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It may have some minor subplot issues, but is still an utterly underrated Kdrama
Go Ah-in (Lee Bu-young) is a no nonsense woman whose only purpose is to do her job as a creative director in an advertising agency in the most perfect and flawless possible. At first glance, she was able to finally achieve her ultimate career goal when she was promoted as the first woman to be an executive director (Chief Creative Officer/CCO) at her company. However, Choi Chang-soo (Jo Sung-ha), Go Ah-in's superior had another plan in mind.At first glance, 대행사 (Agency) is an office drama comparable to Misaeng, but given with a company director's POV instead of an employee's. Both are great in their respective stories, and just love them both.
But for this show specifically, I love that it has a fast-paced flow and deals with the intricate office politics and complex world of the creative industry well, especially for people without creative industry background like me. Each episode increases tension between the main characters, and their rivalry really makes the plot interesting. One may think that this "rivalry" may be tiring for the remaining episodes, but with the addition of new stories and characters along the way, the story just keeps more interesting as more layers are being uncovered.
It's also great to know their respective characteristics and alliances on each factions in the office politics drawn early on. It may be seen as boring as we already know which side a side character is, but it didn't bothered me as much.
Jo Eun-jung (Jeon Hye-jin) is the most "fleshed out" character other than Go Ah-in in terms of her background story. It's quite remarkable to see how she is able to balance out her duties in the office, despite her son's disapproval for his mother to work and resign instead. Also, it's great to show that despite her dilemma, she is fully backed with support by her husband and mother-in-law. With this stigma against working mothers in a conservative yet competitive Korean society, it's quite good, if not refreshing, to know how this show addresses this issue. But then again, I didn't like that the MIL and the father wasn't that helpful to Eun-jung in convincing the son for her to work.
Personally, I knew what the outcomes would be, but would is still gagged with how each outcome are shown. It's like knowing that there would be a plot twist, but doesn't know what that plot twist would be. This is true most particularly with the presentation cliffhanger at episode 8.
The only production lapse that I noticed was during a throwback scene on the second ep where the creative office used modern-type computer monitors when it was set in 2004.
After the 1st half, this show now focused to complex corporate drama and chaebol problems care of Kang Han-na (Son Na-eun). She has an eccentric character and seems reckless on the outside, but is actually smart, if not cunning on the inside.
One complaint is that it would have been better pacing-wise had Han-na be developed into someone who can stand on her own despite facing failures, rejection, despair and loneliness. The romance subplot was just too transactional and there were virtually no chemistry between her and Park 부장. But if the writers really decided to insert this storyline, it would have made more sense had it was inserted towards the end (at least the last 2 episodes). I would have no complaints even if it was rushed since then again, I can't see the chemistry of said romance.
Being nit-picky as well, there were some things that this show failed to explained more. First, is Ah-in and her mother's story. After the episode 12 confrontation, I really hoped that there is more to be discussed and more emotions be shown to really have a a fulfilling closure on their issue. It ended even only through a text, which was appalling since it was built-up very well on the earlier episodes. Second, Ah-in and the budding romance with the CEO of a gaming company. The spark was already there and Ah-in could've enjoyed said romance, but it was just forgotten midway. What happened?
The ending was satisfying in a way that it wrapped the main stories very well, in a compelling but not overdramatic fashion. Yes, it was expected, but then again it was executed perfectly in such that it was not boring. The last episode was very engaging in terms of portraying the cooperation of Ah-in and Han-na for their "common enemies". It was the definition of women empowerment in a society where men are still dominant in many corporate aspects.
Still, every episode ended with a bang. I think the reason why it has a lower MDL rating is due to its delayed subbing. It's very surprising how this is not picked up yet by major international streaming platforms given its high ratings in Korea. It may have minor subplot issues, but is still an utterly underrated Kdrama.
SIDE NOTE:
It will be an unforgettable watching experience for the last 2 episodes. At times, I was reading English subtitles, and at others, it was Indonesian. I was really able to maximize my Korean and Indonesian skills just to get the gist of what they were saying. Still, it is a very rewatchable Kdrama and I enjoyed watching it despite some minor subplot issues.
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Moral Bankruptcy, Bad Wigs, and Surprisingly Good Chemistry
Alright, gather round, chaos enthusiasts. This drama is not for the faint of heart or those who enjoy neatly wrapped moral lessons. The ethics in here are wobbly at best—like a toddler on roller skates—but that’s part of the fun. Each 10-minute episode feels like someone tried to condense three emotional breakdowns and one questionable life choice into a single espresso shot. And you know what? It works. I was hooked, blinking in disbelief but unable to look away.Now, let’s talk production. The budget? Missing, presumed dead. The emperor’s acting was serving “community theatre villain with unpaid bills.” The OST has been reincarnated more times than the leads, and the wigs… spiritual experience of their own. Yet, somehow, none of this ruins the fun—it just adds flavor.
The leads are a special breed of unhinged. Their dynamic starts off as “toxic fumes and trauma bonding,” then slides into “kinda hot, actually.” The reincarnation twist adds spice: the FL remembers the first life, the ML does not, and together they prove that hate and love are basically just different toppings on the same emotional pizza. Both of them are morally carbonated, fizzing with chaos and guilt, but balanced enough to make you root for them anyway.
By the end, the FL does what most characters in revenge plots forget to do—she heals. She drops the hate, forgives the man who probably deserved to be set on fire at least once, and becomes his biggest cheerleader. Growth, baby. Toxic but touching.
And bro—if these two needed three lifetimes to get it right, how am I supposed to find my happiness in just one?!
In conclusion: it’s a short, chaotic, ethically grey pit stop between your prestige dramas. Expect messy emotions, shaky wigs, and a surprisingly wholesome aftertaste. Would I recommend it? Absolutely. Would I question your sanity if you liked it too much? Also yes.
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Weak start, getting better with every episode...
While we are flooded with short KBL mini-series, this is a serious TV production. And it shows. The main actors are already established and even the best friend is a character we have seen in other series as supporting role.I like scifi and time travel always but I would lie if I would say the script does not have it's flaws. Sadly it has. Especially the color-blindness was not explained at all. Especially WHEN does he have it, is it just an after-effect due to his time travelling or did he had it all the time or did it develop gradually. It has such a prominent role in the story that I don't know WHY it was there. So it irks me still, why it wasn't explained at all. Also the fight between Woojin and his best friend was overly fast resolved without the proper appology. Teajun had the vibe of jealousy which was not done right. It gave me first the impression he is also interested in Woojin in a romantic way but that was just a fleeting moment and imho not necessary.
The cinematography was top notch giving the past and the "now" a different vibe - which it should. Also they did an amazing OST. The only gripe is the overly blurness of their first kiss in the beginning, this was a bit over the top. I disagree with some reviews here saying the did not have chemistry, I think they did. The glances and micro expressions did it for me, without the face to face aural confessions we are so used to. They don't need words to convey their feelings. In the finale Woojin said his smile had a sadness to it and yes, that's what was intended. This was a much more mature storyline compared to most school/university BLs we get to see nowadays which I appreciated.
Regardless of the flaws of the script, I enjoyed the series. It took almost a year after "Ball Boy Tactics" to get a proper KBL on the screen and I appreciated it. So while not perfect, it's worth the watch.
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1Very niche, but my favourite show EVER!
"Two men talking in a room" is what you'll get in 60% of this show. 25% of the show has more than two but no more than ten men, or a man and a woman, talking in a room. And another 10% is two or more men talking outdoors... yup, you get the idea. Superficially, that's most of what you'll see in The Wind Blows From Longxi. And it’s also part of the show's very niche appeal.Longxi checks all my personal boxes for a favourite drama— great acting, real historical events, tight plot, treacherous politics, and zero distracting romance. It’s one of my favourite shows of all time, if not my favourite show ever. In a nutshell, Longxi is about spies during the Three Kingdoms period. Chen Gong is a veteran Shu field agent embedded in Wei. A critical military campaign against Wei goes horribly awry due to wrong intel provided by Chen Gong. How did that happen? Where do Chen Gong's loyalties truly lie? These are the questions that Chen Gong’s sworn brother and in-law, Xun Xu (also an intel veteran), is brought in to investigate. If you’ve read The Tao of Spycraft or any of Ralph Sawyer’s other books on ancient Chinese warfare, many of the spy methods and tactics in this show will be familiar. Since defection and double agents are normal in spycraft, one question is whether the defection is genuine or just a ruse to gain the enemy’s trust. That’s the central issue in this show, which the poster caption 谋中谋 计中计 (“the scheme within the scheme; the plan within the plan”) encapsulates.
Plot: A very twisty plot that doesn’t strain credibility. The least headache-inducing way to follow the plot of this show is to ask whose interests are currently aligned with whose. Without saying too much about what happens (because that would really ruin everything), the whole plot turns on the constantly shifting allegiances of various players, at the highest and lowest levels of society, in the conflict between Shu and Wei. The plot is complicated but doesn’t tie your brain in a knot until the episodes hit the late teens. Thankfully, ep. 21 onwards provide the clarification you need. If you get lost, there is a 5 minute “Cliff’s Notes” recap at the end of every episode that summarises the key developments. However, you’re very much on your own when it comes to the finer plot points, which the recap doesn’t cover. The final resolution is elegant and gut-wrenching, and I am glad the team did not go for a happier ending. That would have been far less satisfying.
Script: The script doesn't waste any time getting the show off the ground, even if it seems that little goes on in the first episode (it's important background context and sets the scene for everything else). Overall, it's just the right length at 24 episodes. Since this is a hardcore spy-plus-politics drama, most of the real action takes place behind closed doors, with bearded, middle-aged men plotting and scheming over cups of tea. The dialogue is exquisitely political and worth following closely. We are treated to scene after scene of various players abandoning old allegiances and cementing new ones, and having those allegiances tested by their new masters. One such scene is the one where Feng Ying (Shu spymaster) seeks out Li Yan (Shu general), formerly from an internal “enemy” faction, to declare his allegiance to Li Yan. Feng Ying tries to get on Li Yan’s good side to protect himself from Li Miao (Shu interim mid-level "civil servant"), who also works for Li Yan, but wants to turn Feng Ying into a scapegoat for his own political purposes. Li Yan appears to believe this is a ruse by Feng Ying and tests him, but goes along with it as it benefits him in the short term. I also liked how there were relatively few flashbacks. The ones in Longxi are short and moving without being too sentimental; I especially loved the one where a ball lying by the door causes a very miserable Guo Gang to reminisce about playing cuju (蹴鞠?) with Chen Gong in the rain. Another striking thing is the judicious use of action scenes. Since Longxi is about politics and intel, there are only a handful of brief action scenes (mostly military skirmishes). Then in ep 23, the viewer is treated to the show's only extended sword-fighting sequence with Chen Gong. The burst of pure violence and pent-up rage in this sequence arguably makes this scene the emotional climax of Longxi. Chen Gong, like any good field agent, has iron self-control. At worst, he has quiet breakdowns in private, then quickly gets his act together again. But in the swordfight scene, he lets it all out. It's moment of pure catharsis for the character that sets the stage for the final episode. Definitely one of the finest moments in an already amazing show.
Themes: The 2 main themes of Longxi are (1) the moral neutrality of politics, and (2) that human relationships are a double-edged sword. The life-and-death political struggle between Zhuge Liang and Li Yan is not a matter of good versus evil (even if Li Yan does some truly terrible things), but down to a difference in opinion as to how Shu should ensure its medium-term survival. And at the end, it’s Chen Gong’s feelings for Di Yue (his wife) and Xun Xu that threaten his allies’ best-laid plans, even as his allies exhort him to continue making enormous personal sacrifices for Shu. For both Xun Xu and Chen Gong, what ultimately gives them moral closure and defines their biggest decisions is not self-interest or patriotism, but staying true to their loved ones. Powerful stuff.
Acting: Everyone put in an A+ performance here, except Angelababy. I have nothing against that lady, but she was pretty wooden in this show and looked so airbrushed. She also didn't quite click with Bai Yu on screen. (I don’t watch enough shows to comment on whether this is better or worse than AB’s usual...) Chen Kun was of course brilliant as Chen Gong, but I was equally (if not more) impressed by Bai Yu’s low-key but completely spot-on performance as the dangerously sentimental Xun Xu. Xun Xu has the smarts and EQ to be a great intel guy, but he's too emotional and high-minded for his line of work. He's terrible at lying and makes a few wrong calls that have serious consequences. One gets the sense that he has only survived this long due his kicked puppy expression that tugs at everyone's heartstrings, a good brain, and sheer luck. Bai Yu perfectly captured this precarious balance of vulnerability, world-weariness and cunning at the core of Xun Xu. His final exchange with Chen Gong, especially the delivery of「我看透了你的心」(“I’ve seen through your heart”) in ep. 24 was also a total tear-jerker. With a lesser script and actor, Xun Xu would have been a character whose naivete makes the viewer question how his head has managed to remain on his shoulders. But through the combination of great script characterisation and Bai Yu's acting, Xun Xu becomes a convincing example of the idealistic survivor who manages to keep going even after all the dust has settled. I also really enjoyed Edward Zhang’s performance as the Wuxian cult leader Huang Yu. He fully conveyed his character’s megalomania and cruelty with what little screen-time he was given. The actors playing Feng Ying, Guo Gang and Mi Chong were also absolutely brilliant. I loved them all!
Music: This was okay. It was composed by Kawai Kenji, but I was hoping for thematic music that was less Western in flavour. It was also disappointingly run-of-the-mill "epic"-sounding stuff. But it's not a deal-breaker for me.
All in all, 10/10, A++++ from this very satisfied viewer! For me, I’m not sure if any other mainstream period drama can compare with this show.
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I liked it less than Season 1, but I still appreciated the new season!
I was literally in the middle of randomly rewatching season 1 of Yumi's cells when season 2 finally appeared! Yay!!! If you were a fan of season 1 then season 2 tries hard to recapture that magic and continue Yumi's story right from where the last episode ended. I was glad to see all of the old characters and cells return, but I will also confess that I am unapologetically team Wung, and was rooting for him more than Yumi at the end of season 1. I say that so that my bias is clear, although I will try to not let that cloud my review too much.I think the main issue I had with this season is that unlike season 1, which was a clear linear plot about the evolution of Yumi & Wung's love story, season 2 tries to possibly do too much. Yes, as you can see from the poster art, Yumi has a new main love interest, Yoo Babi from season 1. We do get to see their relationship turn romantic and get introduced to Babi's cute and festive cells, but a lot of time is also spent on Yumi's writing career, some new characters, and an appreciated update on Wung too. I didn't read the webtoon, so maybe they just tried to fit as much of the original content as they could into the story. Sadly, although Yumi's emotions and the storytelling overall is still super creative and often relatable, the actual plot starts to drag and get repetitive about halfway through. And although watching season 1 first makes the most sense, there are plenty of flashbacks for context just in case you skip to this season for Park Jin Young as the male lead.
He may not have been the ship I wanted to sail but he is cute, so I understand.
Speaking of Park Jin Young as Babi, I do think he played his role pretty well, but once Babi became the center of the story he also became super boring. He and Kim Go Eun do have some cute chemistry moments in the first episodes but there are also quite a few cringy-trying-too-hard-cute moments too. Their cells often have to save the day to keep the story fun, or make their fights much more engaging. Watching Yumi become super jealous and distrustful on loop was already annoying in season 1, but Babi always being even-keeled with the same bland smile or sad expression just made it worse. If you are a Park Jin Young fan I'm sure he will be sufficiently cute for you to enjoy but compared to the chemistry in season1 I was kinda disappointed. Side couples were often much more interesting than the leads were. Wung's character having a decent amount of guest star screen time helped a lot too, but he always wore a shirt this time : ( #imissedhisabs
The rest of the cast were the same quirky characters I liked in the first season with some good new editions. My favorite of the new characters hands down was illustrator Control Z. ("Zeeeeeeee" lol ). He was another character that saved me from wanting to drop the tedious love story parts. I was hoping Da Eun would be as involved in the story as Sae Yi was, but I feel like she was underutilized. I think because of the self-centered nature of the Yumi character some great performances are more like guest appearances than the feel of an ensemble cast. There were some literal good guest star moments too. Park Jin Joo's cameo was really funny.
And all of the voice actors were amazing once again! I truly missed their antics!
Another plot issue was, as inspiring as Yumi's writing pursuit was, without the cell's POV, that was boring to watch as well, and definitely started to feel like filler in the last episodes.
Kim Go Eun as Yumi grew on me too and had a little more life in her performance this time. Or maybe that's just compared to boring Babi. Bland Babi's character was never allowed to evolve much past pursuing Yumi. Or was the lined black and white version of Babi also a metaphor for his lack of a personality? Apparently, in the original story he's the fan favorite, but I had a hard time seeing his appeal in the show. Their relationship was shady from the start, which was also pretty hard for me to look past after liking Wung so much!
Would I watch this again? Sure. I would definitely skip past a lot of scenes but the same charm of the cells and getting frustrated at Yumi makes even this messy plot still fun to watch. The Cells are everything, and along with favorites (like naughty) they really got creative with some of these new cells... like the hilarious "hand"!
And yes, I still love the OST and the new song editions. I was very glad to hear certain songs again.
Overall, it's super hard to recapture the energy of a successful first season, which the writer even blatantly has Yumi stressed over during the show's last episode (very meta). What Yumi's Cells 2 does well is stick to what worked in season 1 without trying to repeat it exactly. I still never cried, but I LOLed often. It's still the perfect length to binge and re-binge, even if the story drags at times. I got some character updates that I needed. I still wished for more growth from Yumi, but through her chasing her dream I saw some. I was also satisfied with everything ending as it did, and how they implied what was next in Yumi's love life without me needing to see it all played out, but if they do decide to actually go for a season 3, count me in... again!
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Fumo Chitai is an unusual Japanese drama (19 episodes length) but I believe that goes back to the fact that this was made to celebrate Fuji TV’s 50 years’ anniversary. Whatever the reason was, this drama was pretty well-made. This drama tells the story of man who was a leader tactician for the Japanese Imperial army during World War II but when Japan surrendered, he was considered a war criminal and had to go through a hellish trouble to go back to his country. After war, when Japan was devastated by loss and had to find a way to survive, Iki Tadashi has to live a life where he can use his brilliant mind to set the future of his country. He practically exchanged military war with economic war.
Of course, the journey isn’t easy at all and Iki has to face many ordeals to accomplish good deeds for his society. Moreover, he was confronted by greedy politicians, influential figures, people with tricky minds and others who use unethical methods while he had to keep his principles and beliefs to achieve greater good.
The reason why I became surer about my tendencies to Business dramas through Fumo Chitai is the screenwriting, there’s more wittiness in business dramas’ scripts. The screenwriter has to be very capable to keep the thrills and make the audience always interested in what will happen next using the complicated business theme. This drama’s screenwriter was pretty successful at keeping the drama captivating from the beginning until the very last end. He used “arcs” where the main character had to overcome an issue and straightly move to the next one. Certainly, all of the arcs were business themed like the defense ministry’s plane choice, the automobiles contracts, oil exploiting and so on. Without any exception, all the arcs of this drama were stimulating and fun to follow.
However, the reason that forbids me from giving the storyline and the drama a perfect score is the romantic part. It annoyed me and I am not saying that because of my general dislike for the genre but it was unbalanced. I know that a serious heavy drama like this needs a light side to it but that wasn’t cool at all, I am sure if they just focused on the family part then everything would’ve been great.
The acting was absorbing, I know Karasawa Toshiaki from a very long time ago but this is practically the first time that I considered him a high-class actor. I only thought that he was a good actor before but his performance here just engraved his skills in my mind. He was also accompanied by other amazing actors that made the acting department feel so high.
The characters were pretty well written for a business drama and their interactions were also appreciated. And let’s not forget that many foreign characters took part in this drama. However, the only spot-light character during the whole drama was without doubt Iki Tadashi, one heck of a smart male lead who always knows how to get out of troubles and bring profits for his society, company and colleagues. He’s simply a splendid man.
The drama was set from 1945-1970 or so. Thus, you can expect time jumps and somewhat old visuals to fit the drama’s setting.
Watch if:
-You like business dramas.
-You like intense twisty dramas.
-You like brilliantly intelligent main characters.
Do not watch if:
-You dislike business dramas. Seriously this is the perfect definition of how a business drama should be like.
-You’re looking for something fluffy or light.
Fumo Chitai is a glorious story of a man who reformed himself from dust in order to build his country while protecting his noble beliefs. It’s absolutely recommendable for the fans of intense, heavy and entertaining productions.
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Slow steps with questionable pacing and timeline. Also, let me just add I love Chot.
It's started off great but it fell flat towards the end. From time to time the plot and the timeline feels off and hard to progress. The plot is not consistent at all. Sometimes it's good and sometimes it feels like it's all over the place and honestly I can't quite grasp the time skip. I don't even know what the screenplay writers were thinking like where is the whole in between story, especially of Jaab and Jen??Also Pat and Jeng, they both have one hell of a chemistry but their storyline is seriously slow, like it can not even be called a slow burn. It leaps from 0 to 1000 and then the next moment they are back to 0. What I am trying to say is the pacing is a mess. This series could have turned out to be so much better. It had so much potential but it couldn't live up to it.However, hear me out, it's not the best but not the worst either; it's worth a try, especially the first half of the series.
The characters are lovable but then again sometimes a little annoying and even rash. Starting with Jeng, his character is most of the times calm, composed, reasonable, a little controlling and hands down his visuals. Also, it was kind of cute how he was so bothered about the manager performance appraisal review from Pat. And Pat is cute especially when he is drunk. He worries a lot and even messes things up but sooner or later he rectifies it too, of course after the damage is done though. Also, he cried a lot, more so, in the second half of the story and I wasn't quite a fan of it. I do get it that the writers wanted to portray him as a pure, upright and innocent person but he came off to be irritating at times. His actions were questionable and his reasonings didn't quite make sense.
The most disappointing part of the series for me was the story of Jaab and Jen. Damn!! Jaab and Jen , in the starting, the tension between them was so clearly evident. I was actually more interested in their story than the main couple's storyline even though I did love the main leads. I was manifesting them and somehow it worked. They ended up kissing and it left me in total awe - I was like 'WOW' but then at the same time 'What just happened?!' Right after that kiss, it just turned into ghosting and then out of nowhere there is Paint. Also, two years gap. Their story is officially a mess.
What I really really adore in this series is the bond between the two brothers: Jeng and Jaab, it's heartwarming. They bond and blend so well. They are effortlessly funny in the right amount and supportive too. Further, the friend circle of Pat is hilarious and also extremely supportive in whatever he does which is both good and bad but I love them especially Chot. Touchwood to the bond that Pat and Chot share.
Chot really is the MVP of this series. He is sassy, confident, funny in the right amount, a reliable friend, an understanding lover and a heart stealer. Also, the office plot in the starting is so on point from the part of not getting the credit for the work one has done to the gossiping colleagues and this kind of really riled me up.
The series is not the best but it's still worth a try.
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I have many thoughts about this drama. First the good: it is one of the most atmospheric and beautiful ones I've seen in a while, on par with the quality of Sword and Flower in its cinematic-like portrayal. The framework of certain scenes was just breathtaking. (Changing the aspect ratio at the end as well — just… outstanding). Also, it was very good at building up historical events, like the heart-wrenching fight of the Joseon people, the dread of being colonized by Japan, etc. The latter especially, every time a scene was characterizing that, the camera work paired with the ominous music portrayed the doom-and-gloom perfectly, enough to send chills down your spine. Its action scenes were a work of art as well, with the fast-paced sword work and quickness of biting bullets. When the drama focused on action, it was a joy to watch. If this had been the majority of the drama, I would’ve given it a higher score for sure.Another praise I want to give the drama is its realistic sets and costumes. I loved the mix of traditional and modern clothes, the slow-yet-rapid advancement of technology, etc. It really felt like we were given a glimpse of living in those “turbulent times,” as Ae-shin says at the beginning.
Which leads me to second, the cons. The elements of this drama that made me not rush to watch it, that always had me on the verge of feeling utterly unabsorbed and frustrated at times. The pace is just too slow at times; there are one too many longing looks between the two leads and lingering goodbye scenes. While it could be argued that the pace of the drama matches its tone and atmosphere, that it builds slowly because it’s reflecting how historical events slowly build up with tension until they explode, there’s a balance that unfortunately was mostly not reached. It leaned too heavily into following the slow precession of the hour hand instead of the quick ticking of the second hand on a clock (throwback to Hui-Seong). Those slow scenes lost the tension that is essential for a drama like this. I was reluctantly uninterested in many character-to-character moments when those should’ve been the spine of the plot. Instead, it was the political backdrop and those types of events that held the story together rather than the original story-beats of the drama itself.
Finally, that leads me to the characters. I liked them overall, but I never fell in love with any of them. They had good character arcs (for the most part. Looking at you, Gu Dong-Mae, the man with a million lives) and the actors played them excellently, But there was just something missing, like a disconnect between the characters, their motivations, and the overall story. The characters felt more like an afterthought, a throwaway the director can rely on when they need the story to go forward, but couldn’t use a historical event yet, so they have the characters muse and muddle about in the same problems they’ve had since the beginning. I guess I felt like they weren’t fleshed out enough and didn’t feel like they were an essential enough part of the story, which seems weird because they are the main characters, and they’re /in/ every scene. They just didn’t feel… real enough? I don’t know. My favorites were Hina Kudo, Go Sa-Hong, and Kyle Moore. The other four were lost in their convoluted love-square and unrelenting, stubborn pursuit of a single passion, with the exception of Hui-Seong, who weaved in and out of the story seemingly uselessly until the very end. I liked his final resolution, at least.
I’ll leave it at that. Obviously I had a lot to say, so this drama is memorable in that way. I think it’s overall worth watching, but I would recommend it to people who are most plot-focused than character-driven, and even then to expect some meandering scenes. It was well-acted and brilliantly shot, and it does have many redeeming factors (those last three episodes even got a few tears out of me, which is rare). It’s a decent drama, it just has some outstanding flaws that unfortunately keep it from reaching its best potential.
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I don’t know where to start to express my feelings toward this drama, if you’re watching it from the beginning till the end and you will know and understand how I feel. It's a huge big feeling like you want to scream it to the world. You need to watch it”. THIS IS MUST WATCH DRAMA OF THE YEAR.Overall: Innocent Man or Nice Guy or Chakan Namja is not an ordinary drama you see nowadays, because the leading characters both are smart, not easily be fooled around and they both are having a strong personalities, you will love them no matter how intense and cruel situations they were in. From the very beginning, this drama is having very good pacing, never felt bored or trying to skip it because each scene is too precious to skip it. For a moment I wonder, do we need to sacrifice that much for someone we love? Until the 19th episode, storylines explained why this story was made and executed this way. If really such an innocent nice guy really happens to exist in this real world?
Acting: Song Joong Ki as Kang Ma Roo, I was shocked when I fell for him and his cold staring eyes, how can this cute guy can change my perceptions toward him and he can be so manly just with both of his eyes, he is so talented and flawless in acting, seeking revenge against someone he loves so much, too complicated how he endured mixed feelings, but he never failed to convince me and I believe in him from the first scene till the last ones. Moon Chae Won as Seo Eun Gi also succeeded in portraying a smart, arrogant, and stubborn young lady and the only daughter of the Taesan Group owner. She is an awesome girl who can be in any personality and she did it well, funny thing about her, no matter how rude and harsh she is but I bet you still love her for being bold and strong. Park Si Yeon as Han Jae Hee also did a very good job in acting although I hate her character in this drama she succeeded in being a ‘femme fatale” in this drama. Her character was confusing me from the start, LOL, I tried to understand her but I’m still confused about her true feelings toward others. Supporting roles like Jae Gil the funniest, Choco the warmest, Att Park the shy one, and Att Ahn the mysterious lawyer on earth haha. All mentioned characters did a very good job as supporting lead roles also they have a strong character of their own, their side stories can be scary and cute too.
Music: Suspend weird music, I wonder why they chose this music for a melodrama in the beginning but now I understand and can blend it well with the story and Song Joong Ki’s song, “Really” only one word can describe it. WOW!. I really have no idea this guy can sing really well, his voice is smooth like his face, and sounds so innocent.
Rewatch value: To be honest, I already rewatched it. I did roll back the best scenes from previous episodes while waiting for the finale.
I’ll nominate this drama for TOP 5 dramas in 2012. Hope Innocent man will win a lot of awards because you already owned my heart.
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A Mature Storyline
I had not expected , I thought this would be same Thai traditional cheesy BL story but I was wrong . Gmmtv did a great job .Disclaimer - I wrote this review according to my own thoughts . This review may contain spoilers . It will be change according to the upcoming episodes .
Story - Po , a heartbroken soul , was wondering a good job but everytime for being honest he failed at the interview . He recently broke up with his partner ( Earn ) and tried to heal his broken soul . He suddenly got a job at a big entertainment company and he was tasked with documenting a boy group's ( MARS ) final concert before their disbandment . Thame ( the leader of MARS ) about to make a solo debut in South Korea for a misunderstanding with his bandmates .
Impression - A mature and emotional story . The way the actors expressed every details ,is excellent . Thame and Po , both of them were trying to understand their hearts with each other's companion . The cinematography and visuals are top tier . As William is here then the music must be good , yes his beautiful voice stole our heart . The intro was so beautiful , one of the best intro I ever seen .
Overall - Try one episode , you will understand . I am giving 10/10 .
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Some comparisons between the drama and the novel
At the time of writing this I have watched 28 out of 30 of the episodes of the drama. Some none spoilery thoughts :- I love the main leads. The acting is great and both are very good looking. (I am a big Jeremy fan)
- The drama within a drama about the love between Grand Tutor and the Princess is filmed so well, I would totally watch this if it was a real movie!
- The amnesia part went on for ages and I wish they spent more time on developing the love story between the leads once the anmesia resolves.
I ended up reading the novel because I felt the last episodes were rushed. Here are some differences that I found interesting.
Warning : Super spoilers of the drama and the book so don't read on unless you want to be spoiled!
The novel is 108 chapters and is the love story of Ting Zhou and Ming Wei, the Award Winning “King of Film” and the rookie actress. They act in 3 dramas/movies together which provide the background setting of the novel :
1) “Grand Chief Cabinet Minister” (iQiyi translation!), a tragic story of the Grand Tutor and the young Princess Ming Wah – Ting Zhou becomes so entrenched in his character that he goes into a psychosis where he believes he is the Grand Tutor and Ming Wei is the Princess, as in the drama. By chapter 42 we are out of the amnesia but in the drama this took up 2/3 of the episodes.
2) “Dragon King” – a sci fi story set in the future where Ming Wei is part of a space exploration team trying to "conquer" a new inhabitable planet and he is a Mythical creature that is some sort of Dragon Snake that inhabits and protects the sea on this planet. It’s described in detail just like the Grand Tutor Princess story and is actually quite engrossing (but also another tragic ending – under team command she “seduces” the Dragon King and betrays him and he is captured. He is angry and hurt but she thought it was better that he be captured than killed. She was trying to think of a way to free him but dies trying to protect him) Outside of the filming the romance is driven by him who is obviously developing feelings for her as Ting Zhou, but she is resistant because she doesn't want to confuse her feelings for the Grand Tutor with her developing feelings for Ting Zhou. There is a lot of push and pull in their relationship in this part but both the readers and the characters are clear that Ting Zhou is not Grand Tutor, and Ming Wei loves Grand Tutor but he has left, like an ex-boyfriend.
3) “White Snake” – based on a famous Chinese Legend (it’s been remade numerous times in real life). Ming Wei plays the White Snake that cultivated 1000 years to become human and falls in love with a human. In this version he dies and she thinks he reincarnates into another man so she marries him, only to find that in fact he reincarnated into the monk that was sent along to capture her. Ting Zhou plays both the human character and the monk in this movie. The movie is directed by Ting Zhou’s father. Outside of the filming Ting Zhou and Ming Wei are dating but in secret, they want to see each other (especially Ting Zhou who is head over heels) but to stay in character they stay apart. It's really steamy whenever they are together though!
After the amnesia ends in chapter 42, you essentially get 60+ chapters of Ting Zhou falling in love, wooing Ming Wei, and then being a crazy in love boyfriend! Once Ming Wei agrees to go out with him, he is like a sex crazed schoolboy and can’t stop kissing her. (He is 30 years old and never had a girlfriend before) I can’t even count how times they kissed, each time described in detail by the author. He is cold on the exterior throughout but with Ming Wei he is caring, thoughtful, madly in love and gets jealous of himself as the Grand Tutor.
Ming Qiao is quite different in the novel. She just graduated high school and goes to college to study Automobile Engineering, and is only a very small part in the novel. She is a cool, quiet girl with few words but loves her sister. She only interacted with Zhao Xiao a few times and it’s only hinted in the last chapter that he had shown some interest her and realises how pretty she is 3 years later at the Wedding. The drama elevated her into a whole second couple story line with Zhao Xiao that wasn’t in the novel.
Ming Wei’s biological father Xu Xiu took advantage of Ming Wei’s mother after she was drugged by some old rich CEO at a function where she was playing the Guzheng. She marries Ming Qiang, who is a motor mechanic but loved her and accepted that she was pregnant from the assault. Xu Xiu approached Ming Wei after his father commented that her smile was like Xu Xiu’s mother’s and Zhao Xiao gets DNA sample from her hair.
Zhao Xiao’s family is a lot better fleshed out in the book. The patriarch is actually Zhao Xiao’s grandfather. He has 2 sons, the first is Xu Xiu who has 2 sons, Zhao Xiao and his older brother. They all adore Ming Wei once they find out who she is but she keeps her distance from them all. Grandpa has a second son who is the father of Lin Lin and another brother who is the boyfriend of Wong Ying Ying. The brother’s character is merged with Ming Wei’s ex boyfriend in the drama. Therefore Lin Lin is Zhao Xiao’s cousin. She is a spoilt brat but only has a small role in the book. She comes back to pester Ting Zhou whilst he still has amnesia, and triggers Ming Wei to leave she is petrified that when he is no longer the Grand Tutor he would leave her. Lin Lin comes back later when Ming Wei and Ting Zhou are dating and tries to spill a drink on Ming Wei but the whole Xu family pretty much blocks her from interfering because they know they are dating in secret and the whole family loves Ming Wei. But she never calls Zhao Xiao her brother like in the drama.
In the novel we know the name of Ming Wei’s biological father by chapter 21. She only reluctantly acknowledges him because he gets into a near fatal accident on his way to visit her in hospital when she breaks her wrist filming another movie after White Snake.
Ting Zhou’s family always liked Ming Wei and was encouraging their son to pursue her. They never even interact with Lin Lin, so no scene where Ting Zhou’s mum gets pushed over by Ming Qiang. No Lin Lin slapping Ming Wei or Ming Qiao slapping Lin Lin.
Was there a proposal up to Episode 28? In the novel Ting Zhou was the presenter of the Best New Actress award at one of the big award nights, which Ming Wei won. After he presents her the award, he gets on one knee and says “I am changing career to become a Director. Miss Ming, I want to use the rest of my life to make a movie, will you be my female lead?” *swoon*
Finally, Ting Zhou never says whether he regains his memory as the Grand Tutor. In the wedding night scene just like in the drama he gets on his knees and says “your servant Mu Ting Zhou thank the Princess for marrying him” At that moment Ming Wei realises that Ting Zhou gets on one knee, but only the Grand Tutor gets on both knees, and concludes that he must remember, but still won’t call himself the Grand Tutor because he is still jealous of him/himself. End of novel.
So essentially the drama is based on the first 40 chapters and then is only very loosely based on the rest of the novel. Whoever adapted the drama must just have loved Grand Tutor a lot! I wonder what is in episode 29+30? Hope you found this interesting!
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Legal Rommates
THRC was “supposed” to be a story about a upcoming star instructor who got pregnant and entered into a marriage contract with a guy and later they fall in love. 100% of everyone who tuned in to this expected that kind of story. Instead we got a rising young instructor who gets pregnant enters into a marriage contract and then becomes the second lead because her baby daddy and his nonexistent issues came first.This show had potential. If only the writer hadn’t gone and smoked that cheap ass pot or whatever it is they smoke. To come up with one of the most stupid nonsensical stories ever. So many storylines were started and like magic they abracadabraed out of existence.
Examples:
-Yeon Doo’s career before and after the baby
-The shared baby between her uncle and TaeKyungs brother & sister-in-law (shaman’s vision)
-SeJin’s revenge on the Gong family for making her family feel like shit
- SooKyum’s mom’s absence for majority of her life
- BongNim and SeJin’s dad possible romance
- The weird resemblance of YuMyeong’s ex Jay and DongWook which was extremely weird I might add
ummmmm I think I’m forgetting something else……what is it?🤔🤔🤔🤔Oh yes!! The relationship/chemistry between Yeon Doo and Taekyung.
It very clear that this writer caught some form of amnesia or writers stroke cause they clearly opened more plot lines than a DC Comic TV series and forgot to close them.
Another thing that got on my nerve was that as a writer you’re supposed to not be biased and not have favorite’s. Clearly this writer missed Writer’s 101 class. That wretched character Kim JunHa became the main lead over night and everything that was done worked in his favor. With the way he was written you’d think this writer hated happy endings.
As the weeks went by TRHC went from a show that solved problems by episode 2 or 3 to a show that dragged issues out for the next 5-10 episodes then solve then either 2 minutes into the show or right before it ends.
And don’t get me started on the lack of chemistry between the main leads. Their marriage progressed from fake to real and only stayed real on paper. For the entire series they were roommates. The most intimacy they’ve had can be counted on one hand. You’d think that for a show based around fake marriage there’ll be loads of lovey dovey I’m falling for you stuff.
I’ve seen my fair share of weekend dramas and honestly after YLAG (Young Lady and Gentleman) I’d sworn off them. But I’ll rather take the amnesia plot lines in YLAG than this crap show. The only character that I liked was Haneul. She made the show better.
To any future watchers of this circus freak of a mess show…..please I beg of you with everything that exist DO NOT watch this show! Even if you’re curious pick any show…better yet take a deep dive into the comments and you’ll see for yourself what I mean. We all hated it with a passion.
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chaotic and ridiculously good // perfect blend of comedy and historical genre
Surprisingly I enjoyed the series considering the fact that i dislike historical dramas a lot because they are too boring and dark for my liking. The writers did a really good job in mixing chaotic and comedic moments between the characters and also the dark theme of a puppet king and the battle of power between officials. Unlike many other so-called "rom-coms" that are only funny in a few episodes, Mr Queen brought a lot of laughter in every single episodes and it didn't seemed forced or cringe thanks to Shin Hye Sun and Kim Jung Hyun's amazing acting. I was not surprised by how well Kim Jung Hyun fits the role of Cheoljung considering the fact that he's a master in this type of characters but Shin Hye Sun's acting was WOW Having to act as both gentle and a chaotic man stuck in a woman's body, it was very natural which really helped in the comedic aspect. I would highly recommend people to watch this if you are looking for a funny drama with a mixture of an exciting plot!! #TeamNoTouchingEsta resenha foi útil para você?
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CUTEST THING EVER
This drama just warms my heart! <3When I heard a Korean bl was coming out I knew it was going to be good. With “Where Your Eyes Linger” still fresh in my mind I was so ready for another amazing Korean bl, and “Mr. Heart” didn’t disappoint. I feel like they could’ve had a better name though, maybe something do with running...but that’s besides the point.
I just finished this drama, and let me tell you, I’m still recovering from the huge amount of adorableness in this drama.
I was so excited for this drama, so I did something I rarely do— watch a drama while it’s airing (because I hate waiting for the next episodes) but I just couldn’t wait! Every episode left me wanting another, and when I finally finished, I was sad that it was over.
The leads have good chemistry and they’re both so adorable! The storyline wasn’t that deep, but obviously the main focus was the romance. I found myself getting attached to the characters, and smiling at the screen allll the time.
I’m definitely rewatching it in the future when I want to feel happy, and I highly recommended it!
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