Reviews

Wow, that was as dull as dull can get.

This had a lot of good ingredients - it's well-shot, the central love story is reasonably coherent and realistic, and it's full of charismatic and beautiful actors. Regrettably, all except the main pair.

Soh starts out well - he's strange and awkward, but he ends up more or less unlikeable for the ridiculous cliche he's saddled with to generate drama near the end of the series. Mon is dull and tiresome all the way through. The problem here is that when you put two depressed, introverted emotionally distant people together, there's really not a lot of chance of chemistry or any sparks at all.

The character of Saint is interesting and different, and played by the etherial and beautiful Offroad Kantapon, who I hope we see a lot of in the future, but I'm not sure what the point of the character was - but you could say that about almost all the characters.

The cast is gigantic, with characters coming in, taking up some time, then disappearing without ever accomplishing anything., and somehow led to not even one secondary couple, which was desperately needed to contrast with the almost supernaturlly dull main couple. One of Soh's bandmates, Q, has an interesting interaction with Mon's youngr brother Micky that had so much more chemistry than the main pair that I wanted them together badly, even though Micky's a bit too young to date a college student - I hope we see more of the actor, Copper Phuriwat, too. He's adorable and charming. The characters Poon, Q, and Tack also made impressions, but the caliber of the supporting actors was in general high.

The problem with this series is the pacing. Not the pacing of the plot, but the pacing of each scene, more specifically the dialog. They are way too long, with people taking 45-minute pauses between each phrase, a strange virus that's infected Thai BL lately. The acting style of the genre is already very understated - adding to that an incredibly slow line delivery is just fatal.

This also had the misfortune of airing on the heels of the much better You're My Sky, another basketball series. Why is basketball the only sport allowed in BL? It's not even in the Top 10 of popularity in Thailand - far behind volleyball and badminton. I guess because it wouldn't be the same if ukes got hit in the head with a shuttlecock whenever they stray near a badminton game.

Anyway, I can't recommend this. There's no payoff for the time invested, and it's so boring that it feels dull and slow even set on 2X speed.

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Note: This is my PERSONAL OPINION. I am not attacking the drama or the actors, so PLEASE don't feel like you need to defend anything/anyone.

So I love all the actors and the story is alright if not a little banal...but wow what a fkn trainwreck. I had such high hopes for this - Matsuda Shota, one of my all time favourite actors and Taemin (I am a big Taemin fan) in a drama together?! I was so excited. But...whether or not it was the director's decisions or the production company's decision or whoever - the drama felt lazy and engorged. The flashy film-student-esque cinematography and casting of the massively popular Taemin does little to hide the immensely awkward self-indulgence and at many points, the drama - and the actors - come across as painfully self-aware (and not in the good way).

Here are some of the GOOD POINTS:

-Actors: They had some big veteran actors come on board and Matsuda Shota was definitely one of my favourite aspects of the drama.

-Cinematography: Though I hated the over stylised, MV-like cinematography, there were a few shots and sequences that were beautifully shot. Also, some of the cuts were interesting choices to make on the director's behalf. I mean, I'll give kudos where it's deserved. I'm not entirely unfair haha.

-Potential bromance: Taemin and Shota's characters could potentially have had a fantastic bromance/friendship. However, it was let down a bit by the lack of chemistry between the actors. Needless to say, this is my opinion. You might read it differently.

-Music: Music is A+.

-Violence: I LOVE violence and gore and action and this drama does a great job of throwing out unexpected, sudden violence.

BAD POINTS:

-Actors: You can tell Taemin is a little uncomfortable in this role. Maybe it's the language or maybe it's the writing or the directing. I just think he's been totally underutilised here. I really hope he's able to show his true potential in his next acting role. I was disappointed here.

-Plot: Bleurgh. It's very slow-paced and it didn't hold my interest very long.

-Cinematography: Seriously, wtf. It reminds me of the kind of style that the overcompensating hipster film students would utilise for their projects (you know the type - the ones who would list Tarantino, avant garde french films, and vintage Belarus fashion as their creative inspirations). It's uninspired, confused, awkward, flash with no depth, and a little too forced. Also, the lighting proved to be distracting a lot of the time.

-Pace: Just.........wow. I watched a few episodes at 2x speed and it was still slow.

-Obligatory MV Time: Like the surety of ad-breaks when watching your favourite drama on Viki, Obligatory MV Time rolled around like clockwork. It's essentially a random 30 second music video thrown into the middle of several episodes. It's quite jarring when it happens actually. One moment, you're watching a drama and the next you're watching a Taemin MV. They did little to push the plot forward and what little plot they did tell - I just found it to be a lazy technique of doing so.  I personally skipped past these bits.

In fact, I skipped past a lot of bits because I couldn't stand the cringe. I guess some people would love it, some people would hate it. I just think there needs to be more consideration before hitting the 10-rating because Taemin and Shota are starring in the drama (though yes, they are super pretty and pretty super).

IDK what you'd take from this. Watch if you will I guess?

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Representation of mental health topics does not get any better than this. From writing, directing, acting, up to editing - everything was well thought through to convey the message and the portrayal of the depression and the consequences it has on the patient, but also people around them.

James did an amazing job as Boo. I believed every second of his acting and it truly broke my heart. I could clearly see how vulnerable he was. How he fought, gave up and fought again. The few glimpses of hope he showed, how it motivated him to take action, but also the fear that paralyzed him at times. The whole arc of the character was amazing. The parallel between the beginning and ending scenes created this perfect, cohesive picture. Truth to be told, when I saw the ending sequence with Boo's narration I was shocked by how perfect it was. I would not change anything. The most satisfying ending I have ever seen in a drama. I could see that a lot of thought and planning was put into filming and writing it.

The good writing can also be seen with Bell's character. In the beginning the conversation she has with her superior about the connection and empathy she feels to her patients was foreshadowing of what's to come. She was an amazing friend to Boo, but she was truly not that good of a psychiatrist. And I am 100% fine with it, as it was well written for her character. Not only was she just an intern, so she did not have that much practical experience yet, she also picked that specific job because of emotional and personal reasons that made it hard for her to stay objective.

I love how the show tackled the issue of how depression can affect others around the patient and how hard it is for people who have never been depressed and have no psychological/psychiatric knowledge to understand it. Starting with the dad, who had a hard time accepting his son might have such a big problem, to Simon who might have had good intentions, but at times his actions were not fitting when dealing with someone struggling emotionally like Boo.

The show hints about many issues concerning mental health. One of the lines that is stuck in my head is "You think because he's depressed, he can't do anything wrong?" said by one of Simon's friends. Just this one line made me pause the show. I started to think, how much responsibility can a person with severe mental problems really take, how can a victim of their actions feel and react when they can't even truly blame anyone for what happened? Who should take the responsibility? There were many moments that just made you stop and think about the presented topic.

I also have to talk about the clever editing and them trying to visually present the symptoms of depression and Boo's feelings. I felt like they truly wanted to make sure the audience would understand the presented content. The perfection of the scene that was Bell explaining to Boo's dad the core idea of what depression is, was too perfect for me to describe. Her psychiatric approach and explanations intertwined with Boo describing how these symptoms express in him... wow. I literally clapped as I was watching this scene, because I was simply so impressed.

That said, even though in my eyes, this show is pure perfection, it's not for everyone. It's extremely graphic and at times emotionally exhausting. It presents the severe case of depression with all the symptoms of it (including self harm and suicide attempts). It might be too heavy for some.

I would recommend it for anyone who struggles with grasping the idea of mental health struggles and feels like it's hard to imagine how it can manifest in a daily behavior and what it truly means. The explanation does not get any better than here.

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i dropped it i’m sorry

the show was good at the start, pretty much therapy it was so sweet and silly. until i’m not gonna lie it just got a bit boring… jimmy came in and there was a whole backstory and everytime there was a backstory i just could never be bothered to watch or care about it, it was obviously relevant but it felt like it was dragging a bit. i was on my phone for most of it because it was dragging on and on… tbf i saw a few clips and it turned out to be like quite sad or smth idrk, clearly i had dropped it by then. i’ve got no idea if i’ll ever complete this but it’s really not appealing to me.

it was silly and fun until it just felt like jay kept changing his mind and confusing sant and sant was falling for him but kind of refused to accept it, it just felt like it was never gonna work out especially when jimmy came in… i mean someone can totally prove me wrong and reply and tell me that it gets better but ive had it dropped for so long now, i think i got to like ep 6, started ep 7… kind of tempted to maybe keep going but i think i’d rather just watch something else

i think markohm deserved a better story because i know full well that they’re both incredible actors with lots of chemistry. i love them still but this drama is just not doing it for me

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TTEOTM compelled me to make my first MDL review

Till the End of the Moon (TTEOTM) was adapted from a DARK ROMANCE novel literally entitled, "Black Moonlight Guaranteed Bad Ending Script". Please let that clue you in but not deter you from watching the drama.

The story mostly follows the plot of the source material. On the toxicity of the ML and FL, the drama does not even compare to how cruel these characters are to each other in the novel. I do not defend toxic relationships in real life but this fictional premise is set up for the characters to hate and love in equal measures. Li Susu, who saw the annihilation of the sects and the destruction caused by Devil God, was sent back to kill evil fetus Tantai Jin. While drama Tantai Jin is more sympathetic, it doesn't remove the fact that his existence means eventual destruction. Li Susu is ruthless because their love, hate, and personal desires are secondary compared to the saving of the Three Realms. The inherent conflict is already there.

Xianxias are influenced by the philosophies of Taoism and Buddhism thus showing concepts like Yin and Yang, severing worldly desires to attain immortality, and living in harmony with the universe.
These are overarching themes that go beyond the typical love story and the reason why the drama ended so.

I personally thought the editing of the first quarter of the drama was on point but suffered from occasional editing issues after that due to the regulation change. The Bo're Dream arc should have been shortened to flesh out the mortal and immortal arcs more. It would have been nice if more focus on the resolutions of different storylines was made, too. However, the story was mostly intact and comprehensible.

The acting of most of the cast is unassailable. Luo Yunxi and Bailu embodied the different characters they portrayed with such deftness. It was amazing to see the nuances in their behaviors and mannerisms so you can tell them apart not just because of the costumes.

Speaking of which, these are perhaps some of the most beautiful and impactful costumes I've seen. The designer drew inspiration from different Chinese cultural elements and really brought forth the resurgence of the Dunhuang style.

The CGI was outstanding especially in the battle scenes and the sceneries for the different realms. I do not know what standards people have for special effects but I have seen several xianxias and TTEOTM has one of the best.

The OST and scoring were fine but nothing to rave about. There were occasional jarring use of that romcom style song that I personally thought didn't suit the drama as a whole. I do recall two specific scenes that had perfect use of soundtrack - Black Bird for the Water Festival scene and the OST used for the farewell talk between TTJ and LSS in the last episode. Those gave me goosebumps.

As for the rewatch value, let me just say that in my years of drama watching, I have not rewatched any because I feel the time I have spent watching it once is enough already. However with TTEOTM, I have not only rewatched scenes but entire episodes so that I can fully appreciate the details. I am even planning to rewatch the entire thing from the first episode. LOL!

Many of us here watched TTEOTM and know that it has its highs and lows. We love it because, even with its flaws, it resonates with us. It is perfectly imperfect and it is one for the books.


P.S. Many of us still can't over it and if it is true for you too, please join us in our friendly forum community. 😊

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THE BEST LIGHT HEARTED DRAMA for people who looking for it

Its so disappointing to read other review .. such childish to just rate drama by just watching 3 episode where the female lead character not yet developing... but who cares.. because its reach 8000 bilion popularity and this morning result too being top 1 in certain social media platform... if you hate the female lead character to the core and have beef with "her" thats mean crystal yuan have successfully potray her character LOL .. that some of you being emotional like crystal yuan was really PRINCESS LIU LING lol 😂
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What i can said is.. this is LIGHT HEARTED drama if you looking for masterpiece drama go watch LOVE AND REDEMPTION.. ANCIENT LOVE POETRY... MY GENERAL AND I... STAND BY ME... this is not drama where you have to wreck your brain or being deadly serious... its fluffy.. romantic.. but still heart wrenching...
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What i can said crystal yuan and zheng ye cheng have good chemistry and both of them potray their character very well... congaratulation to them
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So i HIGHLY RECOMEND you to watch this drama if you looking for light hearted and fluffy drama.. but you need to continue watching it because the female character annoyed at first 5 episode then its slowly develop and you will know why her character made lole that.. and you can see the other side of the female lead...
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Its enjoyable drama for me... bring all the emotion .. sad.. happy...funny... romantic

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Dramas like these are tough to review. Really. It's not BAD so much as...lame. The story is lame, the acting is lame, EVERYTHING is lame. You could see that the director REALLY, REALLY wanted to paint this grandiose picture of the leads' life amidst the (admittedly beautiful) backdrop of the Shanghai skyline, but fell flat when a cold dose of reality set in: it isn't interesting enough.

Had the story fallen into the hands of a talented writer, it could have been so much more. The potential was there. I could see brief glimpses of it when they tried narrating how exactly the female lead ended up getting amnesia and forgetting our male lead (this isn't a spoiler, btw, the description is just half done.) But after the first few minutes of the first episode- poof! We have to wait for MANY, MANY more episodes of unnecessary yammering and plot fillers to get to the actual point. And when it does- it still doesn't.

52 episodes for what could essentially be condensed into a 10 episode drama is excruciatingly painful. Each scene, each event and each action is stretched like a rubber band pulled far apart by nothing but prayer. Each episode was 40 minutes. 40-freaking-minutes. At one point early on in the show, the male lead tries persuading the female to join the contest (yeah, that's another thing they don't mention in the description) for 2 EPISODES! Hell, screw the writers, I would get massively unimaginative if I had to fill 52 episodes of this thing.

The acting is Terrible. The capital T was intentional. Is Ma Ke supposed to be attractive? I don't know. All the female supporting characters in the show seem to think so. He certainly wasn't a good (or even decent) actor. Guan Gabrielle was good as long as she didn't do anything because, in many ways, she was a worse actor than Ma Ke. The supporting characters are so utterly forgettable and recycled from other dramas they aren't even worth a mention.

Lastly, the female lead is supposed to be like, the best dancer (or something?) in the university she attended in California but SUCKS everytime we see an actual performance of hers. One of the judges instantly takes a liking to her because she reminds her of herself and (even though she ruthlessly denies it all the time) gives SO much leeway to the stupid shit our female lead does. Heck, even during this 'really important performance', she chooses the female lead's team that performed some boring shadow act with minimal dance over an actually decently choreographed, power-packed team in a DANCE COMPETITION. Why? Because the her team had actual "heart" and understood "the value of a team."

Yeah, give me a break.

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Generic in Disguise

Attracted by the warm glow, the sparkly dresses paired with fairy-like make-up and accessories, and the funny, almost “never-seen-before” atmosphere in a wuxia/xianxia-ish historical Chinese drama, I thought this would be a refreshing take on the transmigration-into-a-novel trope. But I was proven wrong… unfortunately.

Transmigration was merely a backdrop for a straight-up royal political intrigue, and a generic one at that. Your typical struggle for the throne, with revenge turning a supposed male lead into a villain and a greedy queen who just wants power and money.

The villain, Xiahou Bo, is a hell-bent character who wants the throne and hates Dan at every turn. But his hatred doesn’t feel justified. It often comes across as if his actions are driven by whim rather than depth, which makes his character feel flat and underdeveloped.

The Empress is similar, existing mostly for the audience to hate and condemn for her actions toward Dan.

Our male lead, Xiahou Dan, has so much more to his character and story. He represents the darker side of transmigration, different from the glamorous fantasy one might imagine when traveling into a novel. He entered the novel at the age of fifteen and had to endure everything from that young age. The trauma he experienced and the life he lived are deeply tragic. Yet the way other characters reacted to his story felt lacking, almost as if they never truly processed what he had gone through. Had the lens shifted more toward his perspective, it would have been a far more intriguing drama to watch, even if it meant embracing a darker tone.

Our female lead, Yu Wanyin, is head-on and headstrong. However, the way she processes waking up in a fictional novel feels far too quick and almost unrealistic. Her goal is to survive the story, not by trying to escape the novel, but by making sure she is the one who has the last laugh in the end. That, to me, is the entire issue. There is no moment of grief, no confusion, no desperation to return to her original life. It was strange how easily she seemed to throw her previous life away and fully integrate herself into this world. She barely thought about her family, only bringing them up later when convincing Yong-er to side with her. Her attitude did remind me of Ting Yan from When Destiny Brings the Demon, where she accepted her fate and did not care much for her real life because of how overworked she was. But the drama never showed Yu Wanyin or Wang Cuihua having such a difficult life to justify that kind of detachment. Without that foundation, her mindset feels less like strength and more like narrative convenience.

The chemistry between the leads is there. But perhaps the circumstances placed them together too conveniently and too quickly, leaving no real room for proper development. Because of that absence of growth, the chemistry never moved beyond a slight spark. It was not bland or flat. It simply existed. Not the kind of chemistry that makes you swoon or feel something deeper beyond what is shown on screen.

Other characters also felt used for convenience, with little depth to properly sympathize with or feel intrigued about what happens to them.

Overall, the story failed to meet the expectations built from what the trailer teased. It was not a story about a transmigrator finding her way through a pre-written narrative. Instead, it was your usual historical political plot with a dash of sparkly dresses, pretty make-up, and good lighting.

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Attentive drama needs to meet people who know how to taste.

This is not just a drama that simply catalyzes sweetness. Under the vast background of the sea of ​​stars, it restores the ordinary face of life, but creates a romantic atmosphere, adult love is not only sugar, but also insurmountable helplessness in life, and it also comes from hormones. Impulse, and love and pursuit of ideals. All these sentiments are presented in the passionate interpretation of the two leading actors. The ingenious combination of lighting and space scenes pushes the delicate expression of emotion to the extreme. This kind of drama in which all members are devoted. It is worth savoring carefully, 10 points of great drama in my mind.

The leads Just played Their characters perfectly. Chemistry, romance, emotions every single thing was perfect. Absolutely Best modern Romance Chinese drama of This year so far.

Love Yu Tu the most. He really showed us the realistic things in life. Yu Tu represents not only aerospace workers, he represents thousands of ordinary people. Qiao Jingjing showed us the purity and sincerity.

As an a brilliant aerospace engineer, the male protagonist Yu Tu struggled between reality and ideals, and at this time he got the star heroine’s favor. Love and encouragement, and re-enter the path of the stars and the sea. This process is the core of glory and the concentrated expression of the "drama" you said. Compared with the common derailments, births, misunderstandings, childhood sweethearts, and glorious romances in current romance dramas The plot is obviously more realistic and advanced, and also more romantic. A large number of life and supporting role plots also make the influence of stars and astronauts fuller. In short, compared to the classic and excellent TV series with high tide, you are my glory closer to the healing anime.

Finally, I would like to confess that Chen Xueran's "Born to be an Eagle" is very well written.

Also, Yang Yang is the YYDS!

People who seek for true real life dedicated drama, it's one of the best one.

Must Say greatly done every single thing in this drama.

Can’t get out of the glorious world, I believe there must be a parallel time and space. This beautiful story continues. Never going to forget Yu Tu .

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Either way, a waste!

Having watched the original show “Jane the Virgin”, I was, at first, a bit hesitant because I liked that. But then I thought I should check out how the Kdrama essence changes it. And I am sadly (not really) declaring that they did fail and this was entirely a horrible attempt. It was obvious to compare this with the previous but then I thought I should actually consider it as a separate show because things must have changed with given circumstances, which did happen. Either way, it did disappoint.
Developed by ‘Studio S’ & ‘Lifetime’ and produced by ‘Group 8”, “Woori the Virgin” is a comedy melodrama plus partly romcom drama, adopted from the American satire telenovela “Jane the Virgin”. Written by Jang Ah Mi and directed by Jung Jung Hwa, the drama was broadcasted on SBS TV and internationally distributed by “Viu” in limited countries. Notably, this is not a remake of the original show, rather an adaptation since all the 5 seasons from have been summed into a single season. Also, the show reunites Sung Hoon and Im Soo Hyang after 6 years who, again, happen to have debuted together 11 years ago.
Oh Woo Ri (Im Soo Hyang), daughter to a single mother and raised alongside her grandmother, is a woman in early 30s who has been virgin due to her religious beliefs. During a regular checkup, she gets pregnant due to medical malpractice at her OB-GYN clinic. To her surprise, the sperm owner turns out to be a man Rafael (Sung Hoon) with whom she had a momentary fling five years back. As she decides to keep the baby and the story follows the consequences and unfamiliar events she faces.
Lee Kang Jae (Shin Dong Wook) is Woori’s boyfriend and a detective. Other familiar faces in the story in various major roles were: Hong Eun Hee, Yun Won Kyung, Kim Soo Ro, Lee Do Yeon, Nam Mi Jung, Hong Ji Yoon, Joo Jin Mo and Yun Woon Kyung.
Plot development was the entire problem with the drama. The remake was a bad idea; they could have made a story based on the concept but they went for an adaptation, making foolish decisions. The pilot episode did its job of creating an impression at the end but the episode, as its own, was not very pleasant. However, the furtherance following that and the set of events became interesting with plenty of comic elements and revelations done for the major characters. To my disappointment, it didn’t last long; it seemed smooth till 5th but what happened in 6th and the way the episode ended, I was skeptical about the rest of the show, because it hadn’t even reached its interval.
With only the crime scandal and the main culprit left to be unveiled, everything else became stupid and not worth of watching as soon as the 7th episode started. I can’t say that the mystery plot and the investigation process kept me engaged, it’s just I wanted to know the culprit’s face even when the show had already fallen through, that’s it. It kept getting stupider and logic-less towards the ending and for my habit of not being able to leave anything unfinished, I watched 7th-14th at 3x, ngl.
Emphasizing on my opinion, once again, adaptation isn’t an easy job as it seems. Even if the audience doesn’t expect you to justify the originality, as a writer, you must be careful not to mislay the essence of what’s been presented earlier, which the debutant Jang Ah Mi jakka-nim clearly failed to accomplish. First of all, the idea to adapt a 5 seasoned show was stupid to begin with; secondly, it could have simply referred to the story and created one of their own; finally, bringing all the 5 seasons into one was where they stooped to rock-bottom.
With not being able to create something noteworthy in his almost 15 year caarrer, Jung Jung Hwa PD-nim has again failed to bring another drama to justice. The flow of direction was inconsistent, very much. Things like screenplay management, sound editing and screen editing might have been handled to par but the erratic pacing and irregular development come as annoyances. While the first half was smooth and worth the patience, the latter half becomes too rushed in order to include everything within the predetermined quota. Imo, they could have made to more episodes, minimizing the damage.
Composed by Choi Seung Kwon, the show has a total of 5 OSTs and my ‘Kdrama OST Sucker’ heart couldn’t bring itself to love any single of them. I would say ‘”I’m In Love” by Sin Ye Young was the only likable track which also fits to the drama. While “Gosh” by Jessi is a fabulous track individually, this has no particular essence to be contributed to the show. Other 3 tracks are: “Sunday to Monday” by Woody and “I’m goin’ crazy” which has both male & female versions, sung by Kim Bum Soo & Lee Young Hyun, respectively.
What I liked…
Nothing really
What I didn’t like…
# Sung Hoon’s acting doesn’t improve remarkably even though he has been acting for a while and his irregular casting should be the reason, but it’s obvious he isn’t getting many offers bcs there seems no will power to improve. He could utilize his time in taking classes. (Some of y’all will come at me foe this but fact never changes.)
# Character arcs for many were shoddy; not even the 3 leads had anything significance. Flaws make characters realistic but for a 14 episode fictional drama there were way too many flaws, provided they didn’t have a single fraction of development. In the second half, it wasn’t even funny rather ridiculous.
# Kang Jae’s character was horribly written with no particular sense. As a cop, he didn’t show any trait that would make him a good detective. The number of times he and his wit failed, implied his incompetency and also showed how incapable the police is. In short, this was so very unrealistic and had no logic.
# Chemistry between the 2 possible pairs were zero. While Im Soo Hyang did click with one showing little compatibility, pairing her up with the other was so useless and was presented with cliché elements as fillers only. The original show was convincing, but as the culture and essence have changed with the remake, the same felt extremely stupid here.
# The illogical plot devices were irritating in the sense that they did repeat few just to stall time and match the timelines of different subplots. Then, they used some just to fill the gaps created due to the removal of major events from the original show. Finally, the way of representation was choppy.
Final remarks... Overally, “Woori the Virgin” is not only a bad remake but also a poor quality show if you don’t take the original show into consoider. I came here knowing I might get bored but the stupidity and failures have made me mad. I understand the low budget is where the problems stem from but we have seen enough such cases, where makers have aced the race despite every hurdles. Since the show has way too many cons and almost no pro, I decline to acknowledge it as an average show, even. Don’t watch.

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Is it possible we've already had the worst show of the year when it's only halfway through?

While there are still six months to go, the bar has been set extremely high with Abyss: a giant mess acted by a cast who really deserved better.

The annoying thing is, like last year's Worst Show of The Year (About Time), Abyss could have been fantastic. It has a great premise, a decent cast. It could have been an hilarious - almost farcical - comedy of mistaken identities, body swapping, and annoyed aliens. Instead what we got was a turgid, unfunny mess underpinned by a philosophy that was at times confused and at others actively offensive.

Ahn Hyo-seop has a lot of potential as an actor but he is still far too green to be given a leading role. With a good director, a good script and a good female lead he could have still produced something decent. But unfortunately he only got one of those in a criminally-underutilized Park Bo-young, - who really deserved better in her first lead show since the (sometimes equally as offensive) Strong Woman Do Bong-soon.

Both the lead roles were poorly written, with Ahn Hyo-seop's Cha Min changing from scene to scene depending on what the writer needed him to do - at times an uber genius, at others the dumbest male lead to ever appear on screen. Park Bo-young was given so little to work with for her character, Go Se-yeon, that she opted for cute - an interpretation that did not work with the character or the script.

Both these characters die and are brought back to life by a glowing alien marble. The unattractive Cha Min is suddenly gorgeous, while the stunning, willowy, Go Se-yeon is... Park Bo-young. Which is to say, she's a super adorable tiny person so the idea she's now "plain" is just ridiculous.

From beginning to end, Abyss had some profound things to say about image in our beauty-obsessed culture.
Like:
“you can’t love someone who’s ugly”
"what you look like is what your soul is like"
“plastic surgery gives you a better soul” and
“dieting makes your wedding day better”

Apart from the dumb, messy plot, the poor characterisation and the wall-to-wall stupidity of the characters, it's ultimately this utterly shallow and almost vacuous underpinning philosophy that makes Abyss truly awful.

Appearance is everything. Nothing else matters.

No thanks, Abyss. No thanks.

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A Dark Story That Falls Apart Completely

This drama tries to look bold and unique, but the writing becomes extremely cruel without any real purpose. A Jin, the main girl, is written as someone who destroys everything around her. Instead of giving her depth or a believable reason for her actions, the story just makes her more selfish and stubborn as it goes on.

Jun Seo and Jae O — two genuinely good and loyal characters — end up suffering the most because of her. Their devotion is used again and again just to create more tragedy, not to build real emotional impact. Watching good characters get thrown away for shock value becomes tiring very fast.

The acting is strong, but even that cannot save a plot that chooses hopelessness over proper storytelling. The drama focuses on misery rather than meaning, and the ending only adds to the frustration.

If you dislike depressing twists, manipulative characters, or stories that hurt innocent characters for no reason, this is something you may want to avoid. There are many revenge dramas with better writing and far more satisfying arcs.

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a cinematographic thriller with an odd pacing

like most of us, i was hooked by the trailer of 'somebody'. i binged it the day of its release. a dark thriller, involving creepy serial killer kim young kwang and an intriguing kang hae lim ? could we ask for more ?

the first episodes were interesting, the impeccable acting and visuals get you very engaged in the story-line. however, after a few episodes, the story arc gets a little dull. a slow paced thriller can be very good when well executed, but in my opinion, the pacing of the scenes in 'somebody' sometimes felt inadequate. some moments lasted too long, and others that we would want to dive deeper into ended abruptly. i also wish they went in more depth into backstories to improve character development. when finishing the drama, i was left with mixed feelings, and wanting to know more.

still, i need to praise all the actor's performances. they are the ones keeping the story compelling from start to finish. kim sum's character is chilling, and yun ho's scenes dreadful ! they really nailed it on their part.

overall, it's an aesthetically pleasing, very well produced (netflix) drama, with flawless acting, so it's still a rather enjoyable watch for anyone into slow thrillers. this drama had a lot of potential, but i feel like the visual quality took over the actual substance and depth of the story.

edit: removed the 'leaving us with many unanswered questions' from the title, as it seemed to confuse people into thinking this drama had an open ending!

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A Great KBL

I really enjoyed watching the series 💯. The series teaches the important of loving oneself properly and how friendship is a very integral part of life. A very realistic ending and a beautiful story but there were so many things I couldn’t understand.
Why was his best friend not aware he had Kylie , where was she when he lost his mother and when he almost lost his life, she literally called him to hangout after not long after he lost his mother and we didn’t see her at the funeral . I didn’t really get his story with Habibi too . His friends deserved to know what he had been dealing with at least and they didn’t preach safe sex and how he was having relations with people while having Kylie , I feel like that should have been touched as well. But apart from that I loved it

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