The characters, at first may seem a bit tiresome, but they have this uncanny knack of growing on you, until you genuinely care for them and wish to see them happy, successful or in some cases burn in hell. It will make you laugh and cry, which is what all good dramas should invoke. Throw into the mix a nice, non annoying soundtrack and some pretty good cinematography and you get a seriously a good watch. Strong recommended, not just for viewing but repeated viewings as well.
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STORY: It is not your usual drama. It has quite different elements. I loved how the relationship is developed within and outside the families. I loved how they tackled the problems.They pretty much covered all the topics. Some include parenting, bullying, marriage, societal pressure. It is a delight to watch.
ACTING: Each and every actor portrayed their respective roles very well. It definitely has a stellar cast. Lee Joon and Lee Yoo Ri deserves a special mention. They're extremely wonderful. Lee Joon is a fantabulous actor that I can guarantee.
MUSIC: The music was good.
RE-WATCH VALUE: I'm definitely going to re-watch it not only for one time but for many times.
For me this is the most beautiful drama I've ever seen.
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To be honest I only started watching it because I read that the story would revolve a lot around the eldest son, who is in a gay relationship. I found this fascinating, seeing as it's a korean drama. The writers did a great job on that part, depicting the family's perspective and the couples perspective and how they each deal with this issue.
It was also interesting to see the interactions between the different generations of this huge family who all live together in one house.
What kept me watching was the great acting (especially song chang ui who plays the eldest son and kim hae sook who plays his stepmom)the amazing story, and also the amazing surroundings (jeju island).
Because it's quite a long drama you get to know each of the family members very well and you really feel the amazing bond that's between them.
I cried a lot, but I laughed too and watching it was an overall heartwarming experience!
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Just to be clear about something, I'm not a fan of love affairs, actually I don't like them at all and usually do not watch dramas with concept like that but this one I chose because of the music theme and the main actor. And I'm glad I did that 'cause I fell in love with this drama so deeply with no cure for healing. For the record this drama and story aren't affair at all as all of us think what affair actually is and you could see that from the very start and the relationship between the married couple, they were more like business partners. Yoo Ah In and Kim Hee Ae have done the job brilliant in portraying the two people who met and simply, slowly fell in love through the piano playing, music sheets, Mozart, Liszt, Tchaikovsky, and many other classical geniuses. I was hypnotized and mesmerized with their conversations, with their playing, with their passionate chemistry, I can't remember when I've reacted like this to some couple and chemistry in drama, since MARS I haven't felt like this.
This is not some average bubbly romance drama; it's dark, complex, passionate, bittersweet, and sometimes even torturous. It's a true emotional, mature and adult romance drama where we'll cheer as hard as we can for love to win against all odds. It’s a story to show how love can change one for the best or the worst. I loved very much how they concentrate simply on development of the main characters, their constant battle inside them, their pain, their hope and most of all their passion. It had been a very long time that I had felt such complex emotions with such intensity. It was almost like I was one of them. Of course there are boring parts, for example the part about business and all those irritating female characters who were so evil, bad and gossiping around, I really hate that. But except that everything else was a masterpiece for real. Yoo Ah In as a young piano prodigy was magnificent, he once again proved to me why he's one of my favourite actors in the whole world. When he’s onscreen with Kim, they make beautiful music together, both literally and figuratively. The love story generates plenty of heat, and feels genuine and quite moving. As long as the two leads are playing duets together or sharing bowls of noodles, everything else was in the shadow, only them and their fantastic chemistry.
Unlike in the most of average dramas, the music actually added meaning and depth to the drama. They played so many beautiful pieces from so many great composers and anyone who has any appreciation for classical music is going to enjoy this drama enormously. This drama is a bit slow, but it didn't bother me at all. I loved that I could see and feel their every gaze, touch, and emotion. I was able to synchronize my emotions with them, to understand and feel how they fell for one another.
For me this drama has a deep meaning and definitely left me with so many great and honest emotions. If you're like me a person who loves a true pure romance dramas with adult and mature thinking with endless love for music in your daily life, then this drama is for you.
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This review may contain spoilers
From Promising Beginnings to Disappointing Endings..
I rated this drama 8.5 based on the first 7-8 episodes.. It started of really well with spot on comedy.. Great acting and steady story development.. However after those initial 7 episodes the characters became bland.. And the forced humor felt out of place.. Even thats understandable conisdering this is a romcom.. But Some of the choices the characters made were really nonsense..Constantly being let down by the Korean writers who struggle to deliver satisfying endings.. They Often resort to forced breakups.. Unnecessary time skips.. And last minute reconciliations.. As if thats the only way they know to end a story..
I honestly didnt understand the need for Cha Hui Seong's story.. She is in an open relationship and the couple sleeps around with other people.. Then she gets pregnant but she doesnt know whose baby it is?? What sort of dilemma is that?? What lesson is the writer trying to convey?? Modern relationships have no morals??
The second couple was interesting.. With Lee Sang Yi delivering a solid performance like in his other dramas.. Han Ji Hyun had her moments but her cuteness felt forced at times.. And her acting was all over the place.. She is a good actress but i hope she doesnt follow the ' i need to do smut to get the recognition i deserve ' mantra.. Spice up Our Love was an unnecessary spinoff filled with cringe and cliche romance.. I am looking forward to her next drama with Lee Min Ki..
The main couple's story started off really good.. The first seven episodes were genuinely hilarious.. But unfortunately took a fall afterward.. The ML supported the FL through her struggles and was always there for her.. Yet she broke up with him right after her mother’s funeral.. She clearly lacked empathy there and it was just a dumb thing to do.. He loved her mother as if she were his own and she didn’t allow him the time to grieve.. Son Hae Yeong was a mature character.. But her decisions felt childish and selfish.. Instead of facing the hard times together.. She cruelly cut him off.. Leaving him alone when he needed her most.. How is that love?? Kdrama FLs often take love for granted.. I wished they wouldnt get back together..
The conclusion felt rushed.. With a last minute reconciliation that didnt do any justice to the way the story developed.. The FL didn’t even try to stop the ML AGAIN.. He had to chase after her to make amends..
" I never regretted letting you go " Thats what she said..
In conclusion.. While the drama faltered after the first seven episodes.. It still delivered memorable moments and strong performances..
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Did some things better than any other series.
Great cast, great plot, great acting, great pace, great wrap-up. A very complete package of everything. Nothing really missed for me. The action sequences were class. The relationships and network were inspiring.Among the things that this series did better I would like to mention my personal favourite -
1. Car chase : Honestly I have watched many kdramas that have these gangs and gangsters, but it's always hand on hand combat and/or weapons. But a car chase is very rare and the one in this series has been done greatly compared to the korean average.
2. Action sequences : Nobody pulled there punches. It sure looks like it. The different weapons and techniques are amazing to watch.
3. Backstory : This wasn't overdone with MSG that somebody killed somebody's someone so the son or daughter of that person plots revenge. The background of the story is very tangible in this drama.
A very few misses that won't be annoying -
1. Some characters you'd like to know about what happened to them or so was not really explored. But it's fine as long as you're not much invested and how can you be considering it's just 8 episodes.
2. More brawns than brain. Could be a turn off for some or could be just the thing for others.
All in all as i already said, it is very complete.
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THE CASTING & ORIGINAL STORY SET -UP
In a recent interview, PD Ahn said he wanted to work with SYJ. He felt that she was the best actress to play a mid-30s woman at the centerpiece of this realistic drama. “That’s why, from the very beginning, I thought that there was no one else for the leading role of ‘Pretty Noona’ but Son Ye Jin. I only contacted one person [for the role], and it worked out. She decided to take the role even after seeing all the negative sides to it.” He added with a laugh, “I was really surprised.”
SYJ said she also wanted to work with the director. Her fellow actresses gave him high marks. And when she was recruited for the series, PD Ahn promised he would do things so she could meet her goals. As a result, the series was shot more like an independent art film. There were little wasted scenes. And the mood on the set was fun but professional.
SYJ is a professional. Her reputation is to immerse herself in her characters. She was aware of the negatives of JA (her life, her decisions, her mistakes, etc.) He claims the scripts were all read in full in October, 2017 (but does not say if the scripts were changed in the end).
In initial filming before the premiere, JA’s character was described as a hard working person with a lonely personal life where she stares at empty bottles of liquor. She is a typical South Korean woman in her 30s who feels emptiness in her heart because she doesn't feel accomplished in either career or love which every woman around her age can empathize with. Son Ye Jin is showing so much motivation and effort as she is always holding onto her script and having numerous discussions with the director on expressing her character more fully. She is doing a great job in portraying Jin-ah's change of emotion with her detailed acting and really becoming the character. Everyone should be expecting great things to come out of this drama,” a staff member said.
At the beginning, JA’s situation can be summed up as follows:
1. She is 35 still living at home with her parents.
2. She is going out with a terrible BF who has cheated on her after she slept with him (meaning she was serious about the relationship but he was not).
3. Her mother is pushing her to marry the terrible BF because of his status and JA’s age.
4. She is stuck in a dead end job subject to work place harassment and takes blame for others’ mistakes.
JA character is a meek, introverted, weak, hard working but repressed follower of society norms. She really does not talk about goals or a future. It appears she has resigned herself to an unhappy life because she is trapped in a culturally oppressive and socially conservative paternalistic world.
The show was always set up to be JA’s journey to self-awareness and independence. It was meant to be a realistic sad story.
What hooked viewers in the initial episodes was the chemistry between JA and JH. It was an unintended consequence because it masked the original story line and theme. PD Ahn stated in that recent interview that the theme of the show was the simple question:
“Are we really in love?”
THE INITIAL CHEMISTRY
If you look objectively at the beginning of JA and JH’s romantic relationship, it was a quick and burning passion. The reason for JA was simple: she was coming off a dead cat bounce relationship with her cheating ex-BF. Since her mid 20s, JA had been groomed by her mother to go out with a certain kind of man (one of status, means and upward mobility). JA’s only hope with these blind dates was that the man would “like” her. JA went out on those dates not out of a search for love but obligation to her mother. JA must have seemed that this current ex-BF was her best shot since she was serious enough to slept with him but his betrayal left her bitter, angry and alone.
JH returns to Korea after 3 years in USA. He is friends with JA’s brother, SH. He knows JH dates many women (because of his looks and charm). He knows he has a stubborn temper. JH is young and carefree in YOLO life style. JH grew up without parents so it appears that he is still harboring abandonment issues. He had dated many women in the past, but apparently could not get beyond 3 months (which is interesting since the 100 day mark in Korea is a milestone of a “serious” relationship.) He is charming, attentive, but also selfish, temperamental and paternalistic.
In a chance timing of motive and opportunity, JH returned to Korea after three years, and the first cute woman he saw he went after (surprising himself that it was his noona.) The surprise flirtation and familiarity was the spark to set them on a quick path to become lovers.
JA and JH get caught up in the mystery, excitement and secrecy of their romance. So did the audience. It was clear that JA and JH loved being together. It was an infatuation.
Attraction? Yes, they both complimented each other about their appearance.
Escapism? Yes, they both were coming back from negative experiences to find comfort in each others’ arms, away from their daily grind and problems.
Infatuation? Yes, the hot and secret aspect of their intense and short lived passion for each other.
True love? No. Even though viewers were caught up with the initial passion, the couple’s relationship was foreshadowed to be doomed. As reality encroached on their secret life, real serious issues arose between their family members and friends which the couple did not or could not discuss and work out together.
How each character viewed their relationship was telling:
JA did like the fact that a younger man found her attractive and desirable. It may have been a long time since a man approached her (instead of through blind dates). She wanted to keep it a secret because she knew it was all merely fun: companionship with benefits, not a serious relationship. Also, JA wanted to keep it secret because she knew the negative ramifications to her family and friendship with KS.
However, JH did not want to keep it secret. This showed his naivety. His character always lived in the moment, not thinking long term consequences of his actions.
Their relationship turned into a cliche teenage crush. And as the episodes went on, there was no intellectual, emotional or spiritual growth in their relationship. They never discussed a shared future together.
THE MIDDLE CONFLICTS
The greatest problem with the story was JA’s interaction with the people around her. It was an intentional portrayal. She was an apologetic follower. She rarely stood up for herself. Her decision making was mired in self-conflict, self-doubt. She thought the world viewed her as a commodity and not as a person or a woman.
And this was embedded in how she dealt with her personal life, including her affair with JH. The series lacked deep discussions between the characters that is the foundation for serious relationships.
JA was conditioned to be subservient and accept what others told her.
What were the major issues in JA’s life?
1. Her mother’s desire that she marry the “right” man. But after a serious of loser boyfriends, JA had basically given up on a chance to meet Mr. Right, someone she could passionately love while be acceptable to her family.
2. Her job was becoming more unbearable. The demands and blame she took for other workers mistakes were mounting. The harassment of her by superiors was intolerable. She was in a dead end job with no real chance of promotion.
3. She had few friends. KS was her best friend who she could confide in. It seemed that JA had a hard time making new friends. When she does make a close friend, she tries hard not to break that bond, even it means hurting herself in the process.
4. She has a maniac ex-BF who wants to get back together or ruin her life.
How did the couple “work” to resolve these issues? They did not. JA and JH were merely apologetic to JA’s mother about their relationship, but did nothing to convince their families that they had a future together. JH did nothing to help JA resolve her work place issues, or support her if she wanted to change career path. JH brought JA to meet some of his friends (on the overnight trip) but JA did not do the same. (this shows JH was more into the relationship than JA). JH got jealous and violent about JA’s ex-BF which contributed to conflict between them because he did not discuss beforehand with JA his actions.
The breaking point was JH demanding that JA come to him to the US. Of course, JA said no. She felt insulted that JH’s solution was to run away from problems. (Not to mention that it would be impossible for JA to suddenly move to the US with no job, no spouse, and no money with the country’s current immigration policies). JH solution was that JA would be there for him. He was angry that she rejected his solution. He never understood her position, her feelings or her long term goals.
The couple’s initial passion glossed over several important aspects missing from consideration on whether this was heading toward a serious relationship or “true love.”
1. Communication. Their communication was superficial. They did not discuss important issues or ideas which represents mutual immaturity. They never opened up to each other on what their personal goals were (job, career, changes, etc.) or how they wanted to achieve them. They never really understood the other person's emotional state, and they never deeply discussed how the other person felt in a given situation. I recently read a psychological study that concluded that many people told “white lies” early in their relationships as a means of making themselves more “attractive” to their partner. Usually, those minor lies were used to build up a person’s self-esteem or enhance their traits (prospects) to the other person. But in JA and JH case, those lies were meant to hide the truth and real feelings (under the fabrication that they did not want to “hurt” the other person.) Instead of talking things through, they glossed matters over and then began to mistrust each other. The each called the other “childish.” They could not talk to each other about serious matters because they were caught up in the teenage aspects of a romance fairy tale.
2. Compatibility. Sympathy, friendship and like-mindedness are critical foundation blocks to any serious relationship. JH knew about JA’s situation at home and at work, but his support for her situation was tempered and distant. He wanted to control the situation. Likewise, JA did not seek out his advice on how to find a solution to any of her problems. Also, JH did not ask JA for advice on his work, his options or his troubles. JA and JH knew each other before dating, but there is no evidence that they were “friends.” Friends have mutual interests, concerns, ambitions, support, trust, varied experiences to share. JA and KS had serious discussions as friends. JH and SH had serious talks as friends. But JA and JH never had such a connection because such “real life” discussions would have interfered with them hanging out together and having fun as a new, care free couple.
3. Commitment. JA and JH never discussed the big things like their expectations, marriage and family life together. JH’s solution was unilaterally demanding JA move with him to the US. He never asked her hand in marriage. Some women would call this behavior selfish, inappropriate or “clingy.” JA’s solution to move out of her house so she could continue to date JH but not live with him showed that she was not ready to fully commit to him (she would later say she had things she wanted to be independent to become strong.) They never had the heart-to-heart discussion of “making plans” together as a couple. Even though both are adults, they both had serious maturity issues.. (Continuation at the comment section)
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Next I cannot express enough how much I loved the music for this drama as I felt it matched perfectly with it and find myself tearing up everytime I hear the song pray whenever a dramatic moment happens.
As for the acting of the two main roles I would say that Shin Hye Sun did an exceptional job at portraying her character and everytime in her dances whenever she would want to express her emotions. As for L I know some mentioned that they disliked his acting but as for me I though he was perfect for the role of a fun-loving and kindhearted angel and together they made a perfect couple with an unbreakable bond.
I’m not sure how others thought the ending was for them but as for me I am definitely not dissatisfied with the way that it ended as I liked them a lot together but I would of liked to see them be a classic tragic love story that makes you feel emotionally sad but warms your heart when you think of how tough their love was.
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Filmmaker Bong Joon Ho once again surprised us with another masterpiece named Parasite. Where powerful social satire meets tragedy. The director did a great job portraying South Korea's current views on society exposing the underprivileged slums of most modern cities and it's citizens living in completely different worlds despite staying in close proximity. You are likely to find it relatable as the themes of this story are not just localized to Korea, but all over the world. Having its fair share of global capitalism and universal materialism, Meritocracy being the biggest trope of this movie.
Now, the best way to enjoy this film is to cluelessly get into it, its charm is to watch it progress and unfold in many satisfying, unexpected ways.
You can definitely see a unique directorial vision as Parasite welcomes the audience into multi-genres and tonal shifts that mix and take its turn after every act. Pure comedy, dark comedy to heavy drama, horror, thriller, mystery, you name it. It is one of the hardest things to pull off but the director converts them smoothly without letting the audience feel indifferent to the transformation. It manages to elicit the full range of responses, making the viewer react with uneasy laughter to unexpected situations that eventually lead to disturbing events full of horror.
Now, who are the real parasites? The poor who attach themselves to the rich or the rich who suck the marrow of the poor?
Satirically, it managed to portray how we may live under the same skies, but have different views regarding life.
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"You know what kind of plan never fails? No plan. No plan at all. You know why? Because life cannot be planned."
Success and fortune are reserved for those who deserve it, those who develop solid plans according to their talents and abilities and who execute those plans through hard work and determination. Anyone can rise to the top, but for those who cannot escape their sad reality will ultimately turn for the worse and thus start to justify their immoral backstabbing, deceit, and callousness for reasoning that can be only explained by growing up poor without support from others.
The characters all have different aspects to them that will be received and viewed differently due to the viewers own biases and world views. This isn't a bad thing as the movies main point is to deliver a provocative social commentary in various metaphors. And the best way to do so is to create morally questionable characters that will resemble at least one familiar person known to you.
,,Greed is inside each one of us, but the question is, how much are you willing to sacrifice for an idea of life in comfort?''
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All in all, Parasite is a fantastic case of hard-hitting yet entertaining cinema.
And one of the best movies recently made in Korea.
Thus I will rate it 9.5/10
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To My Star Season 2: Our Untold Stories
134 people found this review helpful
Painful but beautiful season two that outshines season one.
This second season is a bit like revisiting a restaurant you once liked just to find out the chef got even better... The food got more depth, stronger flavours and even prettier plating....As this second season may not be a feel good season but it didd make me feel a whole lot of emotions, mostly pain, but in a good way, as well timed flashbacks, music and lighting make up this well balanced story of love, regret, growth and loss done right. As they do a really good job showing the happily but not the ever after that followed the first season.
This season has kept most of the old cast but introduces a whole bunch of new very lovable characters, that truly add some sugar to soften the pain of the story.
The leads have gown a lot, they are still lovable, slightly broken (very) and perfect opposites that may attract but also need a lot of work. So if you are looking for some feel good fluff, back away and watch something else this is more of a Our Beloved Summer meets Touch your heart lind of deal, but much shorter.
Easy to binge, easy to feel and easy to fall in love... A joy for the eye, some scenes may make you hungry, some will have your heart fluttering, others will make you laugh but I am willing to say that most of the drama is spent with an ever growing lump in the chest.
I think that most people who liked season one just a little bit may feel a tad ( a lot) of heart break in season two but will undoubtedly see its greatness... for those who have seen neither, go see season one so you can watch season two.
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The story is like Secret (kdrama), if anyone ever watched it, and although Secret has been one of my favorite dramas when it comes to revenge/hate turning into love and obsession, this lakorn has beaten it out of the water due to the main characters but more so to Yaya's potrayal of Jeerawat or Jee.
Story:
Very Simple, Jee is a major nangek/celebrity who despite all the fame and status lives her life constantly in the rumor mill potrayed as a whore and slut who snatches up people husbands. In reality, she is anything but and instead is just a woman or rather a girl who just wants love, mainly from her mother that she continuously protects at the cost of her own self-respect. While Satit is a young lawyer who is deeply in love with his fiance Tiw, all for justice and the fight for the underdog and the little man. Unlike in the synopsis, Jee is NOT an alcoholic and instead is lusted after by her stepfather and is heavily drugged (IM style in the arm) and in her pursuit to run away from her eventual rape innocently hit and run over Satit's fiance Tiw. Instead of actually running, Jee tries to express her apologies and own up to her mistake, however, the people around her refuses for her to do so and instead her assistant takes the fall while she lives her life in a constant cycle of regret, guilt, remorse, and horror for the fact she cannot pay for the crime that she caused.
Satit, however, doesn't believe what is released to the public and is in hot pursuit to punish Jee for his fiance's death which leads to his obsession. Eventually constant interactions, fighting/arguments, and slowly seeing the inner truth of who Jee really is makes him falls in love with her. But at the same time, he struggles with the reality that he might be falling for the very woman who killed the love of his life and is constantly struggling to battle his own feelings.
Of course there are two other couples but in reality it became such a nuisance (really in Piak and Chaiyan's case) but they only at times help the main draw closer and own up to their feelings.
Acting/Cast:
If I didn't state it earlier, this show was amazing not from the story itself alone, but from the flawless potrayal from the main characters and the amazing chemistry between Jee and Satit. Although Prin was amazing showing Satit as someone obsessed, I have to give the full recognition to Yaya for such an amazing job as Jee.
Yaya: have never seen her before, never knew her before, or etc...but my GODDDD!!!!! She was simply amazing as Jeerawat. She potrayed the hard as nails, aloof, bitch that everyone saw her but at the same time show the vulnerabilities of a young woman (more so girl in my opinion) that just wanted love. Love from her mother and those around her that were actually genuine. At times female leads that just cry nonstop would be annoying and ridiculous but you knew Jee was crying was because she built such a icy facade for the world that when it came to herself, her manager Suki, and her best friend Dao, that was the only time she could really be herself and let it out. Each time, each time, Yaya did such an amazing job showing the emotions of someone lost, tired, hopeful, yearning, and just wanting someone to just love her for herself. Although as the audience battled with the decisions she made at times Yaya did such a seamless job in showing someone fighting with herself and inner desires, wants, and needs. She was not a Candy female lead or someone so darn evil you wonder if she was REALLY a lead female. Rather she was human. She was realistic. She came from a broken home, her mother and her struggled and suffered for everything they got, and even then she wouldn't show others her true self. she was tough as nails and at the same time vulnerable. She was as real as you are gonna get if you want a realistic female lead that is not sugarcoated but is not always wearing a smile despite all the crap life hands to her.
Piak: a insecure housewife now producer/director who constantly suspects her husband Chaiyan is sleeping with his female actresses (nangek) and more specifically, thinks he is sleeping with Jee. Her (adopted) brother is Satit.
Chaiyan: is best friends with Jee, rather shares a brother/sister relationship to Jee that is constantly misconstrued to his wife and the media as an affair.
Dao: Jee's best friend with Jee and is in love with Jate
Jate: confused and playing both fields. In love with Jee but attracted to Dao.
Rewatch Value, Overall:
I would watch this show again at least a few months from now to completely forget the story-line (which i doubt) as this show is just so darn intriguing, and not so predictable compared to most dramas. As i stated before this show has two other couples and to me were either annoying at times or just so unbelievable, but they don't ruin the story. This lakorn is sooooooo enjoyable, intriguing, and unpredictable. Highly recommend to watch, and watch, watch, and then watch some more.
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Past Lives
77 people found this review helpful
1This review may contain spoilers
About a great service of love AKA a fateful, karmic relationship
"Past Lives" is a US production. Both the author and the two 'Korean' leads have Korean roots, but they did NOT grow up in Korea, nor do they live there. The story is autobiographically inspired and is dramaturgically presented in authentic dialogues on the one hand and selected, visually impressive sets on the other. It is about the aspect of fate (and or Karma) in encounters as well as pondering platonic love. "Past Lives" is indulging into the emotional world of more or less accountable and sensitive reflection of the protagonists, especially of those two extraordinarily mature, fine young men. You rarely see that. Additionally, as far as camera work was concerned, light and perspectives were chosen with care and thus implemented as supplementary actor, sort of. All this is quite wonderful and has already been widely praised. “Past Lives” is thus a movie well worth seeing.This movie presents South Korea and an attitude towards South Korea through the eyes of a South Korean girl who during the 1990s emigrated with her family at the age of 12. She then grew up in Canada, tried her luck as a playwright in New York, married an American, received the green card as side effect, and is ambitiously seeking recognition and success as a writer today. “Past Loves” thus has its positive emphasis on life in the US. The protagonist´s family had turned their back on South Korea. However, besides everything else, that has been already mentioned all over the place, I would say, that "Past Lives" is actually indirectly, in a rather subtle, reserved, unobtrusive way, (almost overlooked and hidden underneath the shiny, promising dominance of the US,) about positive Korean specific qualities, too... Therefore…
Generally, “Past Lives" juxtaposes those two ´worlds´ rather dichotomously. THERE South Korea, the country of origin that was left behind - far away and rather in the background, in the camouflage colors of the military and surrounded by plenty of soju. HERE the USA - reduced to a highly stylized New York (and artist retreat on Long Island), that is bathing in beautiful light and selected colors. In several respects, the United States is presented as the unrivalled better choice.
However, we experience these worlds through the eyes of the protagonist. In Nora's eyes, South Korea stands for conservative narrow mindedness, constraints, lack of freedom (which to some extend is certainly true). The USA, on the other hand, for her is the symbol for freedom, creative power, partake (should, could, might as well…). Eventually, those world views turn upside down. These are prejudicial concepts, both of which are not generally correct, e.g. each not representing the whole truth.
So, KOREAN normal everyday life is portrayed as conservative, shaped by her parents perspective and Nora's childhood impressions of the 1990s: the young democracy, already economically shaken by the Asian crisis. Her parents were artists and as such one way or another most probably influenced by the shaky turbulences of pro-democracy movement of the 1980s. They wanted a fresh start. Yet, what remains in Nora's memories? Very vague memories of school days, of what was said at home, of the striking images that remain impressively to this day. Bottom line: 'Men have to do their military service.' 'People are conservative and unsophisticated.' 'Men dependently live at their parents´ home until marriage.´ ´You can´t proceed in life.´
On the other hand, NORTH AMERICA is the much-cited world of unimagined possibilities. For Nora specifically, it is about a liberal world for the arts. She´s dreaming about her successful future, while the ambitious daughter may actually be living a much wanted life in lieu of her parents, too, to a certain extent. However, this ambitious dream is symbolically captured as an aesthetically abstract decal of New York and the Montauk artist retreat. For Nora, the USA represent a possibility to fulfil her dream of international prizes as an author. Thus, the USA as the center of her life is uncompromising and practically non-negotiable. That's okay and understandable.
This South Korea in the movie has a strong touch of Nora´s own prejudices. Apparently, she never emotionally processed or reflected her relationship to her country of origin. A deficit, which may also narrow down the perspective of the audience. Therefore, I would like to stand up for positive 'Korean merits', which only shine through subtly. In fact, though, they are formative for the characteristic poetic quality of the story. They come along in the person of Hae Sung. Thanks to him Nora can finally hold the key to her emotional freedom in her hands. (Whatever she may do with it now...) Thanks to Hae Sung (so to speak) she got her story and thus her tremendous success as a writer and director, too.
If you don't identify with Nora´s enthusiasm for the US so much, it might be easier to recognize those ´Korean merits´. Hae Sung actually embodies the opposite of what has settled in Nora's mind about South Korea. He stands for a new spirit among the digitalized young generation - even though he is an engineer. She, however, sees what she wants to see, reducing him to military service, close family ties, his clearly structured career and his reserved answers to her questions about marrying or rather not marrying his girlfriend.
Nora overlooks the fact that in his half-hearted answers about marital responsibility he carefully avoids generalizations so as not to overwhelm her with his feelings for her. She overlooks the fact that Hae Sung is indeed the courageous creator of his own world, possibly facing life even more creatively and openly than she dares herself. He chooses to study abroad in China because he wants to learn the language and because it may suit his career, too. He is ambitiously following his career plans, just like she does. Nevertheless, he is open to life´s challenges and ready to completely turn everything upside down. He is actively dealing with what is going on between the two. He prefers not to go for a logical, reasonable marriage. Instead, he takes what his heart tells him, seriously. He wants to sincerely check it out. This makes him vulnerable, too. Actually it was him, who originally went looking for Nora. With courageous creativity he took the chances life had to offer in his own hands. From a practical point of view, HE thought creatively and acted courageously. Nora on the other hand was the one, who, to a certain extent, simply unwinds her program without looking to the left or right.
Back then, when she left South Korea, she just put her feelings away, came up with a new name, learned the new language and left her best friend (and Korea) behind like an old toy. Since then her feelings for her old homeland only slumber unconsciously in her dreams. In her life, which is highly concentrated on her career as an artist, her past and origins have not been given the place they deserve. Hae Sung has to come first to open the door to that forgotten dungeon of her heart.
Still, we don't know whether Nora was able to take the 'little one' in herself by the healing hand - the 12-year-old Na Young, whom she had left alone in the past. All we know is that Hae Sung gave her a chance to reconcile with her roots and a hidden, almost forgotten part of herself. His great service of love was: not forgetting her, not giving up on her; looking out for her; meeting her, too; recognizing her for who she is; reminding her of something else, that she had almost forgotten; and finally letting her be - in an understanding, loving, respectful, ´Korean´ manner. Even if it hurts.
Actually, being himself, he represented another powerful aspect of South Korea, that Nora had so far not realized as such: A finely nuanced, rather emotionally dominated and yet respectful attitude towards life. This in contrast to a rather dichotomously shaped - black/white, good/bad, yes/no -, rather reasonable approach towards life, as it radiates from her 'North America'-concept.
At the heart of "Past Lives" is the probing of the protagonists' feelings for each other. What are those feelings supposed to be? Platonic maybe? Or more than that? And of course the story lives from the attraction of 'What if?'. This careful scanning of a space of potentiality is processed aesthetically cultivated, and stylishly. Respectfully too. Finally there are tears. ´Past Lives´ it is… However, the striking poetic aspect of this story is only made possible (in my opinion) by this very South Korean Hae Sung, who is not afraid to meet the multilayered complexity of emotional depth, confusing affection and difficult challenges in life, and (!) who is also not afraid to back off in respect to a larger context either. Thus he eventually even provided her on the silver platter of his heart with the so much longed for international artistic success...
PS:
Must be the 'In-yeon' they keep talking about throughout the movie...
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SIDE NOTE:
In-yeon = a fateful, karmic relationship
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It is true that the two main leads had their flaws - the commander had lost his purpose in life after traumatic experiences in Vietnam, and the main girl did a marriage of reason also after traumatic experiences from her past. Both are adults who didn't experience true love, and they are overwhelmed by their own feelings.
Overall I liked this movie, and I found that the actors played well.
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