The story is like Secret (kdrama), if anyone ever watched it, and although Secret has been one of my favorite dramas when it comes to revenge/hate turning into love and obsession, this lakorn has beaten it out of the water due to the main characters but more so to Yaya's potrayal of Jeerawat or Jee.
Story:
Very Simple, Jee is a major nangek/celebrity who despite all the fame and status lives her life constantly in the rumor mill potrayed as a whore and slut who snatches up people husbands. In reality, she is anything but and instead is just a woman or rather a girl who just wants love, mainly from her mother that she continuously protects at the cost of her own self-respect. While Satit is a young lawyer who is deeply in love with his fiance Tiw, all for justice and the fight for the underdog and the little man. Unlike in the synopsis, Jee is NOT an alcoholic and instead is lusted after by her stepfather and is heavily drugged (IM style in the arm) and in her pursuit to run away from her eventual rape innocently hit and run over Satit's fiance Tiw. Instead of actually running, Jee tries to express her apologies and own up to her mistake, however, the people around her refuses for her to do so and instead her assistant takes the fall while she lives her life in a constant cycle of regret, guilt, remorse, and horror for the fact she cannot pay for the crime that she caused.
Satit, however, doesn't believe what is released to the public and is in hot pursuit to punish Jee for his fiance's death which leads to his obsession. Eventually constant interactions, fighting/arguments, and slowly seeing the inner truth of who Jee really is makes him falls in love with her. But at the same time, he struggles with the reality that he might be falling for the very woman who killed the love of his life and is constantly struggling to battle his own feelings.
Of course there are two other couples but in reality it became such a nuisance (really in Piak and Chaiyan's case) but they only at times help the main draw closer and own up to their feelings.
Acting/Cast:
If I didn't state it earlier, this show was amazing not from the story itself alone, but from the flawless potrayal from the main characters and the amazing chemistry between Jee and Satit. Although Prin was amazing showing Satit as someone obsessed, I have to give the full recognition to Yaya for such an amazing job as Jee.
Yaya: have never seen her before, never knew her before, or etc...but my GODDDD!!!!! She was simply amazing as Jeerawat. She potrayed the hard as nails, aloof, bitch that everyone saw her but at the same time show the vulnerabilities of a young woman (more so girl in my opinion) that just wanted love. Love from her mother and those around her that were actually genuine. At times female leads that just cry nonstop would be annoying and ridiculous but you knew Jee was crying was because she built such a icy facade for the world that when it came to herself, her manager Suki, and her best friend Dao, that was the only time she could really be herself and let it out. Each time, each time, Yaya did such an amazing job showing the emotions of someone lost, tired, hopeful, yearning, and just wanting someone to just love her for herself. Although as the audience battled with the decisions she made at times Yaya did such a seamless job in showing someone fighting with herself and inner desires, wants, and needs. She was not a Candy female lead or someone so darn evil you wonder if she was REALLY a lead female. Rather she was human. She was realistic. She came from a broken home, her mother and her struggled and suffered for everything they got, and even then she wouldn't show others her true self. she was tough as nails and at the same time vulnerable. She was as real as you are gonna get if you want a realistic female lead that is not sugarcoated but is not always wearing a smile despite all the crap life hands to her.
Piak: a insecure housewife now producer/director who constantly suspects her husband Chaiyan is sleeping with his female actresses (nangek) and more specifically, thinks he is sleeping with Jee. Her (adopted) brother is Satit.
Chaiyan: is best friends with Jee, rather shares a brother/sister relationship to Jee that is constantly misconstrued to his wife and the media as an affair.
Dao: Jee's best friend with Jee and is in love with Jate
Jate: confused and playing both fields. In love with Jee but attracted to Dao.
Rewatch Value, Overall:
I would watch this show again at least a few months from now to completely forget the story-line (which i doubt) as this show is just so darn intriguing, and not so predictable compared to most dramas. As i stated before this show has two other couples and to me were either annoying at times or just so unbelievable, but they don't ruin the story. This lakorn is sooooooo enjoyable, intriguing, and unpredictable. Highly recommend to watch, and watch, watch, and then watch some more.
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Past Lives
78 people found this review helpful
1This review may contain spoilers
About a great service of love AKA a fateful, karmic relationship
"Past Lives" is a US production. Both the author and the two 'Korean' leads have Korean roots, but they did NOT grow up in Korea, nor do they live there. The story is autobiographically inspired and is dramaturgically presented in authentic dialogues on the one hand and selected, visually impressive sets on the other. It is about the aspect of fate (and or Karma) in encounters as well as pondering platonic love. "Past Lives" is indulging into the emotional world of more or less accountable and sensitive reflection of the protagonists, especially of those two extraordinarily mature, fine young men. You rarely see that. Additionally, as far as camera work was concerned, light and perspectives were chosen with care and thus implemented as supplementary actor, sort of. All this is quite wonderful and has already been widely praised. “Past Lives” is thus a movie well worth seeing.This movie presents South Korea and an attitude towards South Korea through the eyes of a South Korean girl who during the 1990s emigrated with her family at the age of 12. She then grew up in Canada, tried her luck as a playwright in New York, married an American, received the green card as side effect, and is ambitiously seeking recognition and success as a writer today. “Past Loves” thus has its positive emphasis on life in the US. The protagonist´s family had turned their back on South Korea. However, besides everything else, that has been already mentioned all over the place, I would say, that "Past Lives" is actually indirectly, in a rather subtle, reserved, unobtrusive way, (almost overlooked and hidden underneath the shiny, promising dominance of the US,) about positive Korean specific qualities, too... Therefore…
Generally, “Past Lives" juxtaposes those two ´worlds´ rather dichotomously. THERE South Korea, the country of origin that was left behind - far away and rather in the background, in the camouflage colors of the military and surrounded by plenty of soju. HERE the USA - reduced to a highly stylized New York (and artist retreat on Long Island), that is bathing in beautiful light and selected colors. In several respects, the United States is presented as the unrivalled better choice.
However, we experience these worlds through the eyes of the protagonist. In Nora's eyes, South Korea stands for conservative narrow mindedness, constraints, lack of freedom (which to some extend is certainly true). The USA, on the other hand, for her is the symbol for freedom, creative power, partake (should, could, might as well…). Eventually, those world views turn upside down. These are prejudicial concepts, both of which are not generally correct, e.g. each not representing the whole truth.
So, KOREAN normal everyday life is portrayed as conservative, shaped by her parents perspective and Nora's childhood impressions of the 1990s: the young democracy, already economically shaken by the Asian crisis. Her parents were artists and as such one way or another most probably influenced by the shaky turbulences of pro-democracy movement of the 1980s. They wanted a fresh start. Yet, what remains in Nora's memories? Very vague memories of school days, of what was said at home, of the striking images that remain impressively to this day. Bottom line: 'Men have to do their military service.' 'People are conservative and unsophisticated.' 'Men dependently live at their parents´ home until marriage.´ ´You can´t proceed in life.´
On the other hand, NORTH AMERICA is the much-cited world of unimagined possibilities. For Nora specifically, it is about a liberal world for the arts. She´s dreaming about her successful future, while the ambitious daughter may actually be living a much wanted life in lieu of her parents, too, to a certain extent. However, this ambitious dream is symbolically captured as an aesthetically abstract decal of New York and the Montauk artist retreat. For Nora, the USA represent a possibility to fulfil her dream of international prizes as an author. Thus, the USA as the center of her life is uncompromising and practically non-negotiable. That's okay and understandable.
This South Korea in the movie has a strong touch of Nora´s own prejudices. Apparently, she never emotionally processed or reflected her relationship to her country of origin. A deficit, which may also narrow down the perspective of the audience. Therefore, I would like to stand up for positive 'Korean merits', which only shine through subtly. In fact, though, they are formative for the characteristic poetic quality of the story. They come along in the person of Hae Sung. Thanks to him Nora can finally hold the key to her emotional freedom in her hands. (Whatever she may do with it now...) Thanks to Hae Sung (so to speak) she got her story and thus her tremendous success as a writer and director, too.
If you don't identify with Nora´s enthusiasm for the US so much, it might be easier to recognize those ´Korean merits´. Hae Sung actually embodies the opposite of what has settled in Nora's mind about South Korea. He stands for a new spirit among the digitalized young generation - even though he is an engineer. She, however, sees what she wants to see, reducing him to military service, close family ties, his clearly structured career and his reserved answers to her questions about marrying or rather not marrying his girlfriend.
Nora overlooks the fact that in his half-hearted answers about marital responsibility he carefully avoids generalizations so as not to overwhelm her with his feelings for her. She overlooks the fact that Hae Sung is indeed the courageous creator of his own world, possibly facing life even more creatively and openly than she dares herself. He chooses to study abroad in China because he wants to learn the language and because it may suit his career, too. He is ambitiously following his career plans, just like she does. Nevertheless, he is open to life´s challenges and ready to completely turn everything upside down. He is actively dealing with what is going on between the two. He prefers not to go for a logical, reasonable marriage. Instead, he takes what his heart tells him, seriously. He wants to sincerely check it out. This makes him vulnerable, too. Actually it was him, who originally went looking for Nora. With courageous creativity he took the chances life had to offer in his own hands. From a practical point of view, HE thought creatively and acted courageously. Nora on the other hand was the one, who, to a certain extent, simply unwinds her program without looking to the left or right.
Back then, when she left South Korea, she just put her feelings away, came up with a new name, learned the new language and left her best friend (and Korea) behind like an old toy. Since then her feelings for her old homeland only slumber unconsciously in her dreams. In her life, which is highly concentrated on her career as an artist, her past and origins have not been given the place they deserve. Hae Sung has to come first to open the door to that forgotten dungeon of her heart.
Still, we don't know whether Nora was able to take the 'little one' in herself by the healing hand - the 12-year-old Na Young, whom she had left alone in the past. All we know is that Hae Sung gave her a chance to reconcile with her roots and a hidden, almost forgotten part of herself. His great service of love was: not forgetting her, not giving up on her; looking out for her; meeting her, too; recognizing her for who she is; reminding her of something else, that she had almost forgotten; and finally letting her be - in an understanding, loving, respectful, ´Korean´ manner. Even if it hurts.
Actually, being himself, he represented another powerful aspect of South Korea, that Nora had so far not realized as such: A finely nuanced, rather emotionally dominated and yet respectful attitude towards life. This in contrast to a rather dichotomously shaped - black/white, good/bad, yes/no -, rather reasonable approach towards life, as it radiates from her 'North America'-concept.
At the heart of "Past Lives" is the probing of the protagonists' feelings for each other. What are those feelings supposed to be? Platonic maybe? Or more than that? And of course the story lives from the attraction of 'What if?'. This careful scanning of a space of potentiality is processed aesthetically cultivated, and stylishly. Respectfully too. Finally there are tears. ´Past Lives´ it is… However, the striking poetic aspect of this story is only made possible (in my opinion) by this very South Korean Hae Sung, who is not afraid to meet the multilayered complexity of emotional depth, confusing affection and difficult challenges in life, and (!) who is also not afraid to back off in respect to a larger context either. Thus he eventually even provided her on the silver platter of his heart with the so much longed for international artistic success...
PS:
Must be the 'In-yeon' they keep talking about throughout the movie...
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SIDE NOTE:
In-yeon = a fateful, karmic relationship
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This review may contain spoilers
To Find Yourself, Think of Yourself - socrates
This drama started with an issue of a 32-years-old career women who doesn't have experience in dating.Her first love promised to get married in future, but it fell right after they met again after years.
The FL, He Fan Xing, is the oldest daughter in family- even tho she has twin brother, but she's more mature than her twin. When they are younger, her twin brother, He Can Yang, doesn't let any guy to get closer to her until no one wanted to get close her. She is definitely has zero experience in dating. So, her mind and act is easily read by others.
Fang Xin is like an earth. She has everything like beauty, career, money and loving family. But she also has gravity and magnetic force fields, so she make sure everything she does, doesn't effect everyone around her.
The ML, Yuan Song, is an intern who brought by Fang Xing because of her brother asked her. At first, Yuan Song is kind of troublemaker and like to tease her after he started to get know her true--of course, it's also because her brother always sharing about how weird his twin sister to him. He found Fang Xing is mature yet innocent, so he attracted to her charm.
His character like a wind, sometimes calm sometimes not, transparent and running towards his dream.
Their three months relationship may not shown much because it's not only focused on main lead relationship. But I can say they are happy during the three months. It shown how much Yuan Song loved her and how Fang Xin cared for him even after the break up.
The SML, Ye Lu Ming, may be bit sneaky and ambitious. After he successed separated Fang Xin and Yuan Song, he always understimated Yuan Song. He feel he has win over him (after lose to him at first). Like, he wanted a limited edition bag but someone buy before you right in front of your eyes, you may do everything to get the bag. He is like a fire.
But, I can see he is not evil. He is good towards his niece and family, but also a fool for love. He sometimes creep me out because he was like popped out nowhere around Fang Xin.
Actually, I can understand why Fang Xin is very careful with her relationship with Yuan Song. She is 10 years older, and Yuan Song is her brother's student. As women, it is very sensitive matter. She doesn't want especially her family being talked in town after the topic she WAS 32 and UNMARRIED. She also doesn't want to hold Yuan Song, who is handsome. rich and have bright future and of course YOUNG. Whilst, Yuan Song feel insecure because he JUST graduated and an intern in Fang Xin's company. while the opponent is successful.
This matter worsened by Lu Ming's advices, which is turn out to be their break up.
Honestly, the story get better after the break up. I like how Yuan Song trying to fight his girl back, with raise his own value. Yuan Song know exactly what he want to do. It was good drama to watch.
Just like the title of drama, they need to Find Themselves and what they really wants before others.
This drama also is not just about their triangle love story. It also shown many relateable issues and heartwarming family, friends, and collegues.
The jokes also cracked me up especially with Can Yang's antics.
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This review may contain spoilers
Every cliche under the sun
I’m not sure if I watched the same show as a lot of these other reviewers, but I ended up watching the final episodes because I had already spent the time with the earlier episodes. I don’t know that I’ve ever seen a series where they tried to cram every overly dramatic themes into one show. What *can’t* the FL do? She’s apparently an expert at everything all the rescue firefighters, who train constantly, and do it all without gloves, protective gear, or sense. She is the ultimate dog trainer, AND she is the investigative reporter who digs in and uncovers ALL the corruption under the sun. Don’t even get me started on the annoying and pathetic second ML (can we even call him that?) He’s apparently a 25 year old CEO of a major financial powerhouse who rides around in Bentleys and Range Rovers who also hitches rides with random truckers and has time to personally carry a girl in his back all night long, with a sprained ankle…. Oh my god I could go on and on, but I’ll leave it here and just say painful!!Was this review helpful to you?
Jerry Yan is one of the most handsome Taiwanese actors and I have watched him in a few dramas. His character here is quite different from the immature-but-funny-and-sweet brats he generally plays. Here, he's a cold, ruthless businessman who does not believe in love or marriage. I liked him here and he definitely stole the show! Wu Tong is really clumsy and at times, really stupid. She's the perfect damsel-in-distress, something that ticked me off a bit. I'm kind of used to strong drama female leads now and characters like her make me want to roll my eyes at them every minute. If I got a penny for every time she fell down, I would be a millionaire. But the woman is plain stubborn. She never got rid of those heels (and how did she afford them anyway since she barely managed to earn her living). But anyways her character wasn't entirely hate-worthy. I mean, she was the sweet, innocent, perfect lead after all. Tong Tong was alright. Nothing compared to Xaio Le obviously (Xaio Le was too classic). Supporting characters were fine. My personal favorite was the special assistant.
The OST was good enough. This was my third Chinese drama (I think) and although these dramas are longer in terms of episodes, they're enjoyable. I could rewatch Jerry Yan's scenes with his child and Wu Tong but the rest I would definitely skip in the second round (if there is one). It's a good drama overall and when it comes down to it, definitely worth the watch.
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Justice is the right that one fights for, if one seeks fairness.
Reminds me of a quote by Voltaire that goes like, "It is better to risk saving a guilty person than to condemn an innocent one." Indeed, one innocent must not be convicted of guilt even so it acquits a thousand criminals; in simple words, Innocent until proven guilty". The entire story of "One Ordinary Day" revolves around this single moral and is a perfect example of how truth and justice always prevails over injustice.Trigger Warning: The drama involves violence, sex, nudity and blood.
Directed by the star PD Lee Myung Woo and written by seemingly rookie writer Kwon Soon Gyu, One Ordinary Day (어느 날: oneul nal) is a crime thriller or murder mystery story that revolves around Kim Hyun Soo (Kim Soo Hyun), a regular university guy who on an usual day of his life, becomes a murder suspect and find himself trapped in complicated situation. He, an ordinary guy who had led a simple and ordinary life had no idea what was gonna happen to him on another ordinary day.
We also have Shin Joong Han (Cha Seung Won) as a lawyer, who becomes Hyun Soo's attorney to get him justice. He got a bad reputation among the area of profession but is quick-witted and a brilliant investigator.
The acting department is full of all amazing actors; starting from Kim Soo Hyun and Cha Seung Won, the drama also has, Kim Shin Rok, Lee Sul, Kim Hong Pa, Kim Sung Gyu, Yoo Seung Mok, So Hee Jung, etc. in major characters.
I checked the writer has worked on only 4 scripts including this, that too with long gaps and previous 3 were all sageuk (historical). I know the drama is a remake from the BBC original show "Criminal Justice" but recreating it with Korean elements and making changes with relation to Korean laws would have not been as easy as it seems. The elements used to connect plots, underlaying Hyun Soo's subconscious is something that intrigued ne to be honest. Morever, the steady progression was gripping and several revelations made were at appropriate timing.
The plot development is a quick one, in fact the first episode itself indicates how the grip of the story didn't want to calm down. It felt like the writer didn't want to lay a foundation by thorough introduction of characters or the storyline; I'm just saying and not complaining at all, because nobody had the time given it's only 8 episodes. There are also few related side plots used. The screenwriting deserves good points.
The post-crime procedures portrayed in the drama are different as the writer has introduced realistic methods of police-level investigations with proper sequences. The realistic approach is also made for courtroom scenes and legal proceedings; obviously there are melo and thrilling elements as well. The dramatic investigative ways by Joong Han was also nice, loved how tenacious and witty he was when it came to figuring things out and drawing a picture of any scenario. There was also a soft side to him that only Hyun Soo could brought forward, it was visible.
The direction is amazing, no wonder Lee PD-nim is a pro. The screenplay is amazingly handled, along with the organization of scenes and overal screen-editing. The sound-editing also uo to par.
Both alcohol & drug abuse and it's consequences is a major element used in the drama. The common habit of attachment to strangers as well as the unusual urge of sexual activities among youth are also something emphasized in the drama by indirect means. Criminal psychology is an aspect that the writer has also tried to showcase through the main character. The life in prison (both during detainment and imprisonment), corruption, inmate behaviour and illegal activities taking place inside are also a part of the script.
Apart from the topnotch acting or performance from this superb actors, the impulsively gripping plot development and investigative methods used are the reasons, that make OOD is a superbly produced piece of work, despite the number of episodes it has. The credit should be given to the entire cast and crew for bringing forward such an amazing drama in just 8 hours (approx.); i wish it were a full-length 16 episode cable drama.
The ending.... I think the ending sequences could have a little better. I am not disappointed or something but I had high expectations from it given the way the story was progressing. Also, it felt a bit rushed but again that's a side effect of 10 eps or less Korean shows. I wish they would take one more episode, at least by taking out the extra 10 minutes from ep 3-6.
To sum up everything, the drama is not about what's wrong or what's right, nor does the show emphasizes on punishment or rewards, it particularly is a reflection of the judiciary, the way it works and it's impact on the society as well as the individuals.
Final Thoughts: One Ordinary Day with amazing actors and high production value, is definitely a fabulous drama to look forward, so go ahead with a second thought. I can't put it in the "must watch" category but for me, it was surely an enjoyable watch. It's a treat for everyone, despite their choice of genre or tatste in Kdramas.
P. S. I have tried my best to not write a lot about the story and characters as the drama has only 8 episodes and I was afraid I would end up spoiling. In case you come across anything that can serve as a spoiler, please let me know.
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DEFINETELY SHOULD GIVE IT A SHOT!
I'm not gonna say much and throw the fun, but just don't drop the series or judge it by the very first ep. Give it a shot! It's so fluffy and hilarious!It's an 8.5 or 9 BUT I'm giving it a ten as honestly, this deserves much more attention than it is getting now. I too, dropped the series by some of the reviews, but then the reviews gradually started coming off good, thus I gave it another go, and guess what? WHY DID I ABANDON IT IN THE FIRST PLACE!? That decision of mine was truly harsh and idiotic! This is such a fun series in all honesty!
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To My Star Season 2: Our Untold Stories
135 people found this review helpful
Painful but beautiful season two that outshines season one.
This second season is a bit like revisiting a restaurant you once liked just to find out the chef got even better... The food got more depth, stronger flavours and even prettier plating....As this second season may not be a feel good season but it didd make me feel a whole lot of emotions, mostly pain, but in a good way, as well timed flashbacks, music and lighting make up this well balanced story of love, regret, growth and loss done right. As they do a really good job showing the happily but not the ever after that followed the first season.
This season has kept most of the old cast but introduces a whole bunch of new very lovable characters, that truly add some sugar to soften the pain of the story.
The leads have gown a lot, they are still lovable, slightly broken (very) and perfect opposites that may attract but also need a lot of work. So if you are looking for some feel good fluff, back away and watch something else this is more of a Our Beloved Summer meets Touch your heart lind of deal, but much shorter.
Easy to binge, easy to feel and easy to fall in love... A joy for the eye, some scenes may make you hungry, some will have your heart fluttering, others will make you laugh but I am willing to say that most of the drama is spent with an ever growing lump in the chest.
I think that most people who liked season one just a little bit may feel a tad ( a lot) of heart break in season two but will undoubtedly see its greatness... for those who have seen neither, go see season one so you can watch season two.
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Story: It starts off with the child stories and here is where you see everything (father's death, siblings seperated, meeting of the romantic OTP #1) go down. When the characters grow up, there are multiple time jumps and twist and turns throughout to keep you engaged till the very end. Be prepared to cry a lot and be shocked at how the romantic pairings go (they are twisted). I loved the ending although it was bittersweet. I will say that this definitely could have been done with a shorter ep count because there were many filler scenes.
Acting: Excellent ensemble cast. Everyone from the 2 main couples to the supporting cast was amazing. I got attached to all the characters and it was crazy how everyone who is considered protagonists also showed a bad side to them. The writers did a phenomenal job in writing these characters. Just wanted to mention I wasnt too keen on Lee Bum Soo in the beginning but by the end I had become a fan! The chemistry btwn him and Park Jin Hee was perfect.
Music: The score was so fitting. Powerful when it needed to be and emotional in all the right places.
Rewatch: Although its a large ep count, I loved the acting so much that i would like to try and watch this every year if i have the time cause its so epic.
Overall Giant is a must watch for any die hard drama fan and the perfect introduction to Lee Bum Soo. Dont be turned off by the huge ep count or you will be missing out!
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Duelist is a painting in motion, where a lot is hinted and nothing is explained.
Some may lament the lack of a true plot, but on my part I believe a movie has different means of portraying a story than a book or a drama. It's based upon images, not necessarily on twists and events. Just like poetry is based upon the evocative power of words, not on facts.
And the direction used the cinematographic tools to its full potential in this movie.
I watched it with my mouth open. Beautiful screenplay, beautiful dance-like fights, beautiful just-hinted erotism.
Yes, the plot can be reduced to a 10 minutes narration. But so are a lot of theatre pieces, played upon style, movement, colour and photography.
Acting is wonderful, and so is the music. This is a ballet, after all.
Rewatch value is obviously high: I'll go back to it whenever I want to just sit and admire a beautiful, colour filled painting.
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ACTING/CAST: 10/10 The cast they got are talented. They played their rolls well, and were believable. There seemed to be an honest connection between both younger and older actors. Whether it is romantic off screen or not doesn't particularly matter to me; nothing kills a show faster than two actors who just cannot stand each other.
MUSIC: 10/10; another reviewer had it dead on: if I could give it an 11, or higher, I totally would. The opening song is gorgeous, the theme song is sweet, and it just helps everything flow together. I would almost go so far as to say that the quality is almost movie-like, for all that it is a short web series.
REWATCH VALUE: 9.5/10; This is the only one where it's a little shorted. I feel like the story is definitely open and waiting to be expanded, but I'm not sure how many times I'm going to be able to sit through that open ending without going nuts. I will definitely, TOTALLY, rewatch it again at some point, though. This seems like a good go-to series if I want something intense but short.
OVERALL: 10/10; loved this series. I hope more people enjoy it, too!
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1This review may contain spoilers
"I hope that in this world, there is someone who will come just for me."
"Legend of the Female General" (锦月如歌) is one of my highly anticipated dramas for 2025. It is based on the novel "Rebirth of a Star General" by Qian Shan Cha Ke, but I haven't read the book, so my review is based solely on the drama.(NOTE: This review has been sitting in my drafts folder for 2 months, and I'm glad to finally publish it!)
PRODUCTION 📺:
For me, one of the things I like most in this drama are the action scenes, which are so well executed. Most of the time, as they wield their swords, whips and spears, I was glued to the screen, and I felt like I had an adrenaline rush just by watching them 😂. I think the production team really put effort into the choreography. Some memorable scenes include:
• He Yan's sword dance in Yezhou👏 ~ It's a combination of gracefulness and strength.
• He Yan's Duel with Ding Yi ~ Badass He Yan at one of her finest scenes!
• He Yan's face-off with the Lie He commander ~ this scene and the events leading up to it are just brilliantly done.
• Their battle with Wu Tuo at Jiyang and He Yan's fight with Hu Ya Te, the commander of Wu Tuo.
There are still other action scenes of He Yan and Xiao Jue that I like, but I won't mention all of them anymore.
As for the location shoots and costumes, they are appropriate and meet my expectations for a costume drama set in a fictional period in Chinese history.
STORY/PLOT 📚:
Right from the start, the drama team shows us that one of the story's main themes is the romance between He Yan and Xiao Jue. For me, they have shown enough of the romantic aspect in the drama. I also like the snippets of flashbacks in some episodes that show the dynamics between He Yan and Xiao Jue when they were still students in Xianchang Academy.
The military aspect is also dealt with, and their military exploits/espionage activities are complemented by the excellent fight scenes. Another thing I appreciate in the drama is that He Yan's military genius, leadership and commanding presence really shine through in the scenes where they're needed.
Overall, the drama's pacing is good. Each arc is given time and space to develop, except maybe for the last arc. As for the ending, it gives a good wrap-up for most of the characters.
There are some parts that could be better though:
• I wish they had shown more background on He Yan and her master Liu Bu Wang, like where and how they met, and how he helped mould her to become the person she is.
• Some parts could have been fleshed out further, but given the number of episodes, I think we got a good compromise.
• I was disppointed with how the scriptwriters treated General Yan He's character (played by Peter Sheng) towards the end.
CAST/ACTING 🎭:
Zhou Ye as He Yan is the one that stands out for me. She was able to show the different sides of He Yan - one who's feminine yet not dainty, sharp and strategic, an ace fighter and a leader. When she fights, she slays it! There were just some scenes with Xiao Jue in Yezhou city where I think she acted a bit too feminine, when she was supposed to be a man at that time.
Cheng Lei is one good actor who has portrayed memorable characters in other dramas, e.g., Gong Shang Jue in "My Journey to You". Here, he brings the same kind of intensity and focus as Xiao Jue. There are moments though when I feel he could bring more depth/emotions to his scenes.
He Ru Fei got my blood boiling many times; his character is so infuriating! Based on this alone, I'd say Bai Shu did a good job portraying him. He Ru Fei is a despicable character, with little redeeming qualities.
Zhang Kang Le was able to show the morally grey aspect of Chu Zhao. He could have been a great statesman, had he learned to let go of his obssession.
Li Qing as Cheng Li Su and Zhang Miao Yi as Song Tao Tao contributed to the light-hearted scenes. I like that they put these two characters in the drama.
QUOTABLE QUOTE 🔮:
"有时候做一个人的替身久了，难免会忘记自己是谁。我希望，这世上有那么一个人是为我而来。" ~ 禾晏
"Sometimes, when you've been another person's substitute for so long, you might forget who you are. I hope that in this world, there is someone who will come just for me." ~ He Yan
FINAL VERDICT ⭐️: If you like military dramas with great fight scenes and romance, and a kick-ass female lead who succeeded in a male-dominated world (despite having to dress up as a man first), then I would recommend this. Despite some parts that could have been better, this is still a good watch for me.
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Story:
The other day, I had finished reading the manga source during the series airing. In terms of story structure, I believe screenwriter, Kitagawa did a brilliant job refining the manga source to develop a more dimensional layer to the series character's including Kagura and Rin. While it changes the characters' arc, it does not deviate too much from its original story.
What makes the series stand out from previous body swaps is that it puts us in the perspective of these characters. Most of the time characters are portrayed to be sure about their attraction toward another. However, in this series, everyone is questioning themselves. The common saying “In any shape or form, I will always love you.” Is an ideal thought which is challenged by the complexity of attraction and self-identity. The series explores questions such as “Can we still love the same person regardless of appearance?" or “Can we only love the person because it is their body and soul alone?." The series scenario becomes intriguing as the impulsive requests of Yashiro and Kagura impact not only themselves but everyone around them.
Usually, Japanese dramas tend to have a maximum of twenty to thirty-minute duration; however, this series has over forty minutes. Therefore, it helped the story pacing and created more room for additional scenes, especially with supporting characters (e.g. parents). The series does little to spend on fillers and unnecessary drama, which increased my interest. However, a minor rushed pacing in the last one-hour episode. While it tried to stay true to the manga chapters' order, it could have been a little more refined in the editing process.
Acting/Cast:
The majority of the main cast are aged close to their respective characters bringing an authentic touch to the series. In terms of character casting, Fujiwara fits the cheerful and lively energy of Yashiro. Kubozuka added the outspoken personality and charisma of Kenta. Arai gave the confident and assuring nature of Rin. While Sakurada’s character, Kagura is one dimensional in the manga, she conveyed the troubled mind of Kagura very well.
Both Fujiwara and Sakurada had a convincing performance playing their body swap personalities. I noticed in casual conversation scenes their mannerism from the way they sit and carry themselves plays an interestingly fun touch to their portrayal. There are moments when the actors do perform in an over-the-top manner, especially the voice changes. However, the actors nailed the emotional scenes.
The chemistry of all the characters was fantastic. I believe the portrayal and direction of Yashiro and Kenta’s bond were more impactful in the series. The backstory scenes build a stronger image of friendship which made me root for the two characters compared to the manga. Without adding spoilers, Kubozuka’s performance strongly shined in one specific episode. Arai as Rin did a brilliant job expressing conflicting emotions of yearning masked by her supportive nature of Kagura. Sakurada and Arai's brilliant chemistry helped build the unrequited/friendship bond between Rin and Kagura fairly quickly in the series.
The portrayal of Kami-sama by Furukawa is slightly toned down compared to his cartoonish personality in the manga. I believe it's a great writing decision as adapting a manga character to live-action can come with challenges to seeing the character in a serious light. The series added some dialogue in later episodes which can spark inspiration in the audience. Shida had a believable performance as Ukon, and I appreciated how the series gave her more involvement than her manga character.
Music:
Warner Bros Japan and Koyama conveyed a soothing track that compliments the natural green scenery and brings a hint of the traditional Japanese period. Innocent by Keina Suda gives an energetically modern vibe to the opening sequence.
Rewatch Value:
I believe it's a nice binge that carefully explores sensitive topics of coming of age in a fun yet somewhat realistic light. As mentioned before, it’s refreshing to see a rom-com supernatural drama where characters lift each other rather than having them be each other's obstacles. This could apply to most love triangle related dramas. From the popularity, it has received on Tik Tok and other social media platforms, I believe the series would have been reacted to and widely enjoyed by overseas audiences.
Overall, the series focus on the character's search for self-acceptance can be applied to any audience. We may sometimes desire to be someone else, to gain approval from others or ourselves. Kami-sama no ekohiiki shows that we can overcome our struggles and learn to accept ourselves moving forward.
If you are looking for a short body swap series with a twist, I would recommend this drama series. It's also not explicit as the manga, which can be watchable for an audience who may not usually be a fan of LGBT or BL related films/series.
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I had watched anime last year and when I found out about the movie I couldn't wait. I had fallen in love with the story and how they go about it. The movie is not fast paced since the story itself isn't. It is somewhat slow, but the almost two hours went by fairly fast all the same.
The two main actors, Matsuyama Kenichi and Ashida Mana, do such a great job acting that even without obvious caring words, they pull off showing how much their bond and relationship has grown as time passes. I also liked the acting of the rest of the cast.
The music leaves something to be desired, but for me, it doesn't hinder the story at all.
This is the first movie adaptation I've been happy with in a while, so I'll definitely re-watch it sometime.
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