Reviews

Fresh twists on old cliches.

At first glance, Autumn Ballad looks like just another light historical romance featuring a strong, independent heroine with 21st-century attitudes and aspirations. Yet with a chock full of fresh twists on old cliches, this manages to surprise and delight with an all too familiar tale of a lowly illegitimate daughter who finds love most unexpectedly on her quest for self-determination. This well-told story with an authentic voice is carried by Xu Zhengxi and Qiao Xin's heartfelt performances which make me invested in their characters before I even like them.

What I like most about Qiu Yan is that she is really not that nice or always that smart. Phew, what a welcome relief from the all too common suffocatingly flawless heroines. This is where notably Yu Zheng's recent, much higher budget projects fall way short by comparison despite big-name actresses. Trapped and exploited by her low birth status, Qiu Yan is the anti-Cinderella - her stepmother is her fairy godmother; she gives as good as she gets to her step-sisters and her mysterious prince leaves her a fan at the stroke of midnight. She tries for the best hand from the cards she is dealt and if she has to use a few people or step on toes along the way, so be it. She can be as harsh, selfish, and unforgiving as she is brave, capable, and loyal. She schemes, miscalculates, and makes mistakes with real consequences for herself and for others. I don't always like or agree with her but can understand her desperation and humanity.

Liang Yi is a pretty gray character which makes him my kind of male lead. Beneath his icy, civilized veneer he is a calculating, manipulative, ends-justify-the-means kind of guy with an agenda and he plays a long game. His path crosses with Qiu Yan repeatedly over the course of his investigations as head of the powerful Firewood Bureau. From the get-go, Liang Yi sees through Qiu Yan's machinations with contempt and tries to frustrate her designs on Qin Xuan. But he stops short of throwing her under the bus, perhaps in silent acknowledgment of his own utilitarian nature. When their interest align they agree to collaborate and are unflinchingly honest with each other about what's in it for them. In doing so, they also reveal the better sides of their nature and as they grow on each other, I fall for them. Qiu Yan is no damsel in distress in need of rescuing and Liang Yi can be as much cad as a knight in shining armor. They are kindred spirits and when they join forces, the sum of the parts is greater than the whole. It is inevitable that conflict and antagonism spark mutual awareness and passion. Their repartee is witty and the dialogue humorously highlights universal truths about human nature and the role of women in society. Is it too contemporary to be realistic? Probably but who cares?

This drama ought to be the gold standard for how realistic, believable relationships should be developed and portrayed. Xu Zhengxi really captures the essence of how Liang Yi's feelings for Qiu Yan evolve from dislike and distrust to grudging respect and consternation when it dawns upon him that he added to her burdens. His ironic, disbelieving expression as he comes to terms with his feelings for her kills me every time. This is by far the best-acted, anchor performance in the drama, elevated by the OTP's undeniable screen chemistry. While Qiao Xin stages a convincing, empathetic complimentary act, she falls short in her crying scenes.

The supporting characters are also mostly well-written and I particularly appreciate the balanced point of view with respect to the sibling rivalry between Qiu Min and Qiu Yan. Both Qiu Min and Qin Xuan are less thoughtfully written but despite their character flaws, they both get a pretty raw deal. The writers seem to know how to design layered and interesting characters but don't know how to finish their stories. Too many characters get outcomes (good and bad) that are underserved. There are so many gratuitous deaths I wonder whether they were running out of money.

Though far from a masterpiece of suspense and intrigue, the overarching conspiracy that loosely connects the cases moves at a fast pace and is quite well conceived and not just contrived to allow the couple to discover each other. It is a story that has enough momentum and characters with agency that the ending should write itself. Instead, with about 6 episodes to go, the writing inexplicably deviates into flashbacks, forced angst, melodrama, and excessive plot twists that culminate in a just barely satisfactory ending. If not for the sag towards the end, I would rate this production that shines in spite of its modest budget better than a very enjoyable 8/10.

This is not a fairytale but that is what makes it so much fun. It is well worth watching for the fascinating and hilarious relationship dynamics alone.

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Behind every great man is a woman rolling her eyes.

New Life Begins is a fun and funny satire that mocks ancient Chinese feudal society. It is set in the fictional kingdom of Xinchuan, which presides over eight other provinces or chuans. Xinchuan is the poster child for every deplorable aspect of the feudal patriarchal society that prevailed over most of China's 5000 years of recorded history. Every three years as tribute, eligible young beauties from the provinces are sent for selection as wives or concubines of the Xinchuan princes. As these poor unsuspecting scions pore gleefully over bride portraits, little do they know that the very foundation of their kingdom and beliefs are about to be rocked to its chauvanist core.

As fate would decree, subversive elements infiltrate that year's bride candidates. These elements are woefully untaught and unteachable in the Rules of Reverent Submission for Women. The kind of marriage envisioned by the Xinchaun royalty could not be further from their minds. The ringleader is Li Wei, a deceptively harmless foodie from Jichuan, an inconsequential province where men and women are equal and monogamous. She finds kindred souls in the scheming Hao Jia, the fierce Shangguan Jing and the savvy and ambitious Yuan Ying. Together, they prevail against the suffocating, often life threatening strictures of the Xinchuan inner palace to carve out an existence with some free will. Their brave and hilarious exploits resonate with the oppressed and fuels a fire across the inner palace and then, the capital. As it turns out, behind every great man in Xinchuan is a woman rolling her eyes. Despite the period setting, the ideals in this drama are very modern. It is a very fantastical utopian depiction of the kind of power women can unleash by simply working together instead of turning on one another.

This is not to say that all ten of the Xinchuan princes are bad fellows even though most of them make exceedingly bad husbands. With some, it is simply a matter of training while others need to be kicked to the furthest corners of the empire. The commercially savvy playboy Prince An who thinks he is the sun that the solar system revolves around when he is really the moon is the caricature that made me laugh hardest. That said, the entire ensemble cast delivers rib-tickling and lively comedic sketches that poke fun at the mundane. In a mostly lighthearted and positive but rather cursory manner, the drama evokes many women's themes. Hua Jia's arc is the darkest and most complex one and sounds a dire warning about disgruntled female employees. The sub-plots are short and even though the villains made my blood boil, they are not that smart or complex. That is because the true villain is the tyranny of the patriarchal feudal system and they are all victims of its shortcomings.

All of the sub-plots unfold around the evolution of the relationship between Li Wei and Yin Zheng, the unfavored sixth prince. Hilarity ensues when this woman who lives to eat finds herself shackled to a man who eats to live! With the help of MVP Butler Su, she attempts to tease out the inner fat dude just waiting to burst out of Yin Zheng. In fact, food is her secret weapon; she worms her way into practically everyone's hearts through their stomachs. Both Bai Jingting and Tian Xiwei have good comedic expression and they are fantastic at seamlessly turning funny moments into heart stopping passionate ones. While theirs is a fun, wholesome story, it is too much of a fairy tale. Neither of them have serious flaws and every cloud has a silver lining. In fact Li Wei's perpetual chirpiness grated on me at times. While Yuan Ying is a fabulous and formidable character and I get that one woman's treasure is another's trash, that entire situation is just too good to be true. I also didn't like how their relationship jumps from courtship to the comfortable rhythm of a long married couple, deferring the best romance part till the end. It breaks the natural momentum of a relationship and distracts audience attention from the other arcs. In truth, this drama is a lot more about sisterhood and women's themes than it is about romance. The production should be more confident that these well written, funny, and touching arcs can engage on their own without dragging out the romance to keep viewers invested.

This is one of the rare times that it is the second couple, Shangguan and Yin Qi that stole my heart. I have a weakness for flawed, colorful and unconventional characters like these. Yin Qi's plight is far worst than Yin Zheng's - he is just as unloved and he is no great talent to boot. In the bride lottery, he finds himself sacrificed to the fierce Shangguan, a princess from the powerful and matrilocal Danchuan. But he has a giant heart to go with his big goofy happy-go-lucky smile that makes the fiery Shangguan forgive him for always saying wrong things. Their clashes and banter made my shoulders quiver with laughter as they humorously navigate true challenges and hardships together. Even though they are not perfect and don't have everything, I somehow get the feeling they couldn't be happier.

Overall this is a gorgeous, lighthearted and highly enjoyable story about women's struggles and sisterhood with some romance thrown in. It lacks depth, is slow in places and is far from a masterpiece but the humour is very well done and has mass appeal. A highly recommended watch that I rate 8.5/10.0.

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From A Webtoon Reader’s Perspective

Please take note that I have read and I am a huge fan of the webtoon, but for the sake of your watching experience, I suggest you don’t compare this to the webtoon at all.

THE STORY: The director only took some elements of the story and plopped it into a whole different scenario. Right off the bat, you’ll see a bunch of difference and from episode 5 and up, there’s almost little to nothing that’s similar to the story. However, if you’ve read the webtoon this should not scare you away from watching. Just keep in mind that you should try your best not to think of the webtoon, because I did that and over time it just ate me up. The show in itself is not bad at all. It is a good drama, but I think it failed to adapt the webtoon successfully. The main issue that I had with the show is that they made the characters more “distant” to each other and none of them had the relationship like in the webtoon. The chemistry each character had is what made it so special, and the fact that they cut this element out is so disappointing. Eunhyuk and Hyunsu’s friendship was my favorite. Their interactions was one of the best parts of the story and I’m mad they took out Eunhyuk’s nerdy side. I also didn’t like how you couldn’t see the thought process whenever they transformed into monsters. By that, I mean Dusik and the husband. Seeing how Dusik wanted his legs just so he can see his wife and son made it so much more meaningful and made his death a lot more sadder. The same goes for the husband. He is self centered and that ate him up in the end, so even if he annoyed you, you still kind of sympathized with him in the end. Now, like I said you shouldn’t compare the show to much to the webtoon (like what I just did now) because there are so much more things I can point out about the show that the webtoon did better. But I don’t want to be unfair because the show is good. The story is a bit more on the action side and had some focus on the outside world instead of just the residents of Green Home. The ending is also open, so it gives room for a second season. In my opinion, the CGI isn’t bad as people make it out to be, and is actually a lot better than you’d see in most shows. I really loved how the Protein Monster looked like and I don’t think they butchered any designs of the monsters at all. Overall, the story itself is good and you shouldn’t shy away from this if you’ve read the webtoon.

ACTING: The entire cast did a phenomenal job with this. Song Kang never disappoints and I don’t think anybody could’ve pulled Hyunsu as well as he did. The rest of the cast also did amazing so I have no complaints on this end.

SOUNDTRACK: The soundtrack is a bit weird ??Every time they played Warriors by Imagine Dragons I would try to tune it out of my ears because it felt so out of place.

REWATCH VALUE: I’m not the type to rewatch types of shows like these, but it is pretty short and you could rewatch it again.

OVERALL: Compared to the webtoon, this show isn’t that much. But it is a good watch as it is pretty short and the story itself isn’t bad.

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I came for the plot, and it was actually worth the time, I haven't laughed this hard in a long time. So what kept me watching, I know there is a lot of movies like this one, actually most crime/law enforcement movies have comedy as a major part of the movie, however, this one didn't try to get serious about it so it comes off as natural. I really loved the portrayal of the characters, they had poker faces most of the time, and it's one of the main selling points of successful comedy for me, it needs to be amusing but not over the top. I liked that music didn't take away from the story at any point, as mentioned before they didn't take themselves seriously and it gives this movie a head start from others. Is it the best movie of all time? No, but from casting to the plot and the action it's something I will be watching again and again. All in all, if you're looking for some quality fun, this won't be a waste of time.

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Loved this ...and hated this

I had no expectations going into this drama except "Oh great another 8 episode K-BL.". Usually these 8 episode stories feel rushed and incomplete. I did not get that feeling about this one. Would more episodes have been better? Maybe but just to get a fuller picture or it may have felt drawn out needlessly. There was enough in this series to give you the information you needed to fully understand the story without feeling rushed or confused.

The story was so bittersweet but I loved every minute of it even when I was balling my eyes out (which is also why I "hated" it). The chemistry of the two leads is charming and sweet. It couldn't end any other way than it does. If it did I think it would almost have been dissappointing.

I gave it an 8 for rewatch value only because it is one I'll have to set aside for a good while or be in the mood for tears to watch again.

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Cute fluff with a twist

Destined to meet you is adapted from the web novel "Ba Hun, Xu Mo Yi Jiu" (霸婚,蓄谋已久) (literal translation – Domineering marriage, long-planned), written by Yu Ge (鱼歌).

The story starts quite like the usual way of "contract marriage" dramas. She had to marry someone urgently and he is one of the good candidates out there, so she marries him. But the twist is that it may look like she forced him into this marriage but he actually came on his own.

Soon as they live and know each other, they like each other and you know a lot of fluffy moments coming up. But since this is the "Older woman/younger man" trope, she had to be the one taking steps and this is when the comedy comes into play. It gets so funny with all kinds of embarrassing and awkward, silly comedy. Her trials, his denial and etc etc…

The fact that this is so short like 20 episodes of 10 minutes which is equal to 3 hour 20 minutes, almost like a movie that can be watched in one go. Since I picked it while airing, I had to wait though.

What I loved is the female lead… a famous successful lady need not always be cold and bossy… she's rather cute yet strong. And the portrayal of the role by Lu Yan Qi is an advantage. I saw her last time in Under the Skin where she is in a supportive role but after watching this I really wonder why she isn't she a main lead actress. She deserves some good main roles.

The male lead is Yang Ze who is famous for his recent short drama "The killer is also romantic" and a bunch of supporting roles, yet another actor I think can do better. He should be moving to more main roles too. In addition we also have Ni Han Jin ( as Jin Xi Chen ) and Guo Jia Yu (as Liang Jingjing) in important roles.

What took away 1.5 stars —
— The story is good but the editing is bad… as i was confused in between because of the way next scenes come into frame…

To sum up, this is a cute drama that is short and binge-watchable, worth your time if you're looking for something fluffy with little twists, a total romance focused drama with silly comedy.

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Here it is spectacular not to be spectacular - yet touching and powerful in all simplicity

"The Spring Day of My Life" fulfills the Rom+/-Com concept in a very balanced mix. The humor is not exaggerated, but has an effective, calm charm with its sometimes true-to-life, sometimes intelligent wit. The equipment does NOT want to present the latest from the high-end in terms of fashion & beauty, and the styling is also reserved. Since the KDrama comes along more on the authentic side, the 'Melo' in 'Drama' is also moderate - it doesn't come across as intentionally pathetic, but it goes straight to the heart with all its consequences. This KDrama offers a love story that has a light-hearted side and is giving pleasure while it doesn't strain any fairytale happiness. Yet it rather chooses authentic dramaturgical paths for the development of the story. Optional use for the handkerchief included.

"The Spring Day of My Life" presents itself as a grounded love story about a single widower with two children and a young woman who, after a heart transplant, carries the heart of his deceased wife. The New Heart with Cell Memory theme is not new to KDrama Orbit. In my opinion, however, there is nothing wrong with picking up on it and telling it anew.

In short: the spectacular is nothing spectacular here, but rather the art of telling a touching love story in all simplicity, yet surprisingly vividly. The two leads marvelous performance makes it work, too. For many, they may not be so well known, but they effortlessly take the audience by the hand. This is Cho Soo-young's first lead role (as far as I know). Kam Woo-sung, on the other hand, has been on screen since the early 1990s - his series partner was still in diapers then... He's an unorthodox, pleasantly idiosyncratic figure on the hero/antihero front. His playing comes without perfected beauty, well-placed chocolate sides and enchanting smiles, but he primarily inspires with his presence, intensity and in places minimalistic efficiency. He always embodies his roles forcefully, authentically and to touch. He doesn't have to collect sympathy points, on the contrary - he likes to show his grumpy, nagging, nasty side.

Obviously the producers were quite generous with flashbacks, but other than that, I don't think there's much to complain. If you're not looking for overly superficial, yet not overly sophisticated entertainment - this KDrama offers comforting heart-ache-smile-and-sigh.

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The English title "A House On The Slope" reminds me of that part in one of Haruki Murakami's books where it says, Frank Kafka was quite fond of slopes. He loves to gaze at houses built on the middle of the slope. He would sit by the side of the street for hours, staring at houses like that. Of course Murakami just made that up, but anyone who is familiar with Kafka's life knows that it's most likely a fact. House on the slope is a brilliant metaphor for what this drama is about, that awkward angle symbolizes misunderstandings inside that household, that if we stare at a house built like that we need to tilt our head at one side to straighten it up, just like kafka seeks his father's approval, and Risako, the main protagonist in this drama, wanted encouragement from her husband.

The writing is superb in every aspect. I love how they handled this delicate subject. It's also very detailed as it tackles "Postpatrum Depression (PPD)" way too deep. We saw character experiencing PPD symtoms, like excessive crying, mother having difficulty bonding with her baby, Hopelessness, feeling not being a good mom, and having thoughts of harming the baby. We also see how other characters reflects to this case, their marriage life, their struggles, it gives so many different perspective on child caring. I can't think of any drama or movies that explored this theme to this extent, but not only the theme, it's the execution that makes this drama a riveting experience. They executed it really well, those flashbacks that were told in different perspective, the thought provoking quotes, the interviews and especially the breaking the fourth wall element. It won't tell you who's right or wrong, but rather it will make you form your own opinion as our world, in general, is not black and white.

It's also a social commentary on people's lack of awareness on PPD, and due to lack of awareness, as a result they inadvertently bring pain and misery to their love ones. It just reminds you that in life, more than love, empathy in really important.

On the technical side the drama is still impressive. The acting is solid, not just Kou Shibasaki, but all the supporting cast. My favorite is the judge who is struggling choosing between her career and family, the actress really played the character brilliantly that I ended up sympathizing with her. The editing makes this drama very compelling, several scenes cleverly woven together, and those transitions are very neat. Those brilliantly edited scenes are just enhanced by its music. It conveys a sad melancholy mood which shows character's feelings and evokes certain atmosphere. Ending song in every episode give you that final kick, as that song's lyrics supports the plot.

This is what I love about Japanese Dramas, they are not afraid to tackle sensitive issues, and when they nailed it, they nailed it really hard. I tried to be nitpicky but everything they did in this drama was just perfect, story, themes, execution, acting, music, editing, even camera work, it deserves a perfect 10. This is what they called a true emotional roller coaster. It will change the way you think as this drama gives you so many perspectives. It's an early but very strong candidate for my Japanese Drama of 2019.

Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/

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When I saw the overview of the series, I immediately thought the premise is interesting, plus casting 2 helpings of almost always shirtless Pak and the silliness of Mild intrigued me, they jived well in their previous movie after all.

But the series I saw was different - the 'twin' part has almost nothing to do with the story, in fact you could put another sibling or any other person and it wont matter because they really didnt explore the dynamics or complexities of having a twin. Per was nothing more but a side character.

Pond's elder homophobic sister Pad, was supposed to complicate things but the show instead used her as a source of humor, and her crazy antics in all honesty, was just offensive - and then in the middle of the series she was cast far away to allow the relationship between Pond & Tee to grow - which i think is just irresponsible. The reasons behind her resentment of gay people wasn't even explained and the story created around her in the school where she teaches just adds insult to her story.

I feel like they could have removed Pad and given Per a more complex part in the story - after all it is called The Best Twins. Did the show explained how Pond and Per are the best of all the twins in the world? Or are they saying one twin is better than the other? I just couldnt tell from the story - defeating the meaning of the title.

The only time the series got interesting is when they introduced the hottie Korean Tiger. Thor and Max were both okay and I would have also loved to see more of Jaet and Kaoa and their other gay friend.

Should you watch it? Only if maybe youre stuck in traffic and nothing else to do but have your remote ready to fast forward the opening and end credits because they eat so much ot the time (a total of about 7 mins from the 35 to 40min runtime). Will I rewatch? Not even if you pay me.

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I've always said that Wong kar-wai's films are like odes to Hong Kong. Or Hong Kong as it was in the past. But Happy Together is not an ode to Hong Kong. Instead, it's set in the other side of the world: Argentina. An unlikely choice but a beautiful one.

As with other Kar-wai films, it's always the cinematography that lunges at you. Typical of his style. I'd say that Happy Together is probably much more daring than his other films. Often overshadowed by In the Mood for Love and Chungking Express, Happy Together is both a happy and sad portrayal of romance. Yes, it's a love between two men. But instead of focusing on that aspect like other films do, it focuses more on their time together. It's cynical as much as it is positive. Kar-wai won Best Director at Cannes for a reason.

The film also pays tribute to classic noir style. But with a purpose. The black-and-white colors reflect their time apart. And gradually...color emerges. There's color when they rekindle their relationship or as they say "start over" again. The visuals speak as much as the story, as much as the actors. The aesthetics are also reminiscent of other Kar-wai elements -- cramped apartments, sudden close-ups, intense DOFs. But the colors are all retro. They're vibrant and intense. Add some exotic music to that. The setting and scenery are all beautiful. It's so so so appealing to the eyes.

Of course, we have Tony Leung Chiu-wai again. Yes, he won Best Actor for In the Mood for Love but I'd say Happy Together is his opus. It's a much more dramatic, challenging and intense character, he delivered in with more passion characters. He wants Po-wing (Leslie Cheung) but he can't show that but we still know he does -- that part is delivered very well. On the other hand, we have a charismatic Leslie Cheung here. He's able to deliver Po-wing's character with such rawness and explosion of emotions. Conflicted but at the same time very powerful. The chemistry between the two is undeniable.

The film is about intimacy. And it shows that. Chiu-wai and Cheung's acting all delivers that. In the cinematography, in the sounds, it shows all that. Even if Chiu-wai's character speaks in Cantonese while Chen's character speaks in Mandarin, it doesn't create a distance because it shows the understanding between the two. Happy Together is so underrated compared to its counterparts but it's also one of the most beautiful.

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Tenchijin marked the beginning of my taiga dramas’ adventure and what a pleasant start. I am so happy with my choice because this will allow me to pick countless of the same genre in the future.

I am actually surprised at myself for not picking a taiga drama before even if I am a hardcore fan of history; I watched historical films but never a taiga drama. I think I was scared away by the length considering my low patience level but after starting this drama, that factor didn’t matter anymore.

Before I review this drama, let me first explain what taiga dramas mean. They’re Japanese yearlong historical dramas produced by NHK and each taiga takes a specific historical character to tell his life with 98% of accuracy. Unlike most of Korean Sageuk that tend to take a little part of history and built a completely inexistent story on it, taiga dramas tend to tell the history in the most believable accurate way ever. Of course there are some dramatic effects but they never sabotage history or add imaginary characters on their own. And don’t worry, they tend to explain everything whether at the beginning or in their “Travelogue” at the end so you won’t feel lost at all even if you’re not familiar with history.

Tenchijin is set during the late 16th century: The warring era which marks the most chaotic period in Japanese history where all the daimyo (clans’ lords) were fighting for the rule and power. That era happens to be my favorite fraction of the Japanese history because many of my favorite generals belong to that period. And while I previously know every single thing about the era and the destiny of its characters including my favorite names, it still felt so fresh and amazing to watch the characters I read about being alive.

During the chaotic era of schemes, betrayals and greedy intentions, NHK decided to pick the Uesgi and center their 48th taiga drama on them. For anyone who knows history, the Uesgi aren’t actually the type who ruled Japan or searched for personal gain. They have a mystical aura around them ever since the lord Kenshin’s days. It’s all about the justice for the Uesgi and Kagekatsu (Kenshin’s adopted son) followed his lord’s path of justice by the great help of this drama’s main character Kanegatsu. This storytelling is about the calm, patient, non-greedy, loyal and righteous vassal who lived his life serving the Uesgi, caring for the commoners and creating a distinguished name for himself. Kanegatsu may not have been famous like many generals of the warring era who gained popularity even in current days but he was respected and acknowledged by most of them for his thoughtful thinking and great techniques. He may not have been a great warlord but he was one of the best strategists of the era and one of the fewest who genuinely cared for farmers and the poor.

While telling the story of Kanegatsu, this drama had to center the light on many other characters and events of the era like the ever popular generals: Kenshin, Oda Nobunaga, Saru Hideyoshi, Ishida Mitsunari, Tokugawa Leyasu, Sanada Yukimora, Date Masamune, Maeda Toshie, etc. Those plot changes were quite alluring because they introduced the important figures of the era, their interactions with Kanetsugu and their thoughts about the country’s future. The main character’s meeting with those famous generals added a different taste to this drama. While some of them were his allies, others were his enemies. Considering Kanetsugu’s sense of justice and great talkative manner, you will be looking forward to how he will reply to their compliments or repay their harsh comments.

There are a lot of political clashes in this drama between daimyo lords, the rulers, the vassals and even the wives. However, this drama isn’t all about politics. It contains amazing friendship moments, some romance, heartwarming relationships and great bromance. It will always manage to keep you interested.

It’s a given that you cannot produce a great taiga drama or any historical telling without great actors who know how to make characters feel alive and this drama’s casting nailed it in that part. Tsumabuki Satoshi being the male lead for this drama was one of the main reasons why I chose it as my first taiga and no, it’s not because of fangirling reasons. That man is one of the best Japanese actors nowadays and what’s better than a taiga main role to make him even a better actor? He delivered so well, whether in the foolish, serious or heartwarming moments because that’s what his intensity is all about. What also made the acting department even more overwhelming is the presence of other astounding actors such as Abe Hiroshi, Oguri Shun, Matsuda Ryohei, Kitamura Kazuki, the veteran Utsui Ken and many others that made great scenes and awesome portrayals of the generals. There were some astonishing duets with Satoshi in many scenes.

In a line, I will mention that some battles weren’t portrayed in a good way but the cinematography and the soundtracks were quite fitting for the theme.

Watch this if:
-You love history and want to know more about the Japanese warring era.
-If you like accuracy because taiga dramas have the most informative plots ever.
-If you want to discover taiga dramas but beware that they’re nothing like sageuk.
-If you like the set of cast especially Satoshi because he was amazing in this.

Do not watch if:
-You dislike anything historical.
-You’re not a fan of the Japanese warring era.
-You dislike any of the cast.

Tenchijin is a wonderful ride through the warring period which marks the most interesting part of the Japanese history. The drama takes the life of Kanetsugu as a reference to the Uesgi clan to tell his struggles and deeds through the chaotic era to reach the peace era.

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Maybe I'm over doing it with rating it all 10s but I really can't find a reason to lower any of the scores. I wasn't really impressed with Ohno Satoshi before watching Maou, but now I have totally new found respect. He plays a very calm, cold character so it may seem like his acting skills aren't tested much, but the moments when the character shows emotion he pulls so tightly at your heart stings... really touching. Ikuta Toma plays a character very suited to him, I think, and I enjoyed his part very much. All in all the story was enjoyable not too predictable but believable as well, I also found the ending very satisfying, personally, it may be different for other people.... watch it and find out!

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How come this gem has no reviews is beyond me. It's an excellent piece of suspense drama worth every single one of its 61 episodes.
I wouldn't recommend it to people who are only into 1. straightforward romance, 2. lots of physical action. It has regular outbursts of action every few episodes alternated with strategizing and processing. It doesn't have many quests neither, only one overarching search of a McGuffin file. (Boy, was The Emperor and his jar a good preparation for this one.)
Just like Nirvana in Fire, Sparrow throws the viewer headfirst into already ripened events and flows like a chapterless novel. It has arcs when a new character is introduced or a focus shifts, and they have consequences afterwards.
The show belongs to Reveal rather than Develop school of character writing. The characterization is rough around the edges at first (it starts from a bulletpoint list of traits - for example, MC drinks Kvass, can't shoot due to a past trauma and puts an act of the playboy and gambler who'd rather be a barber than an agent), but turns into something alive and humane thanks to giving characters an opportunity to form alliances and bond. You can tag it with 'bromance' etc, but it's far beyond it. MC doesn't monopolize the screentime. There's a love triangle/square/meandering hexagon (with tentacles - you should see my chart) at the core, but it's not used as a plot propeller and a sole source of conflict. Close antagonists are humanized. It's chock-full of layered, multifaceted characters with their own mannerism. A line between faked and real relationship is blurred. I'm afraid to say anything more not to get into spoilers.
The first half (one third perhaps?) is mostly devoted to damage control and it lulls the viewer into thinking danger can always be redirected to scapegoats, and then things get real, breaking that expectation. The plot is stretched between an urge to maintain the status quo and a sense of urgency, making this desire impossible. Having spent so much time with all the characters and seeing their circumstances, it's hard to condemn those who on the scale of greyness fall into lukewarm/opportunistic territory or tilt toward derangment (especially since they're so charming or have grand entrances…). As if they weren't already, things get so tangled and tensed no single solution can fix them satisfyingly. The file is just an excuse to watch it all happening. Save yourself the frustration and don't expect more from it.
The show is beautiful to look at, crafted with an attention to detail and the use of music greatly improves the experience. More than once I was just spacing out looking at the colours changing or rewinding little pieces of fun editing of facial expressions/general movement like a cat pulling out tissues out of the box. It's definitely a rewatch material for me, both for just enjoying it visually and for re-immersing into that world. Highly recommended. Safety first!

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I was a bit apprehensive when coming across this drama because I heard it was a prequel to Bad Romance and I read mixed reviews from fans regarding that drama. But the minute I hit the play button for the first episode of Together With Me I was immediately hooked! Together With Me is not the typical college BL as it pushes the envelope in what is normally seen in previously released BL. For once, there are actually OPENLY GAY CHARACTERS. Most BL's go for the "I'm not gay, I'm just in love with only you" explanation. But I am happy to see that Thai BL dramas are evolving and more dramas are being produced with characters that raise awareness of what sexuality is (ie. Gay Ok Bangkok, Diary of Tootsie, etc) and the struggles those characters face for being LGBT+. It also shows how having a good support system, like friends/family, can play a major role in your life and decision making.

STORY:
For the most part, I wouldn't say that the overall plot of Together With Me is new or groundbreaking. What I will say is that the way the writing explores how the characters interact and solve problems throughout the show is what makes this series so amazing. The story starts with the two main characters, Korn and Knock, and how they go through struggles both environmentally, socially, and emotionally to finally come together as a couple. Also a main character, Yihwa, is Korn's best friend and is a strong supporter of Korn and Knocks relationship. The 3 main cast members are joined by Fai, Farm, and Phu who are all neighbors in the same dorm. The drama does a great job of focusing on Korn and Knock, but also focuses on the side stories of the other cast members. This is done extremely well as the writers tackle issues such as homophobia, family ties, ageism, monogamy, vanity, and promiscuity. Each of these issues are divided evenly (and sometimes shared) with most of the cast, with the exception of Yihwa's character being written in the story for more of emotional support and as an ally. I gave the story the score of 9 only because I felt that at times it was a bit inconsistent or the timing was rushed in 2 or 3 episodes. I also felt that they rushed Farm's development and almost had no development for Fai's character at all (here's hoping for another season). I also enjoyed the supporting characters of Bright and Kavi who were Farm's and Phu's love interests respectively. Farm and Bright's story in particular was left open-ended, and I hope that this series will have another season just so we can have closure with that story-line.

ACTING:
I have to say that I was BLOWN AWAY by all of the actors in this drama. They really gave so much life and layers to their respective characters! Especially Yihwa who always steals the screen with her charisma and engaging personality. But If I had to pick a standout character out of the 3 mains I would  definitely give all the praise to Korn's character (Played by Max). His character took every scene and made you feel every moment as it were really happening. Whether it was a happy, sad, or sensual scene... Korn's character had you believing every moment. Knocks character was also really well acted, and Knock's intimate scenes with Korn are OUT OF THIS WORLD! If these actors aren't LGBT+ in real life they sure had me fooled! One of the reasons I say this drama is leaps and bounds above other college-setting Thai BL dramas is because of the convincing and extremely well-choreographed sex scenes, Like WOW!!! If you want a drama that quenches you boyxboy thirst, has a good plot, and amazing acting... Together With Me is it for sure! All of the other cast members give amazing performances. Especially Farm's character who does a heart-wrenching job at playing a cute, innocent small-town boy who is in love and exploring his sexuality.

MUSIC:
All the music in this drama was really good! It went well with all of the scenes and I may even want to download the soundtrack if I find out how.

REWATCH VALUE:
This drama is for sure and an easy rewatch for me. I have fallen head over heals for KornKnock and I honestly want to see more of them! Their chemistry is just so amazing and I really hope this series  gains a big following so we can get another well-deserved and much needed followup season!

OVERALL:
This is series is a MUST WATCH for all BL lovers. It hits all the right spots and leaves you wanting more! I highly recommend it and I promise that you'll be hooked!

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