So what is this about? It’s a story about “Benri-ya” which literally means “handy men”. The two main leads are given certain jobs to accomplish and they get involved in various adventures through their clients’ requests. It’s a concept that’s not very unique since I am sure that many of you saw dramas where the main leads are “problems-solvers” where they get into contact with many characters and go through various situations to achieve their missions.
However, what shines in that episodic pattern is that our main leads don’t get involved in their clients’ lives to be sacred savers, heroes or creators of happy ever after endings. Even the side characters are Mahoro’s ordinary people and job requests don’t demand anything heroic to pull through. In this drama, the situations are handled quite realistically than any other non-detective episodic drama I saw, it deals with some of the life’s dark cases such as prostitution, stalking, AV’s, Yakuza, alcoholics, etc. I was actually surprised in a good way with its pattern.
Another point that attracted me about this drama’s screenwriting is the great slices of humor; I always appreciated Japanese style of comedy and silly hilarious situations so during this drama, I always had to pause and laugh out loud for a while.
The acting is realistic and very believable; I wouldn’t choose any other actors over Eita and Matsuda Ryuhei for the main roles; they did great jobs with their characters’ portrayal. Even guest actors delivered good performance although I am not familiar with half of them.
The characterization is top-notch. As a stated above, the main characters in this drama aren’t sacred saviors; they’re actually anti-heroes without dreams, ambitions, a real life or even families and friends. In short, they have nothing so they need to take job requests that allow them to eat meals even if many of them are hard to accept. Although Tada is a straight gentle character, Gyôten is a real slacker who’s always hanging around in pajamas pissing Tada off just for fun. He’s also a rudely honest character who throws his words without counting the consequences but everything he says is practically pure joy and he always make me laugh whether it’s the way he runs, the way he talks or the way he imitate zombies. That guy is surely going to get a spot in my “favorite characters list”.
The music managed to catch my intention although I don’t really focus on drama’s music but the “Happy Janai, Lucky Janai” and “Matomo ga Wakaranai” songs were really enjoyable and perfectly suited for this drama’s theme.
Watch this drama if:
-You like Japanese style of comedy.
-You like to watch light-hearted drama with great life-like situations.
-You like Eita, Matsuda Ryuhei or both.
Do not watch if:
-You dislike Japanese silly sense of humor. I know that many people don’t appreciate it.
-You dislike Matsuda Ryuhei.
To make the long story short, Mahoro Ekimae Bangaichi is an enjoyable piece of Japanese humor with greatly chosen life-like situations and realistic acting skills that deserves to be watched by the fans of this genre. It’s definitely one of the best dramas made this year.
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I have to admit that at first I watched it because of Mike D. Angelo who plays the part of Jiang Nian Yu but to my surprise I really enjoyed this drama and all the cast.
This is not the drama of the century and there is nothing new in dramaland but the story of the OTP was really cute. I enjoyed every little moment they had!
To my surprise, I really liked the heroine. She is rich, haughty but honest and has a wild imagination. She's a fan of BL mangas and it was really funny to follow her mind. It was refreshing to see the "poor and the innocent girl" as the villain second lead.
The OST "Because of You" by By2 will stay in your head!
At the end, there was a lot of flashbacks but I am very happy to not have missed this drama!
I highly recommend it!
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From the start it should have given you an idea on what you should be looking for, the every possible EFFECTs of the things we say or do. As for Newton's Third Law of motion states: "For every action there is an equal and opposite reaction". For every EFFECT there is a CAUSE. One does not do an action without a reason behind it. The reason may be obvious, deliberate; but it could be also hidden or unaware to the person doing the action.
When the world you know suddenly was turned upside-down, will you able to handle it even as if the problems of the world rest on your shoulders? How can you recover when your world is seemingly shattered into pieces? Will you be able to rebuild it the way it used to be, or even better?
STORY
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This is a 10 for me.
The show unabashedly and in an unadulterated way features topics that seemingly people just sweep under the rug. (1) rape, (2) rumor mongering on social media, (3) suicide and (4) implied mental issue. Yes, number 1 and 3 have already mentioned in other BL series, but the way this series presented those is raw, graphic and it did not sugar-coat it. For the forth topic which is "mental health" is not that obvious, you need to analyze every detail from the start down to the very last scene. One needs to be very objective and it will be hard to do it with this very emotional show to see things through. It is presented in a way to raise awareness. The kind of EFFECTs any of the mentioned above could have is what the series wants to focus on.
This shows the rape also occurs in the same-gender world and not only exclusive to the male-female relationship. It is traumatizing when a person is subjected to rape, let alone to relive it when you are opening it up to another person. That is why victims of rape tend not to tell anyone or report it to the authorities.
The power of social media. This is what consuming the society nowadays. With the information age at hand, it can bring out the bests in people as well as the worsts. It can be a tool to create a beauty or destroy. The problem with social media, specially with pictures, it does not show the whole story. It just capture the millisecond. Even shared videos aren't 100% accurate if it doesn't show what happened before and after. Social media can rally for a cause, or spread rumors like a wildfire. The question is, will you share right away something that is not validated? This reminds us to be more responsible in what we do and say on social media because we might not know, someone is hurting and dying inside.
They say the people that commit suicide does not want really to die, but just want the pain to end. Often times, they think that ending one's life is the easy way to end the suffering. We should not judge people that commit this kind of act as we never walked in their shoes, lived the life and fight the everyday battles. Rape does not necessarily result to death, it is the depression the one goes through that would make someone to take his/her life.
Episode 1 is the very typical love story, the beginning, the progression of the feelings and finally, saying the three magical words, "I love you". But is life really all rainbows and sunshine? After all, that is the vibe you will get from the premier episode. Or is there a storm brewing in the horizon?
Yes Episode 2 ended very dark, darker than the night. But if you bother to stop for a while and analyze things, things that happened before the despicable action, you will see that it is not just one event that led to commit such horror. From the home, where you should be the safest, to your school, where you spend most of your time, in the hope of finding your happiness in the person you love. Tragically, when jealousy, gossips/rumors and rejection come become a factor, no one can tell what a person affect by it will do next. Especially if that person have not experience that situation before one tends to ease the pain the best and easiest way he/she thinks can.
Episode 3. Just when you thought things couldn't get any darker or painful as Episode just felt some did a gut punch to you. As you progress the episode, you will realize that is it not only the bruises or swelling of the punch, but a bleeding cut that you didn't notice at first. You tried to put a bandage on it, only to be ripped away and pour alcohol on it. It is that painful. It will be a long time for me to get over the series of events happened in this show.
On the implied issue of "mental health", one can say that the both leads suffered a mental condition in one way or the other. As one expressed this condition outwards by inflicting harm to others, while the other is to himself. And without the right intervention, it clearly shows the very ugly side of it.
This show struck very near to my heart as I had a cousin who was raped that eventually bear a child, my nephew. And now, that nephew of mine is suffering from a mental condition that at a tender age of 11 is already taking medicines to control his behavior.
(Addendum, after watching Grey's Anatomy Season 16 Episode 5, when Dr. Jo Karev is in session with a therapist)
I found this written on the board:
CORE FEELINGS
1. Fear
2. Anger
3. Shame
4. Sadness
5. Guilt
6. Pain/Hurt
7. Safe
8. Happiness
9. Love
10. Pride
11. Willing
12. Hopeful
13. Peaceful
You can see it the feelings that you can consider bad, affect someone negatively, destructive. On the other hand, you can identify the feeling that can build someone up. What if you are feeling more of the negative ones that the positive ones are seemingly drowned? Can you still live? When fear, anger, sadness, guilt, pain, pride, coupled with the lose of being safe, love, hope intensifies all at the same time, surely one will be broken down beyond repair.
ACTING
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Unlike novels or something you read, where every action, reaction, expression can be told, when watching you are limited on how the actors convey certain emotion and image.
That is why I applaud OAT as KENG. His features will sway you to think that he is incapable of any such evil thing with his charming, innocent looks and unassuming behavior. As they say "Don't judge a book by its cover", could be more appropriate for him here. Is he really capable of a dispicable actions? Or events triggered the inner demon in him that he for eternity tried to keep it at bay or prisoned? HOWEVER, Oat could have shown more emotions when he is annoyed. When a character is the antagonist, and you feel disgusted with the character, this mean that the actor who played the role did a great job.
JAMES as SHIN - you can really see in his face the admiration to Keng without saying anything. And the time he felt betrayed, the pain resonates in his eyes. Opposite of a antagonist, when you feel the pain and happiness, then you know that the actor was able to deliver what is needed of him.
MUSIC
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I like the piano accompaniment on the key scenes. It heightens the emotion. But it could have been better if a voice is heard as it can further the emotion of the listener.
REWATCH VALUE
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This is way too traumatic that even myself would not dare to watch this again. Perhaps after a year or so, I will revisit this.
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A realistic portrayal of modern day relationships
The last 10 minutes of the movie will leave you mind-blown. That's where the twist is, and you need to watch it again to get a complete grasp of the story. Thank goodness it's on Netflix! We can rewatch the scenes until we fully understand what's going on (lol). This is a well-executed film, with three equally talented stars at the forefront. It has a good balance of seriousness and humor as the characters matter-of-factly tell their story, a characterization of why relationships in this fast-paced world are short-lived. This is rated 13+ by Netflix, but it tackles a more mature topic apt for, perhaps, a more open-minded perspective on dating and relationships. If you are expecting a feel-good happily-ever-after romantic comedy sort of thing, this, without a doubt, will disappoint you. Watch something else.Chae Soo Bin impressively portrayed her role as the lively and cheerful turned lonely and weary nurse, Da Eun. She's one of the younger stars whose acting prowess is commendable. The camera immaculately captures her sweetness. A real beauty who's a class act of her own. Jang Ki Young (Jang Hyuk), nailed his role as the struggling young professional climbing up the ladder. An imperfect guy with a perfect smile. Such a charming young man! I've watched him portray different roles in dramas, he never disappoints, always a pleasure to watch. His scenes with Krystal (Bo Young) were fun and light in contrast to the serious and heavy scenes with CSB (Da Eun), yet he wonderfully delivered. He's got good chemistry with both CSB and Krystal, too. Krystal as Bo Young was exceptional. She playfully and brilliantly brought the character to life.
I love this movie. I like how it ended. I let out a satisfying chuckle at the final scene yet, at the same time, heartbroken for the sweet romance that turned sour in the end. I was left with an afterthought of what could have happened if they had done things differently. The main leads are not bad, they're just young people who still have so much to learn--perfectly flawed humans who are newbies in the real world and still have a lot of growing up to do.
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Be the chess player, not the chess piece.
Sword Snow Stride evokes all my best wuxia memories; action, adventure, chivalry, an old murder mystery, political intrigue and a dash of romance and a medley of eccentric surrounding characters with astounding martial arts capabilities.Set in a fantasy world, Xu Fengnian is the son and heir of the fearsome warlord Xu Xiao, king of North Liang, Liyang's largest and most powerful fiefdom. Adapted from 烽火戏诸侯 Feng Huo Xi Zhu Hou's epic 20 volume novel The Snowy Path of the Heroic Blade 雪中悍刀行, this first instalment focuses on the coming of age of main protagonist Xu Fengnian.Anchored by Zhang Ruoyun and adapted by Wang Juan of Joy of Life fame, this was one of 2021's most anticipated dramas and for me, it did not disappoint. The leisurely pace at which the plot unfolds gives the viewer the time to imbibe the rich complexity of the interplay between characters and their relationship dynamics. Wang Juan has taken his writing to a new level, delivering a crisp dialogue that gives the first impression of wit and occasionally irreverent humour that masks profound layers of hidden meaning, wisdom and emotions in conversations within conversations. This is most evident in Fengnian and Jiang Ni's delicious repartees but it also underlies multiple exchanges between Xu Xiao and Fengnian and belie numerous other superficially adversarial relationships. This requires a level of sophistication and nuance in the portrayals that is only done justice by the more experienced actors.This is unfortunate for Li Gengxi whose lack of experience is evident in her immature and shallow rendition of the marvellously atypical Jiang Ni. Despite some endearing moments, she does not "own" the character quite the same way Zhang Ruoyun is Xu Fengnian but he is a tough act to follow and not a fair comparison for a young actress. She warms to the role considerably in the latter half and I would be happy to see her return for the second season.
Do not be deterred by the fact that this drama did not live up to the high expectations of Chinese viewers, whose main issues are with the slow pace, the choice of female lead and the slo mo action scenes. It is true that the direction of some scenes, in particular action scenes could have been better. While the director wanted viewers to appreciate the grace, artistry and difficulty of the actors movements, the end result is the scenes lack the intensity and thrill of imminent peril. This is understandably a dealbreaker for some hard core wuxia action fans but it didn't really bother me. As the drama progresses, there is some speeding up of the fight scenes that are boosted by Marvel universe like CGI. The final encounter is spectacularly ferocious, thrilling and violent enough to satisfy most critics.
The drama opens with the roguish young Xu Fengnian living in the moment while traipsing the world with his groom Old Huang. He is not comfortable with his father's ruthless tactics and eschews his legacy, one that puts him in the crosshairs of those in the highest circles of power. While Fengnian draws inspiration from many mentors, Xu Xiao and Old Huang are by far his most important early influencers. An unconventional thinker, Fengnian refuses to compromise, strives for win win outcomes but does not hesitate to be ruthless when he needs to be. As he steps up into his role, he starts out as a mere chess piece in a high stakes game where his father Xu Xiao is many steps ahead. Along the way, he grows to be the chess player, not the chess piece. He also better understands his father's choices and become more like his father in some aspects. Zhang Ruoyun and Hu Jun have great chemistry and I found their unorthodox banter and relationship hilarious and moving; we really didn't get enough of them together! This must be Zhang Ruoyun's best role, I enjoyed both his portrayal and Xu Fengnian the character even better than his fabulous Fan Xian in Joy of Life.
While Fengnian starts out protected by his father's retainers, he manages to win hearts and minds using his own unique methods and inducements and finds himself surrounded by a formidable entourage of martial artists, retainers and maids with mysterious pasts; leaving a string of alliances and favours owed in his wake. These are classic wuxia archetype characters that make me shiver with delight at their single minded obsession with the quest for supremacy that comes with inevitable sacrifice and regret; who willingly barter their swords and their lives to advance or to honor past promises or debts. While the story revolves around Xu Fengnian, so many of these surrounding master swordsmen captured my heart and imagination with their prowess and their backstories from the laconic and lethal White Fox, Old Huang, Qing Niao and of course Sword God Li Chungang. The many awe inspiring female swordsman makes it hard for Jiang Ni to really shine and leaves the indelible impression that Fengnian is a man with a fleet of many ships.
It is said that a hero is only as good as its villain and in Zhao Kai, Liu Duanduan explores a deeper villain, a riveting opposite character to Xu Fengnian.and pulls off an oddly empathetic antagonist that practically steals the show. They are both scheming and ruthless characters who attempt to escape their destiny but that is where their similarities end. Zhao Kai is utterly lacking in moral fibre and can only win by foul means ,regardless of consequences or how many must die. He is dangerously and humorously self aware of this and stalks Xu Fengnian looking to exploit a moment of weakness. He won my heart with his unabashed appreciation of Xu Fengnian's brilliance and insight; were their goals not in such conflict, Zhao Kai would be Xu Fengnian's greatest fan. It is a great pity Zhao Kai is not an out of box thinker that could have found a way to align his interest with that of Fengnian. Even though Zhao Kai is far from the most powerful antagonist, a big chunk of the season one plot revolves around his pursuit of Xu Fengnian.
Season one draws to a very satisfying conclusion with an epic and very satisfying showdown and major immediate tasks achieved. It leaves me hungering for more but not in that awful cliffhanger kind of way. It will undoubtedly take a few years for season two to materialise but even if it doesn't, we can still think of this as an immensely enjoyable and very satisfying slice of life kind of drama. This is the second 9.5 from me for 2021 that closes the year on the same high note that Word of Honor started it on.
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DO IT FOR THE MAIN COUPLE & THEIR CHEMISTRYY
Please, PLEASE, if you're thinking about watching this show, DO IT. START NOW.The main couple's chemistry is off the charts. If you hate bad kiss scenes, this is the drama for you. Not a fish kiss in sight, and the intimate interactions between both couples were perfect. And there were sooo many ;)
Luo Yunxi (Leo Luo) was AMAZING. I saw him for the first time in My Sunshine (one of his first roles) and let me tell you, the boy can ACT. He was hilarious, and the perfect mix between a serious, childish, and romantic male lead. Bai Lu did really well too, I loved her character!
I was hyper-focused on the main couple, and the other side stories were just okay. To be honest, I skipped around the actual drama scenes, as it was uninteresting and unnessasary, which is why story/plot got a 4/10. But it's got tons of comedic moments, and barely any drama between the leads. Bonus, there is no evil second female lead so the couple barely has any misunderstandings between them!
Trust me, this is one you'll definitely want to give it a try!
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It was a pleasant surprise to see these young actors who don't have much experience as leads under their belts - yet they carried the story so effortlessly. So much so that I completely bought the story about life in the world of comic books.
The main characters' side swipes at the overused tropes of romantic dramas were what got me hooked in the beginning, but it was the heartfelt acting - especially from our two leads, that kept me going.
I felt every smile, every tear, every fear that went through their faces. And I prayed as hard as they did to writer-nim to please make this a happy ending.
Yes, it's not perfect, there were some threads left hanging and some sub-plots that were too conveniently solved. But it didn't ruin the story for me.
Most of all, I like the overarching message in the drama - that we have the power over our own lives, we just have to have the courage to take control.
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What a fun ride!
I never enjoyed any drama as I enjoyed this from the very first episode till the last episode. It was a roller coaster ride for me filled with so much laughter. I don't think so that any drama can be this hilarious with perfect execution, script, cast, and everything, I loved every aspect of it and surely Mr. Queen has become one of my most favorites.I was hooked from the first episode. It didn't leave its track even for one episode. It was consistently good and hilarious until the very end. It was a beautiful journey which I enjoyed very much. I guess it had set up pretty much high standards for Korean historical for me.
Hat's of for the Shin Hye Sun I don't think that anyone could have done a better job than her. She was perfect for this role she nailed it. The whole cast was amazing everyone did a great job portraying every character, the acting was excellent and top-notch. It couldn't be this better without this cast. All dynamics of every character were great and three-dimensional even the villains did a great job as I hated them with whole my heart. The King's character was really great though it was a bit confusing in the start things got clear later The changes we did see in Queen in every episode her journey was phenomenal. The chemistry between leads was amazing it was the perfect pairing. I also loved side characters and their interactions as well.
The story was indeed well written and executed. The soundtrack and ost were perfect and the cinematography was brilliant.
Overall it was wonderful drama though it's not everyone's cup of tea if you like historical and comedy then definitely give it a try. It was a wonderful experience.
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Warning: Beware of Diabetes, it includes so many sweet moments. Wanna have some good laugh, a full dose of fluff with adorable pairing with excellent supporting characters? Falling into your smile definitely won’t fail you… to fall for its charm.
The story isn’t magnificent itself (it offers nothing new) but I fancied its pace, progress, relationship dynamics, the portrayal of friendship, how characters are written and their interactions happen. I wouldn’t consider it as fully plot-driven drama, it focuses more on the characters’ life-development-problems they face. There isn’t a specific evil antagonist here but it portrays the cruel reality of how social media, obsessive fans can play the role of antagonist with being so much toxic to the extent.
It’s not necessary to have information or have much interest in gaming to watch it, you can take it just as an individual romantic comedy.
In terms of chemistry, I felt the spark and they are just so cute together. I can’t imagine Chessman or Smiling without Xu Kai and Cheng Xiao. A classic example of a bickering couple, their fights are entertaining, the quintessential foundation for their relationship. The fact the progress in the relationship between them is very realistic surely adds more points. It does have an arc where it becomes more serious but it’s just for short time... it never stops being rom-com.
Tong Yao is just ambitious, hard-working, not to forget soo adorable, though due to her expressions she seems oblivious :’). But her development, the way she reacts to situations is genuine, I would rather say her character is rational plus human-like (The thing many drama writers forgot to make characters who can be considered as humans). Lu Sicheng can’t be considered a cold lead at all, he is just straightforward and honest. He does have different shades in nature...He can make mistakes but also admit when he is wrong. He has flaws as any normal human being can have with being a three-dimensional character. He can be very lovable, warm, tender when he is with Tong Yao but very austere and responsible as a captain of the team. Ah I forgot the important thing he is such a tease lol xD
Loved Xu Kai’s performance, was vigorous, lively. His smile is icing on the cake. I’m not fully satisfied with Cheng Xiao’s acting. As she has almost the same expression (Which looks like she’s confused) most of the time. I’m not so sure about her game ID as she doesn’t seem to be Smiling much (no pun intended). But I can let that slide as most of her previous works are in reality/variety shows and relatively she’s new in acting or maybe it’s her character that doesn’t allow her to have many expressions. Though there are particular scenes where she impressed me. Special mention: Ending scene of 26th episode and opening of 27th episode.
In technical aspects, it doesn’t have any problems when it comes to camera angles, editing, color palate/grading. Though I’m not a very big fan of dubbing and it bothered me here, it is overdubbed (Means without the original voice of actors), Especially with Xu Kai, It’s ME because it’s hard for me to hear three different voices from the same person as I have seen him in Court Lady and ALP very recently. Korean dubbing it all out of place. Sound effects are on the point with being funny many times, really liked the OSTs they wouldn’t have been more adequate. 'Heroes' give me goosebumps with its bg music, 'Follow the light' is my favorite among them with Chen Zhuoxuan's vocals
I really liked the animations of games, it has a different feel and vibe. It’s more satisfying than just listening to the commentary and actually visualizing what’s happening in the game, plus the graphics were good so more than enough. Talking about the cinematography of the show it’s not stunning but definitely decent, and as it’s about gaming it doesn’t need to be very beautiful.
This drama has one character without him… sure it wouldn’t have been this fun, and he is no other than Fatty (do I really have to explain the reason why?) His expressions and reactions are priceless plus he encounters some situations all time where he’s like ‘Is this dream?’ ‘Am I sleepwalking?’ ‘Why me?’ He just makes the drama more funny and enjoyable. He is unquestionably a show-stealer for me, and one more reason to smile. Not just him but I love all team members of ZGDX every character is colorful and with an interesting secondary couple that is like the cherry on the top.
Fun facts: After ages, any C-drama managed to stay on the trending list (on MDL) for a long time.
The end credit song 'Soulmate' is a duet by our leads Xu Kai and Cheng Xiao.
This was the end of the review.
Now if you are curious about different information as drama is facing a lot of dispute from c-netizens (Its douban rating is 3/10) some basic information about it:
It is adapted from the web novel that is implicated of plagiarism, the writer added real-life events without any consent from the people. Professional players spend 16-17 hrs every day training. They don’t really have any time to do other things as they have no time left, let the fact of having a romantic relationship aside. Unreliable portrayals and lots of inaccuracies of professional Esports players, the online gaming community, how things work out there. It is written by people who totally have zero idea about professional gaming. China has one of the largest gaming communities and Esport is becoming more widespread day by day. It has become a delicate topic to handle and for all these causes, drama receiving hate from c-netizens and gaming communities.
But people forgot at the end of the day... Its main purpose is entertainment as it's just a drama.
See you next year ;D
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As a viewer of 'Individualist, Ms. Ji Young,' I can say I was able to connect to it's likeness in portraying mental illness on a personal level. I found myself hearing the female lead spout words I have said before myself. I have struggled with mental illness my whole life, and although it is not directly mentioned in this show it is blatantly there in it's rawest form. The need of being in a relationship with someone...or the complete opposite... The need to protect yourself by pushing everyone away...Wanting a relationship but having the fight or flight response kicking in the moment you feel you could be hurt. Flight always being the end result because it seems easier compared to being hurt. Maybe it is, maybe it isn't. Watching this series was extremely personal for me and I feel that it was done beautifully. I am not sure how the experience of watching will be for those who do not understand or have a mental illness... but I can be sure that anybody who can even relate a little bit will definitely love this show. Hopefully this lazy and short review might help one of you out there. If you decide to watch, I really hope you enjoy!
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Brilliant Scheming Drama Full of Smart Characters, Equally Matched in Term of Wits & Mind Games.
I always want Ren Jialun in heavy scheme political drama and I finally got my wish with Love of Nirvana. I love how clever and matched everyone is in this games of wit and how everyone literally aware of everyone's scheming and mind games. The steps are either 2 or 3 ahead and you only see it when it happens. Some of the chess moves are really unexpected, surprising and also served as plot twists. I usually can only guess the first step as the 2nd step usually comes later when you see the water repels on the course of the actions.THE PREMISE
At first, you need to understand the premise of this drama on how the ML and FL first met each other. The ML is from Yueluo, a slave nation while the FL is from Liang, the nation that enslaved his people -- so obviously, he only has contempt and hatred towards the Liang people. The point when you watch this drama is see the leads as enemies at war instead of love interest since that is what they truly are -- all they wanted to do is to kill each other, genuinely. The romance only come much later when they finally see each other for who they truly are -- which is the same kind of people of the opposite sites. They did not romanticize it at all which I appreciate. It supposed to be seen as torture and nothing else -- she is a Liang woman assisting a Liang official and mess up his missions again & again -- its as simple as that. If you can get over this part, then you gonna enjoy the ride since this drama is full of twist and surprises.
THE COMPLEX CHARACTERS
All the three leads are characters who is not only complex, but also full of layers with very clear motives. You are not supposed to judge them at first glance since they are all wearing masks intended to misled your first impressions. The 'mask' that Wei Zhou is wearing is a symbol not only used literally to hide his identity but as well as figuratively for the audiences not to judge him and perceived him on the surface -- the cruel assassin mask he put on during his missions, then another façade he is putting when he is in his official robes in front of everyone and his real face -- the look of sadness and helplessness like how everything inside of him is crumbing down when he put the names of his fallen people inside the box after failed missions. The same can be seen with Jiang Ci, our female lead -- on the front she is just this bubbly girl who smile a lot but she is actually one of the cleverest characters on the show. She knew she being used but regardless of that, she wont let anyone used her as can be seen in this drama -- Wei Zhou can used her as a pawn and looks where it got him. Same with Pei Yan trying to control her freedom -- and look how she ended up doing thing exactly where her heart tells her to. Same with Pei Yan -- do not be fooled with his nice and gentle demeanor as he is as manipulative and cunning. Under his good guy persona, he fools everyone to get what he wants. But at the same time, his concern towards Jiang Ci is genuine which add to the weird complexity of his character. Between his loyalty to his country and his filial piety towards his mother who raised him, its all adds up to make him the man that he is.
THE SMART & BRILLIANT SCRIPT FULL OF SYMBOLISMS, METAPHORS, ANALOGIES, HIDDEN MEANINGS, FORESHADOWINGS & THE USAGE OF UNIQUE & CREATIVE STORYTELLING
The scheming and mind games in Love of Nirvana is so well written as it involves really high level chess game moves from both sides. They are all shades of grey which makes everything even more interesting since they basically have no limit. How brilliant is the scheming? It even involves planting a wrong thoughts on innocent person to give misleading impressions towards the enemies. And the drama does a lot of ''show'' instead of ''tell'' so you have to be aware of every clues, smirk, moves and objects as they are used to show the characters motives and actions as well as their thoughts.
The symbolisms used in this drama is really a lot. I love how they show Wei Zhou kept a white bird in a beautiful big cage as the bird represent himself -- the hidden identity of lavish lifestyle with richness and adoration but actually trapped and wanting to get the freedom and justice he longed for his people who being sold as slaves and prostitutes and they humiliation they faced under the Liang's tyranny. Also, the symbolism of Pei Yan repelling the water in a calm pond of fish is the literal things he did to his corrupt family members which turning their peaceful world upside down like he has the hands of God. Aside from that, the use of object to show intention of the character is done marvelously. In one of the scenes, they show Wei Zhou rejected Madam Ronggue's offer of collaboration with tea; 'The tea is quite nice, but it's not to my liking' then the camera proceed with the focus of Madam Ronggue pouring the tea anyway inside his empty cup after he leaves and said 'It's not up to him to decide.' -- thus we knew what is her next chess moves after that.
Also, I love the metaphor of the black orchid seed which being used and described by Jiang Ci -- again, figuratively and literally. The black orchid seed can't be washed no matter how you try to get rid of it which she used on Wei Zhou to track where he goes as evidence. Just like the seed of doubt she planted on Pei Yan or the Emperor (no matter how much Wei Zhou try to wash it later) and these doubts will kept on growing and will crack with times if they managed to read her letter.
Aside from that, the foreshadowing -- there are so much of it all over the drama. From the song lyrics (which has hints of the ending) to all the leads' conversations with each other like the conversation that Jiang Ci had with Pei Yan about the big responsibility or big picture and how admirable Pei Yan is for holding out to that one. No, it wasn't to show where love blooms between them but it is to give us the insight of what's inside her head -- the understanding and admiration she has towards people who fight for what is right which is what Wei Zhou is doing for his people. It wasn't the red flag where he torture her that made she fall for him, but she finally see him beyond the façade he put or the masks he wears -- he might fool other people like the sword dance he did in front of everyone but she truly see him as what he is beyond the act he put in front of her. I thought the directing is great for the particular scene and the point of turn where Jiang Ci finally see Wei Zhou in different light.
The drama also trust you as an audiences to remember the details and make the connections and compare on the actions and behaviors of the characters. For an example, the contrast of actions of the characters of the 2 male leads -- it is done so subtlety to show to the audiences the swift change in state of mind of Jiang Ci. For starter, we all know how free spirited is Jiang Ci -- while Pei Yan clipped her wings, Wei Zhou in the other hands lets her fly and spread her wings. Pei Yan will limit what Jiang Ci wants to do while Wei Zhou will praise her and ask her to show more of her skills and abilities. Also, when Jiang Ci wants to join any investigation, Pei Yan will stop and forbid her while Wei Zhou will open the door for her. And while doing good deeds to the poor people, Wei Zhou did it at the back without anyone knowing while Pei Yan doing it openly and get adored by everyone. Apart from that, when Jiang Ci gave them the food of the poor, Wei Zhou accept and eat it while Pei Yan left it untouched. This all have the same situation but produce different kind of results between these 2 characters. As to why this 2 gives a very different reactions to the same situation? It comes back to their childhood. While both of them are caged birds, Wei Zhou grew up in a loving family during his fundamental childhood development years where he is taught compassion, love and also understanding -- he only caught later and become slave after that. While Pei Yan grew up in a completely toxic environment the whole of his life which build this very obsessive traits inside of him. While Wei Zhou only become ruthless and unhinged when he's in a mask, he is become kinder to everyone once they are in his intimate circle just like what Jiang Ci has becomes. Thats why Jiang Ci is no longer afraid of him since she seen him without the 'mask'. While Pei Yan in the other hand become completely different when someone become closer to him -- he ended up becoming controlling and taking away their agency just like the 'love' he knew from his mother. Thus, this completely different results of the same situation from the two of them.
Also, the use of deceptive storytelling. The fun part of scheming drama is for you to guess the outcome and Love of Nirvana done this part really well. They will show misleading scenes but at the same time giving different clues so you can guess together with the main characters until the truth is revealed. A lot of plot twists are happened this way that totally caught you off guard but once you know it, it made complete sense and how those clues aligned like pieces of puzzles.
Aside from that, the use of poems to convey emotion are done brilliantly. The prime example of this is the Poem Banquet at the Eastern Palace. All of them are speaking in riddles with flowers as the topic but actually sending their personal message to Jiang Ci. And Jiang Ci, the clever girl that she is responding the opposite and burnt them with her replies. The whole scene is like a smart people conversation with each other -- poetic, seemed unharmed exchanged of literature piece to outsiders but laced with poisonous message to those people it directed to. Not to mention the conversations full of riddles. Like the conversation that Wei Zhou have with the Emperor. They are talking in metaphor but both understand each other clearly.
THE THEME OF REVENGE, FREEDOM, HOPE, PREJUDICE & FILIAL PIETY
From how restricting on 'freedom' did to people and the baggage they have to carry and live with -- which can be seen with Jiang Ci's characteristics (a free bird) and both of the MLs' characteristics (caged beautiful birds) and how they turn out to be. Also, the message of 'Hope' is all over the drama -- how the Liangjiu flowers has stopped blooming for 20 years due to the mass grave but has bloomed again. And also the theme of prejudice -- how Wei Zhou is also shedding his prejudice slowly towards the Liang people and also helped them fighting against their corrupt officials.
This drama also deals with really heavy themes, decisions and choices. And the complexity of it makes it a very good watch as they are not sugar-coating it. We see Pei Yan's dilemma when he wants to stop the case only at corruption only at Nanling. Did he made the right decision to cast aside the SA victims? Of course not. But if the case go beyond corruption only, his clan, hundred of people will be annihilated since rebellion is a huge crime. Do you hate him? Of course! But do you understand his reasons? Yes as well. This also can be seen when Wei Zhou has to make the hard decision of opening the city gate or let all the hostages die. Not to mention in the last arc where he need to chose his own wish or the safety of his people. All these difficult decision making are done carefully without taking lightly of subject matters.
But despite this, there so many silver linings in the drama -- like the Lingjiu flowers that blooms again at Yueluo. Or the friendship that Jiang Ci form with all the Yueluo people -- at first they hate her but then they ended up really adore and love her. The hope of message is everywhere. Wei Zhou once told Jiang Ci that she cant change people -- him or anyone else. But we see how untrue is that. The irony of that statement and how its killing him later to make that difficult decision to deceive her. The drama deals with lots of heavy stuffs. It certainly not for everyone but it made sense, you understand the characters and why they are making those choices.
THE ROMANCE
While the romance is really slow burn, the progress of the 2 main leads' relationship was done delicately. Ren Jialun has amazing amazing chemistry with Li Landi. Lots of their scenes together involves staring into each other but instead of it being awkward, all those scenes glows beautifully. I love how she touched him with his childhood swing and tease him with it or how he drew on her face to cheer her up or just their interactions with each other -- it was really wholesome and sweet.
And I love the scene where Wei Zhou is having a nightmare and Jiang Ci pet his hands to calm him down. He was so restrained even when he's in his private time -- he just grip his blanket tightly and still suppressing whatever things that haunt him in his sleep. Then you realized that Wei Zhou as a character is actually very restrained even in his crazy and unhinged phase -- he could make a new wound on Jiang Ci everytime he faces her but instead, he just poking her wound instead to remind her. I love the consistencies in the writing and you can see how its all adds up to the layers of his character.
Also, the depiction on how Wei Zhou slowly wear himself down around Jiang Ci is a joy to see. In the straining of his shoulder scene where she is putting medicine on him, the stare that he gave her is the confident stare -- like he had her on the palm of his hands. But later, all those confident stares are gone -- when she falls down on him or when he saw her washing his face and neck or when he found her hugging him in his sleep, it was 'Oh noes, I'm in deep trouble!' face since now it is him who is at her disposal.
On top of that, I love how even when they are at their angsty part of the relationship but the show still managed to make it healing as well. There is thorn, but there is hope as well. Just like when Wei Zhou was given the poisonous flowers by Jiang Ci, but he gave her back small red flowers that she placed on his hair at Yueluo to show that all flowers will bloom again just like their love. I love how this small red flowers are used as their language of love towards each other as he used the same red flowers later to tell her that he will protect her. I really love all this hidden message that we can get from the subtle storytelling.
Aside from that, I love how many of their scenes together conveyed so many things despite many thing are left unspoken. For an example the scene where Wei Zhou fainted after the war and woke up on the bed and Jiang Ci is feeding him the orange. The way the Director focus on his trembling hands and the way Jiang Ci cries silently beside him -- it is to show that she knew he was poisoned but she didn't say anything since she knew he doesn't want her to know. And him looking guilty but also chose to stay silent since if they actually say it out loud -- it will be too unfair, thus not saying anything at all is the kinder way for them to cope with the tragedy. I'm so marveled at how the writer, director and both Ren Jialun and Li Landi conveyed that scene -- it made the scene more heartbreaking and devastating somehow.
CONCLUSION
The drama is so well written with lots of heavy themes and they were handled brilliantly. I love how it did not shy away to show how all these characters are making really hard decisions and they are not sugar coating or give them the easy way out. And all the scheming and mind games are top level but most of all, the amazing script! The conversations full of riddles, the use of symbolisms, metaphors, analogies, foreshadowing and deceptive storytelling made it such a fun ride.
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1House of cards.
My Journey to You is dark, intricate and suspenseful wuxia that hones in on Wufeng spy Yun Weishan's mission to sneak into the Gong family's heavily guarded mountain stronghold. This is a once in two decade opportunity, as the Gong family holds a bride selection event for their young masters who have come of age. A shocking twist thrusts Gong Ziyu, the least capable young master, to the helm of the family. He is clearly unequal to the task and must prove himself worthy before the seemingly invincible Gong family folds like a house of cards under the force of internal and external challenge.Shocking murders that rock the foundations of Gong family just as Wufeng spies slip through the gates. The whydunit is quite clear from the get go. By elimination and a few clues, most of the mysteries including Wuming or Anonymous's identity, are easy to solve. The mysteries look more complex than they really are because many other sub-plots unfold at high velocity. The key is not to over think; the straightforward answers are usually the right ones. The antagonist reveal comes late in the story after the facts are stale and the long expository style gives a sense of anti-climax at the end. It may have been better to resolve the internal conspiracy prior to facing the external challenge. Nonetheless the mystery sub-plots are fairly tight and engagingly woven into the external plot of this dark wuxia.
The real guts of the main plot centres around the Gong family and the secret that they vowed to safeguard for all time. It is no fun to be a Gong; stuck on an isolated, toxic mountain and locked in an existential battle with their arch enemy Wufeng. All of the young masters of the Shang (weapons), Jue (commerce), Zhi (poison) and Yu (defence) lines shoulder many responsibilities from a young age. All except the self-indulgent and spoiled Ziyu who has a father, foster mother and older brother to lean on. It is no wonder that Shangjue and especially Yuanzhi resent Ziyu and demand he prove his mettle. The real irony is Sword Wielder is the most sucky job that comes with a butt ugly tattoo and life imprisonment on that dreadful, suffocating mountain. Not to mention the exhausting chore of trying to stare, glare or scowl down Shangjue and Yuanzhi only to be torpedoed by one of Zishang's whacky, mind boggling non-sequiturs that destroy any crushing come back! As much as I was riveted by the Gong family soap opera, it is the mysterious denizens of the back mountain that broke my heart with the intensity and absoluteness of their obsessions. This drama has the most absurdly gorgeous, eccentric, layered and memorable cast of characters.
While romance is always a feature, it is never what this kind of dark themed wuxia is built around, so conventional romance watchers are bound to be disappointed. Both Weishan and Qian are spies on a do or die mission. If they have love brains, they'd have been long dead spies. By design, Shangjue and Qian's relationship is more interesting because Shangjue is a more cynical and questioning character than Ziyu. He is a much more difficult target and this forces Qian to take more risks and thus reveal more of herself to captivate him. It is quite clear there is an intense attraction, that they got their hooks into each other. It is a dark and fascinatingly toxic relationship where it is left for the viewer to decide whether and to what degree they actually fall in love.
In sharp contrast, Ziyu is naive and unquestioning. Weishan is his first love and he falls for her like a ton of bricks, absolutely and unconditionally. The feeling may be intense and pure but it is also uncomplicated and not that differentiated. The bigger problem is that Weishan is by design an elusive character. She does not have to reveal much about herself to reel Ziyu in and so for the most part, she remains a blank character. By the end of the drama, she is still so much a mystery that it is difficult for viewers to be that invested in her and thus the main romance. Yun Weishan is the main character but because she is so hidden, it is as if there is no main character or CP that anchors the story. For the most part, this feels a story about many characters told from many different points of views. To me, this is the biggest shortcoming in the narrative that is saved by the presence of many other fully realised characters. This is not completely a bad thing because it allows the entire spectacular cast, and notably Cheng Lei, Lu Yuxiao and Tian Jiarui, to really shine without taking away that much from Yu Shuxin and Zhang Linghe. All of the actors got the screen time their characters deserve and deliver all around strong performances.
In terms of cinematography, breathtaking action scenes and stunning aesthetics, this drama is everything I expect of Guo Jingming and more. He is the ultimate connoisseur of male beauty and truly immortalises all of these actors, male and female at the peak of their gorgeousness at their most flattering camera angles. Yue (Moon) Gongzi was the one that stood out for me in this visual feast and his love story moved me most - I'd have gone to the moon and back for him any day of the week! Despite some holes, I am overall very satisfied with the writing. I much enjoyed the witty repartee, the foreshadowing and the layers in the dialogue and many hidden clues in the form of riddles and homonyms that are embedded in the script.
I actually quite like the ending epilogue which has caused quite a bit of consternation and heated discussion among viewers. This is a plot driven story so none of the main characters are the end game. Both main plot lines converge to deliver a very complete ending in terms of th narrative, which is merely one mission or chapter in the saga of Wufeng's longstanding rivalry with the Gong family. The end epilogue closes with just the right dark and chilling note that upon reflection was long foreshadowed, makes sense and is completely in character. As such, I am very happy to rate this 9/10.
I will elaborate further on the ending epilogue in a spoiler below but please don't read it until you have finished watching this drama. This drama is best enjoyed without spoilers so please don't scroll down until you are done watching.
WARNING!!! Major ending spoiler below!!!
Yun Weishan returns to Wufeng to face the music because her work is not done. The biggest clue is that she is not that surprised to find Wufeng waiting for her. She allows Ziyu to think she chose freedom over him, so that he does not look for her and endanger himself and his duty to protect the Infinite Fire. Beyond that, she also knew the note was not from Yasi and possibly she always knew about her twin. More than the Fortnight Flies, that may have been Wufeng's real hold over her. If you rewatch the opening scene, it is very suggestive. Yasi quickly reassures her that the Yun family was just knocked out and not harmed. So it is important to Weishan they are not harmed yet she is not curious enough to even look at the bride she is replacing. Why? Because it is her twin, she already knows what she looks like.
The bigger reason she returns to Wufeng is revenge. She is probably quite safe from Wufeng because everyone that knows of her betrayal is dead and Qian was the one who actually leaked all of the information that lured Wufeng in. She told Jin Fan the truth about Zhuomei, just not the whole truth. She may even be Zhuomei's daughter. That is why she was taught all of Qingfeng's top martial arts but Qian was not. Neither of them even got close to Dianzhu/Wufeng's leader so they could not have learned Qingfeng sect's top martial arts from Dianzhu. Weishan probably joined Wufeng to avenge Zhuomei and possibly also free her sister. She simply could not stay with Ziyu in Gongmen because her work is not yet done. But the first chapter of her story can be considered complete.
A second season probably reunites Weishan with Qian because Dianzhu is their common enemy. This is also why Qian leaves Gongmen, she also has a mission more important than love. Another season could well take place entirely outside of Gongmen so it is not clear the entire cast needs to return. Given how popular the Gong family is with audiences however, my guess is if they can reunite everyone they will bring it all back to Gongmen. But they can also continue it outside of Gongmen with only Shangjue returning or Ziyu returning after handing the reins over to Shangjue. This is very smart of Guo Jingming. He left all his options open. Including the option of not proceeding with another season.
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Fantasy Healing Fable
I will preface this by saying that this is in all likelihood the best drama I’ve seen all year. By a strong margin. It’s certainly one of the best I’ve seen in the last 12 months. Until Shards of Her, I hadn’t watch any Taiwanese dramas in several years. Yet in the last couple of months, I’ve discovered a treasure trove of good shows. This is perhaps the best one with the widest appeal. While it has whodunit elements, there’s no gore or violence to deter the faint-hearted. It’s a gloriously perfect blend of coming-of-age, fantasy, a touch of horror, detective and family drama. The weakest part I’d say is the police procedural side of things occasionally played for laughs (which doesn’t help especially from the perspective of a seasoned watcher) but all is quickly forgiven because this show is driven by great storytelling and is imbued with plenty of heart. It’s the kind of show that the Koreans call a “healing drama”. Which usually results in an outpouring of eye water once the waterworks are turned on. Good grief. I don’t remembered the last time I cried this much in a drama.The star of the show is Pu Yiyong played by Tseng Jinghua, an underachieving high school graduand whose only talent is calligraphy. It’s hereditary. His grandfather is a renowned calligrapher and a teacher in the art. But that distinct family trait has a habit of skipping a generation. Calligraphy however is a dying art form, quickly being superceded by technology. On the other hand Yiyong’s only ambition is to be a comic book artist after completing high school. One day on his way to a calligraphy competition, Yiyong, his father and grandfather board a bus which unfortunately falls prey to an incoming airplane. The lad survives but wakes up after being comatosed for over 2 years. His grandfather barely makes it and is still unconscious in hospital even after all that time. It is left to Mother, Ye Baosheng (Cheryl Yang) to pick up the pieces.
While time has moved on and everyone else with it, Yiyong is lost at sea with no paddle. Or map. Metaphorically. He has no idea what’s next for him until he becomes entangled with supernatural beings who insist that they need him to settle unfinished business on their behalf. So an almost 20 year old unemployed Yiyong reluctantly takes on “cases” that contain at their heart a riddle that needs to be unravelled. Enter Chen Chuying, a junior police officer (Vivian Sung) to lend him a helping hand and takes the lion’s share of the credit for clearing up these mysteries in front of her colleagues. Still cracking these cases is a team effort. Along for the ride is former schoolmate and med student Cao Guangyan (Peng Cianyou) who coincidentally moves next door with his dad (Mario Pu) when Dad’s days in publishing comes to an abrupt end.
Yiyong becomes a reluctant sleuth as he wrestles with his own future and the loss of his father which has left a gaping wound with guilt at the centre of it. He has nightmares that he can’t make head or tail of. There’s also a shadowy figure in the background determined to test his mettle at every turn. Unlike others who have come before, Yiyong is a reluctant superhero. He would rather get on with life and not be haunted by beings that only he can see. Until he starts drawing them that is.
On a deeper level, like many crime shows, this is about the forgotten people in our communities. Those who have suffered loss. The lonely. The homeless. The victims of crimes. This where the show tugs at the heartstrings effectively. The rollercoaster of emotions that I feel in this comes only very rarely. Beautifully intertwined with all of this is also the message that everyone has something that they’re good at. Even a designated “loser” by current social standards can contribute in unexpected ways. Academic smarts aren’t the be all and end all. Everyone has a part to play in the social engine regardless of social status, education, smarts or rank.
This journey of course isn’t Yiyong’s alone. Chen Chuying and Cao Guangyan, his so-called “superiors” who accompany him have a lot to learn from him as well as these out-of-this-world experiences. Chuying understandably is desperate the climb the ladder and break glass ceilings in the police but is forced to confront her own motives for wanting to a respected detective. And Guangyan, for once in his life doesn’t have all the answers regarding his future.
I am new to most of the cast and Tseng Jinghua who leads the cast is definitely brimming with potential. He brings the right balance of confusion, grumpy frustration and a reluctant compassion to the role. Despite Yiyong’s brusque demeanour Tseng Jinghua manages to keep him relatable and likeable.
To give credit where it’s due, I leave my highest praise for the script and by extension the writer. It’s the kind of story that could easily lose its way or get derailed by all the moralizing but unlike many others it’s unusually disciplined by keeping the main thing the main thing. The result is a coherent piece of storytelling which is undergirded by a surefooted direction. Once it takes off it never falters. Furthermore they also manage not to butcher the finale in order to leave the door open for another series. Which is entirely doable if the will (and a decent script) is on the table.
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Story
So, in contrary to the common belief that this drama glorifies adultery and adulterous couples, it rather incriminates infidelity simply by expressing a very well-round idea of what it exactly is. We get to see how it starts (as innocent as everything else, or maybe not so much), why it can start (it won't happen unless there's a reason(s) that has been ignored for a long time), how it intensifies, the guilt, the excuses, the fears, the acceptance, the happiness, the sadness, everything, and in the very end the consequenses, that hit hard, and hit everyone and everything around the adulterers. There is no happy end simply because in a sea of hurt feelings nobody can be truly happy ever again.
There is nothing cute about what happens, the story is rather difficult to watch at times, you can't root for anyone, you can't excuse but you can understand and the whole drama just made me question several times what i would have done had i been in such situations.
The drama, in its core, isn't even about adultery, it's about life choices. It exploits all the wrong reasons we decide to settle down in a marriage. Because we're afraid to be alone, because we want an easy life financially, because we just want to see a face when we come from work every day and have a clean house, because we are arrogant and we think we can buy everything with money, even people... and so, so on. People marry because they're afraid to try hard and be happy, they're afraid to search for that one person, so they settle. Being happy is scary, and it means being with that one person that completes you, the love that consumes you; but what happens if that person appears in front of you after you've settled down?
The drama offers the answers. Either suck it up and live a miserable life, or face the facts, break up/divorce and continue, finding yourself. But still, people are scared, being happy is scary, so they get greedy. Who will leave their perfect safe life to live a dream? Noone, so they'll cheat, because they want the best of both worlds. The drama shows you exactly this journey or bad choices, of selfish acts and the result which is cheating and destroying everything because of greed!
I appreciated how fast paced and to the point the whole drama was. First 5 episodes illustrate the beginnings and reasons of adultery and after episode 6 how everything crumbles down and the repercussions of it. The music wasn't original but it brought so much to the drama, it set the atmosphere in the best, most dramatic way possible. Another thing i appreciated was the slow but steady build up which did make the first episodes feel bland maybe, but it was carefully planned for the intense explosion of the later episodes. Best thing about it were the 3D characters, they felt like real flawed, greedy, selfish people, that you can't help but judge and hate, but in midst of their spiraling they made more sense than i could ever imagine!
If i had one problem to point out, it would be the... mildness of some scenes. While the acting was always tip-top the quarrels and fights felt rather calm, i missed the intensity in the conversations. The drama definitely needed some more... tension in certain scenes.
Acting
The acting was overall spectacular.
Ueto Aya was luscious, conveying her charactrer's feelings constantly, she made total sense and expressed perfectly her thoughts and acts. Couldn't help but feel sorry for her while wanting to slap her for not being rational.
Kichise Michiko was equally breathtaking, portraying a character who saw infidelity as something trivial, who had never fell in love, but when she did she fell hard and completely with her whole essense! Breathtaking performance indeed.
Saito Takumi was cute and sensitive, a close-to-perfect performance as a kind man who is unhappy but isn't even aware because his life is seemingly perfect; and not to forget Kitamura Kazuki for his charming portrayal of a rough but emotional artist.
The casting was really special, the actors really suited and looked amazing next to each other, i don't know if they took the time to find them or if they just worked out this perfectly, but it was indeed magical.
Recommend/Rewatch
This should not be watched by a huge amount of viewers. It's a melodrama but not even your average melo. It talks straight about cheating, there is no side story, no comedy at all, nothing unreal, nothing pretty about any of it. It demands a certain mature viewer who can understand the meaning without judging too hard and is willing to see some disturbing stuff. If you are ready to go out of your comfort zone, watch something serious and difficult then do give this a chance, otherwise it's just not everyone's cup of tea. I can see myself rewatching it in a few years but i'm a fan of such dramas.
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Despite flirtation with the idea of what it means to be a woman, core themes center around poverty, motherhood, and family (fractured and/or 'whole'). Many will find parallels with real life, uncanny sparks of the every day between each character interaction or plot motion. Though the story can be depressing, sometimes unrelentingly so, rays of hope peek through from unlikely places. The slow pace also works well, allowing for quiet sequences and subtle explosions to be worked in without unevenness. Unfortunately, well written as I found it, there were times an event or character seemed superfluous. A glaring example of this would be the welfare worker and his wife. Their tale felt unimportant and tacked on, the purpose served more thematic than necessary -- and even then, other characters had already fulfilled this aspect well. The Shiori character was perhaps a bit underdeveloped in the end, but her place in the plot was decidedly important.
Where have they been hiding Mitsushima Hikari? If the rest of her work is as vibrant as her portrayal of Koharu, it wouldn't be far-fetched to name her among the best actresses in Japan. Mitsushima-san delivers lines as if they were second nature; her gestures and body language are subtle and real. She positively carries this drama, though her work brought up the performances of others as well. The young ones depicting the Aoyagi children are also an absolute joy to watch. More than just precocious cuties paid to be tiny versions of adults, each of them felt like actual children. They babbled and asked questions endlessly, they cried without reason, they understood more and less than adults might want. This was especially true of Suzuki Rio, as the older Nozomi.
Fans of Oguri Shun should be happy with his solid performance, but will not want to watch Woman primarily for his sake. Shun-san is primarily seen through flashbacks, and though his character is important enough to warrant a spot as a main character, it is in the same way as a literary character might be labelled as such. The absence of his Shin is what pushes the basic conflict. There is a particular scene including him which had me bawling, though.
Musically, the drama stands strong. Orchestrations felt well-placed, especially in those scenes meant to be pivotal. These are also marked by unusual but interesting cinematographic sequences, such as an intense slow motion bit, set to an older song called "Believe." These instances were a little disconnected from the rest of the drama, but strangely effective. Though the sound of the theme song ("Voice" by androp) does not initially appear suitable, the lyrics tell another tale.
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