Reviews

I have never felt this way before.

This show was awful, horrible and miserable down to every scene. I wanted to punch the fuck out of every single character at one point. It was so dark, disturbing and frustrating and yet, it was excellent too. To the point that it captured me so deeply that it was a downward spiral that I couln't help but be swept into.

This is precisely the reason, I understand its poor rating on MDL but also why it was a super duper mega hit in Korea when it aired.

The acting and character development definitely took the cake in this one.

Jo In Sung. Jo In fucking Sung left excellence behind with his role. I have no words to describe his acting. It was simply wonderful. His character, Jung Jae Min, violent, crazy, childish, often pathetic, vindictive, violent and simply irredeemable didn't leave much to be desired and yet, he definitely made the list to become one of my most favorite characters of all time.

Ha Ji Won, ofcourse the queen of queens. Her character has to be one of the most despicable characters in K-drama history. Lee So Jung was a slap in the face of every self respecting woman. Greedy, desperate, classless, disloyal, annoying to the point of making you feel violence and yet, there was nobody but Ha Ji Won who could have played her. Because, despite the fact that she was everything I couldn't stand, I still found myself rooting for her. Like I said, only Ha Ji Won.

This was So Jisub's breakout role and I can definitely see why. He is the king of emoting from the eyes and he did it spectacularly here. Out of the three of them, his character was the least dislike-able and yet, despite my love for him, I found myself rooting for him the least.

Many international drama watchers think the show is famous for So Jisub but that's not true. This show is Ha Ji Won and Jo In Sung's through and through.

People said it was the greed of the characters that made them destroy each other but I think it was the desperation, madness and pain that each of them harbored. They were all victims of life in their own way and that made them make all the worst decisions possible. This was humanity at its worst with selfishness at its peak and yet, you couldn't help but feel sympathetic for these unlucky souls.

The show is a hard watch. I can't even count how many times I had to pause in between because I was so sick and emotionally exhausted by the complexity of these characters and their actions. But I was unable to drop it and now that I have finished it, I don't regret watching it at all.

The ending was exactly how it should have been. The OST was spot on. And while the show is dated, it still does not fail to pack a solid punch even after all these years.

So all in all, it's a show that you will hate with characters you will hate but if you aren't afraid to tread into dark waters and get out of your comfort zone, once you'll start you'll be unable to stop. And when you end it, you'll have no regrets.

Definitely one of my favorites.

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Contains less insects than you might expect!

No, really. This show doesn't actually involve many insects at all, considering that's the literal title and summary. So don't let that stop you from giving it a try.

In this show, you will find very lovable characters that defy drama clichés. Sweet, developing relationships without a focus on romance. Teacher/student, Mentor/mentee, Siblings, Parent/child, you will find them all!

The cases are interesting but not as interesting as the drama wants you to believe. I enjoyed them and the twists did surprise me, but no, I did not need to watch the same flashback five times. Thankfully, they only started doing this in the second half of the drama.

The ending did actually manage to surprise me and I was satisfied with it! Overall, I enjoyed the time I spent watching these characters - Would recommend! (And the ending song is amazing, I'm absolutely in love with it.)

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Part-Robin Hood, part-American Westerns; Kundo Age of Rampant scored big to be certified as one of the most entertaining and high scale South Korean films of the year.

There's nothing new under the sun, the film is about a Ronbin Hood-like gang who steals from the corrupted rich and gives to the helpless poor. Set in the twilight years of Joeson period, the film is a hybrid historical piece about martial arts, nobility and revenge. The plot takes its time to make the main character meet his destiny but the remaining space wasn’t wasted at all; the screenwriting always focused on the remaining characters and some colourful dialogues in between.

Kundo depicts a strong combination between the usual Asian melodrama and martial arts’ style. It was successful at portraying both flying fighting scenes as well as the characters’ feelings within. It also focused on inserting some pretty nice dark humour sequences without disregarding the serious melodramatic tone of the period piece. The over use of explanatory narration might come out wrong in few sequences. The screenwriting over-focused on some trivial side stories but it managed to come back into the right track soon enough.

Led by the overly charismatic Ha Jung Woo, the acting department was impressive. The main character had a very rough start that made him a part of the Kundo tribe, his journey was pretty much enjoyable and Jung Woo was too darn good at making it feel real – except the age part of course, there’s no way he looks 18 to 22 year-old.

On the other hand, Kang Dong Won was the freaking king of the action department in this film. Being used to swordsmanship due to his other period action films; he did the whole remarkable martial arts himself without resolving to stunts; that’s in itself is too wonderful for words. Other than that, he was amazingly good at playing the role of the dangerous villain. Of course, the back story provided to his character was extremely helpful at setting an unbreakable ground for what he has to portray. It’s been a long time since I last saw a very detailed back story of a villain; as if they’re making you think that any monstrous thing he does is legitimate.

Other actors were pretty good; they were fit to each character they played especially the Kundo group where Ma Dong Seok, Jo Jin Woong and Lee Kyeong Yeong are only few to mention.
Inspired by Kurosawa and Tarantino’s filmmaking, director Yun Jong Bin pulled off a memorable piece. His directing style was poignant with top notch technicalities. It’s a fact that visuals worked so well for this film, the lavishing designs and well-chosen colours were a great plus for this film’s cinematographic appeal. Even the polished sceneries, well-crafted aristocrats’ mansions and clothes were very well handled.

Watch if:
-You like dramatic period pieces with action.
-You like combination between Asian and western filmmaking.
-You like the main actors because Ha Jung Woo and Kang Dong Won were extremely good.

Do not watch if:
-You dislike historical pieces.

Despite some minor flaws, Kundo Age of Rampant is a very pleasant period film that’s well-worthy of the domestic success it witnessed upon its release.

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This is dog poo

Never watched the original story so I thought this was an engaging plot with lot of potential. In the end, there is a few good thing and huge bad bad things.

1/ STORY
Romance part: The cause of the pregnancy is convoluted but the evolution of the story is interesting. It was a good and understandable progression considering the personalities of the three characters involved. The story of the original couple SML and FL drifting apart and breaking up was well presented. The part of the FL and ML getting closer was badly told and even totally unbelievable. And the end is.. omg... You would have wanted to mock your audience you would not have done anything different.

Thriller part: Very convoluted from start to ending. Chasing after a drug dealer, SML and the other cops go through events and clues which appears out of the blue. At the end, the writer gave the nice role to Kang Jae when he did wrong all that time... lol... of course.

2/ CHARACTERS / ACTORS:

Woori : Interesting character with a quiet personality and not confident. She is not assertive and let others take the lead professionally and in her couple. But pregnancy makes her take decisions and evolve to become confident about her baby, her life and happiness and her job. And suddenly in the end .. taddah!!! I owned you.

Raphael : Allegedly grew without loving parents and cured from a cancer so he is a very human guy who cares about family and wants to build his own. There was a wrong characterization of him as the writer put most of the goofy and silly tone on him when he was the ML. He appeared very inconsistent, not likeable and the actor was too wooden face to make him endearing.

Kang Jae: Not the right guy for Woori but strangely the most wholesome guy of the drama. From start to finish, he is himself: selfish, self-centered, workaholic, reckless … he does plenty of bs but in the end taddah! He is now the greatest guy ever because suddenly the writer gave him a great Deus Ex Machina background story out of the blue.. Poor guy was raised by not his father... OF COURSE!!!.

Ma Ri: Silly daughter who is an accomplice of a bigger schemer to con other people but finally has a conscience and saves herself. The most interesting character in the end who ultimately did right. I love her.

Woori’s mom : super annoying
Woori’s dad : useless character
Woori’s colleague: She is fun and supportive.

3/ OST
OK, nothing specially out of place

4/ Rewatch value:
Zero.

5/ OVERALL:
A very good idea in the beginning but spoiled and wasted by terrible directing with bad editing, scenes badly cut, convoluted situations, uncontrolled misplaced goofy cartoonesque moments. ML’s actor was a bad choice of leading actor, or they asked from him what he could not do. SML was the worst and then in the end it is a miracle of the writer, he is the cream of crop because these stupid idiot writers understood how lame they turned the ML to be so they gave the big prize to the SML...

Seriously? This drama just mocked the audience. 1/10 because I could not give 0/10. Fck them.

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愛而不得 "ai er bu de" (Unfulfilled Love)

An unfulfilled love is perhaps the most painful romance there is for a couple in love; it is also one of the seven bitterness in life. The official trailer has prepared the viewers for the ultimate ending of the story, and since episode one, most viewers like myself, brace for a painful and untimely ending in the final episodes. The good news is, this is only perhaps a third of the story told. The rest of the story will be told in modern times, thousands of years later in their next lifetime, and the new drama is currently waiting to be released.

This is a touching, beautifully sad story. The female lead and male lead have loved each other so deeply for so many years, and yet they cannot be together. The story revolves around an unstable kingdom with a seemingly weak emperor and a power hungry controlling empress dowager. On top, there are enemies from within and without. No one knows who is foe or friend. Parricides, filicides and fratricides are rampant.

The development of the main couple's relationship from the beginning to the end is sweet and heart wrenching, with both leads mature and somber. As most viewers have already anticipated an ending that is tear jerking, every episode becomes heavy and painful to watch.

Zhou Shengchen (Ren Jialun aka Allen Ren) is an uncle of the then Emperor. To untangle himself from the power struggle within the palace, he changes his family name and barricades himself to guard the western border. He is intelligent, solemn and an incredible fighter. Who is more perfect than Ren Jialun to play this role? Here, Ren Jialun's performance is at his best, with an air of royalty and coldness, yet not lacking his affection for his love and his followers. His styling is also the best of all I have seen of the actor in his historical work. He looks so good and so convincing here. Despite adopting many followers, Cui Shiyi (Bai Lu) is the only one Zhou Shengchen falls in love with romantically, and yet he cannot love her openly and take her as his wife for he has vowed not to be married nor have offspring for life.

Cui Shiyi is the niece of the then Emperor’s teacher and her family holds high status in the society. To protect Cui Shiyi from any danger arises from palace political struggle, she’s sent far away to Zhou Shengchen and becomes his student. Growing up without a father, quickly, Cui Shiyi takes Zhou Shengchen as a fatherly teacher figure and gradually falls in love with him. And yet, fate doesn’t dwell her well.

Like Ren Jialun, Bai Lu’s acting here is also perhaps one of her best. She starts with a very young girl who doesn’t talk, and becomes a fine, mature young lady fit for an empress. Bai Lu has given us a remarkable performance for both her phases as a very young girl and then as a young lady. All the emotions on her face tell the silent sufferings she's going through and the longing for the one she loves.

Ren Jialun’s chemistry with Bai Lu is perhaps the best compared with his other co-stars in other dramas. Both exude the love and longing for each other, and yet they can’t say anything or take any actions. There’re hardly any physical contacts and yet their chemistry is overwhelmingly real that brings tears to the viewers’ eyes.

My Verdict

This is a beautiful romance with a lot of resignations. The characters are intelligent and lovely. The writing is intact and coherent, and the cinematography is good. All the war scenes are well done, in particular, Ren Jialun’s action scenes. Be warned though, the final two or three episodes are painful to watch.

Overall, a wonderful love story not to be missed. Bravo!

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Impossibly Disappointing

Sigh. Sighhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.

I'm not going to explain why this drama failed in detail. Others have already sacrificed many of their brain cells to do so. Instead, I'll give you a short rundown of my thoughts.

Wedding Impossible had potential. It had a bit of a unique premise, a wacky start promising some over-the-top fun, and the opportunity to say something/showcase Queer representation in a mainstream K-Drama. I don't have to tell you that it failed on all counts.

I looked back at my notes and found one I made after the first or second episode: "Here's hoping they can achieve a fun drama while treating the Gay ML's sexuality and coming out with respect."

Oh, poor Noir. You naive, sweet summer child.

As the episodes progressed, it was clear the drama forgot or simply no longer cared about its premise. And rather than focus on what was supposed to be the main point of intrigue/source of hi-jinks and conflicts: Do Han using this sham marriage to hide his sexuality. They leaned into anything BUT that. And whenever the opportunity presented itself to delve into his struggles, how staying in the closet affected his relationship with his family, how the fake marriage was affecting his best friend and brother: They barely touched on it or simply pivoted and went, but what about the car accident from years ago, what about the poorly-built-up main romance, what about company politics and backstabbing, what about whining and complaining?!

And the worst part! The worst part is that this supposedly fun rom-com-style K-Drama not only didn't give the Gay ML a love interest (which is just plain Homophobic if you ask me): IT. WASN'T. FUN.

AND ANOTHER THING! Is it just me who finally noticed that they rarely used the word "Gay?!" Wtf. Are they scared of it?! If I didn't know the plot/wasn't paying attention, I would have no idea what Do Han's "secret" is when they're talking about it in some scenes!

By the time we got to the last few episodes, I just wanted it to end already. I found myself frustrated, annoyed, and just . . . Annoyed at myself for hoping for better.

If you're like me, a Queer person who, despite the odds, is kind of hopeful for good mainstream LGBT+ representation in your Asian dramas: I'm sorry to myself and you that we stuck this one out. Let's just collectively agree to go rewatch the Queer cuts from Nevertheless and Love with Flaws, drink some wine, and wait for Hwang Da Seul's next masterpiece.

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Dope Web Series - Leaves An Impression

Goosebumps through and through - For anyone who likes noir teen dramas with a dark concept. The story is quite tormenting and not easy to watch - still addicting ...

Production / Music >> 9.0
Hope or Dope consists of a heavy and dark plotline that is undermined by a capable filming and editing crew. Several closeups enable the audience to get a set image of emotions and mental states, which are worsening as the story carries on. On one hand, the lighting consists of mostly warm colours during the night and is used as another tool to set the mood which contrasts with the cold and dark vibes, on the other hand, some moments during the daytime are giving off a more cold coloured vibe.

Plot >> 8.5
Generally said, the plot is extremely thrilling and emotional, clarified by how pathetic and miserable each character is and how natural and not exaggerated their situation seems because they almost have no unrealistic turns/ twists. I also found their in-character behaviours quite appealing since they never really acted OOC.

Cast >> 9.0
There is nothing that irritated me while watching, rather the opposite, I kept admiring Wo Ji An for her portrayal of such a complicated and bitter character like Kyung Da Jung. The two brothers Gong Yoon Tak and Gong Yoon Jae, portrayed by Yoon Chan Young and Yoon Hyun Soo, also left a positive impression on me. All appearances in this drama were solid.

Rewatch Value >> 6.0
Eventhough this drama is quite good and I really enjoyed the story and kept admiring the crew and cast behind it, it´s still sometimes heavy to watch. Therefore my second run might take some time but who knows, I´ll eventually be back since 25 - 35 minutes per episode is not dragging to watch.

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In contrast to what I felt, how much I cried, to many times my heart skipped a beat, how many times I was on the verge of praying for the character's safety... my comment is going to look miserable and unworthy to this drama.
This drama is absolutely brilliant! From the first seconds to the last ones. If you try to decide to watch or not to watch this drama after reading the plot you'll be mistaken, as even the best written plot will never prepare you to what you're going to experience during this drama.. it didn't prepare me...
As I wrote in one of my episode reviews, the plot changed with such speed... the characters were full of hope for surviving one moment, and the next they were thrown into the hole of absolute hopelessness... that was making me constantly very worried about the safety of the characters, and I came to fell their pain, loneliness, hopelessness... so naturally... when they were jumping over the canyon I wasn't even breathing... not to miss any rock falling from under their feet, any sigh or deep breath they breathed while jumping... my heart was bout to burst.
This drama had the most unexpected events happen, so I could NEVER ever guess what to expect further... This is the first time I was watching a drama and not expecting the ending even slightly...
The movie has almost no cinematographic value, so if you're looking for beautifully shot drama, this one's not for you.
This drama's highest value bear the dialogues, you should hear the words being said, or being kept silent but at the same time reaching you so clearly...
Definitely one of my favourite dramas from now on...
'Ima wo ikiro!'

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I'm surprised that this movie doesn't have any reviews on the website. I am glad I am writing the first one because this movie deserves to be watched.

Hana and Alice is a story about two best friends and their friendship. Though the whole plot while centers around both falling for the same guy, it deals with a lot of other things too. Both girls are very likable but I felt like Alice made more of an impact on me. Some of its scenes were so realistic that I felt like I was actually watching these girls in reality.

I have to commend the director because he portrayed some parts beautifully and realistically. The film has impressive cinematography and a great background score. Although it runs longer than required, its artistic shots will keep you well occupied. Also these girls played their parts so well that I can't imagine them not being best friends off screen too.

The overall mood of the film is light and dreamy. It has a poetic feel attached to it and leaves you with a feel good factor. It is relatable in a lot of ways. I am sure most of us have had some problems with our best friends once in a while. I particularly liked the ending scene because it reminds us how much of good friends Hana and Alice are.

While it does have a few boring parts, I'd suggest you skip through them. If ballet suits your taste then it is a treat for you as there is quite of some screen time devoted to it. The film also have some good humourous moments and it will leave you with a smile at the end of the film. Definitely recommended.

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A blend of comedy and sincerity in tackling unusual cases and escaping an elaborately set trap

I’m going to start with one detail that should be understood but may not be by viewers going in. Ordinarily, pro bono representation simply exists to provide legal services for those who otherwise cannot afford it, plain and simple. There are public defenders for certain kinds of trials, mainly criminal, but if you are sued in a civil trial, most of the time whoever has money to hire legal professionals wins. I mention this because THIS SHOW’s ultra-elite law firm, rather than having younger lawyers across many teams handle a certain number of them every year like most firms, has a highly unusual ragtag set of four-then-five people with wildly different priorities do this as a marketing/public image stunt. Don’t get me wrong; MANY if not most law firms’ free cases are done to tick that social responsibility box in places that don’t require it outright. This one, though, doesn’t even pretend. The cases are not merely helping some people sued from becoming bankrupt. They are odd cases that may gain media traction. You do not often have a courtroom stacked with half a dozen plus lawyers (accounting for both sides) for, oh, a dog custody case even though that case was far more than the “breakup who takes the dog” sort of battle).

Where this shines? Easy, Jung. Kyung. Ho. He is, as Da Wit, the heart and soul of this. As a judge unafraid to deliver justice to both ordinary and extraordinary criminals and regular citizens in turn, in punishing a select few morally bankrupt businessmen severely, he got on many bad sides including within the legal field which he is already an outcast in as he skipped law school and went straight for credentials (almost unheard of which the drama makes clear). Not just a regional “mediocre” law school grad but no law school at all? Color him dispensable to most if not for his brain having some street smarts.

The cases are very much cherry picked for drama viewing, no different from other legal shows, vigilante stories, medical dramas, and so on. Whereas Diary of a Prosecutor is very slice of life and mellow and shows ordinary days for a less common profession with its characters mostly getting along, this has plenty of antagonism from within the team and from the outside, even the owner of the law firm eager to disband them. The lead’s name very intentionally adapts to David in English, and we’re told a few times of him battling Goliaths as an ordinary guy who grew up very poor.

Overall, the cast is quirky and fun to watch most of the time. Some are a bit oversimplified much of the show, particularly our screamer and rather dimwitted opportunist in the team. That I mostly blame on the short length and priorities placed on balancing cases for the team with Da Wit’s bigger case. The main lead’s story is rather complicated, and his relationship with his team members. He only plans to stay with a short time at all and barely has time to teach them techniques and strategies through a few cases before his own case comes to light, the motive behind one of the non-legal professionals setting a trap with quite a bit of help, a trap to get him off the bench and ideally punished as he becomes the defendant against a plaintiff whose father died in prison after receiving a seven year sentence which was at the time the maximum allowed but which to viewers shows another case of law too often serving the rich, victims dying and becoming disabled a frequent occurrence in manufacturing in some nations, especially small businesses in places without robust government oversight which is a costly investment to choose for politicians who want “visible” results.

Perhaps my favorite part of this show is that the characters are all imperfect, their trust fragile… maybe it is a little overly obvious at times, but they show the ease with which relatively strong but newly obtained trust and admiration can come tumbling down with a speck of doubt planted. It shows how the team members—who all have very different goals—see this doubt and ultimately handle feeling various degrees of betrayal. We see their changes in behaviors, their growth (sometimes through stumbling around and tripping over their own pride if not their feet, too), and their insecurities on full display. The issues they have at home or had as kids? They are still with them day to day impacting how they evaluate cases and the people in them. They’ve acquired quite a formidable toolkit from their team leader, and with sharper knives and focus alike, they are tasked with representing someone suing him.

The moral ambiguity of so many characters, his ex-girlfriend turned boss very much among them, the total greed of plenty, and the strategies these people with their own motivations employ is interesting and well-contrasted by the pro bono team lead by someone who is at times half opportunist, half servant of the people but mostly good. It made it unclear who was or was not on his side until the end—to what extent they were, more specifically. If nothing else, this is a quick way to see how wildly different people might handle some of the same content and even maybe see yourself in a few.

Is this drama perfect? Not at all. It sometimes circles around its main lead’s overarching storyline like a vulture without chomping down as effectively as it could. It is very hard to integrate that story into the day to day casework, yes, and they mostly did pretty well with it even if 75% of the credit goes to JKH, something I doubt any viewer who doesn’t have ties to the staff for the show will disagree with. Where they sometimes had a bit of disconnect was covered well enough to not pay it much mind until settling down to write this.

The show was lively, the dialogue SMART for a change (in the native language, subtitles obviously always lacking some of the charm of the original, especially for this streaming service), and as usual, he mastered this role and stopped, during those hours, being the actor and just became Kang Da Wit whether using his immense range of vocal styles with that iconic voice of his I can hear just thinking about this or that character in a scene, body language including some physical comedy he is top notch at delivering, or simply (especially in court) communicating with his ultra flexible face and its thirty two million ways of bending, twitching, and otherwise expressing the full range of thoughts and emotions without a word.

Not everyone will like this, naturally. Some hate workplace-centered dramas, legal not often a preference; others will be annoyed with the eccentric blend of characters. Some won’t be able to get past some of the set up feeling too elaborate to buy into (current overlapping title The Judge Returns is thus far more “subdued” [well, after the initial event that sets it off] and less comedic than this with only a slight bit of physical comedy… it is also darker feeling, though).

If you want pretty high energy characters with quirks abounding and some touching backstories brought to light if not in extreme depth (just enough to understand them), this fits that bill. It shows places where the law is clearly just not enough and is pretty brutally honest in depicting how greed can also make skilled lawyers tools for making the world genuinely worse just as a less greedy set of skilled lawyers can make the world so much better though there are far too few of those around to handle all the world’s injustice, especially for people with few financial resources.

It was a really fun diversion for 5 weeks for me! It paired nicely during my weekends with Taxi Driver, too, both ending this weekend. It feels far too short, though, a good thing in one sense—I couldn’t believe it went by so quickly! THAT sure hasn’t been typical of most dramas lately! 🤔

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Superb Chemistry!!

Right from the start, I was indulged in the story til the end. I like the chemistry between the main leads, especially when the male lead projects his love and adoration for the female lead. Weir oh my God, this is my first time watching his lakorn. I've seen his name in the comment sections before, and some thai lakorns even refer him as the "Dark, Tall and Handsome" kind of guy, now I know why. But it's not just his look, his acting is great, and it feels REAL. Now I know why he always collects Best Actor awards, this lakorn proves it. Usually when I watch thai lakorns, I tend to skip a lot of unnecessary scenes, but oddly for this one, I didn't fast forward any scene. What I like the most is the ending. It's worthy, and superrrrrrr sincerely sweet. For those who want to watch dramas with a great ending, this is it.

Acting :
Weir and Thisa really own their characters. I like Thisa's portrayal in this one, she's mature and rational, while weir's portrayal of Naboon is great. His topless scenes are Wow hehehe <3

Music :
Good musics with great lyrics. I think of the lyrics "Thank you for coming into my life..." really captures my heart.

Rewatch value :
I would rewatch this lakorn for the great chemistry. I love Naboon and Rattawan. Definitely one of the best on-screen couples, there I said it.

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A Masterpiece of 2023

Best Chinese Drama of 2023.
I am hooked with the story, the chemistry, and the business cases.
Gong Jun as Xu Si and Zhong Chuxi as Jiang Hu are the best decision ever.

Running against the wind. Beginning with Jiang Hu.
When rising with the wind, Zhaoyang will be there for you.

My final points for this drama why I choose this drama as my #1 drama:
1) The drama is as realistic as it can be in C-drama world
2) All scenes are important, not even single scene is some kind of filler
3) The leads have their strengths and weaknesses and have great character development each other
4) The chemistry of the leads are great. Smart and Powerful Couple ever
5) Learning business cases by watching a drama
6) Xu Si is also NOT usual CEO-Type male lead. The finest grey flag man ever. Xu Si yaaaaaaaaa, you’re my top character male lead drama of all time now🔥💕
7) The OSTs are superb

Full playlist of this drama : https://www.youtube.com/watch?v=Cbaz30HW30w
Compilation of Xu Si and Jiang Hu Best Moments (Part 1) : https://www.youtube.com/watch?v=RRKwBU-J8_g

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Tell, why show?

Unfortunately, Rugal is a drama that demands you turn off your brain and just go with the flow. I only finished this one because of the world pandemic (unable to go out) coupled with the convenience of airing on Netflix. Unless you're looking for a mindless action-fest, you'd be better off moving to better things.

PLOT: A Plot Hole Fest Served with Bad Writing
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The drama started with some promise, if not originality, but went downhill fast when it began to rely too much on action, eye candy, and special effects to make up for the writer's lack of experience and painfully simplistic narrative. The story really makes no sense and left no impression. Things happened because "reasons", twists were added because "why not?" and characters acted and reacting according to the "rule of cool" rather than logic.

If you are looking for a well-thought-out, or at the very least decent story, this is certainly not it.

CHARACTERS: Simplistic, Inconsistent and Unrelatable
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Rather than go through each character individually, I'll talk about them in general since none of them really stood out. One of the show's biggest flaw is the writer's inability to create complex characters. Consequently, they all feel borderline cartoony. Think shonen anime where the only focus of the writer is to pile love and adoration onto Gang Gi Bum (ML), who I'm almost certain became Do Hyun's (the writer's) self-insert (aka Gary Sue).

Gang Gi Bum quickly becomes the sole focus of the story, the strongest among all the Rugal members, adored by both allies and enemies... he is a walking plot-line -- or rather, a stumbling one. You can connect every story to him in an egotistical way which not only grew old fast, but allowed no room to develop any other characters.

Perhaps the biggest aggrievance of all was the disservice rendered towards the four female characters who appear on more than one episode of this drama --none of which were unfortunately fleshed out or given agency.

The two female "antagonists", for example, were useless. Argo's chairman's treatment was especially jarring. We were often told by other characters that she was cool, that she shouldn't be underestimated, that "you don't know what she's capable of" only to be shown... absolutely nothing. Again, the writer wanted to claim she's strong/cool/influential without actually giving her agency to show those things. And it's the same thing with Susan, the female scientist of the show. Where we're told by other characters all these things about her personality because she doesn't even have enough air time to develop her...

Of course, the most inconsistent was poor Song Mi Na, the lone female member of Rugal. She went from being the second-best of the team to become the weakest link; complete with a few badass in distress scenes --which were promptly excused by the writer though characters exchanging comments regarding "how strong she is" and how "impressed they were with her". In so doing, the Do Hyun created a laughable cop-out for only showing her distress and having all her badassery apparently happen off-screen...

At the end of the day, the lack of depth the entire cast of characters was riddled with meant I couldn't connect, relate, or even care for any of them. I was never rooting for them to succeed. I was also unconcern whenever they were "in danger". They were wrapped in such a thick layer of plot armor, that it stood to reason they would come out victorious in the end. Heck, even the characters seem keenly aware of their plot armor (especially the ML) because they never displayed an ounce of fear, which marks an author as lacking experience and the confidence of putting his beloved characters through the grinder.

Which leads us to the next point.

WRITING: Amature. Tell, why show?
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I could tell right away the writer didn't have experience because he relied a lot on exposition. Meaning he spoon-fed the audience the story through character dialogues rather than having us reach the conclusion he wanted through scene development.

A good writer will show, rather than tell. If he wants us to feel bad for a character, he'll dedicate time to showing how the character suffers rather than having him say "I'm so sad" in a short conversation. Although the process of showing will be longer, the result will be more powerful.

Simply put, if the audience is not moved to tears when a character cries on the screen... then the emotional buildup wasn't done correctly. In this case, telling us what the characters were feeling through dialogues resulted in a sense of disbelief and disconnect, which made me unable to empathize with any of them.

OVERALL [TL;DR]
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Learn from my painful experience and skip this one if you're looking for a good show. The writing is atrocious, the fights grew old fast, the plot is messy and inconsistent, the characters lack complexity... In fact, the only thing Rugal has going for it was the eye candy, which suffered when they went full emo style with the ML. But even these leather-clad men aren't worth muscling through the diary of a fourteen-year-old who self-inserted into a fantasy where he's the center of the universe; men want to be his sidekicks, women want to bed him, enemies fall in love with him and everything happens based only on the "rule of cool".

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Despite the odd title (I have no idea what "Dark Blue Kiss" is even supposed to mean, or how it relates to the story), DBK is one of my top two favorite BLs for 2019! (The other: He's Coming To Me.) Here's why:

1) A very realistic view of what a young gay couple goes through. Not all shows have to be realistic for me -- I appreciate a good fantasy, as long as that's what it's intended to be. But if I'm being given a plot line that I'm supposed to take seriously, I want to believe it. DBK does this for me, unlike the large majority of BLs (which can still have good entertainment value).

2) Supportive parents and friends. Pete's dad, Kao's mom, and Rain were the heroes of this series.

3) The acting from the leads. Loved Tay (Pete) in this, and especially AJ (Non), who pretty much stole the show with his smarmy unlikeability. New (Kao) got a lot of flack from viewers for being too passive, but I thought he was just fine. As for the second couple, Podd (Sun) was a creditable actor (although I found his character a bit uninteresting) and Fluke (Mork) shows some great skills for a newbie.

4) The music. I loved the music for the opening credits! The OST sung by Fluke shows him to be a really talented singer, and another OST with Tay and New really shows off Tay's singing ability as well.

5) The story. From week to week, I found myself looking forward to what was coming next.

Highly recommended! (I only gave the "Rewatch Value" a lower rating because I rarely rewatch series.)

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No time to die.

I have never watched a Chinese drama quite like Joy of Life. It Is pure entertainment, a heady, masculine cocktail of science fiction, political intrigue, espionage, martial arts and laugh out loud comedy. A dying young man laments his life cut short before he experiences the joy of life. He finds himself reborn an infant in another time with intact memories of the 21st century. Raised by his grandmother, this cunning, cynical know-all kid is expertly schooled in martial arts by his uncle Wushu (pun fully intended) and in medicine by a deadly poison master. Summoned to the capital by his distant father, Fan Xian sets off eagerly, anticipating the beginning of his carefree, happy existence. But his glee is short lived as someone wants to kill him dead. He finds himself saddled with a political marriage he is hell bent on squirming out of and his mother's legacy - control over immense wealth and the incredibly powerful Oversight Bureau. This is at odds with his desire to indulge in joyful pursuits and worse, catapults him right in the middle of a power struggle between two princes. Soon it appears as if everyone wants him dead. But Fan Xian literally has no time to die as he is swept away by a whirlwind of timeless secrets, murky political conspiracies, shocking betrayals and sinister encounters with opaque characters that could be friend or foe.

Fan Xian is the central, core character that the plot revolves around;, there isn't really a female lead or a second lead. Fan Xian is a smart, ruthless and cunning rascal with very strong survival instincts who is not about to let anyone short change him of his second chance. His life philosophy and indifference to common inducements stymies family, friend and foe alike, leaving them at a complete loss as to how to motivate or manipulate him. Unlike his mysterious mother, a woman beyond her time, lofty aspirations like changing the world in the pursuit of social justice couldn't be further from Fan Xian's more self oriented goals. Until the world changes him when someone with joy of life shows him that there are things worth giving one's life to protect. This moves Fan Xian unaccountably, makes him do things against his nature and better judgement, it stays with him and forces him into the fray, to risk his life for what he wishes to protect. This pivotal moment and how it sparks a growing flame adds a defining dimension and substance to Fan Xian, one of the best written, most layered and entertaining characters I have come across in a long time.

This serpentine political chronicle satirizes the ruthlessness of man's ambitions and how it coincides with life's cruel and random vagaries. Most of the characters, including Fan Xian are scheming, ruthless, violent, deceitful and utilitarian. Bad things happen to good people, actions have consequences, people die, forgiveness and justice are not always possible. This underlying dark tone with its bitter notes and philosophical questions is so artfully disguised by the wit and humor that drenches this drama that it easily passes off as a comedy. The entire tone of a scene or a conversation can just shift with a bizarre interruption or a non-sequitur mundane question or digression that shouldn't even be funny but somehow is. The wit and comedy from clever word puns to baffling allusions to 21st century concepts are not merely for laughter's sake they are intended to hint at character traits, hidden motives and unspoken truths. The plot is action packed with many twists and is littered with thrilling martial arts encounters where moments of imminent peril can be unexpectedly broken by well timed comic relief.

To put it simply Zhang Ruoyun simply owns the character Fan Xian, it is unimaginable that anyone else can pull off this jaded, irreverent, manipulative and utterly irresistible rogue in such a compelling way. Even though this is not much of a romance, Fan Xian seems to have an affinity for and way with women that recalls Jin Yong's lascivious and vile Wei Xiaobao but in today's day and age, it is only acceptable that he is limited to one true love. From his hilarious sidekick the venal and wily Wang Qinian to his riotous siblings Sizhe and Rou Rou to his numerous antagonists, Fan Xian is surrounded by exceptionally well cast supporting characters that are properly fleshed out and have agency and free will. My personal favorite is of course the emperor, who is the best example how this drama dazzles with the art of the unexpected. I was completely nonplussed to see an emperor slither around in dishabille; with escaped hair tendrils and in oddly sensuous low cut nightgowns that flaunt his tanned bare chest. I was right there with Fan Xian in refusing to kowtow to such a slob and surprised he didn't have to leave a thumb or two behind as a result. Multiple clues to one of the big plot twists hide in plain site, from the oddly misplaced pieces of wardrobe and styling to the borderline goofy, eclectic 1980s subtly Latin background music. The unique and creative combination of casual (much dialed down) violence, cartoonish character traits, strange props, out of genre music, and the odd wit and humor in mundane dialogues reminds me of Tarantino, something I did not at all expect here.

This is of course just the first of three seasons. And I must admit I dropped this after 5 episodes when it was airing. I don't even remember why I didn't like it at all at the time. On my second attempt, I was addicted from the first episode and enjoyed almost every minute of it. I do think that the Bei Qi arc was not at the same level of the first arc, which set a very high bar. I was less invested in the characters in the Bei Qi arc and I found Xiao En's big reveal too long winded and his giant secret overly built up. One of the main roles in this arc is very poorly acted and noticeably several notches below the level of the rest of the veteran cast. The actor tried so obviously to be opaque and inscrutable that I pinned them as a backstabber right away. Their fixed wooden stare failed to connect with Fan Xian at any level and in several scenes I felt like Fan Xian was talking to a mannequin or to himself. This made it look like after being so smart and distrustful for so long, Fan Xian inexplicably let his guard down way too easily. Into the final moments of the last episode Fan Xian continued to be dumbed down and was pretty much thrown under the bus to force that completely unnecessary ending "shocker" that I could see coming a mile away.

The biggest drawback of this drama is of course the long wait for season 2, which still has not even started shooting as of May 2021. However, this shouldn't hold you back from watching this now due to its high rewatch value. I rate this a 9.5 for now but it has a potential to be upgraded to a 10.0 if the next two seasons deliver.

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