Before watching the anime for the first time, I made sure to read everything about Oda Nobunaga one could find online because I'm just a not the type of person who's ready for surprises and would rather get myself spoiled to the very end. The story of Oda Nobunaga is a unique one but it still remained the same as any other story about war and peace I learned from my History textbooks. However, this drama made me re-open my eyes and realise that you can't understand the whole story just by reading a little paragraph from your textbook.
The characters were fully developed in my opinion and all of them had an important role at one point of the story. I like the fact that every character had their time to shine and a chance to get their own little story developed. I also liked the way Kichou was portrayed in the drama because she had a way better personality than the Kichou we could see in the anime, who could only say "My Lord!" in an irritating tone, but that may just be me.
The actors were simply amazing and were one of the main reasons I started watching this drama. Oguri Shun as Oda Nobunaga/Saburo did a magnificent job and I couldn't take my eyes off Mukai Osamu and Takahashi Issei because they totally blew my mind in some scenes.
I loved the ending song song, it fit almost every episode and just gave me that warm feeling as well as the soundtrack, which gave me chills every time it started playing.
The only thing I didn't like is the open ending the drama has. I'd prefer it being either the death of Nobunaga/Saburo (because, nobody's immortal) or his time-travelling back to modern age. And if the producers planned to make a sequel to this drama, it would make no sense because there wouldn't be much time for important happenings in Nobunaga's life, considering this drama ended with Mitsuhide and Nobunaga being at Honno-ji.
I won't say this drama is highly rewatchable, but I do plan to rewatch it someday myself.
I'd recommend this drama to everyone, regardless of what type of drama you prefer.
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"Wayla Kammathep” which also can be called “ The Love Proposal” is a incredibly thrilling, romantic, sexy and angsty drama from 2022 starring Fern Nopjira as the hardworking and golden-hearted heroine Treenuch Thaweewong “Nuch” and then we have Tre Porapat portraying the very clever, passionate and badass hero Time Metheephatthana. I love lakhorns that are written and developed in a right way without adding any unnecessary scenes. This lakhorn is right up the alley with dramatic lakhorns like "Hua Jai Sila", "Bad Romeo" and "Fah Mee Tawan" where it comes to intensity of the plot and the characters. "The Love Proposal" has the recurring concept of Time in every episode where we can see Time Glassess in many scenes where Time is running out for the characters. Nuch & Time are our beloved main-leads and their love-story starts at a moment where time was not nice to either of them. While Time needed more time to establish a romantic relationship with Nuch (because of his failure in the past) Nuch could not afford to give him that time.
So she breaks up with him and accepts her parents proposal in her marrying a wealthy man who needs a heir. She never imagined that man would be Time`s older brother, Touch Metheephatthana portrayed by Toy Pathompong who is a much more gentle and calm person in comparison to Time`s stubborn fire. Time is heartbroken over the news and silently suffers while he watches his brother marry the love of his life. We also have family intrigue in the form of a jealous cousin who will do everything to steal the role of the CEO from Touch.
So many things happens and it is so well blended together. The actress portraying Nuch is a fine looking woman, love her acting and how versatile she actually is. I could see how torn she was and conflicted and the way she truly comes to care for her husband. Touch in my opinion was a very tragic character somehow. Having this duty in producing a heir and being unable to because of his sexuality. He tries to stay strong throughout the story and i give him credit for that. Time is one of the best main heroes ever in Lakhornland! He is very impulsive, hot-headed and oh soooo smokily charming but is the guy who get all the dirty jobs done already from the start when he jumps into the fire to save that kid.
He is so badass and has this warrior vibe to him. He protects his family with all his soul- and he is as passionate when it comes to love. Being unable to walk away from Nuch even when she married his brother and still also unable to stay away from her. He kept throwing his misery and fury at her, feeding his love-sick heart. I just LOVE his chemistry with Nuch and how he would not let anyone insult her! Time and Nuch reaches a point where they are unable to live without each other. The passion, the longing and the selfless lover they got for each other, ahhh it made my heart weak! This lakhorn is AMAZING! And i recommend it to anyone who wants a romantic,sometimes crazy..but well done trainwreck!
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Curiosity Kills The Cat
“Curiosity kills the cat” refers to Zhang Ping (Song Weilong), the Ramen Detective who, time and time again, places himself in great danger in determining to find the truth. Together with the elegant gentleman Lan Jue (Jing Boran), who initially seems like a “fu hei” (black belly) because he crosses the line which Zhang Ping tenaciously upholds, their fate intertwines and they solve cases after cases which provides them with more clues and leads them to unravel a greater conspiracy. The whole drama is intense and fast-paced, sinister with danger lurking in every corner, spurred on by the background music.Acting:
The drama is adapted from the novel "The Case of Zhang Gong" 《张公案》written by Da Feng Gua Guo, on the encounters of the naïve, honest and upstanding Zhang Ping, and the diplomatic and graceful Lan Jue. I love both portrayals. Jing Boran has a natural air of elegance and grace. His Lan Jue is brilliant and convincing. At times of his torment and uncertainty, viewers feel for him and his sorrow. Song Weilong has a boyish demeanor and fits the character of the naïve Zhang Ping. His acting here is very believable and lovable. The other cast members are equally good, especially Wang Duo''s Gu Qingzhang who is mysterious and evil-ish, Guo Cheng's Chen Chou who is a true friend, and Hong Yao's Wang Yan character which unfortunately is only one dimensional.
Plot:
The plot is layered with plot within plot and plot twists. Here we have a power-hungry Empress Dowager, a seemingly useless Emperor, a perverted royal blood who would do anything to get his revenge, an upstanding official who is forced to compromise his integrity due to the rot of the system, and a scholar who is obsessed in solving unsolvable cases. What seem like unrelated cases all lead to a big conspiracy. The attention to detail is laudable, with spectacular crime scenes leaving clues for the discerning eyes. The lavish use of hallucination, hypnotism, illusion and deception further enhances suspense and mysteries. There is also a hint of BL for Lan Jue and Gu Qingzhang which further fools the viewers with Zhang Ping’s reaction. It’s only revealed at the end that Lan Jue is a widower with a son. I’m grateful that there is no infuriating Mary Sue characters.
Music:
The opening music, “Red Bloody Fog”, is interesting, mono acoustic drum beats add on the mystery and suspense. I am actually very impressed by all the OSTs and the background music. Some tunes are upbeat with hope, most are sinister and dark, depicting imminent danger, evil and death. The OST “The World is Blessed” gives viewers an image of the common scenes on the street of the ancient time in the ancient city. The vocals accompanied by piano depict the simple life of the commoners, upbeat, and filled of hope for better tomorrows. I even love the tune sung by Zhang Ping’s shifu, “The Cow Wakes up to Eat the Grass”; I find myself humming to the tune repeatedly. There is an extended use of drums to give the feel of something ominous coming. The drop of each beat signifies a find of a jig-saw piece for the puzzle. The music can be mesmerizing, like the tune “Demon of the Heart”, sending listeners into a trance. In darkness and despair, there is hope because there is a person like Zhang Ping who insists on finding the truth as depicted with his tune on “The Ramen Detective's Noodles”.
My Verdict
A great watch for almost everyone. Don’t miss this wonderful drama.
Bravo!
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Although ´makjang´ was taking it almost over the edge of the bearable, I had to stick with it
A classic among KDramas. The dramaturgical moves may sometimes be predictable - the evil stepmother and such... However, there is this passionate play of truly dedicated actors . ...and a groovy interpretation of Ave Maria, that burns mercilessly into your heart and ear. Although makjang (Mean! Bitchy! Malicicious!) was taking it almost over the edge of the bearable, I had to stick with it. Some scenes still have an impact on me years later.Human abysses are presented in abundance. In addition, dealing with different facets of true love. An unforgettable piece of KDrama, for those who can never get enough drama. Here you can emotionally let off steam on the backs of the protagonists. For everyone else it might be a bit too much in some places.
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"Il Mare" gently sprays its quiet magic as if through an atomizer.
"Il Mare" is the ´international´ title of this KMovie. However, the original title (rather being translated as "Across Time") does not refer to the place - a picturesque house by the sea - but to what actually happens there: a time-transcending correspondence. Strictly speaking, the letters are sent back and forth in a mailbox over the distance of 2 years. What an unprecendeted plot for a love story to be told in a truly unique way! This story became famous in America and Europe in the 2006 US film adaptation starring Keanu Reeves and Sandra Bullock.Actually you shouldn't compare the two movies side by side, but most people do, so...
The South Korean original was made in 2000 and starred Lee Jung-jae, who was in high demand in South Korea at the time, and Jun Ji-hyun, who was just beginning her career. (Actually you can sense the difference in her acting back then and in her more recent productions. In the meantime she definitely has matured from a ´mere´ beauty into a spirited actress.) While the original shares the same plot as does the US remake later on, the South Korean version places more emphasis on the mood of the protagonists, stressed by using imagery, color and atmosphere. Accordingly, the South Korean original is characterized by less color saturation and less light than the US remake, as both protagonists - Eun-ju and Sung-hyun - are rather disappointed in life, taciturn, withdrawn. The loneliness and emptiness in the protagonists´ lifes is one aspect. The remote house by the sea something completely different. It might perfectly fit into the protagonists´ mood, but in addition it actually has quite some magic to offer: Besides framing and emphasizing the beauty of nature there is the dog as a harbinger of relationship and the mailbox as a bridge between hearts. Thus the overall sensitively told story slowly but surely fills with joy, smiles, laughter and increasingly radiating light.
The KMovie "Il Mare" gently sprays its quiet magic as if through an atomizer.
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This review may contain spoilers
All Of Us Are Not So Dead
That one girl with the alarm ringtone, girl meet me outside...I ain't finna jump ya! Also Pao, brother why? And let's be honest, most of the characters on this show were very annoying and had me wishing they'd hurry up and get bitten, but when all was said and done, I actually enjoyed myself. Let me explain.Listen, this genre is not for me, so I wasn't gonna watch it. But then I opened Netflix and it was there, and I was like, hey, I know these cast, finally something available in my country, so why not? And frankly, I am not sorry. Yes, I closed my eyes at scenes when creepy music starts playing, was yelling at characters who got under my skin, and was sad in other scenes, but overall, a nice watch for Halloween.
Okay, let me get this straight. So this old guy they called Patron, doesn't wanna be immortal but don't want his corpse to rot? And that's the legacy he wanna leave behind, that he dies but his body lives on? Why not go for the immortal thing? Also did the whole thing feel like some family issue and the whole population was just collateral damage? That mother made her family problem everyone else's, and that old guy.. Really, Bob? That's the legacy you want to leave behind? What the hell is the point of your corpse if you are still dead??? Make it make sense, Sharon!
THINGS I LIKED
- PHU: So like we were all rooting for Phu, right? Dude needs to survive, otherwise what's the point?
- Did anyone else clapped a bit when Korn, Gus, Earth and Aek showed up in that rainy scene all zombie hunter like? Same.
- When Aek saved them from Pao... cuz boy was on my last nerve. I got him, understood his reason and was with him, but damn dude, if you wanna die go die alone, don't be making all that noise. In fairness, he did wanna go alone the first time, but those humans held him back.
- Characters having backstories, and not just surface 2d stuff. It made me care for most of them.
- I like whatever it's happening to Lily, though not gonna lie, I was waiting that whole time for her to eat Win, cuz dude why is you sitting so close to her? And was Night's whole solution to get zombies high and hope they are buzzed enough for them to ran away? Hahaha lmao.
- That one annoying girl who is just there to cause drama and be in everyone's business... girl why? but also thanks for the drama. Girl just won't shut up, so every time she came on screen, I was ready for her to stir things up XD.
- That we all thought San and Non were cheating. LMAO, the delulu was strong in this one. Plus the sister was making googgly eyes at Jean so I was... very sure they were cheaters ^^shame on us.
- That random cheerleading routine. I was confused but also laughing cuz, okay stupid children, why don't you be super loud with cheers when you should be shouting the eff up cuz, you know, zombies are literally outside!!!
- That ending had me so emotional, my poor, brave Non. Season two, please.
THINGS I DIDN'T LIKE
- What part of... 'when bitten, they get infected and become zombies' did most of these people not get? Like, they'd all scream and try to go to their infected friends. Dude, your friend is trying to eat you, why you wanna run to them?
- Stupid characters getting ones I like killed. I was all in for Aek and then it was ruined cuz poor Pao decided to be a dumbarse, No, but how many people did he get killed all cuz he couldn't carry a girl and ran at the same time? Wasting his life and causing his brother more trauma in the process, for shame.
- I will not get into the whole San, Ning and Jean thing, cuz let's be real, all three hit a nerve one point or another. Though they did have their moments.
- Earth leaving everyone to die cuz he's hurting and doesn't care and hate everyone, only to go confront his zombie friend and then start fighting and screaming when the zombie tried to eat him. Like dude dafug you thought was gonna happen? A luncheon? smh.
- That one girl with the alarm clock. And the fact she didn't just hurl her phone away and let it keep ringing and ringing. Ahhhhh.
Anywho, overall, a decent watch. Plotwise, interesting origin story, haven't watched a lot of zombie movies, so this one felt very zombie and good to me. The cast ensemble blended well together, and did their best, some very well. I liked most of the characters and disliked some as well, but it all added to my enjoyment of the series. I don't like horror but I still enjoyed this, so, I'll recommend it to anyone who like any of the cast, or just looking for a decent zombie show to watch .
Happy Halloween
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This review may contain spoilers
Overall an enjoyable ride with great acting and scenery but plot and some characters are amiss
I really struggled to decide on a rating for this show. Overall I liked it but there are a couple of things that irked me.There are two main things I really liked in this drama, one of them was the scenery and photography with such beautiful landscapes. The other one was the acting. I think most of them did a great job, but I have to mention especially Ji Chang Wook, Kim Mi Kyung and Kim Do Eun, their characters and the way they portrayed them are of the best of the show for me.
The relationships between characters were very good and I liked the banter and funny bits in this show.
I like slice of life dramas so it's no surprise that I found the plot interesting and entertaining and I thought they generally did a good job in also including the sisters' story lines, although I do wish Jin Dal's story had gone in a different direction ultimately and didn't end up with her ex, but I give it a pass; and I wish they had dwelled more on Hae Dal's past as well as the present relationship with Gong Ji Chan. Other than that I do not have complains about the subplots in this drama, they were all entertaining. I wish I could say the same of the main plot but alas, I can't.
The main plot, this is what I consider the two story lines of main leads love story and the "scandal" of FL are unnecessarily unsatisfactory. I say "unnecessarily" because they had more than enough time to explore this in detail and have a more realistic and natural progression than the one they chose.
I didn't like how the conflict with Yong Pil's father was tackled and solved. If the change of that man had happened slowly from the start of the show and they had shown the change progressively it would have had a pass but as it is, that man didn't deserve redeeming in such a quick way. He was abusive both verbally and physically to both his son and the neighbours and it had been 20 years of the passing of the wife. He never had the excuse, but with the amount of time it had passed even less so. The man doesn't even stop to think twice about how his wife would feel at the way he was acting. I don't think he deserved forgiveness in the manner it was given considering how that plot line was developed. But I wish the story with Yong Pil's father was less melodramatic if it was going to be tackled like that. The show really made me despise him a lot, and I was very annoyed when it ended like that after all the drama. The script just decided to make him think in the end but realistically a man behaving like that doesn't change that easily or quickly, more so when everyone around him is enabling him and he's playing the victim. His sense of ego was way too big to see the light in that manner but of course we were running out of time in the drama so it had to be done quickly.
On the other hand, the plot with Eun Joo was also solved too quickly for my liking, especially when it was a major plot point in the story. This again should have been solved slowly throughout at least a couple or three episodes. I do also partially agree with some of the other comments here in the fact that FL should have been more active in the solving of the issue and that her character did suffer inconsistency throughout. At some points she was shown as independent and head-strong, and at others weak and very passive. There are a few instances in which I could see or agree with that passiveness, in a way in which when you're being attacked constantly it gets to a point you just want to avoid the drama and sit still and do nothing because you are just too fed up. But if they were going more for this idea I think it should have been done better in terms of execution. Her stance changed and was ambiguous at times so it could get a bit frustrating.
So I do think it was solved too quickly but I'm half half when it comes to the "how" it was solved. A part of me thinks it's realistic that we don't even see major consequences other than Eun Joo reading the new's article because life be that unfair in real life too, or because we can more or less imagine how it continues. But another part of me just wishes we had seen the consequences of her actions because she pissed me off so much lol
As usual, SML romantic interest tends to be very pointless and it's not exception here. He really added nothing to the story and had he been just another friend in the group it wouldn't have made any difference to the plot. Also although I do know people in the characters ages that hasn't had a relationship ever, I still think that having more than one character like that is a bit unrealistic. At least they should have mentioned them dating around but not settling or other things like that. Especially in the case of Sang Do I think it would have worked well. Oh, but you want Sang Do be interested in FL? Easy. Make him a divorced man for example, and he had a crush for her when young and when seeing her again he gets a bit of a crush back. I don't know, there are many ways. As it is, his story line was pretty absurd.
The ending is a bit, I don't know, I'm not disappointed but also not super happy and the cameo of whoever-that-woman-was was pointless. It reminded me of that pointless ending in "Behind Your Touch" with another cameo that added nothing to anything. I'm not going to lie I did wish FL had gone with ML to Switzerland. After being apart for so long I get it was not a deal-breaker to have a long distance relationship for some more time, but at the same time she being a photographer made so much easier in my eyes to move with him for a while and work from there. Either way, it was a cliché of one of the leads going away last second and it could have been avoided entirely, but oh well.
This drama doesn't portray the typical romcom love story with fireworks, so if you're looking for that kind of romance this might not be for you. It's a slow rekindling of a relationship in a more muted and realistic way. Sure, especially FL does act more like a fangirl with the butterflies at times but the progression is more subdued.
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Lots of Actions, Frustrating Relationships
Recently, there have been multiple historical dramas set during the reign of Emperor Tang Taizong (626 – 649): “The Long Ballad” is set when Li Shimin (Emperor Tang Taizong) came to power whereas “Weaving a Tale of Love” is set at the end of Li Shimin’s reign and the beginning reign of his son, Li Zhi (Emperor Tang Gaozong). This drama is set in between those two periods with events that lead to the abdication of the first crown prince and the coronation of Li Zhi as the crown prince.Fu Rou (Li Yi Tong) is the daughter of a wealthy businessman. She is intelligent, well-bred and strategic with a mind that can instantly come up with win-win solutions. When Sheng Chu Mu (Xu Kai) meets her, he falls head over toes in love with her. Sheng Chu Mu’s father is a general serving the Emperor, and Sheng Chu Mu is pampered and spoilt by his mother and older sister who is married to Prince Han, making him a good-for-nothing flamboyant playboy. To get Fu Rou’s love, he vows to better himself, both academically and martially (military). What takes normally years to accomplish, Sheng Chu Mu turbocharges his accomplishments in weeks, if not days, for Sheng Chu Mu is not a normal person - he’s a genius. How he accomplishes his academic and martial prowess is similar to Gump in “Forest Gump”; it is really hilarious, cute and cartoonish. By the middle of the drama, he loses his youthful tomfoorlery and the drama turns rather serious and dark with outrageous actions and events.
Both Fu Rou and Sheng Chu Mu love their families and siblings, especially the latter. He has adorable relationships with his parents and his siblings. Their dynamics are really funny and enjoyable to watch. As Sheng Chu Mu, Xu Kai brings out his adorable charisma. He is egoistic and at the same time, self-deprecates. He is playful, shameless and babyish, but when the situation is dire, he instantly becomes the fearsome and formidable general; he’s the hero who saves the day. Though unrealistic, his scenes are hilarious and I really enjoy watching them.
Li Yi Tong is a natural beauty. Her Fu Rou character is stoic and calm, and she always sticks to the book. I can’t say I like the Fu Rou character very much because I find her too inflexible though this is necessary to maintain law and order in the palace, and to safeguard herself and those she cares. At times, I find it stressful watching Fu Rou for her saintly endurance of mistreatment. Multiple times Sheng Chu Mu and Fu Rou break up and then make up, only to break up again. It is really frustrating for the viewers.
Overall acting by the whole cast is fabulous. Each actor has totally immersed himself/herself into his/her character and it shows in their acting. Every minute emotion and expression is captured. Most characters are black and white except perhaps one or two who are greyish and the actors have brought all the personalities out on the screen.
Everyone seems to be in love. Apart from our main couple, we have Han Wang or Prince of Han (Liu En Shang) and his wife (Sheng Chu Mu’s sister), Princess Xin Nan and Sheng Chu Ling (Kris Fan), the Crown Prince and his wife, the Emperor and the Empress, and so on (you get what I mean). And quite a few lose their virginity before marriage. My favorite female character is perhaps Lu Ying Ying (He Rui Xian). She comes from a powerful and corrupt family with murderous father and brother, and yet she is kind, strong and truthful. Her only fault is for being born to a power-crazy father who has no mercy for others. Multiple times she is thrown into disarray yet she takes it in stride with dignity. Her ending, including the endings for some very well loved characters, is sad and undeserving. Most other characters end either with rewards for their good deeds or retribution for their misdeeds. Having said that, despite all the misdeeds by our antagonists, their punishments are not shown explicitly to satisfy the viewers, and are just skimmed over with.
My Verdict
This is a historical fantasy with a superman who saves the kingdom and the world. A lot of the actions by the leads are over exaggerated. It is intriguing and funny, and the pace is fast. Apart from the Emperor and his princes, most of the characters are fictional and the events are not based on historical records. The writing for the endings of many supporting cast is quite lazy, with many being dropped off like flies – they are dead, and some don’t even have endings, leaving viewers wondering what has happened to these characters. The editing of some episodes are also choppy and incoherent.
Despite these short-comings, this drama is still very entertaining, and I have really enjoyed the Sheng Chu Mu character as he reminds me of "Forrest Gump" which is one of my favorite movies. As long as viewers do not take this drama seriously, it is rather a fun watch.
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This review may contain spoilers
I've been anticipating this film since it was first announced because the storyline was so intriguing to me, especially as someone who loves the fantasy genre. Through the premise alone, I already had so many questions, the main one being, 'How did Sungmin become an adult over the course of the last few days?' First, this film is worth watching for the plot alone. The writer is extremely creative and he weaves in the 'fantasy elements' in an eloquent way. As a viewer, it felt realistic, as if it was something that could actually happen, despite the idea of it being so far-fetched. Another thing that is worth mentioning is that he examines the situation from different perspectives - how the average person would view their story (mentions of stockholm syndrome and other psychological analysis) versus how Soorin viewed Sungmin's story. It was extremely thought-provoking. There were comedic scenes, but also heart-wrenching scenes that made me tear up. It was well-paced and kept my attention throughout. I docked half a point for the story because I felt like a scene near the ending wasn't explained very well (it's either a loophole or something I need clarification on). But other than that, I had no qualms with the story.
Moving on to the acting/cast, I will emphasize this over and over again, they could not have chosen better actors for their roles. Kang Dongwon is absolutely impeccable as Sungmin. It's almost as if you are watching the thirteen year old boy Sungmin stuck in a man's body; as evidenced by the way he delivers his lines, the look of naïveté in his eyes, the tears of hurt, and feelings of guilt - in my opinion, no one could have played Sungmin better than him. Shin Eunsoo was the real surprise (as I'm a fan of KDW, so I already knew he would deliver). It's hard to believe this is her first role and she has little to any previous acting experience. She's so talented and her ability to emote is stellar. She has this wonderful ability to express a variety of emotions, and her friendship with Sungmin (the dynamic she had with both young/adult Sungmin) is what made this film so 'real' and beautiful to me (*mini spoiler: their code language was so special). Also, her chemistry with Kang Dongwon is so natural and inherently believable. The rest of the cast fit their roles well, especially Lee Hyoje as young Sungmin and his friends, they were adorable and hilarious at times, but you could also feel how conflicted they were to be in that situation.
The soundtrack fit the atmosphere of the film very well, but there wasn't a particular score that really captured my attention. However, the music did help with the buildup of intensity in certain scenes.
I will definitely rewatch this film, especially since I haven't seen anything else like it. But I also found it quite sad, so I think I'll pick it up again after some time.
Overall, objectively I'd rate it a 9.5/10. In terms of my subjective enjoyment of the film, I'd rate it a 10/10. Just a few additional comments I'd like to include, the cinematography is gorgeous and it really contributes to the mystical and melancholic vibe of the film. There are so many scenes that were filmed beautifully, such as close up shots of their eyes, Soorin's hair, the ocean - it was very artistic and aesthetically pleasing. I also thought the CGI was done well, especially the floating items, the scenes filmed in water, water droplets in the cave. It really felt as if time had stopped. Anyhow, this film is definitely worth the watch. It's hard for me to come up with the right words to describe it, but I guarantee that it's a gem. It left me wondering, if time has stopped for everyone else except for me, what would I do? And how would it affect the way I developed as a person?
Vanishing Time: A Boy Who Returned is a well-delivered, thought-provoking film with its own unique eccentric touch. Director and writer Uhm Taehwa astutely adds a touch of realism to this fantasy film.
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This drama really has me hooked from start to finish (I’m actually starting this review with still a week left, since I already know I have to write something , that’s how good it is)
Rain definitely carried this drama so well. I felt all of his emotions as Lee Jae Sang every time! Also seeing his desire to change, yet still be true to himself, it was great. Lee Jae Sang has become one of my favorite protagonist Kdrama characters.
This drama also has my most hated villains too! Not to spoil it, but I loved/hated them because of just how good and convincing they were it’s crazy!!! It actually makes me want to search out any other villain roles they might have been in and watch just for that lol!
I really felt every character was done really well. From Ra Shi On in both worlds showing her hard and soft side.
Lee Bo Na played by Lee Soo Ah is just amazing at only 5 years old! I’m so impressed, she was great, she just made me smile so much, cracking me up and loving her so much! Looking at her MDL profile she’s got some great supporting roles this year, wishing her all the best.
As for the story, it’s not exactly what I was expecting. It starts out really building up the first world, which is his own world and who he is as a person and his relationships. Then through a situation he’s in this alternate world. There is no jumping back and forth between worlds. He’s in the alternate world for a while, learning that he made different choices in this world which altered his path. When he truly begins to accept this new world, he is then back to his reality, where the rest of the story takes place. We see how his experience and time spent in the alternate world affects how he chooses to live going forward.
I’m actually glad it didn’t jump back and forth. I think it made all the emotions and realizations Lee Jae Sang had even more powerful because you understand that regardless of the alternate reality, he has only one life and this is it! What are you going to do with it? This life you are given.
Okay that’s the end of my pre-ending review. I’ll now write how I’m feeling after watching the last episodes...
So I just finished the last episode and I’m smiling. It truly felt complete and even tied up a major loose end. I’m usually a binge watcher, mainly because I easily drop dramas while waiting a whole week for the new episodes to be released. Not with this one. These last 2 months have been so enjoyable with this drama. Well done! I’ll definitely rewatch.
P.S. major shout outs to the subbers that had same day English subtitles, when an episode was released! Real MVPs!!
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The Changing Times
Fascinating, riveting, inspiring, and poignant. In my humble opinion, Our Times truly is a remarkably compelling and vividly presented drama that is very much deserving of attention and praise. It isn’t without flaws but it is still a worthwhile viewing experience as far as C-dramas are concerned. With a douban score of 8.3 at the time of writing, the rating certainly reflects the growing acclaim for this drama.Production Details
Brought to us by the production team of the popular drama Hikaru no Go, notably Liu Chang and Zhuo Yue Pao Mo who serve as main director and screenwriter respectively. Both of them specialise in slice-of-life, coming-of-age and friendship dramas including their collaboration on Somewhere Only We Know. In addition, Liu Chang helmed Dear Missy while Zhuo Yue Pao Mo had written the script for the highly rated My Huckleberry Friends, among others. This drama is co-director Ma Yiming’s directorial debut while five other screenwriters are involved namely Xu Yitian, Nan Difu, Hu Liping, Wang Shumin and Chen Xiao.
The screenplay is adapted from the novel Our Times (我们的时代) which was recently published in 2019. Written by Wang Qiang (王强), reportedly a leading figure for business novels in China, Our Times is a trilogy that focuses on chasing dreams, and the ups and downs of the new generation of entrepreneurs who ride the IT Internet wave from 1990 to 2018.
The Narrative
Our Times is set in China of the early 1990s against the backdrop of burgeoning economic growth and rapid IT development. The story spans the better part of the decade across multiple locations including Beijing, Shanghai, Guangzhou, Foshan and Hong Kong (along with Illinois in the US). It focuses on the points of view of four main characters - university classmates and tech researchers Xiao Chuang and Pei Qin Hua, as well as their respective love interests Xie Hang and Tan Yuan. Combining slice-of-life with romance, bromance and light melodrama mainly within the workplace setting, the drama explores relationship dynamics between families, friends, lovers and co-workers as well as themes of office politics, industrial relations, the virtues of self-sacrifice, redemption and the courage to evolve in the pursuit of aspirations and happiness amidst the vicissitudes of life.
The storytelling is progressively paced and satisfyingly engaging with hardly a dull moment or substantial fillers. I particularly enjoy the seamless fusion of certain lighthearted instances along with subtle hints of levity as well as introspective and bittersweet scenes interspersed throughout with predominantly heartwarming undertones.
For a premise of this nature, there is no lack of angst and dramatics which is to be expected where the majority of these arcs are rather promptly and neatly resolved. My main issues with this drama stem from the script or adaptation of the source novel for certain sequences of events and the consistency of the characterization for specific characters. Without giving too much away, I’m not a fan of the noble idiocy trope and the associated extreme self-sacrificial acts of altruism in lieu of open and sincere communication to resolve issues… BUT, it’s quite a relief that the resulting grievances turn out to be somewhat short lived and do not detract from what has largely been an engrossing viewing experience.
It’s worth mentioning that elements of patriotism and nationalistic vibes in the plot are quite noticeable as far as locally-produced PCs versus international imports are concerned, but I think the historical representation is quite balanced to accurately reflect the growing trends of computing technology as well as the political sentiments in the era.
A couple of interesting facets to the plot - it’s not purely about computer designs and programming because a substantial proportion of the entrepreneurial efforts is focused on the marketing and sales aspects. Furthermore, the technology referred therein isn’t just about mainframes and personal computers but also emerging entertainment gadgets such as the LD and VCD technology. The transition of “old tech” to the technology that we are acquainted with, especially for viewers familiar with the era, is depicted with the perfect dose of realism.
The Production Quality and Technical Aspects
This is a well-made production in terms of the overall values, quality, and technical execution. The direction is generally commendable, despite discernible “contrived moments of acting” at certain points. The editing, scene transitions and sequencing of the narrative progression appear cohesive and relatively seamless. In terms of the cinematography, I appreciate the decent camerawork as well as the warm palettes and degree of colour grading applied which provides a cinematic feel to the production. Also on the subject of visual language, I quite like the inclusion of 90s stock footage in certain filler frames or B-reels throughout, which provides viewers with a sense of the atmospherics.
The art direction is superb through the use of authentic set designs and props that enhance the realism of the depiction. From the very first moment of this drama, I was hit by the wave of nostalgia arising from the overwhelming 90s pop culture references. From Sally Yeh and George Lam Cantonese songs to posters of a very young Chow Yun Fat, Andy Lau and countless others plastered all over the walls. The influence of Hong Kong in those days is made abundantly clear in this production. Other references to the time period include the huge mobile phones (aka “tai ko tai”), VHS player and video entertainment outlets, the cassette tape player and, of course, the computers themselves - the classic 486 PCs complete with the large monitors or Visual Display Units. The costuming aspect is quite realistic in general. For the character of Xiao Chuang, however, his dressing comes across as somewhat peculiar for a person with his background but it does reflect his flamboyant demeanour and swagger.
Cast and Characters
As the story unfolds and we learn more about each of the main characters, I find myself utterly immersed and invested in their characterization and growth through the multitudes of varying circumstances and events that they experience. In particular the two male leads, Xiao Chuang and Pei Qing Hua. Despite being infuriating at times to a certain extent, towards the conclusion of the story the maturity and wisdom that they eventually attain provide a palpable sense of redemption and achievement. Tan Yuan is interestingly written yet extremely believable and is my favourite female character in the drama. Xie Hang, on the other hand, feels a little inconsistent in places through her actions and behaviour. Nonetheless, each of the four characters possesses its own distinctive qualities and characteristics that combine well to fit the overall development of the story.
My second time seeing Wu Lei this year after The Long Ballad, he has certainly come a long way since Nirvana in Fire. I wouldn’t exactly call this his breakout role but it does feel that way. Such an exceptional portrayal of Xiao Chuang where his versatility in range truly ran me through the gamut of emotions. I honestly think his performance is the strongest among the cast largely because of his significant and dramatic character arc. As for Neo Hou, he showcases a hugely different side to his portrayal in Psych-Hunter and Lost Tomb 2 where he plays a complete boy scout here - pure, idealistic and noble to a fault - and he absolutely slays this role. Earnestly believable and endearing as Pei Qing Hua, he embodies the role effortlessly indeed. Wu Lei and Neo Hou together make this one of the best bromance partnerships in C-dramas.
My first time seeing both Julia Xiang and Mao Xiao Hui, where their performances are indeed worthy of praise. Julia’s portrayal of Tan Yuan is realistic and relatable where I can’t help but to root for her throughout. Her bubbly personality is the complete opposite of Neo Hou’s down-to-earth Pei Qing Hua but somehow this opposites attract type of relationship culminates in a convincing and organic chemistry that builds up naturally over the course of the story. Xiao Hui’s Xie Hang is the most understated yet nuanced of the female leads. There are so many layers to her character that she delicately brings to life in a slow-burn manner. As one of the two OTPs, Wu Lei and Xiao Hui share some of the most moving moments in the drama amidst the trials and tribulations that they both face.
As for the supporting cast, the veterans comprising Wang Xin Jun, Gai Hai Peng and Wen Zheng Rong deserve mention for playing Tan Qi Zhang, Lin Yi Min and Luo Li Hua respectively. Leewei, as Lydia (Xie Hang’s mentor at Interflow), delivers a powerful interpretation of an intriguing character despite her limited screen time. Wang Meng Li’s investigative journalist Shu Zhi Hong is another interesting characterization that probably deserves a side story or spin-off of her own.
Music
Fei Peng serves as music producer while Japanese composer Akiyama Sayuri composed two ending themes for the production, which are my favourites out of the total of five OSTs including the remake of Sally Yeh’s original, Walk Back to the Wind. Full listing as follows:
呼啸的风 Howling Wind by 侯明昊 Hou Ming Hao (Ending theme)
毫不保留 Without Reservations by 余佳运 Yu Jiayun (Ending theme)
潇洒走一回 Walk Back to the Wind by 孟佳 Meng Jia
一盏灯 A Light by 王栎鑫 Wang Lixin
燃烧的时代 The Burning Era by 袁野 Yuan Ye
谁能明白我 Who Can Understand Me by 林子祥 George Lam
Final Thoughts
Our Times presents an unforgettable journey of discovery by its captivating characters that is filled with beautiful romance and compelling camaraderie, while granting viewers a profound insight into the giddying heights of technological transformation and socio-economic transition in modern China back in the 1990s.
In case you’re wondering about the ending, there will definitely be a second season. The final episode ends on a cliffhanger so stay tuned for the sequel to wrap things up and, hopefully, give our four main characters a fitting closure. All things considered, it has been an incredibly absorbing and insightful viewing experience indeed and I absolutely recommend giving this drama a watch.
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“Tomorrow people will ask you why I died, so make sure to tell them"
The story revolves around Yeong Hee who’s accused of being the main motive of Kyeong Min’s suicide and disappearance, making the whole school betray her by bullying and assaulting her. It also follows Kyeong Min’s mother who also blames Yeong Hee for her daughters death.The movie touches on many negative subjects associated with high school students such as bullying and suicide.
STORY it was an extremely impactful story, it’s a movie that doesn’t hold back with the truth it gets to the nitty gritty of reality, throughout the movie it shows flashbacks of when Kyeong Min was still alive and shows the friendship between the two, the flashbacks were a key element to understanding the story better and adding significant backstory to the already heart wrenching story line
ACTING Can I just say the acting was phenomenal The actress of Kyeong Min’s mother showed the most prodigious acting in this movie, the amount of emotion displayed in her acting was breathtakingly melancholy, Also despite Yeong Hee’s character being quite an emotionless person the actress was superb at conveying emotions across to the audience.
MUSIC there was not a single piece of music played throughout not even at the ending, that is what I loved about this movie, the silent impact it left it made it seem real, in real life music won’t just overlay a moment, the silence made the atmosphere it didn’t need music to create an atmosphere it was already powerful, it also made it feel extremely realistic.
OVERALL I was really hesitant watching this movie due to the low score but I’m glad I gave it a chance, it isn’t lighthearted at the slightest, it shows real life social problems and people’s lives when they have no hope left,.
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This review may contain spoilers
this had so much potential....
the beginning was good but this show over time became kinda pointless... the whole time girl is tryingto save him from what? her father who gave up after they had a one minute argument about it. There was almost no romantic interactions between main two leads, only thing that was romantic was when he was in hospital and the last clip of the show.... if you think him following her is romantic you are in some weird shit. At some points i even forgot who was the "main couple". Honestly kinda waste of time but it was short so i continued watching till the end. Cast attractive but their acting was really cringy im sorry if u love these actorsWas this review helpful to you?
Overall, I just want to say that I like the this drama is not as bright and cheery as the Korean version. It has a darker tone, which I think only helps to sell its story. This is BY FAR, my favorite version of BOF (I've seen all the versions including the Mainland Chinese one) and I'm an advocate of almost every aspect of this drama. I do, of course, suggest that you watch the first season before you start this one: you will appreciate the characters so much more. :)
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- Lev Tolstoy
I hope you can forgive me if my penchant for quotes invades a review. I have watched Osozaki no Himawari some time ago and loved it but never came around to write a review for it. Then I stumbled upon the words of Tolstoy and was immediately reminded of it.
The essence of this drama is, ultimately, the pursuit of happiness. It shows how this last can be found in the most unexpected places, with the most random people, doing things we would never have taken into consideration, if we hadn't been forced to do so by the circumstances.
The simple message this drama tries to send is beautifully conveyed, thanks to a wonderful cast that creates lovely characters and warms the heart. Ikuta Toma is perfect for the part: he's goofy and reasonable at the same time, I'd say he is the new element that unconsciously brings an otherwise sleepy community to a new life, while he himself learns to adapt and understand.
Jotaro's interactions with Kahori, wonderfully portrayed by a talented Maki Yoko are priceless, and their phone conversations are the sweetest thing ever. "Ore ore" will remain in my memory for a long time.
What makes this drama so special, besides the adorable ensemble of characters, is the cinematography. Perhaps the Shimanto River Region is so beautiful one doesn't need to be a particularly skilled photographer to capture its charm on screen; whatever the case, the end result is stunning. If the intention of this drama direction was to promote the region, I must say they succeded: when I finally visit Japan, it will be one of the first places I put on my itinerary.
The music is lovely too, and I agree with Sewitches that the idea of having the whole cast sing the leitmotif is brilliant.
If you are the type of person who feels at ease in the countryside, who finds happiness in small things, this drama will appeal to you. On the other hand, if you need the dizziness of crowded cities with a lot of events going on, it may not. This is a relaxing trot, not a wild gallop.
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