Reviews

A really fun and enjoyable watch, must watch for people who enjoy this genre!

First thing first, I did come here for the trope of marriage (of convenience?) and I wanted to see them explore that relationship with their work and life. Sure, they had a nice relationship (I'm a fan) but I feel somehow misled by the synopsis and the few beginning episodes here because there is no marriage. I get it, they were practically married only but they were not. I was looking forward to something complex like say a break up (just an example), etc. Honestly, maybe that's why this is not a perfect 10 for me because this is not what I expected going in.

But facts be facts, what we do get in actuality is absolutely beautiful and amazing. This show has given me three of the healthiest relationships or approaches to a relationship (with the best friend) I've seen in Cdramas for a very very long time. Nobody is perfect and neither were our characters here. I was pissed with Xiao Ning for the blind date, I have been mad at Yu Heng for his absolutely poor communication skills and Rao Jing came off as very offensive at first. But how the show slowly unpacks all these characters, their quirks and individualities is beyond amazing. I have enjoyed watching the relationship develop between our leads and how they've constantly supported one another, resolved their issues like mature adults and maintained their work-life balance. Similarly, Rao Jing and Zhao Fang have given me some of the most hilarious moments in this show and their banter is really fun to watch. They complement each other perfectly and it's nice to see how ZF helps RJ heal her wounds. Lastly, for the best friend, I loved the mature take on the relationship. I agreed 100% that neither of them was wrong and for them to acknowledge that and face reality needs strength. Sometimes you just need to prioritise yourself and your own morals/dreams/desires. All in all, we see three healthy relationships where they tackle issues instead of running from them.

The other aspect I quite enjoy is how they've not shown women as these pseudo-intellectuals. We finally have female friendships where their advice to one another is well thought out, practical and actually helpful - instead of being super toxic. Also how none of the women overstepped their boundaries and gave the leads (in their respective stories) the decision-making power without influencing them. I liked this mature and more realistic take on friendship. No one really has the time to gossip with friends every day after a tiring day at work and no, you do not let your friends dictate every single step you take in a relationship - good on them for portraying that!

Another thing - usually shows with 32 episodes become a drag. I did not feel that way with this one. The story flew very nicely and coherently and not much felt like it was out of place. I'm someone who likes business plots, so I've enjoyed the business aspect, team bonding, and how they worked together as well.

I also think all the actors have done really well in their roles. Xiao Han made me despise her character and the parents were entertaining to watch. Everyone has worked well!

Overall, this is a really great show with a good storyline (though misleading), a nice soundtrack, brilliant acting and a good pace. I've not seen Karlina's works before and I have to say, I've become a fan. She's so stunning and good at her work. You should definitely give this one a try, it'll be worth your time!

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A Fresh Breath of Air (no more c-drama cliches)

Rattan introduces not only a new type of genre (science fiction/fantasy) but completely new character dynamics. We truly have a strong female lead here, someone whose backstory and motive drives the whole plot. In fact, the male lead is more a side character who simply accompanies her on her journey after her revival. Some people might be put off by the foreignness of the drama, the fact that there are no old tropes, and I implore those people to spend a couple more episodes watching before coming to a conclusion. At least make it to the halfway point before giving a critical rating.

For those who are confused about what the plot is, or feel there is no plot, the drama is also of the mystery genre. Over half of the 30-episodes are focused around discovering who the female lead is and why she does what she does. When the audience finally does discover all the information, the second half of the drama leads the audience to a much faster paced plot where Si Teng meets her goal and deals with the obstacles (or rather people) that arise as well as her budding feelings for Qin Fang.

Even if you're not here for the mystery plot, there's still much to savor from the drama: the beautiful scenery, Si Teng's stunning wardrobe, and the adorable slow-burn romance. A lot of the scenery is very uncommon in Chinese dramas, where instead of the old traditional architecture or modern skyscrapers, they filmed in Xinjiang and remote places like Shangri-la City.

ACTING/PRODUCTION:

The main actors, Jing Tian (role Si Teng), Zhang Binbin (role Qin Fang) and Zhang Yichi (role Yan Furui) are all great at their craft and the interactions all feel very natural. Even the child actors for Wa Fang and young Si Teng act very well. If there are complaints about acting from second leads, I do want to remind that the production team for Rattan doesn't have the extensive budget of other dramas like Eternal Love or Ashes of Love, so please be more lenient. In fact, Bai Jin is even acted by the director himself. Even so, the team went through a lot to get good scenes i.e. for the first scene when Qin Fang revives Si Teng, they filmed at a very high altitude, where it's very cold and they had to bring oxygen tanks.

Not to mention, the two leads have great chemistry. Their off-screen interactions are absolutely adorable. When they first appeared in public together to promote the drama, they looked so happy together that the search Jing Tian and Zhang Binbin acting like newly-wed couple was one of the top 5 searches on Weibo that week. There's also a Happy Camp episode coming out soon if you want to see more of them together!

Interestingly, Rattan was a surprise drama, no one expecting the popularity that it currently has. On Douban (the Goodreads of Chinese cinematography), not only does it have a 7.8 rating, it boasts 140k reviewers (most dramas have around 60k and a 6.5 rating; anything over 7.5 is extremely impressive and rare). All of these are testimonies to the greatness Rattan is.

CONS:

Personally, the main issue I have is that the plot can be very confusing, which knocked down the overall rating from 10 stars to 9. The drama is based off of a novel written by Wei Yu and so sometimes knowledge on text doesn't translate well visually without narration. Especially near the end, where it picks up pace, it can get very confusing what is happening and why it has occurred. I feel like more time could've been taken to go over these scenes and the backstory. There are also some unanswered questions like: did Qin Fang ever realize who Shan Zhigang was? Why does Bai Jin hide the fact that he has powers and what exactly is even his role? etc. I didn't mind as much since I could get the general gist, but I can understand how that may be frustrating to others. The drama may have benefited from extra episodes or cutting out whole sections of plot, instead of following the novel religiously (like the last 2 episodes were kinda unnecessary and made me much more confused).

ENDING:

Finally, about the ending, some of you are worried about it having a sad ending. The director actually filmed two endings. The one in episode 30 is more "sad", i.e. Qin Fang and Si Teng don't end up together in the traditional sense (I still don't think its sad though, it has a nice cause and effect circular nature to it), but there's also a special, which provides another ending, which people have enjoyed much more, where Qin Fang and Si Teng do end up together, so no need to have qualms about that if you don't like tragedy.

CONCLUSION:

WATCH THE DRAMA. Whether or not it ends up following your preferences, I believe the freshness of the plot/setting/characters are all worth a try.

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The mountains are high and the emperor is far away 山高皇帝远.

Under the Microscope takes a detailed look at some of the ancient financial shenanigans that eventually collapsed a dynasty. It is an adaptation of a documentary written by Ma Boyong based on rare ancient folk archives from the Ming dynasty. The Ming dynasty's demise was in large part due to the inability of the government to properly manage its finances, particularly with respect to tax revenue collection. The mountains are high and the emperor is far away 山高皇帝远/shān gāo huángdì yuǎn; thus local fief lords and officials in remote locations were able to do as they please. Social unrest frequently erupted as a result of local officials' failure to carry out central government directives due to both incompetence and corruption. That is the backdrop against which this ancient tax puzzle cum murder mystery unfolds.

Shuai Jiamo is an orphaned peasant and a math savant. He is known in Renhua county as a simpleton and is probably either Aspergic or mildly autistic. He makes a simple living providing field measurement services. In his spare time, he counts cards for his only friend Feng Baoyu, playboy and scion of the prosperous Feng's Ham Shop. He is obsessed with accuracy and when he discovers discrepancies in land records, he tries to track it down. In the process, he stumbles across a misallocated tax that awakens long-dormant memories of the day his whole life changed. Without considering broader consequences, he obstinately decides it must be made right and single-mindedly sets out to rectify these errors. All sorts of vested interests from fief lords to various county officials are affected and conspire to frustrate him. First they turn Chen Renqing, a wily lawyer whose justice and honour can be bought by the highest bidder, loose on him. They also inflame peasants across all eight counties of Jin'an Prefecture, ensuring that chaos, murder and mayhem ensues.

Zhang Ruoyun steps out of his comfort zone in this role of a character that is not always in the moment and relates to others in a different way. Although he seems to over-act in places, the brilliance in his overall interpretation is how insidiously he plants the seeds of doubt. Is the over-acting deliberate and in character? Is the real Shuai Jiamo the one who chastises Feng Baoyu for not paying more heed to his sums and observes that he will soon have a brother-in-law? Or are the glimpses of cunning, empathy, even wit and humour just inconsistent characterisations? Is Shuai Jiamo really that simple and traumatised or does he have complex hidden motives? His nemesis the shrewd and cynical Chen Renqing certainly believes the latter. Leaving these questions largely unanswered makes this yet another fascinating and memorable characterisation by Zhang Ruoyun. His incredible chemistry with Wang Yang thrills and delights in new ways as their roles here force them to connect across entirely different wavelengths. Wang Yang is always at his best in morally ambiguous roles and delivers a wicked and empathetic performance as this lawyer on a white horse. It is also nice to see the limelight shared by Fei Qiming (Feng Baoyu) and Qi Wei (Feng Biyu), who also deliver hilariously engaging portrayals.

This is a beautifully shot production with a detailed eye that captures the humble, tattered and vivid humanity of the common people and the contrasting texture of their venal overlords. The devil is always in the detail with these kinds of accounting and mathematical puzzles that do not lend themselves well to screen adaptation. But this production creatively and humorously dresses up the inherently dry subject matter and does its best to avoid too much exposition. The plot is well paced and the conspiracy builds to a climax that shook me and left me speechless with my heart in my mouth. The villains are well foreshadowed but the reveal still satisfyingly ties up loose ends. Some bad guys got off too lightly but this is realistic and somewhat dictated by historical fact. This is a superbly well-written and entertaining ancient grassroots story that will appeal to anyone on the lookout for fresh themes and stories. 8.5/10.0.

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This darn tear-jerker.

If you're looking for a real horror, this isn't it.
If you hate crying, this definitely isn't it.
I'd say for this movie, it's tragedy before horror. Sure, there are some horror elements, however- it's really more sad than scary.

The story is subtle. It's not deep. I have to remind you that this show's literal title is TRAIN TO BUSAN. It's a whole show about characters doing their utmost best to reach the safe zone- Busan. On a train. It lived up to its title, i'll give it that.

The acting and characters were great. Gong Yoo's acting is excellent, as expected. His character's development was amazing. He went from a selfish to selfless man that learned to truly care for others more.
Ma Dong Seok's character is as likeable here as his character in Bad Guys. You'll get fixated with his character for sure. This actor deserves more recognition.
And the most unexpected- Kim Soo An. She's an adorable and talented little actress. Then again, most Korean child actors and actresses raise the international standard for acting capabilities amongst children.
Kim Eui Seong's character is extremely unlikeable, proving that he played his role well.

The music is good. It's suitable when it's suitable.

Rewatch value: 10
Heck yeah i'd watch it again.
I can tell you that I am definitely not a fan of zombie movies but as I said earlier, it's more of a tragedy than horror. So if you're a major zombie-apocalypse-kind-of-movie fan that finds value in the horror aspect and expects this movie to fulfil it to its best, don't expect too much. The makeup is realistic and well-done.

Even if I cry my eyes out again, it's worth the watch.
If you enjoy a little bit of horror, action, thrill, a little wincey bit of comedy and quite a bit of tragedy, give this movie a go. It's one hell of a ride.

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The P'orn Supremacy

It has become clear to me, from the very first scene, that the producers of this magnificent show must have hired someone from the gay porn industry as a consultant. This, I believe, is how their pre-production meetings went.

Day 1.
The Producer: Alright, everyone. The results are in, and the trends are clear. There is now a clear north-south divide in the BL audience. Those who seek chaste BLs of cute boys go to Korea or Japan. If they want stepbrothers, they go to Taiwan. If they want pure spice, they come to us. Now, the greatness that is Mame showed us how low — I mean, how far — we can go. We now have to up our game. So, I have hired a consultant, Thunder Thighs, from the world of gay porn…
Writer 1: Oh god.
The Producer: …to help us improve our offering. Let’s give him a warm welcome.
Thunder (to thunderless applause): Cheers. Now, let’s get to work. Show me what you have.
Writer 1: I think we’ve covered all the basics. At least 3 couples; tall tops, short bottoms; rich tops, poor bottoms; boss tops, subordinate bottoms; slutty tops, virgin bottoms…
Thunder: Yeah, I get the idea. Any of them dom tops?
Writer 2: One is, absolutely; the other is for chaste-chasers, or, chaters, if you will.
Writer 1: We also have the tried-and-tested office setting, token women, time jump, accidental fall-and-catch, ten-percent body fat…
Thunder: Good, good. Any openly gay guys in it?
Writer 1: Not really. "Don't say 'gay'" is sort of our policy here.
Thunder: Good. Nothing is more off-putting in gay porn than having gay men in it.
Writer 2: Really?
Thunder: Yeah, the thrill is all about seducing a straight guy. What about the other guys? Are they “straight”?
Writer 2: Well, technically, they would be bisexuals.
Writer 1: But we don’t acknowledge them. Or use that word.
Thunder: Promising.
Writer 2: Do you want to hear the story?

Thunder: Oh, no one cares about that. People just fast forward to get to the good stuff.
The Producer (puzzled): Why then have it in the first place?
Thunder: To give the illusion of reality. You have to be able to believe that there is a world in which you can “pay the pizza guy back” by servicing him, or that you can “convert” a “straight” guy gay…
Someone at the back: Ah, so this is another form of “conversion therapy”?
The Producer: You’re fired.

Day 2.
Writer 1: So, this is how the story begins. An inexperienced youth is initiated into the rites of gay romance by a brash senior. Time pulls them apart. But then, a few years later, they end up working at the same office, and…
Thunder: How does the initiation happen?
Writer 2: What? Oh. Well, we thought that they could spot each other across a Buddhist temple, know that they were meant for each other, bump into each other -- literally -- the top will then catch the bottom...
Thunder: What the fuck is this? The Hallmark Channel? This won’t do. Here’s how you do it. The old’un’s the top, yeah? Have him wank off secretly in a public place…
Writer 2: Secretly… in a public place?
Thunder: Yes. Then have the bottom catch him in the act, by hiding clearly where the top can see him.
Writer 2: Hiding, where he can be seen? 

Thunder: Yes. Then the top catches him watching, pulls him in, and says, ‘You’re so hard! Come, I’ll give you a hand shandy and make you come." He'll go: "But I thought you were straight?" Wait… can the top be his stepbrother?
Writers (together): No!
The Producer (at the same time): Sure!
Thunder: Never mind. You’ve seen gay porn. You know what comes next. One of them says: “Have you ever done this before?” The other guy says: “no”. Then, "Do you want to try?" Then, "Sure." Now, you must avoid kissing if possible, yeah? Kissing is “gay”. But if they must kiss, have the top say: “Can I kiss while I wank you off? It’ll be hotter.” The bottom says: “What if we get caught?” The top goes: “We won’t…”
Writer 1: You want us to put all of this in the first episode?
Thunder: Are you kidding? This is the first scene!

Day 3.
Writer 1: Should we talk about the other couples?
Thunder: Must we?
Writer 1: Yes.
Thunder: Okay. What's the deal with the other gays?
Writer 1: Well, we were going to have them as a sweet, romantic alternative to the spiciness of the first.
The Producer: We have to cater to the non-horny people, Mr Thighs. Otherwise, they’ll go to Korea.
Thunder (looking at the cast photos and finding Yoon): Wait… Isn’t this the guy from Unforgotten Night? Are you telling me we're not going to see his back tattoo? That he won't fuck his chump against a desk in his office?
Writer 2: His Champ. And you do know that wasn't a real tattoo, right?
Thunder: What's your point?
The Producer (getting up): Perhaps now would be a good time for a break.

Writer 1: Wait, what about the lesbian couple? (To the Producer): Are we allowed to say “lesbian” in Thai BL/GL?
The Producer: No.
Thunder: Sorry, love, I’ve nothing to contribute to that. If you want to fetishise or demean lesbians, go to straight men.

Day 4.
Writers (walking into the room and slamming the table): What the fuck are you doing to our script?
Thunder: There was a script?

The Producer: Let’s all calm down.
Writer 2: Why have you butchered half the scenes? And why does each episode read like a sex-ed class from a gay porn star?
Thunder: Because, darling, it is. What else have I got to work with?
Writer 1: Plot? Characterisation? Dialogue?

Writer 2: There *is* a story here, can't you see? Jun is the only one with integrity. Sorn is lying to himself and to Jun. But as the story moves along, their roles will reverse. Sorn's girlfriend...
Thunder: Can you show me where in the script you've written all that? Because I can't find it. The only thing I can find is horniness. If sex is what brings them together, why not make it front and centre? No one's staying for the dialogue.
Writer 1 (to the Producer): You hear that? That’s the nail in my coffin.

Day 5.
Thunder: Alright, where are we so far? We’ve had the handshake, the kiss, the steam, and the straddle. We now have to do the… Wait... Wait a sodding minute. (Thumbing through the whole script.) This thing has 12 episodes? How the fuck are you going to drag it out that long?

Writer 1: Oh, don’t worry about that. We have it refined down to a fine art.
Thunder: How’s that?
Writer 2: We'll start with some denial. That long river in Africa. We'll then introduce an unlikeable girlfriend for the top, and a gentle love interest for the bottom. We'll make them all jealous. Then, we'll use the two most powerful weapons in our arsenal...
Thunder: Which are?
Writer 2: Misunderstanding and miscommunication. Believe me, you can mine these two babies to keep the plot turning for at least six episodes.
Thunder: And the rest?
Writer 2: That’s where the side couples come in.
Thunder: So, what you’re telling me is that this time, you don’t even have enough material for 8 episodes that you had to bring me in.
The Producer: That is correct. So, what’s next?
Thunder: How bold do you wanna go?

The Producer: I mean, we opened the first episode with a handjob…
Thunder: Then how about we open the fourth with a flatiron?
Writer 2: What's that?
Thunder: Google it.

Day 6.
The Producer: So, we're all in agreement? We’ll keep Thai and Chump — I mean Champ — for the softies: soft, gentle, and with flags so green that all of Ireland would be offended…
Writers: Fine.
The Producer: Now, as for Sorn and Jun…
Thunder: You’d better let them breed like rabbits if you want the people hooked. You've got to put the Dom back in Condom; the Ass back in passive.
Writer 1: Oh, does that mean we’re allowed to show some realistic elements of safe gay sex on screen? Condoms, lubes, preparations?
Thunder: Don't be a douche.

Writer 2: Yes, douche too.
Thunder: Funny. But people don’t wanna see all that mess, yeah? They just want a clean shot. Geddit?
Writer 1: I'll add that to my list of reasons to die.
Writer 2: So what's next? What do we do with Sorn and Porn? I mean, Jun?
Thunder: Well, you've vetoed 'stepbrothers'. We’ve done 'straight-to-gay'. So, I guess the next big thing would be ‘roommate' porn, and almost ‘getting caught’. Run with those.
Writer 2: Right in front of my salad?

Day 7.
Script Editor: I quit. There is no meaning to life anymore.
(Storms out of the room.)
Thunder: What’s her problem?

Writer 1: Let’s see, we've gotten so bored with Chai — Champ and Thai, that is — that their storyline's now as bland as camomile tea. Penny breaks up with P'Sorn in a scene so amicable that Gwyneth Paltrow would look at it and say, ‘that’s bullshit’. And then, all of a sudden, Penny is just ready to scissor Jun in the middle of the office…
Thunder: Oh please, as if you BL writers were ever interested in the romantic life of lesbians.
The Producer: I mean, that's fair.
Writer 2: But you’ve mangled the script so much that nothing makes sense anymore.
Thunder: You loved the nipple play though, right?
Writer 1: Yes, the dialogue is scintillating. “Don’t mess with my nipple.” “But it’s so tiny and cute.”
Writer 2: I can’t believe I’m about to say this: but the writing is better in porn.
Thunder: Why, thank you. I'm flattered.

Day 8.
Writer 1: What next?

Thunder: Cottaging.
Writer 2 (to the Producer): How far are we willing to push it?
Thunder: Swallowing, if you want to be demure. Cum shot, if you want to be bold.
Writer 2: Jesus Christ.
The Producer: Meanwhile, please welcome our new addition to the team... Chad.
Thunder: He’s straight, isn't he?

The Producer: Yes. I’ve brought him in to advise us on the GL scenes.
Thunder: You do realise I was joking last week, right?

The Producer: So?


Day 9.
Thunder: Missionary Accomplished!
The Producer (raising his glasses): Here's to Oat and Boat!
Everyone: To Oat and Boat!
The Producer: How did you come up with the scene against the mirror? It was inspired.
Thunder: It's from one of my movies, Willy Wanker.

Day 10.
Writer 2: Oh, you haven’t shredded our script for the next two episodes?
The Producer: I’d argue that it reads somewhat better than before.
Writer 1: How come?

Thunder: Here’s the problem with you ladies. You seem to think that sex is something supplementary to a story. It isn’t. Sex is an integral part of the story. The human story. Evolution shaped us for it. And sometimes, as here, sex *is* the story.
Writer 2: What’s your point?
Thunder (sighing): The emotional connection between the boys is built on sex, innit? It ain't books or music. It 's also their main way of expressing trust, distrust, pleasure and pain.
Writer 2: That's suprisingly thoughtful.
Thunder: So, when their physical relationship falls apart, their emotional relationship falls with it. Even if the reasons you give for it are daft, as is the case here.
Writer 1: Daft?

Thunder: Please, you thought Sorny’s backstory would convince anybody? Why don’t you give him a spray-on beard while you're at it and show people how sad he is?
(The writers look at each other, wondering if it’s not a bad idea after all.)

Day 11.
(Back from the actors’ workshop):
Thunder: No, no, no, no, no. Nope. I can’t work with those two. I can’t.
The Producer: Why not?
Thunder: Did you take a look at their "acting"? There was more sexual chemistry between oil and water than those two. They touch each other as if they had visible eczema. Can’t you abandon them, like you abandoned the lesbians? Subtle, by the way. What, did you fire Chad after one day?
The Producer: But Yoon & PunPun have signed a contract saying they’d do at least three sex scenes. We’ve already paid them for it.
Thunder: Baffling. Who’d want to watch those wet wicks instead of real fireworks?
Writer 1 (sighing): I told you. We could have done without the side couples. And we could have spent that time to properly allow the characters to come out and be happy together. But no, you insisted on at least three to cater to everyone.
The Producer: I need to hedge my bets, okay? I'm only in it for the money. So stop hounding me.

Day 12.
The Producer: Alright, everyone. It's the last day. Let’s go out with a bang, shall we?
Writer 2: Two bangs, according to the script.
Thunder: A bang and a whimper is all you'll get. Can’t make a horse drink water, can we?
Writer 1: ChatGPT will soon take care of that. But what do you suggest for now?
Thunder: Tell Yoon to stop poking his tongue out like a goldfish. That would be one. Then, standing doggy in the staircase?
Writer 2: For whom?
Thunder: Both. I don’t care. Nor will the audience. They'll have tuned out by Ep. 10, trust me. So, just wrap it up, and churn the same stuff -- jealousy, aggression, possessiveness, horniness -- one last time.
Writer 1: Done.
(The Producer sighs.)
Thunder: Just make sure Boat’s shirt is unbuttoned, yeah? It leaves something to the imagination.
Writer 1: How about we also drop Oat’s trousers as well? To further fire up the imagination.
Thunder: My work here is done.


Reader's Digest:
DO SAY: Your Oat Floats My Boat
DON'T SAY: Bring back the back tattoo

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Iconic Cult Classic

I will start out by saying this series will not be for everyone, in fact it won't be for most people but what it will be is memorable!

Playboyy is NOT your typical run of the mill predictable Thai BL. If you are looking for Boy meets Boy, Boy falls in love with Boy, Boy (maybe) kisses Boy, There is a miscommunication and then they make up and live happily ever after.....this IS NOT the series for you. There is nothing wrong with those types of series but Playboyy is not that!

Playboyy is unhinged, camp, satirical, hilarious, sex positive, fashion forward and unapologetic.

If you scratch just below the surface of the iconic one liners and murder mystery plot you will find that Playboyy celebrates gay sex in all its forms. Playboyy shows you that their isn't just one way to be in a relationship with someone and that none of those relationships are less than just because they are not traditional BL relationships. They are complex and messy and are unique to each couple rather than being cookie cutter.

The series also doesn't shy away from some of the very realistic issues that come from being a gay person or worse yet a gay sex worker in Thailand. How this community is marginalized, abused and struggling to live let alone be accepted. The show also reminds you that money is power and that we can all end up doing things we are not proud of just to survive.

Now lets address the NC scenes. Let me say it one more time because everyone seems to be taken aback or surprised by this....The series is 18+ and it is sex positive! Yes there are a lot more NC compared to normal Thai BL. They are also far more explicit and unhinged. They are not your dead fish kiss, squeal because someone touched me, we are dating and kissing is all we will ever do NC. As I mentioned before Playboyy celebrates all forms of gay sex so you will have crazy unhinged make you scream in shock scenes, you will have sweet romantic scenes, you will have BDSM, role play and the list could go on. This isnt a porn so no you aren't going to see full frontal nudity but you will be asked to use your imagination and think about what the shot would be like if the underwear weren't there!

Yes the show is low budget, yes some of the acting is questionable, yes some times the plot takes a back seat to the NC, Yes there is a lot of broken English being spoken, Yes the NC can get crazy and/or uncomfortable or down right funny. It's for all of these reasons that I say Playboyy is not for everyone. But if you are someone who likes something different, who loves to laugh and scream some times at the same scene, if you want subversive and unique then Playboyy is absolutely for you.

I recommend finding a friend just as unhinged as you are to watch the show with. I will admit that the comment section and the members of the Chaos Train who all watch it as it aired added the icing on top of the cake for me. You will absolutely need someone to talk to about this show with so don't be shy in finding a watch buddy!

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10/10 Comedic, mature, lovely, fun series to watch

10/10 Comedic, mature, lovely, fun series to watch
The series start was unexpected
Taynew and other cast
nailed their characters. Toto and kanit relationship is from enemies to lover and I can't wait to see their dynamics, it will be fun to watch them fall in love slowly. Beer jokes were too funny
. Mond was funny as hell too,Ryu's character made
me pissed but I know he is good actor if he can do that Juno and tonliew for fresher they also did good job • .! knew Director jojo will never disappoint, and the series storyline is so good. Everyone should watch it if they want something fun and comedic series to watch after exhausting day.

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MLSHR is among a small number of k-dramas that have left a deep impression on me, yet it's also a drama I'd hesitate to recommend to people at large. There are a couple of reasons:

(1) The extent to which you'll enjoy this drama depends on whether you value IDEAS or EXECUTION. If you're the second kind of viewer, this show may drive you mad. The general consensus is that Scarlet Heart: Ryeo had a great story that was screwed up by messy editing/directing/pacing etc. and not enough space to tell it (20 episodes compared to the original 35-ep C-drama). I'm very sympathetic to this assessment.

However, I'm also the kind of viewer who will forgive a lot of flubbed execution for a really good idea, which this drama has in spades.

Scarlet Heart Ryeo is above all an *ambitious* drama, probably excessively so. The upshot is that it has possibly the most uneven execution and post-production editing ever committed... but at the same time some of the most complex and compelling character arcs I've come across in kdrama. It's not for nothing that the show has drawn such an unusual amount of discussion and fannish activity, especially internationally. (MLSHR was poorly received in Korea, but it is/was a certified international sensation, the first ever kdrama to make Tumblr trends, etc.)

(2) My other "disclaimer" for MLSHR is that it has a deeply cynical and subversive approach to romance. If you're looking for a fairytale where love conquers all, this is not the show for you. If you're looking for a classic tale of star-crossed lovers foiled by evil external forces... this is still not the show for you.

If, on the other hand, you're the sort to appreciate tragic missed opportunities of love driven by bad timing and fatal ***character flaws***, then Scarlet Heart: Ryeo is the Greek tragedy of your dreams (and/or nightmares). In a market saturated with wannabe Pride & Prejudices, Scarlet Heart Ryeo is out here being a totally unapologetic Wuthering Heights, which is pretty gutsy for a YA reverse-harem premise. (To be fair, they were working off of the Chinese novel, but they *could* have made it more public-friendly.)


Here's the bottom line: This drama is an acquired taste. If you're not a fan of tragedy or bloodbaths, if you need your female characters to be ~empowered~ and save the day, if you prefer people in love to be functional and communicate well — look elsewhere.

However, if you enjoy nonstop political scheming and backstabbing, majority-villain ensembles (including both male leads, arguably), and romantic narratives that reject relationship = identity myths, Scarlet Heart Ryeo is probably up your dark and twisted alley.

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Powerful plot. Solid & unique. Four-dimensional. An enrichment on the KDrama crime thriller market

A solid thriller, laid out across time and space. The fourth dimension has a hand in the investigation. There's a bit of magic involved too.

You can expect an suspenseful, opaque story with edgy characters - in particular a cheeky, blustering, stroppy anti-hero as male protagonist. As a writer he is ambitious but probably rather untalented. However, he is also someone who doesn't easily give in and doesn't like to be fooled. And there is this delicate, gifted, mysterious stranger crossing his path…

The criminal act and the perpetrator as such may seem rather familiar, sort of. But pretty much everything knitted around this crime is off the beaten track! With strong characters and powerful plot. An enrichment on the KDrama crime thriller market! With time and space becoming relative...

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Bad Buddy is the BL drama that WILL END ALL BL DRAMAS!!!

ALL ELSE BEING EQUAL, this is the BL drama that will end all BL dramas – PERIOD! No one or not everybody will agree with me but if you look again closely at all those previous (and watch future) “popular” BL dramas and compare them with Bad Buddy, you can tell the difference (truly no offense meant to the fans of other BL dramas). I thought Dark Blue Kiss was my all-time favorite UNTIL I watched Bad Buddy. Bad Buddy is unique by all accounts and I will not elaborate this because if you are truly a Bad Buddy fan, you know what I am referring to.

You can start combing through any discussion threads/comments/etc. (in all social media) about Bad Buddy and 99% of all the comments are in unison having the same voices and sentiments THAT... (1) You can’t or don’t need to watch another BL drama after watching Bad Buddy because it will be very difficult for you to move one AND (2) You will need another BL drama that is “better” than Bad Buddy before you can get over Bad Buddy drama, but it’s highly unlikely. Bad Buddy drama has set the bar so high that you will not watch any other BL drama if its not as good as (or better than) Bad Buddy!

It might be too early to consider Bad Buddy drama as PEERLESS, but it will be!!!

All our lives, we thought the best things that Fridays can give us are rest and enjoyment (after studying or working hard) BUT Bad Buddy has totally, immensely, and overwhelmingly changed that!!!! Fridays will never be the same again after watching Bad Buddy drama!!!!!!!

Watching Bad Buddy is a marvelous way to end 2021 and start 2022…

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don’t waste your time

don’t waste your time on this for it shitty ending.

It started well for me, but the plot went down hill at some point, the last 6 eps were disappointing.

The good :
- the acting was decent
- the music
- the third couple (who was not seen a lot) was cute, pretty good communications, healthy relationship. they solved their problems pretty fast
- I think all 3 couples have good chemistry
- some scenes impacted me emotionally, like ep 18 with the second couple or just scene related to first and second couple, I was almost crying
- I like the eps when the leads were with the kid
- the friendship
- this is a good and bad point, but I appreciate at first using mental illness of ML as a plot for problems/breakup, that felt real to some aspect and not like some cdrama where are think the breakup is pretty stupid or the use of a third party is annoying
- at some level, I liked the second couple, I loved their chemistry, but I don’t think their story was well written
- I enjoyed the romance between the leads (expect the last part of the drama)


the bad :
- dragging second couple getting together
- dragging the problems between the leads
- became somehow boring at some point, 36 eps was too much
- the worst ending possible that literally ruins everything. Doesn’t make any sense, rushed, nothing explained. FL is 100% hallucinating him, sad ending. And this is just nonsense. be clear damn it!! if he is dead, explain it, be clear about it. Why end with such horrible nonsense ending. Feel incomplete. Poor FL too, I hate it.

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You can't bring a sword to a gun fight.

Like many wuxia fans, I consider Jin Yong / Gum Yoong (Cantonese) the greatest wuxia writer of all time. Side Story of Fox Volant 飛狐外傳 is one of his early works. It was written shortly after The Flying Fox of Snowy Mountain 雪山飞狐, which is both a prequel and a sequel. Unlike many versions that combine both novels, Side Story of Fox Volant is adapted as a stand-alone story. Despite some meaningful changes, this adaptation captures the essence of the original story, the spirit of martial heroes or daxia/大侠 and the vagaries of jianghu/江湖.

The drama is action packed with fast paced, intense, starkly violent and brilliantly choreographed combat sequences that will satisfy any hard core wuxia buff. Slow motion is used sparingly for maximum brutal impact. No one has magic qigong or special powers. The main fighters - Hu Yidao, Miao Renfeng, Hu Fei and Tian Guinong are swordsman with distinct combat styles and battle advantages. When they clash it is very muscular and lethally up close. The nimble Yuan Ziyi's weapon of choice is a whip, which minimizes close encounters to compensate for the physical disadvantage of being a woman. With each episode I think the action has to be as good as it gets but to my surprise and delight, the production keeps delivering into the final wulin arc. The wulin arc in terms of both plot design and action is the best I have seen. While Miao Renfeng and Hu Fei's martial teamwork in episode 22 may be the best of the best, the ending battle encounters are inventive, exhilarating and savagely satisfying. The action scenes are this drama's strongest point and are worthy of multiple thrilling re-watches.

I am not a fan of the trend of whitewashing characters, especially Jin Yong's characters. Jin Yong is the master of multi-faceted characters. His heroes are flawed. His villains have redeeming features. Nobody is perfect in the Jin Yong universe. So when writers have the audacity to tweak his characters, they usually muck it up. When it comes to earlier, less refined works like this, I don't mind so much as there is room for improvement. While this version does a good job with Yuan Ziyi, Hu Fei is disappointingly adapted beyond recognition. The attempt to make Tian Guinong and Nan Lan empathetic is nauseating and boring. This is one of the four don'ts Jin Yong specifically warned against in the preface to the latest edition of the novel.

This is one of the author's darker, more cynical works. Most of the characters love too well but not wisely - Hu Fei, Miao Renfeng, Cheng Lingsu, Ma Chunhua, and Nan Lan. The heart wants what the heart wants, consequences be damned. Nan Lan and Ma Chunhua are selfish and don't care who they hurt in the process while Cheng Lingsu, Hu Fei and Miao Renfeng are noble idiots. They all pay a terrible price for following their hearts. Yuan Ziyi is the only exception; she dares only to hate but not to love.

Yuan Ziyi is one of Jin Yong's most under appreciated and saddest heroines. She is the only heroine who is not an extension of the hero; she is on her own independent path to salvation. Born from an act of violence, she is consumed by self loathing; doomed by unkind karma to seek justice and then live a life of atonement for the sins of her father. In the context of her beliefs, if she breaks her solemn oath she will only prolong her bad karma. In the novel, she acts out and does very controversial things. These actions drown out her piteous backstory and make her a widely disliked character. This adaptation deftly writes out those events, enabling us to see her in a more empathetic light. Her shifu should have been left offscreen as her pressure obscures Ziyi's own resolve to keep her vow. I always feel terribly sorry for Ziyi; she never had free will. She is alive but she does not live. I am not sure that chanting sutras into oblivion is a better fate than death, which is final liberation from all suffering. I don't love Liang Jie's acting but her Ziyi impressed me. The slightest shadow of regret in her eyes in a stone cold face and her ability to convey so much beyond her words moved me to tears several times.

Even though Cheng Lingsu is a clever character, I never found her relatable because her entire reason for existence is Hu Fei. But to my surprise, I like Xing Fei's warm and personable rendition of Lingsu. Her Lingsu is devoted to Hu Fei without coming across as a doormat and she gets him out of many tight spots with her quick thinking. The complex entanglement between the three of them is well portrayed. Hu Fei's chemistry with Ziyi is tangibly different from his dynamics with Lingsu, making it immediately obvious who he loves and who loves him. He is much more of one heart with Ziyi and they instinctively act in unison with little need for communication or explanation. Whereas Lingsu is constantly reining Hu Fei in and giving him instructions that are at odds with his natural instincts. When he can't help disobeying, he appears reckless and unintelligent. This character flaw arguably contributes to what happens to Lingsu at the end. There are better ways to show that Hu Fei is less in sync with Lingsu without throwing his character under the bus.

Lin Yushen's Miao Renfeng steals the show in this drama. Criticism that his Miao Renfeng is too much like his Yang Xiao in Heaven Sword is fair but he is so cool and he pulls off the character's inner conflicts and emotions so well that I don't mind. This performance anchors the drama for he is the martial hero of this story, His code of honor demands that he does the right thing even when it is the wrong thing for himself and those he loves. I wouldn't object if they call this the Legend of Miao Renfeng because of this compelling portrayal of what it means to be a daxia. Even though he is movingly handsome when he is suffering, the story wallows in Miao Renfeng's betrayal and loss for too long. The tawdry Nan Lan/Tian Guinong arc is a boring extended digression. The opportunity missed is that Hu Fei and Miao Renfeng do not get enough scenes together. They have remarkable combined chemistry and their joint fight scene is the one of the drama's best.

As for the titular character Hu Fei 胡斐, (which is a homonym for fox volant or flying fox), I always loved his character design. Far from being infallible, he is a work in progress - young and smart with tons of potential but a bit hot headed and too idealistic. He is the people's hero; the guy who demands justice for the underdog regardless of the cost to himself. His best traits, this strong sense of righteousneous and his willingness to fight the unfair fight is dumbed down to recklessness and even stupidity in this adaptation. He is written off as a bull in the China shop whose hot headedness could wreck the Red Flower Society's mission to save wulin. He doesn't accomplish much on his own and without Ziyi and Lingsu, he'd have died many times. It does not help that despite his phenomenal acting, Qin Junjie looks a bit too mature to play an 18 year old.

Despite good pacing, the plot digresses into too many dull sub-plots and arcs. This is an issue with the original work, which this adaptation already cleans up considerably. The Nan Lan and Poison Valley disciple arcs are the least interesting and Hu Fei deserves to be less peripheral in the reveal of the conspiracy behind Hu Yidao's death. The wulin arc brings the story to a climax, one that exceeds that of the novel on some fronts but is a let down in other aspects. Good characters die in wuxias, it is par for the course. But their deaths must be worthy and not gratuitous. What I dislike most about the ending is that it unnecessarily sacrifices a knight errant after they capture the king. It is a futile sacrifice because you can't bring a sword to a gun fight. Sadly, the advent of guns heralds the demise of jianghu and martial heroes.

This is a good adaptation overall that is limited by original works that lack the finesse of Jin Yong's subsequent masterpieces. The novel is already too dark and unbalanced. It is not necessary to outdo Jin Yong in how incredibly cruel he is to Hu Fei. Despite its darkness, the novel still ends on a note of optimism because Hu Fei's journey continues. But in the drama Hu Fei seems to be left to live largely in the past with two women, one too old and too icky for him and another so young it would be too icky. Thus to me this is at best an 8.0 in terms of storytelling that I bump up to an 8.5 for the not to be missed fight scenes. Nonetheless, this wuxia takes you on a stirring and addictive journey that is well worth it - as long as you do not need a Disney ending.

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Cute!!!

This is such a cute drama, the kid alone makes it enjoyable to watch. The mains chemistry is great, their interactions are adorable. They are also quite natural with their roles. It is quite cliché but whatever, you will find yourself grinning. Extremely fluffy to say the least.

The editing is crap tbh, the characters are not realistic at all. Such as the things they do concerning their occupation is beyond questionable. I'll just say that the Aunt is pain! I find it frustrating to watch couples break up after confessing, makes the ending feel rushed and unnecessary plot device. There are inconsistencies but other than that, it is a good watch. I suggest switching off your brain cells tho.

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this drama was surprisingly addicting
It has the overused tropes that most kdramas always has; college setting, hate to love, opposite attract. But it's developed really well!

The acting was good
Tbh PJC's acting was kinda robotic at some parts, but i think it was part of his character so it doesn't bother me much. Main leads chemistry was amazing.
The pacing wasn't rushed like most kbl does. The cinematography were well done
Music was good, my favorite would be Romantic Devil by Coldin.

I don't usually rewatch dramas. But this one is an exception. There's not much episode, so i could finish it in one sitting.

Overall -
If you like to watch some light hearted romance with overused tropes, i recommend you this

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