Story
So, in contrary to the common belief that this drama glorifies adultery and adulterous couples, it rather incriminates infidelity simply by expressing a very well-round idea of what it exactly is. We get to see how it starts (as innocent as everything else, or maybe not so much), why it can start (it won't happen unless there's a reason(s) that has been ignored for a long time), how it intensifies, the guilt, the excuses, the fears, the acceptance, the happiness, the sadness, everything, and in the very end the consequenses, that hit hard, and hit everyone and everything around the adulterers. There is no happy end simply because in a sea of hurt feelings nobody can be truly happy ever again.
There is nothing cute about what happens, the story is rather difficult to watch at times, you can't root for anyone, you can't excuse but you can understand and the whole drama just made me question several times what i would have done had i been in such situations.
The drama, in its core, isn't even about adultery, it's about life choices. It exploits all the wrong reasons we decide to settle down in a marriage. Because we're afraid to be alone, because we want an easy life financially, because we just want to see a face when we come from work every day and have a clean house, because we are arrogant and we think we can buy everything with money, even people... and so, so on. People marry because they're afraid to try hard and be happy, they're afraid to search for that one person, so they settle. Being happy is scary, and it means being with that one person that completes you, the love that consumes you; but what happens if that person appears in front of you after you've settled down?
The drama offers the answers. Either suck it up and live a miserable life, or face the facts, break up/divorce and continue, finding yourself. But still, people are scared, being happy is scary, so they get greedy. Who will leave their perfect safe life to live a dream? Noone, so they'll cheat, because they want the best of both worlds. The drama shows you exactly this journey or bad choices, of selfish acts and the result which is cheating and destroying everything because of greed!
I appreciated how fast paced and to the point the whole drama was. First 5 episodes illustrate the beginnings and reasons of adultery and after episode 6 how everything crumbles down and the repercussions of it. The music wasn't original but it brought so much to the drama, it set the atmosphere in the best, most dramatic way possible. Another thing i appreciated was the slow but steady build up which did make the first episodes feel bland maybe, but it was carefully planned for the intense explosion of the later episodes. Best thing about it were the 3D characters, they felt like real flawed, greedy, selfish people, that you can't help but judge and hate, but in midst of their spiraling they made more sense than i could ever imagine!
If i had one problem to point out, it would be the... mildness of some scenes. While the acting was always tip-top the quarrels and fights felt rather calm, i missed the intensity in the conversations. The drama definitely needed some more... tension in certain scenes.
Acting
The acting was overall spectacular.
Ueto Aya was luscious, conveying her charactrer's feelings constantly, she made total sense and expressed perfectly her thoughts and acts. Couldn't help but feel sorry for her while wanting to slap her for not being rational.
Kichise Michiko was equally breathtaking, portraying a character who saw infidelity as something trivial, who had never fell in love, but when she did she fell hard and completely with her whole essense! Breathtaking performance indeed.
Saito Takumi was cute and sensitive, a close-to-perfect performance as a kind man who is unhappy but isn't even aware because his life is seemingly perfect; and not to forget Kitamura Kazuki for his charming portrayal of a rough but emotional artist.
The casting was really special, the actors really suited and looked amazing next to each other, i don't know if they took the time to find them or if they just worked out this perfectly, but it was indeed magical.
Recommend/Rewatch
This should not be watched by a huge amount of viewers. It's a melodrama but not even your average melo. It talks straight about cheating, there is no side story, no comedy at all, nothing unreal, nothing pretty about any of it. It demands a certain mature viewer who can understand the meaning without judging too hard and is willing to see some disturbing stuff. If you are ready to go out of your comfort zone, watch something serious and difficult then do give this a chance, otherwise it's just not everyone's cup of tea. I can see myself rewatching it in a few years but i'm a fan of such dramas.
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Despite flirtation with the idea of what it means to be a woman, core themes center around poverty, motherhood, and family (fractured and/or 'whole'). Many will find parallels with real life, uncanny sparks of the every day between each character interaction or plot motion. Though the story can be depressing, sometimes unrelentingly so, rays of hope peek through from unlikely places. The slow pace also works well, allowing for quiet sequences and subtle explosions to be worked in without unevenness. Unfortunately, well written as I found it, there were times an event or character seemed superfluous. A glaring example of this would be the welfare worker and his wife. Their tale felt unimportant and tacked on, the purpose served more thematic than necessary -- and even then, other characters had already fulfilled this aspect well. The Shiori character was perhaps a bit underdeveloped in the end, but her place in the plot was decidedly important.
Where have they been hiding Mitsushima Hikari? If the rest of her work is as vibrant as her portrayal of Koharu, it wouldn't be far-fetched to name her among the best actresses in Japan. Mitsushima-san delivers lines as if they were second nature; her gestures and body language are subtle and real. She positively carries this drama, though her work brought up the performances of others as well. The young ones depicting the Aoyagi children are also an absolute joy to watch. More than just precocious cuties paid to be tiny versions of adults, each of them felt like actual children. They babbled and asked questions endlessly, they cried without reason, they understood more and less than adults might want. This was especially true of Suzuki Rio, as the older Nozomi.
Fans of Oguri Shun should be happy with his solid performance, but will not want to watch Woman primarily for his sake. Shun-san is primarily seen through flashbacks, and though his character is important enough to warrant a spot as a main character, it is in the same way as a literary character might be labelled as such. The absence of his Shin is what pushes the basic conflict. There is a particular scene including him which had me bawling, though.
Musically, the drama stands strong. Orchestrations felt well-placed, especially in those scenes meant to be pivotal. These are also marked by unusual but interesting cinematographic sequences, such as an intense slow motion bit, set to an older song called "Believe." These instances were a little disconnected from the rest of the drama, but strangely effective. Though the sound of the theme song ("Voice" by androp) does not initially appear suitable, the lyrics tell another tale.
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Duas Pessoas Que Não Podem se Apaixonar
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so peaceful
Peace really is what I felt while watching Koisenu Futari. It's like watching your best and happiest dream unfold on repeat, just full of warm and contented feelings. One of the special people in my life is an aroace. She's a remarkable woman, gifted and strong, but also lonely and often feels misunderstood. I feel like I understand her a little bit better now after watching this drama. And while Issei Takahashi was the originating reason why I found Koisenu Futari, the theme is what made me determined to watch it.Don't we all want to live our best and happiest life? And what does that look like for each of us individually?
That's the question that both Takahashi-san and Sakuko have to answer for themselves. Takahashi always gave of himself to fulfill the expectations of his grandmother and of society. He lived in the same, in the now, and he never let himself think his life could be any different. He blessed Sakuko so much, freeing her to be her true self, teaching her that it's okay for her to be different no matter what anyone else said. And she returns that favor to him tenfold by helping him discover just who he wants to be and what he wants to do and equipping him to follow that dream.
Everyone goes into dramas with preconceived ideas of what it will be like. This drama was none of my preconceived ideas. I'd even settled on disliking Kazu-kun because he just seemed like someone who would annoy me. When in fact he also became such an integral part of Takahashi and Sakuko's development, and he grew and changed so much through the course of the drama. I didn't like Sakuko's sister, until I suddenly did. I thought some elements would end up being tropes and they weren't. And of course, the ultimate fear that the story would devolve into a love story, which it never did.
Koisenu Futari is perfect. Its value is so far-reaching and I hope it gains more traction and viewers. Thanks to Kaizen Subs for their hard work. Many thanks to the brilliant performances of Issei Takahashi and Yukino Kishii. The more I learn of Takahashi-san's filmography, the more I love him. He doesn't settle for the norm, but stretches boundaries. If you want another equally magnificent drama starring him, try Bokura wa Kiseki de Dekite Iru. Another hands' down favorite, only this time he plays a man who I believe is on the autism spectrum.
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Even though I felt that it was lacking in something on the surface, that I couldn't quite pinpoint, it still had a lot of depth and talent in pulling the viewers heartstrings. The three main actors all did an amazing job which made the story more believable and worth remembering. Over all, it has that dark atmosphere running through almost the entire movie and even though it's more slow paced than the trailer made it out to be, it is definitely worth your time and it will most likely leave you wanting to re-watch it later on (or at least with a craving to recommend it to everyone you know).
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Mr. & Mrs. Smith but historical China
I saw this described as Mr. & Mrs. Smith but period C-Drama* and I would say that's a pretty accurate description.The shortness of the drama left no space for filler episodes or unnecessary drama, which honestly was really great to watch. The emotions from the actors were very well portrayed, and I really loved seeing a female lead that was strong and could protect herself (which is unfortunately rare in these types of dramas). I wasn't as invested in the side couple as I was the main couple since I felt they were a little bit more cliché, but they were still interesting enough to watch.
Because this show is so short, I found myself hitting "next" all too often, which made this go by too quickly! But honestly it was truly a well-done show. It didn't feel like they were too low-budget (likely because it was short) so I was never pulled away in disbelief.
Nobody was ever annoying, everyone played an important role. There were funny moments, serious moments, romantic moments, and sad moments. The ending was a little too neatly tied together, but even so I still very much enjoyed it.
This is honestly one of my favorite C-Dramas now, just because it's so fun to watch!
*credit for the description to sarah-yyy on tumblr
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Esta resenha pode conter spoilers
I'm so confused by the hate of this. I think a lot of it was to mislead us. We are getting a tiny glimpse of their separation.. more can be at play. The baby is HIGHLY unlikely to be Shi De... he wasn't in America long enough to knock someone up. I think the most logical theory is that the girl is his step sister (he did go to America for his mother's wedding) and the baby can be either her's (with another man) or even Shi De's half brother. Shi De probably decided to stay in America to help his family... those medical bills could be for his step father (basing it off the name on it.. makes most sense to me).I think this special episode was just to MAKE us speculate and going crazy with theories until March 5th. I think the major anger is going to be that Shi De stayed in America for 2 years instead of the promised 2 months... Shu Yi was pretty upset at the thought of a long distance relationship in the last episode so maybe him jumping to conclusions and then finding out Shi De wasn't coming back created more of a problem.
The screenwriter wrote the majority of the HIStory series, so I'm going to give her the benefit of the doubt.. that series is amazing.
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This is one of the best zombie movies in the world. Yes it all has the same old same story, its lighthearted. But not all movie directors can make it so perfectly like they did here. The actors were amazing, all of them. I said 'wtf' troughout the whole movie, I could feel my heart pumping, heck, I am even sweating!
The music added so much emotion and tumult in this movie. It has the loads of action, thrilling scenes, gory parts and hair-raising parts troughout this movie.
Why am I so ridiculously excited? The good pacing of this movie, you get sucked into it the minute you watch it. The actors whom all did an excellent job, they were convincing, Ma dong Seok is like always the freaking badass. Everyone had their time and story in this movie. The CGI was greatly made and the actors of the zombies felt so real, the nasty bone breaking scenes and blood everywhere. The music added so much tension in everyscene.
I would rewatch this movie any day and I do think this will be one of first Korean movies to be seen around the globe, because here in my home town, where they never heard of Kdrama land, now knows about this movie.
A 100% must watch!
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Story: Nothing new here, rich guy comes across a poor girl who's not smitten by money. He gets curious about her and falls in love. The girl follows suit. There is some parental opposition, obsessed lover-wannabe, etc. but they don't play make much difference to the storyline.
Acting/Cast: It centers around just two characters played by Sung Hoon and and Kim Jae Kyung. I liked Jae Kyung in God's Quiz 4, but this was my first time watching Sung Hoon. Though I won't say they did an exceptional job, but they kinda complemented each other on screen very well. His brother and secretary and her friends play minor roles in the story, though I didn't pay much attention to them.
Music: Nothing original but considering 15-min episodes, they suffice.
Rewatch: Yes, yes and yes! Mainly coz it's so short, but also coz of the feel-good factor.
Concluding Thoughts: Nothing new about the story, nothing new about the execution, nothing spectacularly great about the acting and yet - it's pretty much awesome considering the time invested.
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This, my friends, stuck out from the crowd. This is the type of movie I like to watch and someday hope to make. This film was absolutely amazing from start to finish! A true art film, slightly similar in tone and mood to one of the best art house films of all time, In The Mood for Love.
I did not know what to expect going in. I was half-terrified that this was going to be some gut - wrenching tragedy that will haunt me for days, but it wasn't. Not in the least. Instead it was one of the most beautiful renditions of love I've ever seen materialize on film in a very long time.
The leads do not speak a word of dialogue, but it was neither missed nor needed. Everything that's important was beautifully communicated with a meaningful glance or a tender act. The chemistry between the leads was undeniable. I never grew tired of being in their world, in fact I wanted to get lost in it.
More than anything, though, I loved the message that I interpreted from it.
A lot can be said about life and how we get through our own personal struggles. The audience might not be entirely sure what is real or imagined, but at the end of the day it doesn't matter. What matters is that as human beings we need these moments of reprieve, real or imagined, to get through life. They add meaning to our existence and give us the strength to carry on in the face of adversary. I just love it.
I also loved the ending - bittersweet, but not in a sad, haunting sort of way. In a very positive, hopeful, uplifting sort of way. It's been a couple of days since I saw the film and it still brings a smile to my face just remembering it.
I can't praise it enough. Everything about it was just perfectly rendered: the atmosphere, the setting, the acting, the score! I've been listening to the lovely, evocative music of Natasha Atlas ever since I saw this film. Kim Ki-duk, by this effort alone, has not only cemented himself as a director to watch for me, but also one that is likely to influence my own work as a filmmaker. This was a perfect 10. I'm sure I'll be re-watching for this for years to come.
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Meu Colega de Quarto é um Gumiho
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If u are undecided if u must watch this drama, this is the sign. WATCH IT ❣
At first I was reluctant to watch this since it is another fantasy/all about gumiho type of drama. However after the first 2 episodes id say it's very fun and hilarious to watch. Hyeri is made for comedy! The way she exaggerates her movements and facial expressions makes me laugh so hard. Also it is good to see somewhat another side of Jang Ki-yong; didnt really peg him for comedy but his character suits him. Loved Kang Hana from Start Up, and seeing her in this drama with a completely different vibe is a treat.Updaaate! Just finished ep 16 This drama is worth your time!! The main actors (and second leads) are just so perfect for their roles. Their chemistry is on point.
The story has good pacing too! Altho it's a gumiho/ fantasy drama; the writing is good and not boring at all.
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The set up and idea behind the story is one of the most interesting things I have seen not only in BLs, but any romance. The concept of monos and probes opens the door for so many different dynamics in the relationships and paths that could be taken. Monos hating the probes for messing up their current life. Probes hating and fearing monos because of their possible obsessions. Monos being overprotective of their probes, since they are their way to see colors. This and so much more, to never be explored, because it’s just a short mini series and not a full length kdrama…
The show focuses on the forming connection and relationship between Yeon Woo and Yoo Han, and the internal dilemma Yeon Woo has, when faced with his probe. Taking into consideration the length of the show, the romance between boys is well presented. The chemistry is amazingly natural and believable. The intensity of the emotions and decisions made because of them, closer to the end, does feel a bit rushed, but it can be forgiven (trigger warning in the comment hidden under spoiler).
There were some side plots that were either forgotten or not addressed, with the missing mom being the cherry on top. I need to know more about it. I need to actually know the full back story, how they looked for her so far. Also, Kim Min Jae? More. I need more old man and the explanation behind it. His character alone was interesting enough to have a proper story written around him.
The best part of the show was Yeon Woo. Poor boy could not take a break between his mom missing, the aunt being overprotective and at times too controlling, and him forming a bond with Yoo Han that scared the hell out of him. Not to mention, I actually enjoyed Yoo Jun’s acting quite a lot. Which is not surprising - he has been acting for years.
Talking about acting, I’m on the fence with Heo Hyun Jun’s performance. While his playful and cheeky side was perfect, any more emotional scenes and lines felt flat and robotic.
With a limited budget, the production value was truly good. It was aesthetically pleasing, most scenes were not cut in weird places and the flow was decent. The aspect I truly loved was the soundtrack. I need each and every song right now.
Overall, it’s hard for me to be objective, because the unused potential of the plot just hurts me. This could have been so much more than just a romance. With proper world building, explaining how society works around the idea of monos and probes. So much to explore, so little time.
Still, for a short love story, it was fun. Me having wild imagination and seeing the potential - I need more.
+ Can we talk about Yoo Han's make up tho? Damn, boi was whiter than the snow outside of my window.
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Shut Up: A Banda de Garotos Bonitos
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I was watching this parallel to Dream High 2, and the difference in the standards caught my eye more...
First of all, about the story. The bromance, love, friendship, family, these themes are very central in the drama, and are done perfectly. The characters are so perfectly constructed, that you'll start feeling for them after the 1st episode you watch.
The thing that amazes me in dramas like this, is that the characters are like brought to life, they became real for me, as they were not trying to be perfect, they were not perfect, and while absolutely loving every character of this drama, I could get angry with them, shout at my screen, and the next moment swoon because of cuteness, their friendship, romance...
Every episode has a story to tell, not like in some dramas, that just drag on, to get to the 16th episode... I have yet to find a scene I'd like to skip here (don't look for it :P).
I discovered several actors here, that I'm going to follow to other dramas, whatever role they take :P
First, Sung Joon, I'd seen him in Lie to Me, and impressing he was in the beginning of the series, but as the romance advanced between the leads, his character faded away, so to say honestly, when I saw him in the first episode here, I didn't know I knew him :P Though his rough voice was reminding me, I didn't catch the signals... Honestly, now I'm very much in love with his down to earth portrayal of Ji-Hyuk, I loved his caring for his friends, his shyness with Su-Ah, his mess ups as a leader, but at the same time honesty and not giving up... (I can't believe he's just 2 months older than me Y_Y)
Jo Bo-Ah, as Soo-Ah! Fantastic girl :) When I saw she's a newcomer, I automatically started searching flaws in her acting... guess what... didn't find... She did better than great, her acting sometimes reminded me of Inoue Mao's portrayal of Makino Tsukushi in Hana Yori Dango, well to think of it, her character really had similarities to Makino. Love her brave and caring character. (THANK YOU FOR NOT LEAVING!!!)
Becuse of MyungSoo (L), now I'm a fan of INFINITE :P Though sometimes he was trying to hard with his icy stare, he's a cute guy and I think he did great, his character was in the end the balance the band needed (speaking about balance...) Do-Il... I can day, this guy... we're seeing him in more dramas from now on, he's gonna become SO popular with his unusual looks (especially eyes..)
Not even going to mention Lee Min-Ki's character, oops, I did... ok... His character just glued me to this drama... an unforgettable character, like a firework, brilliant in the night, and even when it already out, it leaves an unforgettable impression...
If you think this drama is going to blow up your mind by something super new and undiscovered, you're wrong, it's actually a very old story... 'friendship or love'?
Well, guess what, the script writers did great, the main point becoming, it can be both, only you have to be honest with both parties and most importantly with yourself.
I have enjoyed every second of this drama, and can't imagine that I won't be waiting for it next Monday and Tuesday... At least I can keep the songs and rewatch the episodes, by the way, the music is also very-very good, immersing you into the boys world in the moment it starts...
I'm gonna miss Eye Candy! (who;s gonna read a review THIS long?... I had to speak up, haha~)
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Beautiful drama
I like this drama super beatiful the way of act specially the leading actors of this drama(fair xing and Hu yitian) super gentle and good acting skill. Hoping for season 2 or maybe another drama for this two actor. It's so cute and more lesson for this drama like you need to be true in yourself. The team is super supportive for the love team of two players. And Hu yitian the way he understand the problems of one of his team mates. And also how fair cxing help him to overcome his problemsits such a big HEART for me.Congratulations for the team of this drama. Love you all
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House of cards.
My Journey to You is dark, intricate and suspenseful wuxia that hones in on Wufeng spy Yun Weishan's mission to sneak into the Gong family's heavily guarded mountain stronghold. This is a once in two decade opportunity, as the Gong family holds a bride selection event for their young masters who have come of age. A shocking twist thrusts Gong Ziyu, the least capable young master, to the helm of the family. He is clearly unequal to the task and must prove himself worthy before the seemingly invincible Gong family folds like a house of cards under the force of internal and external challenge.Shocking murders that rock the foundations of Gong family just as Wufeng spies slip through the gates. The whydunit is quite clear from the get go. By elimination and a few clues, most of the mysteries including Wuming or Anonymous's identity, are easy to solve. The mysteries look more complex than they really are because many other sub-plots unfold at high velocity. The key is not to over think; the straightforward answers are usually the right ones. The antagonist reveal comes late in the story after the facts are stale and the long expository style gives a sense of anti-climax at the end. It may have been better to resolve the internal conspiracy prior to facing the external challenge. Nonetheless the mystery sub-plots are fairly tight and engagingly woven into the external plot of this dark wuxia.
The real guts of the main plot centres around the Gong family and the secret that they vowed to safeguard for all time. It is no fun to be a Gong; stuck on an isolated, toxic mountain and locked in an existential battle with their arch enemy Wufeng. All of the young masters of the Shang (weapons), Jue (commerce), Zhi (poison) and Yu (defence) lines shoulder many responsibilities from a young age. All except the self-indulgent and spoiled Ziyu who has a father, foster mother and older brother to lean on. It is no wonder that Shangjue and especially Yuanzhi resent Ziyu and demand he prove his mettle. The real irony is Sword Wielder is the most sucky job that comes with a butt ugly tattoo and life imprisonment on that dreadful, suffocating mountain. Not to mention the exhausting chore of trying to stare, glare or scowl down Shangjue and Yuanzhi only to be torpedoed by one of Zishang's whacky, mind boggling non-sequiturs that destroy any crushing come back! As much as I was riveted by the Gong family soap opera, it is the mysterious denizens of the back mountain that broke my heart with the intensity and absoluteness of their obsessions. This drama has the most absurdly gorgeous, eccentric, layered and memorable cast of characters.
While romance is always a feature, it is never what this kind of dark themed wuxia is built around, so conventional romance watchers are bound to be disappointed. Both Weishan and Qian are spies on a do or die mission. If they have love brains, they'd have been long dead spies. By design, Shangjue and Qian's relationship is more interesting because Shangjue is a more cynical and questioning character than Ziyu. He is a much more difficult target and this forces Qian to take more risks and thus reveal more of herself to captivate him. It is quite clear there is an intense attraction, that they got their hooks into each other. It is a dark and fascinatingly toxic relationship where it is left for the viewer to decide whether and to what degree they actually fall in love.
In sharp contrast, Ziyu is naive and unquestioning. Weishan is his first love and he falls for her like a ton of bricks, absolutely and unconditionally. The feeling may be intense and pure but it is also uncomplicated and not that differentiated. The bigger problem is that Weishan is by design an elusive character. She does not have to reveal much about herself to reel Ziyu in and so for the most part, she remains a blank character. By the end of the drama, she is still so much a mystery that it is difficult for viewers to be that invested in her and thus the main romance. Yun Weishan is the main character but because she is so hidden, it is as if there is no main character or CP that anchors the story. For the most part, this feels a story about many characters told from many different points of views. To me, this is the biggest shortcoming in the narrative that is saved by the presence of many other fully realised characters. This is not completely a bad thing because it allows the entire spectacular cast, and notably Cheng Lei, Lu Yuxiao and Tian Jiarui, to really shine without taking away that much from Yu Shuxin and Zhang Linghe. All of the actors got the screen time their characters deserve and deliver all around strong performances.
In terms of cinematography, breathtaking action scenes and stunning aesthetics, this drama is everything I expect of Guo Jingming and more. He is the ultimate connoisseur of male beauty and truly immortalises all of these actors, male and female at the peak of their gorgeousness at their most flattering camera angles. Yue (Moon) Gongzi was the one that stood out for me in this visual feast and his love story moved me most - I'd have gone to the moon and back for him any day of the week! Despite some holes, I am overall very satisfied with the writing. I much enjoyed the witty repartee, the foreshadowing and the layers in the dialogue and many hidden clues in the form of riddles and homonyms that are embedded in the script.
I actually quite like the ending epilogue which has caused quite a bit of consternation and heated discussion among viewers. This is a plot driven story so none of the main characters are the end game. Both main plot lines converge to deliver a very complete ending in terms of th narrative, which is merely one mission or chapter in the saga of Wufeng's longstanding rivalry with the Gong family. The end epilogue closes with just the right dark and chilling note that upon reflection was long foreshadowed, makes sense and is completely in character. As such, I am very happy to rate this 9/10.
I will elaborate further on the ending epilogue in a spoiler below but please don't read it until you have finished watching this drama. This drama is best enjoyed without spoilers so please don't scroll down until you are done watching.
WARNING!!! Major ending spoiler below!!!
Yun Weishan returns to Wufeng to face the music because her work is not done. The biggest clue is that she is not that surprised to find Wufeng waiting for her. She allows Ziyu to think she chose freedom over him, so that he does not look for her and endanger himself and his duty to protect the Infinite Fire. Beyond that, she also knew the note was not from Yasi and possibly she always knew about her twin. More than the Fortnight Flies, that may have been Wufeng's real hold over her. If you rewatch the opening scene, it is very suggestive. Yasi quickly reassures her that the Yun family was just knocked out and not harmed. So it is important to Weishan they are not harmed yet she is not curious enough to even look at the bride she is replacing. Why? Because it is her twin, she already knows what she looks like.
The bigger reason she returns to Wufeng is revenge. She is probably quite safe from Wufeng because everyone that knows of her betrayal is dead and Qian was the one who actually leaked all of the information that lured Wufeng in. She told Jin Fan the truth about Zhuomei, just not the whole truth. She may even be Zhuomei's daughter. That is why she was taught all of Qingfeng's top martial arts but Qian was not. Neither of them even got close to Dianzhu/Wufeng's leader so they could not have learned Qingfeng sect's top martial arts from Dianzhu. Weishan probably joined Wufeng to avenge Zhuomei and possibly also free her sister. She simply could not stay with Ziyu in Gongmen because her work is not yet done. But the first chapter of her story can be considered complete.
A second season probably reunites Weishan with Qian because Dianzhu is their common enemy. This is also why Qian leaves Gongmen, she also has a mission more important than love. Another season could well take place entirely outside of Gongmen so it is not clear the entire cast needs to return. Given how popular the Gong family is with audiences however, my guess is if they can reunite everyone they will bring it all back to Gongmen. But they can also continue it outside of Gongmen with only Shangjue returning or Ziyu returning after handing the reins over to Shangjue. This is very smart of Guo Jingming. He left all his options open. Including the option of not proceeding with another season.
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Strong Start, Weak Finish
Contrary to the popular opinion here, I really appreciated the extensive backstories of the characters. It effectively provided justifications for why the participants would engage in such an insane project, which is quite rare for the typical Death Game film (usually, the participants are lazily thrown into their circumstances due to some metaphysical element within the story or deus ex machina reasoning). I also enjoyed the softer social commentaries in the beginning of the film and the fairly realistic and reasonable depictions of the main characters. That is, none of the characters are overly virtuous or exceptionally talented, and they all act or respond appropriately to the situation at hand; I can see these characters in my day-to-day life. Finally, the cinematography and acting (of the main characters) were masterfully executed.Where the series started to go seriously wrong was in the final few episodes when the filmmakers decided to use caricatures for their characters as if they were holding a contest to use as many tropes as possible to fit the bill of the caricature in question; at some point, I was not sure whether the series abruptly became a satire. Not only were these caricatures agonizing to watch, but the decisive shift in narrative presentation really killed the immersive experience evoked by the previous episodes. Additionally, the moral justifications for why the mastermind started the entire project were banal, forced, and unconvincing; the creativity of the "midnight bet," from which he grounds his perspective, is what you would expect from a #SocialExperiment YouTube video, not a Netflix produced K-drama.
All in all, for someone who does not enjoy the typical Death game flick, I found the series very entertaining and well made within the category, but beyond this, it is forgettable. Although the cast, cinematography and music scores were appropriate and exceptional, there was, unfortunately, nothing noteworthy about the screenplay and directing.
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