The story is ok. It is not the age gap. The actor who played Yoichi portrayed the sad emotions and insensitiveness required of his character well. Sakurai handled the maturity of his character well. But what was lacking is the chemistry. The Chemistry to bind the two characters acting well for this love story was missing. That makes everything less interesting. Even though the actors put an effort to justify their roles, the lack of chemistry makes it looks like the actors have not put in enough effort. If you look at the intimate scenes, it looks like the actors are unwilling or awkward(in a bad way) to do it. And that really put me off. Oh come on Sakurai San, you need to show the intense love in a very expressive way. Minagawa Kun also need to be more expressive. I felt Minagawa was intense but need to be expressive. These subtle expressions would have paid off in a big way if these two had Chemistry.
I liked the music part.
If you are expecting an intense love story, you might be a bit disappointed. Still if you have nothing else to do and just need to kill time, then watch it.
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Character wise, Mei Nagano was spot on. She was just so refreshing to look at. Miura Shohei on the hand also did great. But sometimes I just want to comb his hair lol (I know, they're just referencing the manga but still...) and Alan Shirahama... well, I may be a little biased about him since I was really pegging for Kentaro, never-the-less, he pulled it off somehow. The little smiles he makes were really cute.
All in all, it was a great live action. Plus, it was quite faithful to the manga despite some deleted scenes and characters.
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Interesting story until.......
The story started nicely , not some incredible story but was well made , the character development , there is some bad writing regarding couple characters it appears they change their minds along the way and just did not bother to do anything interesting with them mainly Seo Min Young and her relationship with Jin Do Joon as well as Mo Hyun Min poor writing both characters but anyway the thing were quite interesting till the end of episode 15 , the last episode literally scraps all the events and story from episode 2 to 15 , i never seen that before , basically i have lost valuable time watching a story that never got anywhere, what a pile of trash.I noticed that with many K-drama screenwriters the tend to mess up the final episode in many series .
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The Devil Wears Boudoir
The Art of Sarah follows the glittering yet slippery life of Sarah Kim, a woman who wants to embody luxury even if it means building it on a foundation of lies. Her name echoes through high society as the head of a high end brand’s Asia branch, but no one seems to truly know who she is. When she suddenly becomes the victim in an unidentified murder case, the illusion begins to crack. The person in charge of her case is Park Mu Gyeong, a sharp and persistent detective from the violent crimes unit, who starts tracing the footsteps of a woman who may not even exist. As he digs deeper, Sarah Kim unravels into multiple names, ages, jobs, and backgrounds. The question lingers like an expensive perfume in the air. Who is the real Sarah Kim, and what is she hiding beneath all that silk and satin?From the very first episode, I could not help but think of Inventing Anna. The premise, the social climbing, the audacity of it all, it gave me that same deliciously scandalous vibe. I kind of knew the general direction the story might take, but I was still curious to see how this version would paint its own portrait of deception. How exactly did Sarah Kim scam her way to the top of the social ladder? What made her tick? That curiosity was enough to keep me seated and sipping my drama tea.
Of course, we need to talk about Shin Hye Sun. She is, without exaggeration, one of the finest actresses in the Korean drama industry. She does not just act, she embodies. Every trembling breath, every flicker in her eyes, every tear that falls feels painfully real. When she cries genuinely, I cry. It is almost Pavlovian at this point. In The Art of Sarah, she plays a woman made of layers. Sarah lies, schemes, climbs, manipulates, feels anxious, frustrated, never satisfied. She is ambition wrapped in couture. Shin Hye Sun handles these layers beautifully. Even her fake crying scenes look convincingly fake, which is a talent on its own. You can see when Sarah is performing and when she is breaking, and that distinction is delicious to watch.
Opposite her is Lee Jun Hyuk as Park Mu Gyeong. Visually, he fits the drama’s glossy, high fashion mood. He looks like he walked straight out of a luxury magazine spread. As a detective, though, he feels a little too polished, too well put together. I kept thinking, do violent crimes detectives really have skin this flawless? But then again, this is not a gritty back alley crime thriller. This is a story about fashionable schemes and curated identities. In that sense, his clean and chic presence oddly works.
The ensemble cast is a mixed bag in a good way. The older, more seasoned actors truly shine. Their facial expressions alone could tell entire backstories. They look like they belong in this world of power lunches and silent rivalries. Some of the younger ensemble characters are fine, though they do not leave as strong an impression.
I will admit, episode one had me slightly confused. There were so many names flying around that I had to pause and mentally sort them out. Who was the dead victim again? Who got scammed? Who reported what? It felt like being invited to an exclusive party where everyone knows each other except you. Thankfully, things settle down as the story progresses.
When the drama reveals Sarah Kim’s past as Mok Ga Hui, the illusion shifts. Unlike the iconic Anna Delvey from Inventing Anna, Sarah is not painted as this endlessly complex social experiment. Mok Ga Hui was simply a woman stuck at the bottom of the social chain. No matter how hard she tried, she could not climb. So she burned her old life, faked her death, and resurrected herself as Sarah Kim. In essence, she is an impostor born from desperation and desire. A regular con artist with a designer handbag and a chip on her shoulder.
That said, she is not entirely average. Driven by poverty and the hunger to rise, she cons her way up while quietly exacting revenge. Her success with Boudoir becomes her masterpiece. It is the one thing she genuinely wants to protect. When she eventually turns herself in, I found her surprisingly smart. She defends herself skillfully, finding loopholes and gray areas in every accusation thrown her way. The moment Park Mu Gyeong threatens Boudoir, you just know everything is about to collapse like a house of luxury cards. And it does. She is willing to give up her identity as Sarah Kim if it means preserving Boudoir’s integrity. That choice says a lot about where her true loyalty lies.
Still, the investigation itself feels somewhat amateur. I was genuinely surprised that it took Park Mu Gyeong so long to figure out that Mok Ga Hui faked her death to start anew. Maybe we as viewers are given more puzzle pieces, or maybe the writing just makes the detectives a little slower than they should be. Either way, it lessens the thrill.
One oddly satisfying detail is the casual name dropping of real luxury brands like Hermès, Dior, and Prada. Usually dramas create fictional brands to avoid trouble, so hearing the real names feels almost rebellious. It adds to the authenticity of the high society fantasy.
However, for a drama that markets itself as a web of schemes, fraud, and shifting identities, it feels a bit surface level. I kept comparing it to Inventing Anna, and in that comparison, The Art of Sarah feels less layered. It hints at depth but does not fully dive in. At its core, Sarah Kim is portrayed as a woman driven by scrutiny and ambition to climb higher. That is a common motivation for crime, not exactly groundbreaking.
The ending left me with a shrug rather than a gasp. Sarah Kim is not a cold blooded killer. She feels guilt over Kim Mi Jeong’s death, and what she did was tied to protecting Boudoir. But what truly frustrated me is that we never get to know her real identity. If you want an open ending, fine. Leave some doors ajar. But withholding her true identity feels like locking the most important room in the house and throwing away the key. That revelation could have added real depth and emotional weight, yet it remains a mystery.
In the end, The Art of Sarah is glossy, stylish, and carried heavily by Shin Hye Sun’s powerhouse performance. It is a drama dressed in haute couture, whispering about ambition and reinvention. Just do not expect it to peel back every layer of the woman at its center. Sometimes, the art is beautiful. Sometimes, it is just well framed.
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"The sunset was so gorgeous; its clothes were made of clouds."
This series is so beautiful that I eagerly waited every day to watch it on time when a new episode was released. The actors all performed exceptionally well, bringing their characters to life in a way that I won't forget for a long time. I loved how everyone from Wufeng had their own story, and you could empathize with them. I was able to feel both sadness and happiness with the characters. The relationship between the two gong brothers (shangjue and yuanzhi) was what I liked the most in the series; they found comfort in each other and helped each other to keep going.Esta resenha foi útil para você?
Come on!...what just happened?
I read some of the reviews, and whole heartedly agree with the following:1. Slow! Slow! Slow! Too many " fillers".
2. Unnecessary, l o n g staring...while Zung expresses his feelings thru his eyes, it cannot be said about Mark's insanely long, unpenetratable staring and long, well, saying nothing...
3. Does anybody really believe Aek's ( Mark) lack of sensing the love/lust coming at him? If he struggles with his own feelings, there is no clear indication...and we are already on ep 8...
4. How many nasty/ jealous/ having their own agenda Chefs do we need in one story???
As for why I will continue to watch it:
1. Main couple is beautiful, and hopefully the natural chemistry will come thru...it is a bl!
2. The photography...the food...the music...Aue supporting family...
3. The trailers ( happy ending...).
4. Hoping the director will let Mark show some real acting going forward...I trust he can act. Zung is great already.
So far, a bit disappointing. I have noticed in other BL stories the tendency to keep slow motion untill the last episode and then tidy everything in a real hurry....hoping this is not the case here.
Update after the 10th episode- what I was hoping for happened...Mark (Aec) is expressing what he is feeling, and he can act! Finally, he becomes clearer and we understand what he going through and his inner struggle...glad the director did not wait to the very last moment. I changed my overall impression accordingly 😉
Well...I just watched Ep 11, and reduced my overall impression accordingly. I hope the producers read these reviews - I hereby strongly suggest to never employ the screen writer, and especially never use the director! What a waste of two talented actors! Everything about it was wrong! The idiotic dialogues ( who cares about pork??? Yes, we got the symbolism of the food in prior episodes), the unrealistic lack of progression in their romantic and physical relationship ( a peck of lips and a hug?!? really?), turning the MC into a boring, secondary couple to the dessert Chef and his BF giving them a bed scene and the longest love confessions scenes (one minute was enough), Playtime is involved with Eve!?!?..What was that all about???? 10 last minutes showing scenes from prior episodes!?!?! Why? We saw it already! Nothing made any sense. I am so disappointed with this lackluster end...
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do better
If you’re thinking of watching the Omniscient Reader’s Viewpoint live action… Please don’t. Like seriously, just read the novel or the manhwa instead. It’s so much better. The live action barely even feels like the same story.I haven’t even watched the full thing myself tbh but from everything I’ve seen and what people have been saying, I can confidently say it’s just Not it. The changes they made?? Wild. And if you actually care about the original, it’s kinda painful hearing what they did to it.
First of all WHY are they saying Dokja hated Three Ways to Survive the Apocalypse (TWSA)??? No he didn’t. He literally LOVED it. He was the only reader left by the end, like he stayed with it from chapter 1 to the end. The author wouldn’t have even been able to keep writing without him. That story meant everything to Dokja—it was literally his reason to live.
And then they’re saying he was a bully?? What??? Dokja was the one getting bullied. He was quiet, alone, and barely holding it together. The novel was his escape, it was all he had. Flipping his whole backstory like that just completely messes up his character.
The casting too 😭 I’m not tryna be mean or anything but the actors just don’t feel like the characters. It’s not just about appearance either, they just don’t give off the same energy at all. The whole thing feels super disconnected.
Also Yoo Sangah being a healer now?? Since when. She had thread-based abilities and she was strong in such a calm quiet way. They really just took that and tossed it. For what.
Heewon using a gun instead of a sword is crazy too. Like her whole constellation was tied to justice and the sword was such a big part of that. Also she wasn’t even supposed to be in the story until Dokja entered TWSA and changed the plot. But in the live action they made her the protagonist?? That’s not how any of this goes.
Joonghyuk was the actual protagonist of TWSA. In the novel, Dokja spent years reading about him and admiring him from behind a screen. It wasn’t a bond or anything like that, not at first—Dokja just idolized him. He was obsessed with watching his journey and surviving alongside him from the outside. That whole dynamic was super important and they barely even touch it in the adaptation.
Idk. It just sucks seeing a story that meant so much get turned into something that barely feels like ORV. It doesn’t have the emotion, the depth, or the weight of the original. It’s just not the same at all.
If this is your first time hearing about ORV please please read the novel or the manhwa first. That’s the real story. This live action ain’t it. ORV deserved so much better.
To whoever directed this please do better and actually take criticism.
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Easy on the eyes with a touch of boredom and a rushed, crazy finale...
While I understand what the production tried to do - replacing homophobia with xenophobia for merman, they did not do a thoughtful job. Especially the story around the events 20 years ago were not done properly. It is mentioned in the middle of the series and culminates in the finale with a ridicilous solution to cure poisoning. Of course when you first see the actor playing Phraphai father, you already know who the bad guy is - that's when you "typecast" an actor for mostly bad guy roles. So the predicability shot through the roof - and I don't like that. That his adoptive son also plays a psychopath is also not helping.The rest is ok, they even put effort in the merman fins which did not look out of place. The setting is also nice, it's not in the city, but of course we have the typical rich city boy and a very naive bartender who does not stand up for himself and is under the thumb of the psychopath most of the time. Because it's not a school setting I expected him to be more pro-active and not display such a passive behaviour. He is old enough to know what he wants and what he does not want. The first four episodes drag on a bit and I wished they had introduced the past event much much earlier and kept that storyline more in focus and did tell that story in more details and not so rushed. The side-story of Pings mother was just ridicilous imho. If you tell your son for 20 years, that he is a "monster" - but then change your mind when he left for a day - it's just not realistic in my book. And they did not really need that story-plot.
Storywise this is an average show, the production was ok most of the time and it's easy on the eyes. But just cute/handsome actors do not make a convincing story. It's far away from the worst thai BLs we got to see this year but it's also not really good either. It's an ok show and if you like the premise it's not too bad to watch.
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A Building of An E-Sport Team, Plus Romance & Bro-Ship
Out of all of the E-sport dramas I've seen, this is probably my favorite by far. Story plot was pretty good, enjoyed the action scenes from the e-sport, loved the actors, loved the silly but cute romance between the leads, and the amount of bro-ship between the group of guys. Let me break it down what I experienced when watching this.E-Sport
* The E-sport part of this drama is a little different than the other E-sport dramas. This drama showed lesser number of tournaments, I believe 2 in all, first one when they compete as a new team and the second one towards the end of the drama when they understood & learned how to work with each other. This E-sport is more focus on their team building, getting along with each other, learning each other's weaknesses and improving on it. It also shows the struggles & strengths of building a new team.
* Instead of showing multiple tournaments, there are a lot more e-sport training in this drama. There were a lot of in person game scenes from the actors and I appreciated this a lot because seeing the behind the scenes, this was a lot of work to do. Their work paid off though because I enjoyed those game scenes. They were action packed!
Romance
* It's the typical bickering of the ML & FL who eventually finds out they were each other's crush. Even a little misunderstanding in the beginning but you don't have to wait too long for the misunderstanding to get clear out.
* A funny but cute chemistry between our main leads: Lots of disruptions when it comes to kissing and the numerous times ML's character Yi Chuan fail on being romantic. Like, seriously, I just love watching their scenes. It makes me so happy and I laughed so much.
* A love triangle: SML likes the FL, who you do feel bad for. He does move on from it and becomes close bros with the ML afterwards. There's also this one girl announcer who likes the ML as well but her role, while annoying, is very minor. She doesn't play a big role so not much of an annoyance from her thank goodness.
* Secondary couple (Dong Shi & Girl Chu Tian): Not the best secondary couple I've seen but not the worst either. I just couldn't sense the chemistry as much compared to Yi Chuan & Jiu Jiu.
Other things I enjoyed:
* Best bro-ship: I love Bo Yu. He is so funny, the goofball of a friend but also a very caring bro to Yi Chuan. We also see the building relationship of the bros between Yi Chuan and boy Chu Tian.
* The reality aspects of building a new e-sports team: Some members don't get along, new players, pressures, struggles, & not much support in the beginning but then you see how things turn around with not giving up, dedication, and hard work.
What's missing for me:
* FL's character Jiu Jiu didn't really have much of a story. Focus seems to revolve more around the ML's character Yi Chuan.
* As part of the secondary couple, I expected a bit more about girl Chu Tian but the way she was presented, it seemed like she wasn't important at all.
* The ending was good but with all the focus on the Yi Chuan's injury in so many episodes, I felt like they miss details on this towards the end. Like there wasn't really a good conclusion on Yi Chuan's issue.
Overall, I enjoyed this E-sport drama. It was a different approach from the ones I've seen. The ending was not what I expected or preferred, but it was enough to leave me satisfied with it. The lead's chemistry, the bro-ships, & the in game battle scenes are why I enjoyed this drama the most. Definitely will re-watch again in the future.
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"Lost in the Drama: CWN-MR's Love Saga - A Rollercoaster of Emotions and Unforgettable Moments!"
From the moment I stumbled upon this captivating tale, little did I know that I'd willingly become a clown, forever enchanted by MR's endearing puppy-like charm and CWN's enigmatic cat allure. Their love story is a masterpiece, navigating the storms of life, teaching us resilience and the beauty of true connection. We've transformed into giggling, blushing, and stair-fearing enthusiasts, and the story's happy ending, uncensored scenes, and sweet moments have left an indelible mark. Here's to being forever haunted by the echoes of their love and the pure joy they've brought into our drama-loving souls!Esta resenha foi útil para você?
Sicuramente non un capolavoro ma più profondo del aspettativa!
Prima di droparlo conviene vedere qualche puntata in più.Me lo sono divorato in un weekend e senza aspettative però dopo le prime puntate un po' demenziali che fanno ridere e sembrare solo una banale comedy fantasy ma andando avanti cambia ed esce fuori la storia d'amore che è più bella e profonda del aspettato tra passato e presente.
Drama divertente ma anche sentimentale che dimostra tanto amore e non solo tra i due protagonisti fantastici nel interpretare i loro ruoli.Lui genio-satana in cerca di vendetta e lei una psicopatica senza sentimenti.
Inaspettata vena comica che diverte moltissimo di kim woo bin.
Sicuramente un fantasy con effetti scenici di ogni genere ma coinvolge e vuoi vedere subito come va a finire.
Finale sembra terribile ma migliora 😊
Consiglio la visione per chi ha voglia di qualcosa più leggero e divertente.
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A Sugary Sweet Romance Tale...
Based upon the renowned manga (Hori-san to Miyamura-kun) and having been released fairly simultaneously with an anime series in Japan, the drama version ” Horimiya” undeniably regurgitates the same plot premise of social butterfly Kyoko Hori ( Kubota Sayu) beginning to date seeming otaku Miyamura Izumi ( Suzuka Ouji) who hides a deep secret from his school-life persona. While there are prominent points to praise about “Horimiya”( which will be raised later), there are notable faults which arise from the drama production from casting, trying to transcend notable setups from the manga into a real-life setting, as well as the abridged closure ( or lack of it) in the finale.Before anything else, it is probably important to address the primary issue which has surrounded the drama with casting choices.
Respectfully, Kubota Sayu wasn’t entirely ‘’ terrible’’ as our female lead Hori. In fact, in an odd way, Sayu did seem to grow into her role fairly well with a sense of genuine emotional investment into her character. However, it is difficult to really point out anything particularly captivating or striking about Sayu’s performance as Hori.
Ironically as a character, Hori is fairly unforgettable by her her eccentricity and outspokenness. Of course, this is not turning a blind eye towards the typical tropes used as a drama sourced from a manga such as the “ popular girl” , the “ academic student” and the “ tougher than she seems” cliches , however, even in the drama, Hori’s greatest trait remained within being able to overcome certain stereotypes about herself as well as her relationship with Miyamura. Hori was given an actual chance in the drama for viewers to fortify her characterisation through her interactions sans with Miyamura, such as her interactions with her father Kyosuke ( Kimura Ryo; one of the few actors who felt fairly well-cast within his role) and her younger brother Sota ( Takagi Haru). Arguably, Hori’s interactions with her mother Yuriko ( Kawai Aoba) and her later friendship with Sengoku Kakeru ( Onodera Akira) and Ayasaki Remi ( Marsh Aya) felt fairly minimal within the drama version, nor truly giving viewers a chance to see Hori’s interactions as a friend as well as her maternal relationship with her own mother in a respectfully fairly masculine household .
The relationship between Hori and Miyamura was the focal point of the series and the plot development. For Hori, Miyamura has a metamorphosis from the archetype “ weird kid” in her class, to a more multifaceted individual. Against all odds of the notable problems which arose in the series and can strike to the surface of romance dramas with emotional gaslighting and “ obstacles in the way of their romance” , the pairing between both characters felt fairly natural as teenagers. Neither character followed the cliche archetypes of having “ had a crush on one another forever” , nor manipulating “ to win someone else’s affections”. Hori simply entered her relationship with Miyamura upon shared grounds early on in the series before the rest of the drama focused upon both characters learning to understand one another and for their feelings for one another to grow mutually. (Perhaps the one element of the relationship that the drama version did better than the manga and anime, was leaving out the more “sexual undertones” of their relationship . This isn’t to condemn these elements in either versions as they do help to portray a more realistic notion of teenagers, however, this always felt slightly mismatched against both characters as individuals even in the original manga and therefore wasn’t really necessary.)
It is fair to say that whilst Sayu is a good actress, she was slightly miscast as Hori by struggling to channel Hori’s personality as a character, consequently making Hori in this drama version, a fairly forgettable character against other romance heroines. ( A shame for an otherwise interesting character.)
Then of course the biggest elephant room (regarding casting) is often raised by the choice of Suzuka Ouji as Miyamura Izumi. Similar to his costar Kubota Sayu, Suzuka was not inherently appalling within his performance
as the male lead. In many ways he did certainly help to animate his character away from the more one-dimensional realm of male protagonists as “ emotionless” . On the other hand, Suzuka did seem to mismatch his character slightly within his physical appearance. This is not suggesting that Suzuka is “physically unattractive” or a slightly younger actor would have been better for the role,however, it does raise certain questions when the drama production sees Suzuka in a terrible long-haired wig without even attempting for the drama production to make this look natural.
Similar to Hori, Miyamura was an intriguing character against all odds of setups. Although initially appearing as “peculiar” and taciturn, Miyamura was fairly kind-hearted as well as hardworking and altruistic by helping out at his mother’s bakery, as well as the ongoing and unusual friendship between Miyamura and his best friend since middle school, Shindo Koichi ( Inoue Yuki). Parallel to Hori, Miyamura enters his relationship with her romantically upon mutual grounds before growing to like her more in a natural process which felt odd against the more cliches stereotypes of the drama. However, there’s a lot to note about the dynamic between Miyamura and the other characters of the series ( sans Hori), both within his fraternal friendship with Hori’s younger brother and father, as well as of course with his best friend and their complicated reasons behind becoming friends in the first place. Arguably, the one element of the series which did feel incredibly rushed and underdeveloped with Miyamura as a character, occurred within his past, especially with his estranged relationship with Makio Takihara. Therefore whilst Miyamura was a fairly intriguing character, it is fair to say that Suzuka was perhaps not entirely suited for the role.
The other side characters of the drama such as Kakeru, Remi , Kono Sakura ( Sakura) and Iura Shu ( Sota Ryosuke) should have been by default interesting characters, however, lacking screen time and setups, easily made them fairly forgettable over the course of the series as individuals (besides their occasional involvement within the plot dynamic between Miyamura and Hori).
Overall whilst certainly not an unwatchable or dire production with some praiseworthy features of having a healthy, fairly realistic relationship between teenagers as lovers and friends as well as some intriguing characters, poor pacing, tropes, miscasting and lacking focus upon certain plot lines for characters, often made this drama feel underdeveloped. The ending of the drama whilst arguably allowing some ground for a second season , did not truly bring a sense of closure or help to tie off characters and the relationship between Miyamura and Hori, as well as friendships also. Therefore it’s important to summarise that whilst Horimiya is not a terrible drama upon any grounds and was sweet within its ultimate concept , there are certainly better dramas to watch out there.
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Watch it, it only takes up 45 minutes of your time.
Watch it it’s only 45 minutes of ur timeSo I watched this because I saw it somewhere on YouTube and thought why not? Funny part: I did not know at all what genre this was... I basically went in there expecting some innocent BL (although the title kind of should have tipped me off).
First about the acting: I can’t really complain... three 15 minute episodes are really short to make a statement about acting skills.. however I did like how all the actors portrayed their roles and it all seemed convincing. I absolutely loved how all the feelings where conveyed in episode three.
Now the story line: I like confusing things... so this was basically heaven for me. I watched episode one and was so confused that I started episode two right away, which explained a lot and ended quite interestingly... I loved episode three, though it did feel a little all over the place... however it suited the series nicely.
So I absolutely loved what they did with such a short amount of time.. there where some confusing parts till the end however not always understanding everything is sometimes a good thing. Gives you more to think about.
I’m pretty sure I’ll rewatch this again another time.
If you’re bored and don’t know what to do/watch definitely give this one a go, it’ll make the 45 minutes spent on it worth the while.
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Neko is the only reason I don't regret watching this series.
Most GL series either have good, satisfactory, or poor production values. But in my opinion, Roller Coaster has good production values. It’s not just about the cinematography, but also good visual storytelling. I also like the well-balanced ambient sound and good audio mixing, which most series usually don't pay close attention to. The only technical thing I’m not a fan of is the driving scenes VFX. I wish they could do the actual car tracking shot to give more emotional depth to the scenes as most of the scenes look floating and distracted.In the acting department, Pundao and Shelly, being newcomers, did just okay, and there’s still a lot to be improved. Pundao still needs a lot of practice, as her dialogue delivery sounds pretty rigid and unnatural, and also her expression sometimes feels forced. I honestly don't buy any emotions she's delivering. But I personally think Neko deserved a standing ovation for her performance as Air. She ate and left no crumbs. She nailed every action and emotion so effectively, especially with her expressive eyes, whether it's happy or heavy scenes. She really brings nuance to this series with her performance alone—no fan service, no hype. NEKO NAERUNCHARA LERTPRASERT... SHE'S PURE TALENT. #TeamAir. Without her, this series would certainly feels bland. I think Neko is the one doing most of the heavy lifting but getting less recognition. Plus, Roller Coaster is one of very few GL series with a good male character we can root for.
Now the storylines/plots. I've read the book and there were some chapters and parts that I don't quite like, especially with the 'harmless flirting' that will pretty much have predictable consequences. Whether it's morally right or wrong, let's leave the argument for another space and time. But in the series, while I still dislike those parts and there’s something about the changes that put me off a bit, even though the plots flow at a nice pace until the end. As much as the script manages to bring the book to life, some changes that did not quite impress me. And I’m never one to care about NC scenes and the hype, and I believe those scenes or the execution don't define the quality of a series, so it won’t even affect my rating one bit.
Honestly, this series turned out pretty well, plus a good main OST, but still not up to 'the best' or 'outstanding' just yet for me to rate it higher. Overall, while it’s a well-produced GL series, it's still lacking in some areas.
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Ikuta Toma made this show revolve around his character Mitsuru playing off of Koike Eiko's Ayako flawlessly. As a watcher I believed they had a shared history. Yasuda Ken acted the outsider Koji masterfully, as Ayako's new husband he finds an ally in his new brother in law when standing against his wife.
Music : Tomayo by Kanjani8 really grew on me and I have added to my playlist the insrt music added to the light hearted feel of the drama.
I do not rewatch shows often so in all my reviews this is a low score.
Overall this drama is about pacing and everyone has their own timing to do things. Some are go getters and hit the ground running with every task they do, and others have a turtle named Bolt that they try and emulate : )
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