I hate hockey, therefore I was very hesitant before starting it, a good two years ago. But I soon realized that this particular sport was a narrative necessity, being a rude, violent one, but played by people with a lot of heart.
Pride is a sweet love story, between a man whose name means Spring and a woman who's called Autumn. They are totally different in almost everything, to the point they become complementary and fit into each other's life like two pieces of a jigsaw puzzle. He has his way of pulling her out of her shell, and she has her own at showing real strength is not the physical one.
They are a pleasure to watch together. As I said before, Kimura does not disappoint, he's a great actor who knows how to charm the audience. I'm very partial to Yuko Takeuchi, I can't help being completely captured by her voice, her elegance and blend of ingenuity and wisdom.
Aki and Haru - Autumn and Spring - are one of my favourite drama couples, with tons of sparks crackling between them whenever they are on screen together.
The music doesn't need a review. The entire OST is by the Queen. Like them or not, they have been one of the greatest rock bands in history. And they fit the drama to a T.
I have already watched Pride twice and a third view is definitely in my plans, therefore I'm ready to give it a very high re-watch value and recommend this show to everyone.
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How can you tell it is a romantic J-drama? Shhh! Don’t interrupt the skinship.
In J romance dramas we trust. I do declare! The Japanese really know how to deliver a short, nice, easy-binge drama that just seems to hit the spot.There is no point in calling out the drama for being shallow or one note. Let’s be honest, most of this type of j-dramas can be summarised on the back of a small napkin. This is also the difference between a j-drama and a similar Korean show. The Korean version will overthink and overwork the plots and probably add a lunatic killer, just because. On the other hand, an equivalent c-drama will be stretched to 40 episodes, and we shall pray for deliverance from the endless angsty tropes and breakups. Not that j-dramas don’t have tropes, there are plenty. However, they are usually under a tight rein and the plot is distilled into a set of key markers so that we get what is needed just at the right juncture.
For this drama, the plot can’t be simpler. We start with a cohabitation trope between two long lost high school classmates. This is signed, sealed and delivered within the opening minutes. The rest of the show is all about how the ML confesses (repeatedly) and pursuits the FL tirelessly. All the while chipping away at her armour and make her fall in love with him even though he is the one who is obsessed with her for 10 years.
Before you jump to the conclusion that he is some kind of psycho with despicable design on the poor hapless FL, you need to take a chill pill. ;) What you will find is a ML who is totally devoted to the FL and pretty much worships her. It is also important that he respects her and will do anything to please her and protect her. All this is done in an open and adorable way. He certainly has no problem telling her how he feels. It took a little longer for the FL to reciprocate though.
Needless to say, he yearns for her, but he is willing to wait for her to accept him first. When that happens, it is on for young and old! Our skinship quota went into orbit. Don’t get me wrong. It is not sleazy nor egregious. They accept that physical intimacy is an important part of a healthy relationship. FL went from being unsure and timid to being quite bold.
Like other similar j-dramas, we see a steady progress in their relationship. There are lumps and bumps along the way but they work to overcome them as a couple. Communication is the key. They are also sensitive to each other’s feelings and will act upon signs before they fester into sores.
Most importantly, the ML helps the FL to thrive and embrace the world beyond books. There are many sweet and swoon worthy moments. Don't judge this show by its poster. ;)
If you are a romantic looking for a straightforward, swoon-y show then add 1 extra point to the score. Seriously, if you feel jaded after watching a disappointing or just plain exasperating “romance” drama, just fire this up and lose yourself in it for a few hours. This show will make you believe in true love again. Highly recommended.
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Usually, if the story really sucks I can at least count on the cast, but not in this case. Park Shi Hoo and Song Ji Hyo not only lacked chemistry, but their characters were more annoying than sympathetic, which made them hard to root for. Shi Hoo plays the narcissistic Phillip who spent way too much time whining, or trying to "act cute". There were a few moments where I thought I might start to like his character, but it never lasted for long. I liked Song Ji Hyo as Eul Soon even less. She was so frustratingly stubborn that I eventually lost complete interest in her character. I blame bad writing and a bad performance for that. Since the story literally revolves around these two characters, if you don't like them there's literally no reason to watch!
The only character that I cared about at all was Lee Gi Kwang as Sung Joong. He and his character deserved better.
The rest of the characters are stereotypical and forgettable, so there's a lot of overacting from the supporting cast. Sometimes they tried too hard for laughs, and sometimes they played up villainous and scary moments so much that the attempts at horror and suspense felt more like campy comedy. Then there are random twists in the story that should have made the characters seem more complex, but it just made the story more of a hot mess.
How much of a hot mess? Expect to try to follow multiple ghost stories, murder mysteries that defy logic, a washed-up boy band, an obsessed stalker, and a cursed fate romance that is light on the actual romance and heavy on the series of unfortunate events. All of the major questions do manage to get answered in the end, but that doesn't mean the story made any coherent sense. It's my fault for not dropping it. Sometimes you just gotta let go, of destructive relationships and bad dramas alike.
Overall, I feel pretty comfortable telling people to skip this one. If you want a romcom with ghosts watch "Master's Sun", or "Oh My Ghostess". If you want a romance about a writer that involves ghosts watch "Chicago Typewriter". Want a drama about a jinxed or ill-fated couple? Watch "Lucky Romance" or "Another Miss Oh". I normally don't recommend other dramas in a review this much, but that's how strongly I feel about avoiding this one! I'm starting to think a ghost must have possessed me and made me finish. That's the only logical reason for not dropping this like everyone else.
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Uma História Para Ler Quando se Apaixonar
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Wow, this is one of the best dramas I have seen in a while. The plot may seem simple, but do not let it fool you! You will be in for a good watch!
The drama touches into deeper aspects of life, and how one should continuously strive for their dreams no matter how impossible it may seem. This drama teaches the audience the importance of working hard for one's success and even if you don't reach your dream goals, you may be able to help others and guide them to the path that will help reach their goals.
While some people are against student-teacher relationships, Junko is very careful in this drama to not be in a relationship with her students while they are her students, so you do not have to worry about that. She does not break any laws or rules here because she is not in any relationship with her students while teaching them. The chemistry between Yuri and Junko is absolutely wonderful, and Yuri is super mature for his age. I would even say he's even more mature than Junko herself and even as mature as the other male competitors in this drama. The character development for Yuri is amazing, and we can really see how much he has grown as a person mentally.
Watching this drama, you can't help but rethink about your own life and values. Just because I didn't reach my dream, should I give up? Is it worth helping others reach the same dream that I myself couldn't do? Do I have confidence in helping others succeed when I myself did not in the past? These are some of the questions that come to mind when I watched this show, and it really made me think about my future.
Overall, I loved both the plot and romance of this drama, and this is must watch if you want something light or fun to watch while still having a deeper story behind it all :)
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As many reviewers pointed out before me: the title of this show is really misleading. This is most definitely NOT a Cinderella story and the difference in social status plays no significant role in the story. The story itself is interesting and complex and all four main characters go through a real development during the series. It's really refreshing to see a story about an intelligent, career-driven woman who (usually) has no problem balancing her work and personal life. Also, she is a scientist (a lab worker of some kind) which is a field not often enough associated with women.
I only wish they would give more space to the character of Yoko. That's my only regret.
ACTING/CAST 10/10
Flawless, but I would expect nothing less from this cast. Oguri Shun is especially hilarious as socially awkward, short-tempered Hyuga Toru and he has great chemistry with adorable Ishihara Satomi who makes her character extremely relatable.
MUSIC 7.5/10
OST is nothing extra special, though several tracks are great. I usually don't like when one song is 'overused' in the show, but I didn't mind with 'Hikari E' . It's an amazing, catchy song that goes well with the mood of the show.
REWATCH VALUE 10/10
I've already rewatched all my favorite parts...oh so many times and I suspect I will rewatch the whole show in the future (also many times).
OVERALL 10/10
WHAT KIND OF FEELS THIS SHOW GAVE ME
This show made me literally giddy with joy. And I mean all the episodes, not just the ending. Despite the fact that some plot points were quite predictible, it never bore me. The Special was superb and it gave a great closure to the series (which is kinda rare in the world of dramas...). I admit I am not praying for the second season. Second seasons are usually worse than the first ones and I am afraid they would ruin this perfect show.
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2Buns of Steel.
Blossoms in Adversity / Xī Huā Zhǐ/惜花芷 is the story of superwoman Hua Zhi's feel-good romp through feudal China. When Imperial Censor Hua dares to criticize the monarch, he is exiled along with all the men in his family. A bevy of helpless women and young children are left to fend for themselves. Hua Zhi takes charge and rallies the women together to triumph against overwhelming odds. When she flexes her buns of steel, no feat is beyond Hua Zhi! She parleys a candied hawthorn business into a pastry and restaurant empire, picks up stray royal children, foils a few palace plots, build schools and a canal, rescues the Hua family men and even manages to find time to fall in love! All in the space of a 2-3 years!!! Phew! Even superwoman would surely stagger from sheer exhaustion!This narrative paints a distressing picture of how oppressive life was for women in hierarchical ancient Chinese patriarchal society. The best part of this drama is how in order to survive, the women defy social conventions, set aside petty differences, learn to trust each other and work together towards shared goals. While the sheer scale of their financial and other achievements are preposterous, there is something very cathartic and satisfying about how flamboyantly they flourish. The storytelling is squarely centered on Hua Zhi and speeds through many of the supporting character arcs, leaving their motivations and struggles under-developed. This is a pity because family dramas like this are most compelling when important supporting characters are given enough agency to be the main characters of their own arcs.
This is one of those dramas that is best enjoyed superficially and with heavy suspension of disbelief. Upon closer scrutiny, the overarching empowerment theme is contradicted by some of the sub-plots. I was disturbed by the different treatment of domestic abuse in Hua Jing and Hua Xian's case. But what I disliked most was what happens to Hua Rong and her child. It is as if she learned nothing from her family's struggles about resilience in the face of adversity. There are a few poorly developed sub-plots like this that the writers raced through without thinking carefully about the messaging.
As much as I like Zhang Jingyi, this is not her best role. Her interpretation of Hua Zhi is too perfect, too calm, too understanding and too reasonable. This has led to many Mary Sue comments about the character. But Hua Zhi is actually written to have many flaws - she can be over confident, she cannot mind her own business, she is reckless and like her grandfather, she cannot hold her tongue. In the canal arc, she is the architect of her own downfall but because everyone unites around her, she never suffers any consequences for her actions. This character has too much plot armor and is already so smart and capable that she shows virtually no growth from beginning to end.
Hua Zhi's relationship with Gu Yanxi is similarly whitewashed to the extent that it appears too ideal to be true; it lacks passion, conflict and intensity. Hua Zhi lets Gu Yanxi off too easily for deceiving her in the beginning when any normal person would be at least a little bit angry at him. She also never communicates any discomfort with his role at the Security Bureau; indeed she seems quite happy to use his authority there to serve her purposes. Thus, it came as much as a surprise to me as it must have to Yanxi that it could be a deal breaker for her! So much for their so called mature, open and communicative relationship! I don't know why young actors like to make their characters so perfect all the time and have such a hard time embracing more complex but perfectly natural human relationship dynamics and emotions.
Hu Yitian delivers a more nuanced portrayal of Gu Yanxi as the emperor's sharpest knife. His fight scenes are phenomenal and he is menacing and ruthless as the commander. He shows us he is a different person; more open, at ease and happier when he is with Hua Zhi. While this is one of Hu Yitian's better roles to date, he shies away from showing us the true extent of his affection for the emperor and his inner conflict. This is a missed opportunity because Hai Yitian delivers a compelling portrayal of the lonely, paranoid and manipulative emperor. Because Hu Yitian's portrayal of Gu Yanxi does not meet him halfway, the emperor's affection for his nephew comes across as borderline obsessive and a lot more one sided than it really is.
Even though it seems her character Shaoyao is dumbed down from the novel, Lu Yuxiao is once again a scene stealer in this drama. This kind of beguilingly innocent, simple minded savant kind of character is extremely difficult to portray well but Lu Yuxiao pulls it off brilliantly. She doesn't get enough screen time to steal the show but I was more invested in her character than I was in Hua Zhi who is too perfect to be relatable.
The ending of this drama really cracked me up. It is one of the few times that the villain actually saves the day by doing what Hua Zhi and Gu Yanxi could never have done. Although it is also possible that Gu Yanxi learned his lesson not to look for needles in hair stacks and had the good sense to show up a just a tad late at the ceremony. Despite some flaws, this is a very appealing feel-good drama for those seeking light entertainment. My rating 8/10.
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This was a real surprise
When I first watched Ep 1, I could barely get through it - it just seemed so ridiculous, slapstick, and annoying. But a friend urged me to go back to it, and I'm so glad I did.When you first watch, the laugh track and sound effects will be annoying. If you're not Thai, some of the laughs appear to be in the wrong places, but remember, a lot of wordplay is missed in translation. But soon you stop noticing the track, and it is toned down after the first episode.
This is a classic enemies to lovers trope, but there are some original spins on it. The series appears at first glance to be episodic and without progress in the relationship, but it's there. It moves at a different pace for Diao than it does for Rak, whose feelings are fairly clear by the middle of the series, overtly revealed in a powerful moment - you'll know it when you see it. And by the end things start moving so fast that it's quite surprising, but never feels rushed or unearned. There are many, many moments that you'll really feel. Yes, there are the way-too-long stares (a LOT of these), but somehow they work (and when you're watching the full-episode version, you're getting both ends of a segment break, so that makes these even longer). But by the last quarter of the series, the way Rak looks at Diao could make a block of ice burst into flame.
I've seen commentary and reviews deriding the seme/uke dynamic between Rak and Diao, but there's a point being missed. First, Rak holds "power" at work because he's the boss, but Diao does at home because he's Rak's landlord. Rak is older and much more mature than Diao, but Diao isn't a classic uke at all - this is highlighted by the opening scene, with him showering and showing off his ripped body, usually the preserve of a seme. He's smart and capable, strong-willed, and can walk without tripping and chop vegetables without cutting himself. In fact, it's Rak that ends up having the physical mishaps and Diao has to take care of him.
This is highlighted in contrast by the fujoshi, who throughout the series is writing a BL about Rak and Diao - and in her story, the guys are an extremly classic seme-uke duo, and their interaction in her scenes, which are adapted from observing the "real" Rak & Diao are far more overtly romantic and tropey. And as such, they lack the electricity of the real interaction, and the power struggle and heavy ribbing are smelted down into stock BL cliches. This is a critique of the seme-uke duality, and underscores how pigeonholing characters into these boxes removes a dynamism in their interaction which has so much more heat when there's an equal give-and-take. Normally all the teasing is done by the seme, which makes the uke sulk. When Rak teases Diao, Diao hits back just as hard, and occassionally even wins the exchange.
As an example, there's a scene where Diao is going on a date, and he wants Rak to stop him. The fujoshi sees it, and in her version Diao wants Rak to give him a reason to not go, and Rak says "because I love you." and Diao responds "that's all I wanted to hear" and they embrace. The "real" scene is wrenching and the desolation and longing are visceral.
The main pair are the usual heteronormative types that are ubiquitous in almost all BL - but neither show any interest in women at all. Diao expresses an interest in the idea of finding a woman, but is never interested in any actual women, and when he realizes who he loves, he accepts it without any of the common "but we're both guys!" And their chemistry is insane.
The two leads are excellent. They both have great comic timing, but are also capable of subtle emotion and speaking without saying anything - Diao is especially good at a glance that is not OTT, but clearly says "f&*% you." Both of them are easy to look at, espcially Rak, who is absolutely gorgeous, and the wardrobe is outstanding - their outfits are often wow moments, although there are a couple that won't age well, like Rak's fluorescent blue plaid suit. Rak tends toward a masculine wardrobe, and Diao is high fashion, with beautiful color combination.
I would never have expected it, but this is one of my all-time favorite series, and I can't recommend it highly enough - but give it time if you decide to watch it. You may not like it much at first, but I guarantee it's not as silly as it first seems.
Story: 9 - the episodes are tightly written and almost all of them are self-contained, and yet part of an overall arc. Things that happen don't disappear never to be referred to again - in fact, there are things that happen in the first episode that are very important towards the end. The balance between the characters is handled with great skill, and nobody behaves like an idiot just for the sake of the plot (although there is immaturity, but that's not the same thing).
Acting : 9 - excellent with surprising range, especially Win as Diao, which is a tough role. He's impulsive and immature, often almost obnoxious and often ridiculous, but fundamentally sweet, and when he's sad it hits you, and his drunkenness is the most realistic I've seen in a BL.
Music: 9 - some of the best I've encountered in BL. It doens't just support the story, it elevates scenes and gives them quite a bit of extra power.
Rewatch: 10 - I've seen each ep three times - once raw, once with fan subs, and again with the offical subs. There are scenes I've watched a dozen times.
Overall: 9.5 - I'd have to put this in my top handful of BLs. It's not the most profound thing you'll see, but it's a real pleasure to watch, and it's a lot smarter than it first appears.
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This isn’t your ordinary healing drama, it is a piece of sweet candy with a slice of life filling, wrapped in a layer of melodrama, wrapped in a comedy. The balance is perfect, and when you savor it, you feel the taste of life, where joy, elation, sorrow, bitterness, numbness and relief become one and shape who you are. And through experiencing those emotions, that is how our characters Woo Seo Ri and Gong Woo Jin mature from a mental age of 17 to 30 together. I appreciate Seo Ri’s optimistic approach towards life, and I’m sure that if I had experienced the same thing as she did, I wouldn’t have been able to smile in the same way. She is truly a strong person who knows how to appreciate the beauty of life as it is.
The side characters were also memorable and beautiful. The dorky and caring Yoo Chan, who introduced us the life motto “Don’t think, pill (feel)!”, Jennifer, the mysterious butler who is a living encyclopedia, and Deok Gu/Fang, the dog who is worthy of winning the Dog Oscar of the year. I don’t think I’ll ever be able to get over them, and I genuinely wish I had friends or a family like them.
Despite how emotionally beautiful the relationship and growth of the characters were, there were still some parts which could be played out in a better way. Since this was originally meant to be a 40 (20) episode drama but got shortened into a 32 (16) episode drama near the end, the pacing was off in the latter half of the plot. All the dramatic things happened at the same time, and secrets were revealed all at once. Originally this was acceptable, but given that the first half of the story was very slow-paced and stretched out, the sudden speed-up became unnatural and destroyed the momentum of the story. Nearing the end, things that were once suspenseful felt like they no longer mattered to the audience. I once considered that maybe the pacing would’ve been better if it had been 40 (20) episodes, but I felt like there was not enough material to last for that long either.
All in all, this is the kind of drama that you will enjoy if you are looking for a heartwarming story about people growing up together, approaching devastation with optimism and learning to face traumas head on, and supporting one another. This is not the sort of drama where you will be kept at the edge of your seat. This drama is purely character-driven with a little bit of plot to drive their change. Nevertheless, I still enjoyed every minute of it and I never felt bored (mind that I’m a person who dropped What’s Wrong With Secretary Kim, Weightlighting Fairy Kim Bok Joo due to boredom).
The OST is highly worth mentioning, especially the classical music they put in each episode to match the themes. It really pulls on my heartstrings and enhances the emotions of the characters.
I would definitely recommend this drama to anyone who likes lighthearted, slice of life comedies and sincere genuine relationships. "Monster Rookie" Yang Se Jong and Shin Hye Sun truly brought their characters to life, seeing how different they are compared to their previous roles. A must watch!
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Cat's paw.
The disturbingly elegant and noble Lan Jue, courtesy name Peizhi, is the picture of a rising young Vice Minister of Rites. Beneath his urbane facade, he conceals a burning purpose to clear his father's name in a two-decade-old treason case. In this quest, he is quite bendable with regard to the means that justify his ends. He is stymied at each turn by Zhang Ping, an impecunious scholar, noodle maker, and truth seeker. Zhang Ping is convinced Peizhi is a villain and is determined to bust him. Peizhi is cynically amused by Zhang Ping's naive righteousness and impressed with his deductive talent. He means to make use of him if he can and if not, dispose of him. Watching Zhang Ping go from being Peizhi's cat's paw to someone he raises kittens with is the best part of this drama for me.This high-production-value drama conjures a sinister, suspenseful aura that permeates the stylish, lavish existence of the Dayong elite. Everything from the set design to that ridiculously mysterious and beautiful opening dance, to Peizhi's floaty diaphanous costumes, to Peizhi's long, sensuous unbound hair reflects, elegance, refinement, and impeccable taste... aside from Song Weilong who obviously drew the short style straw starting with the rigid wig and the way his outfits look like they were slept in. It is no wonder Peizhi's old flame is less than impressed with the goofy, big-boned, toothy peasant with a big nose to boot that Peizhi traded down to. It does require suspension of disbelief considering how utterly appealing both the ardently devoted Mowen and frostily sophisticated Shulin are. The only explanation is Peizhi must be an eyelash man.
This is a bit unusual for the mystery genre in that it is far more of a character-driven story than it is plot-driven. As far as the cases go, they are well executed and unfold more as procedurals. Outside of certain aspects of the main conspiracy, the viewer is not given a fair chance to solve any of the cases. There are plot design shortcuts such as resorting to the water illusion trick to bridge memory gaps and uncover long-lost evidence and there are logic holes, such as crime scenes staying undisturbed for too long. While the over-arching conspiracy is well conceived with decent twists, it is not that original. The villains reveal themselves early on so it is also anti-climatic. But for once I don't really mind because Jing Boran's Peizhi is just too bloody distracting. How can a man look so damn indecent, almost naked with just his hair unbound? And my mouth goes dry at the subtle multi-partied flirtations - those deep searching and revealing looks these gorgeous men keep exchanging with one another. It is such a big upgrade from the typical stunned dead duck stare of conventional romances. I freely admit my brain went on strike so often I am grateful the solutions were just spoon-fed to me.
This drama is superbly well executed and gets all the important things right. Any shortfalls in the plot are made up for in excellent character design and heartfelt, immersive performances by the cast. Jing Boran and Wang Duo deliver standout performances but even Song Weilong, whose acting is still a work in progress, is so well cast he just somehow fits this Zhang Ping character. It is a shame that his scenes with Jing Boran obviously suffered heavy cuts. After all of the build-up, I was really looking forward to seeing Zhang Ping and Peizhi shine in the final arc. Instead, it is pretty much hijacked by Shulin's unfinished business with Peizhi and his abandonment issues. Everyone else including Mowen and the emperor is sidelined. As much as I love Shulin's complexity and Wang Duo's phenomenal acting, I have mixed feelings about the final arc. The tone feels a bit off and succumbs to a tad too much cliched, dog's blood melodrama. I think that Zhang Ping's newfound pragmatism and epiphany that the right outcome can be more important than the truth is fitting. It demonstrates enormous character growth even though justice proved to be ultimately elusive.
Moral of the story: Don't be a cat's paw - be careful who you date!
Overall a feast for the eyes and the senses - 8/10.
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The casting for this movie was perfect. Kang Ha Neul and Park Seo Joon just work SO WELL together. As reluctant police academy students, they were the best of bros and I was 100% here for it. Ki Joon and Hee Yeol's brain-brawn dynamic made for a wild ride, and I can't think of anyone else that would have delivered like these two did. They played off of each other, and after hearing that they ad-libbed quite a bit during the movie I was sold -- that friendship did not seem like acting at all. The bromance was so strong in this.
Midnight Runners was a great example of what a buddy-cop movie should be (though if you want a super serious police procedural, this isn't it). It balanced Ki Joon and Hee Yeol's light, easygoing antics with the gross (and tbh, kind of scary) villains. Also, it was INFURIATING, and I do mean infuriating at one part. I mean, ignoring a very real, serious issue just because protocol had to be followed?? I was about to tear my hair out. It was so, so frustrating.
Midnight Runners' only issue is that the action doesn't really pick up until around the second half of the movie. The beginning is more of a buildup of Ki Joon and Hee Yeol's dynamic, which I'm not complaining about, but the actual conflict doesn't really begin until about an hour into the movie.
Overall, Midnight Runners was a solid film. It's not anything heavy, and I can definitely think of worse ways to spend 1hr 50min. Even if cop movies aren't really your thing, the bromance and the way the two leads build off of each other is worth watching.
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'When the Camellia Blooms' is about a single mother who moves to Ongsasn with her extremely young son in hopes of owning a successful bar, The story progresses over 5 or so years where her bar isn't going exactly as well as she had planned and neither does she really fit in with the rest of the community there, she later on meets Yong Sik a police officer who falls for her at one glance. The story follows the two going through hardships to do with family and also a serial murder on the loose (sounds kind of clique lol)
The story was really well written and laid out, especially focusing on relationships with the character's mother's and being a mother, plus the sacrifices and hardships you have to overcome to protect your child. The story also followed with romance with a fateful couple and a married couple falling out of love.
The acting was really well played and suited each of the characters personalities! All really well acted. The emotions displayed really play with your heart strings! Especially DongBaek and her raw emotions and her crying is extremely contagious!!! Plus the interactions between Dongbaek and Yong Sik are so natural and have so many emotions it feels like your watching a couple together in public!
I really recommend this drama it's full of many versatile genres which would be the taste of most people as each genre is spread throughout the episodes so it 's not constantly romance or not constantly about crime or family which is sometimes a bit tasteless or insensitive to some moments in dramas but this is spread consistently so it doesn't always feel so strained and forced especially when it comes to romance between two characters where the chemistry is basically non existent
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1ran on vibes (though there were some sexy vibes)
Overall: my advice is to watch ep 1-3, 7 and 8. This series could have been a 9.5 but the paper thin/cliched plot and too many side characters lowered my rating. 8 episodes about 20 minutes each aired on Viki (U.S), GagaOOLala & WeTV depending on your country.What I Liked
- the child actors were adorable and did a great job (though I was confused about who was who)
- heart fluttering moments, boss Jun had some excellent flirting/innuendo laced conversations
- really good kissing/intimacy in the last episode
- that gift they received was awesome and how boss Jun had it in his hand at the end (this is a first I think for kbl)
- Mr. Heart actor cameos in ep 5 (did not enjoy the rest of ep 5 though)
- good communication in episode 7 (finally)
- production value (except poor editing with confusing flashbacks tossed in)
Room For Improvement
- paper thin plot, too much business meetings that I cared zero about, not enough time spent on the leads and explaining their motivations/reactions, why did the other interns bring up this HR nightmare but then it's never a problem? cliche poor communication skills (a 1 sentence text would clear up the misunderstanding in ep 5)
- what on earth is boss Jun's "plan?" Why did he wait until now? Why does he act like that with her and not clarify things? How stupid is he? Even his unworldly hotness couldn't save his nonsense actions, the writers never even bothered explaining why the two boys couldn't/didn't keep in touch
- too many characters that were not well developed, why was everyone so in love with intern Jun, he's nice but ????
- confusing flashbacks that weren't immediately apparent were flashbacks and didn't contribute much to the paper thin plot
- translation error in ep 1? confused who is who in the childhood flashbacks
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It follows four main couples, whose relationships are considered... "questionable..." I suppose by Korean standards: Living together without being married, a huge age difference, homosexuality, and (?) deciding to be married after only dating a few months.
The amount of screen time goes mainly to the first couple, who live together and yet aren't married. The conversations between this couple is realistic and relatable, with laugh-out-loud scenarios or serious and loving relationships that the actors have no trouble in showing the viewer. It was real, it was lovable, it was raw, it was sexual... it was beautiful.
The second couple I found the most entertaining; a thirty-three year old woman is dating a twenty-one year old starving artist who lounges around all day eating ramen obnoxiously. Of course, there's going to be some crazy moments with pillow fights and petty jealousy, but it also showcased some amazing character growth, especially in Young Joon. The couple works together in a sort of symbiotic way, and you can see how much they care for each other. Plus is just hilarious watching Young Joon. That guy's a riot. I image the actors are thinking: "Sigh, the things I do for my career." Because they nailed it.
Dear authors: do you want to get your reader shipping like crazy? Follow this screenwriter's lead when it comes to Takuya, the Japanese traveller, and Joon Jae, the hermit. These two had the sexual tension from the moment Takuya put a single foot in the threshold of Joon Jae's home. Hilarious angles lead to misunderstandings I didn't mind all that much, feeling that second hand embarrassment. This couple probably had it the worst in this series, with only two minutes or so per episode of screen time, but the relationship is developed, and by far my favorite couple. These boys... watching Takuya made me listen to some of Cross Gene's music, and it's really very good. Both of the guys playing these roommates may not be gay themselves, but they made me believe it, with a full course of Awwws and sexual tension.
The fourth couple had next to no screen time through the entire series, and are easily the most underdeveloped couple living in this apartment. I will admit, the competitions between the girl and Man Goo over who was more feminine (who had bigger boobs, longer legs, more successful boyfriend...) were absolutely hilarious, but the relationship between the engaged couple themselves was a rare thing. Which I didn't really mind... I wasn't paying much attention to them, anyway. What little time these actors had to develop their characters, I'll give them some credit there.
The music was very beautiful, and connected in lyrics or tune to the mood of the drama. And luckily, the name and artists of the songs are put on screen for you, so you don't have to look it up!
Overall, this is a wonderful, hilarious, real, and emotional drama that tackles almost any kind of relationship hurdle it comes across, from jobs and careers to confused sexuality and identity. Its a real, relatable drama with relatable characters, and the moments that each of the couples spent interacting with the other couples... (I love Joon Jae and Takuya being so much taller than Oh Do... HEHE) It's a must-watch.
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STORY
PCBM's story is completely unique and one of a kind. It centers two men who die wrongfully but are sent back to life in different bodies to conclude any unfinished business they might have. Help their loved ones with their problems, give them closure and help them move on, but most importantly they are sent back to get to know theirselves better, understand their mistakes, and try to right them. This is exactly the show's main premise. We need to look at our lives in a not one-dimensional way. Life isn't about just working, no matter how pure our intentions are, people might get hurt because of our ignorance. Life isn't about being in the background because we believe our loved ones don't deserve us. We are perfect the way we are. PCBM gives several messages about life decisions, family, friendship, work place attidute and problems, marriage and more.
This drama was literally a gem, not because of its uncommon story, not because it blends several genres together in the best way possible, but because superficially is the funniest show ever, but if someone decides to scratch the surface and dig deeper the show assesses life itself and sends tons of messages and meanings that were all truly wonderful and heartwarming. Beware that this is not your average romcom -thank god-, this is deep, it is serious, it is emotional, it is heartbreaking but still it is safe to say that the comedy is executed perfectly.
Furthrermore, another thing that deserves mentioning is the fact that this drama broke the 16-episode drama usual plan. You know how everything is amazing in the beginning, and slowly everything falls into place around episode 10 and the last 4-5 episodes are just filler ones, pulling and dragging the story around. PCBM, not only broke this stupid rule, not only it was the only 'comedy' that had actual plot twists but it managed to never be boring, always have a purpose and be interesting until the very last minute.
ACTING
It was widely argued that the acting here was bad, either i missed something, or .... 'people' missed something, or were just dead set on hating. The acting here was impeccable, coming from an amazing ensemble cast. I have learned from my stay in kdramaland that it is unrealistic to ask the actors to have great chemistry when the dramas are so small in lenght. They don't have the time to develop a chemistry and when it is there (rarely) i am thankful and grateful. The actors here not only managed to have great chemistry in their possible romantic connections, but literally EVERYONE had excellent chemistry with everyone in their respective relationships. This is possibly the most unique thing about this drama. The cast clicked so perfectly together, it was completely unrealistic!
I'll start with my favourite, Oh Yeon Seo. Her character was difficult to pull off, and very fundemental for the show to make sense. She needed to act manly, tough, and still stay femine, not look stupid, look badass and emotional. The woman was IMPECCABLE, a standing ovation from me, she was shivering in everything she did. No words are enough. In many ways she was the show.
And when i thought she was going to overshadow everyone, Rain came to the picture. His quixotic talent to slip through different emotions in a matter of seconds shocked me. He could go from crying to laughing in a split second without ever looking fake or his emotions forced. First actor in kdramaland that pulled that off, and he was completely up there with OYS for what -if i may- could call THE BEST DUO EVER in kdramaland.
Lee Min Jung, Lee Ha Nui, Lee Tae Hwan, literally everyone was exquisite in their role, no words are enough to describe this awesomeness, that nobody should overlook.
RECOMMEND/REWATCH
Overall, this show might not be for everyone, since it is completely different from your usual kdrama. The humor is different, the romance is present but not the way people want it, the plot is completely innovative and might not be accepted by everyone. In my book innovation=win, but from what i've gathered from my stay in kdramaland, kdrama fans like their chiche stories. So, if you are ready for something completely different than what you are used to, ready to laugh and cry at the same time (i'm not exaggerating), you should definately give this a chance. This is a marvelous show not to be missed. Definately rewatch-worthy, first show ever that triggered so many emotions simultaneously.
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1A cliché done right.
My Unicorn Girl proves how clichés can be entertaining if they are done properly. I started watching the drama with slightly low expectations, I expected it to be another silly and overly cheesy rom-com and guess what, that's exactly what it is. And that's exactly why I loved it so much.Honestly, the drama is full of clichés - we have prosopagnosia, cross-dressing, fated love, a questionable amount of accidental kisses etc etc. But they somehow made all these clichés work. The drama never pretends to be something brilliant, it is as simple as possible. What saved the show with its mediocre at best plot, was definitely the chemistry and the acting of the two main leads. I didn't know I was into such cheesy romance stories but now I watched this and I started doubting myself. The drama somehow makes you root for the leads, you want them to be together, you wait for each scene of them with excitement, you smile like an idiot whenever they do something cute and you can't help but feel happy when they tease each other. They make your heart flutter with their innocent, playful love interactions. They are your daily dose of happiness.
The main leads, as individual characters, were also very entertaining to watch. Wen Bing is absolutely one of my favourite male leads ever. He is michevious, extra playful, pretends to be cold-hearted but is actually a small ball of fluff inside... he was just too adorable. God bless Darren Chen for accepting this role, it suits him perfectly and I must admit, I kind of fell in love and I don't know how to recover. Sang Tian was a cutie and she actually looked like a boy, but they should have probably made a different decision about her lipstick, it was a bit too obvious, lol.
Overall, My Unicorn Girl is an amazing show especially if you're looking for something more light-hearted. I mean, it's not perfect, it's a bit far from perfect, but it's good enough. The plot not always makes sense, but the chemistry between the leads is worth seeing. I'm not a fan of Chinese rom-coms, but I did enjoy this one a lot and was always excited to watch more episodes. I'm a bit sad that it's over actually.
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