Reviews

Know your value. If you don't... then learn.

I learnt a lot from this drama as a woman. Instead of setting standard for a man this drama taught me how to set a standard for myself.
I've never written a review before. And all the dramas I watch are light hearted like the on I'm watching side by side 'You are my lover friend'. But I always found myself waiting only for the episodes of in between. It goes around the stories of different women pursuing different lifestyle. But that doesn't keep us women away from some men.
Which take me to the charachters of this drama and their experience with differnt types of men which only gave one conclusion.. we women don't really need a man to make a living and live a happy life.
I won't write about the acting or music but yessss, this drama goes around different stories which represents the different types things that are happening in this materialistic world. Cheating, harassment, lying, backstabbing, revenge etc. This drama is definetely a good drama if you want something different. And not some honey coated lovestory.

Leia Mais

If you like TVN dramas then don't skip out on this gem because of the rating. When this drama first aired I couldn't get past two episodes, after picking it up again it took me less than 2 days to finish. This is has the lightness of a romcom and the realness of a family drama, I wouldn't categorize this a melodramatic. After the first two episodes the pace picks up with a decent amount of plot and not a lot of filler. The acting was real and spot on for all actors. They are all individuals with their own thoughts and don't feel like carbon copied personas. This is hands down my favorite role i've seen Lee Dong Wook in, he really captured the emotions of his chracters. This is also one of the first dramas that I've watched where there really is no antagonist. There are definitely characters put in place to be road blocks for the main couple, but none of them are evil everything they did was surprisingly human and matched to their chracters. I'm a sucker for a best friend turned lovers story and this one is going in my favorites list. I recommend you give this drama a go for at least 4 episodes before dropping it really is worth the watch.

Leia Mais

Where do I begin to tell the story of how great a drama can be? Because this drama was great. Although it made me spend 20 hours of my life on an emotional rollercoaster, I can't complain because it was just so good. There were many scenes that broke my heart and a lot more that were so full of suspense that I was really anxious most of the time. Even when the writers were kind enough to endow us with a nice and fluffy scene, because that only meant that something really awful is going to happen.

Even though there was a lot of angst, I found myself smiling happily and even laughing out loud because some scenes were just ridiculously funny and just made me happy. Those scenes were very welcomed breathers between all this anxiousness and nervousness.

I actually liked all the characters (except the root of all evil Choi Jin Cheol) and the way they all were intertwined. Their relationships were interesting to follow and I was especially fond of the relationship between Sun Woo and Young Hoon, Sun Woo and Chul Min and of course Sun Woo and Min Young.
The interactions between each one of them and that everyone has some kind of a relationship with the others was great. Especially since we didn't know from the very beginning where they knew each other from.

To be perfectly honest I am not such a big fan of the time-travel-theme. But I found myself enjoying this drama very much. Although I found the beginning and the ending somehow confusing or just too much for my brain to grasp I didn't think that the whole time travel thing was difficult to follow. Even though that's often the case in such dramas.
But I don't think that not understanding the ending is a problem because I believe that this was intended by the writers. Everyone can interpret the ending the way he wants. There are many possibilities. And depending on which ending you choose it's either a happy or a sad ending.
For my part I still don't know if it has a bad or a good ending. But the last episode made me equally happy and anxious. But I guess the happiness or the funny parts in the last episode exceed the sad ones.

Nine_ Nine Times Time Travel is one of the best dramas that I have watched. It is awesome. The story and the characters are great and for me there is nothing more to wish for. Although at first I wasn't sure if it would be worth my time I am so happy I gave it a chance.
And I think that's also what you ought to do.

Leia Mais

Throwback to Classic K-Dramas

This was fun!

It was very classic K-Drama. The cliché of a rich guy butting heads with and getting humbled by the person he'll fall head-over-heels for. All with slapstick humor, cheesy lines, and easy music included.

What was particularly good about this was the time they allowed for just general bonding. Before our MLs even get together we are already convinced that they get along and have gotten to see them interact and bond enough to make their feelings believable and have depth to them.

If you're looking for a good-time drama with some occasional intriguing bits, you'll enjoy this.

Side Note: I'm so glad these guys got a chance to be in another drama together and show off their chemistry with a better story.

Leia Mais

could have been amazing

Overall: imagine if Muffin was actually a police officer and we saw her beat up some baddies in one of her outfits, or what if the mafia boss was actually a secret huge romantic at heart? There were so many ways the writing could have been innovative with this premise, but the cliche writing really ruined it, especially in episode 6. It is based off of "The Ideal Relationship" which I have read but I reviewed the series on its own merits. 8 episodes about 45 minutes each. Aired on iQIYI.

Content Warnings: deaths/murders, non con touching/attempted sexual assault, violence, drugging, manhandling, stalking, attempted murder, kidnapping, manipulation

What I Liked
- the intro credits style was an homage to the source material
- how Guy was set up as a queer character from the beginning
- the video gaming sequence, unfortunately we only saw 1 sequence
- cute/sweet moments
- Guy showed agency
- laughed a few times (although mostly at huge plot holes/nonsense writing)
- Wahl's girlfriend in episode 6
- (neutral) comedy noises

Room For Improvement
- cliched/nonsense writing (i.e. Tew's idiotic "plans", Guy probably had 6 bullets in his revolver but seemed to shoot waaaayyyy more than that in episode 8)
- Kenji's backstory makes zero sense, maybe if Tew had used him as a human shield then it would have made sense, they made him into a cliche cartoon villain with nonsensical actions/motivations, even episode 7 didn't make enough sense for his motivation, also way too much screentime taken by Kenji
- the voice over was a fast way to set up a character/beginning but not my favorite way to start a series
- the music was sometimes not what I would have preferred, also think they could have removed the comedy sound effects and just let the comedy come through on its own
- tropey (ie multiple accidental fall and catches)
- avoiding physical affection in episode 5 (although Guy was better by the end)
- cliche plot point in episode 6
- Wahl had way too much screen time, needed to devote some of that to Guy/Tew building their relationship

Leia Mais

A substantial, mature and exceptionally beautiful love story

For me this is my highlight of 2023.

As a phenomenal firework of quiet nuances, “Tell Me That You Love Me” is exuding soulful warmth in graceful silence while creating a soothing atmosphere that takes root deep in the heart. Accompanied by a soundtrack with pulling effect, that could hardly be more harmonious, sincere feelings are conveyed via looks and gestures, while words and thoughts are frequently communicated in sign language, thus telling a story, that knows how to gently touch the audience.

It's not about appearance, facade, coat and make-up, but about essence. Approaching the substantial is exactly what makes this production so exceptional for a KDrama. With Jung Woo-sung, who is once again breathing pure authenticity, certainly a perfect casting for the ML. He also seems to having actually communicated in sign language most of his life. But Shin Hyun-been was also able to effortlessly impress me with her reflected presence. What a couple!

Calm aesthetics and gentle pace intensify the profoundness of the encounters, which opens up spaces for the essential. Even if trenches between the worlds of the hearing and the deaf may be deep and ample at times, loving encounter is still possible. Even if the feelings for each other may be deep and honest, specific barriers inevitably remain. “Tell Me That You Love Me” is gently approaching the dilemma - a desire to face the challenge with confidence, but on the other hand the fear of failure considering the barriers and therefore wanting to run away.

I´d say, anyone who can open up to this rather idiosyncratic “language” of this KDrama will be rewarded by a substantial, mature and exceptionally beautiful love story.

Leia Mais

One that loved not wisely but too well.

Once upon a time in Beili, there lived a woman who was simply too beautiful 倾国倾城/qīng guó qīngchéng; she could fell a city with one look and fell a kingdom with a second look. This kind of woman is a menace to mankind that can only be locked out of sight in a gilded cage. This is the cautionary tale of a brave man, one that loved not wisely but too well who dared to set her free. And his one true friend who tried to help him do the right thing.

Dashing Youth 少年白马醉春风 or Young White Horse Drunk in the Spring Breeze is the highly anticipated prequel to 2022's dark horse hit high fantasy martial arts drama The Blood of Youth 少年哥行. Like its predecessor, it is a youthful coming of age story about friendship, adventure and the spirited idealism of youth. Even though Baili Dongjun is the titular character, it is equally his best friend Ye Yun's villain origin story. They are parallel characters; both innate martial artists and scions of the Beili empire's founding families. As boys, they vowed to storm the martial world together when they grew up; Yun as the Sword Deity and Dongjun as the Liquor Deity. After the Ye family's downfall, they are destined to go down opposite paths. Dongjun lives a charmed life; making a name for himself as Li Changsheng's final disciple at the prestigious Jixia Academy; surrounded by new friends like Sikong Changfeng and Beili's Eight Talented Gentlemen. He reunites briefly with Ye Yun, who now calls himself Ye Dingzhi. In sharp contrast, Ye Dingzhi's path is a lonely one, full of obstacles, inequities, betrayals and brief snatches of happiness.

At its core, this is quite a straightforward story that is cluttered in the storytelling. There are too many digressions into the Who's Who of the martial world and and its pretentious rankings. While the fan service is terrific, such a dazzling array of too hot to handle swordsmen put my exploding ovaries in danger of apoplexy. The surfeit of hot filler characters with shallow side stories distract from the main arcs. For all their fancy swords and pompous rankings, all we see are a few showy poses and twirls before the CGI takes over and screen explodes in a gory orgy of light and digital creatures. While the CGI is well done, it is a big let-down not to see a few well choreographed live action fight sequences.

I was happy to see Hou Minghao dub himself as Baili Dongjun. It makes a big difference in how the character comes to life. While his acting is still a work in progress, he plays a character he can relate to and it shows. Ye Dingzhi is a more complex and intense role, one that He Yu pulls off charismatically. Even though he does questionable things, I empathized with him every step of the way. It would have been nice to see more of Xia Zhiguang's Sikong Changfeng. The humor and camaraderie between all the dashing youths is one of the drama's highlights. Even though the romances are not convincingly written or well developed, I liked all of the couples enough to root for them. The role of Yi Wenjun should have been more sympathetically portrayed instead of just as helpless, selfish and willful. The lovely Ye Yao is only Dongjun's muse, her character doesn't get to do much.

The irreverent Li Changsheng/Nangong Chunshui is the funniest, best acted and most engaging character in this story. Even though his arcs don't tie well with the main plot, the narrative visibly sags after his exit. His parting words to his disciples 凭心而动/píng xīn ér dòng or "act according to your heart" captures the spirit and idealism of youth that is Dongjun's lifelong mantra; one that years later, he passes on to his disciple Tang Lian. He helps Dingzhi steal the bride because Wenjun was not willing and therefor it is wrong to force her. It is the simple, absolute truth that trumps the cynical calculations driven by politics and expedience. He never wavers from this belief. It is true that Wenjun is a selfish, weak and dislikable character who makes terrible decisions with devastating consequences. But she was still wronged in the first place. Thus like Dongjun, I understood, even tried to empathize with her until she was too easily manipulated into returning to Tianqi. That was not only a stupid decision, it showed that she simply did not trust and love Dingzhi enough to wait for him. Poor Dingzhi, he never got any breaks. Even the love of his life failed him at the end. Through sick and sin, it was always and only Dongjun who remained his one true friend.

There is little new in the political plot that wasn't revealed in dialogue and flashbacks in TBOY. Which would be fine if they fleshed out the character stories and the succession struggle instead. But those are dealt with cursorily with Ruojin left as a blank cartoon character and the relationship between the brothers not explored. TBOY romanticizes Prince Langya as a tragic hero, the noble uncrowned king of Beili. In this prequel, he is the character that disappointed me most. He tore up his father's will out of misplaced loyalty and his own selfish desire to live an unrestrained life. He never made the case for why Ruojin was more worthy, supported him unconditionally and in the case of Wenjun, enabled him even though he knew it was wrong. There was never a so called greater good or do or die reason why Wenjun had to marry Ruojin, it was simply a matter of imperial privilege and entitlement. They could have escaped with his help and everything could have been so different. But I don't hold him solely responsible; there were so many malign forces at play and bad decisions that there is plenty of blame to go around.

The ending to this story leaves that bitter after taste that the bad guys won. It makes too convincing a case that a too beautiful woman who can topple kingdoms must be safely locked out of sight so she can do no harm. Both Wenjun and Dingzhi paid a high price for their mistakes but too many people who pushed Dingzhi down the dark path got off unscathed. In the novel, Dongjun has an epiphany about his own dào/道 or convictions in the middle of his fight with Dingzhi. He switches sides and punches the daylights out of the emperor instead. He scolds him: "She does not like you, why force her to marry you? She has escaped and is living a happy life, why lock her up again? You are the emperor with a harem of 3000. My brother only loves one person. Live and let live. Learn from your brother, he can even let you have the throne, why can't you let my brother have one wife?" Even though it changed nothing it was something that had to be said. Without this scene, Ruojin is never called out or held accountable for his role in starting a war over a woman. Instead it is Dingzhi who is destroyed and villainized for trying to hold on to a grass hut in a tiny corner of the world where he was happy. It is very hard to feel good about a story that ends like this.

This messy and disappointing prequel was in some ways limited by what was already canon in TBOY but still could have been better on multiple fronts, Nonetheless it is a chock full of eye candy and a fun watch if you don't look too hard at it and ignore the inconsistencies with TBOY. Even though this is a critical review I enjoyed the drama. I am just mad because it had the potential to be almost as good as TBOY. But it wasn't and so I can only rate this 8/10. I am still happy to recommend it , especially if you loved TBOY. If you liked Wuxin before, you will love him more after knowing his parent's story.

Leia Mais

Strong First Strike, but Loses Its Footing in the Last Quarter

Watching this show was an emotional roller coaster ride: in the first three-quarters of the show, the cart climbed higher and higher until it could go no further, limited by the tracks that the writer had laid out for the machine. But then it started its descent, and for me, the train derailed before it reached the station.

It's clear to me that the writer knew exactly where she wanted to go and tried to careful craft a scenario to deliver her message about the elation and tribulations of first loves. For the first part of the show, I was totally engrossed with this plan. The story is told as a flashback of a little girl who read's her mother's diary, and like many other viewers, I was invested in the open question of who the identity of the girl's father - is he the main character of the mother's love story or he is not?! This was a question that kept everyone awake at night when this drama was airing. This was definitely an intentional effect as the series would intentionally omit clear references to the father, going so far as not to even show him on screen and to make dialog ambiguous so that you don't even know his name nor any hints towards his identity. Moreover, it seemed like every little detail of this Kdrama mattered -- it didn't matter if you forgot something, because boy, the writer sure remembered everything, and she often utilized these minutia to extreme emotional and dramatic effect. It was almost a masterpiece.

Almost. For me, the plot past episode 13 took a noticeable decrease in quality: characters started acting in ways that I thought were unearned - the fierce female lead that we had all come to know and love somehow became more passive and willing to give up -- this was a far cry from her "never give up attitude" that had led her to toil so hard to hone her fencing skill. The conscientious, sweet boy who put family and friends above all else suddenly became a workaholic -- he spent most of the first half of the story practicing the little, individual acts of loves for his friends, family, and love interests, and suddenly he's all about sacrificing for the greater good/his career. Yes, people can change, but for me, if we're talking about a television series, we should be shown the change and not have to infer it -- it's just jarring without a proper explanation. Even for side characters, things just started to arbitrarily work out for no discernible reasons - this is a little baffling to me in a story that prided itself on being so clear and clever with the details. The final nail in the coffin for me was dismissing things that we had become so invested in: that mystery we all cared about? Without spoilers, I feel I can safely say: it turns out it's irrelevant. Put simply, it felt like a slap in the face as if we were intentionally manipulated only to increase ratings and not for story purposes.

I don't believe that a story necessarily needs to have a happy end nor needs to have a sad end to be great. But I just feel this Kdrama did not execute its ending in a way that I felt was earned. It pains me to say: this Kdrama started as a 10/10 for me, but quickly destroyed my faith in it with just 3 measly episodes, to the point that I actually think it did the whole story a disservice. There were so many unanswered questions, that I think either the show needed a few more episodes to flesh things out or it needed less episodes to tell a complete tale without the feeling that something is missing. Either way, I can't help but feel there was a missed opportunity here. It's just such a shame.

Leia Mais

Potentials Wasted & Left a lot to be desired

the first half of the show is pretty soild (for a rom-com) but the second half is boring as hell. i skipped alot just to be done with it. I watched it for PMY but her acting is questionable at some points. Main Male lead's performance was also underwhelming, the second male lead was good tho.
i think what made the second half unbearable to watch (aside from the poorly written script) is that the main characters had no chemistry, the FM and the second lead worked better for me, and it's not for "second lead's sympathy" reasons, they pairing felt refreshing and made up for the chemistry which lacked in the endgame couple. in addition, i think their stories would've made a lot more interesting plotlines and events than what we've been left with. I was surprised by the LGBTQ+ representation but again, something was lacking, much like most of the sub-plotlines, it felt poorly done and toned down.
to put it simple, yet another underwhelming project from PMY.

Leia Mais

this is what a kdrama should look like

okay so i went in a little nervous. a superhero comedy set in 1999 with apocalypse vibes is a lot to balance and kdramas don't always pull off this kind of tonal mashup. but wonderfools mostly nails it and when it wobbles the cast just picks it up and carries it.

the premise feels fresh without trying too hard. director yoo insik is so good at making absurd stuff feel grounded and the writing actually gives every misfit a real emotional arc instead of just leaning on the powers as the gimmick. the 1999 setting isn't just for the aesthetic either. the whole millennium dread thing bleeds into the characters in a way i didn't expect. production-wise it looks great too. the action is clean, the comedy lands and when it goes for the emotional beats they actually hit.

the cast is what makes this special. park eunbin is doing what she does best. chaeni is loud and chaotic but also clearly hurting and eunbin makes that switch look effortless. choi daehoon and im seongjae are SO funny and the four of them have that ensemble chemistry where you can tell they actually like each other. supporting cast is stacked too.

cha eunwoo though??? i've watched basically everything he's done since true beauty and this is the most disciplined i've ever seen him. unjeong is a hard role. mysterious, fairy-tale boy, carrying trauma he can barely talk about and instead of playing it big eunwoo plays it SO restrained. it's all in his eyes, his breathing, these tiny shifts. and then when unjeong finally cracks (you'll know the scene) it lands so much harder because he didn't tip his hand earlier. this is lead actor work, full stop. people who only know him for his face are about to eat their words.

i have no negatives but the villain arc wraps up a bit neater than the buildup deserved. nothing dealbreaking but it's just a note.

tl;dr: genuinely one of the best dramas i've watched recently. great ensemble, real heart, actually funny and eunwoo is so good. if this is the last thing we get from him before he's back from enlistment in 2027, what a way to leave us. already planning a rewatch.

Leia Mais

After ep 14, it stopped making sense... and started making me uncomfortable.

After ep 14, it stopped making sense. The beginning half was funny and had a refreshing, lovable-without-being-cringe-y, clumsy, and amazingly BLUNT female lead, who was brave enough to do things that would only happen in a drama. It also had a no-nonsense, rational, and caring male lead, who reacted realistically! The female lead knew when she should cut her losses and own up to her schemes quickly. It was lovely to see certain conflicts resolved with such speed without repeat, but still have the male lead give her more opportunity to be around him the more he fell for her. They were a lovely combo that caused me to binge straight through to ep 14 (amazing tension) and made me anxiously wait for the next episodes. The ML wasn't your typical overbearing, unreasonable, cold ML...I loved his interactions with Ji Qiu. Around ep 14, I could even justify some of the ML's antics to provoke the FL, hoping that he would have a frank discussion with the FL in ep 15, but.... that never happened.

I binged all the way from ep 15 to ep 24 with growing disappointment. After ep 15, a lot of the vehicles that drove the main romance were ignored, while a monster pile of other conflicts with new characters that were thrown in and resolved within minutes. There were a lot of unrealistic scenarios! While I'm glad for some quick conflict resolution, these new conflicts were unnecessary! The first half had plenty of other conflict that could be flushed out and resolved! While the two other pairings were cute and acceptable, how the drama went about creating one relationship (Si Qi's) and creating conflict in another (Ji Qiu's) was out of nowhere and hard to buy in. I would have loved to see more of a sisterhood between all of the ladies - sooo much potential there that the drama barely cracked the surface. FL's love rival had so much potential to be a supportive rival/sister and that was annoyingly destroyed. She barely had any screen time. I would loved to see the girls gang up on the ML for being a dork and putting the FL through (albeit brief) anguish. Qing Wu and Qi Nian's conflict should've been resolved earlier! That would have made Qing Wu's relationship more palatable, but also her commentary about her partner being legal to marry was so worrisome (smh!).

I love a fluffy cheesy romance and have seen my fair share, but in the latter half, moments got so trope-y (ML went into full overbearing CEO mode with some scenes) that my eyes rolled to the back of my head too many times to count (still squealed my fair share though for some scenes). First half, he was a solid balance of a hidden romantic, then went into full blown romantic, before going back into a repressed, controlling romantic for the last few episodes haha. He didn't ask her opinion for any major decisions involving the two of them, didn't express his feelings toward her properly, and admitted that he was a control freak. He wasn't before! He was a bit harsh to others, no-nonsense, warm to people close to him, and a workaholic before. He had this great storyline with his brother (Si Qi) that was resolved soooo beautifully, but then did a 180 with the female lead and said, "I'm going to be as controlling with you as I was with my brother even though that blew up in my face and I painfully and actively spent the last few years trying to make reparations (like wtf!). Female lead was basically a cheerful, straight-talking bunny, who somehow slinked into a submissive shadow in the latter half. When some of the "romantic" clips in the latter half were released, I actually couldn't watch them because they were that cringey/not romantic.

I was uncomfortable with some scenes with some side characters that skirted consent and harassment... but it's dramaland where these things are unfortunately normalized and utilized to brew conflict. I thought the drama had so much potential, so I'm left very disappointed. It started out being fresh and new and fell back to old C-drama antics and dramatics. The ending is pretty satisfying and cute though.

I loved the quality of the ML's acting until ep 14 (idk, his script was hard to deliver, so props to him) and loved the FL overall (she had plenty of cringe-y moments but was not annoying!) Xin xin (from Le Coup de Foudre <33) and Ji Qiu were played to perfection. I was impressed/moved by FL and Ji Qiu's crying scenes. Love the brothers' conflict and how it was resolved. Loved the grandpa. The FL's friends barely had screentime, but I liked their dynamic with her.

Leia Mais

Highly entertaining but also frustrating

Bossam: Steal the Fate managed to be one of those intensely polarizing dramas where many viewers laud the series as the greatest, most engaging thing ever to grace the small screen, while others condemn it as a terrible waste of time. This drama was able to achieve the highest viewership ratings (9.8%) of any drama in MBN history, and yet, if you read the reviews and comments on MDL, you will sense the opposite sentiment.

As for me, I liked this well-written, intelligent and enlightening show that showed me another aspect of Korea's historical culture. Bossam was a custom in the Joseon period, in which a single man himself or through a hired hand kidnaps a widow by wrapping her up in a blanket at night and then makes her his wife. During those days, it was a way of getting remarried and an opportunity to get a new life for the widow who was obliged to live alone after her husband's death. Based on this custom, the drama unfolds the uncliched love story between the leading couple as they experience conflicts between social classes and families and survive being in the center of political struggles and turmoil.

Why highly entertaining?

From the get-go with the opening scene illustrations, I found this drama to be quite unique. It is a historical drama accompanied by non-traditional touches like the selection of eclectic songs and background music. The music producers deserved credit for being prolific and delivering quality tracks. The OST or BGM that underscored each scene was truly fitting and had elevated it to the next level for me.

Furthermore, the cinematography and directing were also a big part of the show's appeal, as one can tell that a lot of thought was put into each scene to evoke the necessary emotion and feeling. Every episode was nicely shot and expressed. Even details like how the hanbok skirt formed in a perfect circle surrounding a sinking woman was impactful. The settings and landscapes were lovely, like works of art. Visually, it was a treat to watch this show. The costumes and makeup also stood out for me because the show did not go for an idol drama feel with overdone makeup or glaringly obvious colors. The actors looked normal, good-looking nonetheless but refreshingly ordinary.

Acting-wise, I am impressed. I have heard of Jung Il Woo's ability but this is my first drama of his and I am blown away. He clearly has the experience and acting chops to pull off a complex character like Ba Woo, born from nobility but grew up a street rat. Shown initially as a rogue who was obviously a little damaged, it was also quickly apparent that our male lead, the heroic outlaw, was a good and generous person at heart. Jung Il Woo's micro-expressions were on point, and there was an underwater scene where he executed the scene perfectly by just his expression alone. His visuals are not my usual preference, but in this show, in that persona, Il Woo just exuded manly sexiness.

Shin Hyun Soo's character, Lee Dae Yeop, got a lot of hate for being the clingy second male lead who could not move on. However, I had a soft spot for Dae Yeop, especially after finding out his back story and romance with the Princess as well as his background. His actions may have seemed rash and selfish at first, but he never wavered from his desire to protect and ensure the happiness of the only one he loved. I had high hopes for his character development, and he did not fail me up to the finale. My heart ached for him a lot, and Shin Hyun Soo was brilliant in portraying this lost soul. With his eyes alone, Hyun Soo showed the hopelessness and defeat that Dae Yeop must have felt, trapped with no way out between his family, duty, love, and his own desires.

Kwon Yu Ri, however, is the show's biggest hidden gem. Her acting as Soo Kyung/Princess Hwa In, a demure, well-bred but humble Princess who was also passionate, brave, and intelligent, left a firm impression. Knowing that she is a Girls' Generation member, I was not prepared for her wonderful performance. In a way, this drama was also about how the Princess chose her own happiness by freeing herself from the societal rules and obligations, and Kwon Yu Ri portrayed this character's growth well. I appreciate the female empowerment theme featured in this show, like when Ba Woo constantly praised and respected Soo Kyung's intelligence and strength.

With the addition of seasoned actors like Shin Dong Mi, Song Sun Mi, Seo Beom Shik, Yoon Joo Man, Kim Tae Woo, Lee Jae Yong, and Lee Joon Hyuk, you have a cast that was able to deliver the story effectively. The child actor, Ko Dong Ha, who played Cha Dol, has potential as well.

I love that the characters were shades of gray. We had the antagonists who felt justified in their actions, people on both sides helping each other for justice and principles, and there were the protagonists who made bad decisions, said and did things they did not mean in the heat of the moment. The show scored points with dynamic characters who struggled with their actions, who were not always clear if they were doing the right thing or what the right thing even was.

To me, the show's strongest point is the way it executed the plot. I liked how the drama encouraged and engaged the viewers' imagination. It was my imagination that filled in and enriched what the show's visuals or soundtrack both concealed and alluded to at the same time. At least, I prefer to think that what was left out was not a mere lack but instead a conscious artistic act of intentional omission and suggestion. Coupled with somewhat predictable plot twists but, when revealed, were simply shocking in terms of magnitude and nature, the result was a story that kept me engaged from start to finish, with each episode leaving me eager for the next one.

Why frustrating?

Even though I appreciated the moments of omission and suggestion, the conspicuous use of them for the romance between Ba Woo and Soo Kyung left me wanting for more. The chemistry between those two was palpable, and I wanted to see more than hugs. Ideally, I would have preferred more tantalizing or passionate scenes, but if not those, then at least some other obvious display of affections that provide the anticipation and build-up that one usually seeks in a show with a romance tag. That said, I did find the scenes between the leads incredibly romantic, especially with the setting, music, and dialogue. There was a dignified and pure way about how their love for each other was shown, and I did believe that they truly loved each other. I also like the phrase they used for each other "saranghae yeon-mohada (연모하다)" which means to love and long for someone. Seeing them together left a good feeling and I was satisfied with how they ended.

With the romance underplayed during the second half, the show somewhat got derailed by the heavier focus on the palace and court politics. The villain, Lee Yi Cheom, constantly got on my nerves with his audacity and arrogance, but really, this was a good thing because it showed how terrific the writing was. I was glued to the screen, on the edge of my seat, wondering what was going to happen to the OTP and the other good guys. Had I not wanted more romance and pleasant "slice of life" episodes featuring the main couple, I would have appreciated the political shenanigans even more.

Overall
I would rewatch this drama since there were many nuances and subtlety that I may have missed the first time. I also enjoyed the story and characters enough to watch them another time, although I am unsure if I want to feel Dae Yeop's pain again.

I do recommend that you try this drama out and see for yourself. Thematically for me, Bossam: Steal the Fate is a show that encapsulates life in many aspects and topics. It touches upon self-identity and personal growth, love (romantic and familial), respect and loyalty (to self, family, country, and principles), politics, societal obligations and problems, the balance of power and inequality, friendship, and more.

Side note:
For posterity, I have enclosed the link to the soundtrack list: https://en.wikipedia.org/wiki/Bossam:_Steal_the_Fate#Original_soundtrack

Leia Mais

''Hi Bye, Mama'' is undoubtedly a very thought-provoking drama. It makes you reflect on the most important and precious values in your life and it makes you realize how important the people you love are. The drama surely warms your heart and it brings tears to your eyes.

I honestly admire the idea of the show and how well it was executed. With this type of story, things can easily go wrong. But ''Hi Bye, Mama'' never took this wrong step and it remained good till the end. Writer Kwon Hye Joo for sure knows how to write such heart-warming stories.

However, the reason why I'm not giving a better overall rating is because I think there were a bit too many side stories and characters. Somewhere around the middle, the story kind of dragged too much, then later on became better again. It's not the biggest flaw a show could have, but the fact that I got bored for around 4-5 episodes affected my rating.

The characters were overall very good and the relationship between them were excellently developed. Cha Yu Ri definitely grew on me a lot, the same goes for Gang Hwa and Min Jeong. The sismance between Yu Ri and Min Jeong was great too, I loved how they didn't make them hate each other or something. It just made the drama sweeter.

The acting was amazing! Lee Kyu Hyung with a main role, freaking YES! I've loved him since I saw him in Prison Playbook and I'm so glad that he finally had a main role. Kim Tae Hee, gosh, this woman! I swear to god, when I saw her in Yong Pal, I was so put off by her weak performance that I thought she's one of the worst actresses and I was even sad when I saw she was cast for this drama. But thank you, Tae Hee, for proving me wrong! She was brilliant as Cha Yu Ri, I was so impressed.

So overall, I liked ''Hi Bye, Mama'' and I think a lot of people would enjoy it. I'm just trying to be more honest with my ratings, you know. But yeah, it's a very addicting show and I'm glad that I stayed with it till the end.

Leia Mais

office romance, age gap, employee/boss, food is the love language, coming of age late in life

This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits for episode one. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said man with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s coming of age/queerness packaged in a subtle critique of expectations around masculinity and love and loneliness... and it’s beautiful.

It utilizes hand-held and super close camerawork, long shots, dirty framing, and marvelous acting (stagecraft) from everyone. The directing style it subtle but very precise and tailored dirty framing (AKA lots of objects and other people’s bodies interrupting shots.) Notice the frame is only direct and uncluttered when they are eating or being extremely intimate with each other?

This show manages to make things that shouldn't be sexy so very sexy (like Togawa’s hamster cheeks - boy just wants to gorge himself, and not on food). It's truly art.

But there is so much more going on here.

Japan has a long tradition of using food, both the preparation and consumption, as an allegory for intimacy... ALL KINDS of intimacy (give Tampopo a shot, it’s a remarkable movie). And in this show the discovery of desserts, and the enjoyment of the experience of indulging, is explicitly both sexual seduction and emotional tethering. This is not just an exploration of youth for Nozue it is an exploration of desire and identity.

On the other hand, the want drips off of Togawa at all times, like true starvation. It’s epic levels of pining we are looking at and not just love but pure lust. It’s actually quite remarkable to see this done with Japan’s signature reserve, because the through line of the filming style and food allegory dictates they will simply have to show physical intimacy at soem point. But not of the explicit kind we get in the darker BLs from Japan (although they could easily go there), but of a truly sexualized romantic passionate kind that we don’t normally get from Japan in their softer BLs.

You see, there comes a point, when the food allegory has gone as far as it can, and Nozue recognizes that in episode 3, even as he doesn’t recognize Togawa’s desire. Because for him the desire has been made manifest though the medium of desserts... and now that sensation has been satisfied, he feels like that’s good enough.

But when Nozue shuts down the eating intimacy, Togawa was always destined to break open into into sexual need, just the way the egg yolk is broken open in the credits.
What is truly genius about this show is that when this finally happens at the end of episode 4, the camera switches to one long hand held shot. This kind of stage-craft reliant shooting is the ultimate form of filming intimacy - it is the camera’s form of trust:

The directer is trusting the cameraperson not to waiver,
the camera is trusting the actors to pull through for the entirety of the shot (no forgetting your lines on a long take, no missing your marks, no slipping out of character),
the actors are trusting the crew to capture it in that one moment when they give it their all.
This is the kind of theatrically-based close work is as near to sexual intimacy as actors and crew can get.

Thus the shooting style is, itself, a reflection of Togawa’s needs, of Nozue’s shock and realization and crumbling, of the levels of trust between them that are fracturing and reforming. It’s absolutely brilliant.

All that said I did find the final episode bit of a let down. Narratively it reverted back to pretty standard light Japanese live action yaoi, of the style I talk about here. I did expect a little bit more intimacy from this specific narrative even with Japan at the helm, at least showing the two of them cuddling in bed together or something very domestic if not kissing. I’m not surprised or upset that they returned to status quo, and this is still an amazing comforting unexpected gem of a show, but it’s not the 10/10 I thought it was going to be at the end of 4.

Still, solid and watchable and

DEFINITELY RECOMMENDED

Leia Mais

-Please keep in mind that this is all based on personal opinion.-


“Don’t judge a book by its cover.” We’ve probably all heard that line at some point. Likewise, you should NEVER judge a drama by its synopsis.

When I first read the synopsis, I didn’t think the drama seemed worth my time. I mean, okay, so there’s two completely different cops, milkshake-drinking killers who are twins and an abnormal President and local triad. So what?
However, once I actually starting watching (due to a phase of boredom), this drama absolutely blew my mind!

The cast was great; everyone played their role well and I thought that Vic (as Chen Zai Tian) and Mark (as Wu Ying Xiong) were very strong foils of each other. Indeed, they were “different as day and night.”
All the characters had their own reasons and their own stories which caused them to be who they were and act the way they did.

The music was very fitting, especially the opening and ending themes. They were very “powerful” and I thought that suited the mood of the whole drama.

In general, this drama can only be described by “there’s more to it than meets the eye.” It’s not just about two very different police officers or anything as ‘simple and plain’ as that. As the English title says, it’s (about) “Black & White.”
For me, everything seemed to happen so subtly that by the time I realized it, it had already hit me in the face. The minute I thought I had everything more or less figured out, I was shown pretty quickly that I was wrong. Dead wrong.

I wasn’t expecting anything when I started watching it but by the time I finished watching it, I didn’t know what to expect anymore. That’s probably why I liked it so much – it’s just so different. It’s also not much of a romance-drama possibly because focusing too much on the romance would’ve reduced the impact of their REAL message, but that in a way kept the whole series at a ‘practical’ level because it didn’t have to take time out to build and establish romantic-fantasies on the side. I absolutely loved the themes, ideas, concepts that this drama presented to me. To say any more would just give everything away.
(After watching, I thought “maybe that’s why the synopsis was so bad. To say any more would have suggested something about the true intentions of this drama.”)

So in the end, all I can say is this:
This drama isn’t just about that little handful of characters mentioned in the synopsis. Rather, I felt that it was about much, much more.
The most important part of it for me were definitely the underlying themes that came out of it all, but that’s really just something you have to see and figure out on your own. It had a huge impact on the way I think, but it may or may not do the same for you.
It’s about “Black & White.” But what do you think this “Black & White” is about?


-Please keep in mind that this is all based on personal opinion.-

Leia Mais