Reviews

Have to be a fan

I don't think this show deserves such a low rating. It is a simple story but with an innovative storyline, not the trope Kdrama or Kmovie plot that we see so much of. A Kdrama-loving Ahjumma who speaks no Korean is lost in SKorea. It's more than just a-fish-out-of water story. It deals with deeper issues of living in a big city - the dislocation and isolation that elderly parents feel - experiences that both people who live in big cities like Seoul and Singapore can similarly identify with. [Aside: I certainly wouldn't call her relationship with her son "estranged" as the synopsis describes. It's just a normal mother-son relationship in a busy big city.]

However, you really have to be a fan of Kdramas and perhaps more importantly, identify as Singaporean to really fully understand the in-jokes and appreciate the context of the movie. There's a real kick from watching a Singaporean actress, who is a household name that many of us grew up with, acting in a Korean production starring a few stars that many of us are now fan-girling. In particular, I get a real kick out of listening to Kang Hyung Suk speaking rather impeccable Mandarin for a non-native speaker.

Would I watch this again? Probably not. It was good enough but certainly not an Oscar-winning movie. It gave me a sense of home and also fun to see a linkage to my self-professed adopted culture. It is a good fun ride if you leave your heart switched on but switch off your brain. Just go for the ride.

Leggi di Più

surprisingly good

I was worried after the first episode that it was going to be too over the top with the yelling and the pettiness. But it soon settled and I enjoyed the way they developed the characters, and we got to know them and what drives them, how they ended up in the situation they are in. This drama flowed pretty fast with only 13 half hour episodes, so it didn't get bogged down by a lot of useless stuff. But the ending did wrap up abruptly and very tidily, which I was both annoyed with and somehow was ok with - one more episode might have rounded it out to fill out the ending more properly. I'm not mad at it though.

I have waited so long for Jung Woo to be a romantic lead again after Reply 1994 - and I was not disappointed! Oh Yeon Seo, who I've only enjoyed watching in Korean Odyssey, did a really good job in this. She nailed this role. I enjoyed the side characters - especially 'Samantha'. The neighborhood busy-bodies were nosy and jumped to conclusions, but I liked that they apologized when they knew they were wrong and tried to make things right. That made them endearing rather than irritating.

This was just a nice healing type of drama and would be great for a quick watch some rainy weekend!

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How do i start....in word it is everything perfect. It had an amazing chemistry between the leads, and the story really attracted me. I liked how the plot was and how smoothly it went. It had its share of tears and laughter. My favourite character, was of course Choi Siwon, no doubt about that. He in individual made me laugh out loud. Through Anthony's character, it made me realize the true flavour of life and how everything is not a drama but in reality its alot harder. But honestly if that's the amount of effort it takes to make a single drama then God, dramas should be banned from this world. I really like how they related the beginning of the story to the ending. The story was brilliant, very refreshing and definitely not something you'll see every day. What I like most about this very drama is that they didn't waste their time on showing how the 2nd male/female lead likes the 1st male/female lead, and how they are going through schemes to separate the leads. It completely focused on what the main point of the story they wanted to emerge to the viewers. The cast did an amazing job portraying each of their characters, i definitely have no complaints about any of the characters, definite 10/10 deserving. Music was good i liked it, and i also liked how they had an english song as on of the main themes. The music was catchy, it made me tap my feet to its beat. re-watch value ? honestly I don't re-watch but then again if i was really bored and had no other dramas in the world left to watch, then i'm sure this dram will accompany me well. Overall definite 10 ^_^ Anyone who is looking for comedy, romance, reality, re-freshing, enthusiastic, thrilling, exciting to watch, well let me tell you something, you definitely knocked on the right door :D You can watch this on dramacrazy.net and also gooddrama.com for those who can't access viki.com due to regional problem. Thank you! I hope my review has encouraged you to watch this awesome drama :D

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Something is missing

I am a huge fan of reincarnation dramas but unfortunately this was not the one for me. I was expecting to really loved it a smart female lead and a reincarnation plotline are literally my 2 favourite combos in Asian dramas but unfortunately i didn't like this one as much as expected. It felt mid,like something was missing but i can't exactly explain what. The acting is ok,story is easy to follow,couples have good chemistry and plotlines are interesting but at the same time i felt like i was hurrying up to the finish line with this drama especially acter they got married that's when it just became a 2x speed type of show. At the same time it was interesting and nice to watch but not something i would go out of my way to reminisce about.

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Sigh, what is there to say

This is going to be a review focused on events and behaviors rather than individual cast members.

Recommend For: Anyone who likes relationship Drama with an emphasis on the capital “D”, complicated relationships, playing detective/armchair psychologist (I do not mean this in a derogatory way at all—I dabble in both), or learning healthier relationship dynamics (in this case, a lot of it from a what NOT to do perspective lol)

Do Not Recommend For: Anyone looking for a “feel good,” “peaceful,” “not like other dating shows” program. If that’s what you are looking for, drop after episode 3

Okay. Wow. This show started off very peaceful, very heartfluttering, very soft. And ended the complete opposite. It will give you whiplash and, depending on which couples you are rooting for, you may even feel very depleted/down/anxious in real life after certain episodes.

The showmakers did a great job creating storylines—the middle section (before Singapore) dragged a bit but things really picked up once they were in Singapore (the last few episodes). Lots of drama, lots of twists, lots of building up mystery of what certain contestants will do. I think this show went from “Oh yeah, it’s obvious who will pick each other at the end” to “Hmm, this could really end in three+ different ways.” So that element of it is great.

The showmakers tried to make it a heartwarming, deep show, but unfortunately it ended up being a messy drama due to two castmembers being very confused and confusing. Literally, there is no one on the show the two didn’t confuse at one point or another. So I really don’t blame the showmakers for how the show turned out. They did a phenomenal job crafting the familyvibe and making space for the siblings to show love for each other and acknowledge each other in a way that family sometimes forgets to do in regular life. A good reminder for all of us to let those we appreciate know how and why we appreciate them.

Moving on to the main bit: I think this show should be shown in high school health class (remember the healthy relationships module?) because there is SO MUCH to learn. From this show, I’ve become more mindful of:

• Words
o There are times when a castmember is sensitive to words they receive, but then turn around and dish out hurtful words too (not on purpose, probably just didn’t think carefully about the impact of their words or thought they were making a joke when it wasn’t actually funny). It makes me reflect on things I’m sensitive about others doing but excuse when I myself do the same thing.
• Clarity
o Confusing people is hurtful and causes harm over a longer period of time than just telling the truth. Rip the band aid off once instead of tugging at it over and over. From watching the cast, I also learned key things to look for if I suspect someone is being insincere or playing with my emotions:
 Are they clear? Can I ask them a yes/no question and actually receive a yes/no?
 How do I feel when they speak to me? Do I feel anxious, confused, and like I’m always having to *guess* what they’re thinking?
 Do our conversations go anywhere or are they in circles and jumbled?
• Walking Away
o Part of maintaining healthy relationships is knowing when to walk away. I realized that even if all the butterflies and attraction are there, sometimes it is best to just cut the relationship off at the very beginning if it’s already creating anxiety, negative tension, huge yo-yo-ing of emotions. I realized that I personally just want something peaceful and calm, that makes me feel good without the unnecessary anxiety over whether my partner actually likes me or not. Of course, the castmembers are in a situation where they have a limited set of people to pursue for a period of time, so I don’t at all mean this as a dig at any of them who chose maybe not the healthiest connection.
• Values
o Having similar values means you can share a similar foundation. If I’m liberal but my partner is conservative (in terms of family roles, expectations of behavior, etc) it may require a little extra attention to make sure we both feel healthy and supported. There are some differences in values that will prevent a relationship from being healthy and fully supportive of all sides, no matter how wildly the partners love each other.
• Self Care
o Dating when you haven’t worked through your own traumas and issues can mean that your defense mechanisms, built in response to trauma, can hurt your partner. I don’t think I have to be “perfect” before I get into a relationship, but I will definitely be working on my communication and processing. I noticed a lot of pain came from a castmember keeping everything inside and only at the last minute expressing their real feelings (even to their sibling!), when it easily could have been avoided by saying something like “Hey, I’m interested in you but I’m also a little confused about if my feelings are real interest or just fleeting. I want to find out if it’s based in something real and want to let you know about my current confusion so you can make the best of your time here as well.”
o It is impossible to please everyone. Be yourself, be honest (but not curel) with your thoughts and feelings, and you will build a community that supports who you really are as a person.

Anyway, very long review. I didn’t want to write too much about my thoughts on the psychology and behavior of the individual castmemebers (although, believe me, I have a LOT of thoughts, and have shared a lot of it in the comments already lol) since we all interpret their behaviors and character differently, but wanted to instead focus on what I took away from the show. I appreciate the dating programs that also, through the cast, provide insight into a healthier way of creating, maintaining, evolving, or ending relationships.

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Watched because of F4 syndrome (f4 fan here)

I honestly watched and searched for this drama because of k-drama Descendants of the Sun and c-drama My Dear Guardian.....I like the themed of those drama, and searched for lakorn that are also the same themed. Hence as per suggestion by google and youtube I ended up to watched those 4. For me this is my top among the 4. Not just that I am fascinated by Weir and other cast. But also the way they act, the flow of the story, and the feeling/
emotion show for me are so catchy........I feel pity for the second lead couples as they had to separate in that way. But in overall for me this is a recommended drama for all.

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Everyone deserve a second chance?

This drama came from my same list that had Amanza, melancholia, move to heaven and Doctor John, all of them set in dramas that I am not used to seeing and all of them were my favorites.

It is very slow, I even watched it at 1.5x speed because if I don't I would never end, but that was not a problem for me.

It has graphic scenes of violence and they are always talking about the heavier cases like prostitution and rape, which I found very interesting, since Korea itself has a lot of these cases but they are usually very "covered up".

Does everyone deserve a second chance? I think this is the main point of the dorama, here, we see two sides, the FM even mentions that they could minor offenders and gives maximum penalty whenever possible, after all, they committed a crime, being a minor or not. On the other side, we see ML who understands that they are young offenders but that some need to have the chance to possess a second chance. I thought it was very well written that in some moments, which one of the two is right weighed heavily on the episode, but in the end we came to the same conclusion:

It is not up to us who saw it to judge who deserves a second chance or not and yes, to the judges based on evidence.

Overall, it was a very different drama from what I watch and always in the second episode of all the stories I was extremely heartbroken because I realized that the story doesn't end after the trial, after all, the victims and the families will always suffer about what the minor offender did.

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Ok, so this was one of the best choices I made recently. If you’re looking for a sweet and hilarious drama this is definitely the one.

There were some delays with the subbing so it kept me waiting and waiting for the next episode, but I don’t regret it at all. First you have a family with 8 children, that alone is auspicious of some great comedy developments. I really loved how each of them had their unique traces and space in the story. The other family members that were added also contributed to some of the most hilarious moments. The grandfather and specially the uncle (I love Hoshino Gen’s voice, really.) It also pinned some social problems that I don't want to spoil you, but I think the main focus was on how you can always take the best out of your life no matter how much money you have.

The main actors did a really great job and even Sam, which I had never seen before, did a really great job making me like him despite how terrifying he seemed at first. As for Kamiki, I was a bit reticent as if he would be able to portray a comic character as I had only seen him in SPEC and Bloody Monday, but he did an awesome job, with all the personality crises and social troubles his character had to face.

Of course I would watch this again. Actually, there were already some scenes that I kept rewatching over and over again. You can’t help that.

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I have to admit, I've marathon watched this series from 2001 till now (the 2014 sequel) since the beginning of this week and I can't remember stopping for anything except mini-breaks (food, bathroom, sleep...)

This series is really good, it all blends in with where the last episode or special left off so you don't really feel like your missing anything; however, if you miss a special or an episode (or whole series) it's like coming in blindfolded! The casting of this series was different than the first, minus a few people here and there, so it was a little hard to get used to; but I liked how it focused on everyone individually and sincerely without focusing solely on one person as a main character, but it seemed to focus on the whole of the prosecution office. You'll know what I mean if you watch this series!

The script is well written, I do have to admit (again...) that I did like the absence of a romance in this sequel; I liked Kimura Takuya's (Kuryu Kohei) romance with Matsu Takako (Amamiya Maiko) in the original, don't get me wrong, but I like that this drama seemed to focus more so on the law/crime/justice genre than pure romance. It's hard to find good dramas that don't have overly cheesy, over-bearing, love triangles, or what have you. Also, don't get me wrong (again.. heehee..!) I do like romance dramas or movies, but that's not why I chose to watch this series. I chose to watch this series (from the original in 2001 up until the new movie in 2015) because of the cast, the stories, the script, the directing, the talent, the unique qualities of each actor/actress, and so on...

Anyways, some law terms are hard to follow and some episodes do move fast, but that's why God invited pause and rewind and fast forward, right? I'm not saying to do that ALL the time you don't understand, but I am saying this is a very interesting drama to lose time and yourself in, should you give it the chance. I watched this on pure faith that I wouldn't be bored since I loved Kimura Takuya in "Mr. Brain", and I was glad to find that I was right! Please, don't let the negatives out-weigh the positives for this series... definitely give it a try!

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Fascinating Characters + Intricate Storytelling

The Untamed is a phenomenal Wuxia show with an excellent cast portraying dynamic characters in an intense action adventure setting. The heart of the drama centers on Wei Wuxian, and actor Xiao Zhan plays this role to perfection. He has a certain magnetism and presence on screen that makes it hard to look away from him. He could switch from utterly charming and mischievous to devastated and tortured flawlessly. Not to be outdone, Wang Yibo was the perfect casting choice for stoic and taciturn Lan Wangji. In some ways, I would argue he had the more difficult role. He had to be both standoffish and distant, yet relatable and accessible to the audience. These two lead actors truly had amazing chemistry together, and their performances are the reason this show is still so loved today. While this connection is not explicitly depicted as BL due to China’s censorship on homosexuality, I think it deftly overcomes those restrictions to create a remarkable and loving relationship between these two men.

Found families are an important aspect of Wei Wuxian’s story, and he manages to build three distinct families over the course of the show. I loved the dynamic relationships he builds with all of them (Wen Ning! Jiang Yan Li! Wen Qing! Lan Sizhui!), but the relationship most intriguing to me was between him and his adoptive brother, Jiang Cheng. The bonds of brotherhood are explored in all of its complexity between many of the characters, and no more so than Jiang Cheng and Wei Wuxian. The angst, love, and competitiveness these two experienced was heartwarming and heartbreaking at the same time. I cared just as much about their relationship as I did about Wei Wuxian and Lan Wangji’s connection by the end of the show.

While the characters are certainly the main attraction for me, the setting and cinematography were excellent too. The locations of Lotus Pier, Cloud Recess, and Nightless City are unforgettable. These aspects paired with a beautiful OST and intriguing plotline made for a memorable show. Probably the part I enjoyed the least was the structure of the opening act. The show begins with a three minute snippet of Wei Wuxian’s death before transitioning to the present day. The story only stays in the present day for two episodes before transition to an extended 30+ episode count of backstory. The backstory is certainly important to establishing the characters, story, and setting. However, I think starting the story with the backstory would have been less confusing than sandwiching it between the present day. I love when these sweeping sagas allow time for a well done epilogue, and The Untamed delivered big time. All of the plot points are tidily resolved and the characters (er, those still left alive) are given proper send-offs.

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Lightyears of Poetry

I believe everyone at one point or another in their lives has wished for the chance to go back and change the past, do things differently, fix past mistakes, etc., I know I certainly have. What Be My Favorite does so well is show that making those changes isn't as simple as we might like to think. It requires personal growth, pushing outside our comfort zone, thinking about more than just oneself and sticking around to maintain those changes, plus a touch of magic, of course. This drama was so beautifully done, so well thought out and executed, it has certainly become one of my favorites.

The story, dealing with time travel, could have been great or a total flop. The way it was handled made it great. Rather than getting into the mechanics of time travel and trying to make it too sci-fi, it explained just enough for things to make sense and didn't go any deeper. The story as a whole though did feel deep. This isn't just a fluff drama, it actually has substance and quite a lot at that. It touches on various issues, but rather than being preachy like some dramas get, those elements were added in an organic way that flowed and worked within the story. Those issues included LGBTQ+ rights both as a whole and more specifically the lack of those rights when it comes to medical care, alcoholism regarding both the pros and cons of drinking alcohol and why some may choose not to drink and that is totally okay, and grief in understanding that there are some things that simply cannot be changed and learning to grieve for that loss, but also accept it. Despite the sci-fi elements, there was a very realistic feel to everything. Aspects such as the gap between the rich and poor were shown, how someone does in school does not define them or their abilities, that we won't succeed at everything and failure is a part of life but doesn't need to define it, and our actions truly do have consequences both good and bad.

The pacing is very nearly perfect. There are one or two spots that are a touch slow, but not obnoxiously so. One aspect that I really liked was the way the passage of time was handled. Comments, brief shots of calendars and the like helped make it clear that time was passing. But the crowning touch was the montage in Episode 10 which was absolutely perfect and so much better than a sudden time jump. Not only did it provide a myriad of cute moments between Kawi and Pisaeng, but it also showed how their relationship had progressed over time. Other dramas should take note, this is the way you do it.

I don't think there was a single character that I didn't like in some capacity. No one felt superfluous, they all served some kind of purpose. What helped was keeping the cast pretty tight. Yes, there were scenes with more characters, but they kept the core group small. Not having a second couple helped a lot and allowed the full focus to be on Kawi and Pisaeng which was good since the build up of their relationship was a bit of a slow burn. That focus enabled them to better show their changing feelings, particularly with Kawi. The best part of their relationship though was the communication between them. I cannot even describe how refreshing it was to see such a healthy relationship portrayed where both parties truly respected each other and actively sought to communicate with each other. Even better was that it was shown throughout and was a core aspect of their relationship. And the importance of communication was echoed in other relationships, between Pisaeng and his mother, Pear and her parents, and even with Kwan and Knot.

Kawi was a great character. His growth was so well done as he learned to step outside himself and take his life in his own hands to influence it rather than just letting things happen to him. He made conscious decisions to fix things and make changes to himself. It was his willingness to acknowledge his faults and then correct them that enabled him to change his future. Pisaeng was another great character. Similarly to Kawi, he had his faults, but he too was willing to address and correct them as he actively listened to the criticisms he was given. His obvious respect for Kawi as a person and as a lover was clear and refreshing. Also refreshing were the characters of Max and Pear. Max was not just the token gay friend, he was a fully realized character who served as a sounding board for both Kawi and Pisaeng. And his advice and comments were usually pretty on the nose. He supported them both unconditionally while adding a good dose of humor at times. Similarly, Pear was not the token female friend. Again, she was a fully realized character and, as a woman, I cannot describe how much I loved that. She wasn't the jealous ex-girlfriend or wannabe girlfriend and her only purpose wasn't to be a supportive friend, though she was that. She had her own hopes and dreams as well as struggles that she had to deal with. Communication was again a key element with her in regards to her relationships with both Kawi and Pisaeng. Pisaeng's lack of communication regarding his feelings towards her was actually a source of pain for her, despite the fact that was exactly why he hadn't said anything, so he wouldn't cause her pain. It showed that sometimes silence is not golden and being open is actually the better option.

I've seen most of the cast in at least one other drama if not more, so I had high expectations for them and they did not disappoint in the slightest. Having only seen Krist in SOTUS, I was excited to see him play a character so polar opposite from that of Arthit. He was phenomenal, completely embodying the character of Kawi with all his quirks and awkwardness. And his chemistry with Gawin was fantastic. They played off of each other beautifully and had such a great connection. I will say it's a subtler chemistry than seen in other BLs, but I really liked it and felt it worked within the context of the story. I've seen Gawin in a few dramas and was thrilled that he finally got a leading role. He acts a lot through his eyes and he does so effectively, this time was no different. Despite having less experience than other cast members, he absolutely held his own. Aye is a seasoned and talented actress that I've seen in several dramas. She did a great job at giving Pear depth and really making her emotions and turmoil understood and felt. Similar to Gawin, Aou is less experienced, but I've found him to be quite a versatile actor. He gave a grounded feel to the character of Max as well as a certain level of assuredness that gave his character more substance.

The production was very well done. The cinematography was beautiful and the music was fantastic. Both Krist and Gawin are very talented singers and they certainly did the soundtrack justice.

Despite the numerous lessons and themes woven into the plot of Be My Favorite, I think one of the biggest takeaways is simply to live in the present. Too often we look to the future, imagining how things might be and we miss what's right in front of us. Kawi's life improves when he stops looking to the future and instead lives in the present. I think it's a good reminder for all of us. I cannot recommend this drama enough, it is truly one of the best I've seen, one that I foresee I'll be coming back to multiple times.

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Gone Girl.

This is an incredibly dark suspense thriller about a family with secrets. At surface they seem like an everyday family; one whose struggles make them more devoted. Their son Wenzhou is simple and does not know his own strength when excited. His new nanny Xiao Xiu runs off for greener pastures. Convinced something bad happened to her, Chen Youxi escapes from the orphanage to seek her out. She discovers that twelve years ago, there was another gone girl from the Li household; their daughter Wenwen. She infiltrates the Li household as a miraculously returned Wenwen and pulls at threads that conceal old secrets.

This drama starts strongly and moves at a transfixing pace throughout. The drama's strongest feature is that it keeps you guessing until the penultimate episode even though there are only three knowable suspects. While the story is gripping, the plot could be tighter from the mid-way point where small holes emerge. It suffers most in the whydidit behind Xiao Xiu's disappearance. The motive is not firmly established enough to be convincing. I rewatched the reveal a few times and suspect that something was cut out. I also did not like how Youxi tries to stage a confession trap again after the first one went so terribly and consequentially wrong. It is just lazy plot design although not inconsistent with the character's desperation to get answers. There are other small holes that add up to render this short of the masterpiece it had the potential to be.

What is exceptional is the characterisations and the mind-blowing acting. The entire cast delivers in spades. Mei Ting deserves an award for her ruthless, manipulative and multi-faceted Liao Suifang. The subtext behind her cat and mouse interactions with Youxi where they both knew they were on to each other is breathtaking and worth re-watching. Her conflicted feelings for Li Chengtian and Wang Chongjiang and how Wenzhou's ultimate welfare plays into it resonates. Her Suifang made me feel suspicious, angry, repulsed and curiously sympathetic. Similarly Wang Yanhui's Li Chengtian is also masterful - at face an affable, quiet, beaten man; a love consolation prize and a desperately seeking father... with an aura of hidden menace. The ties that bind this painful triangle together are so messy and yet almost inevitable. They keep secrets; deep dark secrets from one another and themselves. Between the three older characters, we see how relationships fracture over time and even the most normal people have dark sides but with different bottom lines.

Against incredibly layered veteran actors, the young cast can hold their own. I am not a fan of Dai Xu's brand of comedy but I really enjoy him in a serious role as Cheng Xu. After The Heart of Genius I had strong reservations over Zhang Zifeng but she convinces as this lost orphan hell bent on finding her only anchor in this world. But it is Du Yusen's Wenzhou - at times harmless and affectionate, full of simple childlike truths and at times scary as hell that steals the show. Guo Cheng also emerges here as a young actor to watch - his Cheng Wei is very charismatic and the way he lapses seamlessly into Guangzhou dialect adds dimension to his characterisation. The dynamics and chemistry between Youxi, Cheng Wei and Wenzhou is as light as the ones between the three older characters is dark. All the lost children in this story end up found in some way to end this sinister tale on a less dark note.

I have not enjoyed a Chinese suspense thriller this much since The Bad Kids. It is overall not quite at the same level but I can easily rate this a 8.5/10 with the acting worth that rare 10/10.

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