Reviews

My Prisoners Beauty ?

Welcome to my review of Prisoners of Beauty.

The story follows our protagonists, with Xiao Qiao (Man Man) being forced to marry the Lord of Wei in order to repair the betrayal of the past and reconcile the two families. The drama has many strengths and a few weaknesses, so I’ll start with the positives.

* Story:

The story is genuinely engaging. Every state is competing for water, resources, and territory. The State of Wei captures several cities, including the one it lost years ago because of the Qiao family. Afterwards, Wei Shao marries Man Man to secure Panyi and establish a reliable water supply for the entire state. At the same time, multiple factions plot against Wei because it has become too powerful both economically and militarily.

I really enjoyed the political premise. Wei Shao’s vision of sharing the water supply among all the states and building canals was a refreshing idea. It created a believable path toward temporary peace and gave the ending a satisfying sense of closure. The many conspiracies from different factions also made the world feel alive. Every kingdom had its own goals, ambitions, and memorable characters, making the setting feel large and believable.

* Acting:

The acting was absolutely phenomenal. In fact, I think this might be the best overall acting performance I’ve ever seen in a C-drama.

At first, I honestly didn’t find Man Man particularly beautiful, and I wondered whether she could truly portray the legendary beauty of the Qiao family. However, her acting completely changed my perception. She was so expressive and convincing that I eventually found her incredibly beautiful because of the way she brought the character to life. Her performance is easily one of the best I have ever watched.

The rest of the cast deserves just as much praise. The four Wei brothers had incredible chemistry, and their friendship felt genuine and deeply convincing. Every antagonist was portrayed brilliantly as well. Whether it was Lady Lou or the other villains, each one had understandable motivations that made them feel believable rather than simply evil.

The only performance that didn’t fully convince me was Man Man’s cousin. To be fair, I don’t think the actress is the problem. I think she did a decent job, but the character itself was simply poorly written and difficult to like.

* Comedy:

Even though this is mainly a historical romance, the comedy was surprisingly enjoyable. I laughed far more often than I expected.

My favorite comedic scene was when the uncle challenged Shao to a fight, only for Wei Qu to suddenly kill him from behind, almost as if he was saying, “Enough talking.” It caught me completely off guard and was hilarious.

The drama had many fun moments that helped balance the heavier emotional scenes.

* Visuals & Music:

There isn’t much to criticize here. The world was beautifully designed, and the soundtrack was very enjoyable. While neither the visuals nor the music reached the incredible level that Pursuit of Jade achieved for me, they were consistently good throughout the series.

* Warfare:

This is where my biggest criticism begins.

The battles early in the drama were fairly well executed, but unfortunately they became weaker as the story progressed. Near the end, characters constantly talked about armies of 50,000 to 150,000 soldiers, yet on screen we rarely saw more than fifty extras.

One example is the final attempt to capture Panyi. The attacking army is simply allowed into the city so the story can create an emotional one-on-one duel between Wei Shao and his brother-in-law. While it was clearly intended as a dramatic climax, it felt unrealistic and extremely careless from a military perspective.

The same issue appears in several battles. I was especially excited for the siege of Wei’s homeland, but almost the entire conflict was skipped. A siege involving 100,000 attackers against 60,000 defenders should have felt massive and unforgettable, yet we barely saw any of it. I expected something much larger and far more epic.

* Highlights:

Strangely enough, the drama lacked those unforgettable goosebump moments that stay with you long after you’ve finished watching.

The pacing was consistently good, and there were very few boring episodes, but I kept waiting for a scene that would completely blow me away.

My personal highlight was the moment in Panyi near the beginning when Man Man has to choose between her former fiancé and Wei Shao. When she runs toward Wei Shao and he immediately tries to protect her, that became the emotional peak of the entire series for me. Ironically, it remained the only moment that truly gave me chills.

* Politics:

Although the series included many political schemes, I still felt that the political world itself was underdeveloped.

Wei Shao never truly felt like the ruler of a major state. Normally, a lord would govern alongside numerous ministers, noble families, and senior officials. Instead, almost every meeting consisted only of the four generals and a handful of officials who rarely contributed anything meaningful. Court politics and the aristocracy were almost entirely absent.

Another thing that felt strange was the military structure. Where were the generals’ personal armies? Historically, each high-ranking general would normally control territory, own a large estate in the capital, have a substantial income, command thousands of soldiers, and be supported by numerous officers and family members.

Instead, the four Wei generals spent nearly the entire series traveling together without their own armies or officers. While this made their brotherhood easier to portray, it also made the military feel far less believable. Under normal circumstances, generals responsible for tens of thousands of soldiers wouldn’t simply travel together all the time—they would be defending borders and managing their own forces.

The same applies to their finances. It felt odd that Wei Liang had to save money just to buy a house. Someone of his rank should realistically own a large estate and enjoy considerable wealth. These details were clearly simplified so the drama could focus more on the characters, but they still stood out to me.

* Final Thoughts:

Overall, I had a fantastic time watching Prisoners of Beauty. Despite my criticisms, I believe this is one of the best C-dramas I have ever seen.

If you’ve watched the drama as well, I’d love to hear your thoughts. Feel free to leave a comment if you agree, disagree, or think I overlooked something.

Thank you to everyone who took the time to read my review, and I hope you all have a wonderful day! 🎆🌸

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Checkmate Has Never Been This Romantic

I went into Key to the Phoenix Heart with only one expectation: I wanted to see Hou Ming Hao play a feared and intimidating warlord. Thankfully, the drama delivered exactly that and then some. What I didn't expect was to become invested in a story filled with political maneuvering, hidden identities, layered conspiracies, self discovery, and what has become one of my favorite love triangles in a Chinese costume drama.

Set in a kingdom where power changes hands as easily as loyalty, the story follows Xiao Wu Yi, the feared commander of the Beifu Army, and Xie Jia Yu, the clever and resourceful daughter of the Grand Tutor. Forced into a political marriage, they begin their relationship as strangers bound by circumstance rather than affection. Every interaction feels like a careful chess move, with trust being the rarest piece on the board. As the political schemes grow more complicated and long buried truths surface, what begins as an arrangement for survival slowly turns into a partnership built on mutual respect, unwavering trust, and genuine love.

The narrative starts at a brisk pace. The first few episodes throw a considerable amount of political information at the audience, and I will admit I nearly dozed off once or twice. Even so, everything was presented clearly enough that I never felt lost. For viewers who have watched several Chinese costume dramas, the politics are actually quite easy to follow. The drama does a good job of gradually connecting every scheme until the later revelations feel less like sudden twists and more like the final pieces of a carefully assembled puzzle.

Hou Ming Hao completely convinced me as Xiao Wu Yi. Despite being only around twenty three or twenty four years old in the story, Wu Yi carries himself with the confidence and maturity of someone who has spent his entire life on the battlefield. After his brother's accident, he becomes the heir of Prince Jing'an and shoulders responsibilities far heavier than his age suggests. Wu Yi is charismatic, intelligent, respectful, calm under pressure, and endlessly strategic. Watching him is like watching a seasoned chess player who is already three moves ahead before everyone else has even decided on their first. His loyalty to the people of Ye never wavers, even if it means allowing others to see him as the villain. Every time he appeared on screen, I had the feeling he already had another plan waiting in his sleeve.

His action scenes deserve special praise as well. I appreciated that the production did not constantly rely on camera tricks to hide the actor. Instead, it confidently showcased Hou Ming Hao performing many of the action sequences himself. It made Wu Yi look every bit as capable as the story claimed he was. Simply put, it was incredibly cool.

Ai Mi also made a memorable first impression as Xie Jia Yu. For her first leading role, I thought she performed remarkably well. Jia Yu is introduced as a determined, capable, and courageous young woman who refuses to stay silent in the face of injustice. She possesses extraordinary talent in craftsmanship and dreams of traveling the world freely rather than remaining confined by expectations. Ai Mi fully committed to every emotional scene, whether it required quiet vulnerability or full blown ugly crying. I could genuinely see the effort she put into making Jia Yu feel sincere.

Li Mao turned out to be a much more interesting character than I initially expected. He longs for a better kingdom, but he is also someone who has spent most of his life being used as a pawn by others. Even in his relationship with Jia Yu, it often feels like he shapes himself into the version she wants rather than asking himself what he truly wants. While Wang Yi Lun's portrayal never made Li Mao particularly intimidating, I actually think that works in the character's favor. Instead of feeling like a terrifying mastermind, he comes across as someone suddenly handed power before he has fully grown into it. His insecurity makes him appear petty and even pathetic at times, but those qualities also fit the role he plays in the larger story.

The beginning of Wu Yi and Jia Yu's relationship was one of my favorite parts of the drama. While investigating the faulty crossbows responsible for the deaths of thirty thousand Beifu soldiers, Wu Yi's search leads him to Jia Yu, the mysterious Young Master of Miraculous Craft. Meanwhile, Jia Yu only knows Wu Yi through terrifying rumors and has personally heard him executing corrupt officials, leaving her convinced he is a ruthless monster. When Wu Yi unexpectedly requests her hand in marriage, she naturally tries to escape and reunite with Li Mao.

Their first real interaction aboard the ship was both exciting and charming. Jia Yu attempts to fight while closing her eyes, and Wu Yi effortlessly eliminates the threat standing right in front of her before she even realizes what happened. That moment somehow managed to be adorable and incredibly attractive at the same time. More importantly, it quietly marks the moment Wu Yi falls for her.

The love triangle itself deserves its own applause because it avoids nearly every frustrating trope I expected. When Wu Yi discovers that his best friend and his future wife are in love with each other, he never resorts to manipulation, jealousy, or sabotage. He respects Li Mao as his closest friend, and more importantly, he respects Jia Yu's right to choose her own future. That, to me, became the true foundation of their relationship.

One of my favorite aspects of Wu Yi's character is that he never treats Jia Yu like someone who needs controlling. He trusts her to make her own decisions, even when she makes mistakes. Instead of preventing her from acting, he simply stands beside her and helps clean up the consequences if things go wrong. Whenever others try to decide Jia Yu's future for her, whether it is Li Mao or even her own mother, Wu Yi consistently reminds them that she is fully capable of deciding for herself. Give me a man like this.

One of the drama's greatest strengths is that the romance never overshadows the political storyline. Instead, both elements strengthen one another. The love story gains emotional weight because of the political conflicts surrounding it, while the political conflicts become more meaningful because we understand what the characters are fighting for beyond the throne itself.

I also appreciated how Li Mao never became the stereotypical obsessive second male lead. His journey ultimately becomes one of self discovery rather than romantic defeat. While his feelings for Jia Yu were genuine, they were never the center of his identity. His true desire was always to build a better kingdom, and by the end, he finally learns to pursue his own convictions instead of constantly following someone else's expectations. His relationship with his sister also remained one of the emotional anchors of his character, reminding us who had truly stood beside him through every hardship.

Another detail I genuinely appreciated was how grounded the drama remained. People who fell off cliffs actually died. The story even showed their bodies instead of pretending they would magically return twenty episodes later. It is surprisingly refreshing how often this drama chose logic over convenience.

Before watching, I was honestly curious about how the production would handle the romance because of the discussions surrounding the age difference between Hou Ming Hao and Ai Mi. I deliberately kept my expectations low, and I ended up pleasantly surprised. The drama wisely avoids relying on conventional romantic scenes to sell their relationship. Instead, it builds intimacy through lingering glances, body language, conversations, and quiet moments together. There is only one forehead kiss, achieved through careful camera work, and even the more intimate hugging scenes never felt uncomfortable. The real source of the romance is Hou Ming Hao's eyes. His expressions constantly shift from curiosity to admiration, tenderness, happiness, and complete devotion without needing many words at all. His eyes genuinely tell their own story. Ai Mi complements that beautifully by portraying Jia Yu's innocent love and heartbreaking grief with sincerity. Together, they completely convinced me of their relationship.

The political storyline also finishes on a satisfying note. While some of the later conflicts became predictable, the execution still managed to surprise me. One particular large scale scheme involved so many moving parts, so much sacrifice, and such careful planning that I could only applaud the writers once everything came together. Seeing a Crown Prince willingly give up the throne for the greater good also added emotional weight to the conclusion.

Of course, the drama is not flawless. I wish the Phoenix Heart Token had received more meaningful development because its importance was mostly explained through dialogue rather than demonstrated through the story itself. Once its mystery was finally explored, everything wrapped up far too quickly and felt somewhat anticlimactic. Xiao Yao suddenly being able to walk into the battlefield also felt abrupt, and I would have loved more closure regarding the Xiao family's future after everything was over.

Visually, the drama is solid even if it is not particularly groundbreaking. The final battlefield, however, deserves recognition. It looked appropriately chaotic, dirty, and terrifying, creating the atmosphere a war sequence should have. I also appreciated how the use of caltrop fireballs naturally concealed background soldiers, preventing the awkward sight of motionless extras standing around during large scale battles. Although the visual quality during Wu Yi's confrontation with the Eagle King occasionally had that overly smooth AI appearance, it never diminished my overall enjoyment. The soundtrack also deserves praise. Every piece fits the emotional tone of its scene remarkably well and constantly enhances the viewing experience without becoming distracting.

[SPOILERS]

I normally dislike memory loss as a plot device, but surprisingly, I had no issue with it here. First, it only happens at the very end. Second, Wu Yi regains his memories relatively quickly. Most importantly, it actually makes sense within the story. The Miracle Doctor essentially performs what we would consider surgery, making Wu Yi's temporary memory loss feel like a believable consequence rather than a random obstacle. Watching him recover his memories upon seeing Jia Yu was deeply satisfying. His final line about how it was not a dream felt like the drama reassuring the audience that yes, they truly found each other again, and yes, they really did earn their happy ending.

[SPOILER ENDS]

Overall, Key to the Phoenix Heart exceeded every expectation I had. I came for Hou Ming Hao's warlord and stayed for a story that successfully balanced romance, politics, war, and personal growth. It features one of the healthiest love triangles I have seen in a long time, a romance that succeeds through emotional sincerity rather than excessive physical intimacy, and political storytelling that remains engaging without sacrificing its heart. Despite a few flaws, I finished this drama feeling thoroughly satisfied, and that is probably the highest compliment I can give.

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Better Than Its Controversy: The Writing Deserved More Credit

I'll start with the elephant in the room. This drama deserves to be remembered for its story rather than its controversy. Before it even aired, much of the discussion centered on the significant age gap between the lead actors, as the actress was only 17 during filming. It's a valid concern and one that understandably made many viewers hesitant to watch the drama. While I understand the criticism, I think the responsibility lies with the production and casting team rather than the actors themselves. Choosing to cast a minor in a romance inevitably placed everyone involved, especially her co-star, in an uncomfortable position. Regardless of where people stand on the controversy, it's difficult to deny that the casting choice shaped how audiences perceived the drama long before it premiered.

That said, after watching the drama, I can see why it ultimately passed censorship. If you're expecting passionate romance or steamy kiss scenes, let me save you the trouble, there aren't any. Despite being marketed as a romance, the romance remains incredibly restrained throughout. While some viewers may find that disappointing, it also means the story never crosses the line many people assumed it would based solely on the controversy.

What deserves far more attention, in my opinion, is the drama itself. It's unfortunate that many dismissed it before giving it a chance because what impressed me most was the writing. This isn't a drama where you can judge characters based on first impressions. No one is exactly who they claim to be, and every revelation forces you to rethink what you thought you knew. Every alliance feels fragile, every conversation hides another agenda, and you constantly find yourself questioning who is actually telling the truth. You constantly find yourself questioning who the real villain is as deception, political schemes, and hidden motives continue to unfold.

I especially enjoyed the unusual relationship between the male lead, the female lead, and the second male lead. It's far from the typical love triangle. Instead of relying on familiar tropes like contract marriages, the drama throws the heroine into an arranged marriage as the third wife of Xiao Wu Yi, while her childhood crush also happens to be her new husband's closest friend. From there, personal relationships are sacrificed for political ambitions. What follows is a tragic chain of events where friendships crumble, loyalties are tested, and entire families become entangled in conflicts fought in the name of protecting the kingdom.

What makes Xiao Wu Yi fascinating is that he fully embraces being misunderstood. Rather than seeking sympathy, he embraces ruthless, calculated methods to achieve his goals, yet every questionable decision he makes serves a purpose far greater than himself. He knowingly chooses to become the villain in everyone else's story if it means protecting the people and nation he cares about. Another pleasant surprise was how well the drama writes its female characters. Each woman has her own ambitions, strengths, and purpose beyond romance. Rather than restricting them, Xiao Wu Yi recognizes their strengths and encourages them to pursue their own paths. It's a subtle but refreshing reminder that women are just as capable as men and don't necessarily need a man to define their worth.

Do I think the drama is perfect? No. It plays the romance a little too safely. For a story filled with political intrigue, sacrifice, and complicated relationships, I expected much stronger emotional payoff. The acting from both leads is solid, but because the romance remains so restrained, many of the emotional moments don't hit as hard as they could have. This had all the ingredients to become a deeply yearning, heartbreaking romance, yet it rarely fully embraces those emotions. Perhaps with age-appropriate casting, the romance could have reached its full emotional potential and explored the romantic aspect more confidently. It's a shame the chemistry never truly comes through, even though they look incredibly well matched on screen. Even with its flaws, I think this drama deserved far more recognition than it received. Beneath the controversy lies an intelligent political drama with compelling characters and enough twists to keep you guessing.

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Hear me out...

Whenever you gonna love, hate or have ambiguous feelings about this season is all dependent on whenever you like Youkyung - she was the main character and the editing was focusing on her a lot. Since she was my favorite, I loved the season a lot.

Does this season deliver a lot on love lines? Not really. There is exactly one ship with solid progression and if you are not into these two people, nothing will do much for you since most pairings felt like Titanic to crush from the start. That said, what this show for sure delivered for me are friendships and fun interactions. This felt far more like a slice of life than romance genre.

The friendship between the girls was amazing to watch and if you add Queen Jun Hyeon it gets even better. I love that no matter how complicated the romantic relationships were, it never felt like it negatively affects the friendships themselves. Bromance between Jun Hyeon and Seowon? Amazing. Seowon and Youkyung as besties? Perfection.

Obviously there are major flaws too. I don't even want to talk about PPLs, these were a joke. Usually I don't mind these, I view them as literal adds, but when they used pairing interactions to sell products it makes you doubt how real their interactions were in the first place and how much of it was scripted.

What's more, Jeong Gyu Ri issue. Do I care what's the truth? Not really. Sure she is participating in a variety show, but in my eyes she is still a normal private person, I don't care about what happens outside of the show. But I hated how the production team dealt with it. Staying silent, then saying they are checking out the truth, then silence, and then just writing her off completely. Especially since she did in fact bring some spice into the show - that legendary truth game!

Then the forced editing. If by the end you start showing clips from earlier moments that you cut out of the show to confuse the viewers into believing there was more hesitation and conflict than there really was - that's not clever, that's dumb. There is a limit to how much you can manipulate the footage before it becomes a full clownery. I get it, you want people to keep guessing, but you need to have some limits.

Still, I liked this season a lot and I hope we will get a special episode or two with the cast watching some clips from the episodes and interacting with each other more.

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A Phoenix That Rose Above the Flames

Amid the speculation and controversy surrounding its release, Key to the Phoenix Heart let its quality do the talking. It didn't just overcome the odds—it soared.

From start to finish, this drama was an absolute joy to watch. The cast delivered outstanding performances, bringing to life characters who made me smile, laugh, cry, and root for them every step of the way. The lead couple stood out with one of the healthiest and most balanced dynamics I've seen in a historical drama. Their relationship was built on mutual trust, respect, and unwavering support, making every victory and hardship they shared feel earned.

For a production made on a modest budget, the quality exceeded all expectations. The cinematography elevated the storytelling, the dialogue was thoughtful, and the costumes, makeup, action sequences, and practical effects were all beautifully executed. The OST is easily one of the best I've heard this year, enhancing every emotional beat without ever overshadowing the story.

Another strength was its writing. Even the villains weren't reduced to one-dimensional antagonists. They were given meaningful arcs and understandable motivations that made it possible to empathize with the choices that led them down ruthless paths. That moral complexity added depth to the story and made every conflict more compelling.

Packed with twists that kept me guessing until the very end, KTTPH is proof that heartfelt storytelling, exceptional performances, and passionate filmmaking matter far more than a massive budget. It's a drama I'll genuinely miss and one I wholeheartedly recommend.

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Was SOOOO close to being a good drama!!

IMO this show was okay/decent. It definitely needed to be longer.
It was so pointless have an already short episode, shortened even more by five minutes credits at the end. The storyline is really good. It does need some filling in in certain parts. There’s so many questions that should be answered.
Hopefully season two (to be continued) will give us better, runtime and storyline. Would I watch again ? No .

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My Best 2026 Historical cdrama! Well-crafted political intrigue with sweet, slow burn romance.

Among the same recycled revenge/rebirth cliche plots these days, this story was a breath of fresh air. The core of the drama is the political intrigue, with romance as a sub-plot.

For me, the script was well-crafted and thoughtful. Perhaps the politics were not something brand new, but the way the information was delivered made it fresh and exciting. There were tons and I mean TONS of plot twists. I could never guess what was coming next. The angst and suspense of it all, kept me at the edge of my seat the whole time.

In contrast, the slow burn romance was super sweet. The light-hearted and heart-warming moments were an added bonus. Minghao’s and Ai Mi’s on-screen chemistry was off the charts. For me, it was one of his best pairings.

I loved the leads as individual characters as much as a couple. The male lead was truly devoted from the start, a green flag to his wife but vicious towards his enemies. The female lead was youthful but yet a clever gadget inventor.

I truly cared about the side characters as much as the leads. Everyone was vital to the plot and mattered but never took away from the precious screen time. The villains were nasty, which I loved.

The war scenes were brilliant considering the budget was not that high. The opening scene alone with REAL fire will forever live rent free in my head. The cinematography and costumes were on point! I loved the OST and the reason I never skipped the opening credits.

In terms of acting, everyone was superb. I felt Minghao’s has been elevated to a whole new lever. Ai Mi truly amazed me, and she 100% deserves this role.

My only complaint is the fast pacing which at times felt too fast. Especially during the political scenes, you really had to lock in and focus in order to understand. I saw a comment saying the male lead was rapping in the court room and I couldn’t stop laughing because indeed at times it felt like I was watching on 2x speed even though it was the normal speed. However, this fast pacing was also good because I never felt bored and there were zero and I literally mean zero fillers!!!

OVERALL, I didn’t expect to love this as much as I did. Everything that I mentioned above is why this drama is a rare 10/10 for me this year. If you love twisty politics with sweet romance on the side, I highly recommend this.

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"No one here tells the truth"

I’ve enjoyed most of Koreeda Hirokazu’s films that I’ve watched but The Third Murder was more of a challenge. Fukuyama Masaharu and Yakusho Koji gave powerful performances in a glacially slow courtroom drama where nothing was as it seemed and everyone lied. Right to the bitter end.

Attorney Shigemori Tomoaki has been assigned to a case where the defendant has already confessed to the murder of a factory owner. Because he is a repeat offender and robbery was involved, he’s likely to be sentenced to death. If Shigemori can convince the jury robbery wasn’t the motivating factor he can likely get the sentence reduced to life in prison. A grudge related murder is somehow less damaging than robbery (selfish). Shigemori doesn’t care to understand Misumi and the truth is irrelevant. All he needs is an argument to reduce Misumi’s sentence. The victim’s daughter becomes involved in the case muddying the waters as does her mother. Despite his trained instincts, Shigemori begins to question their planned defense and seeks to understand the truth behind the murder.

“We’re all on the same ship called Justice.” Well, buddy, that ship was sinking fast. Neither side of the courtroom was interested in the truth. Schedules had to be kept, reputations had to be protected, judicial economy was important, and cases had to be won. And it didn’t help that the defendant’s story changed from day to day. What was one to believe? This film also touched on the ways "good citizens" harmed each other every day by pretending to not see injustice and crimes and who abused and took advantage of the vulnerable.

As much as I love Koji’s acting, this film belonged to Masaharu. Watching Shigemori go from cocky, strategic planner with no emotional attachments to his clients to a man completely ensnared by Misumi and Sakie’s stories was mesmerizing. That’s saying something given how slowly and repetitively the film moved. Koji, of course, knew exactly how to play his character to draw both Shigemori and the audience in. The acting was superb and well worth the time to watch these two actors play off each other in a life and death dance.

The Third Murder had great potential, especially with the acting as I just mentioned and the cinematography was excellent. Koreeda’s esoteric dream board of themes-free will, justice, truth, control, judgement, predestination, and understanding—was never fully served by the film. Worst of all, the characters and story were too enigmatic to care about. If the writer/director wasn’t committed enough to answer the most basic questions of who did what to whom and why, why should the viewer care? If you enjoy either of the leads or mysterious films that leave all the details to the audience to decide upon, it’s worth a watch.

"Do you believe that story?"

22 July 2026

Koji Murder Movies Note: Under the Open Sky (2020) was a better film starring Yakusho Koji as a lifetime criminal.

Ratings Note: I rarely go by the MDL suggestion as rewatch rating and music rating play almost zero roles in my ratings. This time I filled out the stars and let MDL choose the rating as I was torn between a 7.0 and 7.5, largely influenced by the acting skills over film satisfaction.

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Great for a binge~

I was actually whining about a modern day horror flick being absent from the Kdrama world as of late. My fav genre is all about the zombies. 🤩While this one was was a historical one, it managed to hit all the right places~
And it wouldn't be a Korean historical unless it was about the king..........it had ALL the makings of what you'd normally expect because these are WAY to predictable.
Plots against the throne. Faction vs faction. Heir replacements. Bad king. Bad QD. Bad sons and princes and ostracized royal members. Public hate for shamanism while employing it in secret. Cover ups. Useless murders and tormented palace staff taking falls........the supernatural horror is what makes this good though and it was used well. None of these scenes were lacking in visuals and makeup. Cast knocked it out of the park. And despite being able to forecast the plot somewhat, there were a couple of good twists that had me reeling in surprise and shock~
This a solid watch and it a nice return for the ML. It looked like a door was being left open for a 2nd run, if so I'll be there to watch for sure~

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