Reviews

To be honest, I wasn’t planning on watching this, so I’m not sure what even reeled me in. Maybe it was Changwook’s comeback or I’m in love with Jinah’s voice. But for sure, it wasn’t worth it.

The story, first of all, what the heck is it? Like it doesn’t make any sense. The idea was interesting, but the execution is plain bad and boring. There’s no logic to some of the characters actions and what they say, and I’m like what. And this is noted as a rom-com, yet the romance isn’t the greatest in terms of buildup, it just kinda happens. So the chemistry felt off the entire time. And the comedy is the most forced thing ever with many supporting characters just overacting. I feel like the writer should have focused more on the leads slowly functioning in society and a better love story, you know. But whatever, I guess.

Also the characters aren’t memorable.

Dongchan is like bread. White bread. The plain and dry kind. He’s flat out boring and Changwook could’ve done so much better. Though, I do have to say, Miran does have a more interesting personality and she’s got her goals, but I’m still amazed in how she fell in love with Dongchan. Tsk, tsk. What did she see in him???? Probably his handsome face, because same.

The supporting characters were mostly boring, annoying, or hold nothing to the plot. From the villain to the producer to Miran’s ex.

Some scenes I liked though, were some heartwarming moments like Namtae and Miran reuniting. And the transition from the older to younger counterpart.

But my emotional connection with any major character was nonexistent.

I knew I shouldn’t trust this writer considering a certain disaster I disliked. I’m sad to see this as Changwook’s comeback drama. Such a waste of talent of this cast. Ugh. But maybe watch it if you like the actor/actress A LOT, the kisses, the uhh.. Uhhhh… uh.

Leggi di Più

Finally found some time to watch this movie, and I must say : I wasn't disappointed !
I first heard about it because it was officially competing at the Cannes's Movie Festival.
And then I saw that the great Park Chan Wook was the director behind it so I quickly decided to watch it.
BUT, neither did I read the summary first nor watched the trailer ... and maybe I should have had.

Don't get me wrong ! This movie is a masterpiece. But, I wasn't expecting that plotline AT ALL.
You should be aware that it gots some serious mature contents like SEX, BDSM and violence. You can feel really uneasy watching it. But that is the reason why this movie is so beautiful : the darkness and somehow weird feels matches so well with the love story. Some scenes are magical.
But just keep in mind that it is 18+ rated (basically 5 minutes of intense, non-stoping and not-really censured sex)

There is three major arks in the movie: the first two ones where you get to discover and even rediscover the characters and story from different point of views, and the third one where all of your answers are answered & the story ends.
This combination might seems odd to some viewers, as we sometimes get to rewatch the same scenes. But I personally find it really interesting.

The two main actresses are absolutely perfect. They convey all the feels of their characters in an emotional way. As it is stayed in the summary, they will both 'discover some unexpected emotions'. Lesbian relationship in Korean movies are quite unusual and I must say that this one is breaking down HUGE taboos. The geniuses of Park Chan Wook was to gamble on this idea, in a country where he perfectly knows that the critics will get fierce.
Thanks to a good casting choice, I personally think that he won his bet.
I was surprisingly amazed by Kim Tae Ri (Sook Hee)'s acting. She's new, It's her first movie. The idea of new fits perfectly her character. The way she acted was stunning. I want to see her in more things from now on.

Anyway if you're 18+, interested in some good suspenseful stories and open-minded regarding this movie love plot line, you will definitely enjoy it.
It's not Old Boy sure ...but it is The Handmaiden. They both have their qualities and universe.

Special mention to the ending song which was absolutely gorgeous ... kinda combines all of the feels that this movie gives you.

Leggi di Più

The best level of pining one can imagine.

I’m willing to call it a perfect binge watch material. It’s easy to digest, has amazing chemistry and loveable characters. There is not much unnecessary drama and over the top events. It’s not a groundbreaking story, but it’s a nice and believable youth romance.

Not gonna like Cake was the main reason I loved it so much - both with how the character was written and how Santa portrayed him. Funny, charming, entertaining, loyal, but at the same time caring and mature. I am surprised how understanding he was, when his initial introduction was a chaos impersonation. Santa’s acting too, I could see the hearts in his eyes even before he was aware of them. Damn, this boy makes your heart flutter like crazy.

Then we have Seeiw - THE cinnamon roll. Even though more proper and organized, I would say he was acting more his teenage age compared to Cake - especially with more challenging and emotional moments. Which was nice to see - teens acting their age. I do believe his crying got a bit frustrating a few times, but I blame the writer. Sadly Earth’s delivery in that aspect was also not that good, at least in some scenes. Sometimes I watched his scenes and was not sure if he was crying or laughing…

For everyone who enjoys mutual pining - this is THE show for you. The feels were amazing. It’s so obvious to everyone they like each other, but these two teens were painfully blind to it. And I loved every second of it.

Production value was high, especially for the BL. I did not have many issues with directing. The pacing got a bit fast by the end. Not to mention, in my opinion the last two episodes should not even exist - the whole last minute plot addition was unnecessary and did not fit the show.

One of the side couples also made me question reality. I don’t have issues with age gaps, but there are some lines that should not be crossed, and I have a weird feeling that if the genders were swapped, more people would complain.

Overall, I enjoyed it a lot. I appreciated a lot how it was more grounded in reality and not the typical “everyone is gay and the only homophobic people are jealous exes” and no one is afraid of coming out, or even worse - no one is really gay, they just love this one specific person of the same gender.

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A grand historical, passionate and emotionally complex high quality drama

I´d say, “The Queen who Crowns” is an excellent, impressive historical drama that gets under your skin. An emotionally stirring KDrama of the finest quality against a historically real backdrop. The KDrama year 2025 could continue like this...

"The Queen who Crowns" brings the first decades of Joseon onto the screens. It is not the first series to take on the historically dazzling personalities of that time. Those early hours of the dynasty are simply captivating. And so, with this KDrama, too, it is not boring at all. On the contrary. And with an increased age rating, "The Queen who Crowns" additionally gains necessary freedom for an not only aesthetically impressive and emotionally impactful, but at times even unrestrained narrative.
However, it doesn't hurt to be somewhat familiar with the historical background. This makes it easier to understand the connections and relationship dynamics. Yet, enjoyment of the series is also possible without prior knowledge. Explanations in the subtitles fortunately provide the corresponding context here and there.

"The Queen who Crowns" offers a grand historical and emotionally complex drama. A special nuance is peeled out of the actual historical context, closely inspected, and dramatically excellently embellished: The complex and dramatic relationship dynamics of King Taejong with his father, the abdicated King Taejo, and his wife, the later Queen Wongyeong.







------ More thoughts about the relationships between former King Taejo, Prince Bang-won and his wife -------

"The Queen who Crowns" offers, among other things, a fantastic interpretation and performance of Taejo, the founder of the Joseon Dynasty. Lee Sung-min ensures we are learning to understand that the self-proclaimed first king of the new dynasty was not only a rather dominant father but a man who truly had great things in mind for his people. The path to achieve his new dynasty was indeed bloody, the power struggle at the turn of the 14th century not yet over, and life at the royal court dangerous. The now abdicated King Taejo, however, is convincingly shown to be torn between his archetypal ideals of a strong Joseon king and the very human feelings as an emotionally entangled father. Through his son Yi Bang-won as King Taejong of this newly founded Joseon nation, he painfully reflects how low human emotions can sink. Noble ambitious monarch and defiant despot, that can be so close together.

Actor Lee Hyun-wook acting historical Yi Bang-won gives the defiant king's son his very personal touch. As a son who desperately hungers for his father's recognition. As a man who would like to wear the pants in the relationship and cannot really handle to see that his straightforward, dominant wife is superior to him in terms of political calculation, overview, and foresight. As a spoiled prince whose frustration tolerance was never really trained, who ultimately confuses defiance with power, he is trying to enforce with ferocity what thus only slips away from him even further: the respect of the two most important people in his life – his father and his actually beloved wife. Bang-won as King Taejong proves to be no counterpart to whom they can trustworthy surrender. One can feel sorry for the king. And that says it all...

Before I get to the queen, who is actually given the stage here, I would like to address one thing that is also in the focus of this KDrama along the way: The crux of the archetypal relationship between king and queen in contrast to the relationship between king and concubines. For the king, he may have both, “saint” and “whore”. The queen however, is doomed to just being the “saint”. Hardly any other historical drama I´ve seen so far had processed the dilemma and explosive dynamics of such an archetypal, almost dehumanized relationship between king and queen so emphatically. While the king gets/takes his space for being a man with needs, too, the queen, as the mother of the nation, is per definition pure and saintly. It´s bad news, if king and queen should actually love each other. There is no room for intimacy and passion in the life of a king and queen. They live an ideal of relationship that stands solely in the service of the nation. Dehumanized, so to speak. Pure archetypes. Pairing between king and queen serves only the reproduction of royal genes. Furthermore the queen´s job is about raising this offspring properly. It is a public relationship and for the nation only. It has (should have!) nothing to do with personal lust and passion. In theory at least...
Nevertheless, the king and his concubines may share their private intimacy in their bedchamber – as long as it pleases the king. And in the case of our defiant, discontented, and somewhat emotionally lost King Taejong, he rather escapes to his concubines, who are willingly serving at his whim, with a warming embrace, a tender word. There he supposedly finds the most submissive subservience, the encouragement, and all that his father and wife deny him for different reasons. In the best case, it may truly nourish him and bring him into his power. In the worst case, he may be manipulated, and thus losing even more ground.

Now to Queen Wongyeong. Chapeau to Cha Joo-young! She gives that imposing historical personality such a strong, beautiful, clever, and quick-witted aura, portraying her as a dominant yet simultaneously sensitive woman, too. It's about time that this queen, who was only historically appreciated late, now also gets the deserved attention in the KDrama orbit!
King Taejong truly had a competent, intelligent, valuable partner at his side. At eye level. In the truest sense also above what concerns convention and customs. Thus, at the same time, courageous enough to take new paths, to think innovatively, and to act fearlessly.
But woe if the king thinks he has the power by virtue of his throne only. No, he must also be able to fill this position with respected personal authority. Most of the time, Taejong is trying to enforce power and respect with force. He truly lacks the necessary personal maturity for the nation´s highest office in many places... and for this great wive. What a shame.
Queen Wongyeong, in turn, pays a high price for her ambitious demeanor and constructive political influence at the royal court: her passionate love for the king, for which there is no more place at the court. But, at least, the queen does not let this stop her from making wise decisions and prudent politics. No matter how adverse the circumstances. Without her, Taejong's reign would ultimately not have been at all, let alone being so valuable for the coming Joseon. Without her, the country would not have experienced one of its greatest kings of the Joseon Dynasty – the following King Sejong, who created, among many other things, an alphabet for his people.

Those two, they paid with their personal relationship over the years of their reign. The KDrama does a great job in recognizing and dignifying their sacrifices, efforts and accomplishments.




Ps:
Episodes 13 and 14 "The Queen who Crowns - Before Sunrise" are a kind of prequel. They begin with the end of Goryeo. It is about our two protagonists meeting and falling in love, starting to dreaming their common dream of a 'better world'... and ultimately materializing it.
This may be well-intentioned, but the dramatic quality unfortunately drops somewhat compared to episodes 1-12. It almost seems as if this was a spontaneous decision in the course of events. Somehow it was done half-heartedly only (possibly under time pressure?). Nevertheless, some striking key scenes, referred to in 1-12, are delivered here, which is nice, though.

Leggi di Più

First review, here I go!

Witch's Romance was the light and fluffy romcom I hoped for!

At first, I read the synopsis of this drama and was unsure about it. It seemed like a plain story line, but the show was a clear example of why some shows do not need to have a over-the-top plot to be outstanding! The first episode automatically drew me in.

In regards to characters: To be honest, I did not mind the age difference between the characters because I have seen some noona dramas/movies in the past, but I wondered if the characters would have good chemistry. Thankfully, the leads had fantastic chemistry which had me coming back for a new episode each time! Not only did the leads get me hooked on the series, but the other characters got me hooked as well. There were so many likable characters in this show and many of them were well developed; it was definitely hard to hate them! The acting was also great, I am surprised many of these actors have not done many major roles yet! The humor was another great component of this show as well. Literally, I would laugh out loud every episode (sorry to my family for this reason! haha!)!

The music in this show was pretty great. The main male lead (Yoon Dong Ha or Park Seo Joon in real life) actually sang a song for the Ost and I was honestly amazed when I realized it. Great actor and singer? Jackpot. As well, the other songs were also catchy and suited the show. The music is something I would actually listen outside of the show. As for rewatch value: I would for sure rewatch it, although I dont usually rewatch shows. I will definitely be recommending this to anyone who asks for drama suggestions.

10/10, Give it a try!

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Half-Cooked, Dont Eat

A hard pass, unless someone buys you dinner to watch it. The plot synopsis here in MDL is a little bit different from the actual story, in the series Yu Dam has lived for 300 years and Dong Baek was in fact a man in his first iteration. And no, they dont die, only Dong Baek is bound to die.

The format for Korean BLs are just too short to be properly appreciated. I just dont understand why they cant just increase the episode runtime to better tell the story.

There is an ambitious premise hidden somewhere. It is a fantasy romance and yes, they were trying to do something different from other BL by telling a unique love story that spans hundred of years. It reminded me of another Korean BL "First Love Again". However, just like that series, this story looks good on paper but has failed in execution. What we got are 10 16-minute episodes that spends the first 2 and a half minute recapping and showing the opening credits and another minute and a half end credits. The problem is there is just not enough story in the 12 minute remaining time for me to chew upon. There wasnt enough to savour the characters, it wasnt even enough to taste their chemistry.

The title says The Director Who Buys Me Dinner, but after the first 2 episodes the dinner between Director Min Yu Dam and Soel Dong Baek stopped. I would have loved to see it every episode like some sort of closing credit.

The fantasy side also wasnt fully explained, there wasnt any proper explanation about how the curse happened, or how the director lived for hundreds of years? Do we even really consider living a long life a curse? Did he meet any previous Dong Baek aside from the first and the current one? Who was that who possessed Dong Baek? Was the curse lifted by the end of the story or if he is still aware that he is or was immortal? Did he just suddenly also forget about his long life? What happens to Dong Baek at the end?

Also, whats the point of the Denis character?

What's sad is you can actually see the making of a good series under all the ingredients they were trying to shove in your mouth. If they just spent a little more time baking the story, and maybe just adding a little more sugary sweetness it would have been great.

I used to like short series but after a few duds i am starting to hate the format. It is very evident that in this series , the short runtime worked against their favor. Open ended stories are good way to end stories but here it just felt lazy.

Leggi di Più

Legend of the Blue Sea is one of those dramas that has all the elements that should make it great, but it ends up being just really ok. In the beginning I was really into the story, and thought it would be interesting, but eventually I only finished because I felt like I had to and wanted some kind of closure.

I will start with the leads, who are of course major, and a great match. Lee Min Ho and Jun Ji Hyun are awesome to watch together. They look great, they play off of each other well, their chemistry was great at first, then just ok, but they still did not disappoint me. The supporting cast was also great! Heo Joon Jae's partners in crime were a great non traditional bromance. I loved Shim Chung's random friends as well, especially cute but wise Seo Yoon Ah (played by the impressive young actress Shin Rin Ah from "Marriage Contract"). It even had some good villains (which I won't spoil), and an awesome cameo (that was a really nice surprise). So, why didn't i love this show as much as I should have? The plot is very VERY mediocre.

The concept is great, especially in the beginning. It's The Little Mermaid, mixed with Splash, with some thriller elements thrown in. Legend is mainly a romance, but there are some action thriller moments, and there is definitely comedy too. The story, I think, tried to do too much and became more convoluted, and less interesting. There are flashes into the past that are meant to make me care more about the plot, but I just became annoyed because to me it was all so predictable, and repetitive. I wasn't exactly bored by the plot however. I still enjoyed watching because the cast made it entertaining, but the story just felt like it was dragging along at times. Eventually the mystery thriller story resolved, and what aimed to be an emotional love story didn't make me tear up once. Suddenly all that great chemistry turned into two stars doing what's expected, and was more flirting than substance, and tears without emotion.It did have a decent final episode to tie up the loose ends, which i appreciated, but didn't love.

What about the soundtrack? It was too cheesy and literal for me. I'd rather have the music be good, or forgetful, but this OST was a little distracting.

Overall this is a decent romance, with a cool mermaid twist. It reminded me of "My Girlfriend is a Gumiho", and if really you like that drama you may see some parallels too, and at least be entertained. I did love the mermaid look, and its definitely worth mentioning that the mermaid scenes look really cool. So if you are in the mood for a fairytale style romance, I think this is worth watching, but it's probably not one you will stay up all night marathoning through. Honestly, I will probably forget this drama after a while (the only way I would rewatch this), and 20 episodes were too long, but I am still glad I watched.

Leggi di Più

I hadn’t planned to start watching this yet.. Really, I hadn’t.. But somehow, I fell straight into its trap... I thought I would just take a quick peek at the first ep and before I knew it, it was six in the morning five episodes down and no way to stop.. It’s that good, no wonder the ratings are so high..

Whenever I watch an enemies to lovers kind of story, I never get tired of that slow shift when they slowly grow into each other.. They begin to learn things about one another.. Their deepest secrets, the softest parts that were never spoken about, the little facts and even their weaknesses.. The enemies to lovers trope here is done exceptionally well.. It’s neither rushed nor slow.. I would say it’s perfectly executed.. After what happened in the first two episodes, I was curious to see how they would ever go from enemies to lovers.. Seriously, they hated each other so much and he really did torture her pretty badly..

FYX and FSG’s love feels incredibly strong and almost beyond ordinary, something that truly left me amazed.. There are so many small, subtle moments that quietly scream how deeply they love each other.. Their love is the anchor that holds the story together through all the tumbles it takes.. Fu Yi Xiao’s emotional and moral journey, from someone bound by loyalty to a woman willing to risk her place, her safety and even her heart for the truth and for her supposed enemy is deeply compelling.. Her transformation mirrors that of our ML Feng Sui Ge, the prince shaped by vengeance and duty who slowly learns that power without compassion is just another kind of cage.. Their love is forged through loss and courage and through the painful realization that sometimes, love itself is the most defiant act of all..

Something that really stood out for me in this drama is the couple and their relationship.. I know I am writing too much about them, but bear with me.. Their relationship isn’t like the cliche ones you see in most dramas.. Their relationship is completely and sensibly balanced.. They respect each other’s strengths and weaknesses.. Both are capable, confident and competent individuals who don’t lose sight of who they are just because they are in love.. This is what I love about the writing, they are intentionally kept as equals.. Neither is portrayed as weak or dependent and she never becomes someone who needs the ML to protect her.. Even the ML understands her strength and intelligence, he lets her take risks when she has to, never forcing her to hide behind him or stop her out of overprotectiveness.. That’s what I hate in most dramas, when they fall in love and suddenly all that ruthlessness or individuality disappears and they just turn into fools in love.. But here it’s not like that at all, and I absolutely loved it..

Visually, this drama is undeniably beautiful.. They have done wonders with the cinematography, framing and color work.. The direction isn’t flamboyant, it’s careful and deliberate as if the story itself is afraid of revealing too much too soon.. I do agree, though, at times, the pacing falters as if the director momentarily loses sight of which emotion to frame, grief or resolve, tenderness or deceit..

The supporting characters were good as well.. I really liked the ML's team.. They were utterly loyal till the end.. But I feel the show spent too much time on the other side characters who didn’t really deserve that focus.. It’s not necessarily a bad thing, but personally I didn’t enjoy it.. Nothing about those parts felt worth the time and none of the characters made me want to keep watching.. There was hardly any real character development, maybe with the exception of the Emperor of Jinxia.. But again, that’s just my opinion..

Talking about character development, one character was a complete disaster from start to finish, the Princess of Susha.. She was frustrating to watch, constantly making poor choices and falling for the wrong man.. What she needed was a knock on the head, not sympathy.. In the end, she literally got a sword to her stomach from the very man she loved and sacrificed everything for.. She never had any clear motive and kept walking straight into her own downfall.. Even her revenge felt so shallow, what was she even avenging?? The story tried to frame it as if the SML wronged her, but he was honest from the beginning that he would never love her.. Then she went on to team up with another terrible man in the name of revenge.. The Emperor and the princess were just two broken people making things worse for each other.. He was an awful person, much like the SML.. His last minute redemption does count as character development, but it doesn’t make him a good person nor does it turn their story into some tragic love worth mourning..

The ML at least had one sibling who had some sense and did the right thing, the Second Prince of Susha.. Despite being raised on lies and manipulation, despite having every reason to protect his mother and hold on to power, he still chose what was right.. He stood by his brother when it mattered most.. He has my absolute respect..

All the other characters had fitting endings and every arc was wrapped up really well.. Feng Sui Ge got his revenge on everyone who wronged him and his family, every backstabber met their fate and it was incredibly satisfying to watch.. And through it all, Fu Yi Xiao stood by him, protecting and fighting alongside him, just as she promised she would..

I wanted to mention a few other things..

There was one thing I think they overdid, the face filter.. It was just a bit too much.. They really could have eased up on it.. At some points, CZH looked like he might melt if the sun hit him..

These Chinese historical weddings are just so beautiful.. The attire, the colors, the whole aesthetic, it’s pure bliss to watch..

I have to mention the torture scene, when she tortured him, he seemed to enjoy it a bit too much for it to be called torture.. The man was out there thriving in pain..

There have been quite a few female general characters this year and a lot of talk about who did it best.. But now, we finally have a clear winner.. Hands down, the title goes to Li Qin and her character Fu Yi Xiao.. She was absolutely perfect, fierce, graceful and beautiful.. The way she carried herself was simply sublime..

Overall, this drama was an absolute feast to watch.. I would have rated it a solid 9.5 but all that beautiful buildup led to what felt like a small firework.. Don’t get me wrong, I still liked that firework and thought it was beautiful but deep down, I was hoping for a grand finale of explosions, a huge, epic scale war to end it all.. And also, putting a character who didn’t do a single right thing throughout the entire drama in charge of a country was just plain ridiculous.. She never once showed intelligence, responsibility or even basic morality.. There was no real character development that could justify giving her the responsibility of ruling Susha, that was a huge misstep on Feng Sui Ge’s part.. Chengyang on the other hand, showed far more potential and leadership qualities.. For these two major reasons, I couldn’t bring myself to rate it any higher than a nine.. As much as I wish I could give it a perfect score, these two glaring flaws held it back for me..

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"You owe me emotionally"

It has been a rollercoaster ride to follow up these broken characters from young adults with painful scars of their past, to the adults that bear secrets to uphold the way they chose to live their own lives.

The highlight of this drama it has to be the bond and bickering between Soo Hyun and Yeo Jun. How these two helped So Bin, making the three of them become an inspiration to many others who crossed their paths in character development.

"Can't you love me?"

Ji Hoon has really engaged into his character Yeo Jun to the point that we can really see the pain and neglect from his sorrowful stares and feel the agony he has tried to hide for most of his life behind fake smiles yearning to be loved to fill the void of loneliness. I don't know how to explain it but he seems so soft looking and yet can depict such a tragic character.

"I lived many years in darkness due to my father's physical abuse.
I'm all better now. I'm in the light."

Although mostly all the characters have their troubles and painful stories, the trio we have come to love and support through this Journey have more similarities than all the others. Yeo Jun, Soo Hyun and So Bin all share family problems. Although different and the same, they all have been through childhood suffering in their own way by those predicaments.

Yeo Jun being a victim of an abusive father, Soo Hyun having to step up as the older son and provider to help his mother and younger brother after his father passing, and So Bin with her parents divorce and knowing her mother left her behind cutting ties. It all leaves scars running deeper in their souls and slowly defined their personalities all through the course of their lives.

"If someone ever says awful things to you, it means that person is hurting inside."

It is not easy to rely on others and much less to share personal pain. Having a traumatic experience can also mess up our memories as a way to cope with the pain, we create walls as a mechanism of defense, only those who come close enough to knock them down and sustain the fall are reliable. I am glad that these three complete strangers from the first episode have come closer and learned in some hard but valuable way how to manage that, and be there for one another.

Developing a close friendship, a loving relationship and strong brotherhood.

Jun Wan always seemed more than met the eye, emotionally closed he had more secrets to hold than anyone. I only hope that he too breaks free from that habit, from their abusive father by saving the ones he loves and cares about, his mother and brother and finds valor in himself. For such a young kid to be willing to sacrifice his life and happiness so that his brother has it own was commendable, although it did not work as he thought it would. By pushing Jun away he only created a wall between them isolating the other, it has also caused him pain when Jun should have a strong pillar for support he found himself alone.

They all were lonely living in the shadow of their father.

Mi Joo and Young Ran are two characters that I really like in terms of development and that are fresh in dramas. Their bonding is pure and amicable and not as usually rivals tend to be that at some point in the story it turns sour and petty. Not, these two, they are both strong female characters that despite their differences and being total opposites still manage to become supportive friends and rivals when it comes to love. Kudos for that, it's a rare sight be it in real life and drama land.

Mi Joo seemed like a spoiled brat in the first episode but revealed to be a misunderstood and naïve character with a pure heart, still I must say, the courage she mustered for a confession, facing a rejection and accepting and still wrapping it all up by letting go it was honorable and this should be an example of a healthy way of moving on.

The character that I still have trouble warming up too has got be Chang Ki, now he is not bad and I for sure love his interactions with Jun when it comes to jealousy. But overall as a best friend, there was always something about him that lacked. I haven't read the webtoon yet, so I have no idea how it goes there. If he had any clue that So Bin had a crush on him like in here he seemed to have and yet he still engaged in pointless relationships or should we say nightstands that were hurting her.

Although claiming to be her best friend and always there, that is just an excuse. Because in the end their friendship shouldn't be measured by the years they've known each other, but by how they were there for each other. In the end So Bin knew more about him than he knew about her, that he even neglected that she appeased him in his own tastes because she liked him when he truly believed that she liked the same things as well.

Only when she become unavailable on his radar did he deemed her to be the missing piece in his life and that important? Only then did he brought the topic that her mother asked him when he was a child to look after her. Was he living with that in his conscience and not being able to confess any feelings he had, being afraid of losing their friendship in case things went sour?

If it's like that then he and Young Ran are on the same boat by having crushes on their friends.
Nevertheless, that's the reason these two bond as well in their rough times they learn to rely on each other and show an unlikely and inspirational bond to overcome their own troubles. I enjoyed their scenes and advices, it's relatable.

I really am fond of the main characters, and the moments that move me more definitely are the scenes with both Yeo Jun and Soo Hyun. I have been rooting for these two to get to know each other and pass the strangers mark to having a close bond and friendship and I am really content with the development so far. No one can measure who bears the most pain there, both are still suffering, but the best thing now is that they are no longer alone. They have each other. The fact that Jun calls him hyung is proof enough of how they matured and surpassed the barriers they had ever since the first meeting.

"I've become an adult who can share his true feelings, thanks to the people who love me for who I am."

The acting of the cast is good. I like most of the cast in their roles.
Bae In Hyuk and Park Ji Hoon are enjoyable to watch, the first being playing two polar opposites roles in two different dramas. Here being a poor and broke student, quiet and reserved, while on My Roommate is a Gumiho being the rich playboy who redeems his ways when falling in an unrequited love. Quite the promising young actor of this new generation.

The same goes with Park Ji Hoon, from idol to actor, he has talent in both. What I love most about him is how he conveys the emotions in his characters, they couldn't have chosen a better for this role of Yeo Jun other than him, he has the cute and soft look, while conveying the hidden emotional scars in his lonely tears. I am looking forward for more roles with him, he seems to get better and better and he truly dedicated himself to embody Yeo Jun in many lenghts.

The OST is pleasant to hear. The main theme, Talk to Me by Ji Hoon is so catchy that I find myself going with the flow. Rothy and Han Seung Yun song Pum is also nice to hear. And of course it wouldn't be a youthful OST without having Punch here.

I recommend, either you have read the webtoon or came to see this blind as I did. Its okay.
There will always be main differences and preferences on both sides, but the journey is always the same.

And remember,

"You can write your own ending to your story."

Therefore don't despair in your own struggles, where there is darkness there is also light, create your path at your own pace :)

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I thoroughly enjoyed this drama from beginning to end. You might go into this thinking it's just another 'school' drama with teens bullying teens and what-not but it's not I promise you - this show had an equally dark side balanced so well with comedy - I applaud the writer & directors and everyone who made it possible! A school filled with corruption and head haunches greedy for power and money - we see how low they can go just for power. Kids lives get entangled in this mess and with Jo Kang Ja's help learn how to climb out of "hell".

Kim Hee Sun rocked as a high-schooler believe it or not, I was surprised how good she looked in a high-school uniform. She was great at portraying a mother determined to protect her daughter, although a little naïve in the beginning her character grew throughout the drama. Even though she was a mother she matched so well with one high-schooler I couldn't help but ship them whenever they were together. and watching her fight with people was a plus.
Kim Yoo Jung as Oh Ah Ran was great a playing a teenager scared of the people that threatened her and her moms safety. I loved her moments with Hong Sang Tae played by B1A4's Baro - she melted his heart of ice.
Ji Soo as Go Bok Dong - this guy literally stole the show, not to mention my heart too <3 Every scene he was in was beautiful, dark, emotional, heartbreaking and brilliant! His damaged heart at the start of the drama was beautifully mended throughout the drama, with the warm touch of people who cared for him and those he cared for - his tears were wiped away <3 He was my favorite out of all the characters on this drama and the main reason for my checking in diligently every week! You'll fall in love with him too as you watch this drama.
Ji Hyun Woo as Park No Ah (whenever I say/hear his name I can't help but laugh a little inside "No Ah = Noah - the ark) anyways lol - I honestly can't think of any other actor who would pull off a naïve, sincere, honest, and "greatest fool" (quoting the drama words) "in the world." than he himself. I honestly got annoyed by his naivety in the beginning of the drama but it eventually ended up being his charm "after his eyes were opened". His fight to protect "his kids" was precious. & I enjoyed watching it.
Baro played a character who was caught in the prison of his dad's rules - Kim Yoo Jung tries to pull him out.
All the villains, supporting cast, guest stars were great.

The OST might not be up everyone's alley but it sure was right up mine! Most of the songs have a jazzy feel to them and are in half English/Korean - I loved each and every song! "Angry Mom" by Lee Juhan, "Sunny Side Up" by Ashbun, "Happy Magic" by Lee Hyun Woo, "Crying, Crying, Crying/I Love You, I'm Sorry" by ALi, & "Teleport Me" by Aberdeen Orange.

I would definitely re-watch this sometime in the near future and I highly recommend it^^

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I enjoyed this drama on a more profound level than I thought I would. I loved the narrative.  I actually looked forward to every episode to see how the characters would resolve their differences and agree to accept each other instead of trying to change each other.  I particularly relate to how the female lead went through doubts about whether what they had was acceptable to her. I admired the male lead for being so sure of what he wants and going for it. The title of the drama is temperature of love so it would not be right to just expect love at it's most passionate and when it is at it's most frigid.  They had to explore the many "temperatures" that a person has to go through in a relationship.  Love is different for different people and they express it differently, they go through it differently , they have different perspectives, and different expectations.  As a persons who has experienced a few serious relationships, I can understand how there is not one way of experiencing love and attaining its essence.
The acting was commendable and the chemistry between the leads was palpable.  The second lead had just as good a chemistry with the female lead and the love between the men.....enviable.  I also  enjoyed the side stories of the asst. writer and director -cute  and immature, but these types happen in real life.  The sous chef and the other writer,  to me, showed growth in their relationship.  The parents are realistic in that there really are parents who act more childlike than their children, more dependent, more insecure, more afraid.
Yes there were parts that others will see as boring but it's how life is.  There are times when you are searching for direction and nothing much seems to be happening.  I guess i didn't get bored because I felt like I saw fragment of my reality in this drama. I will watch it again someday to savor the experience of the different temperatures of love.

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My first Chinese drama ever! I just finished watching it and I still feel sad. How to begin? I was never really bored with this drama, even in parts where it started to drag a little I never skipped any parts because there was always something to pull me in and make me wanna find out more. And then the last 5 episodes happened - and made me think this drama is something brilliant.



At first, I wasn't sure if I was going to watch it. Let's face it - half balded guys aren't exactly eye candy. But I was wrong! And I'm glad I found people who were raving about it because it made me want to watch it! I got over that issue by the 5th episode - and some of the Prince's are still cute! And whatever else lacks, the story is the most important part - and it was excellent! I had mixed feelings about the princes' throughout the drama.



The acting was amazing! I've heard that Chinese dramas tend to not be acted out that well - but this one is certainly an exception! Wonderfully done - whatever the characters were feeling were clearly portrayed. They cried - I cried.



The music is beautiful! I love the soundtrack! Listening to it now, it just makes me sad - but I can't stop listening! Beautiful!



I don't think I'll rewatch this drama soon - only because there's already so many I have lined up to watch.



Overall - this drama was really worth the time. 35 episodes may seem like a lot - but the story is really done well and it made every episode worth it!



On a side note - keep in mind to expect some not so good greenscreen use and such. Actually some of it was bad enough that it made some scenes [when they're riding on a horse] look like something straight out of a video game. On the plus side - I found it comical and it added humor to a scene haha. Another thing to note that slightly bothered me - she's stuck in the past for many years: but none of them seem to age. It's not until it's almost over that they look slightly different. Because of those things I can't give this drama a full !O. I almost gave it an 8 but it's such a great story, the ending.... get some tissues ready!



Another thing - you don't have to know anything about the Qing Dynasty to follow along with this story. In a way I think it might be better if you don't. I didn't and it left surprises for me when I found out what would happen to the characters.

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Should Have Ended at 20-24 Episodes

There might be spoilers, read at your own risk

It has been a while since I have written a review and this will be more like a short commentary than a review, but here it goes.

I love fantasy dramas and I really like these time-space travel types of shows. I love watching the character’s reactions and how they try to navigate a completely unknown location and time. However, I felt robbed of that in this drama, especially since the male lead learned to figure out technology faster than many people who have been living in contemporary times their whole lives.

The drama was mostly light, cute, and funny at first, although it was sprinkled with some seriousness here and there. I even thought misunderstandings would be solved fast as the situation with her coworker, I cannot remember his name and cannot be bothered to look it up, was resolved pretty quickly. I was so wrong. About halfway through the show, it became boring, nonsensical, and repetitive. It was so repetitive that I kept thinking, “Really?!?! How many times is this dude going to be on his deathbed and how many times is she going to break up with him?”.

Once the Zhou Wei (?) villain situation was “resolved”, I thought “finally!”. But no! The drama had more plans in store for us. *Obsessively in love with female lead brother enter stage left* This arc was hard to watch. It was frustrating, it was dragged, and felt like some form of ancient torture. When they finished the brother arc, it wasn’t enough. So for the last two episodes we are subjected to Zhou Wei again. Only he is in the contemporary world and does better at finding free clothes, learning tech, and entering places, which I would think would high security, than I ever could dream of. All of this, while hurt.

The drama is full of the usual cliches like long drawn misunderstandings, break-ups, third wheels obsessed with main leads, and… well, I won’t mention the end. If you have watched this type of drama before, it will not be surprising.

This drama would have stayed pleasant if it ended at 24 episodes (or even less). For me, it went from being a delightful watch to being tedious and almost feeling like it was a chore to watch the show.

I am never rewatching this and would not recommend it to anyone, but I also think that if watchers are hesitant, they should watch it for themselves and form their own opinion.

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A very Chinese-flavour drama with eastern phylosophical ideas

WARNING: MAJOR SPOILERS -

This post is part of a trilogy where I analyse only the cultural and historical artistic aspects, as well as two Eastern philosophical perspectives with strong presence in the drama, without tackling other elements such as wuxia themes, Confucianism, sci-fi inspiration, and so on. The links to the complete three-acts review with images are in the comments.
By accident when adding this part, I erased the previous review :
NOTE: Although the story is remarkable, the execution and direction has flaws that impact the overall result, so the final score is a balance between the outstanding aspects of the drama rarely seen in any kind of drama or serie (that gives the extra points to reach the 8) with its flaws. Luo Yun Xi and Jeremy Tsu - outstanding.acting

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As we enter this THIRD and last ACT about Buddhism, the framework that gives structure to the whole story, it felt fitting to bring the classical theatre resource where a character steps in at the beginning to set the scene and offer context. Honouring that tradition, I’ll quote the answer that Mo’at gives to Jake Sully in the movie Avatar when he asks the Na’vi people to teach him their worldview and wisdom: “It is hard to fill a cup that is already full.”

This phrase didn’t just pop into my mind by chance. Buddhism is a philosophy and religion completely different from Western conceptions and beliefs, and since it sits at the heart of Shui Long Yin’s narrative, I tried my best to do justice to its principles. Although I kept things as concise as I could, this time you’ll need to be extra forgiving with me.

As actor Luo Yun Xi said himself (see ACT 2), Tang Li Ci seeks enlightenment. Let’s embark together on that search and see whether he attained what he was looking for, or if , at the very least, the journey was worthy.

Buddhism, the general framework

“All things are impermanent; they arise and they pass away.”

While Daoism is about finding harmony with the Dao, Buddhism is a path of understanding meant to transcend this world and the suffering inherent in it. It originated in India around the 5th century BC with Siddhartha Gautama who, after attaining enlightenment, became known as Buddha, or “the awakened one.”

The foundation rests on the Four Noble Truths:

1) Life contains suffering

2) Suffering has a cause (craving and attachment)

3) There is an end to suffering (nirvana and enlightment)

4) There is a path to end suffering

(NOTE 1 - Masters Puzhu and Fang Zhou // Although there is one “internal” path to end suffering, there are two “external” ways to walk that path. Puzhu represents the Buddhist archetype of the hermit who isolates himself from humanity and external distractions to walk the path. Fang Zhou represents the Buddhist archetype of the master who actively involves himself in worldly affairs with compassion.)

The ultimate goal is to wake up from the "dream" of cyclic existence, the Samsara, realising the true nature of reality. This is achieved by understanding and internalising several key principles:

Impermanence: All conditioned things are in a constant state of change.

Karma: The law of cause and effect, where intentional actions shape future experiences.

No-Self : The perception of a fixed, independent "I" is an illusion.

Nirvana: The unconditioned state, the cessation of suffering and the end of the cycle of rebirth, achieved by disolving all harmtful states of minds

So, let´s walk this path through Shui Long Yin together.

Impermanence: life as a dream or the stage of a play // “All phenomena are like dreams” - Heart Sutra

Some of the comments regarding the ending of Shui Long Yin revolve around the idea that everything Tang Li Ci did seems meaningless because no one remembers he existed. Even worse, not only are all the bad omens now living good lives, but TLC has never even existed. Was the whole drama, and all the time and emotions invested by viewers, pointless?

In the drama, Tang Li Ci voices a similar distressed question during his dream coma, and Fang Zhou’s answer guides not only him, but us, along the Buddhist path...and might add, the drama.

(NOTE 2 - Zhoudi Tower // In the dream, Tang Li Ci is disheartened and defeated because Yique YingYang is already back after ten years, and he feels that all the deaths and efforts back then were meaningless. Fang Zhou, a Buddhist teacher answers: “Even if YQYY is alive, are all the people who were able to live and enjoy life during those ten years not worthy of that?” … “In this world, not a second of effort is wasted.”)

By this point, we already know there are three stories: the original timeline, where Ye Mo kills Tang Li Ci only to realise that without emotions the Holy Son isn’t perfect and can’t achieve immortality; the second timeline, the one the drama actually follows; and the third one, the new life we glimpse at the end, where Tang Li Ci is no longer explicitly present nor ever existed.

So? Which one is real? The first one we never saw? The second one we grew attached to? The final one we only catch a glimpse of? Buddhism states that just as our dream experiences are mere appearances of the mind, so too are beings, their environments, their pleasures, and all other phenomena. The strong theatre-stage effect of the drama (ACT 1) seems to work like a visual metaphor of this.

(NOTE 3 - Tang Li Ci’s dream in Zhoudi Tower // From a Buddhist perspective, this dream and Tang Li Ci’s confusion about what was real bring up the topic of phenomena as mere appearances of the mind.

This doesn’t mean those phenomena don’t exist; it means they don’t exist on their own, only in relation to the mind. We believe the only “real” timeline in the drama is the one we just experienced because we formed a connection with it. The others feel unreal because we didn’t immerse ourselves in them, even though, at the back of our mind, we understand they existed too - but only from the moment we are introduced to them, not before.

We can see this idea represented in different moments and ways throughout the drama, through both cinematic and narrative resources: the contrast between chaos and fighting versus the calm, quiet tea scene in the Buddhist temple at the beginning; the reality in which Liu Yan lived all those years, where Tang Li Ci is a murderer and the most despicable being, versus Chi Yun believing the marks of Yique YingYang are beautiful and enhance Tang Li Ci’s attractiveness.

(NOTE 4 - All phenomena are like dreams // The quiet calm of a tea ritual and a baby sleeping at a lakeshore versus the chaos and action-packed fighting in the temple’s front yard.)

(NOTE 5 - Matrix (1999) – iconic sci-fi movie directed by the Wachowski sisters // The best way to explain it is this movie

2. Karma, suffering, and samsara: Even things aren´t “real”, we still suffer...Why? How? // “If you know your own mind and develop it, you will become a Buddha; do not seek Buddhahood outside yourself”

Every sentient being wants to be happy and avoid suffering. We tend to think that the causes of happiness or pain are external, but Buddhism states they actually lie within our own mind.

The mind isn’t a material object or a by-product of physical processes; it’s an immaterial and continuous entity, different from the body. Every action we take leaves an imprint or potential on our very subtle mind, and in time, its corresponding effect will arise. Virtuous actions bring happiness; harmful actions bring suffering. This is the law of karma, and it affects all lives, constantly.

At the beginning of Whispers of Fate, Tang Li Ci already has a partial understanding of these ideas taught by his master, Fang Zhou, and he reflects with the monk on intention and karma. When he decides to enter the jianghu, he is, without realising it, following Fang Zhou’s path to end suffering through the worldly-affairs way. At that point, his obsession and his merely intellectual grasp of these concepts and teachings prevent him from truly embracing them, as he still doesn’t fully understand what that way means or how it works.

(NOTE 6 - Tang Li Ci speaking with the Buddhist monk about intention, karma, and suffering. By entering the jianghu, he will come to learn and understand human emotions (hate, fear, love, obsession) and the deeper meaning of things, just as Fang Zhou told him many times.)

So, the world itself is the result of karma — the actions of the sentient beings who live in it. A pure world is the result of pure actions, and an impure world is the result of impure actions. Since all actions are created by the mind, all things, including the world, are created by the mind as well.

(NOTE 7 - Impermanence, karma, samsara // Every relationship and every character is shaped by karma and samsara. Hatred turns someone into an inherently bad person; attachment turns an object into something inherently pleasant and capable of making them truly happy. All mental afflictions work like this: they color reality with their own bias, and we end up responding not to what things truly are, but to the distorted version of them.)

While the body disappears at death, the mind - now called the very subtle mind, and without the memories of that life - continues to exist. Depending on the karma that grows, we reincarnate into a fortunate form (human or god) or an unfortunate one. We can’t choose; karma rules. This uninterrupted cycle of death and rebirth, without any freedom to choose, is called samsara.

3. The Path to Liberation from Suffering, and Enlightenment // “Samsara is like a wheel that turns through the force of contaminated actions performed by mental afflictions”

Mental afflictions such as attachment, hate, malice, jealousy, greed, and delusion are to the mind like clouds to the sky: bad habits that can be eradicated because they are not the sky itself. They are distorted perceptions that cling to things as if they had inherent or independent existence.

In the drama, this idea of clarity as the true nature of the mind is highlighted by Fang Zhou’s teaching: “Every person is born good” — which is also shared by Confucianism, by the way.

The strongest ignorance is the intuitive feeling that we possess a real and objective self that exists independently of other phenomena or things: the ignorance of self-grasping. Because we esteem ourselves so intensely, we feel attracted to objects and people that seem appealing, we desire to separate from those we dislike, and we feel indifference toward the rest. Therefore, attachment, hatred, and indifference arise. I’m sure you’ve already pictured countless examples from the drama while reading this.

Attention should focus on creating mental states that bring real happiness (love, patience, generosity) and also on letting go of mental afflictions completely by addressing their root: the mind’s tendency to cling to a fixed self. By tackling the causes of suffering within, external ones like illness or death lose their power to disturb us. This lasting freedom from mental afflictions and suffering is what Buddhism calls liberation, or nirvana. In other words, this is the path to truly freeing oneself from suffering.

There’s a sequence in Episode 2 that sums up everything above, so I’ll simply replay the dialogue, presented as a voice-over during the scene when Tang Li Ci is leaving the temple:

Tang Li Ci: “Masters and servants can turn on each other for money; brothers can betray and kill each other. In the end, the heart is the hardest to see through. Demons are everywhere.”

Monk: “Amitabha. Right and wrong, good and evil, they are just a thought apart. What you can’t let go is obsession. You’re very wise. You go through the sea of suffering by yourself. I believe you’ll eventually reach the other shore.”

** Some translation don't address the specific term "sea of suffering" but instead go for "salvation lies in your own hands". Although the essential meaning is the same, the second avoid the específico and direct reference to Buddhism - a bad take in my opinion as it's about Buddhist beliefs.

(NOTE 8) The path to liberation from suffering – The journey and the destination // From attachment to life, to the past, and to Fang Zhou, to loving new people and appreciating the human world and its beings, and ultimately managing to let go.

It’s worth noticing that, despite the different levels of wisdom each character had reached before the time reversal, almost all the villains’ endings carry a note of compassion. You might have thought “finally!”, but there certainly wasn’t a sense of “hate” or “I’ll wish you eons of suffering” left floating in the air.

Liberating only oneself from suffering isn’t the highest aim on the Buddhist path. Beyond wisdom, it’s kindness and love for others that form the true foundation for helping all beings reach the same state. Those who seek enlightenment do so guided by the mind of Bodhichitta: a mind that, moved by deep compassion, naturally wants to awaken in order to help all sentient beings directly.

The Buddhas are those beings that, having completely removed all traces of ignorance from their minds, have freed themselves from the dream of samsara and attained omniscient wisdom, along with the limitless ability to help others.

And with this understanding in mind, I hope you can find more meanings to the ones you´ve already found in Whispers of Fate. As for my part, the analysis of this trilogy has now come to an end.

** Epilogue (closing and ending notes) ** - I´ve link the three parts completed with images in the comments to a better review

Whispers of Fate is a drama about loss, grief, and attachments; but at its core, it’s a story that reflects on and questions what it means to be human from a very Chinese perspective, rooted in China’s history while staying in tune with its present. We see that search in every character, although I want to highlight three.

Nothing in this world is perfect, and neither is this drama. It’s a complex and ambitious project with a distinctive Chinese flavour that can look ordinary and simple on the surface, yet be slow and fast-paced, common and uncommon, all at once. And when we bring in our Western viewpoint, shaped by a Judeo-Christian background or even a modern secular mindset, we really do need to empty our cups first.

For me, the beauty of Whispers of Fate lies in its distinctive Chinese aesthetics, but also in the way it blends Eastern philosophies into its storytelling. In a way, the original title “Shui Long Yin” and its literal translation “Water Dragon Chant” is the most fitting, as the whole approach of the drama reminds me of those apparently simple tales and legends through which ancient cultures and societies explained the world, what it means to be human and why we are here.

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