Suzuki was gorgeous and I get now when men write and say she's a MILF. :P Yup, no doubt she is. :P She is a fantastic actress and I love her from before in other dramas but in this one she simply shined with her personality, looks and sex appeal. Rui is one strong, confident, smart woman who didn't let emotions got in her way but of course everything fell apart and her guard was put down when Ko appeared. She is a woman who loved for her work, she is divorced and she experienced a married life, she even got a child from that married life (on top of that her child is played by amazing Ayano Go who was such a plus in this drama with his wild, rebel personality and his unique, weird sense of style and fashion, a young man who simply didn't do anything in his life aside from playing in some band for fun and taking money from his mother). But she chose career as something most important in her life at that time and she haven't felt regretful about that. Anyway from that angle her character is a very respectful and admirable one.
As for Hasegawa Hiroki, he was HOT and ATTRACTIVE LIKE CRAZY, I don't know how to put into words his expressions when he was with her, his glances, his stares, look in his eyes, his gestures, it was a mind blowing, seriously I literally felt his eyes on me. ;) Naughty naughty but yeah the main genre of this drama is romance so from that angle it was a successful one. The sparkles between them were flying all over the place, in every scene when they were together it was so impossible not to feel all those emotions and attraction, so rare to see that nowdays. And you have to take in consideration that age gap between the actors is 11 years which is also a plus more in here, you didn't feel that not for a second.
Both of the leads are a respectful people In their work and their respective jobs of publishing and stock trading play an important role in the story and contribute to the tension besides the usual plot devices for affair dramas. I like that part about their professional career, the whole show was so real with problems on their work, on solving them and although this drama is a romance one with affair going on, that wasn't the only thing and that's why I enjoyed in watching, you get to see every day problems and their daily life at work. And dialogs were written very good, whole screenplay was an intelligent one which is something very very important in dramas.
What I didn't like is his wife Marie, she was one big evil bitch, manipulative one with many complex in her life, she was a typical housewife who didn't do anything in her life except of satisfying her husband and depending on him about every little thing, soooo boring and stupid, I mean where is your life, your hobbies, your time and freedom?! Anyway she was the most awful person in this drama and a main culprit for everything. In the last episode maybe someone would or could somehow understand her but I simply didn't want that because she didn't deserve nor pity nor understanding. At least in my opinion.
Also I find the pacing really fast and just when you think a plot device is too cliched, it quickly moves on. But I didn't like that, I do love more slow pace in these kind of dramas with details, much more story and character development, somehow in historical dramas a fast pace is much more logical but in this one a big no for me. It's like I almost got to use to particular happening, dialog and scene and in the next moment it's one year later. That doesn't work for me.
Oh and the music was fantastic with such a beautiful melody, some tones reminded me of Secret Garden's music and the main song sang by Koda Kumi "Anata dake ga" graved in my heart and I'm still playing a song in my mind.
Overall I liked this drama a lot with its darkness and that old J drama feel, I liked the screenplay, the acting was brilliant from the two main leads, as for the characters I didn't like any of them cause all of them were hungry for power, money or some other things, too much selfishness and emotionless but that is why I found this drama to be different and not an ordinary one. I do recommend it to people who love mature, dark, serious plot and story with great chemistry and some real passion and who don't mind not happy and fluffy endings.
With all its flaws and this show does have them pretty much, I've enjoyed and it was my guilty pleasure.
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Unrealistic, but adorable
Brothers was a pleasant surprise for me! Here are my pros and cons:PROS:
DRAMA. There were some dramatic moments here (the parents' divorce issue, Chon's dad's health, etc.), but they never evolved into the melodrama that BL is often guilty of, problems were talked out and solved.
ACTORS. While there were no Oscar winning performances here, the boys were all adorable.
WHOLESOMENESS. Despite some "unusual" plotlines here and there (read below), this was wholesomeness, the likes of which I've never seen in a Thai BL. Borders on Cherry Magic wholesomeness.
OST. I loved the soundtrack, especially the theme song.
CONS:
THE "NUDE" INTERMISSION PHOTOS. Just tacky and bordering on creepy. They could have been clothed. What was the director thinking?
TEACHER/STUDENT. I don't know why they had to go there. So Maping (the student) didn't have the hots for the teacher, but the teacher DID have the hots for the student. That was the real issue. Not really sure what purpose this served.
TWINCEST. Okay, I'll admit it. As a gay guy, when I was in high school, the idea of having a threesome with cute identical twin brothers would have been my dream come true, lol! But in reality, the thought of blood brothers (twins or otherwise) engaging in a threesome together is pretty cringeworthy.
PACING. Most of it was fine, but there were dull moments that just lasted too long (i.e., "Byenior" party; some of the Khun scenes).
But I digress. The cons were not dealbreakers at all. I really liked this one.
8.5/10
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Unavoidable Fate which is tangled with a Human being and The God of Destiny
I love surprises and this one... having zero expectations from anything but then you start to love it, definitely counts as a surprise, right?This drama surely has the feel of Goblin from the poster to the very first scene of the drama, but still, it's not like Goblin though that's what I felt, for me one of the best short dramas I've seen so far especially it's made for binging. Now let's talk about the story. As I wrote in the title 'Unavoidable Fate which is tangled with a Human being and The God of Destiny.' I'll say it's cleverly written nothing feels draggy or unnecessary still we have some unanswered questions in the end.
The execution was done properly, I won't say we get the best acting here but surely not bad. It's cliche and cringes.... um very cringe (Who would have thought I would like cringe someday) but it's so enjoyable and funny and you enjoy every bit of it without getting bored. We get a well-made story and character in just 10 episodes who fairly are just 24-30 minutes. It's beautiful, the scenery and cinematography are the souls of the show. The music it's brilliant it goes with every scene I'll say it's the key point which absolutely makes the drama more special.
Overall it was full-pack drama best to binge! Fun, sweet, fantasy, romance, bromance, and little fluff.
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"Let's live together, the four of us."
If there is both hope and sadness to be found in the human condition, it is to be found in films like ‘Our Little Sister’. Nurtured by Koreeda’s empathetic and sensitive direction, it flourishes into showers of pink cherry blossoms and joyous smiles, evoking such rapturous beauty that you want to stay in the moment for just a little longer. But time moves on- the seasons change, the cherry blossoms fall to the ground and people say their farewells to each other. Through its harmonious balancing of dual aspects: optimism and melancholy, caring and abandonment, life and death, this bittersweet drama embodies the concept of ‘Mono no Aware’ (物の哀れ). There is vibrance and beauty in the existence of life, but it is also fragile, transient- under the watchful gaze of an old mansion and a giant tree, it blooms and fades away in the tiniest span of time. But ‘Our Little Sister’ emphasises- quietly but emphatically- that this is all the more reason to savor it in every moment, be it eating meals with your loved ones, feeling the sun streaming down on your face as you ride through a tunnel of falling petals or looking out at the grey waves after a funeral has passed.Moving away from this concept of ‘Mono no Aware’, Koreeda centres his drama on a fractured family unit and depicts how it heals-slowly- as the missing piece is filled by another. As he always does, he “turns the camera into a window” (to quote Brian Tallerico), capturing both the ups and downs, and the larger joys and tragedies with a masterful lucidity. I’ve already waxed lyrically on Koreeda’s other films so there isn’t much left for me to say as it ticks all of his boxes- damaged families, slow pacing, food scenes, passing trains, etcetera. One interesting thing that I would like to point out is how the composition of the (matriarchal) household has changed in the absence of the father and mother. Sure there are three sisters, but Sachi is ostensibly the mother-stern yet kind- while Yoshino and Chika are like unruly children. When Suzu enters the household, the two middle sisters move up the totem pole, resulting in the youngest sister being doted on as both a child and a little sister. And only when their real mother enters the picture are we reminded that Sachi is, herself, a daughter- even if her childhood was unwrought by the folly of adults. In depicting the shifting of familial roles, as he did in ‘Nobody Knows’, Koreeda provides a testament to the strength and adaptability of children (through three of them have grown up). Trauma may have shattered their lives, but through their shared companionship, they slipped back into the flow of life. Time spent together hardened and solidified the bonds between them, and having confronted and moved on from the past, their scars began to fade away.
The main deviating factor of ‘Our Little Sister’ from Koreeda's filmography is its soundtrack. Foregoing Gontiti's melancholy guitars or Bach's variations, Koreeda instead chooses a lush and sweeping orchestral score by the talented Kanno Yoko- a perfect complement to the scenic coastside setting of Kamakura. It seems not everyone liked this soundtrack, with some reviewers complaining that it is excessively sentimental, syrupy, sickly-sweet, something else with sibilance. However, I think that there is nothing wrong with it due to how this film is (intentionally) more of an audiovisual feast than Koreeda’s others. Similarly, the soundtrack could be accused of broadcasting the intended emotions too ‘obviously’, betraying Koreeda’s tendency towards the implicit and objective. But since the film doesn’t veer into being excessively sentimental or melodramatic, I don’t see a problem with this. In short, the soundtrack is excellent, and it is streaming on spotify and apple music for your listening pleasure.
A large part of this film’s popularity is presumably due to its ensemble cast, all of whom performed excellently. Ayase Haruka and Nagasawa Masami, both mainstream stars, conjured forth their inner talent to give naturalistic, high-caliber acting. Kaho, in a far cry from her darker roles, was great as the goofy Chika- though I still found it hard to erase the memory of her as the blood-soaked vampire warrior K from 'Tokyo Vampire Hotel'. Suzu, then a newcomer, clearly had some measure of uncertainty- but this was perfect for her character, whose wide eyes radiated sincerity and later, well-earned happiness. Other names with considerable mainstream fame- regulars Kirin Kiki, Lily Franky, Kase Ryo, then Suzuki Ryohei, Sakaguchi Kentaro (in a subtle ‘Ore Monogatari’ reunion), Tsutsumi Shin'ichi, Fubuki Jun, Otake Shinobu (the mothers from ‘Soredemo Ikite Yuku’) and so on- also contributed to the vast stirring pot of talent. Another special mention to Oshiro Maeda, then a young lad, who I hope to see in more of Koreeda’s future works.
Compared to his other work, ‘Our Little Sister’ isn’t regarded as strongly by critics. It was apparently disparaged at Cannes and critics have looked down their noses at it, labelling it as “decidedly middle-brow”, “Kore-eda lite”, “frictionless” and worst of all, “boring”. To which I say that they’re just snobbish, pretentious and a bit too jaded. This film isn’t meant to be dark, conflicted, fraught with emotion. It is meant to be a feast for the senses and for the heart- and to that end it succeeds, leaving viewers emotionally satisfied and with just a tinge of wistful sadness. 8.5/10
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Man to Man's handling of its comedy was top notch! There were a number of moments that just had me rolling, especially when they were featuring the dynamic between stoic Kim Guard, Cha Do Ha and Yeo Woon Gwang. This trio kept me rolling. The effect that Woon Gwang and Do Ha have on the normally straight faced and unflappable Seol Woo kept me in stitches. I think this drama initially touted an amazing bromance between Seol Woo and Woon Gwang. I personally feel like there was some untapped potential that the drama could have played up a little more.
Overall, I think the drama had some trouble with balancing the suspense and romance. I tended to get a little tired of the political power plays. Nor was I ever all that intrigued with Mo Seung Jae's role as the main antagonist. I felt like the romance between Seol Woo and Do Ha seemed a little unnatural. I loved how they played off each other, but as a romantic couple ... the drama never really got me there.
Even though this drama can come off as a little unbalanced and a bit all over the place, its comedy is its saving grace. I so enjoyed watching Park Hae Jin play in a comedic role. His acting chops and range are on full display in his role as Kim Seol Woo, ghost agent and body guard. To be honest, I wish this drama was touted more for being about friendship and the family you choose. I worry that this drama will be remembered for not being able to live up to its hype, but I think it's a worthwhile drama. I would recommend it to anyone looking for a comedy with a little action on the side or anyone that is looking for some amazing Park Hae Jin eye candy haha!
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Lazy Writing and Even Lazier Character Arcs
This is going to be a very short and very harsh review. Especially towards Song Joong Gi.This, in essence, is extremely lazy overall. Everything except the production quality and most of the actors. The screenwriter basically just wrote a drama to give an excuse for the main character to be "cool, clever and smart" when in reality, he's not really none of the above.
Main male character wakes up in the body of the rich son of the rich family he used to work for before his "untimely death", with all the knowledge of what's to come in the future. It's not really difficult to "manipulate" events he already knows how it will play out. He knows the answers to the test. All the while, he's showing off this knowledge as if he's being wildly clever about it all. Boring. Lacks depth. And his only motivation throughout the entire drama is revenge for his own death for the choices he made himself that got him there in the first place. I mean, he worked for this God awful rich family for years and witnessed how ruthless and cold-hearted they can be. Did he really not see the backstabbing coming and thought that his dedicated and loyal years of service would make him any more special than any other "dedicated and loyal employee"? What made him think he was any more important than a disposable paper cup? And then when he dies, he wants revenge despite knowing they were double-crossing, greedy and lying people to begin with. Stupid. Dumb. Shaking my head while contemplating why I wasted hours watching this crap drama.
Sorry but I'm not impressed by Song Joong Gi's picks in dramas or his acting chops. His choices in acting roles are extremely boring and bland. He keeps going for the same "cool and collected" characters that are mega-macho-masculine with no real depth to their personality except to look cool while doing it all. Maybe he actually has some acting talent but he keeps picking the same roles over and over again so I can't tell until he picks more interesting roles. Now, whenever I see a drama with Song Joong Gi as the main, I immediately pass.
The only saving grace is Lee Sung Min who is a fantastic actor with versatile talent and picks interesting roles, unlike Song Joong Gi. Lee Sung Min was half the reason why I watched this drama. The other half was me naively thinking there would be some big cool mysterious twist but it played out exactly how I thought it would, except the ending. The way they tried to make sense of a doppelganger paradox does not make sense. Writer basically was hoping that the audience were all unintelligent dumbasses and accept their lazy-ass writing.
I will not apologize and am not sorry for this review. This drama was awful. Writing sucked balls. Song Joong Gi was extremely tedious to watch. And ending was.......well, just no words.
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THE GOOD: Realistic relationships and romance done right. Also some pretty good acting and good pacing.
Having a realistic, wholesome romance seems so simple, yet it's amazing how much I love this drama BECAUSE of how well the romance and relationships are done. You won't find any cliche plot twists or evil and petty romantic rivals here. Instead, the villains in this show are time, distance, change, and circumstances of life. Sure, there are some romantic rivals, but it's astounding (and almost UNrealistic) how RATIONAL and normal they are! They respect the fact that the people they're interested in are in relationships and don't try to sabotage or intentionally mislead. Which seems pretty standard in real life but is really novel for drama-land.
Both Bu Guan Jin (who plays He Luo) and Bai Yu (who plays Zhang Yuan) are so great and natural in their respective roles and really bring each character to life. Part of what makes the show and the relationships and character growth feel so real is in the acting! There's no stiffness and they emote so well. The pacing of the show is also good, with time devoted to high school, college, and post-undergrad so that we can really watch the characters grow over time.
THE BAD: I'm being nit-picky but -- random anime scenes and confusing passage of time.
This might be a personal thing, but I really didn't like the anime scenes that frequently showed up in the beginning of the show, and gradually disappeared. I get that it might be an homage to the original novel, but to me they felt random and didn't really add to the story. I would rather get more time spent on some of the side characters!
I also found the passage of time really confusing throughout the show. The scenes flowed together, which made it feel like each episode was only spanning a few days, when in reality sometimes they would cover whole months or years. At one point I thought only a month of college had passed, when in reality the characters were already in their second year! What! I only remember two parts of the show where the passage of time was actually shown in captions. It would have been a lot less confusing if they had shown some sort of intermediate shot showing the passage of time. Maybe the seasons changing? It didn't really detract from the viewing experience, but just made me confused.
Overall, I would highly suggest watching Suddenly This Summer if you like realistic romance and slice-of-life dramas! It can be a little slow and doesn't have a ton of ups and downs -- I didn't really cry or squee -- but it's wholesome and will leave you feeling good.
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P.S - Its much much MUCH much much MUCH better than Dream High 2. :-|
So go watch it once.
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I like it... not so much however (AN HONEST REVIEW FROM A LONG TIME LAKORN VIEWER)
I really dragged myself to finish the show because my lovely Mark was the main lead. (Mind you, it's been awhile since I watched a lakorn since the airing of Baifern's 'Bai Mai Tee Plid Plew'. And I forgot how long lakorns are!! 1 hour and 40 minutes per episode!!) By the way, I really think Mark likes this cold and arrogant character, similar to his previous role in Kleun Cheewit.Anyways the story, I felt like there were really random parts of the story which took way too much of the show. Such as the hacking between our main leads. Then Myanmar. Then the Moei going off-grid to avoid him. I loved the scenes and they do seem relevant enough, I just don't think I need two to four episodes long in one issue. It was draggy, and the real excitement I actually got was from the beginning when they got married. Honestly, I felt that Yada and her abusive husband had more of an interesting story than this show overall was. I have to admit, I skipped so many scenes to finish the show. Why, because it takes 5 minutes for one scene between two talking people. DRAGGY AF.
I loved the way the writers made Moei's love for Thien consistent. Everything she does is for him, at some point in the drama it starts to feel stalkerish and obsessive but you know how dramatic Lakorn can get. One particular thing about Mew is that she plays her role really well. For example in scenes with Mark; she will constantly look at him and smile like an idiot because that is the character she is playing-- someone completely in love one-sided. Could be the script, but could be that she is an amazing actress.
I actually hate Thien's character. I just really feel like his character could've been written better. Mark executed the script great, just hated how bad they made the character so oblivious.
The cons:
I don't know if it was just me but some scenes were very toxic and are sadly portrayed in media that it's just love. I hated the scene where Thien tied her his bed frame to keep her from going out of his sight. Or when he confiscated her electronics and locked her up in a room a day with no food. Or when she was denied internet connection because he didn't want her contacting the outside world. I know this is typical Thai Lakorns but isn't this too overused. I am a killer for slap n kiss, but this wasn't even that.
Anyways take my review with an grain of salt, you might end up liking it because Mark and Mew did a wonderful job. Yet, as a long time Lakorn audience this was just a typical drama played by two popular celebrities-- and for me was not worth the hype.
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the different opinions on this show's ending are actually funny, and totally understandable.
i am not going to lie, at first i hated how the show ended as well, it was so unpredictable (even tho i knew what youngsoo would do); but as i sat down and thought about it more, i realised how and why the ending made perfect sense.part 1 was an introduction to the story, to the war, to the spheres. an introduction to our characters. a way to show development and underdevelopment. we see them acting according to how the adults want them to act, having no right to choose what they wanted to do after signing that paper (which was also signed by their parents, some of them not even being allowed to say if they wanted to do the military training or not). our main characters are building up relationships, platonic or romantic, they are starting to love each other as more than just school colleagues. we see them being together 24/7 in a world that is could be destroyed.
while part 2 is the destroyed world. we get no adults introduced (other than the criminals in the prison, who aren't even humans to begin with), our main characters are able to vote, to communicate, to make decisions together with no adult telling them otherwise. we see betrayals, fights, and lastly, a massacre. youngsoo was the world character of them all, and not in a way that he was written badly, but in a way that he was a criminal. he did not care about no one in the classroom, from the first episode to the last. if someone says that i am wrong, please remember the time when younghoon died and he was happy he wasnt there anymore because he didn't have any more competition in the classroom. he was only thinking for himself, which until the end was, at most, understandable. but his actions were wrong. extremely wrong. not only did he try to sa soyeon, he killed the only witness (ilha), and then he killed almost all his friends. yes, he went crazy, but his reasoning for his mental stability going down was not it.
at the same time, tho, all the trauma they were going thru, plus the pressure from the adults who were using them, i can try to understand him (not what he did). his character had depth, that i don't really care about, but if i did, i could talk about him for hours. as the story was progressing, i hoped that, maybe, they won't keep the ending from the webtoon, i was wrong. it traumatised me in the worst way possible, but i am here writing this with a smile on my face.
we are seeing three wars in the series, one against spheres, one against adults, and one against each others. part 1 was all about the spheres, and the adults, it showed how the kids could fight against both of them and survive. with little sacrifices happening. in the second part, we see the war against each other, which showed us different sides of the kids. they were more mature, not whining that much when they had to do something or when things dont go their way. we see them getting tired, wanting to go home, but still sticking together. there is so much going on in 4 episodes, and ep 7/8 weren't even that long. it keeps you in a state where you can't wait to get to watch the next episode. i was scared the whole time, hoping all of them were going to be alive at the end, yet still knowing that wasn't happening. i was doubting them when they were doubting each other. i felt betrayed when they betrayed each other. i was hurt, i cried with them, i laughed with them, and at the end, something in me died with them as well. altho they didnt stick to the original plot of the story, the main line was still there. kids in war time. no matter what the war was. some of you are failing to see that. they went thru a lot of ups and downs together, they had hopes and their hope died, they were, at the end of the day, just kids.
watching this kdrama was a rollercoaster. i was happy, sad, crying, laughing, anxious, hopeful. but at the end of the day, it gave me comfort (with a lot of anxiety on top). all of my fav characters ended up dead. yes, i did like kimchi, hana, aeseol, and nara, but jangsoo, tae man, yujoong, ilha, soyeon, bora, soocheol, youngshin, all of them, ended up dead. and with ilha's death, followed immediately after by jangsoo, i was petrified. when jangsoo said he'll go find youngsoo, i knew what was going to happen. and when he opened that damned door, i couldnt breathe. he was the reason i was so excited about part 2, and even tho i knew how he ended up in the webtoon, i had a little hope. jangsoo, i miss you.
that 'in other universe' ending, with them graduating, i will take that as the actual ending, and im pretty sure they added that scene as a way for people to choose what ending they want to believe in. younghoon is there, and honestly i never believed he actually died, so thats a bonus. they all graduated guys, they did. and they ended up going to college, and having jobs and families, and happy. thats the real ending (source: trust me bro).
i didnt expect duty after school to be more all of us are dead than all of us are dead, but looks like that title fits them more. i will miss them a lot, somehow i hope for a season 2, even tho i know why they ended part 2 like that (for people to not ask for a season 2).
the actors did such an amazing job. imagine playing jangsoo and having to open that door like 7 times and filming your death in 2 different ways (first they thought it was a sphere that killed him, then they showed youngsoo killing him). i am so glad i started watching this and meeting this amazing, and beautiful cast. can't wait to meet them in a new kdrama.
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Messed-up plot. Try to to be clever but fail. Too many loopholes all over the place.
(Review In Progress-- done watching, in-progress reviewing, and after that still needs some edit.
-- sorry, it takes me some time as this such a headache.)
[+] This series is like an experimental work. After finishing, I highly admire the team that they really put a great effort in creating this drama. It's a complex story. The messageS they want to convey are difficult, thus meaningful. And the way to convey it isn't simply about plot writing. This series especially need the collaboration between the plot creating and filming/editing processes. So it's not only the story that is complex, the process for the aimed result is also a hard work here. I feel thankful they made this done. With this work of theirs, they challenge the new level of quality series in all aspects from creating to conveying processes.
[-] Anyway, they try too hard to be clever. In the end, there're still too many loopholes both in the main plot and sub-plots. To find a positive excuse for this, I'd blame the time constraint. The time limitation especially affects the writer. I feel that the writer only has solid ideas on the main things she wants to make happen, but she lacks the ideas to logically connect two or more dots, resulting in a messy resolvement that relies on cheating the audience.
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Two main cheating ways of this series that are unaccepatable for me are:-
1) They indulgedly create many conditions in the story on their own without caring the universal laws. These conditions are not the kind of reasonable conditions that would serve them right if they had a unique universe of their own story. These conditions are just to serve their own conveninece in resolving the conflicts the easy way because they can't think of how to resolve it properly without cheating. Let me give an example,
- The conflict is A wants to kill B who is a criminal treated at a hospital, but B is protected by two polices standing guard at the patient door at all time.
- Resolution of this series to let A kill B is to let C who is another police says via the walkie talkie that there's some incident happening near the hospital area and he needs some support at the moment. On hearing that, the two polices both left their position immediately. They shouldn't leave their post in the first place, but when they do, they do it so naturally like it's the way the world normally is as they don't even need to disccuss or hesistate a bit before setting off running away.
The above is just one example. There're A LOT along the way. The plot needs media to be stupid, needs people to be stupid, needs doctors to be able to do things that normally they are not able to. All of these for the sake of connecting the solid point A to point B. Remember what I mentioned above? They only have the solid ideas on main points while have no idea of how to connect them.
Their self-indulgement frustrates me a lot. They look down on the audience like me.
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2) Because they can't find the proper way to solve their conflicts, they trick the audience by manipulating the scenes. The plot is mean to deceive the audience at first, so that they can make a surprise twist later. The proper way to do it is to give the same set of information to the audience as to the investigative storyline (= the storyline of solving the conflicts). An improper way to do it is to hide some parts of the information that the storyline knows from the audience. This series make a worse thing by manipulating the information. In some crucial scenes that would become the surprised twists later, they film it in 2 different ways - one is the way that actually happens, the other is the way they want the audience to believe happening. Then, they firstly show the audience the wrong occurrence to mislead the viewers. And later, when they reveal the twist, they show the other occurrence. This is cheating. You don't have skills to make things right. You want to be wise, but if you cheat it doesn't shows that you're wise anymore. It shows that you're just pretentious.
As unskilled as you are, you still need to learn a lot more to not anger the audience this way. Find a place to learn? Go read more works of Dan Brown and Agatha Christie!
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More rants:
(1) Story [-]
- Too many loopholes
- Like ep.1-2 pretty much
- Ep.3 starts to have loopholes in the details.
- Ep.4-5 have too many unrealistic parts esp. about media, human behaviors in society, and decision-making relating to social impact. These surreal parts are essential for story development. If there's none of these, the story wouldn't go on the way it is written, which means the production team is not smart enough to make a proper investigative story without constructing some special conditions that would help them make the story progress easier. What a convenient way to solve a question that outwits them, right? They do it by making a condition that says whatever they say is true. Anyway, in the end, this just portrays that everything in the story is pretentious.
- Ep.8, 10 - more so-called loopholes - the self-conditioned parts that help the story to progress along the way they want.
[[ spoiled note: 8-the surveillance officers / 10-the physical call instead of phone call; the criminal didn't have father at first but now has?? huh; the criminal's mother supposed to give birth after Yohan's mother in the early ep but now she did it before for 6-7 yrs?? ]]
- Ep.14
1) Why the TV producer takes that guy in her car?? -_-
2) How that kid gets to that man's house?? << It's like everyone is a character in an RPG game doing things without motive, no situation progresses in a logical process. It's like these characters and situations happening around them are programmed in a game.
Ep.15
1) Conveniently skip the memory about chasing on the road scene?
2) Suddenly the older police who usually fails to observe the details about everything notices the very subtle details of a victim. How convenient, the writer makes everyone change in a wink, makes any situation to occurs or changes from before like magic.
3) I also don't forget the alibi of everyone in the 1st case and waiting for you to properly explain, writer!
Ep.17 - The new paint on the wall can be removed by tissue paper??!!
- This story shows that polices are generally stupid. The supervisors would choose their subordinates to make an important decision instead of them while the subs are not clever enough.
- The media in this story breaks the law and their ethics all the time. It's the circle that there're only people who think about their own benefits. They dare to publicly take advantage of the situations even when there are other people's lives at stake. And no one at all blames the media. Nor does the media get sued. Very weird society.
- The story shows the people of Korea are stupid, always ready to be pulled to the left then dragged to the right without the ability to think on their own. They believe whatever words from TV. The people/audience in this story is much stupider than those characters in the novel 1984.
- Let me yell at this series a bit:- The real media don't work like that. The real polices don't work like that, either. And the people of Korea or most of the places in the world are not like that. The production team of this drama is just an imposter pretending to know what social psychology is, pretending to know how journalists and polices work while they actually Know NOTHING. What they do is just spreading the wrong perceptions about everything.
p.s. Damn to this drama, where the hell in the world that a TV channel would intentionally live broadcast a crime as a criminal wants? Furthermore, two TV channels even argue/criticize/condemn each other on TV-live-broadcasting to make the situation benefit the criminal. The media here are very much stupid and very much immature. Nonsense. In reality, this kind of TV station would surely be heavily investigated by law and backfired by social pressure.
P.S.2 And the ER doctors don't work in patients' rooms! You don't know how doctors work, either. You -writer, director, producer of this series- truly Know Nothing.
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(2) Acting [~]
- The older police always overacts. The paradox is they mention about overacting represents the lack of understanding in the thing the overactor tries to depict (ep.7).
- The acting of the TV program's female producer is substandard. She doesn't know the way to show her character's expressions through her face. I don't feel that she feels what she acts. She just makes a subtly disturbed face, and continues to make it the whole time. There's only one kind of facial expression from her, which is the kind of expression that I don't feel that she feels it.
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(3) Script [-]
- Bad script. It's like the characters in the series are the RPG-game players. They walk around talking to witnesses, interviewing people in the RPG-game style that we have to stop and talk on the way to certain people to get more information to complete each mission. The conversations in that kind of interviewing/asking strangers in the series are blocked and unnatural - if we get to the right person, the convo would flow as well as directly get to the point, no small talk, no introduction. No matter how weird or rude the questions of the characters are to the strangers, those strangers answer along the way that the characters want to know without opposing. No matter how private the information they get asked, they don't feel it and are willingly answer them.
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My review will be short and sweet with a link to my very extend review at the bottom if you wish to do some extra curricular reading!The Good:
1) Reaper and Goblin's Bromance
2) Soni and Reaper's Relationship
3) The theme song
4) The cinematography
5) The locations shot in
And that is ALL!
The UGLY:
1) 60% of the episodes are completely plotless.
2) The last 5 or so episodes are completely rushed with about 6 major plot points in each of them
3) The cringey, over-obvious product placement
4) EunDak is the worst character ever. She's so selfish and so stupid and she gets so lazy once the boys take her in.
5) Eun Dak and Goblin's relationship should NOT be romantic. It would've been much better as a Father/Daughter realtionship
6) The editing was rough in a lot of parts
7) Deok Hwa's character was so undeveloped and so underused. he deserved better!
8) The lack of relationship and character development for all of them actually
9) The ending is an absolute mess. Why did the not all die so they could start over again?!
10) So many scenes felt half done. I feel like so much was either not filmed or just simply edited out and I feel like I was missing whole chunks of scenes that were needed.
11) The over the top ridiculousness such as the SnowBoard accident, and the Goblin pushing EunDak and causing massive problems in the car park scene. Those scenes were so stupid. Those scenes were far beyond being able to suspend disbelief.
12) Completely ruining Soni and Reaper's personality and all their charm in their new life in the final episode.
13) Rushing through the final. Those last 15 or so minutes DESERVED and entire episode. Not the rush through that it got.
The excessive overhype this show gets. It's really not that good.
If you really want my Essay-long review of this show, check it out here: http://sambart93.tumblr.com/post/179925136539/dokkaebi-goblin-its-not-bad-but-its-not-good
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THE most healthiest and Best Xianxia Main CP! Totally worth the journey in the end!
Moonlight Mystique is among one of the anticipated drama's I have been wanting to watch, since I know this is adapted from the novel which is part of the trilogy/spinoff that focused on Tian Qi and Yuemi love story from Ancient Love Poetry (Shang Gu Novel). After watching this drama as a whole, I can tell you that Moonlight Mystique has the least(almost-to-none) connection to Ancient Love Poetry, so this can be regarded as a standalone drama/story featuring Fan Yue/Jing Yuan and Bai Shuo/Xing Yue.So you don't really need to watch Ancient Love Poetry to understand the backstory since it was changed completely. MM doesn't feature the god realm, and has no relation/connection to the original backstory for Tian Qi and Yuemi in Ancient Love Poetry.
Instead of the God Realm(ALP), in MM, this was changed to the 3 Divine Realm: Lunar (Govern by Goddess Xing Yue), Demon (Govern by Demon God Jing Yuan) and Hidden (Govern by the Hidden God Mo Li).
Before Jing Yuan and Xing Yue backstory was revealed, I didn't know it would be like this out of all my speculation, but it actually turned out to be so different than what I imagined their backstory to be like. I really love the playful and silly side to Jing Yuan from back then (60,000 years ago), because one way or another, I still like to find some references that will tie back to his original character in ALP (Tian Qi). So with this being said, I am glad his character somewhat stayed true in that sense that Jing Yuan is not afraid to confess his love/feelings to the woman he loves, in this case it is Xing Yue and I love that. In it's originality, Tian Qi is someone who will choose to protect the woman he loves first before the three realms. He would go that far to just protect that one person. I'm glad to see that Fan Yue/Jing Yuan is the same, in that sense where he will always choose to protect Bai Shuo/Xing Yue first. These are traits and qualities that I'm glad they kept to the original in MM.
But in MM, I am glad that we get to see that this is being directed at someone like Bai Shuo who can return his love equally. He deserves to be love. They both deserve their happy ever after at the end of all this. I am glad they got this happy ending in the end.
The God Realm is my favourite arc, although it was short but their backstory truly touched my heart and made me fell in love with Jing Yuan and Xing Yue back story.
Even when the story to MM was changed completely from their original backstory for Tian Qi and Yuemi, please don't let this discouraged you from watching Moonlight Mystique though, because I can assure you that the journey for our beloved main character: Fan Yue and Bai Shuo and this beautiful pairing is very worth it in the end!
While from ALP fans perspective (since I am also ALP fan), I get why fans want some form of connection back to the original story too. Since that is where their backstory started.
But from the writing perspective, for fans who never got exposed to their backstory and watch this as a standalone, they probably don't want to see Jing Yuan(Tian Qi) loving someone else in the past and Xing Yue(Yue Mi) being hurt by this unrequited love in the process.
To me, the change has its pros and cons. The change was done better for Tian Qi part for me but cant say the same for Yuemi with what was portrayed in their backstory revealed as Xing Yue and Jing Yuan in the past. Since Yuemi will never hurt Tian Qi on her end. But as we have seen from their past; despite they love each other, they cannot be together, and this leads to their tragic ending, which is very sad. I love how they made it clear/explained that Jing Yuan have been searching for Xing Yue on his end, and I find their story to be somewhat bittersweet in that sense. I actually wrote up my feelings in this thread in here, if you're interested in reading: https://mydramalist.com/discussions/zhu-yue/134640-jing-yuan-and-xing-yue-ending-contain-spoilers
With that being said, I will add this part to my review as well, I remember when this drama(MM) started airing, I told my online friend about it, since we both like Tian Qi and Yuemi story in Ancient Love Poetry, and we were talking about the cast selection. When I shared this to my online friend about the actress Bai Lu in this drama; he made a comment saying if I can still watch Bai Lu? Since he knows how I feel about her, and if I am going to be honest with you, her character Li Su Su in Till the end of the Moon had really traumatized me to the point there was a period of time, I cannot watch any of her drama's at all. I remember back then(when MM was still airing in the early episodes) my reply to my online friend was: "At the end, Bai Lu can either have two outcome for me, she either will go into my blacklist if she turned out to be another character I don't like in this one by traumatizing me once again, OR her character in this drama (Moonlight Mystique) will heal my previous trauma of her character in Till the End of the Moon. So in the end, what I can say is, I am glad I gave her this benefit of the doubt, while it is true that I started off neutral with her, but her character growth/journey and her portrayal in Bai Shuo or Xing Yue had really won me over and made me became a fan of her as the story progresses, although I love Bai Shuo better because her character is written more to the way of my liking. Bai Lu have done an excellent job bringing out the character: Bai Shuo and Xing Yue to life. I like how she played out the emotional scenes, and her crying scenes didn't feel force but genuine. I like that because it makes it more impactful when I watch those scenes.
As for Male lead actor goes, I have never seen Ao Rui Peng in another drama before, and the irony was while I have watched a few episodes of Blood of Youth back then, his character didn't stand out to me in that drama, BUT him portraying as Fan Yue and Jing Yuan is just on another level!!! Love him and his make up/costume in this drama. He looks so cool/handsome and especially with the purple shades in his hair when he played as Jing Yuan (The Demon God)!!! Ao Rui Peng whether he is Fan Yue or Jing Yuan, he is very good at playing out these emotional scenes as well. He also has a very passionate chemistry with Bai Shuo/Xing Yue (played by Bai Lu). I love all their screen time together onscreen, and their interactions is just a delight to watch, even at the beginning! There is never a boring moment when they're onscreen! They are definitely noted down as my favourite couple of all time, as a matter of fact, I think I am bumping Fan Yue and Bai Shuo up as my no.1 favourite Xianxia CP!
When it comes to pairing side of things, I don't think I have ever encountered a pairing that is this healthy, what I mean by healthy is... Both Fan Yue and Bai Shuo, they have communication, they will talk it out and not let it lead to any miscommunication or misunderstanding between them. Communication is the key!!! And Bai Shuo and Fan Yue have this and I am really thankful that they are consistent with this to the end from their characters. This is really refreshing to see, and I really love it. It makes them stand out to be the most well written pairing that have communication that work through things together. Not to mention they definitely have chemistry as a pairing!! Their Kiss scenes makes me blush and I am glad we got these beautiful scenes for our beloved pairing!
Xianxia is my favourite genre, but if I am going to be honest here, how I feel about xianxia in the overall have been disappointing as time goes by in terms of having a promising start, but a disappointing ending where they recycled the plot about the "responsibility in protecting the three realms". I am honestly at the point where I don't want a love story where the ML have to shoulder that responsibility in choosing to either protect the three realms or the woman he loves.
I want a love story where the ML choose to put the woman he loves above the 3 realms(or how many ever realms there is). I guess this is why Fan Yue and Bai Shuo love story appeal to me so much, because I see this as a breakthrough to the overused plot of choosing to protect the three realms and carrying that burden on your shoulder and cannot love freely the way you would want to without those responsibilities.
So going back to my favourite character here, whether it is Fan Yue or Jing Yuan(in MM), he is really a romantic person in my eyes, because he will continue to protect the woman he loves above anything else. I honestly love his love for Bai Shuo/Xing Yue. I LOVE FAN YUE & JING YUAN!
One of the things that makes Moonlight Mystique(MM) stand out is that there is never a boring moment with the plot that makes it feels like a filler, because each arc has a purpose that tells the story and will connects to the next one, which makes everything come into place at the end. Even when the side character/stories have their own impactful story that was written so well that it made me cry or teary for them, so they really stand out on it's own(in a good way).
I love the kids actors who played as Fan Yue and Qi Feng and Bai Shuo and Bai Xi, their backstory played by these little actors where they played their role in the backstory, made the present time more impactful because you know how much has changed between them from back then (as kids) and now (as adults).
I also want to make a memorable mention on the character Chen Ye, I didn't think I would like him when I first saw him, even when I found him handsome, because he was cold and ruthless, but when his backstory was revealed, I cannot not like him you know. I even love his interactions with Fan Yue and all their screen-time together (because...... I won't spoil the details for you).
Fu Ling is another character I didn't think I will like, but in the end, she has become a character that I came to like on my end. I also like her love story with Chong Zhao as well. It is quite sad to be honest. Yeah sad, meaning they got a tragic end.
In terms of ending for Fan Yue and Bai Shuo, I just want to say this, I really love the ending to MM, I was really nervous that it will be a last minute happy ending like ALP or TLI, but I am glad it isn't the case in MM. To be honest, I was already happy with the ending I got from Episode 40 because they get to hug and shared 1 last passionate kiss together, but when they gave us an epilogue to show their wedding at the end, this just makes it more satisfying for me, because I have come to love Fan Yue and Bai Shuo so much. I love them to the point that if their ending is a Open Ending, I don't think I will be able to control my emotions. I mean, I was really disappointed with Song of the Moon(SOTM) Ending which is another Xianxia by IQIYI by cutting out the ending I know was filmed, but they never included this in the epilogue in that drama(SOTM) so this is why in MM, I am happy and over the moon for finally giving us and our beloved pairing Fan Yue and Bai Shuo their happy ending in a satisfying way! They deserve this to be honest!!! Because they have suffered so much from their past as Jing Yuan and Xing Yue!!!
MM ending is loveable in my eyes because we got a satisfying and conclusive ending for the Main Pairing, and the other side characters was implied and confirmed they will return one day (so that is a hopeful happy ending for our beloved side characters who died for the great cause). The writers didn't have to give us this but they did so I love them for this.
Among the three story: Ancient Love Poetry(ALP), The Last Immortal(TLI) and Moonlight Mystique(MM), as far as ending goes, while they are all a Happy Ending, but MM definitely have the best and most satisfying ending compared to the other 2. I felt like TLI(Yuan Qi and Feng Yin) got the short end of the stick, because at least Bai Jue and Shang Gu(ALP) get to hug, but Yuanqi and Feng Yin(TLI) ending was them standing at a distance looking at each other.
In the end, it's up to you whether you will watch it or not, but IMO, if you don't watch it then you are really missing out. It may not be every one's cup of tea and that's fine, but I will just say that for me personally, not many Xianxia nowadays pull through as the best and this feeling stay true to the end, since they normally started off well, but then got boring like how I feel towards The Blossoming Love which was airing at the same time, In The Blossoming Love, I got bored with the plot and the direction it was going whereas for Moonlight Mystique, the plot and characters got me engaged/hooked into the story from beginning to the end!
Oh and let's not forget about the OST! Please be sure to check it out because they are all so good!! I love all of them!!! And I have to say that this is the first time, I never actually want to skip the Opening (Intro song) and Ending (Outro song), because they are very captivating!!!
P.S: Fan Yue and Bai Shuo is now officially my no.1 favourite Drama CP. I still want to make an honorable mention to my other favourite pairing: Jing Yuan and Xing Yue! To me (if you have not read that thread of mines), then I will just add it here as well: In the overall, how I took the theme to their backstory and ending is, Fan Yue and Bai Shuo are reincarnations to both Jing Yuan and Xing Yue, and they lived on as their happy ending. Just like what Jing Yuan said to Fan Yue before he joins Xing Yue in the stars: that perhaps his awakening(60,000 years later) was to give them(Fan Yue and Bai Shuo) a chance to be together. He told Fan Yue to protect Bai Shuo well and don't let their(Jing Yuan and Xing Yue) regrets in the past repeat itself 😭😭 so to me, this is how I saw it... To say I am not sad would be a lie, because I was sad in that scene, but when I look at this in another sense/perspective, their ending gives a sense of bittersweet where their happy ending lives on in their next life(as Fan Yue and Bai Shuo) it actually makes sense if you look at reincarnation side of things. I felt like how the writers wrote this was very poetic and sad, yet beautiful at the same time that the love they held for the one they love is irreplaceable. We saw this through Fan Yue, Bai Shuo and Jing Yuan.
So in the end, does this make me dislike Fan Yue and Bai Shuo for having a happy ending? No!! Because Fan Yue and Bai Shuo deserves their happy ending too and considering all their suffering and sacrifices they earned it and I am glad one way or another Jing Yuan and Xing Yue can live on in Fan Yue and Bai Shuo in that sense(since that is their next life), without Jing Yuan and Xing Yue backstory, then we wouldn't have the Fan Yue and Bai Shuo that we came to love in this lifetime. And I will end my review with one of my favourite quotes in this drama:
"That's all in the past. This time, we've met again, not as Xing Yue and Jing Yuan, but as Bai Shuo and Fan Yue. In my heart, you're the best Bai Shuo, the only one in this world, and is irreplaceable" - Fan Yue.
Thank you for this wonderful journey, thank you for making a great start in 2025 for me! MM gave me back the hope that Xianxia can have a happy, satisfying and conclusive ending! I am still reluctant to say goodbye to my beloved characters, so this is currently on my rewatch list!!!
After several rewatch of this Drama, I decided to check out the Novel, in which I have on my end, and here's my feelings to the Novel in comparison to the Drama: https://mydramalist.com/discussions/738079-zhu-yue/139258-reading-the-novel-made-me-appreciate-love-the-drama-better-contain-spoilers (In summary, after reading the Novel, it made me appreciate/love the Drama even more).
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Overall I thought it was an OK movie, wouldn't exactly say it was a great movie. Only reason I gave this movie a try in the first place was because of Lee Min Ki. So if you want to watch a more a mature movie that will make you laugh, then give it a try and enjoy ^^
WARNING to the younger viewers the sex scenes aren't very explicit (no major nude scenes) but I would mostly recommended to the more mature audience.
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"If I love you, what business is it of yours?" (Johann Wolfgang von Goethe)
“Luo Zhi loves Sheng Huainan. And no one knows about it.”You’ve been warned. This is a long review.
Within the first few episodes, you’ll notice that the show’s stylist didn’t particularly love Luo Zhi enough to give her a memorable style. She’s a brilliant character - committed to her ambition, clever, meticulous, sincere, composed, and yet full of secrecy, shame, longing, and regrets, but she is dressed so...poorly and forgettably. And honestly, I could care less, if I weren’t using this bit to make my own little clever joke, because the juxtaposition of Luo Zhi’s beautiful depth and terrible fashion is exactly how I feel about this adaptation of 八月长安’s (Ba Yue Chang An) web novel, 暗恋橘生淮南 (Unrequited Love.) It has so much potential, gets certain things right that 99% of dramas miss, and yet...suffers from so many flaws. The team behind this show had the right intentions and chose the right story, but dressed it inadequately.
My relationship to this drama is quite mixed. There are elements that I absolutely adore, and yet, elements that frustrate me. But because it gets certain pieces of romantic storytelling right that most Chinese dramas (Asian dramas in general) completely miss, I also keep it close to my heart. The best I can do is to give a sincere review of what I love & hate about Unrequited Love (2021). This review is full of spoilers btw. Beware :)
Elements I Adore:
I. Sheng Huainan & Luo Zhi.
For the first time in Dramaland, I am fully aboard this ship. I am genuinely convinced that if there were a Sheng Huainan and Luo Zhi in our reality, that they would fall for one another. This element is the sole redeeming factor of this drama for me. I’ve found myself watching drama after drama, wondering how both characters fell for the other, and why the story needed to contrive reasons for the couple to come together (cue the usual person falling and the other main character catching them and then...they’re in love! How? We don’t know! But they are…)
In the beginning, we’re told the story of this romance framed by Luo Zhi’s shame and regret. She feels like a ghost beside Huainan, forever chasing after his shadow, but is unwilling to make herself visible unless he sees her first. This pining follows her from high school into her college career. In Luo Zhi’s heart, her yearning for Huainan’s attention isn’t just rooted in the affirmation of a childhood promise, but also in her self-actualization. She’s convinced herself that the best version of herself will undoubtedly catch Huainan’s eye. It’s cringy for us as the audience, because we know this narrative is self-defeating and reeks of shame. But the story’s unwillingness to hide this narrative of Luo Zhi humanizes her. Beside this secretive yearning for Huainan to fulfill his childhood promise, Luo Zhi is an individual who will work as hard as she must in order to achieve the goals she has set for herself. Sure, she’s a softie for Huainan, but she is as tough as it gets outside of her secret yearning. And I love that about her.
Huainan, on the other hand, is both thoughtful and simplistic. Perhaps it’s more accurate to say that he’s idealistic to a fault. This man is exactly the albatross that he and Luo Zhi talk about. In terms of academic performance and popularity, he soars in the sky, full of ambition and potential, but his only aim for landing is to find a soulmate. He pines for someone who can share a telepathy with him. Yet when he lands on ground level, he becomes the Big Clumsy Bird he describes the Albatross as. These ideals he crafts in his mind are incomprehensible to most people and highkey irrelevant to most people’s lives. People see him for his looks, his family’s wealth, and his popularity, but he sees himself differently. It makes him feel isolated, invisible, and wary of others.
When you bring the two together, their shared fascination for one another is what makes this drama shine. Their conversations are endless, and I loved seeing that portrayed on screen. Luo Zhi’s shyness and Huainan’s persistence feel natural and painfully realistic. And I adore their initial dates. The surprise gift of Gibran’s poetry? Has my whole heart. Huainan saving the leaf they serendipitously grabbed at the same time, and Luo Zhi finding it as she peeks into his journal -- and Huainan SEEING her find it? I was embarrassed AND blushing for them.
II. Reframing “Missed” Love
I think we can agree that this show isn’t truly portraying “Unrequited Love” when it comes to Huainan & Luo Zhi. It’s portraying missed love. We’re shown this from the very beginning in terms of Luo Zhi’s self-inflicted pain of an “unrequited” love. The truth is, Luo Zhi’s suffering came directly from her own shame. She planted that seed of rejection all on her own and ironically created the distance between her and Huainan, because she never opened any opportunities for their meeting.
I love that the show sets up expectations for us, and then shamefully misses it. Because it’s this same shame that has kept Luo Zhi both resenting and perpetuating the 0.6cm distance between her and Huainan. The drama reveals to us that this distance between her and Huainan is self-forged. Luo Zhi herself has yet to let go of all the shame and self-hatred she developed in her secretive admiration for Huainan, and because of that, she sabotages most of their initial interactions.
The whole merry-go-round of the show is an unwinding of Luo Zhi’s shame. There’s an incredible scene in the movie Saving Face where one character confronts her lover in an airport and says, “You're too scared to look the world in the eye...and let it watch you fall in love.” Which fits perfectly with what Luo Zhi heartbreakingly inscribed on the rooftop wall: “Luo Zhi loves Sheng Huainan. And no one knows about it.” At this point, Huainan doesn’t even know of Luo Zhi’s existence. Her heartbreak is a whole narrative she has spun all on her own. And I think some of us might relate to that - the feeling of ending something before it even has the chance to begin, because we’re scared of the risks involved in putting ourselves out there. And she sets up these conditional requirements Huainan has to meet in order for her to finally reveal their childhood history, but those conditions are deceptive. The truth is that Luo Zhi is not ready to meet Huainan in her fullest vulnerability. Her ambivalence is fueled by her shame and fear.
When Huainan meets Luo Zhi, it’s as if his lonely lil Albatross self has finally found a place to land. It’s lowkey unfair to him that Luo Zhi comes in with so much reservation and secrecy, but we’ll save that conversation for another day. A part of me loves that though, because it’s painfully human. How many of us aren’t secretive and wary when it comes to love? I’ve been a partial Luo Zhi before, and I’ve also been a partial Huainan. I’ve been an admirer, and I’ve also been an overly cautious person. I’ve been the person full of shame, and I’ve also been the person who wants to risk losing my societal mask(s) in order to grow closer to someone.
I dislike the way they framed the eventual 5-year wedge between Luo Zhi & Huainan, but I respect the reasoning for it. The romantic in me loves and is in tune with how Luo Zhi describes their love: It is rooted in mutual, shared belief. Both of these clumsy Albatrosses believe that they will land in the same place, but for now, their ambitions are diverging. Their love is a commitment to the belief that they will come together without reservations, without shame, without secrecy standing between them. If I were to call myself a believer of love, I’d be in agreement with Luo Zhi. I think my truest belief in love is where choosing myself is already choosing the other person, because becoming who I am will naturally lead me to someone who is most compatible with me (granted that they too feel as if they are becoming closer to their ideal self).
And the irony is that even during this period where they are far apart in both time and distance, they are the closest they've ever been to each other at heart. They’re often in the same places, by coincidence, and even peruse the same book. And yet, when they were closest in terms of distance and time in college, they were farthest at heart, because they were clothed in shame and secrecy, which bred miscommunication after miscommunication. I guess the winding of this drama is meant to show us that Huainan & Luo Zhi had to come so close and yet spend so much time apart because they were the ones closing the door on one another. They were rejecting each other, or rather, rejecting themselves from fully accepting the other. And thus, as Huainan says, “isn’t it the absence of a thereafter that makes something romantic?” Now that they’re in agreement of a shared belief in love, there really is no “Aha!” moment the show owes us. They are in sync, and time and distance no longer reduce what is already shared between them. A true meeting of heart and mind.
“Sheng Huainan loves Luo Zhi. And the whole world knows about it.”
III. Zhang Mingrui
I loved this character & the actor's portrayal of him. His bond with Huainan was both believable & heartwarming. I also appreciate how his relationship with Riqing unraveled -- and how he was honest about not having any lingering feelings for her. I honestly think Luo Zhi & Mingrui were compatible all on their own, and wouldn't have minded if the show-writers decided to give us a "Luo Zhi's first love is Huainan, but her second love is Mingrui" kind of ordeal. My all-time favorite moment of Mingrui in this show was the scene where the uncomfortable classmate takes Huainan's bag of chips, and Mingrui says, so candidly, "Excuse me?" It was one of those scenes that felt so natural -- as if these characters really were just college students in a library, completely caught off-guard & bewildered by the actions of a *strange* classmate.
What Fell Short:
The. Side. Characters.
I’m going to be brutally honest and tell you that I skipped past most of the side character storylines. The dynamic between Bai Li and Ge Bi? That’s a big ~nope~ for me. I pretty much only watched Bai Li when she was with Luo Zhi. I will say one character that I passionately abhor in this show is that one boundary-breaking, fear-inducing, unreasonable stalker of Huainan. And I don’t abhor her, I abhor the characterization of her. She was so contrived. I won’t spend my words on it further than that. If they took out the side characters and focused more on Huainan & Luo Zhi's period of separation, I would give this series a higher rating. But these unnecessary & pathetic villains are not it.
The Misunderstandings
Scrap the entire feud between Luo Zhi and Huainan’s families. It was unnecessary and barely fleshed out. While we’re there, scrap Huainan’s family downfall too. And that bit about Huainan giving Luo Zhi the raincoat as a test? It was weird and off putting. It felt like tacky story writing. It’s what I mean when I say the show had heart, but was poorly dressed.
I’m definitely going to come back & edit this review, because I’m still contemplating how I feel about the show. But I still treasure the feelings it gave me because it reminded me of my own belief in love.
The Initial Daydreams
I have a strong dislike for any show that uses this technique. Showing the audience a scene and then revealing to us that it was all the character’s imagination is both uncomfortable and unnecessary. We KNOW Luo Zhi is pining after him, and we KNOW he doesn’t know her yet. Please spare us the trickery.
I don’t have much to say about where I feel the show fell short because I feel as if they were problems in the show’s exterior -- that’s not where my heart is at. My heart is in the interior of the show - the crafting of Luo Zhi & Huainan’s love - of which I’ve already penned a gazillion words.
If you’ve gotten this far, I do recommend the show. Just skip the side romances. And give space for Luo Zhi to grow on you, because she will. If you liked this show, I’m recommending you Nana (Japanese Anime), Ao Haru Ride (Japanese Anime), Whisper of the Heart (Japanese Anime), "A Love So Beautiful" (Chinese Drama), and “In Time With You” (Taiwanese Drama).
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