However, despite being known as an excellent kid explorer, Dora wasn’t the brightest bulb in the closet. Every episode went something quite like this; Dora would stand in front of, say, an apple tree and the treasure that she sought after would be an apple. So in order to find that apple, Dora would first cluelessly look to one side then the other, then she’d look all over all the while conveniently missing the tree located right behind her. After a good ten minutes of looking, when Dora still wouldn’t find the darned apple, the creators of the show would decide to give her a hint.
The hint went something like this: “Dora, if you look exactly behind yourself, you’ll find something. Now, we are not telling what it is, since this is only a hint but I think you should look behind you and see what you find.” For further help, a huge green arrow would point towards the apple on the tree. That was when Dora would finally have a light bulb moment and discover the goal of her expedition. Feeling mighty proud of her feat, she would then ask the viewers whether they too were able to find the apple or not.
Even as a child, I was about ready to combust at this point, for I had found the mighty apple the moment the tree came into the view. However, despite all its flaws it was still one of my favorite cartoons because it made me feel so clever. I was smarter than Dora. The world was a good place. What could possibly go wrong?
Except, when the same Dora-style execution is done in Contemporary Crime Shows, things do actually go wrong. This is exactly one of the reasons why people love “Stranger” so much. Stranger doesn’t come with the usual BS. It doesn’t assume that its viewers are mentally impaired baboons who can’t put two and two together. It actually respects the audience by considering them smart enough to follow the plot. There is no spoon feeding here, nor does a big ass green arrow point towards every idiotic discovery ever made. Instead, it’s a drama with an intelligent script that demands your full attention.
Every scene and every character has a reason for existing. With brilliant direction and almost no plot-holes the drama not only succeeds in captivating the audience, rather it also gives them space to really think about all that is happening.
For a lot of actors a “cold and emotionless” role is the gateway for slacking. They leave all their acting skills in the backseat and decide that posing like a cringey af model throughout the show is the way to go. Jo Seung Woo with his “Prosecutor Hwang Shi Mwok” explains that kids, it is indeed not the way to go.
For a character that is supposed to be expressionless and indifferent to everything and anything, Seung Woo sure did put out the acting of the century. While his face remains carefully blank at all times, there are slight nuances in his expression that highlight the emotional development Shi Mwok experiences throughout the episodes. A slight twitch of the brow to show frustration, relaxation of the facial muscles to show ease and the gorgeous, beautiful and rare smile to show happiness. Simply put, Shi Mwok is a delight to watch. Without showing, he still shows so much that by the first half of the drama, the viewers have already formed a deep connection with him.
A lot of people thought that the whole “brain surgery” plot-line was unnecessary, however, I think it was wholly essential in order for Shi Mwok to become who he was. He was a prosecutor who was able to observe every crime scene with a cold detachment that is unachievable for a normal person. And the show facilitated the fact by backing it up with a genuine reason instead of feeding the viewers some bogus and over-dramatic crap.For all those people who have seen God’s Gift, I know that Seung Woo shocked your pants off. The utter versatility of the actor cannot be described in words. He was a completely different person in this show, simply unrecognizable and for that, he has all of my respect.
I think one of the most endearing characters in the show was our female lead Han Yeo Jin. Bae Do Na held her own in terms of acting and the amount of chill that her character had was unlimited. She was such a genuinely cool person. Relentless, strong and quirky. Even though she won against bad people numerous of times, there was never any pomposity in her, for to her, even the wins felt like failures because they were against her own people. You can see how her heart hurt at the name of injustice and how fully determined she was to stand against it. No matter the consequences. She was the kind of fearless cop that is every ordinary citizen’s dream and every corrupt person in power’s nightmare.
So considering how exquisite these two were individually, it’s no surprise that they were unbeatable together. Lieutenant Han and Prosecutor Hwang: The ultimate dynamic duo that made the baddies shiver in their boots. The chemistry between them was excellent; easily topping many romances. They were the kind of comrades that can lean on each other in time of need, rely on the other in time of action and above all, understand each other all the time. As weird Shi Mwok was, Lieutenant Han just seemed to get him and he in turn respected and shared his secrets with her.
With best friends like these, who needs romance?
All of the other side characters came with their own quirks. They had their own story, their own motives behind actions that appeared to be ruthless and their own flaws and weaknesses. Nobody was completely good or completely bad; rather they were all wholly mortal.
Like other crime shows, the show did not make use of convenient plot-lines or shock value. There weren’t any WTF moments or nerve-wracking cliff hangers, rather there was a constant under-current of gravity that kept the viewers rooted to their spot.
This is the kind of drama that will warm your heart, fill you with sadness at the world’s corruption and leave you with the sweet hope that not all people are wicked, that there is still some good left and that little bit of goodness might just be able to overcome the evil.
I know that I should just end this review here but I need to be completely honest. As as you can clearly see, I have nothing but good things to say about this show. However, it doesn't mean that I am going to give it a perfect rating like many others because despite all of its beauty there were times where I wanted something more. I wanted to know why Mwok Shi was so relentless on eradicating all corruption. If he couldn't feel anything, where did all his righteousness sprout from? I wanted to know more about Lieutenant Han's background. Why was she always so alone?
Even though the whole drama came with a certain amount of simplicity and subtle intelligence, the last few episodes did at moments take on a fairy-tale touch. The conclusion was everything that you could've wanted, it was the perfect ending. However, considering the somber tone of the show, personally I expected something more gritty and raw.
So while this was one of the more amazing shows I have watched, I will not claim that "This was the best Korean drama ever made".
That being said, with some of the best dialogues and a spot-less execution, this drama is definitely not one to be missed. Which is why I wholeheartedly recommend it to every crime/thriller fan out there.Enjoy!
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The Nokdu Flower
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1This review may contain spoilers
Fight for human rights. A story written with the blood of latest Joseon history. Highly valuable.
Definitely worthwile! "Nokdu Flower" offers a historically remarkable epic with a strong performance. The KDrama excels sort of. It almost seems as if the entire team was all too aware of the ambitious challenge to adequately capturing this short but crucial sequence of Korean history.In the second half of the 19th century, exploitation, famine, a corrupt, incompetent government and weak kings had eroded almost all belief in the existing system, in aristocracy and administration. Then there was the opening of the country to world politics and trades, for which the corrupt Joseon also proved to be profitable. In this historical KDrama it's not so much about the political intrigues around the palace, but about the landowners, administrative offices and Yangban in the provinces as well as the rebellion of the desperate rural people, who simply can't take it anymore.
The struggle for democracy in Korean history, like elsewhere in the world, has been quite bloody. That was last in May 1980 in Gwangju, when the democratic aspirations of the people were brutally crushed by the military. This was so during the student independence movement in 1929 in the fight against Japanese oppression. And that happened in connection with the Donghak movement, too, which had caused quite a stir throughout the country between 1860 and 1894. "Nokdu Flower" is deliberately very close to the front lines of those uprisings for democratic reforms, which then had been for the first time organized on this scale. This forms the perfect background for dramatically intertwined relationship dynamics of two half-brothers, (whose father is one of the particularly exploitative provincial officials who bleed the people dry), as well as the daughter of a merchant, who is used to deal with anybody, even the Japanese, for high profit.
The road to democracy on the Korean Peninsula is definitely rocky. To this day, the reactionary forces are still strong. "Nokdu Flower", however, represents a powerful, unforgettable symbol for the spirited struggle for freedom. The Donghak movement is often seen as the first patriotic Korean movement, since it was also about counteracting the increasing e. g. Japanese influence. But more than a patriotic struggle, initially the Donghak movement was actually about an idea that is bigger than family of origin or nation: It's about basic human rights. (An idea that, not too long before that, had also stirred up the European continent)
Matter follows spirit. And this spirit was shaken up in the rural population of Joseon by a new religious movement: Choe Je-u (1824–1864) created a new faith in 1860: Donghak, which roughly means "Eastern Wisdom". Drawing from Confucianism, Buddhism, Taoism and Shamanism, it sees the divine spirit at work in human beings - in ALL human beings, without distinguishing between class or gender. Additionally, it sees the world as moving in cycles - with a whole new world just waiting ahead.
Nevertheless, it is blood that paves the path to a new era. Eventually, the results of the first Donghak peasant rebellion included a treaty. The "Gabo Reform" recognized the new religion, and among other things, the lowest classes were freed, widows were granted the right to remarry, and penalties for corruption and abuse of office were introduced. Unfortunately, there followed a second peasant rebellion...
This is a story written with the blood of latest Joseon history, sort of.
Overall, a highly valuable production.
--------------- BY THE WAY... ----------------------
...the traditional Korean national dish BIBIMBAP is closely linked to Jeonju and to the Donghak uprising. The heart of the rebellion was in Jeolla province with Joenju being the provincial capital. Among farmers who did not have the time to prepare countless side dishes, it was common to simply mix whatever there was with rice and spices. This food proved its worth, especially when it came to feeding the rebels in their brave fight for new values and a more just future.
... the TITLE TRACK is actually a popular folk song that goes straight back to the peasant uprising. "Nokdu Flower" actually means 'blossom of the mung beans', but here it refers to the nickname of Jeon Bong-jun, leader of the peasant rebellion.
"Bird, bird, blue bird,
bird, bird, blue bird,
Don't sit in the mung bean fields.
When the blossom falls
the farmer goes to cry.
Bird, bird, blue bird,
Jeonju Gobu Nokdu bird,
why don't you fly away
The pines and bamboos are green.
We thought it was summer
yet it's bitterly cold and snowy."
The blue bird refers to the Japanese - they shouldn´t have any business in Joseon and should go away. Joenju and Gobu are legendary places of the uprising. Nokdu refers to Jeon Bong-jun´s nickname and the riot. However, Nokdu, the mung bean, also refers to an important agricultural product and food. Falling blossoms indicate a bad harvest. The 'summer' stands for the first uprising, the 'cold winter' for the second. The song was probably born during the execution of the leader Jeon Bong-jun and has since become a nationwide folk song in several different versions.
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The KMovie is carefree, harmless and heartily. However, it is not trivial.
"Dream" is about team spirit as a positive force that allows a group to excel itself. The KMovie is carefree, harmless and heartily. However, it is not trivial, as it sides with those commonly referred to in society as the weak.You shouldn't expect too much, then everything works quite well. Obviously, IU and Park So-joon are the show's carthorses. But that doesn't do justice to the rest of the cast, who all contribute their unique esprit. “Dream” comes across as teamwork through and through.
Although it was filmed at original locations in Budapest, somehow, in my opinion, the casting (unfortunately) often enough doesn't work so well, when Korean productions are dependent on actors from different origin. For whatever reason. Even if it's only supporting roles or extras in this case, they seem to be rather amateurish. Hm.
All in all: “Dream” is a KMovie for high spirits and light fare. Not intrusive. With a few flaws here and there. However, also with some well-placed, wonderful and valuable messages in passing.
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What I really found endearing is the frankness of the lead male Shuji and his inner monologue/narration. I like that he was outwardly popular but inwardly unsure, bored, scared and lonely. The theme of this show is a simple one. Finding true friendship...whether you are a popular kid, a quirky loner or a withdrawn, scared and painfully shy newcomer.
Each episode is written to show the development of this core friendship. As the synopsis and title reveal, these three come together to 'produce' Nobuta and make her popular but...wow is that so not what really matters here. I loved the way the story unfolded in such an original manner compared to the way a westernized show would have handled this. Lovely.
The acting is great. Not perfect but very good. My favorite was Yamashita Tomohisa who played Akira. He was so quirky, clumsy and strange but what a loyal and steadfast friend. Yamapi was great. There are a lot of wonderful characters to be found within the setting of their school; teachers and students alike. I enjoyed Shuji's family. They were a hoot! Nobuta was like a flower opening up to the sun when Shuji and Akira found her. I loved the development of her strength and their loyalty to her. Wonderful!
At 10 episodes, this series was a fast and entertaining watch. No story line or plot point dragged on too long or bogged down the pace. The music was fine..not memorable but not bad either. But this drama isn't really about a standout soundtrack so I did not find it distracting or lacking in any way. I gave the re-watch value an 8 because while I might not watch it again this was a very entertaining drama and others might really enjoy watching more than once.
I recommend this drama highly. It's quick, it's sweet, it's touching and fun. Give it try if you are hesitating.
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This review may contain spoilers
I always feel like somebody's watching me.
I struggle to contain my anger at the monumental disappointment this drama turned into because it could have been a huge hit. I am so irritated I need to get it off my chest with a spoiler heavy review, something I really dislike doing. I think I figured out the confusing ending that I explain below. Do not read this if you don't want to be spoiled.The story is a very simple, poignant enchanted fairy tale. Fu Jiuyun (Zheng Yecheng) is an immortal who falls for a mortal with an indomitable spirit in a magical painting his shifu left him and stalks her across ten incarnations over a thousand years. In her incarnation as Yanyan, a Li princess, she is destined to marry her childhood sweetheart and live a happy life. Jiuyun cannot stay away from her and in the guise of a dissipated genius artist Gongziqi gifts her a magical painting of a peach blossom tree and a magical song that she performs for her mother's birthday celebration. Note that the painting and song are key in the ending interpretation. The dance is truly captivating and if nothing else, just watch that. At this point I was addicted and fully invested in both leads.
An ambitious neighboring prince makes a deal with demon forces, invades her kingdom, massacres her family and enslaves her people. A devastated Yanyan vows vengeance and embarks on a quest to obtain a magical lamp that can absorb the demon forces and free her people. She assumes the appearance of her maid Ah Man (note the name) and calls herself Qinchuan. This is where they replace the actress Jiang Yiyi with the more well known Zhao Lusi. First mistake - it was not just confusing throughout but I had to get over the first actress whom I liked and get invested in the female lead all over again. The switch worked at first because Lusi is a really funny actress and her antics with Jiuyun, Xiao Bai and Er Meng were entertaining. However, the couple's interactions fell short of the seamless transition from humor to intimacy that was so well done in Under the Power. As a result, Jiuyun initially comes across one of those oily old dudes that misbehaves with young girls. While their chemistry eventually "clicked", Lusi's initial indifference made Jiuyun's overtures seem unwelcome to the point of harassment.
Just when their romance takes off, the show separates them and shifts into the revenge plot. This is where Qinchuan becomes all bravado and no brain - she has no credible plan and has to be rescued multiple times. She works with Er Meng and Xiao Bai; Jiuyun only bails her out from afar. The show peaks too early with the take-down of most of the bad guys and then digresses further into the super boring second couple. I suggest skipping all of their scenes in the middle. They could have easily cut 6-10 episodes to avoid the fatal loss of momentum in the storytelling. Then Jiuyun decides to help Qinchuan fulfill her mission even though it means a certain end for him. He is the wick of the lamp that once lit, eventually burns out.
Once the tone shifts away from largely comedic, Lusi struggles to get into the moment in action and emotional scenes. She is not versatile and is mostly just excellent at comedy. Her performance was flat through most of the second part of the show and only saved by some of the steamier romantic scenes with Jiuyun. By then, I had enough and just wanted it to end. Zheng Yecheng's performance on the other hand was consistently stellar - he really carried the show. Apart from being smoking hot (I can watch him all day), his interpretation of the hard core romantic good guy that disguises himself as a world weary, cynical, indifferent and dissipated immortal was spot on. His eyes shine with unshed tears at all the right moments and as he protects Qin Chuan from the truth of what she asks of him.
The ending is confusing and to me it is quite sad in a Butterfly Lovers kind of way (major spoiler):
Qinchuan realizes that Jiuyun is not coming back ; even Meishan admits that his soul has scattered. She completes her ritual with the lamp - she had already bonded with it earlier on. She wakes up as child Yanyan who dreams an old man (her shifu?) tells her that she gets a fresh start. I think the lamp takes them all back in time for a do over. She grows up and intuitively makes way for Zichen to fall in love with Xuanzhu. Her maid is no longer Ah Man but a Xiao Cui. She has more sad dreams where Jiuyun tells her that she will soon forget him. As the time loop starts to replay her mother's birthday she forgets how to play the song Jiuyun/Gongziqi wrote for her and the pipa disappears into the painting. In this new life, Yanyan will marry Er Meng and their kingdoms will be at peace. She never becomes Qinchuan so eventually Qinchuan and Jiuyun's relationship also gets erased or never happens. Jiuyun snatches the last bits of her memory of Qinchuan and escapes into the magic painting with Qinchuan and the pipa. It is the only place where they can be together but they may be just shadows or memories of who they were. I initially thought she was sucked into the lamp where Jiuyun creates an alternative world for her but if that were the case, he wouldn't have to put her into the painting. This is where they should have used both actresses to make it more clear by leaving Yanyan behind while Qinchuan goes into the painting with Jiuyun. It makes me feel a bit better to imagine that Qinchuan and Jiuyun cultivate together in the painting and after thousands of years both become immortals that live happily ever after. The novel ending is different, more straightforward and much happier - essentially Jiuyun eventually reappears and they are together.
Despite the poor execution and confusing ending, it is still a beautiful fairy tale with some gorgeous scenes and amazing moments that is worth watching. Best be liberal with the fast forward button through the middle parts. My low rating reflects the poor execution that prevented this from being an unforgettable and addictive love story.
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Best Historical Romantic Drama of 2019
This is one of the very few dramas that has more depth and lets the viewers experience all kinds of emotions – love, hatred, happiness, sadness, kindness, cruelty, trust, betrayal, amongst others. Being a tragedy, this drama has captured my heart and emotions, and takes me through the journey of joy and pain.The female lead grows from an innocent and naive girl living on the steppes/desert, into a thoughtful and self-sacrificing woman living in the palace. Her role makes her the most loved character in the drama, and Peng Xiao Ran has effortlessly achieved the high standard in her acting. She is an amazing actress – natural, beautiful and authentic.
The first male lead, Chen Xing Xu, is very young in his early 20s. He has also achieved successfully his role as the 5th Prince with a boyish personality. He gives viewers the impression of a silly thoughtless youth, and yet, he is a smart scheming lethal strategist deep down. This is a very complex character to portray and Chen has done it with flying colors.
This is a high-quality production, from acting to costumes to props. The whole cast plays their roles convincingly and effectively. All details are taken care of. There are no or few holes/loose ends.
The story itself is heart-wrenching and sad, but it also calls up many questions we may have within ourselves about life and about decisions we make daily – things may not always be what they seem to be.
Since it is a tragedy, the ending is what it is expected, a tragedy. I love the ending because there is proper closure for every character; no unnecessary killings just to write-off a character. Everyone gets what he/she deserves.
The sound tracks are the most unforgettable tunes for this drama. Each song is meaningful with sorrow and longing that are sung in beautiful melodies. I don’t know how many times I have listened to the “Little Fox” which gives me the deepest impression. The song conjures up images of a girl riding a horse running freely on the steppes, long gone is the pain one has to endure in life.
Despite it is heart-wrenching to watch some episodes that involve betrayal and killings, this is a must-watch drama. I give it a two-thumbs up.
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1This review may contain spoilers
The Ten Commandments of TBL
These are the commandments that have been handed down to us by the gods of Taiwanese BLs. They shall be the commandments by which any present and all future TBLs may be judged.1. Thou shalt violate an apparent taboo. So it is that a stepbrother may lie in the Biblical sense with another stepbrother, or a stepfather with a stepson, or a teacher with a student. But a real taboo, thou shalt violate not. For it is a sin. Our purpose here is titillation, not transgression.
2. Thou shalt not utter the word ‘gay’. For it is a sin. Thou mayst love another man, but if anyone shall ask of thee if thou dost, thou mayst answer, “I like not men, I like only you.”
3. Thou shalt always include more than one same-sex couple. For it is the law. The number assigned to thee is two. One is too little, for it adheres too close to the earthly realm; three too much, for it adheres too close to the realm of Thai BL.
4. Employ thou a verily bright colour saturation in thy film, to mask the limitations of thy capital and thy cinematographer.
5. Apply thou, always, a verily thick, sweet, intrusive, and insistent music over thy graven images, to mask the limitations of thy talent and thy words. Drown out all the tender and vital moments of thy show with melodies made by AutoTune Pro, and lyrics conjured by Google Translate.
6. Remember thou that there exist only three acceptable settings for a TBL: a school, a university, and a criminal enterprise (the Lord doth favour the mafia). For these do encompass all of life. Thou mayst aim for complexity by leavening one of the first two settings with the third. Leviticus doth indeed condemn leavening, but it is not prohibited by the gods of BL.
7. Thou shalt have no balance. Remember thou that men must fall over and into each other at every step, puddle, path, street, game, instrument, opportunity, or obstacle in existence. This, and this alone, shall be the occasion for their first kiss. The said kiss may be accidental, forced, or incite a wide-eyed surprise. But a loving nor sensual kiss it may not be.
8. Thou shalt depict at least one instance of fornication in thy tale. Or two, if thou hast taken care enough to inscribe a story for the second(ary) couple. But the act shall not unfold until the penultimate chapter. Thou shalt tease thy viewers for ten long hours, and grant them gratification for ten short seconds, which to most shall be proof positive that Moses was heterosexual. Thou mayst inflict additional torture upon thy viewers by interrupting the said gratification with deafening music and wanton cuts.
9. Thou shalt choose from the following any number of ornaments to embellish thy tale: gentle wiping of the lips (for there is a general want of raiment in our kingdom), gentle forehead kiss, gentle lock-of-hair restoration, gentle somnolent confession, a gentle fever, a gentle towel bath for said fever, a gentle pour-over coffee, a gentle post-modern coffee-shop to house that coffee, and forget not thou, a not-so-gentle last-minute conflict, a forced separation, or a wandering to parts abroad wherein shall cease all modern communication. If imagination thou lackst, thou mayst construct a story from these elements alone.
10. Thou shalt by no means indicate homophobia in thy tale, unless it furthereth thy plot and our cynical purpose. Friends and family shall be universally supportive, unless it force a separation between thy characters. (Parents and spouses shall be left otherwise dead, be it from accident or ailment, to anoint the show with cheap sentiment.) Remember thou, always, that this is a world of pandering fantasy, not reality.
Biblical Proportions:
Commandments Broken: 8 (partly).
Commandments Obeyed: 1, 2, 3, 4, 5, 6, 7 (again and again and again), 9, 10.
Observations:
Well, this one is for the books. Every TBL commandment was kept to the letter, except, in small part, for the 8th, and that too only because the love scene between the teacher and student came so early. But then, that scene was so badly done that I wonder if the commandment was broken after all.
There is no writing in this show to speak of, no script, no real story-telling, no serious attempt at characterisation. Nothing. Just the loose outlines of an imaginary BL... The experience of watching this show is something akin to ordering a small package on Amazon. You order a simple toothbrush, and are shocked to find, the next day, a huge cardboard box sitting at your door step, only to realise that, when you open it, there are 7 smaller boxes inside, each stuffed with shredded paper and bubblewrap. By the time you get to the final box, you forget what you ordered, what has arrived, and what you were looking for. You just know there is a huge mess to clean up, and that a lot of trees have given up their lives for it.
The men are beautiful, two of them quite sexy, and for that reason, I gave 'casting' a 5. If any of the actors start *acting*, someone please let me know. I'll be sleeping in the back.
There will be, I imagine, a lot of hand-wringing and pearl-clutching about the teacher-student relationship. But, as the first commandment states, this is just an apparent taboo. No trust has been broken, no consent violated. The age gap is dimunitive, the "teaching" is more like tutoring (lasting a mere few weeks), and both men are above the age of consent. There are no interesting or troubling power dynamics at play here. Nothing to be outraged about. It's just dull.
Finally, for fucks' sake, just say it. It's not the fucking plague. And we are not in Florida.. So say it. Yu Xing is gay. Come, say it with me: "gay". See? The world didn't fall apart.
Verdict:
This is a dreadful show. It might even be one of the worst BLs to come out of Taiwan. Avoid it. Avoid it like radioactive waste.
Reader's Digest:
DO SAY: Blessed Art Thou, O Lord
DON'T SAY: That Don't Impress Me Much
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The music was fabulous as well; especially their singing. The main two have such nice and lovely voices!
I don't personally like how a lot of things were cut from the drama and things got confusing here and there; especially when an episode ended in one place and the next one started in a different place and I'm sitting here watching it like, "What?!?! How did that even happened?? Or how did that even worked?" (I understand that some scenes were deliberately cut due to China's sensory issue, but at least make the continuity understandable.)
Overall, the web series is great and lovely even with a mere 15 episodes that were 20-25 minutes long each. I definitely recommend watching this web series because once you do, you will want more of the characters, lol. I will definitely re-watch this web series when I have nothing else to watch!
(I will be waiting for season 2!)
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As other reviews have mentioned, the story is definitely your typical, cliche rich man and poor girl. But, there was something different about this story. I couldn't pinpoint it out for you, you'd have to see for yourself, but it was just so refreshing! I think the reason might be because it wasn't as stressed or emphasized. I mean yes, you can clearly see he's rich and she's just a little mere accountant's assistant, but Feng Teng wasn't a complete jerk like you see in so many other classic dramas like this, like BOF for instance.
What I liked the absolutely MOST about this drama, and the reason I think I'm so in love with it even though it was rather simplistic, is because it seemed kind of REAL to me, and there was no real hindrances. I mean of course there were problems for the main couple, and a love triangle in the beginning. But there was no character I ever truly hated, not even the second female lead in the first half. I didn't have the same pure hatred for her as I've had in other dramas, and I grew to really love her in the end. It may not have a whole ton of complex plot-twists and things like that, but it never died for me. It was 33 episodes and I finished it within days. It never dragged for me, not really, and there was just enough cute moments through out the whole show to keep me squeeling.
I swear to you, the amount of times I SQUEELED is HUGE. I can't even begin to tell you how surprised I was at how many times I legitimately squeeled and clapped my hands. I am not this type of person, but I could not suppress them!
As for the acting, I'm not sure. This was actually my first Chinese drama, I'd never explored the C-dramas before, but I think I just might now. I dabble more with Korean and Taiwanese dramas.
Zao Zanilia was absolutely adorable. She took a silly, ditsy character and turned her into a complex, three-dimensional real human being. Typically characters like Shan Shan are annoying, and their lack of passion (and a back-bone) usually irritate me to no end. Zao Zanilia (and the scrip writers) gave Shan Shan an edge; she may not have always screamed and fought, but she had her own way of dealing and handling these situations.
Zhang Han was, of course, sizzling HOT. I was actually wavered by him when I first started watching the show. He's one of the cutest actors I've seen, I'm not sure why. To be honest, my only shallow complaint is that his legs are just so skinny. But maybe that's a Chinese trend or is typical? I'm not sure, I'm not proficient in this area, like I've said before I haven't seen any others. His acting was pretty on par, my only complaint there is a sometimes lack of facial expressions. Although it wasn't in his character to be so blatantly affected, or to show it, but still. I swear his eye brows never moved... but he was still cute, none the less.
As for the supporting actresses and characters, they all did swell. I was engaged in their stories as much as the main couple, even if they didn't get a whole lot of show time (because this story was more focused on the main couple - which I really liked actually).
The music wasn't bad, but it wasn't amazing either. There is a song or two that I think I'm going to download though, very cute, and they were definitely put in the right places. They weren't too extremely loud or annoying, either. Which was nice!
To be honest, I want to start rewatching it RIGHT NAO. I like this too, and hate. It's contradicting I know... I haven't felt this way about a drama in a LONG time. It was so heart-warming and just so cute, I mean I think this is probably the cutest drama I've seen in a long time, and not cute in an over-the-top, annoying way. The story was smooth, never slow, never fast, just a steady pace that drew me into the characters and into their world. I'm still reeling now... I don't want it to be done, I think I might cry... WAHH~ ;3;
Overall, because I was so absolutely in love with this drama, I have given it a 10. I know, it lacks a lot of things a normal 10 drama should get, but for me, I'm giving this one a 10 not because of the technicalities, but because of how I feel. Not many dramas can make me feel this way, but this one has accomplished just that, so I must tip my hat to this drama. I'm glad my first Chinese drama wasn't a bad experience!
I whole-heartedly recommend this drama to those looking for a refreshing, cute, innocent drama that's not over-the-top or annoying, but has just the right amount of serious matter, realistic relationship hindrances, and lots of fun and laughing! I can't help but to feel like I haven't said enough, that I'm missing something... but this is long enough!
Just. Watch. It. :D
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This review may contain spoilers
A mature and healthy romance that shines with its own light.
“Shine on Me” is, quite simply, a gem among romantic dramas. As a big fan of slow-burning romances, this drama is a masterful example of how to develop a relationship in a healthy, realistic, patient way, with a spicy chemistry that is built with intelligence. Although its plot does not attempt to reinvent the wheel or the genre, it stands out as one of the best romantic dramas I have seen due to its emotional depth and the quality of its characters.The first thing I would highlight is the profile of the protagonists: both come from wealthy families, but far from the clichés of arrogance, they are humble, hard-working, educated characters with admirable moral strength. The drama does not ignore their privilege, but uses it in an interesting way to explore envy and social dynamics (as in the case of characters such as Rong or their college classmates), adding a layer of realism.
The most fascinating contrast is embodied by Zhuang Xu, a complex and tragically human character. His story with the protagonist is a painful study of opportunities lost to fear and insecurity. As the head of a humble family with serious problems, he represents those who have no privileges. However, the drama avoids idealizing him: his passive-aggressive comments, his lack of confidence, and his indecision make him a gray character, intelligent but trapped in his own self-loathing. His arc is deeply moving in the sense that you first feel dislike and anger, but at least, for my part, in the end I felt a little sorry for him.
My favorite character, without a doubt, was the protagonist's cousin. His charisma, kindness, and the fresh and natural dynamic he has with her (supported by excellent acting chemistry) bring warmth and lightness at just the right moments.
The dynamic between the main couple is the heart of the drama. Their relationship is based on mutual security, unconditional support, and communication that, although not always immediate at first, never falls into unnecessary misunderstandings. Even a potentially major conflict such as the car accident is handled with maturity, without resorting to prolonged drama.
Impeccable technical aspects: The OST is a gem that perfectly accompanies every emotion, the costumes and sets are elegant and believable, and the kisses... are a solid 10. The narrative balances family drama and college friendships vs. corporate friendships well, and although some dialogues about business strategy and organization may feel a bit dense, they are essential to understanding the couple's shared ambition: to become pioneers in solar energy, a goal that gives meaning and significance to their union.
Conclusion: “Shine on Me” is a well-rounded, emotionally satisfying, and beautifully executed drama. It offers mature romance, layered characters, a positive message about teamwork, and a love that is built with patience and respect. Highly recommended for those looking for a story that shines with warmth, intelligence, and heart. In life, there may be many loves, but only one will be the right one.
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A Journey Through Life
Many people have been saying that for them this is the drama of the year, but for me, it has solidified its place as my favorite cdrama of all time.A Journey to Love is a story about brotherhood, friendship, romance, loyalty, and growth. The two leads, assassin Ren Xin and spy Ning Yuanzhou despite having started as two players on opposite ends of the playing field, met under the unlikeliest of circumstances and joined hands in helping each other seek justice for themselves and their loved ones from being wrongly accused by their own states. Together along with naive Princess Yang Ying and Yuanzhou's former brothers in arms, they embark on a journey that as cheesy as it sounds teaches them all about life, love, and death.
The acting here is phenomenal and was executed perfectly by everyone from main leads to supporting and side characters. As a long time fan of Liu Shi Shi I have no doubt in her acting abilities and she had been one of the main reasons I had started this drama. But despite knowing how great she is, she really surprised me with her portrayal of Ren Ruyi and blew me out of the water with her performance and solidifying this character as one of my top two FLs of all time alongside Go Aeshin from Mr. Sunshine. The nuances she brought to Ruyi's character and the switch from her being cold-hearted and deadly assassin Ren Xin to someone who has learned to love and follow her own heart is just so wonderfully portrayed. She was such a bold and powerful character but she also had grace, beauty, and intelligence. Her scenes and moments of vulnerability were executed perfectly and well accordingly to her character and not overdone or overdramatic. I have watched Liu Yuning in The Long Ballad and The Legend of Anle, and I never doubted his acting ability. He had made such a impressive portrayal of such a formidable and cunning character that pairs alongside wonderfully with Liu Shi Shi. His manliness and charisma exudes in every scene, and he was a great choice for the role. This is one of those rare dramas where both of the leads are equal in terms of strength and intelligence. They were both supportive and respectful of each other, and neither character's skills or intelligence were diminished at the expense of the other. The romance had also grown gradually and it wasn't superficial or happened abruptly in the slightest. It grew from initial attraction, to admiration and mutual respect, to becoming friends and allies, to accepting that they had grown to care for each other, and to finally realizing that they had completely fallen for each other without knowing it. Again both leads have portrayed each moment and interaction seamlessly and effortlessly in their gazes and in their affections and physicality with each other. Alen Feng and He Lan Dou had both been pleasant surprises for me in this drama. I have watched Alen in The Long Ballad but while his character was forgettable there, in this drama he became one of the most unforgettable ones. I am surprised by his range and ability to bring to life such a lovable and charming character. This is my first time watching He Lan Dou and wow she is a great actress. She had the best character growth within this drama and she was able to execute these moments of growth perfectly and authentically.
From the beginning, I had continuously raved about how great this drama is at fleshing out all of their characters and actually shows the viewers the different dynamics between the differing relationships they all had with each other. It's shown in a way where we can really feel that they are a family and that they truly care and love each other. It is actually believable that they would die for each other. For a drama that's centered around a group of characters, there's always some that kind of fall flat or are forgotten compared to others because the writers tend to gloss over small details. However, in this drama, every character has their own distinctive personality and it really shows in how they act and interact with one another. Unlike other dramas, where viewers are expected to fill in the blanks themselves or were just told how close the characters are, this drama takes it time to introduce us to each character and allow us to connect with them. The characters are written properly and their choices and actions are true to their character from beginning until the very end. The writers here just don't mention details in passing and never touch upon it again. The characters are consistent and are true to how they are initially portrayed. Qian Zhao who was known for his loyalty to his country and brothers had planned to kill the person responsible for their deaths. Yet, in the end he had died protecting that very emperor. Sun Lang known for his empathy and love for animals had died by sacrificing himself to shield his brothers. Yuan Lu who although was born with a ticking time bomb in his chest, was the most optimistic and persevering character who died after pushing through and delivering one final important message requesting military back up for his brother. And Shisan who is known to be a playboy and love beautiful things in life, died by making sure the woman he loves is safe, and making a final stand to fend off the enemies. I love tragedies, but this had been a drama where I desperately wanted a happy ending, even if it's just for the main leads. But despite everyone dying, I am not dissatisfied. Everyone died for a cause and their deaths had been foreshadowed throughout the drama. Nothing happened out of nowhere nor was i glazed over. Their deaths were true to their characters and had given each of them justice along with an honorable and memorable farewell. The story revolves around the familial love and loyalty between the Liudao Hall gang. For the majority of the drama they had rarely been separated from each other, and had went through many trials of life and death alongside each other. It completely made sense that Yuanzhou would follow his brothers in death and Ruyi following the man she had grown to love and the family she had gained to death as well.
The soundtrack in a drama could make or break it for me because it plays such an important role in creating the tone and emotions within the story. The soundtrack here was absolutely phenomenal and every song and bgm score had brought so many scenes to life and invoked so many emotions in me while I watched.
A Journey to Love has everything and it amazes me how such a drama could exist. A great plot, compelling characters and villains, amazing fight choreography which is some of the best I've seen in a while, a beautiful, mature, and healthy relationship between the leads, beautiful cinematography, and even comedy. Even during its air I have continuously rewatched several episodes and scenes and I will no doubt be doing the same thing in the future.
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This drama stars Park Min Young as Hae Won. Hae Won's POV is how we slowly (very slowly) get introduced to this town. She is cold, and super emo, so don't expect a completely lovable character, but I found her performance to be super realistic, and I empathized with her even when she frustrated me. I'm not surprised that she was so good (she's one of my favorites), but I am surprised that she had such great chemistry with Seo Kang Joon, who I initially thought was too young for her. They were perfectly matched from the very beginning, whether their scenes were awkward, cute, sexy, or intense. There is also a lot unsaid between them, and lots of staring , which would get old quick with lesser actors. I just loved how they played off of each other so well no matter the mood of the scene. Kang Joon also plays Eun Sub as mysterious so effortlessly but also showed awkward vulnerability in a way that made me fall in love with his character quickly and look forward to seeing him on screen, even if he was just making coffee (very slowly lol). This isn't your typical romance, but I think romance fans with patience will get the payoff of seeing a great love story between two loners struggling with their own complicated pasts. Warmth in this drama isn't just about the weather, it's about how they are able to warm each other emotionally, and that feeling between them is palpable. It also gets HOT at moments which I appreciate!
The rest of the cast truly is also amazing, and really makes the town feel 100% real. One good thing about the pace is that it gives time for the supporting cast to also be portrayed as complicated well-developed characters, whether I loved or hated them. So many of the supporting characters got me in the feels... Mom and Aunt in the matching sunglasses (my favorites), Eun Sub's parents and hilariously obnoxious little sister, The book editor, The frienemy, The book club, and goofy but reliable Lee Jang Woo... eventually I felt like I knew the whole town well, and along with the gorgeous shots of the scenery, it felt like a welcomed vacation from coronavirus quarantine. At times it was almost a PSA for social distancing (physically and mentally lol)!
As for the story, I do think it is well done, with great attention to detail when it comes to relationships, and even a bit of suspense, but I'd be lying if I said I wasn't struggling during the first episodes which mostly set the mood more than moving the story forward. It almost feels more like a stage play at some points. Still, it is definitely original and I had no idea where the story would lead, which was great, The music, while a perfect fit, also makes taking a nap during this drama very tempting. The Good Night Club confessional blog also felt a little much at times, although it does allow us to see more into Eun Sub's thoughts, especially about "Irene". For me, the pace picked up once Mom showed up, or at least there was much more focus on the overall story, and I no longer felt the urge to nap from then on. Not that the mood every really changes completely, the tone is moody and even calming throughout.
So, would I watch this again? I'm sure I will. I do think that now that I have connected to the characters and know what's going on, that the slow beginning would be more enjoyable the second time, and I'll no longer be confused by moments that didn't matter to me out of context. I still think some things could have been introduced or resolved in a way that dragged less, and maybe fewer flashbacks initially, but I still respect the overall pace because of the mood and atmosphere it helped to create.
Overall, I was uncertain at first, but this may be the perfect drama to watch while stuck at home. Don't expect a lot of action, a major villain, or even melodrama, because this story is driven by relationships and character development. I did love the themes of healing through emotional warmth and affection, struggles with forgiveness, or even the comfort in expressing themselves at the multigenerational bookclub. To me, this was a wonderful love story but it also explored all the different ways love can look, even when it seems like love is not there. I laughed, I cried, I felt butterflies and wanted to scream at the screen at moments, so I would never call this drama boring as a whole. I recommend giving this drama a chance. It won't appeal to everyone, but the slow but steady vibe definitely won me over!
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Phenomenal and addicting! So good!
I normally only leave reviews for shows that really impresses me. I can only say wow! It's rare to see a story with strong leads that stay strong all throughout the series--when I say strong I mean leads who aren't foolishly blinded because of "love" and are strong all on their own regardless of the other person(s). They are independent and can make their own decisions. I love that there aren't any of those annoying drawn-out misunderstandings that historical dramas usually have.Both characters of ML and FL are very likeable and loveable all on their own, with their own individual quirks which makes their coupling even better. Also, for once the main girl has a good family--no family drama which is really refreshing for me. The FL is strong, fierce, smart, has good martial arts, has influence and confident which is uncommon for historical dramas. The ML is equally great. I also especially love that they incorporated comedy appropriately into the show. I laughed so much almost every episode and there were a lot of "aww!" scenes. This is a very fun and wholesome show.
Both Neo and Gabrielle did such a phenomenal job displaying their character and roles. The storyline is unique and refreshing; misunderstandings are resolved without viewers having to pull their hair out from frustrations. I'm currently on episode 36 of 40 and will be sad once the series is over. I already know this show is worth a re-watch!
**EDIT: I have now completed the series--all 40 episodes. I am so sad that this show is over, but really enjoyed watching it. I have already re-watched twice. A very addicting show and also quite uplifting and wholesome. This is a great show to watch, especially for those who hate angst-filled dramas because this drama is not--it's more light and fluffy. ♥
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