"No one here tells the truth"
I’ve enjoyed most of Koreeda Hirokazu’s films that I’ve watched but The Third Murder was more of a challenge. Fukuyama Masaharu and Yakusho Koji gave powerful performances in a glacially slow courtroom drama where nothing was as it seemed and everyone lied. Right to the bitter end.Attorney Shigemori Tomoaki has been assigned to a case where the defendant has already confessed to the murder of a factory owner. Because he is a repeat offender and robbery was involved, he’s likely to be sentenced to death. If Shigemori can convince the jury robbery wasn’t the motivating factor he can likely get the sentence reduced to life in prison. A grudge related murder is somehow less damaging than robbery (selfish). Shigemori doesn’t care to understand Misumi and the truth is irrelevant. All he needs is an argument to reduce Misumi’s sentence. The victim’s daughter becomes involved in the case muddying the waters as does her mother. Despite his trained instincts, Shigemori begins to question their planned defense and seeks to understand the truth behind the murder.
“We’re all on the same ship called Justice.” Well, buddy, that ship was sinking fast. Neither side of the courtroom was interested in the truth. Schedules had to be kept, reputations had to be protected, judicial economy was important, and cases had to be won. And it didn’t help that the defendant’s story changed from day to day. What was one to believe? This film also touched on the ways "good citizens" harmed each other every day by pretending to not see injustice and crimes and who abused and took advantage of the vulnerable.
As much as I love Koji’s acting, this film belonged to Masaharu. Watching Shigemori go from cocky, strategic planner with no emotional attachments to his clients to a man completely ensnared by Misumi and Sakie’s stories was mesmerizing. That’s saying something given how slowly and repetitively the film moved. Koji, of course, knew exactly how to play his character to draw both Shigemori and the audience in. The acting was superb and well worth the time to watch these two actors play off each other in a life and death dance.
The Third Murder had great potential, especially with the acting as I just mentioned and the cinematography was excellent. Koreeda’s esoteric dream board of themes-free will, justice, truth, control, judgement, predestination, and understanding—was never fully served by the film. Worst of all, the characters and story were too enigmatic to care about. If the writer/director wasn’t committed enough to answer the most basic questions of who did what to whom and why, why should the viewer care? If you enjoy either of the leads or mysterious films that leave all the details to the audience to decide upon, it’s worth a watch.
"Do you believe that story?"
22 July 2026
Koji Murder Movies Note: Under the Open Sky (2020) was a better film starring Yakusho Koji as a lifetime criminal.
Ratings Note: I rarely go by the MDL suggestion as rewatch rating and music rating play almost zero roles in my ratings. This time I filled out the stars and let MDL choose the rating as I was torn between a 7.0 and 7.5, largely influenced by the acting skills over film satisfaction.
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Great for a binge~
I was actually whining about a modern day horror flick being absent from the Kdrama world as of late. My fav genre is all about the zombies. 🤩While this one was was a historical one, it managed to hit all the right places~And it wouldn't be a Korean historical unless it was about the king..........it had ALL the makings of what you'd normally expect because these are WAY to predictable.
Plots against the throne. Faction vs faction. Heir replacements. Bad king. Bad QD. Bad sons and princes and ostracized royal members. Public hate for shamanism while employing it in secret. Cover ups. Useless murders and tormented palace staff taking falls........the supernatural horror is what makes this good though and it was used well. None of these scenes were lacking in visuals and makeup. Cast knocked it out of the park. And despite being able to forecast the plot somewhat, there were a couple of good twists that had me reeling in surprise and shock~
This a solid watch and it a nice return for the ML. It looked like a door was being left open for a 2nd run, if so I'll be there to watch for sure~
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The idea is good and the drama is okay
This is my first YoruDora. Overall I think it's okay. There are a few episodes that I pretty enjoyed and I relate to the characters. I also enjoyed the cast's acting, especially Fukuchi Momoko as the female lead. I like her character, and I'm glad the screenwriter didn't add any romantic male lead to pair with her.The drama didn't really have a specific plot. It's more like a daily recording without a clear start and ending. I think the idea is pretty nice. It's the journey of building a local temporary radio-station in Suzuno town, Noto Peninsula, Japan while rebuilding the town, which was heavily affected by an intense earthquake. It's painful to learn that the earthquake actually happened in real life in 2024. I really appreciate the effort of NNK channel in raising the awareness about the earthquake and encouraging the people to keep going and rebuild their hometown through this drama.
To be honest, I didn't like the female lead in early episodes, and I also didn't really enjoy the first half of the drama. Except for Sakura-san whom I liked from the beginning till the end, other main characters were also not very likable to me in the first half. Their smiles looked a bit fake. I felt like they were trying to hide something behind their masks. However, in the second half, I quite enjoyed watching their masks gradually being taken off. I loved to watch the characters showing their true flawed and vulnerable sides with their own ‘selfish’ feelings. It was heart-warming and relatable. It felt like they were real people, not fictional unrealistic heroes in some fairy tales. That's what I liked the most in this drama.
Somehow I relate to Kanade's story. There are times I also feel so lost in this modern world and feel like everything I do in life is so fake and meaningless. I just want to escape reality and move to a place where nobody knows who I am and hide there forever. Sometimes I feel like I'm not good enough and don't know what to do with my life. A few years ago I actually did find myself a safe place where I lived for a while when I felt so lost. I thought I would live there forever but the pandemic came and changed everything.
Another thing I liked from the drama is how they naturally added 2 weather-warning broadcasts throughout the drama. As someone who also lives in a place with extreme weather and high risk of storms and floods every year, I deeply relate to the panic the main characters experienced in the first broadcast. Somehow I even panicked along with them. I appreciate Kanade's efforts of practicing and I was glad to see her stay calmer and improve herself a lot in the second broadcast. These episodes made me appreciate the efforts of those people who take risks to report weather warnings during severe weather periods.
Some of my favorite lines from the drama:
“People need more than food and sleep to get them through life, right?” - episode 3
“Despite the fact that their hearts tremble with worries… all they ask for is to simply live.” - episode 4
“Mana's life is her own. And I think in order to respect that... We have to make up our minds ourselves & decide what we want to do in life.” - episode 7, said by my favorite character Sakura-san. From what I understand, she was saying only if parents are clear with what they want to do in life and follow their hearts that they can really respect and believe in their children's life choices. I really like this mindset.
Now, let's move to the things I disliked in this drama. There were a few things I can think of at the moment.
First and foremost, the most frustrating thing in the whole drama for me is the man called Matsumoto. He was insufferable to me. I disliked him from the moment he appeared till the end of the drama. There was not a single scene of him that I enjoyed. Unfortunately, he's a main character and he appeared in every episode. He’s probably one of the most annoying characters in slice of life dramas I’ve ever watched. He's also one of the types of person I hate the most. I think he’s so hypocritical. He's the one who started the idea of "Radio Star" and basically he forced Kanade and the others into it. He kept talking about all the great things but always let other people do the job for him. When there's some complaints about the show, it's Kanade who was taking all the blame and pressure for the whole team. Instead of comforting Kanade after she shared that she was in pain and tired of doing the show, the guy again raised his hypocritical voice and forced her to pretend like nothing happened. He then tried to convince Kanade to come back to the show when he realized the show was not fun anymore without her. Then again in the last 2 episodes, he gave himself the right to decide what was good for Kanade’s future and threw her out without her consent and permission. Without asking her what she really wanted in life, he decided what he thought was right for her. What a nice behavior. I hate this kind of behavior the most. He sounds like my mom sometimes, but my mom doesn't sound so hypocritical like him.
Another big thing I disliked in this drama is pretty related to the first thing. It's that Kanade did not continue with Radio Star till the end. Why do a lot of people think it's considered happier and more successful for young people if they keep living and trying to survive in a big city instead of doing something they really like in a small town? I don't like that mindset. I mean, it’s fine if they really want to start building their career again in the big city, for example, Rikuto. He wanted to chase his dream as a comedian again so it was the right thing for him to come back to the city. However, in Kanade's case, she enjoyed being the radio-personality in Suzuno and being a part of the Radio Star team. Why did that guy have to kick her out "for her own goods"? To make things worse, Mana-chan, who is Sakura-san's daughter, came as a guest on a live-broadcast at her new Radio team out of the blue, and asked Kanade about the reason she left Suzuno, as if it was Kanade's fault to leave in the first place. I was so done at that moment. It’s so unfair for Kanade to be treated like an outsider again when she was trying her best to be a part of Suzuno town. Seriously, why did they have to end the drama like that?
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quite disappointed
I can FINALLY write a review about this drama.. took me a while.it unfortunately disappointed me. It started really strong so i was really disappointed how it went further on in the drama.
I said this in another review, the dramas lately feel like a gaming ad. You like the game in the ad and download it, only for it to be completely different and dissapointing.
After the never-ending summer (the downloaded game), was a bummer. They ruined the whole never-ending summer concept that was already so good. If the drama ended on episode 20ish, this would’ve been a complete different review.
The first 20 episodes were really great. The concept was good and it felt really like a never-ending summer. It felt fresh and warm, a great summer breeze with a lot of problems that made us sweat, but somehow the best summer.
By turning the whole concept and making it a stupid work bullshit it got completely destroyed. I don’t want to spoil but the way they ruinited was so weird and off??? I didn’t like the way they ruined the unforgettable summer.
The episodes after 20ish was so hard to watch i needed to motivate myself to finish it. I just don’t know why they feel the need to add another random ass plot in the drama. This is happening to a lot of dramas and i don’t see the benefit?
It disappointed me, yes, but i enjoyed the never-ending summer. So giving it a 7 is the best way out.
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A kingdom haunted by the people who rule it.
This series had me hooked, every episode was packed with action, intrigue, and meaningful plot progression. Most historical dramas revolve around palace politics and manipulation, but The East Palace takes it a step further. Nearly every character is morally grey. Everyone has blood on their hands, and the series doesn't shy away from exposing the darkest aspects of royalty and the pursuit of power. Ironically, the ghosts are better than the living, whose greed, ambition, and hunger for power is far more terrifying.Every actor, from the leads to the supporting cast, villains, and even minor characters, delivered memorable performances. The King was one of the highlights for me—a complex character who remained more mysterious than the plot itself. The Queen Dowager was one of the most compelling antagonists I have watched recently- narcissistic, power-hungry, and utterly ruthless.
Another refreshing aspect was the romance—or rather, the restraint shown in portraying it. The relationship never overshadowed the story. Both leads were emotionally guarded, naturally mistrustful, yet it was obvious through their actions that they deeply cared for one another. Their partnership and camaraderie felt mature, believable, and far more compelling than an overly dramatic romance.
The CGI was also well done. The supernatural world, particularly in the earlier episodes, gave me strong Stranger Things vibes. More importantly, the series knew when to rely on visual effects and when to let the writing, action choreography, and talented cast carry the story. It never felt excessive. Also the Korean mythological creatures were explained earlier on, which helped me keep up with the story. The ending leaves the door open for a sequel. While I would love to see one, I also appreciate that the series ended on such a strong note rather than overstaying its welcome.
If you're looking for a period drama that has mystery, ghosts, shady characters, and a genuinely engaging story over clichéd love tropes, this one is absolutely worth your time.
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Simping Gone Wrong
✅Simping Gone WrongOverdo is peak "Proud Simp" nonsense, and not the fun kind. The show wants you to believe it's a sweeping, tragic romance set in Republican-era Shanghai, but strip away the pretty costumes and dramatic music and what you're left with is one of the most one-sided, emotionally manipulative relationships in recent cdrama history.
✅The Setup That Could've Worked
Murong Qingyi (Zhang Linghe), the abused youngest son of a warlord family, falls hard for Ren Susu (Wang Churan) after a brief but intense connection. Classic melodrama setup. Tragedy strikes, he takes the fall for her, ends up in prison. Believes she died. Heartbreaking, right?
✅The Twist That Breaks Everything
She didn't die. She faked it. Escaped. And let him rot in jail for three years. No letter, no explanation, no looking back. When she finally resurfaces, she's engaged to marry his brother. The woman he destroyed his life for is about to become his sister-in-law. You'd think this would be the moment he wakes up. Nope.
✅The Simping Never Stops
Qingyi still pines for her. Still shows her affection. Still looks at her like she's the sun while she's standing there in his brother's arms. The drama frames this as "enduring love" and "love-hate entanglement," but let's be real—it's pathetic. There's a difference between devotion and self-debasement, and Overdo doesn't know where that line is. The man went to prison for her. She let him. He got out. She married his brother. And he's still chasing? That's not romantic. That's a mental health crisis.
✅The FL Problem
And Ren Susu? Zero remorse. The show tries to handwave her actions with vague "secrets she cannot reveal" and "pain she cannot express," but three years of silence while your supposed soulmate suffers for your sake isn't tragic it's cruel. When she finally faces him again, there's no genuine apology, no real reckoning. Just more mysterious suffering and emotional manipulation disguised as complexity. We're supposed to feel for her because she's "troubled," but all I see is someone who got away clean while her fall guy took the punishment.
✅What Kind of Romance Is This?
The show asks us to root for their reunion, to believe that love conquers all including common sense, self-respect, and basic human decency. But what kind of romance demands that one party suffer endlessly while the other faces zero consequences? Where's the balance? Where's the mutual growth? Qingyi doesn't grow from this; he just suffers more. Susu doesn't grow; she just keeps being mysterious and sad. Nobody wins except the writers who think suffering equals depth.
✅The Wasted Potential
It's frustrating because the pieces are there. Zhang Linghe brings real wounded intensity to Qingyi you genuinely feel his pain, which makes his inability to move on even more maddening. Wang Churan has the look and presence of a compelling tragic heroine, but the script gives her nothing to work with beyond "beautiful woman with secrets." The Republican-era Shanghai setting is gorgeous. The production values are solid. The chemistry between the leads is undeniable. All of it wasted on a dynamic that asks us to romanticize emotional abuse.
✅My final say on the drama
Overdo is a beautifully packaged drama with a rotten core. If you enjoy watching one character suffer endlessly while the other gets away with emotional negligence, congratulations—this is your show. For everyone else, it's a masterclass in how not to write a romance. Love shouldn't mean letting someone destroy you. It shouldn't mean forgiving betrayal without so much as an apology. And it definitely shouldn't mean simping for the person who let you rot in jail while they started a new life. Hard pass.
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This review may contain spoilers
I LOVE itAll characters got unique personality and heartbreaking story. It was easy to get attached to tem.
I love the sisterhood between Belle and Nalin (and I think Belle misunderstood having finally someong caring and trusting her with love).
I also lovee all the 4 couples and their dynamic (Nano and Jane are my personnal favorite)
This drama cover a lot of struggle too many young girl can face, in a hypocritical world - that pretend to care about kids. I was shocked by some part of the story.
This drama made me feel a lot of strong emotions. Can't wait for the specials and Season 2.
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A warm hug in a drama form
A Piece of Your Mind is the definition of a comfort drama. It doesn't rely on loud tropes or fast-paced drama to capture your attention; instead, it gently wraps around you like a warm hug.Everything about this show feels deeply soothing, from the soft, healing storyline to the gorgeous cinematography and serene OST. It treats grief, memory, and love with such tenderness and care. The characters feel authentic, and watching their quiet journey toward healing brings a genuine sense of peace.
If you are looking for a slow-burn romance that feels heartwarming and deeply emotional in the best way possible, this is an absolute masterpiece on its own.
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One of the best Story Plot, Storytelling, Story delivery, Janghyuk carry this, hard
One of the best Kdrama ive ever watch, even with the recent standard,.Story :
A deep lore of story plot that connected each and every character that pops up with their own trait of sins and worry.
Cast :
Most of'em are Top tier, and we got Jang hyuk as the star of the drama, and Lee mi sook was crazy good too.
Music :
ORcestrated with some sudden of an epic sound track that embodied the scene.
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The FL was very hesistant about her relationship with the ML any obstacle and she was out of there until the end where she finally changed. The ML was a nice guy and tried his best but the FL didnt help him most of the time.
I will say I really disliked the stepmum and the FLs mum they were very annoying to watch and acted like self centred teenagers at times.
I liked the dads they were of course flawed but always tried to improve themselves. The rest of the characters were okay they didn't stand out too much except the plot twists of course but I loved Ji Hu that boy was a great son.
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Father-Son Bond
I think this drama is good to watch.Story: At first, I thought this would be a simple romance-and-family drama, because 50-episode dramas usually follow the same plot if you've watched enough of them, plus some overacting here and there. But I was wrong about this one. Even though 50-episode Korean dramas are almost always about family, this one focuses more on a father and son with different perspectives trying to understand each other, but always giving the wrong answers and making things worse. Trying to understand each other is hard without an apology, but they keep trying anyway — they're still father and son, and that's what makes it such a good story. As for the romance between the male and female leads, I can't say much because it's up and down throughout — it's not great until right before the last episode, when it finally gets good. You'll get what I mean about the father-son plot once you reach the last episode.
Acting: You probably already know the cast if you're watching this drama, since it has well-known and famous actors and actresses. I can say their acting is really great — warm family dynamics and genuine emotion come through in their performances.
Music: I'm writing this and I honestly forgot the OST — I can't even remember it, lol.
Overall: I'm a guy who enjoys watching dramas, and I liked this one because I could really feel the emotion in the story and the acting between the father and son. It's a drama worth watching for that alone.
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Acting is great, the characters are okay (I fear I suffer from the second lead syndrom here).
Sadly, I think this is the kind of drama that I'll forget after a few months. It's great but not memorable, a typical BL.
A relationship kind of slow to set up.
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OMGGG THE FIRST OMEGAVERSE BL
i cannot explain how fucking excited i was waiting for this even though im writing this review after rewatching for the 3rd time i still remember how excited i was the first time. the story itself is not that creative to be honest but i also never seen anything like it in manhwas or novels. the enigma itself is kinda unfamiliar with me even though i have read a lot of omegaverse trope manhwas. in the first four episodes the story is very boring then it gets exciting. hua yong being an enigma wasnt a plot twist tbh because for me it was very predictable. but it was probably predictable because of the first scene of the show. the tRanSluCenT sKin yOuNg Man as stated in the novel (yes i also read the novel after the show) couldnt have been anyone but hua yong. therefore it was very predictable. the screen writing itself was not cringe and the progression for me was good but how the fuck is shen wenlang so stupid. like it gave me a literal cringe attack seeing how stupid of a character he was. he doesnt understand his feeling for gao tu and he doesnt understand that he is literally AN OMEGA. hes so stupid and i hate him he misunderstood everything and was sooooooo unbearable. other than that the vfx was good outfits and makeup was good overall vibes and scenes were good so i think its definitely worth watching yayyyyy.Was this review helpful to you?
I love how it has a lot of girl protecting girl even when they are hating each other.
Both couple got strong chemistry. All character suit each actress well. They did an amazing job at casting and at playing.
Lal is too funny, she a loser. I love her. But to be honest, I would be a loser for Wine in glasses too.
As a Ciize fan (who is surprised?) I'm happy to see her as a secondary couple but I hope in 2027 she will finally be ML again.
Looking foward for JJJ next project.
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I only stayed for the secondaries couple but I lost interest in them to be honest.
The story wasn't that interesting in my eyes.
The only good point is that BN have great chemistry.
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