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Filming standard à la Hollywood meets melodramatic narrative, emotionally firmly rooted in SK soil
“The Moon” could have easily been titled “The Dark Side of the Moon”. At least we as audience learn quite something about it... But it's actually about much more. The KMovie is delivering action within the high-tech world of space travel. On top of that it is touching, thought-provoking and thus gnawing at fundamental, existential and political questions, too. We get a remarkably balanced production between ´international´ filming standards à la Hollywood and a melodramatic narrative with its emotional roots firmly planted in South Korean soil. So eventually, this lunar expedition is neither/nor, as this KMovie offers something in between. For hard-core fans of Hollywood blockbusters it might be offering too much melodrama. For the hard-core KMovie fan it might not be enough. Well, I simply enjoyed it as the lunar expedition as it is.The focus is on the ambitious national program that South Korea has recently set up in terms of space research (you may check side note below). With its technological innovations, South Korea is starting to present itself as an increasingly self-confident G7 space power. That is where this story is coming from. And it is against this background that the particularly high level of filmmaking effort must be seen, by which the experience of space is brought almost hyper-real within the audience's grasp.
The special ambience is staged first-class thanks to the applied highly developed audiovisual filming technology and expertise. Seemingly, the production team has spared no effort or expense - with 3D rig camera recordings, premium HDR video technology, Dolby Cinema technology (for the first time in a KMovie), innovative spatial audio technology and sophisticated rendering processes for the finest color nuances. The demand was for high-end cinema quality. And it is surely impressive. Everything in this distant, highly technological, alien world, far way within the orbit of the moon, comes as close to the audience as it can get.
Despite the enormous spatial distance, dense emotional intensity is provided, even though the protagonists are located so far away from each other. This delicate emotional bridging, requiring high-end performance skills, has been the big challenge on the actors´ side. In addition to the proven, first-class veterans Sol Kyung-gu and Kim Hee-ae on the ground at the rather clinically clean setting with high-tech computers and screens of both Aerospace Centres Naro and NASA, especially Doh Kyung-soo (D.O.) offered magnificent top performance as an astronaut lost in space. Mainly those three create and maintain an impressively emotional density (in addition to the overall action).
The plot of "The Moon" revolves around South Korea´s international profile as capable space power, while the eyes of the world are set on their (fictive) second trial of a manned lunar mission. Whereas unfortunately it didn't work out the first time... It's also about politics and tons of money. And in the end, it's all about survival... or rather, whether a human's life in the face of groundbreaking missions for humankind is worth ignoring chains of command, nationalities and costs.
Breathless action on unusual terrain. Intense scenes in an isolated space capsule 380,000 km away from earth, surrounded by darkness and severe cold. Desperate helplessness. The struggle for the 'right' decision – what´s actually the measure of what is right? Maybe ultimately just what I can live with in the end?
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SIDE NOTE: --- KSpace ---
Korean movie oder drama productions set in space have so far been few, and for good reason. The KMovie “The Moon” from 2023 as well as i.e. the KDramas “The Silent Sea” (from 2021) and “Ask the Stars” (planned for 2023) are, so to speak, a start. They reflect current (or better: hoped for further) developments regarding KSpace.
After rather unsuccessful endeavors at the beginning of the new millennium, South Korea as the 13th country to have its own space center by now, is increasingly well positioned in the KSpace segment. 2021 was marking the first attempt to launch their own test satellites into the orbit by their launch vehicle Nuri, which had been developed over the past ten years. Yet it failed. Nevertheless, in 2022 and 2023 it succeeded at last. Three more Nuri launch vehicles are already scheduled to be launched into orbit by 2027. According to the plans of the country and the Korea Aerospace Research Institut (KARI) at Naro space center, South Korean spacecraft will be collecting data on the moon in 2032 already. Additionally, the country has Mars scheduled for 2045.
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ACTING/CAST: It's literally an All-Star cast! All of the actors, and the one actress, were superb. You just can't get too much better than these people!
MUSIC: It was good for a show like this, certainly. That ending song is quite good, check the comment section for a link to it English Subbed.
REWATCH VALUE: I will watch it again down the road.
OVERALL: Absolutely fantastic and heartwarming movie about a very powerful subject (Kar?shi) and two guys just trying to save each other.
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A surprisingly wholesome movie
Coming it to think about it, I don't even know why I started this. It was just a whim of mood that I actually started this. I didn't know most of the cast (even if I had heard of them, I had never really watched any of their dramas or movies) and the plot seemed cliché and wasn't remotely tempting. But, now that I finished it, I totally don't regret starting it in the first place!Honestly, the story isn't anything new and one may come across tons of this kind of storylines in the dramaland, but you won't come across a movie with a better execution of such a storyline that this one. This movie has many of the most over used troups and tags in dramaland like 'first love', 'time skip', 'makeover', 'coming of age' etc. It even has a love square, but it's not frustrating at all! In fact, they make your heart flutter as these helps the leads to come closer to eachother and recognise their love for each other. The way in which Truly and Tsu Tai Yu fell for eachother without even realising it, and when they finially realised it everything was too late... I really loved such cliché parts of the plot! But, had this been a 20+ episode drama, it might have ruined everything. The pace of the story was perfect to evoke a kind of nostalgia in the audience. The story is extremely simple yet so good and this is one of the plus points of this movie!
As I said before, I was unfamiliar with the cast of the drama. The only person I had heard of was Darren Wang and I had watched Jerry Yan's Meteor Garden. That was all.
I rarely get impressed with actings in movies since they are short and don't explore wide varieties of emotions of the actors and actresses. Now, after watching this movies, I'm really tempted to watch other workes of Darren Wang and Vivan Sung! They were truly awesome here! Darren was amazing portraying the bad boy Tsu Tai Yu and Vivan Sung in portraying the clumsy Truy. There were rooms for improvement for Dino Lee and Dewi Chein, but the over all performance form the whole cast was great. Even if Joe Chen and Jerry Yan were just cameo of the adult version of Truly and Tai Yu, I could feel their dynamics with eachother in the last scenes. I really wish it were longer!
Music was great and apt for the scenes. The rewatch value's fairly high too, compared to the ones I have given to other movies.
I don't usually rate dramas or movies 9.5, let alone a movie with a cliché plot. But this somehow is an exception. I can't even explain why I rated in 9.5! It's just my mind and heart telling me to do it even if the brain's not.
Overall, this is a surprisingly wholesome movie with a roller coaster of emotions portrayed It's a highly recommended movie
if you are someone who is past his/her school life for this movie, I believe, would take you back to your childhood days, when you were crushing on a hansome popular boy.
P.S. Don't mind any typos. I tend to have many of them.
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The casting for this movie was perfect. Kang Ha Neul and Park Seo Joon just work SO WELL together. As reluctant police academy students, they were the best of bros and I was 100% here for it. Ki Joon and Hee Yeol's brain-brawn dynamic made for a wild ride, and I can't think of anyone else that would have delivered like these two did. They played off of each other, and after hearing that they ad-libbed quite a bit during the movie I was sold -- that friendship did not seem like acting at all. The bromance was so strong in this.
Midnight Runners was a great example of what a buddy-cop movie should be (though if you want a super serious police procedural, this isn't it). It balanced Ki Joon and Hee Yeol's light, easygoing antics with the gross (and tbh, kind of scary) villains. Also, it was INFURIATING, and I do mean infuriating at one part. I mean, ignoring a very real, serious issue just because protocol had to be followed?? I was about to tear my hair out. It was so, so frustrating.
Midnight Runners' only issue is that the action doesn't really pick up until around the second half of the movie. The beginning is more of a buildup of Ki Joon and Hee Yeol's dynamic, which I'm not complaining about, but the actual conflict doesn't really begin until about an hour into the movie.
Overall, Midnight Runners was a solid film. It's not anything heavy, and I can definitely think of worse ways to spend 1hr 50min. Even if cop movies aren't really your thing, the bromance and the way the two leads build off of each other is worth watching.
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So basically I loved everything about it - The story, the characters, the acting, the ending.
The only thing that annoyed me a little were Shinya's hair and really, that wasn't tragic. ;)
I loved how it switched between friendship and love and how important the relationships between the characters were. I loved Shinya's narrating, too (he does have a great voice) and the overall dreamy feeling this movie had.
I'm surprised it's not popular. Go watch it.
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The story is great, you really have no way of imagining what's gonna happen next, but I won't anything more about it because otherwise I'd spoil it for those who haven't watched it yet.
The acting really blows my mind, I've always loved Tamaki, ever since I saw Nodame Cantabile, and he always plays his part perfectly wether it be here, in Nodame, in Love Shuffle or any of his other dramas and movies. The female lead, whose name I can't remember right now, also plays her part perfectly, her more than anybody because her role was really hard to play. I hate her in real life because she's one of Japan's biggest divas, in the BAD sense of the word, and that's why admire her even more in this movie-because I love her character.
The music always goes according to the scene, it makes you feel what the characters are feeling.
I've watched this movie several times with different people, and every time I watch it again I discover something new.
Overall this is one of the greatest japanese movies that I've ever seen because unlike must jap movies this one actually makes me feel something, this one gets to the heart instead of being overvdepressing, I recommend it for anyone who likes memorable love stories.
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When a young trouble maker -whose parents pretty much run away from home because they cannot stand his bad behavior- finds a baby in his basket, he has to face the realities and hardships of becoming a single parent, with no support, while going to school.
This story made me laugh and cry. It's very cute, light, but not TOO fluffy. This was a very enjoyable movie. The baby is absolutely cute. My newly found love for Jan Jeung Suk continues. He is REALLY pretty to look at. I'm not going to tell you that this is the greatest movie out there, but it was extremely enjoyable from beginning to end. I was not bored at any point of the story and was touched by it. Highly recommend.
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what happened?
how do you ruin a good romcom movie? by attempting to crush viewers' hearts with an unexplained twist.the start was strong and had a good buildup to the chemistry between bora and woonho. with a decent cast, on point aesthetics and amazing sismance, i was ultimately hooked at first. the romantic scenes had me yelling to the void at how i wish i could revoke my 'i'm single' card. even though the camera was a bit shaky in some scenes, i was able to push through and say, "this is definitely a 9. without a doubt"
but..... the ending....
the thing is i have no problem if they made this a hundred times more angsty and make a main character's death more tragic than my whole life is right now. i'm into that shit. the PROBLEM is how the movie felt like a half-baked lasagna. it didn't even feel like an open ending. we just know "oh, they're dead" that's it.
cause of death: unknown? does hyunjin know? what happened?
instead of me crying over this character i once loved, i'm clouded with curiosity. the ending took away my attachment to how sad the death of this character is. in my opinion, there could've been a better way to end this movie without leaving the viewers with a question mark on their head.
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A disaster movie, yet using emotional + vivid suggestive power in the tradition of anti-war-movies
"Pandora" is a disaster movie.I don't really consider myself a fan of this genre, which focuses on mass panic and adrenaline.
However, I consider this KMovie particularly valuable.
In this case I think the makers have succeeded in doing something similar to what anti-war movies try to achieve: deterrence by vividly conveying the threatening horror. In respect to the scenario of a nuclear catastrophe the movie applies emotional and vivid suggestive power, at the same time making people think and possibly question the sense and usefulness of highly dangerous nuclear power plants.
In view of the consecutive radical change of South Korea's nuclear policy six months after "Pandora" was released, one could say: the project was worth it. (It would probably be too daring to talk about causality, but it could be considered a noticeable correlation...)
The 2016 KMovie picks up on the 2011 Fukushima nuclear disaster and, against this background, develops a story that is comparable by South Korean standards. South Korea is the country with the highest population density in the immediate vicinity of its nuclear power plants. However, due to its insular position, a realistic evacuation plan in the event of a disaster is a major problem. With the movie "Pandora" the lid of the legendary box is shaken. In this case, a nuclear power plant on the East Coast suffers earthquake damage and radiation leaks, similar to Fukushima 5 years earlier. The film fictionally exercises the processes in the event of such a catastrophe (or a comparable one) and comes full circle with a deliberately touching scene in which Kim Nam-gil makes an emphatic plea against nuclear power in his usual impressively passionate way.
Regarding such critically oriented material, the production obviously had difficulties with its financing - in South Korea the lobby of the nuclear industry is as powerful as anywhere else. Nevertheless, the ambitious project could be realized through crowdfunding.
------------------------ SIDE NOTE: --- Sobering facts/outlook on nuclear power plants in South Korea ---
"Pandora" was released in December 2016.
In early summer 2017, as one of the existing South Korean nuclear reactors was actually scheduled to be shut down, President Moon Jae-in announced that the country's nuclear-focused energy policy would be stopped and that the country would instead steer towards a nuclear-free era. Accordingly, plans to build new reactors or extend the life of existing ones have been abandoned. A sign of hope?
However, by the autumn of the same year already, the government's political commitment was no longer valid. The nuclear lobby has actually been able to exert such pressure (the President's faction not having a majority in Parliament....) and prevail that new power plants were going to be built again.
South Korea's nuclear companies make a lot of money by exporting their self-developed reactors. The companies want reference projects in their own country... it is as simple as that...
As far as the people are concerned: According to a survey by the polling institute Realmeter in 2018, 61 percent of adult South Koreans still firmly support their president’s original nuclear phase-out course. Another 10 percent tend to do so. Yet, the lobby as so often has more to say...
... To date, South Korea covers a third of its electricity needs with 24 nuclear reactors.
... There are always earthquakes on the peninsula...
------------------------
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Being a fan of Miike’s filmmaking, it was unavoidable to miss the highlighted foolish characterization, extreme violence and hilarious black humour inserted everywhere. That being said, I never expected Toyoda to do the same. After all, two different directors have entirely dissimilar way of making their pictures. Crows Explode leaned to the realistic side way too much which was a bit wrong in my opinion; don’t get the wrong idea, immersing the characters and fighting scenes in realism didn’t sound like a bad treat but when it’s over-done with this type of film then things are bound to become bothersome.
To make things clear, this film had too many similarities with its famed prequels. The fight to become Suzuran’s top leader was still used as the main thread to drive the plot. However, the fighting sequences to reach that objective were surprisingly demure and repetitive in a worrisome way. Although Toyoda tried to focus on the human emotions between his characters, he didn’t exploit his main leads’ potential to the fullest. Thus, many feelings couldn’t get pass the screen barrier to reach the watcher’s heart.
Crows Explode narrative pattern was composed of several side stories that didn’t serve any meaning at times. At the matter of fact, few of them were just used to fill the running time instead of building characters’ back stories. To some extent, most of them were heavy to watch especially with the obvious lack of fighting scenes; they became utterly irrelevant to the film’s development. Let’s not forget the near-disappearance of black humour – which I clearly don’t blame Toyoda for it. The last fighting sequence wasn’t blowing but it delivered a nice punch after all.
The entirely different cast is worrisome, isn’t it? I know that many people can’t imagine the “Crows” without Oguri Shun and Yamada Takayuki on top of them. I am a big fan of those two actors myself but shockingly, their disappearance didn’t make me feel bad. I did want them to be in here but the new faces weren’t bad at all. Led by raising stars like Higashide and Yagira, the acting department did the trick for the lack of better words. Some actors didn’t convince me much but I can’t put all the blame on them, the way their characters’ were written didn’t allow them to show a wide range of emotions or action.
The cinematography was trying to be the same as the two Crows Zero but it didn’t come out that way, I believe the yellowish atmosphere is the film’s way of distinguishing itself from the others. The musical note was the same so there's nothing to complain about in that department. The directing style and the setting of fighting sequences are debatable but Toyoda made sure to leave his mark which is more than enough to respect a director.
Watch if:
-You like both Crows Zero but make sure to watch this with an open mind.
-You like school fighting.
Do not watch if:
-You’re looking for a “copy-paste” version of Takashi Miike’s prequels.
Crows Explode had its own touch of filmmaking but the serious realistic depiction that Toyoda decided to use didn’t come out entirely right, just like it wasn’t entirely wrong. Due to its entirely different pattern, this sequel should be viewed for its own merits, comparing it to Miike’s Crows will only make it harder to watch and judge.
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The plot starts off very slow and realistic but has plot twists within the middle of the movie. After that happens, the plot picks up and that's what makes you more interested in what will happen next.
As for the soundtrack/OST, not the most memorable. It just was okay. The acting on another note was beautiful. I love Choi Woo Shik, Kim Dami, and Go Min Si in this movie. I really think the cast was well picked and the actors did an amazing job with the acting and portraying each of their characters.
I would rewatch this movie if I wanted to, and I am really hoping and excited if there is a PART 2 to this movie.
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So I rated this movie so high because I really wasn't expecting to like it, but by the end I was bawling like a baby, and any film that can do that is a good one in my books.
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Bleak Night can be uncomfortable at times because it addresses issues like bullying, friendship (in a high school setting), the power (both good and bad) of words, and all the angst and insecurities that come along with being a teenager.
The story is told through a series of flashbacks, which takes some getting used to. The camera work is interesting, as a lot of the shots seem to be hand-held and the color palette of the film is quite gray and drab.
I was completely mesmerized by Lee Je Hoon in this film. Every time he came on screen, my eyes were glued to him. He was definitely the highlight of this film in terms of acting, even if his character isn't necessarily the most likable. Overall, the acting of the cast in this drama is on the better end of the spectrum. All the characters are well portrayed.
My only two gripes with the film: One, there is no explanation of the main character's relationship with his parents and there is a lack of a clear cut ending that satisfied me.
Still, a highly recommended film that shows the darker side of teenage friendships and one of the best South Korean films of the year 2010.
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Mankind's greed has no limits....
I've been anticipating this movie, for quite a while now and I have to say the wait was worth it.If you're one to get easily emotional, then get ready to grab your tissue box, because BoGum's doe eyes will make you cry and feel for his character, Seobok, who amid everything was still innocent and yet treated so unkindly by humans, through all his life. To never know kindness, love or trust, and see himself as nothing but a specimen with a purpose.
It truly depicts the lack of humanity when it comes to study and use animals for such, also the greed of those who fear death while seeking for a way to prolong their petty lives.
"It scare me to think of dying, but living forever is scary too."
Kiheon and Seobok both share something in common here, they both fear the unknown that lies in dying, and yet they are also afraid of living.
"What should I believe to not be scared?"
The symbolic value and moral grounds this movie works with are deeper than one can assume, and mainly questioned by the two main characters, along their journey, were their fears and doubts are exposed.
"Do you think dying... is really like sleeping?"
"Maybe."
"Then how come people aren't afraid to fall asleep? It's like dying for a while."
For some it might be the typical collaboration between Korean/American plot with the whole experiment and survival, however it's GongYoo and BoGum's acting that takes the prize.
Special effects too in a way when it comes to production.
The OST is nothing out of the ordinary for me, although quite right into the emotional scenes.
Not going to lie, it's quite an emotional ride.
The message in plot is more than it seems.
Its all about acceptance and resilience.
And knowing what's wrong and right.
"It's beautiful."
"What is?"
"To be alive."
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