argument then you have already lost. Nobody in their right mind wants explicit sex or porn in a BL series. When you have to misrepresent an opponent's argument in order to counter it, you're only saying that you don't have an intelligent response to what they are actually saying. You are admitting defeat. You are admitting that '2gether' is a failure.
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Soulful & Healing
This drama is probably not for everyone. It's more than just a kdrama that's why it doesn't apply to a global audience. But it gives heart to those who can relate to having had mental health issues, to those having someone close to them suffering from it or those who're interested in the subject from a scientific point of view. More than just stories about the patients, we also get to see the healing process; even simple anger management exercises feels like they could be easily implemented by anyone else. Those scenes are rather long at times and that's why I suspect they are there for that purpose, for that second purpose which might not be applied to everyone but could possibly help someone in need.It's a beautiful series.
There has been a few dramas that broach the topic but compared to some extraordinary or rare diseases I feel like the way this drama is approaching the subject is hitting closer to home. Anxiety, delusion, anger issues, depression, eating disorders; fighting to stay clear minded despite facing challenges in a society that expects us to always be ready and on their feet is a common issue that isn't talked about enough. Compared to other dramas where mental health issue is either the main focus on the story or is a background feature of a character, something that the character can make use of or hide, here we see ordinary, working people that can't hide away from it because it shows in their daily life. We get to see how they struggle to overcome, frankly, themselves, and how hard it is to do so when society doesn't take you or your mental health seriously.
If that didn't convince you to give this drama a chance... let me ask you this then. Have you ever felt burdened by the things happening in your life? Have you ever felt it was unfair how many bad things kept happening around you? Well, this drama not only answers from the perspective of those that are lost and deeply wounded by this but also from those that keep fighting through it. And unlike the usual kdrama trope where the main leads are suffering from painful memories and keep on a straight face, here we see main characters that are suffering, who are not okay, but they keep searching for that light with all their might.
"Whatever your illness may be, don't struggle alone. If you can overcome it on your own, it's not an illness."
This drama is giving me so many emotions. I love how Han Woo Joo can see right through the ML. She just 'gets' him. It's an entertaining dynamic. They're a pair of dorks, and at their best, they just work together. It's interesting to watch them because we're not only being told that they like each other, but ultimately we can see it and judge for ourselves. They are two wounded souls, and sometimes it can be rather scary to see their vulnerable sides so out in the open but ultimately they're people that need each other and are able to help each other heal. As long as one doesn't give up, we can continue to move forward. An additional bonus is that this drama skipped on a lot (if not all) the usual, annoying, repetitive kdrama cliches regarding romance while staying true to the main storyline and keept us entertained with continuous character development.
Jung So Min is an extraordinary actress. The variety of emotions she portrays is incredible. It's both feels-inducing and also fascinating to watch, seeing how one actress can play so many raw emotions on screen. And Shin Ha Kyun...how can he be so pure and adorable? He's precious. Sophisticated but also a real dork at heart.
Before anyone says our male lead is too old let me redirect you to Ji Sung's profile page. Ji Sung might look like a baby duckling but he's still a mature man in his forties. Also our couple has 14 years gap, but that's not a new thing in a kdrama world now, is it? Furthermore...female lead being 31, she's a mature woman herself.
Other issues? There are a few. I know of a patient-doctor contraversary issue, dubious psychiatric methods used in the series...but that's just not it, not what this drama ever was supposed to be about.
What this drama truly teaches and the message it is trying to portray throughout the various stories and lessons is that - You Can Heal. And that each person is unique on their own so the healing method is also something unique for you. It might even be something only those deeply invested in you or you yourself can truly find. But that's okay. Because each of us has that answer in our hearts. We only need the will to move forward.
I can't praise this drama enough. It's a true gem. It truly met all (and more) of my expectations. It's a soul healing drama.
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The Funniest Narcissistic Idiotic Moron Ever
This is one of the funniest dramas I’ve ever watched. At the beginning, I found it comedic and thought I wouldn’t like it. After the first episode, I couldn’t stop watching and laughing because it’s so hilarious. The narcissism is idiotic but at the same time so so cute.Mu Jue Chen (Fiction Guo) is a narcissistic youth who is so absorbed into himself that whatever negatives would become positives in his mind. Everyone around him brushes his ego but rolls their eyes and curses him behind his back. All his actions and demeanor are bombastic and egregious. This drama has the most eye rolls and the Mu Jue Chen character is the most egoistic person that I’ve ever come across and it’s super funny. I must applaud Fiction Guo for his amazing acting as Mu Jue Chen. I have almost believed that Mu Jue Chen is Fiction Guo because the actor has really immersed himself into the character totally.
Qian Yu (Li Nuo) is the only person who knows Mu Jue Chen inside out; she knows all his strengths and weaknesses, and knows how to capitalize on this knowledge to her advantage. Though seemingly a lord and servant relationship, there is more to the relationship that is not revealed at the beginning. Li Nuo plays her character well as a submissive servant and then later as a powerful head of the valley.
By Episode 10, the plot thickens. There are hidden mysteries. Who is Qian Yu? What has happened in their childhood? Why is Mu Jue Chen so protective of her? All these questions drive the plot. The tone turns serious at times (only when Mu Jue Chen is not around - it's almost impossible to be serious with him around) with beautiful sword fighting and “qing qong”.
Everything is exaggerated out of proportion and the CGI is really bad, but together, the whole thing is simply hilarious and adorable. A lot of the dialogues are unexpected and many scenes are out of expectation. I almost choked when they start to play the tune of The Flight of the Bumble Bee. They have also used EDM (electronic dance music) as background music extensively, so much so that I have to roll my eyes too. There are a few dark humors here and there. Though they banter and fight all the time, the lead characters’ chemistry is wonderful.
I love the use of oxymoron phrases here, such as, “Don’t let my face lose face”. There is also frequent play with pronunciation of Chinese words, e.g. the character 恶 (e). Depending how one says it, it can mean different things - fierce or loathsome. Therefore, non-native Mandarin speakers may not appreciate such humors.
There are of course the typical tropes such as falling off cliff and memory loss stuff. Overall, if you want a drama to laugh and take away some stress, this is the one. I’m loving it!
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Special for ‘She Fell First He Fell Harder Trope’ sucker like me?
I simply love it!For those who are sucker for she fell first, he fell harder trope, this is perfect for you.
Acting:
I personally think both leads have very good acting. They acted so well together with good syneryg. I’m a fan of ML, Miles Wei and I can confidently choose FL here Huang Riying as his best leading lady in term of acting and chemistry. He’s quite a king of chemistry but it’s on another level here imo.
I had watched 2 works of Huang Riying before this, both were more to comedy that she’s good at but in this drama I can also see her nailing emotional scenes very well. She’s very expressive actress imo. I look forward to watch her more. I’m glad to see her list of upcoming works and she’s getting better projects in S+ level drama.
Miles Wei & Huang Riying nailed Tang Yu & Tang Xin perfectly since I also read the original book.
Good acting, good chemistry and a big bonus…. they’re so visually pleasing to looks at when they’re together. Gorgeous couple imo. My eyes have been blessed watching them towards the end of the year 2023 lol
Plot:
As you can read from the synopsis, the plot is simple and you don’t have to expect extravagant plot twist whatsoever. Just enjoy the romance, occasional comedy and most important…expect to watch push and pull before they get together. FL is someone insecure and in disbelieve that the ML that had rejected her suddenly courting her back. Some viewers get annoyed by her stubborness but I understand her POV so I just enjoyed the ride.
Yes this is cliche romance but some people watch romance for the clicle anyway. I personally think this drama is cliche done right.
OST:
One of plus points for this drama!
The OSTs they used, I love it all. I sometimes purposedly listened to the opening and ending credit songs while watching because they’re nice listening to. The choice of bgm music was good, they fit the scenes most of the time.
Rewatch Value:
I will definitely watch it back just for Tang Yu & Tang Xing especially their sweet moments when they’re finally together.
Recommended drama from me, I also promote it to my friends and they like it.
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Actual dumpster fire
Ladies and gentlemen, perhaps you are confused by the fact that I call this drama a "dumpster fire" and yet give it a rating of 8, and I can understand that confusion, so allow me to explain.Imagine, if you will, just a random stinky drab dumpster. Now normally we don't think about dumpsters, because why would you. And when you have to put your garbage in one, or if you see one overflowing on the street with disgusting things, and you actually are forced to think about a dumpster or be near a dumpster, you're like "augh gross" and you hold your breath and try not to look too hard at it or have to smell it's fumes.
But imagine that one day you are walking down the street in an average neighborhood, and out of a perfectly average looking dumpster, is a giant raging bonfire, like a huge dramatic bonfire just blazing away. And the smell off the thing is probably terrible, but yet at the same time it is so magnificent and extraordinary looking that you are mesmerized and cannot look away.
Well that is this drama. So let's break this down into 2 parts. The Dumpster... and The Fire.
🎬THE DUMPSTER.
Well first we are talking about PLOT. The whole foundation of the dumpster is messed up. The FL from the beginning was not written to be likeable. If you want to try to like her, you can. But her backstory is SCANT. They don't give you a home address for her from which you can relate and get behind her and feel like you know her and care about her. Sure they throw a pittance of a backstory at you, just enough to fill in the blanks and create the plotline. But there's no empathy for her built into this plot. So no matter what actress you cast in the role, it was ALWAYS gonna come out lookin bad. The story tells you she is an infiltrator fighting for justice. And yet your heart tells you she is just an ice donkey. But perhaps that's an insult to donkeys because even donkeys aren't as cruel and stupid as she is. And when I call her stupid, I mean all the way around. Because not only is she intellectually unable to keep up with her surroundings, but she also sports a rock bottom EQ. In the infamous words of Mitch Hedburg, "that's a double whammy".
Halfway through the drama, there's a scene where she rather dramatically threatens to unalive herself and I'd put 5:1 odds of any person who makes it that far in this show thinking to themeselves "meh, g'eiahead"
Now second biggest problem was with STYLING. I know. How bad does it have to be to actually be "second biggest problem". Well, it was pretty bad. Not for the men so much, but for the women, they were done dirty here. It is as if Stylist is maniacally driving a steamroller of vindictiveness, created from literally every current year social media chinese beauty trend, and PLOWED it over all the ladies with a merciless cruelty. You got your crown heightening hairstyle, dragon-lady french manicure, silkworm eyebags, "eye sparkle" contact lenses, fake eyelashes, sticking out ears, baby lipstick.... and all of it is done BADLY. These ladies clearly have natural beauty, and the stylist has marred it to dumpster-tier levels. Congratulations, stylist. Your revenge is complete.
And then you have just random stinky things in the dumpster, dumb clothes, thrift store furnishings, tropey crap, unconvincing acting, drab dialogue, random cliches (i tripped in these high heels on the pavement because idk how to walk right oh my ML broke my fall how sexy and fortuitous!)(oh no, the power's out and we're all alone in a scary storm!)
🔥THE FIRE.
Now THATS a fine red-flag ML. Obsessed, check. Possessive, check. Devoted, check. Borderline yandere, check. Gangster badass, check. Shitkicker, check. Gorgeous face = you know it. Good kissing, YES. Zhi Jie just NAILED this brand of sexy, he so owns it. And for some reason, HIS stylist did a great job. He looks so gangster, he is selling the sh*t out of it.
The script and plot is biased toward him completely. He is put in situations that bring out this badassery and this possessive black hot energy. The dumpster is, shall we say, the VEHICLE for this absolute 3000 degree blazing majestic bonfire, that is Zhi Jie as a near-perfect specimen of red-flag hotness.
Sometimes the best things can be found in the dumpster.
In this particular dumpster, is a perfectly good perfectly sexy TEN OUT OF TEN RED FLAG ML. I mean how does one even go about scoring something like this.
So I gave it an 8 because it's like hey... I'm not saying this is top shelf. Nooo, no no, not at all. But is it watchable and possibly re-watchable? YES, if ONLY because the ML himself is a red-flag masterpiece.
Stinky? Absolutely, without a doubt. But also glorious and hypnotic. I would recommend watching this, but only with proper personal protective gear, such as nose plugs and goggles, inhaler, possibly a gas mask or hazmat suit.
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but i promise you if you love watching flawed like characters grow, if you love touching music, if you are bored with the stock dramas in dramaland and want to try something new and if you are ready to be shocked episode after episode then this drama is for you.
This drama is not for the fainthearted or for the casual viewer. It took me whole of 17 episodes for me to decide if i love this drama or i hate it with a vengeance. This one lies somewhere in the middle.
None of the 4 protagonists are your stereotypical characters from dramaland. All of them are flawed and selfish enough to self destruct themselves and everything around them.
Eric Mun as Kang Tae Joo is forever etched in my mind as the bastard with the human heart. Don't expect to love him but he is the type of man who we love to hate. Eric did a fantastic job portraying his character and brought such range of emotions that i am shocked that this drama is so under appreciated and received low ratings in its time.
I stand conflicted if i love the heroine or not. She is something for sure. She is the most unique heroine you will meet in dramaland. She looks naive and stupid but you will get to know her slowly and understand the things that she does. If you get past that horrible hairstyle that Jung Yoo Mi portrays throughout then you will see that her acting is pretty darn good.
Their is quite a good chemistry between Tae Joo and Eun Soo. When I saw them together on screen i felt everything what they were feeling. Those simple touches, those hugs, those kisses. The chemistry is well done and their is no tight lipped kissing here. The Romance has a mature tone so no fluffy stuff here.
Lee Kyu Han continues to get supporting roles but this man seriously needs his own drama to bring out the acting that i know he is capable of. He is quite good as Shin Joon Hyuk and as the man who is utterly cold and lonely in his life.
Cha Hye Rin is the type of woman who is easy to understand and someone who is just as lonely as anything or anyone.
The protagonists live in the hell of their own making and that is why this drama is full of so much angst. Their is lot of crying and moping and emotions flying around but it is not driven by external factors. This drama shows that we as humans are selfish and base. It is twisted and dark but oh so lovely to watch. It is told with raw realism and something akin to as if the writer can read our mind. Some shots, some quotes will forever remain in my memories. This was an intense drama that slowed down and kept on picking itself up at the same time. Don't expect a plot here.There is a plot though and it is quite good but not much happens in the way we viewers are used to. All the 17 episodes were about these 4 lives and their entangling and their character growth.
The music is downright phenomenal from Gotan Project to "Moonrise"
this is too intense a drama to be rewatched again.
Give this one a chance..this starts a little slow but will be up and running in no time. Que Sera Sera will bring you a little closer to understanding the human nature and much closer to life's realities as well. But as Peter Bishop says "behind every cynic their is a romantic".
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This review may contain spoilers
Fight for human rights. A story written with the blood of latest Joseon history. Highly valuable.
Definitely worthwile! "Nokdu Flower" offers a historically remarkable epic with a strong performance. The KDrama excels sort of. It almost seems as if the entire team was all too aware of the ambitious challenge to adequately capturing this short but crucial sequence of Korean history.In the second half of the 19th century, exploitation, famine, a corrupt, incompetent government and weak kings had eroded almost all belief in the existing system, in aristocracy and administration. Then there was the opening of the country to world politics and trades, for which the corrupt Joseon also proved to be profitable. In this historical KDrama it's not so much about the political intrigues around the palace, but about the landowners, administrative offices and Yangban in the provinces as well as the rebellion of the desperate rural people, who simply can't take it anymore.
The struggle for democracy in Korean history, like elsewhere in the world, has been quite bloody. That was last in May 1980 in Gwangju, when the democratic aspirations of the people were brutally crushed by the military. This was so during the student independence movement in 1929 in the fight against Japanese oppression. And that happened in connection with the Donghak movement, too, which had caused quite a stir throughout the country between 1860 and 1894. "Nokdu Flower" is deliberately very close to the front lines of those uprisings for democratic reforms, which then had been for the first time organized on this scale. This forms the perfect background for dramatically intertwined relationship dynamics of two half-brothers, (whose father is one of the particularly exploitative provincial officials who bleed the people dry), as well as the daughter of a merchant, who is used to deal with anybody, even the Japanese, for high profit.
The road to democracy on the Korean Peninsula is definitely rocky. To this day, the reactionary forces are still strong. "Nokdu Flower", however, represents a powerful, unforgettable symbol for the spirited struggle for freedom. The Donghak movement is often seen as the first patriotic Korean movement, since it was also about counteracting the increasing e. g. Japanese influence. But more than a patriotic struggle, initially the Donghak movement was actually about an idea that is bigger than family of origin or nation: It's about basic human rights. (An idea that, not too long before that, had also stirred up the European continent)
Matter follows spirit. And this spirit was shaken up in the rural population of Joseon by a new religious movement: Choe Je-u (1824–1864) created a new faith in 1860: Donghak, which roughly means "Eastern Wisdom". Drawing from Confucianism, Buddhism, Taoism and Shamanism, it sees the divine spirit at work in human beings - in ALL human beings, without distinguishing between class or gender. Additionally, it sees the world as moving in cycles - with a whole new world just waiting ahead.
Nevertheless, it is blood that paves the path to a new era. Eventually, the results of the first Donghak peasant rebellion included a treaty. The "Gabo Reform" recognized the new religion, and among other things, the lowest classes were freed, widows were granted the right to remarry, and penalties for corruption and abuse of office were introduced. Unfortunately, there followed a second peasant rebellion...
This is a story written with the blood of latest Joseon history, sort of.
Overall, a highly valuable production.
--------------- BY THE WAY... ----------------------
...the traditional Korean national dish BIBIMBAP is closely linked to Jeonju and to the Donghak uprising. The heart of the rebellion was in Jeolla province with Joenju being the provincial capital. Among farmers who did not have the time to prepare countless side dishes, it was common to simply mix whatever there was with rice and spices. This food proved its worth, especially when it came to feeding the rebels in their brave fight for new values and a more just future.
... the TITLE TRACK is actually a popular folk song that goes straight back to the peasant uprising. "Nokdu Flower" actually means 'blossom of the mung beans', but here it refers to the nickname of Jeon Bong-jun, leader of the peasant rebellion.
"Bird, bird, blue bird,
bird, bird, blue bird,
Don't sit in the mung bean fields.
When the blossom falls
the farmer goes to cry.
Bird, bird, blue bird,
Jeonju Gobu Nokdu bird,
why don't you fly away
The pines and bamboos are green.
We thought it was summer
yet it's bitterly cold and snowy."
The blue bird refers to the Japanese - they shouldn´t have any business in Joseon and should go away. Joenju and Gobu are legendary places of the uprising. Nokdu refers to Jeon Bong-jun´s nickname and the riot. However, Nokdu, the mung bean, also refers to an important agricultural product and food. Falling blossoms indicate a bad harvest. The 'summer' stands for the first uprising, the 'cold winter' for the second. The song was probably born during the execution of the leader Jeon Bong-jun and has since become a nationwide folk song in several different versions.
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