Just to be clear about something, I'm not a fan of love affairs, actually I don't like them at all and usually do not watch dramas with concept like that but this one I chose because of the music theme and the main actor. And I'm glad I did that 'cause I fell in love with this drama so deeply with no cure for healing. For the record this drama and story aren't affair at all as all of us think what affair actually is and you could see that from the very start and the relationship between the married couple, they were more like business partners. Yoo Ah In and Kim Hee Ae have done the job brilliant in portraying the two people who met and simply, slowly fell in love through the piano playing, music sheets, Mozart, Liszt, Tchaikovsky, and many other classical geniuses. I was hypnotized and mesmerized with their conversations, with their playing, with their passionate chemistry, I can't remember when I've reacted like this to some couple and chemistry in drama, since MARS I haven't felt like this.
This is not some average bubbly romance drama; it's dark, complex, passionate, bittersweet, and sometimes even torturous. It's a true emotional, mature and adult romance drama where we'll cheer as hard as we can for love to win against all odds. It’s a story to show how love can change one for the best or the worst. I loved very much how they concentrate simply on development of the main characters, their constant battle inside them, their pain, their hope and most of all their passion. It had been a very long time that I had felt such complex emotions with such intensity. It was almost like I was one of them. Of course there are boring parts, for example the part about business and all those irritating female characters who were so evil, bad and gossiping around, I really hate that. But except that everything else was a masterpiece for real. Yoo Ah In as a young piano prodigy was magnificent, he once again proved to me why he's one of my favourite actors in the whole world. When he’s onscreen with Kim, they make beautiful music together, both literally and figuratively. The love story generates plenty of heat, and feels genuine and quite moving. As long as the two leads are playing duets together or sharing bowls of noodles, everything else was in the shadow, only them and their fantastic chemistry.
Unlike in the most of average dramas, the music actually added meaning and depth to the drama. They played so many beautiful pieces from so many great composers and anyone who has any appreciation for classical music is going to enjoy this drama enormously. This drama is a bit slow, but it didn't bother me at all. I loved that I could see and feel their every gaze, touch, and emotion. I was able to synchronize my emotions with them, to understand and feel how they fell for one another.
For me this drama has a deep meaning and definitely left me with so many great and honest emotions. If you're like me a person who loves a true pure romance dramas with adult and mature thinking with endless love for music in your daily life, then this drama is for you.
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1A SECRET GEM!!! A COMEDIC MASTERPIECE!!! 11/10 ✨???
This is the first review I write after having watched almost 300 K-Dramas and 100+ movies. And I'm doing it because "Seoul Busters" is worth every type of PRAISE!!! 👏👌🤌🏆This rightfully took a place in my top 20 BEST KOREAN DRAMAS ever!!! 🔝And here's why:1) THE CAST. 🔥Every single member of this cast did a stellar job.✨They delivered amazing performances, in both comedic and dramatic moments. They had such wonderful chemistry with each other, they clicked perfectly. 💯I couldn't see any other actor/actress in their places. They're literally the PERFECT combination. 🤌
2) Sometimes you need a good laugh, not complicated things, just something to brighten up your day. 🌞And boy, does this drama provide you with endless laughs. 😝I haven't laughed this much with a piece of cinema or TV before and I'm not referring to just Asian content. "Seoul Busters" made me CRY tears of laughter, so much, my belly hurt from laughing.🤣 I watched all episodes with my mom and we made sure to watch them in a time during the day where we could laugh loudly without waking up any neighbors!!!😜I looked forward to the new episodes each week because they lifted my spirit and even during bad days they never failed to put a smile on my face. ☺️It's not easy to make that happen but these characters, these super talented actors made it happen.❤️
3) You think it's only humor?? You're WRONG. Despite its obvious comedic tone, the drama has plenty of touching, even tragic moments that will break your heart. 🥺Especially the second half of the drama will definitely make you shed some tears. 💔But it's all perfectly executed and ties in with the plot well.
4) And what about the cases of the week?? 🚓So many cases, so many suspects, so many plot twists. 🧐Each case intriguing and different than the other. And also, very good guest stars making things even more interesting. 👍
5) The action??💥 PLS!!! They were all so badass, I loved the fight scenes and their planning, and going undercover.🔥 Each member of our Violent Crimes Team at had something unique to offer and put their skills to good use.👌
6) Rewatch value??? Trust me, I'll be having all 20 episodes on repeat for a long time. 💯It just makes me feel so good watching and hearing these guys, they won such a special place in my heart, I'm so grateful for the good times they gave me!!!😊✨
7) SEASON 2, PLEASE, I'M BEGGING!!! 😭This drama wrapped things up very well but it left the window open with a perfect opportunity to continue for a second season. 😁I have never had such a passionate desire for a K-drama to be renewed for a second season before!!! ✌️Where do I sign the petition for S2 to be announced ASAP???? I don't want to say a final goodbye to my favorite characters just yet!!!🥺
To sum up, "Seoul Busters" is a K-Drama I would recommend to EVERYONE, it would be such a shame to lose such a gem!!!✨ It's perfectly balanced in every aspect and has a wonderful group of actors who bring unique, unforgettable characters to life.✌️ I'm so glad I decided to watch it, it didn't disappoint or bore me for one second!!! I'll treasure it forever ❤️😊
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1A Dark, Addictive, Masterpiece-Level Chinese BL
REVIEW UPDATEDI can’t believe I’m saying this, but this series might actually surpass Revenged Love as my number one BL of the year.
I love dark, toxic, and manipulative stories. It’s fictional, so I know it’s not real, but it’s thrilling, intense, and way more addictive than the typical “green flag” BL. This series nails it.
If you’re not watching, you’re seriously missing out. Once you start, you won’t be able to stop.
To My Shore is a perfect 10 for me. From the first episode, it grabs you with its atmosphere, intensity, and emotional tension. Yun Qi as Fan Xiao is only twenty-three but carries the screen like a seasoned star. He’s dark, manipulative, a total red flag, and he even hurt himself just to make his lover fall for him. Bold, magnetic, and completely sure of what he wants, he’s terrible in the best way, and that makes the show impossible to resist.
Yi Ran Hao as YouShuLang brings the perfect balance. Their chemistry is dangerous, intimate, and impossible to look away from. YouShuLang’s heartbreak hits you like a punch to the chest and stays with you long after the episode ends. The interrogation scene was breathtaking, full of tension, fear, and chaos, and Fan Xiao’s twisted love felt painfully real.
What makes To My Shore unforgettable isn’t just the plot but the way it makes you feel. The direction is sleek, the pacing tight, and every scene pulls you deeper into their twisted connection. Every moment hits like a masterpiece
And finally, can we give a round of applause to all the actors, the production team, the crew, the staff, and the directors. They literally had to fly from China to Thailand to film this just to avoid censorship from the Chinese government.
I’ve been to Thailand twice and I’m going again in a couple of weeks, and let me tell you, Thailand is extremely hot, even during the cool/dry season. These actors were filming in full suits, in a foreign country, without knowing the Thai language, and still delivered such an incredible performance.
Chinese BL in 2025 is not just entertaining. It is setting a new standard. And To My Shore is absolutely one of its crown jewels.
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THE CASTING & ORIGINAL STORY SET -UP
In a recent interview, PD Ahn said he wanted to work with SYJ. He felt that she was the best actress to play a mid-30s woman at the centerpiece of this realistic drama. “That’s why, from the very beginning, I thought that there was no one else for the leading role of ‘Pretty Noona’ but Son Ye Jin. I only contacted one person [for the role], and it worked out. She decided to take the role even after seeing all the negative sides to it.” He added with a laugh, “I was really surprised.”
SYJ said she also wanted to work with the director. Her fellow actresses gave him high marks. And when she was recruited for the series, PD Ahn promised he would do things so she could meet her goals. As a result, the series was shot more like an independent art film. There were little wasted scenes. And the mood on the set was fun but professional.
SYJ is a professional. Her reputation is to immerse herself in her characters. She was aware of the negatives of JA (her life, her decisions, her mistakes, etc.) He claims the scripts were all read in full in October, 2017 (but does not say if the scripts were changed in the end).
In initial filming before the premiere, JA’s character was described as a hard working person with a lonely personal life where she stares at empty bottles of liquor. She is a typical South Korean woman in her 30s who feels emptiness in her heart because she doesn't feel accomplished in either career or love which every woman around her age can empathize with. Son Ye Jin is showing so much motivation and effort as she is always holding onto her script and having numerous discussions with the director on expressing her character more fully. She is doing a great job in portraying Jin-ah's change of emotion with her detailed acting and really becoming the character. Everyone should be expecting great things to come out of this drama,” a staff member said.
At the beginning, JA’s situation can be summed up as follows:
1. She is 35 still living at home with her parents.
2. She is going out with a terrible BF who has cheated on her after she slept with him (meaning she was serious about the relationship but he was not).
3. Her mother is pushing her to marry the terrible BF because of his status and JA’s age.
4. She is stuck in a dead end job subject to work place harassment and takes blame for others’ mistakes.
JA character is a meek, introverted, weak, hard working but repressed follower of society norms. She really does not talk about goals or a future. It appears she has resigned herself to an unhappy life because she is trapped in a culturally oppressive and socially conservative paternalistic world.
The show was always set up to be JA’s journey to self-awareness and independence. It was meant to be a realistic sad story.
What hooked viewers in the initial episodes was the chemistry between JA and JH. It was an unintended consequence because it masked the original story line and theme. PD Ahn stated in that recent interview that the theme of the show was the simple question:
“Are we really in love?”
THE INITIAL CHEMISTRY
If you look objectively at the beginning of JA and JH’s romantic relationship, it was a quick and burning passion. The reason for JA was simple: she was coming off a dead cat bounce relationship with her cheating ex-BF. Since her mid 20s, JA had been groomed by her mother to go out with a certain kind of man (one of status, means and upward mobility). JA’s only hope with these blind dates was that the man would “like” her. JA went out on those dates not out of a search for love but obligation to her mother. JA must have seemed that this current ex-BF was her best shot since she was serious enough to slept with him but his betrayal left her bitter, angry and alone.
JH returns to Korea after 3 years in USA. He is friends with JA’s brother, SH. He knows JH dates many women (because of his looks and charm). He knows he has a stubborn temper. JH is young and carefree in YOLO life style. JH grew up without parents so it appears that he is still harboring abandonment issues. He had dated many women in the past, but apparently could not get beyond 3 months (which is interesting since the 100 day mark in Korea is a milestone of a “serious” relationship.) He is charming, attentive, but also selfish, temperamental and paternalistic.
In a chance timing of motive and opportunity, JH returned to Korea after three years, and the first cute woman he saw he went after (surprising himself that it was his noona.) The surprise flirtation and familiarity was the spark to set them on a quick path to become lovers.
JA and JH get caught up in the mystery, excitement and secrecy of their romance. So did the audience. It was clear that JA and JH loved being together. It was an infatuation.
Attraction? Yes, they both complimented each other about their appearance.
Escapism? Yes, they both were coming back from negative experiences to find comfort in each others’ arms, away from their daily grind and problems.
Infatuation? Yes, the hot and secret aspect of their intense and short lived passion for each other.
True love? No. Even though viewers were caught up with the initial passion, the couple’s relationship was foreshadowed to be doomed. As reality encroached on their secret life, real serious issues arose between their family members and friends which the couple did not or could not discuss and work out together.
How each character viewed their relationship was telling:
JA did like the fact that a younger man found her attractive and desirable. It may have been a long time since a man approached her (instead of through blind dates). She wanted to keep it a secret because she knew it was all merely fun: companionship with benefits, not a serious relationship. Also, JA wanted to keep it secret because she knew the negative ramifications to her family and friendship with KS.
However, JH did not want to keep it secret. This showed his naivety. His character always lived in the moment, not thinking long term consequences of his actions.
Their relationship turned into a cliche teenage crush. And as the episodes went on, there was no intellectual, emotional or spiritual growth in their relationship. They never discussed a shared future together.
THE MIDDLE CONFLICTS
The greatest problem with the story was JA’s interaction with the people around her. It was an intentional portrayal. She was an apologetic follower. She rarely stood up for herself. Her decision making was mired in self-conflict, self-doubt. She thought the world viewed her as a commodity and not as a person or a woman.
And this was embedded in how she dealt with her personal life, including her affair with JH. The series lacked deep discussions between the characters that is the foundation for serious relationships.
JA was conditioned to be subservient and accept what others told her.
What were the major issues in JA’s life?
1. Her mother’s desire that she marry the “right” man. But after a serious of loser boyfriends, JA had basically given up on a chance to meet Mr. Right, someone she could passionately love while be acceptable to her family.
2. Her job was becoming more unbearable. The demands and blame she took for other workers mistakes were mounting. The harassment of her by superiors was intolerable. She was in a dead end job with no real chance of promotion.
3. She had few friends. KS was her best friend who she could confide in. It seemed that JA had a hard time making new friends. When she does make a close friend, she tries hard not to break that bond, even it means hurting herself in the process.
4. She has a maniac ex-BF who wants to get back together or ruin her life.
How did the couple “work” to resolve these issues? They did not. JA and JH were merely apologetic to JA’s mother about their relationship, but did nothing to convince their families that they had a future together. JH did nothing to help JA resolve her work place issues, or support her if she wanted to change career path. JH brought JA to meet some of his friends (on the overnight trip) but JA did not do the same. (this shows JH was more into the relationship than JA). JH got jealous and violent about JA’s ex-BF which contributed to conflict between them because he did not discuss beforehand with JA his actions.
The breaking point was JH demanding that JA come to him to the US. Of course, JA said no. She felt insulted that JH’s solution was to run away from problems. (Not to mention that it would be impossible for JA to suddenly move to the US with no job, no spouse, and no money with the country’s current immigration policies). JH solution was that JA would be there for him. He was angry that she rejected his solution. He never understood her position, her feelings or her long term goals.
The couple’s initial passion glossed over several important aspects missing from consideration on whether this was heading toward a serious relationship or “true love.”
1. Communication. Their communication was superficial. They did not discuss important issues or ideas which represents mutual immaturity. They never opened up to each other on what their personal goals were (job, career, changes, etc.) or how they wanted to achieve them. They never really understood the other person's emotional state, and they never deeply discussed how the other person felt in a given situation. I recently read a psychological study that concluded that many people told “white lies” early in their relationships as a means of making themselves more “attractive” to their partner. Usually, those minor lies were used to build up a person’s self-esteem or enhance their traits (prospects) to the other person. But in JA and JH case, those lies were meant to hide the truth and real feelings (under the fabrication that they did not want to “hurt” the other person.) Instead of talking things through, they glossed matters over and then began to mistrust each other. The each called the other “childish.” They could not talk to each other about serious matters because they were caught up in the teenage aspects of a romance fairy tale.
2. Compatibility. Sympathy, friendship and like-mindedness are critical foundation blocks to any serious relationship. JH knew about JA’s situation at home and at work, but his support for her situation was tempered and distant. He wanted to control the situation. Likewise, JA did not seek out his advice on how to find a solution to any of her problems. Also, JH did not ask JA for advice on his work, his options or his troubles. JA and JH knew each other before dating, but there is no evidence that they were “friends.” Friends have mutual interests, concerns, ambitions, support, trust, varied experiences to share. JA and KS had serious discussions as friends. JH and SH had serious talks as friends. But JA and JH never had such a connection because such “real life” discussions would have interfered with them hanging out together and having fun as a new, care free couple.
3. Commitment. JA and JH never discussed the big things like their expectations, marriage and family life together. JH’s solution was unilaterally demanding JA move with him to the US. He never asked her hand in marriage. Some women would call this behavior selfish, inappropriate or “clingy.” JA’s solution to move out of her house so she could continue to date JH but not live with him showed that she was not ready to fully commit to him (she would later say she had things she wanted to be independent to become strong.) They never had the heart-to-heart discussion of “making plans” together as a couple. Even though both are adults, they both had serious maturity issues.. (Continuation at the comment section)
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Next I cannot express enough how much I loved the music for this drama as I felt it matched perfectly with it and find myself tearing up everytime I hear the song pray whenever a dramatic moment happens.
As for the acting of the two main roles I would say that Shin Hye Sun did an exceptional job at portraying her character and everytime in her dances whenever she would want to express her emotions. As for L I know some mentioned that they disliked his acting but as for me I though he was perfect for the role of a fun-loving and kindhearted angel and together they made a perfect couple with an unbreakable bond.
I’m not sure how others thought the ending was for them but as for me I am definitely not dissatisfied with the way that it ended as I liked them a lot together but I would of liked to see them be a classic tragic love story that makes you feel emotionally sad but warms your heart when you think of how tough their love was.
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Filmmaker Bong Joon Ho once again surprised us with another masterpiece named Parasite. Where powerful social satire meets tragedy. The director did a great job portraying South Korea's current views on society exposing the underprivileged slums of most modern cities and it's citizens living in completely different worlds despite staying in close proximity. You are likely to find it relatable as the themes of this story are not just localized to Korea, but all over the world. Having its fair share of global capitalism and universal materialism, Meritocracy being the biggest trope of this movie.
Now, the best way to enjoy this film is to cluelessly get into it, its charm is to watch it progress and unfold in many satisfying, unexpected ways.
You can definitely see a unique directorial vision as Parasite welcomes the audience into multi-genres and tonal shifts that mix and take its turn after every act. Pure comedy, dark comedy to heavy drama, horror, thriller, mystery, you name it. It is one of the hardest things to pull off but the director converts them smoothly without letting the audience feel indifferent to the transformation. It manages to elicit the full range of responses, making the viewer react with uneasy laughter to unexpected situations that eventually lead to disturbing events full of horror.
Now, who are the real parasites? The poor who attach themselves to the rich or the rich who suck the marrow of the poor?
Satirically, it managed to portray how we may live under the same skies, but have different views regarding life.
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"You know what kind of plan never fails? No plan. No plan at all. You know why? Because life cannot be planned."
Success and fortune are reserved for those who deserve it, those who develop solid plans according to their talents and abilities and who execute those plans through hard work and determination. Anyone can rise to the top, but for those who cannot escape their sad reality will ultimately turn for the worse and thus start to justify their immoral backstabbing, deceit, and callousness for reasoning that can be only explained by growing up poor without support from others.
The characters all have different aspects to them that will be received and viewed differently due to the viewers own biases and world views. This isn't a bad thing as the movies main point is to deliver a provocative social commentary in various metaphors. And the best way to do so is to create morally questionable characters that will resemble at least one familiar person known to you.
,,Greed is inside each one of us, but the question is, how much are you willing to sacrifice for an idea of life in comfort?''
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All in all, Parasite is a fantastic case of hard-hitting yet entertaining cinema.
And one of the best movies recently made in Korea.
Thus I will rate it 9.5/10
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This review may contain spoilers
Playing Peek-a-boo With the Interesting Plotline
Khun Dad!?! Dafug you mean Khun Dad??? And what the hell was that dancing pose? Dude out there looking like a confused triangle. Look, I’m used to people in love having ridiculous nicknames like my Mosquito net, Donut lips, Baboon butt and Chicken thighs. But I draw the line at effing Khun Dad. Dafug?? Can’t believe Bank was able to say that with a straight face and Mos didn’t throw up on him every time he said it.Anyway, I’m sure y’all remember that abomination when Pit Babe made us throw up our lunch going ‘Mama, Papa’ *race car noises*, right? Yeah, prepare to wanna throw up last christmas’ turkey, cuz there’s a whole new cringe in town.
This week on BLs Cringe Hot 100
#1 Khun Dad. [NEW]
#2 Mama, Papa, Pitbabe. [-1]
#3 I’ll Kiss You Till You Drop, 2gether. [=]
#8 I'll Be Your Vaccine, Fish Upon A Sky [+3]
This was legit me when I heard that nickname for the first time.
SALIN: We are soo in love, let’s have cute nicknames. I’ll call you, Khun Dad. *in love noises*
ME: Did he just say…nah, *shakes head.* I must have misheard.
SALIN: Khun Dad.
ME: God forbid!
WHY Child??? May this level of inlove-ness-ness never locate me! Mister effing Dad?? Why? Peoples, he said Khun Dad with his whole chest!! Maybe I found this repulsive because I’m as romantic as those bl scenes where they think giving their partners that yellow ice tea and drinking it slowly is romantic. Khun Dad. The devil is a liar!
Listen, thanks to dramas, single people have not known peace in this fandom. There’s always some romantic nonsense to make people look 1000 times more single. And in this show, there are so many romantic scenes from both the first and second leads that make single people look like they live in a hole, alone, with 21 cats. And yes, good for them, they are in love. But gawwwd do some of the romantic gestures makes me cringe.
- The Khun Dad
- The I love you in 6 languages or more
- That woman/Salin prisoner who turned into a light in the finale and promised to spend her next life loving Sun in a wig, who is a half snake lord of something. It vexed me, cuz the eff you mean after he locked you up for centuries you wanna be born again and love him? People in love should be abandoned at disneyland on their birthdays.
And do y’all remember that dancing Salin and Sun did on their first? date? That pose at the end was the most effing awkward, embarrassing, unsexiest thing I’d ever seen. Homeboy out there looking like the cousin of that one gingerbread from Shrek. Literally, what the hell was that? Whose idea was that? Get the hell outta here.
Khun Dad. Why, just why? What did we do to deserve this? What did I do to the writers? Why they gonna subject me to that? People In Love Are So Disgusting. Ew.
PLOT
SunsetXvibes feels like a fancy arse dessert I ordered, but when it came, it tasted like cupboard paper with pink sparkles. Cuz, why was the show playing peek-a-boo with the interesting storyline? Mfers had a naked guy napping in some water and spent 98.6% of the drama in the office talking about necklaces. Going in, I thought we were going to see behind the scenes of what happens in these sort of companies. You know, there'd be fashion shows like in the finale, biddings wars to see their designs worn by famous celebrities in magazines and events, you know, the ins and outs of the glamorous world. Instead we got them clicking on computers, talking about designing and meetings.
And okay sure, what I got wasn't want I expected, but interning at a jewellery company, cool, nice, but what about that butt naked dude? When are you going to tell me about him? How does it connect to this main plot?
The screenwriters were like: how many random flashbacks you want with no context or development?
Director: Yes.
Literally, were the flashbacks supposed to intrigue us? The first two times sure, but after we kept getting barely there glances with no correlation to the current plot-line, I straight up went and filled in my own thing.
ME: Ahh, so in his past life, he used to moonlight as a naked river god, who knew some woman. Either that or he went swimming one time and someone stole his cloth. Then I was like ‘hmmm, is it like The Sign? It reminds me of the sign, is a dragon looking snake gonna show up? Then bam, it showed up.
No, but the writers? ruin this. They had a good plot on paper, but they were so busy having the leads act all cutesy, and acting below their adult age with unnecessary nonsense misunderstandings, that, they forgot the actual plot, dragged the flashback reveal and forgot to connect the two stories. Plus that flashback seems to just be hanging around, you know, like that one uncle who comes for christmas and just sits in the corner? He there, we can see him, but like, we all pretending he has on one of them Harry Potter invisibility cloaks. When they finally told us what the hell the flashbacks were about, I’d lost all interest and was like ‘Oh, okay, sure, whatever, move it along. Did I remember to turn off the iron?... Wait, I don't own an iron.’
Although there was no connection of that flashback plot and this current one, cuz it's randomly inserted with no follow ups, it felt far more interesting. Because, the flashbacks plot had: unrequited love, Salin being the reincarnation/spirit? of the trapped lady, Nagas, Sun in a wig from Shein was like some lord or another and Salin killed someone. Interesting stuff, tell me more.
Instead, we get Salin designing something that always gets stolen/patented, the company turning into a dating app for Salin and his friends. Also, what does Yo and Pim do all day? Sure they on the computer but are they designing stuff or just ordering lunch? Then of course in-between the two things happening there are lots of NC scene. From the pool table to that artsy painting room, to Sam's office sofa, to that dressing room... which were all...hihi...yeah...stuff. Having soup while watching/hearing that NC in the finale was unfortunate.
So yeah, I wanted a correlation between the two stories, instead the writers threw the plot with the Naga and murder away to make room for unnecessary stuff. And what the hell was that finale? Talk about if irrelevant lived next door to uneventful and anti-climatic. The finale was filled with awkward cringy scenes. Which meant the flashback plot was quickly wrapped up with nonsense. Literally when did we see lord Sun in a wig always being there to protect Salin? And that was it? that woman who has been trapped for forever turned into a light and died? And since when can Salin close his eyes and summon Sun in a wig? LIKE??? arrgggg. meh. I’m sure the writers wanted the flashbacks to intrigued us, but with no real connection to the main plot it became uninteresting. Cuz really, what was I supposed to be looking forward to with 3 seconds flash back every two episodes?
Also, that man person with a gun in the finale. Who the hell was he? What was his job, and why the hell did he want to steal designs? I'm sure he was introduced in the start, but he's so forgettable and irrelevant that he could have been replaced by one of those necklaces and it wouldn't have made a darn different.
And can we talk about when Salin finally found out what the flashbacks were about? I expected more reaction from him, but homeboy came out of the flashback, ignored everything he saw, and instead went to design a necklace. CHILD??? You not even gonna wonder how this lord who looks like Sun in a wig likes you in this lifetime?? You gonna save your past self or? What kind of dollar store arse reaction was that??
Literally this was him when he finally found out what his dream/nightmares were about.
ME: Wow, Sun's the reincarnation of the lord/guy in the wig???
SALIN: Did you see his necklace?
ME: OMG your past self, who is still in the cave, is alive. There's two of you. You gonna save her?
SALIN: She was the one who gave him the necklace.
ME: You killed that woman. You murdered a person with dark smoke magic.
SALIN: I'm gonna design that necklace.
ME: But---but there's literally two of you in existence right now, and you killed a sister.
SALIN: Anyone have some crayons, I need to start designing.
HOW? Just---HUH? No, but really, dafug was that reaction? If the character himself doesn't think it's important, how are the viewers suppose to be interested or take it serious? That whole flashback story-line felt like it was written so Salin can design a gothic looking necklace to win the competition, which was completely unnecessary. Not gonna lie, that whole award competition felt awkward with unnecessary cringy dialogue from the staff. I'm gonna comfort myself by believing Lin's design won cuz it was different looking than the rest...cuz ain't no way.
And while the flashback plot wasn’t giving us much, the main plot wasn’t keeping my interest either. Lots of cutesy stuff, with adults acting below their age and not much else going on. Cuz the plot with who has been stealing/patenting designs ended in 0.2 seconds. It was so anti-climatic and ended so quick, they needed another character to overact and explain it to the viewers for 5 unnecessary minutes complete with an ad. No but the finale was... did they run out of ideas and had 1 hour to fill? Cuz literally, the eff was that work bathroom scene? On the plus side, some of Sal's outfits in this drama slays, so at least I can comfort myself with that. yaay me?
I think MosBank can do so much better than this plot. I saw them in Big Dragon, so seeing them act different here, all calm, cute and innocent, and being all in-true-love is refreshing/different to see. Although they are the leads, I don’t think they are the reason for how unremarkable this turned out. The plot is just very mediocre, sort of repetitive and boring. They didn’t have much to work with. Yes, they had the chemistry to keep fans watching, but unfortunately, their chemistry couldn’t save this. Everything was so meh that in some scenes they seem to even loose their chemistry, and those two has a lot of it, even on random Tuesdays. And there was only so much the supporting cast could add. I hope in their next work, the plot is more interesting, and it doesn’t rely heavily on the actors carrying the show of a poorly executed story.
CHARACTERS
The supporting cast didn’t have much going for them. Still, they each had something small going on, though the ones that stood up the most were the second couples. They were cute. I was cheering for Sam and Yo from the start. Their chemistry was chemistrying. And they knew the correct way to call each other, P'Sam and Nong Yo, very cute, no vomit in sight. Also, was everyone as surprised as I was to find out Sam goes to the gym in-between buying hair gel?
LMAO, was I the only one who laughed at Sam's new look after his secret of being the second son of the company was revealed? Homeboy showed up with a whole new hairstyle, minus glasses, and a single strand of hair threatening to poke him in the eye. I was like, okay, arite, I guess poor people don’t use hair gel, good for you. LOL.
I feel the gl couple could have developed more, instead of Prim spending most of the series being nonchalant. When they did get together, I couldn't really vibe with their chemistry, they cute, but I wanted more reason to cheer for them. Like with Sam and Yo, where they had those little moments that all added to them falling in love. Looking back all I recall of the gl couple is Prim always saying no to whatever Pim was asking her. So yeah, they were there.
My fav scene in this whole series might be when they found out Lin’s dating the CEO. Sam’s face going ‘I can’t believe I’m related to this dumbass’ made me roll with laughter. I also liked when Lin dropped kicked that weirdo. Oh, and how the friends were not surprise that Sam and Yo were dating. I mean, you could cut the intense with a bread knife.
Oh, and what the hell was up with those random foreign language one liners they kept inserting? Is that whats cool these days or am I not chronically online enough to be in the known? First it was just Pim, but then everyone was suddenly doing it...okay? And like, was it me or did the finale never seemed to end? Whenever I thought it was over, another scene popped up.
Now, Back to the Khun Dad debacle. Anyone else wanted to throw tiny rocks at Lin every time he said Khun Dad? That shit was corny and cringy as eff. People in love deserves no rights. And Salin didn’t even say it once and got over it. Every second he was like, Khun Dad do you want to dance? Khun Dad do you want to eat shrimps? Khun Dad see my necklace. Child!! will you keep quiet??? I’m gonna be haunted by this until MosBanks next drama.
Anyway, in the end, it is what it is, and the bad execution of the plot ruined an otherwise interesting story. I expected a lot more from this. I hope MosBank gets to work with a great story(well executed) for their next project, so people see how talented they are. I'll still recommend this to fans, and anyone interested in boss-employee relationship. And to those who like CEO sons pretending to be poor stories, cuz you'd like Sam and Yo.
EDIT: HAHAHAHAHSKJWPRISKEJR.... soooo in the special episode.... Lin is pregnant? Or is gonna get pregnant. Literally, what in the random arse plot was that? sudden... mpreg? well it was planned, but whomst?? who's driving this thing? what's even happening?
That being said, the main song of this drama was soooo good! At least they got one thing right.
Anywho, Khun Dad I guess.
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Past Lives
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This review may contain spoilers
About a great service of love AKA a fateful, karmic relationship
"Past Lives" is a US production. Both the author and the two 'Korean' leads have Korean roots, but they did NOT grow up in Korea, nor do they live there. The story is autobiographically inspired and is dramaturgically presented in authentic dialogues on the one hand and selected, visually impressive sets on the other. It is about the aspect of fate (and or Karma) in encounters as well as pondering platonic love. "Past Lives" is indulging into the emotional world of more or less accountable and sensitive reflection of the protagonists, especially of those two extraordinarily mature, fine young men. You rarely see that. Additionally, as far as camera work was concerned, light and perspectives were chosen with care and thus implemented as supplementary actor, sort of. All this is quite wonderful and has already been widely praised. “Past Lives” is thus a movie well worth seeing.This movie presents South Korea and an attitude towards South Korea through the eyes of a South Korean girl who during the 1990s emigrated with her family at the age of 12. She then grew up in Canada, tried her luck as a playwright in New York, married an American, received the green card as side effect, and is ambitiously seeking recognition and success as a writer today. “Past Loves” thus has its positive emphasis on life in the US. The protagonist´s family had turned their back on South Korea. However, besides everything else, that has been already mentioned all over the place, I would say, that "Past Lives" is actually indirectly, in a rather subtle, reserved, unobtrusive way, (almost overlooked and hidden underneath the shiny, promising dominance of the US,) about positive Korean specific qualities, too... Therefore…
Generally, “Past Lives" juxtaposes those two ´worlds´ rather dichotomously. THERE South Korea, the country of origin that was left behind - far away and rather in the background, in the camouflage colors of the military and surrounded by plenty of soju. HERE the USA - reduced to a highly stylized New York (and artist retreat on Long Island), that is bathing in beautiful light and selected colors. In several respects, the United States is presented as the unrivalled better choice.
However, we experience these worlds through the eyes of the protagonist. In Nora's eyes, South Korea stands for conservative narrow mindedness, constraints, lack of freedom (which to some extend is certainly true). The USA, on the other hand, for her is the symbol for freedom, creative power, partake (should, could, might as well…). Eventually, those world views turn upside down. These are prejudicial concepts, both of which are not generally correct, e.g. each not representing the whole truth.
So, KOREAN normal everyday life is portrayed as conservative, shaped by her parents perspective and Nora's childhood impressions of the 1990s: the young democracy, already economically shaken by the Asian crisis. Her parents were artists and as such one way or another most probably influenced by the shaky turbulences of pro-democracy movement of the 1980s. They wanted a fresh start. Yet, what remains in Nora's memories? Very vague memories of school days, of what was said at home, of the striking images that remain impressively to this day. Bottom line: 'Men have to do their military service.' 'People are conservative and unsophisticated.' 'Men dependently live at their parents´ home until marriage.´ ´You can´t proceed in life.´
On the other hand, NORTH AMERICA is the much-cited world of unimagined possibilities. For Nora specifically, it is about a liberal world for the arts. She´s dreaming about her successful future, while the ambitious daughter may actually be living a much wanted life in lieu of her parents, too, to a certain extent. However, this ambitious dream is symbolically captured as an aesthetically abstract decal of New York and the Montauk artist retreat. For Nora, the USA represent a possibility to fulfil her dream of international prizes as an author. Thus, the USA as the center of her life is uncompromising and practically non-negotiable. That's okay and understandable.
This South Korea in the movie has a strong touch of Nora´s own prejudices. Apparently, she never emotionally processed or reflected her relationship to her country of origin. A deficit, which may also narrow down the perspective of the audience. Therefore, I would like to stand up for positive 'Korean merits', which only shine through subtly. In fact, though, they are formative for the characteristic poetic quality of the story. They come along in the person of Hae Sung. Thanks to him Nora can finally hold the key to her emotional freedom in her hands. (Whatever she may do with it now...) Thanks to Hae Sung (so to speak) she got her story and thus her tremendous success as a writer and director, too.
If you don't identify with Nora´s enthusiasm for the US so much, it might be easier to recognize those ´Korean merits´. Hae Sung actually embodies the opposite of what has settled in Nora's mind about South Korea. He stands for a new spirit among the digitalized young generation - even though he is an engineer. She, however, sees what she wants to see, reducing him to military service, close family ties, his clearly structured career and his reserved answers to her questions about marrying or rather not marrying his girlfriend.
Nora overlooks the fact that in his half-hearted answers about marital responsibility he carefully avoids generalizations so as not to overwhelm her with his feelings for her. She overlooks the fact that Hae Sung is indeed the courageous creator of his own world, possibly facing life even more creatively and openly than she dares herself. He chooses to study abroad in China because he wants to learn the language and because it may suit his career, too. He is ambitiously following his career plans, just like she does. Nevertheless, he is open to life´s challenges and ready to completely turn everything upside down. He is actively dealing with what is going on between the two. He prefers not to go for a logical, reasonable marriage. Instead, he takes what his heart tells him, seriously. He wants to sincerely check it out. This makes him vulnerable, too. Actually it was him, who originally went looking for Nora. With courageous creativity he took the chances life had to offer in his own hands. From a practical point of view, HE thought creatively and acted courageously. Nora on the other hand was the one, who, to a certain extent, simply unwinds her program without looking to the left or right.
Back then, when she left South Korea, she just put her feelings away, came up with a new name, learned the new language and left her best friend (and Korea) behind like an old toy. Since then her feelings for her old homeland only slumber unconsciously in her dreams. In her life, which is highly concentrated on her career as an artist, her past and origins have not been given the place they deserve. Hae Sung has to come first to open the door to that forgotten dungeon of her heart.
Still, we don't know whether Nora was able to take the 'little one' in herself by the healing hand - the 12-year-old Na Young, whom she had left alone in the past. All we know is that Hae Sung gave her a chance to reconcile with her roots and a hidden, almost forgotten part of herself. His great service of love was: not forgetting her, not giving up on her; looking out for her; meeting her, too; recognizing her for who she is; reminding her of something else, that she had almost forgotten; and finally letting her be - in an understanding, loving, respectful, ´Korean´ manner. Even if it hurts.
Actually, being himself, he represented another powerful aspect of South Korea, that Nora had so far not realized as such: A finely nuanced, rather emotionally dominated and yet respectful attitude towards life. This in contrast to a rather dichotomously shaped - black/white, good/bad, yes/no -, rather reasonable approach towards life, as it radiates from her 'North America'-concept.
At the heart of "Past Lives" is the probing of the protagonists' feelings for each other. What are those feelings supposed to be? Platonic maybe? Or more than that? And of course the story lives from the attraction of 'What if?'. This careful scanning of a space of potentiality is processed aesthetically cultivated, and stylishly. Respectfully too. Finally there are tears. ´Past Lives´ it is… However, the striking poetic aspect of this story is only made possible (in my opinion) by this very South Korean Hae Sung, who is not afraid to meet the multilayered complexity of emotional depth, confusing affection and difficult challenges in life, and (!) who is also not afraid to back off in respect to a larger context either. Thus he eventually even provided her on the silver platter of his heart with the so much longed for international artistic success...
PS:
Must be the 'In-yeon' they keep talking about throughout the movie...
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SIDE NOTE:
In-yeon = a fateful, karmic relationship
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1This review may contain spoilers
Bound by fate, kept by love, strengthened by never giving up
Khemjira stands as one of 2025’s most unexpected triumphs, not only within the BL sphere but across Thai television as a whole. What appears at first glance to be a mere romance quickly reveals itself as something far more layered, weaving love, destiny, forgiveness, and spirituality into a production guided by impeccable direction and elevated by unforgettable performances. It’s rare to encounter a series so complete, where every frame has purpose and every choice resonates beyond what the eye can see.From the opening episode, it becomes clear that Khemjira is committed to charting its own path. By blending horror, drama, and romance, the series crafts an atmosphere both gripping and deeply moving. The story of Khem and Peem, or Pharan, unfolds with a tenderness that feels disarmingly genuine. Their love grows in cautious steps, shaped by hesitation and longing, and it’s precisely this slow burn that grounds their relationship in something recognizably human. Watching the master finally yield to love after so much resistance is profoundly rewarding. And when both characters find peace at last, granting themselves permission to love freely, the experience delivers a relief as tangible as a breath you didn’t realize you were holding.
But Khemjira’s strength extends far beyond its central romance. The writing gives every character depth and intention. Jet and Charn, for instance, form one of the most thoughtfully crafted secondary couples the genre has seen in years. Their easy, playful connection serves as a gentle pause amid the narrative’s emotional weight. Every storyline flows naturally into the next, building toward a conclusion that is as cohesive as it is moving.
And what a conclusion it is. Nearly two hours of uninterrupted storytelling, and not a moment feels superfluous. Every farewell, every reunion, every gesture of forgiveness lands with purpose. Ramphueng’s redemption, her long-awaited reconnection with her son, emerges as one of the year’s most affecting scenes. A character shaped by grief and rage finally finds peace. Khem’s act of forgiveness, more than symbolic, breaks a cycle of hatred and reminds us that love, at its most sincere, is inseparable from compassion.
DMD’s direction deserves particular praise. A company often acknowledged for technical competence but not necessarily for narrative strength, it surpasses expectations here. Pacing, performances, visuals, sound, everything aligns with striking precision. The series treats Thai spirituality and cultural elements with a level of respect and intentionality that elevates each moment, transforming the entire production into something quietly profound.
KengNamping and TleFirstOne prove themselves perfectly cast. Keng’s portrayal of Pharan commands every scene with a calm power, while Namping infuses Khem with tenderness, courage, and a steady emotional depth. Their chemistry is undeniable, but more compelling still is the sincerity with which they portray vulnerability. Tle and FirstOne, as Charn and Jet, deliver warmth and charm that balance the narrative beautifully.
Visually, Khemjira is nothing short of breathtaking. Each shot is composed like a painting, every interplay of light and shadow deliberate. Costumes, makeup, and visual effects are exceptional, especially when you consider that we’re talking about a Thai production, where technical polish is still far from the norm. The spiritual sequences, in particular, are impressively executed, elevating the narrative without ever feeling excessive. The soundtrack ties everything together with emotional precision, enriching the story without overwhelming it. At its core, Khemjira is a meditation on love and destiny, on bonds that outlast time, death, and even karma. It’s a story about forgiveness, renewal, and the courage to choose love despite the pain that often comes with it.
Watching Khemjira becomes an experience rather than a simple viewing. It invites you to feel everything, fear, longing, joy, ache, and few series manage to offer something so complete or so lasting. It’s one of those rare stories that ends but refuses to leave you, filling the heart while leaving a quiet, familiar ache of missing it already. A gift for anyone who still believes in stories that reach the soul.
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A lot better than expected
It's an interesting drama based on the reality of how the kpop industry works. I came to this drama because I know OnlyOneOf as a group. Because of that I thought this drama would be really cringe to watch (they are rookie actors and have no experience in acting), but I was honestly surprised with the overall quality. It's a low budget drama, but it's ok in terms of korean BL dramas.The story was compressed in 8 episodes of 15 minutes what made it feel too rushed. Things were happening too quickly so they used a lot of flashbacks to tell the story. It was smart in storytelling, but as a viewer it feels like you are being attacked with a lot of information from all sides. But that's my only complaint about the script per se. The adaptation from the webtoon was well done and I honestly think it was WAY more sensitive about the topic than the original work.
Like I said before, they have no experience in acting so I wasn't expecting much, but some of them really have a lot of potential. Hyunbin is an annoying, but really charismatic villain. You can know the actor for a villain is good when you feel angry the moment he shows up. In the terms of acting, I think KB was the best one. He looked evil for real. Eden and Jihoon were good as main characters. Eden did look innocent, but not dumb (so common in BL) and Jihoon was an experienced sunbae, but he wasn't an annoyingly cold character for no reason (also common in BL). The characters were well balanced and the actors did well. Nine did a specially greater work in the scenes he was angry which seems a funny thing to actually happen. I don't know if he rehearsed those parts more or if it was fun to him to manhandle KB, as he's the youngest and KB is the oldest.
Jay was an adorable character and I hope to see more characters like him in BL. A character that will back off after hearing a "no". As any BL fan know, characters in Bl usually thinks a "no" means a "try harder".
About the whole plot, I GET that some people will get angry with it. K-pop fans will probably get kinda pissed too. The plot says "the K-pop industry uses gay fanservice to please fans". But is it a lie? EVERY K-pop group will do that and that's set by their company. If you read that and thought "those two (any ship name) don't do that because thy are really close for real", then you know the industry made it work and it already got you. Yes, most idols from same group are probably close, but the fanservice IS REAL, so please don't fool yourself. They will do things on stage, they will lovingly look at each other, they will hug and hold hands and do all that and 80% of the time all this is for show.
All that being said, the whole plot of this is great. It shows how the industry works and how fans respond to it. Now imagine this: companies make their idols do fanservice and among them there are straight people, but there will be queer people too. Imagine working in a place that forces you to PRETEND to be gay as a job, but WON'T ACCEPT you if you ever come out. In this story every main character is canonically queer. Eden even represent a queer kid growing up with a heteronormalized mindset. His first love was a boy, but he never really accepted that part of himself until adulthood.
In the story there's even a part that one of the trainees say there are rumors about Eden and Jihoon as a real couple and he make it sound like a bad thing (as if they weren't pretending to be gay to begin with). In a place like South Korea it' ok if you pretend to be gay, but it's not ok for you to be actually gay. The story is kinda fluffly and soft, but there's a real critique behind it if you pay attention.
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from fun to being overly dramatic
Na Ah Jung (Jeon Jong Seo) works as a guest actress, playing various background roles. She has a gay friend Lee Do Han (Kim Do Han), whom she has known for 15 years. When Do Han needs a wife to appease his family, he asks Ah Jung to be his wife for 3 years. Do Han’s younger brother, Lee Ji Han (Moon Sang Min), is against this plan as he wants his brother to marry for a corporate alliance. Thus, he tries every way to break up their wedding, one being to make her fall in love with him. Ji Han and Ah Jung hate each other at first, but as he's trying, seems like he's the one who starts falling in love...It started out exciting, I was impressed with the actress Jeon Jong So who played Ah Jung, she's feisty, capable and independent. Her friend/enemy banter with Dohan and Ji Han is great. Their relationships development is comedic and chaotic. Lee Ji Han’s motive didn’t make much sense to me from the start, but it's fine as there were a lot of good stuffs.
However, the character I'm most curious about is Lee Do Han, as an openly gay man. It was intriguing when he’s introduced, but as the story goes, I'm disappointed with the lack of importance given to his character traits.
Frankly, it gets frustrating when the conflict starts. it’s hard to understand why the leads’ react so dramatically and how they made certain choices. Last four episodes were messy, and practically resolved(?!) Well, the cameo saves the ending... XD Glad it's only 12 episodes!
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The acting was great, they really managed to convey the emotions and lay it on thick and raw, really outstanding, especially from support characters
Overall this drama was a real game changer with its sudden plot twist, it always seemed to keep me on my toes throughout the drama, it was enjoyable and really made me think how important time is and how you should spend it and the overall importance.
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The Epic Journey of the True Son of Bei Liang.
This show is a wholesome package. From politics to scheming and strategies, romance and comradeship, family bonds and the journey of growth +cute beasts and martial arts manuals :).....This has a little of everything in a way that doesn't overwhelm you.This is the story of Xu Feng Nian, the much anticipated future lord of Northern(Bei) Liang. But that doesn't mean he will be under the limelight throughout the show. Each and every person he meets has a character arc that could impress us in the long run. The story is very well developed. The pace may not be uniform but the overall effect is heightened due to this.
This is a show which you must definitely watch once completely before forming an opinion because everything( even what you might think idiotically unintelligible and frustrating) make sense eventually at various check points in the story.
'Once' you finish it I am sure you will hurry to rewatch it and gather clues on what is yet to come.
Can't forget to raise a toast to the stellar cast and their solid performance. Although we have only seen little of some, their roles are too consequential to the storyline to be ignored in the upcoming seasons. So although season 1 has given a worthy closure to the first part of the story, I am looking forward to even brighter follow up seasons.
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