Reviews

It was an excruciatingly slow-paced endeavor that seemed to be excessively self-indulgent. It appeared as though the mere presence of the film on the screen was meant to assert its own significance, leaving no room for the audience to grasp the essence of the storyline. Moreover, the film heavily relied on long, drawn-out scenes of characters walking at an agonizingly slow pace, accompanied by complete silence. This repetitive technique failed to effectively substitute for meaningful dialogue or a compelling plot. Instead, it only served to exacerbate the tediousness of the viewing experience.

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Warm and feel good over realistic

Sep 2023
I thought this was a touching, often amusing, positive and unusual drama.

Dementia is not often featured, to any extent, in S.Korean dramas, in the same way 'natural' gay, disabled or ASD characters are not either. Their industry, seemingly like many within their population, still appear to be more uncomfortable with such things, than not.

Anyone who cares for, or is close to, someone that suffers from dementia or Alzheimers in a far more negative and aggressive way, may find the representation in this a little too saccharin.

However, it is still quite a moving story. How the family of the elderly central character, who is determined to realise a dream he wasn't allowed to in his youth, learn from him, overcome their prejudices and grow, has a very feel good factor.

Deok-chul's family's characters are all quite different from one another and well portrayed by a cast I liked, but I honestly didn't get the father of Chae-rok (Song Kang's character) at all. I found that aspect of the story quite weak; as was the story around Ho-beom (Chae-rok's ex-friend). I didn't really feel like either lent anything extra to the story at all. That's certainly no reflection on the actors though, who were not the issue.

I read that Song Kang took ballet lessons for 6 months prior to filming and it shows. Apart from the very complex moves (where the camera focuses on purely legs, feet etc), which used a professional stand-in, he danced himself. I thought he looked beautiful, strong, graceful and convincing.

If you can put aside the fact that several aspects of the story are terribly unlikely and just watch it for the satisfaction of characters overcoming adversity, pushing their limits, taking responsibility, realising dreams and many becoming better people for it, then you will surely enjoy this, as I did.

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Waste of time, stupid plots I waited for many episodes to say any twists or plots but only stupid love/costum drama. the main character is an arrogant guy with no smartness only some losers tricks and the actors are not skilled.
Waste of time, stupid plots I waited for many episodes to say any twists or plots but only stupid love/costum drama. the main character is an arrogant guy with no smartness only some losers tricks and the actors are not skilled.

Waste of time, stupid plots I waited for many episodes to say any twists or plots but only stupid love/costum drama. the main character is an arrogant guy with no smartness only some losers tricks and the actors are not skilled.

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Moving" - A Dynamic Tale of Powers and Personal Growth

"Moving" is a captivating drama that I recently finished, and it left me with a mixed bag of emotions. The second-generation characters in this series are a testament to versatility, both in terms of their extraordinary powers and their evolving behaviors throughout the episodes.

Bong Seok's character development was a highlight for me. His journey from shyness and fear to confidence in his powers was both relatable and inspiring. Hee Soo, on the other hand, stood out with his intelligence and kindness, never once judging Bong Seok for his initial reservations.

Gang Hoon's immense strength grabbed my attention, but I must admit that his character didn't resonate with me as much as the others.

Shifting gears to the first-generation powers of the parents, Jaa Woon's dark past and his wife's struggles added depth to the storyline. Jaa Woon's healing power was a personal favorite, showcasing the resilience of the human spirit.

Mi Hyen's senses power was intriguing, but I couldn't help but wish for a bit more depth to her character. The same goes for Doo Shik.

The plot, while simple on the surface with the backdrop of a North-South Korea conflict, unfolds in a way that keeps you engaged. It's a testament to the storytelling that even with a straightforward premise, "Moving" manages to entertain.

Overall, "Moving" is a series that's definitely worth a watch. The blend of diverse powers, character growth, and a unique take on a war narrative make it a compelling drama. I eagerly await the arrival of season 2 to see where the story takes these fascinating characters next.

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WHAT CAN I SAY!! IT'S JI CHANG WOOK + ACTION

>I've never published a review for a television show before, but this drama's incredible quality motivated me to do so. So if you want to see excellent acting, excellent action, and excellent storytelling, watch this. Well, based just on the first three episodes that were released today, that is what I think.

>Personally, I believe that Ji Chang Wook's already incredible career will be furthered by this drama, and people will stop requesting action dramas in the future until he decides to produce one himself.

>Additionally, the music is excellent. watch this while wearing headphones.

CAN'T WAIT FOR EP 4 NEXT WEEK

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Trailer Misdirection, Pearl is still Pearl

Sometimes trailers are misleading. It's something I frequently say whenever people tell me they know what's going to happen because they watched the trailer. I should've heeded my own words. Because this movie was a prime example. I watched the trailer and found myself legitimately mad. And it wasn't even because it was obviously going to be more explicit than the other Gameboys-verse stories. No. The reason I was upset is because that Pearl was not the Pearl I know. I wondered how loose of a grip or loyalty the writers must have to the character. Pearl would not hurt, dare I say backstab, a friend in that way. Pearl wouldn't be that shameless and carefree. That wasn't Pearl. And the comment section obviously agrees - as many of those Pearl-hating comments came either before the release or before it was available internationally.

The trailer did this movie an extreme disservice. So many people who were initially looking forward to more from Pearl started actively hating this movie without even seeing it. Myself, unfortunately, included. But I can tell you, Pearl is still very much Pearl. The whole situation was a result of ineffective communication and poor timing.

The only thing I can fault Pearl for is the fact that after she and Achilles found out their mutual feelings for Ali, she proposed and participated in a dating competition of compatibility. Did she learn nothing from her exploits in "Pearl Next Door" the year prior? I also think I would've handled the ending differently, but I get why she did what she did. It was a very Pearl-like choice.

I had a lot of fun here. I laughed quite a bit, as there were several different types of humor included here (besides the sexual humor which just isn't my thing). There was a lot of rep here as well: bisexual and gay leads; enby, pan, and gay supporting characters that were both campy and nuanced. They supported each other and really built off each other's energy in the scene.

The person I watched this with even said she liked this better than Pearl Next Door.

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si chiude un arco, speriamo facciano una seconda stagione

per essere un mini drama è fatto molto bene. costumi, ambientazioni, attori e, fino a un certo limite, trama, sono ben sopra il minimo edittale.
gli attori specialmente hanno fatto un ottimo lavoro, la coppia principale ha una buona chimica e, bene o male, tutti quanti hanno recitato abbastanza bene, considerando che si tratta di una commedia e quindi c'è da aspettarsi alcune forzature.
dal punto di vista della trama, il finale appare un po' affrettato e non troppo spiegato. c'è da dire anche che, in effetti, la vicenda non è affatto finita e quindi non ci resta che sperare in una seconda stagione che completi la vicenda e che, sperabilmente, ci racconti anche le storie delle altre tre sorelle.
titolo comunque abbondantemente promosso.

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This drama made me cry a lot. Over the course of these ten episodes, I have grown to love Gil Chae and Jang Hyeon and ship them. That's why episode ten broke my heart. I'm afraid that in the second part, the creators will not strive for a happy ending for Gil Chae and Jang Hyeon. I don't want the second part to end like Moon Lovers for me, because I still can't forget the sadness.

But despite the tears shed, I love the first part. There were also some funny scenes. This drama is interconnected sadness, pain, fear and happiness. The characters develop and have difficult decisions to make. I wonder how the rest of this story will unfold. I have a feeling the ending might not be a happy one, but I hope I'm wrong.

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A good show to watch, but irritating at times

I was looking forward to seeing the leads together. I've loved her in everything I've seen her in, and he was my favorite part of Alchemy of Souls. They were extremely cute together. They had some serious scenes, and they also had a lot of scenes that just made me smile. For instance, once they were dating and they were deciding what to call one another. Their shyness with each other was very endearing. I didn't necessarily feel "chemistry" from them. Watching them as a couple, the word that comes to mind is "comfortable". I don't know if this is because they both just so extremely young, or what.
LIKED:
1)The storyline was interesting, but sometimes they used the gong sound for truth, as well as for lies, so that was confusing.
2)Kim So Hyun as Sol Hee was good for this part. Aside from being beautiful, there is something about her that men and women are both drawn to, men want to date her, and women want to be her friend. Those are my favorite type of character. Hwang Min Hyun was okay in this. He was very understated, and I did like his ability to portray distrust, fear, and loneliness. There wasn't a lot of range from him, but I think that was more because of the way the part was written.
3)I think my favorite part of this show was Seo Ji Han as Lee Gang Min. He has very expressive eyes and was able to portray a lot of emotions with just his eyes. This character was a classic example of perfect boyfriend material. He loved her so much, he wanted to be with her and protect her, but the most important thing to him was her happiness. At the end, when he was on stakeout and was watching her walk by, his face just showed every emotion.
4) I loved the gang leader. There was a sort of a gray moral code about him. Him sticking up for Sol Hee and helping her was heartwarming.
5) I liked the OST, but I especially loved the background piano playing throughout, moving from Chopsticks to classical pieces. It was very subtle and playful.

NOT SO MUCH:
1) Wow! There were so many unlikeable and irritating characters! The stalking singer, both moms, the "friend" that keeps extorting money from Do Ha, plagiarism company guy, as well as Do Ha's ex-girlfriend in flashbacks. I was especially irritated by the singer that was following him around, paying people to find him, etc. I really don't care for the trend in Asian dramas about the scheming woman willing to do whatever to get the man. They did, ultimately redeem her.
2) Again, the gong sounding at different times.
3) I also felt like they had so many characters to keep the mystery moving forward, to keep us guessing. But after the mystery was revealed, there wasn't much going on. This could have been a couple of episodes shorter.
4) I guessed early on who the perpetrator was, but the reasoning was a surprise.

So, I can definitely recommend this one, frustrations and all.

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Noona romance done right

story and characters: the drama is centred around a 33, soon to be 34, female lead who needs to navigate a difficult click based office politics while also facing pressure from her mother due to her age to get married quickly. The romance plot line is between her and a younger by 12 years assistant. I liked how she is portrayed as a strong but feminine female lead that doesn’t need to completely abandon what is considered traditionally feminine. She has ambitions but I like how she says that she only wants to advance her career as far as her abilities take her (that’s not to say she is not competent, she is really competent) but she knows when to step back and put other, more important to her, things first. She is very rational through the end. The male lead is cute and youthful but mature and provides exactly what she lacks. He is very kind, loyal above all else and likes to take care of people. She is also very loyal and takes care of people although for her this aspect is especially prominent in her work life. Overall they complement each other well.

There are two romantic subplots between the ML’s best friend and a female coworker of theirs and the FL’s best friend and her husband. I didn’t care much for the first and was partial to the second.
The first relationship is centred around a guy fearing to start a relationship amidst professional uncertainty and seemingly fruitless struggle to achieve his dreams which would then force him to leave Shanghai and settle for a safe and stable yet unfulfilling and boring (in his eyes) life in the suburbs.
The second romantic subplot deals with a couple coming to an agreement before marriage about their future way of life only to discover a few years later that their needs and wants have changed and they need to choose again whether they should stay together with one side settling for the sake of the other or they should part in order to satisfy both of their wishes separately. Overall I found the second romantic subplot more appealing mainly because they deal with more profound issues and issues that are slightly more relevant to me, while the first romantic subplot also seemingly had an interesting theme but was a little boring for me.

In general I think many Chinese contemporary dramas tend to spend too much time on subplots and supporting characters which leads to the main romantic relationships not being as flashed out as they could have been or to too much background noise (as I call it, which is basically everything that is unnecessary for the progression of the general plot). This Drama also has this sin although I gather many would still enjoy this show despite or because of it.

There is also a plot line revolving around the mothers of the two leads which in the case of this drama, was a breath of fresh air and one of the best portrayal of parents and different parents in CDramas that I can remember. They had very different personalities and you could see so much of them in their children. While one mother was always in support of her child the other was always in opposition but the parents’ motivations were always grounded and relatable. The had a fantastic dynamic together and it was enjoyable to watch.

Acting: the acting was great. I have no complaints about anyone. Dylan Wang truly acted the character’s age which is another aspect I liked.
Music: nothing memorable on that front.
Rewatch Value: Chinese dramas are long and while this drama was fun there was nothing so memorable as to require a rewatch (which I couldn’t say for “You Are My Glory’).

To sum this up, I would give ”The Rational Life” a solid 8. This drama truly lived up to it’s name and was wholly rational till the end and while I did get bored at times and maybe skipped trough some moments it was worth the time spent.

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The Best Korean Neo-noir, with action packed bromance ！ A New MASTERPIECE In K-Neo Noir !

Reminder :- “ This work will not be about who is evil or who is good, but about everyone becoming empty and lonely in the end” . It will penetrate the hearts of viewers with noir action with deep emotions set in the 1990s, Totally It's an intriguing story of betrayals, loyalty, and allegiance in which each character strives to achieve what is important to them.

➟ Critical Analysis :-
While “The Worst of Evil” is an exceptional series, it may not be suitable for those seeking a light-hearted watch. Its unrelenting darkness and morally ambiguous characters can be unsettling. Additionally, the series’ brevity leaves audiences craving more, but perhaps this is intentional, leaving room for speculation and discussion.

➟ Conclusion :-
In a landscape filled with crime dramas, “The Worst of Evil” Season 1 stands out as a gripping and thought-provoking masterpiece. Its exploration of moral decay, outstanding performances, and impeccable direction make it a must-watch for fans of the genre. Brace yourself for a visceral experience that will challenge your perceptions of good and evil

➟ Emotional Resonance : -
What truly resonates with “The Worst of Evil” is its unapologetic exploration of morality. It doesn’t shy away from depicting the darkness that resides within its characters. As the lines between good and evil blur, it prompts viewers to question their own moral compass. The series leaves a lingering sense of unease, forcing introspection long after the credits roll.

Themes and Tone: “The Worst of Evil” grapples with themes of power, loyalty, and the blurred lines between good and evil. It’s an unflinching look at the criminal underbelly and the corrupting influence of power. The tone is dark, gritty, and unforgiving, perfectly complementing the story’s exploration of moral ambiguity.

➟ Acting and Characters :-
The cast delivers stellar performances across the board. Ji Chang-wook’s portrayal of Park Joon-mo is nothing short of captivating. His transformation from a dedicated cop to a cunning infiltrator is a testament to his acting prowess. Wi Ha-joon as Jung Gi-cheol brings an eerie charisma to the leader of the criminal organization, making him both menacing and oddly charismatic. Im Se-mi’s Yoo Eui-jung adds depth and emotional complexity, BiBi's Hae Ryeon role contributed more buzz to the series, it's her first drama( small screen appearance) but she delivered magnificent performance ..

➟ Direction and Cinematography :-
Han Dong-wook’s direction shines in “The Worst of Evil.” His ability to build tension and maintain suspense is commendable. The series is visually striking, with a noir aesthetic that enhances the ominous atmosphere. The cinematography captures the neon-lit streets of Gangnam and the shadowy underpasses, creating an immersive experience, it's complete masterpiece in Neo-noir genre

➟ Score and Production Design :-
The haunting score elevates the series, enhancing the sense of foreboding. It’s a perfect companion to the dark and moody production design. From seedy nightclubs to dimly lit alleys, the attention to detail in the set design is exceptional, corridor action

➟ Special Effects and Editing :-
While “The Worst of Evil” doesn’t rely heavily on special effects, when they are used, they’re seamlessly integrated. The editing is crisp, allowing the story to flow smoothly across its 9 episodes. There are no wasted moments, every scene serves a purpose


➟ finally :-
"It is not a story that you can watch with the family for a good laugh, but you would be able to feel something new,"

------------------------------------------------------ENDING SPOILER -------------------------------------------------

ENDING SPOILER :-

After completing the drama everyone's question is

1) Why did Joon Mo kill Ki-chul ? ?

From What I understood is...

" Jung Ki-chul's suicide is a curse aimed especially at Yoo Eui-jung.He is a man who has liked her since childhood.He's a man who tried to get out of the dark for himself. The guilt of driving such a man to death can last a lifetime to Eui Jung. Park Jun-mo shot Ki-chul because he wanted to free his wife Yoo Eui-jung at least by taking responsibility for Jung Ki-chul's death alone.

2) Did Park Joon Mo Yu Eui-jung broken up ??

In the last scene Joon Mo visits Jung Ki Chul's grave, he left his wedding ring, hinting that he and his wife had broken up. At same time we can watch the chain of Eui Jung ( Ki-chul gave her to in their teenage) on Ki-chul's grave it means she ends Ki-chul's love there , this the chance for their new life. Hope they will meet again after sometime and start new life.


brought by:- Shinnosuke_Lee

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absolutely needed better writing (watch suggestions)

Overall: I enjoy a series with a different premise, but unfortunately the writing/world building/pacing did not work for me. 12 episodes about 50 minutes each. Aired on iQIYI. Re-aired on Studio Wabi Sabi YouTube channel.

Content Warnings: past death/grief, dub/non con touching, 10 year age gap with a highschooler*, manipulation

Watch suggestions: unless you enjoy very slow pacing, characters doing nonsense things, a bunch of crying and untold flashbacks here is my suggestion
1. Watch episode 1, at the end tell yourself that Ongsa died
2. pretend that Suansoon goes back in time and tries different things like having Ongsa avoid that location/day/time but none of them work, so then he tells Ongsa to not meet him at the movie theater
3. Ongsa ignores him, watch episode 7 (basically a retelling of episode 1 from Ongsa's perspective)
4. watch episode 8 where Ongsa learns the only thing to do is for them never to meet when in high school
5. Ongsa time jumps to the present, start watching episode 11 at 19 minutes (although there is a cute high school moment at the very beginning of episode 11)
6. Watch episode 12

What I Liked
- mysterious vibe/present
- how what happened in the first episode related to later episodes
- sweet moments
- Karn (Dear Doctor I'm Coming For Soul) in ep 12

Room For Improvement
- character actions didn't make sense, if Ongsa had actually died and then Suansoon went back and told Ongsa not to drive that day and he didn't but still died and we see Ongsa repeatedly going back trying to change things that would be interesting (like The Butterfly Effect) however Ongsa wasn't even dead and instead of being by his partner's side Suansoon started a romantic relationship with high school Ongsa in the past...
- *age gaps generally don't bother me but the adult Suansoon actor is 36 and he looked like it, past Ongsa is in high school (actor is 25 but looks much younger), it was very uncomfortable to see the adult Suansoon in a romantic relationship with a teenaged Ongsa (who didn't even know that they end up together for quite some time), and Suansoon touching Ongsa when he was sleeping was not romantic but came across as creepy, in general they should have shortened this time and focused more on young Ongsa/Suansoon and older Ongsa/Suansoon
- nonsense stuff, how did no one say anything about a highschooler romancing an almost 30 year old??? why wouldn't in the present Suansoon call Onga's parents/go to their house/look on social media/talk to mutual friends/do an internet search/hire a private investigator/hang up fliers/go to their old hangouts....he just cried
- slow pacing, there was a lot of hanging out in a coffee shop and crying
- a bunch of flashbacks
- really poor world building and a ton of "because the writer said so"

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joongdunk saved it

starting was good but ending was tooooooo rushed ....acting was good ....their visual chemistry ....those kiss scene ....saved the drama BUTT the plot was soo plain and poor ....we cant blame joongdunk but the writers ....joongdunk really deserve better projects ...worth watching but not rewatching

if u are a joongdunk fan u will love the chemistry ...yep u will get bored too
last ep was soo rushed ...its like the writers were forced to to make the last ep....the hidden agenda was soo hidden that i could n't find it
i will suggest not to keep high expectation while watching

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