This isn’t your ordinary healing drama, it is a piece of sweet candy with a slice of life filling, wrapped in a layer of melodrama, wrapped in a comedy. The balance is perfect, and when you savor it, you feel the taste of life, where joy, elation, sorrow, bitterness, numbness and relief become one and shape who you are. And through experiencing those emotions, that is how our characters Woo Seo Ri and Gong Woo Jin mature from a mental age of 17 to 30 together. I appreciate Seo Ri’s optimistic approach towards life, and I’m sure that if I had experienced the same thing as she did, I wouldn’t have been able to smile in the same way. She is truly a strong person who knows how to appreciate the beauty of life as it is.
The side characters were also memorable and beautiful. The dorky and caring Yoo Chan, who introduced us the life motto “Don’t think, pill (feel)!”, Jennifer, the mysterious butler who is a living encyclopedia, and Deok Gu/Fang, the dog who is worthy of winning the Dog Oscar of the year. I don’t think I’ll ever be able to get over them, and I genuinely wish I had friends or a family like them.
Despite how emotionally beautiful the relationship and growth of the characters were, there were still some parts which could be played out in a better way. Since this was originally meant to be a 40 (20) episode drama but got shortened into a 32 (16) episode drama near the end, the pacing was off in the latter half of the plot. All the dramatic things happened at the same time, and secrets were revealed all at once. Originally this was acceptable, but given that the first half of the story was very slow-paced and stretched out, the sudden speed-up became unnatural and destroyed the momentum of the story. Nearing the end, things that were once suspenseful felt like they no longer mattered to the audience. I once considered that maybe the pacing would’ve been better if it had been 40 (20) episodes, but I felt like there was not enough material to last for that long either.
All in all, this is the kind of drama that you will enjoy if you are looking for a heartwarming story about people growing up together, approaching devastation with optimism and learning to face traumas head on, and supporting one another. This is not the sort of drama where you will be kept at the edge of your seat. This drama is purely character-driven with a little bit of plot to drive their change. Nevertheless, I still enjoyed every minute of it and I never felt bored (mind that I’m a person who dropped What’s Wrong With Secretary Kim, Weightlighting Fairy Kim Bok Joo due to boredom).
The OST is highly worth mentioning, especially the classical music they put in each episode to match the themes. It really pulls on my heartstrings and enhances the emotions of the characters.
I would definitely recommend this drama to anyone who likes lighthearted, slice of life comedies and sincere genuine relationships. "Monster Rookie" Yang Se Jong and Shin Hye Sun truly brought their characters to life, seeing how different they are compared to their previous roles. A must watch!
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This was so good!
Wow, I can’t believe I already finished this drama! I loved it so much and genuinely enjoyed every part of it. Honestly, when I first started watching, I kinda regretted picking it up while it was airing because waiting every week for a new episode was actual torture.I loved how the story developed, the romance, and OMG—the chemistry between the actors was insane. I would’ve loved an extra episode just focused on their dating era, but I’m still pretty satisfied with what we got in the finale. I adored their moments together and how slowly and naturally they fell in love—especially the ML. And the kisses?! (//ω//) There were only two scenes, but they were absolutely unforgettable, lol.
The romance was very soft and subtle, built through quiet moments, shared silences, and emotional safety rather than big dramatic declarations. It’s in the small, everyday interactions where their bond really shines—lingering looks, gentle teasing, and the way they slowly learn to trust each other. So when we finally get a confession, a kiss, and a compliment, it actually feels earned. Their relationship works because it grows with healing, not despite past trauma, making it feel genuine, comforting, and emotionally satisfying. ♥
I also loved the OST—especially It’s Me by Kim Jae Young. I’ve been playing it nonstop because it’s just so beautiful. And his voice?! Gorgeous. I had no idea he could sing that well. It’s also kind of wild that he’s friends with Byeon Woo Seok and that both of them sing and have dramas where they play idols.
I also enjoyed the mystery surrounding the bandmate’s murder. We were all out here making theories, and in the end, it was such a twist! (At least for me) I did suspect the real culprit for a second, but then everyone (myself included) got distracted by the manager and the CEO. So yeah, I liked the twist—even if the mystery side was a bit weak, as a romance? I’m fully sold.
Overall, I loved this drama. It might not be a masterpiece or the greatest thing ever, but within its genre, it really stands out. I’d 100% recommend it, and I’ll definitely be rewatching it in the future! (･ω･ﾉﾉﾞ
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1
1THE HYPE FOR THIS DRAMA IS ALL TRUE!
AWESOME IN ALL CATEGORIES!The HYPE for this drama is all TRUE!
No doubt, Now, this is One of My All Time Favs!! :)
The Plot is Good and the Characters are Well Written. Every Character is Lovable.
Direction, Production, Cinematography, Visual effects, Acting, OST/BGM, Pacing, EVERYTHING IS DONE VERY WELL AND RIGHT TO THE POINT!
OST is the BEST.
Both the Couples are Lovely.
The Bromance of Kim Shin & Grim reaper is Cool .
These two along with Deok Hwa, the Trio is Funny 😂
But at times, it's just Repetitive or a Content filler, prolonging the number of episodes mindlessly.
(It's like an unnecessary REVISION to the Viewer, haha).
Without those repetitions, Could have wrapped up very well in 16 hours instead of 20+ hours.
***
Overall, THOROUGHLY ENJOYABLE! 👌🏻
My RATING is 9.5/10.
Without those so called revisions, it's 10/10 ! :)
P.S.1: That content filler repetitions KILLED ME but this OST HEALED ME! 😂
P.S.2: I can still hear the OST song , ringing in my head and hum, while writing this review, even after many years of watching this drama (BTW, it's my phone ringtone now :) )
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Sweet, Cheesy, and Totally Hilarious!
Rom-coms have always been my guilty pleasures—something I just cannot help but indulge in, like sneaking a spoonful of Nutella straight from the jar. The drama can be full of the usual tropes, and I’m typically fine with that because I like them. Such is the case with *My Sweet Mobster*. Some will say it is predictable and cheesy, and they would be right, but the show did the cheesiness and comedy so well that it won me over. I found most episodes enjoyable and funny. Additionally, the show had a compelling premise: the ML was an ex-mobster leading a group of ex-convicts and trying to stay on the straight path.The biggest draw for me was Uhm Tae Goo as Seo Ji Hwan, the ML. He completely surprised me. I had only seen him in *Save Me 2*, and I did not expect him to be so versatile in this drama. I was impressed by how he was able to transition from being scarily intimidating to being goofily love-struck. Uhm Tae Goo showed that he can do comedy, so I hope he will continue to explore that. Seo Ji Hwan was easy to root for. He was principled, led by example, and was admired by his men. I especially loved his interactions with his group of sidekicks who live with him. That dynamic seriously elevated the show for me, and in fact, I would say that was the best part of the drama.
As for the romance, the chemistry between the lead couple was not as great as I would have liked. Han Sun Hwa was fine as Go Eun Ha, the FL, but I was not won over by her character. Go Eun Ha was a content creator for children, and Han Sun Hwa fit the role—cute, bubbly, and pretty. However, there was something missing between the couple that did not make my heart flutter during the romantic scenes. There was no feeling of giddiness or warmth watching the FL's reactions, but it was incredibly funny watching Seo Ji Hwan swooning (in some cases, quite literally!), as he had never experienced love before. His antics, accompanied by the humorous reactions of his sidekicks, kept me laughing a lot.
Kwon Yul, playing Jang Hyeon U, the SML, was another surprise for me since I have seen the actor play more menacing villains in other shows. In this show, Jang Hyeon U was not as annoying as the stereotypical SML. He was persistent when appropriate but remained a gentleman when rejected, and his protectiveness made sense given the ML's background. Best of all, he underwent some character development, becoming a good friend to the couple, supporting them, and truly caring for their happiness. I appreciate that the show did not pair him with someone else just for the sake of it, although there was some implication of a potential romance for him.
The development of the second couple, Ju Il Yeong and Kim Mi Ho, was okay to watch, but Mi Ho's parents and, again, the sidekicks were the ones adding the most flavor to the good scenes. Honestly, the supporting characters deserved much kudos for making this drama a lot more enjoyable.
Recently, there seems to be a general struggle to get the pacing of dramas right, and *My Sweet Mobster* suffered from this as well. Some episodes started to feel like filler. It was as though the show could not bear to leave out all the comedy gold, so they squeezed it all in, even though the scenes did not move the story along. As much as I laughed, I also found certain parts rather draggy. Another downside was the main villain—I could not take him seriously. Even if this was supposed to be comedic, there was something off about him.
The wrap-up was nicely done. The resolution for the ML and his mobster ties left a good feeling, and the way the show ended, featuring the main group, was satisfying.
In terms of the soundtrack, it was good—mostly romantic tracks fitting for the more emotional scenes. The opening credit song was lively and reflected the positive and happy tone throughout the show, but my favorite was "Beautiful Woman" by Yu Jeongseok. It was just so funky and unexpected, but totally appropriate when played. For posterity, I included the links to the playlist.
https://open.spotify.com/playlist/6QLkDGAblKUfnW7tB6ywqX?si=d688c0d23fc2451a
https://www.youtube.com/watch?v=W-8m3l2VVxQ
Overall, I would recommend this show. For a rom-com, it was different, straying a little from the stereotypical rich chaebol heir falling in love with a lovely girl of a common background. The comedy was well done, and if you can deal with the cringey moments that are in almost all Korean rom-coms, then you may enjoy it as much as I did.
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RECIPROCITY - Walk in a straight line BUT circle back to each other.
----The key point of the series is ----"If there is only ONE person in this world who can understand your words, then he is more important than anyone else.” -Jiang Tian
"The population of the planet is now about seven billion. If the average life expectancy of each person is 80 years and they can meet 1,000 people per day, they will meet about 29.2 million people in their lifetime. The probability of two people meeting is 0.00417. while the probability that you happened to like him, he likes you back and you become each other's special 'someone' is only 0.0000173. Everyone has a "very moment" in their life. Your memory will freeze at that moment, becoming a very special moment. It turns into a most important memory of your life. And every time you think of it, you will always have a special feeling inside" - Sheng Wang
A good coming of age BL drama from Taiwan, adapted from the book 'Mou Mou' by Mu Su Li. It's a story of two 17 year old boys coming from different backgrounds, forced to live in close proximity due to their respective parents cohabitation. Slowly these two find a home in each other and open their hearts to a possible connection. The series is not fast paced which is one of its greatest advantages, it paints a nostalgic picture of the bygone days.
The story wouldn't have been as compelling as it turned out to be without the fabulous performance of both the lead actors. Liu Dong Qin who plays the part of a lonely, privileged and affable, Sheng Wang AND Benjamin Tsang who portrays the often stoic, prickly, Ace student of the class, Jiang Tian.
At first glance, the audience perceives, both Jiang Tian and Sheng Wang are opposite in their disposition and would likely clash due to their different personalities. However just in the case of magnets, opposite poles attract each other, the audience comes to realise that underneath their seemingly contrasting outward personalities, both hide deep seated vulnerabilities that they are unwilling to share or reveal to the world. Their close proximity due their parents' cohabitation enables them to peel the protective outward layer and peek into the inner hidden sensitivity of the other.
There are many instances where the viewers get a glimpse of how well these two fit together. With each Thread of shared experience, unrevealed emotion, conversations with concealed subtexts, silent support, All combining together; their relationship transforms into an unbreakable Rope of blazing love. Some of their interactions that make them realise they have found a 'home' in each other and share RECIPROCITY in their feelings are :-
1. Sheng Wang is beaten by some outside thugs on the school campus (arranged by a jealous competitive classmate). Sheng Wang while taking the beating and trying to escape from the goons, thinks that he is all alone and nobody is there to help him. When Jiang Tian finds out about this incident, he works out a way to catch these fellows and punish them. Later Sheng Wang finds out that Jiang Tian was instrumental in their being caught, he talks with Jiang Tian who divulges that if in place of Sheng Wang, he would have been caught alone by the thugs, he too would feel helpless and wish someone would help him. Jiang Tian further states that at that time he wasn't there to help Sheng Wang but he made sure those guys were punished for attacking Sheng Wang and making him feel powerless. (This conversation makes Sheng Wang realise that Jiang Tian would always protect him)
2. Sheng Wang and Jiang Tian both want to live in a dorm (hostel) at one point of time. However later, after the two feel a sense of fellowship, Sheng Wang no longer wants to live in a dorm but wishes to live in his father's house with Jiang Tian. Jiang Ting confesses that even though he also rejected the idea of living in a dorm due to their growing closeness (and the fact Sheng Wang was hurt by Jiang Tian wanting to live in a hostel) he still wished he could stay in a dorm. At that time Sheng Wang thought that Jiang Tian would leave him so he started distancing himself from Jiang Tian. Later Sheng Wang came to know from Old Man Ding that Jiang Tian never had a permanent home, he always kept his belongings packed in a suitcase, ready to leave the place where he was currently residing at a moment's notice because he had an unstable childhood and never got a place to call 'home'. Sheng Wang then offers to stay with Jiang Tian in a dorm, both of them would live in a dorm together so that Jiang Tian would feel safe for at least the duration of their boarding period (as it was fixed as per the fees paid and duration of their studies, the stay in a dorm is not depended upon unforseen changes in his mother's relationship with Sheng Wang in future) and would UNPACK things from his suitcase as he would get a clear timeline as to how long he could live at one place. (This conversation with Sheng Wang made Jiang Tian acknowledge that someone understood his fears)
By gaining insight into the other's frality, both feel protective towards the other. This understanding creates a bond of friendship and acceptance, however it is complicated by their budding romantic feelings for the other. Sheng Wang is more vocal about things but is oblivious to the romantic undercurrent between them or so it SEEMS, Jiang Tian on the other hand is hyper aware of his feelings but he is accustomed to bottle up his emotions never verbally voicing them out.
The hurdles in their way to a blissful life of togetherness are them being of same gender as well as their parents' relationship which makes them 'brothers' in the eyes of the society.
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I would say this series is multi-layered, it deals with many issues that a young adult goes through.....
1. Dealing with past trauma and loss - Searching for that certain some'ONE'.
2.The Bittersweet school life - surviving the competitive world of education where ranks and grades have to be maintained, the jealousy and backstabbing of other ambitious student(s).
3. The budding romance - Growing affection between two boys who care deeply for each other but are afraid of societal judgement as well as afraid of rejection by the other so they keep their feelings within themselves.
4. The stolen glances - Looking at your crush, trying to gauge their reactions based on subtle changes in their facial expressions. Trying to gain the attention of the person you are captivated by. Realising that what started as infatuation has morphed into an indestructible bond of Love that lasts a lifetime.
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I would also like to praise the director of the series, Liu Kuang Hui. The director made the perfect casting choice, Liu Dong Qin and Benjamin Tsang create a believable love story of two young people who are too afraid to voice out their emotions. The Director, through their slow build relationship managed to tell a heartwarming story of two youths' struggle to find a way to stay together. From Jiang Tian's attentive, observant gaze To Sheng Wang's unwillingness to get close to anyone who might desert him. Both fearing abandonment, their non-date Date, having each other's back. The director laid down layers upon layers of shared experiences to cement their commitment.
The soundtracks also manage to solidify the burgeoning feelings.. Although it's difficult to choose a favourite amongst them, my favourite is '17 Run to You', the lyrics were so appropriate for these two lost souls finding a common ground to flourish and live happily together. Other Songs include 'Just lonely', 'Interlude', 'Rainbow Love' and 'Love Proverbs '(The theme song)- All 5 of them have quite soulful melodies and meaningful lyrics that linger in your heart for a long time.
::::Overall:::: Another good BL drama from Taiwan, a little wistful, evoking memories of youth.
This series is replete with pathos for literary enthusiasts. People who are interested in literature should rewatch the series to savour the metaphors, symbols and references from other literary works that the Scriptwriter/ Director has woven into the narrative of the story.
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My 'Very' Moments (Additional Titbits)
1. Episode 3
'up to you' versus 'down to you' - There is a scene where the English Teacher in Jiang Tian and Sheng Wang's school is asking the students to differentiate between the phrases 'up to you' and 'down to you'.
As per the dictionary:
'up to you' means 'It's your decision! You choose!'
Where as 'down to you' means 'to be someone's responsibility or decision:Duty, obligation and responsibility'
In the same episode before the English Teacher brings up the topic of differentiating between the two phrases, Jiang Tian has given money to Sheng Wang for the bottle of water he had purchased earlier for Jiang Tian, Sheng Wang tells Jiang Tian that it's 'up to you' implying that Jiang Tian can choose to remain formal and stiff with Sheng Wang, unaccepting his clumsy attempt at explaining as to Sheng Wang only kissed Jiang Tian in school due to the game of truth and dare, the kiss was just a part of the game.
Later when Jiang Tian offers to be friends with Sheng Wang while talking in his bedroom. Sheng Wang's soliloquy brings the whole topic of difference between the idioms full circle. Sheng Wang muses - "At this moment, I totally forgot what our English Teacher had said. What's the difference between "up to you" and "down to you". Only then did I realise, the moment Jiang Tian said that, my world turned UPSIDE DOWN. My world toppled."
The thin line between "up to you" i.e choice and "down to you" i.e obligation, blurs as everything turns topsy turvy with one heart to heart conversation of Jiang Tian with Sheng Wang.
2. Episode 7 - Moving into a dorm
As per my perception and the conversation that Sheng Wang had with Jiang Tian, Sheng Wang hopes to find some 'stability' for Jiang Tian hence suggests moving into a dorm.
It was stated by Grandfather Ding that Jiang Ting had NO home while growing up, he was constantly on a move, sometimes living with his father, mother, grandmother or old man Ding... probably he may have spent an occasional night at some acquaintance's home. Now that his mother has moved into Sheng Wang's father's home, logically he might get a stable home but due to his past experiences, psychologically he is still unable to relax and unpack. He may fear things going south between his mother and Sheng Wang's father someday or displeasing his stepfather or ... or ..or...and he may have to 'move' again so he is keeping himself ready for that possibility.
As per Sheng Wang, living in a dorm Jiang Tian may unwind a little because even though they cannot live in a dorm forever, it gives a 'specified duration' wherein the students can live as per the fees they have paid for the term. Hence Jiang Tian can mentally feel some stability for that time period.
So it doesn't matter that there are two other people sharing a dorm room with them because at the current juncture of the story they are looking for 'stability' rather than 'privacy'. Therefore both are rejoicing at having achieved that goal.
Maybe later they may find sharing the accommodation with other two students a little restrictive but that's for the future..In the present, they can heave a sigh of relief on behalf of Jiang Tian.
3 . Episode 8
The difference between the conversation that Sheng Wang has with his father and Jiang Tian has with his mother regarding shifting from Sheng Wang's father's house to a Dorm.
Sheng Wang is quite vocal and doesn't mince words, he is eloquent and has a way with words. His father often considers him immature and doesn't really listen to what he is saying. Sheng Wang very clearly stated what he wanted and put his feelings into words to express what he wanted. He very generously accepted his father's need for a companionship but never faltered from his point of needing to stay in a dorm.
Jiang Tian and his mother's relationship is quite stilted due her guilt of leaving her son to fend for himself while she was busy earning money to support her family. Both stay quite, sitting on a sofa not knowing how to approach the topic, until they break the ice. Jiang Tian comforts his mother by saying that this time he is NOT alone when he moves to a new place, as he has a companion who would accompany him and ensure his happiness. He also expresses happiness that his mother will also not be alone as she has also found a loving companion.
What made me happy to see is that both boys want their respective parents to lead a happy life but they are not willing to change their decision. Their approach of discussing things with their own parent differs but both manage to convey their choice distinctly. They stay firm and polite but don't buckle under the pressure of parental guilt, obligation or coaxing.
4. Episode 9
Once again a topic explained in the beginning of the episode by a school teacher, forms a heartfelt moment...the series did the same in episode 3.
Now again in this episode. The difference between a period (.) and ellipsis (.....)
i.Period (.) means end of conversation, there is nothing left to say anymore.
ii. Ellipsis (.....) means something is left intentionally unsaid, the conversation is at a pause and there are more things that are unsaid, to be said.
This lesson, is quite meaningful as the relationship between Jiang Tian and Sheng Wang is at the ellipsis stage.....
There are so many things bubbling at the surface between these two protagonists waiting to burst out.
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*Through two incidents, we witness different dynamics of the relationship between Sheng Wang and Jiang Tian.*
When Sheng Wang cajoles, coaxes and calls him "ge" all the while pouting, to convince Jiang Tian to wear the sports T-shirt with embarrassing letters printed on, Jiang Tian surrenders, he agrees to put on the T-shirt to make Sheng Wang happy. Sheng Wang sports a smug smile because, he knows he would always get his way with Jiang Tian by pleading.
(Sheng Wang 1 : Jiang Tian 0)
Second incident, when Sheng Wang hurts his foot after the last round of Long Jump, Jiang Tian notices his wince when Jiang Tian is tying their legs together for a three legged race. Jiang Tian immediately calls a halt and asks permission from the teachers to take Sheng Wang to a health centre. Jiang Tian instructs Sheng Wang to get on his back so he could carry Sheng Wang piggyback style. With so many people watching, Sheng Wang is embarrassed to get on Jiang Tian's back, he squirms and tries to make excuses. Jiang Tian doesn't heed and repeatedly asks Sheng Wang to "get on" his back in a protective authoritative manner till Sheng Wang climbs onto his back so that Jiang Tian can carry him to the clinic.
(Jiang Tian 1 : Sheng Wang 0)
Both these incidents highlight their relationship dynamics, Jiang Tian will fold and give in to Sheng Wang's persuasions in all instances except when it comes to Sheng Wang's well being, then Jiang Tian wouldn't be swayed by anything. An interesting fact is that Each of them is aware of their strengths and weaknesses where the other is concerned.
(I have run out is space here so My 'very' moments for episode 11 and some musing on episode 12 specifically the Ending are added as comments to this review, If you are interested to read more please look up the comments)
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No Need to be Hypnotized, This Drama is Simply Enchanting
This drama captivated me from beginning till the end. Everything I wanted to see in a romantic comedy is here, and then some! This review is strictly for the drama, not to compare/contrast with the manhwa "Prince, Don't Do This!" (王爷不要啊) written by Dong Man Tang, in which it was loosely adapted from. I am rewriting the synopsis below for clarification without spoiling the plot.STORY
Princess Aimala (new country name is Ming Yue) from the southern country Xi Yue is forced to marry to Prince Zi (common name is Li Qian), the 9th prince of the northern country Bei Xuan. Both parties disagree but it is for the political alliance. Li Qian already has a marriage arrangement with his childhood friend Lady Qiao (Hui Xin), and Ming Yue has a lover General Yun Ci. Both dislike each other since the beginning they met. Ming Yue who is skilled in horse riding, shooting, and hunting is not a typical feminine lady according to her new country's custom, neither she is beautiful. Even the Emperor (Li Qian's dad) despises her. Li Qian is cold and reserved, and has no clue on women and how to please them. Ming Yue is his first love. Even then he is still unsure if his feeling towards Ming Yue is genuine or fabricated, because his wife has another unique skill: she can hypnotize him and she does it, a lot! The couple needs TONS of guidance on love and sex (yes that's right!) from their friends: the wise Kong Zhen, the playboy Jin Yu, the mischievous Kang Le, and the straightforward Tan Li. The story is not all rosy though, we also get to see inside power struggles and outside rebellions, tragic past unfolds, hatreds and betrayals, revenges and sacrifices, broken hearts and even deaths.
WHAT I LIKE ABOUT THIS DRAMA:
(+) It is a well-done medium or big budget show.
(+) No need character or story guidance or anything like that you usually need it for watching Chinese history/palace dramas.
(+) The story has a lot of features for everyone's liking: action-packed, mysterious background, steamy romance, hysterical comedy. It's not boring, it's fast or evenly spaced. I do not skip scenes or conversations though I do a lot with Chinese dramas.
(+) The story is not straight-line, has a lot of facts from the past, dreams, plot twist and surprises.
(+) Satisfactory ending
(+) Good looking cast from the main to the supporting ones (gosh even the musician Lan is stunning and the Empress is elegant)
(+) Adorable acting of Ling Mei-Shi as Ming Yue. Although there are more beautiful Chinese actresses, but the choice to cast this cute young actress as the outspoken, mischievous, and smart foreign royal princess is just right, either in funny, romantic, or sad scenes.
(+) Charming acting of Allen Fang as Lin Qiao. From cold and serious, to confused and suspicious, to romantic and playful, his facial expressions are just right. Also the fighting/martial arts acting. He is also a member of Chinese pop boy band M4M. He sang some songs in this drama (see OST comment below). And he looks better in historical drama than in modern day drama (his other drama is Childhood Sweethearts Pianist but he looks bland there)
(+) Stunning acting of Ni Han Jin as Yun Ci. Though lots of comments do not like him, I feel bad for the Yun Ci role. Though he is abrasive and aggressive but his broken heart and pain look real as a man whose lover is snatched away behind him. He is not only handsome, but has a great body, too! And FYI I do not have Second Lead Syndrome.
(+) Exceptional acting of Zhou Zi Xin as Hui Xin. I saw her in Put Your Head in My Shoulder drama as supporting role who also likes the male lead, but Hui Xin's love here for the prince is dangerous and devastating. The actress is capable to go thru yandere transformation from a gentle, submissive, elegant lady to a conniving, hateful, and dejected villain.
(+) Other supporting actors and actresses are just right playing their respective roles.
(+) Great cinematography. Camera shots and angles were just right.
(+) Breath-taking sceneries. Lots of falling flowers and snow rains. They could be real snowing scenes too because the drama was filmed during the winter months of January to March 2019. The filming location is at Hengdian World Studios, the largest film studio in China or even the world (http://www.hengdianworld.com/en/default.html)
(+) Beautiful OST from the drama opening and in special scenes. The opening song is "Magnificence" by singer Jian Hong Yi (who is also handsome). The main leads Allen Fang and Ling Mei Shi sang "The First Seen Snow". Allen Fang also sang "Wind, Flower, Snow, and Moon". A song specifically dedicated to the love of Yun Ci and Ming Yue is "Departure" by Jin Runji with mystical Middle-eastern tone.
(+) Elegant royal costumes, especially for the Princess and Princess. I love especially their outdoor gears and the Turkish/Middle Eastern robes Ming Yue and Yun Ci wear (in the manhwa Aimala is from Uyghur, the ancient Turkey area in Asia)
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Trigger Warning to those from abusive relationships. Not a fluffy romance.
I think the plot itself was good. The actors did fine.I was expecting a contract/forced marriage to gradually become a fluffy romance. Not what I got.
The ML actor was good looking but the character was a major turn off. That character has some serious mental issues. He was obsessive and abusive to the FL. The scattering of sweet moments did not make up for this. The dichotomy of those moments made it all the most disturbing. This might have been compounded by binge watching it in one sitting.
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‘She Shen Qu Yi’
‘She shen qu yi’ (舍身取义) literally means sacrificing oneself for justice. This drama is about this ideology. Everything the main characters do is based on this belief. The current political turmoil in the real world makes this drama especially comforting, giving hope that there are still many of these ‘xia yi’ people out there fighting for justice and sacrificing themselves. It's this ideology that brings tears to viewers' eyes and to love the characters.This drama has an amazing storyline with great wuxia. It starts with a nail-biting scene, and continues to be nerve-rackingly intense almost throughout. The intensity is so great that it’s hard to watch without a drama partner. Viewers are therefore advised to find a viewing buddy before beginning this drama. Having said that, viewers may also kick off the partner half way through as the drama slows down and the plot becomes less intense.
Zuo Qingci (Zhang Yao) is a sickly but brilliant doctor who wanders the earth, saving those who can’t afford a doctor. He also has a different identity and is the mastermind to save the Emperor and the kingdom from fallen into the devil’s hand. In his quest, he finds his long lost love, a girl who has given him meaning to live at the time when he loses all hopes. Together, they meet challenges testing their love and trust for each other, and in the end they’re rewarded.
The side couples’ stories are equally enthralling. To my content, the characters are well developed and their stories are well told, and even bring tears to my eyes. Other supporting characters are pretty well developed too and they really engage the viewers’ sympathy.
All the female characters are strong, determined, dignified and brilliant (there are no love sick silly girls who go all out to get the love from their men). Even with a physically sickly female character as in Xie Jiang Er (Xu Meng Yuan), she is sensible, strong and wise. Her words are comfort to all those around her. For many of the scenes, Su Yun Luo (Zhang Ya Qin) is disguised as a boy, Fei Kou Er. Her make-up is probably one of the best disguises I’ve ever seen in a Chinese drama with dark rough skin and tattered clothing, and no boobs. Zuo Qingci’s make-up reminds me of Mei Changsu (Nirvana in Fire) – white robe with fur. Probably such style gives the viewers a sense of simplicity and frailness.
I’m really impressed by the acting, in particular by Shi Yun Peng who portrays Zhu Yan, and Deng Yu Li who plays Shen Man Qing. They have totally convinced me and captured my heart.
The only qualms I have are perhaps how they've talked about and built up of certain mysterious 'da xia' (heroic) characters, and as soon as these characters appear on screen, they're being killed off without much effort. It's really bewildering because heroes are not supposed to die easily like ants. The overall suspense building up to the climax is ruined basically by the climax itself as it doesn't match up to the built-up -- it (the climax) is not exactly unexpected and spectacular; the climax is the anti-climax. After the climax, it leaves the viewers asking the question: "What is the point of all these?" A lot of the actions and decisions by the characters, seemingly futile, can only be explained by the "she shen qu yi" belief. Again, like many Chinese dramas, the ending is weak and feels 'forced' without much effort being put into it. The main characters become pedestrians, losing all their heroic appeals.
Despite all these flaws and plot holes, I've enjoyed this drama. It is through and through a wuxia story with all the wuxia elements and virtues – brotherhood, sacrifice, devotion, endurance. At the same time, it is interjected with romances to slow down the pace for the viewers to take a breather. The story is intriguing, the fighting scenes are beautiful and convincing.
If you're a wuxia fan, you'd love this drama. If you're a romance buff, you'd equally love this drama. Amazing story, amazing acting, amazing music, amazing cinematography. It’s a must-watch and deserves a rare 10/10.
Two thumbs up!
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How can you tell it is a romantic J-drama? Shhh! Don’t interrupt the skinship.
In J romance dramas we trust. I do declare! The Japanese really know how to deliver a short, nice, easy-binge drama that just seems to hit the spot.There is no point in calling out the drama for being shallow or one note. Let’s be honest, most of this type of j-dramas can be summarised on the back of a small napkin. This is also the difference between a j-drama and a similar Korean show. The Korean version will overthink and overwork the plots and probably add a lunatic killer, just because. On the other hand, an equivalent c-drama will be stretched to 40 episodes, and we shall pray for deliverance from the endless angsty tropes and breakups. Not that j-dramas don’t have tropes, there are plenty. However, they are usually under a tight rein and the plot is distilled into a set of key markers so that we get what is needed just at the right juncture.
For this drama, the plot can’t be simpler. We start with a cohabitation trope between two long lost high school classmates. This is signed, sealed and delivered within the opening minutes. The rest of the show is all about how the ML confesses (repeatedly) and pursuits the FL tirelessly. All the while chipping away at her armour and make her fall in love with him even though he is the one who is obsessed with her for 10 years.
Before you jump to the conclusion that he is some kind of psycho with despicable design on the poor hapless FL, you need to take a chill pill. ;) What you will find is a ML who is totally devoted to the FL and pretty much worships her. It is also important that he respects her and will do anything to please her and protect her. All this is done in an open and adorable way. He certainly has no problem telling her how he feels. It took a little longer for the FL to reciprocate though.
Needless to say, he yearns for her, but he is willing to wait for her to accept him first. When that happens, it is on for young and old! Our skinship quota went into orbit. Don’t get me wrong. It is not sleazy nor egregious. They accept that physical intimacy is an important part of a healthy relationship. FL went from being unsure and timid to being quite bold.
Like other similar j-dramas, we see a steady progress in their relationship. There are lumps and bumps along the way but they work to overcome them as a couple. Communication is the key. They are also sensitive to each other’s feelings and will act upon signs before they fester into sores.
Most importantly, the ML helps the FL to thrive and embrace the world beyond books. There are many sweet and swoon worthy moments. Don't judge this show by its poster. ;)
If you are a romantic looking for a straightforward, swoon-y show then add 1 extra point to the score. Seriously, if you feel jaded after watching a disappointing or just plain exasperating “romance” drama, just fire this up and lose yourself in it for a few hours. This show will make you believe in true love again. Highly recommended.
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BRACE YOURSELVES, LONG REVIEW COMING!It’s kinda hard for me to rate and review this drama as a -one thing- because the -mini drama- doesn't follow one story line so, I’m rating them and reviewing them individually. The general rate it’s basically an average I did with the rates I gave to each story, but if you don't wanna read the entire review just pick the story you want to read or if you don't want to do that either and just want to know if this is worth watching, then, yes it is worth watching. If you like love stories in general you'll definitely enjoy this hehe...
So, let's go!
NO SPOILER
*1st story* -Seung Yeon and WooJin-
Overall rating--- 7.0
Rewatch value--- 5.0
A kinda heartbreaking story about a couple that has to face death and loss in their relationship, this story also has a sci-fi-time-traveling plus that makes it interesting and different. The story can make you cry and laugh and make you sit at the edge of your chair because you basically don’t know what’s gonna happen later, so you suffer with the characters. It has a pretty good acting of both sides and a satisfying ending, the chemistry between them was ok, I didn’t feel an awesome connection but it was good enough to make me root for them.
*2nd story* -Goo Hara and Kim Young Kwang-
Overall rating--- 10
Rewatch value--- 10
Oh my...! I’m so glad I watched this, seriously. The chemistry was like BOOM! I totally felt the sparks when they were together. Ok, the story goes like this: This shy and ordinary girl who works in a convenience store, one day realizes that she has terminal cancer and makes this list of things she wants to do before dying, and in the path of fulfilling these wishes, she meets (in a very odd and funny way) this crazy-problematic guy who is gonna become our hero, so the rest... You have to watch it. The story is clever and funny and the reason is that the characters are the strong point of the drama. They are so loveable and enjoyable, because they are real and they have flaws and craziness and energy and chemistry, and problems, and scars and fears and so on... I liked that this drama took a serious and sad topic like this one and turned it into a light and easy-to-watch thing. This could have been a perfect 16 episodes drama :)
*3rd story* -Kang Ji Young and Bae Su Bin-
Overall rating--- 7.0
Rewatch value--- 6.0
This drama tells us an innocent lovestory, I’d say a one side lovestory, but probably you won’t agree with me, anyway, after you watch it you can describe it as you think it actually is. The acting was pretty good of both sides, and the drama has a plus that I can’t tell you but it’s basically the soul of the story, in other words the writer of this drama is genius srsly. Hehe, although it takes a little to take off but it's worth watching 'till the end.
*4th story* -Jung Nicole and Lee Kwang Soo-
Overall rating--- 9.0
Rewatch value--- 7.0
I don’t have much to say about this one, although I really enjoyed it. The story follows the journey our main characters have to follow to solve a riddle that will lead them to an inheritance. The story has 2 kinds of love. One is the father-daughter’s love and the other one is the love between our couple. The acting was GREAT! I loved Jung Nicole and Lee Kwang Soo’s acting sooo much! And also the chemistry was awesome.
*5th story* -Park Gyuri and Ji Chang Wook-
Overall rating--- 10
Rewatch value--- 10
Please watch this story!!!
This one was probably my favorite one, although I didn’t like her character that much, actually I found her kind of annoying sometimes, but still...
Her character is the perfect Oh HaNi (Playful Kiss)- If you know what I mean-, a crazy, prideless stalker girl, but still cute. She works for a travelling agency in Jeju Island, so you can imagine how beautiful the scenery is.
His character is super enjoyable, he’s kinda jerky, he’s kinda cute and funny and DAMN! This man is beautiful, it should be illegal being this mesmerizing, srsly. He’s an angel, actually he’s her guardian angel and that’s what makes this story awesome. The way these two meet and how they develop the angel-human relationship was pretty well written, performed and directed.This is the only one story of the series that has a second male lead and an actual love triangle. I was really sad when this ended because this SHOULD be a 16-20 episodes drama. Who do I have to talk with to make this a drama? Please drama gods!! Come on!
Sorry for the long review... If someone actually reads this, thank you and I hope this has been helpful to you
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Usually, if the story really sucks I can at least count on the cast, but not in this case. Park Shi Hoo and Song Ji Hyo not only lacked chemistry, but their characters were more annoying than sympathetic, which made them hard to root for. Shi Hoo plays the narcissistic Phillip who spent way too much time whining, or trying to "act cute". There were a few moments where I thought I might start to like his character, but it never lasted for long. I liked Song Ji Hyo as Eul Soon even less. She was so frustratingly stubborn that I eventually lost complete interest in her character. I blame bad writing and a bad performance for that. Since the story literally revolves around these two characters, if you don't like them there's literally no reason to watch!
The only character that I cared about at all was Lee Gi Kwang as Sung Joong. He and his character deserved better.
The rest of the characters are stereotypical and forgettable, so there's a lot of overacting from the supporting cast. Sometimes they tried too hard for laughs, and sometimes they played up villainous and scary moments so much that the attempts at horror and suspense felt more like campy comedy. Then there are random twists in the story that should have made the characters seem more complex, but it just made the story more of a hot mess.
How much of a hot mess? Expect to try to follow multiple ghost stories, murder mysteries that defy logic, a washed-up boy band, an obsessed stalker, and a cursed fate romance that is light on the actual romance and heavy on the series of unfortunate events. All of the major questions do manage to get answered in the end, but that doesn't mean the story made any coherent sense. It's my fault for not dropping it. Sometimes you just gotta let go, of destructive relationships and bad dramas alike.
Overall, I feel pretty comfortable telling people to skip this one. If you want a romcom with ghosts watch "Master's Sun", or "Oh My Ghostess". If you want a romance about a writer that involves ghosts watch "Chicago Typewriter". Want a drama about a jinxed or ill-fated couple? Watch "Lucky Romance" or "Another Miss Oh". I normally don't recommend other dramas in a review this much, but that's how strongly I feel about avoiding this one! I'm starting to think a ghost must have possessed me and made me finish. That's the only logical reason for not dropping this like everyone else.
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A strong production. A bold story that comes across without make-up by Korean standards
If you're looking for a KDrama of the usual type, then you won't find it in "Children of Nobody". Here you are dealing with an impressive psychological thriller with lasting influence that comes across without make-up by Korean standards. This is about child abuse. The powerful here are not the economic giants, but the parents in their sacred halls. Not funny. The story wants to stir you up and it does. In the original, the title is actually "Red Moon, Blue Sun" and alludes to modern South Korean poetry that has been quoted several times. In connection with the crimes against children, poetry seems downright paradoxical.If "Children of Nobody" at the time didn't make spectacular waves in the ratings, it's not because it wasn't done convincingly, but because there are a large number of unreported families in South Korea for whom physical abuse and the "stick of love" are still taken for granted. Sooner or later, these viewers would have to take a good look at their own noses. The topic is treated in a differentiated manner from a wide variety of perspectives.
----------------------------------------- SIDE NOTE: --- child abuse vs free, upright citizens ---
If people are broken mentally and physically from an early age, how are they supposed to learn to live as upright citizens? The road to free, responsible citizens still seems a long way off. 20/30 years ago in South Korea - without high technology, ubiquitous internet and social media - many people in their personal world largely only knew people for whom these practices of physical abuse were also a matter of course. The children and young people of today and the young parents of tomorrow, on the other hand, grew up in a time when they could learn a lot more about alternative living environments, value systems and educational concepts through the media. The field of consciousness is expanding. Conflicts with traditional structures arise. New perspectives are given space. In the exchange via social media, resistance and support can form, discussions are held and new values and self-images spread. Change becomes possible.
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KDramas increasingly provide positive models of how things must become different in the future. In its own way, it tries to straighten things out in the context of child abuse that many take for granted.
Therfore "Children of Nobody" is a strong production. A bold story. A commitment to a future with free, responsible citizens - precisely because they are ruthlessly confronting with where society (in South Korea) actually stands.
Fantastic actors. Captivating story. Highly valuable.
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A MASTERPIECE FOREVER
If you are a c-drama lover Do Not Miss this series highly recommended it is simply a masterpiece the story of yanpoyue from an arrogant highlyselfconfident army boy who thinks that he is and has to be the best bcz he has to rely only on himself in his life and doesnt know the importance of his comrades to a mature soldier who eventually becomes down to earth understands the meaning of teamwork and learned to value his comrades the character development of yanpoyue is greatThis drama has shown every aspect of a soldier's life with a great perfection and detail
This is package full of:- bromance courage,selfconfidence,teamwork, hardwork,passion,motivation and many more amazing life lessons are conveyed very well through this drama
Yang yang has given his 1000% for this drama the hardwork he has put in for his dream role is really commendable
All the actor and supporting actor did a fantastic job in giving justice to thier roles i got connected to every character of this drama
One of the best work of yang yang so far and the best military drama till date
This drama does'nt have and does'nt need any romance its bromance love respect care for the comrades is more than enough to make people connect and fall in love with this drama
This One is surely one of my Forever favourite
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3
1Being a single mother in South Korea can be quite hopeless, that´s where this story is coming from
Yes, you should watch it.As the title suggests, "Mother" deals with the archetypal theme of 'motherhood'. When is a mother a (good) mother? Once a mother = always a mother? Who can become a mother? Who has to be, no matter what? ... So far "Mother" isn't necessarily specific to Korea in terms of its story. (Actually the original is Japanese). But "Mother" is also (and most importantly) about the stigma of single mothers - and for South Korea that is outstandingly detrimental. From this point of view, this KDrama becomes immediately socially critical: if the position of the single mother in South Korea weren't so hopeless, then the whole story wouldn't have developed the emotional drive that it has.
In this context, "Mother" also confronts the viewers with two other socially sensitive issues in their manifold entanglements: child abuse and vigilantism. It is a dramatic fact around the world on the subject of child abuse that dealing with domestic violence is legally difficult. If you go the official route, you can only intervene when it is already too late. In the case of "Mother", essentially almost all mothers featured are to some extend criminals before the law (of one kind or another).
The hearty fare in terms of its sensitive content is, however, in a digestible way illuminated with all the proven stylistic devices of KDrama. The subject is dark and exhausting, but there is still room for light, color, joy and heartwarming in the presentation. Despite all the traumatization, the abused child is primarily a ray of hope (isn´t poetic freedom just wonderful!). It's no surprise that up-and-coming actress Heo Yool was named "Best New Actress" at the 2018 BaekSang Arts Awards... Her play ist simply amazing! (And not just hers...)
"Mother" aired on South Korean television during weekdays at 9:30 p.m. Regarding the scenes about child abuse, the age rating here has been set at 16, as opposed to the more usual 13 years. The KDrama "Mother" was released in 2018. It may be simple coincidence or even correlation: the KDrama just happened to present a burning topic of society at the time: In 2019 there was a change in law, which means that at least abortion now is legally possible for all women in the first 14 weeks without punishment.
-------------------- Side note: --- Orphanage and Single Motherhood in South Korea ---
If you are unmarried and happen to get pregnant, in South Korea you will have a hard time, still today. Exclusion, hostility, mobbing, unemployment, pressure from all sides are not uncommon.
If you are the child of a single mother, trauma of some sort is almost certain - mobbing, devaluation, child abuse, orphanage and/or adoption, you name it.
Noticeably, the 'orphanage' often plays a role for one of the protagonists in KDrama. That's not because it's such a stirring story hook, but because it's a current influence in the lives of many children (and now adults) of South Korean descent. Since the 1950s, the number of officially and unofficially adopted South Korean children, mainly from abroad, is estimated at 150,000 to 200,000. Another global leading position for South Korea... At first there were many war-orphans among them, otherwise there were also children from poor families. But since the 1980s, the main causes have been that the mothers are single parents. Desperate women - for whatever reason single with a child - often have no choice (to give themselves and the child a promising chance in life) than to give the child away - thus giving them a new chance with the option of being adopted to a solid family sooner or later...
For the children in the orphanage, the parents are not necessarily dead. However, their mothers gave up their parenthood at the door for a good reason: because society with its traditional value system does not accept a concept beyond ´traditional´ family. Single parents are not welcome. However, since abortions were also undesirable - i.e. forbidden for ages, unmarried pregnant women always found themselves in great distress... It was only in 2019 that the ban on abortions - that had been in force up to that point - was declared unconstitutional, so that pregnant women are now at least up to the 14th week without specifying abortion without punishment, in the case of rape up to the 24th week.
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There's simply no comparison. The movie is just a better overall production, even counting the fact that movies tend to have a higher budget. It's best to think of them as being in two different universes-having similar characters, a similar setup, but completely different characterizations, different plot, different tone, different extrapolation. I suspect that a lot of people rate the series higher because it ends happily, where the movie is tragic. As a gay man, I totally understand the bias against LGBT movies with tragic endings; there's simply too many of them. But still, the movie's better.
But I'm not dismissing this series. The series comes into it's own about halfway when it spends time with new characters and explores themes of it's own.
Overall, you won't regret watching it. I wish I had time for a rewatch as my own comparisons to the movie spoiled the beginning for me. Looking forward to Season 2 instead!
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