Money Heist: Korea - Joint Economic Area - Part 1
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Korea´s socio-political North-South dynamics suspensefully catapulted into mass consciousness
"Money Heist: Korea - Joint Economic Area" is a remake of the Spanish Netflix production "La casa de papel". As with "Designated Survivor: 60 Days", "Suits" or "The Good Wife", this South Korean remake also sticks closely to the original. Many viewers may work through what is better, whether it is necessary, etc. - Not me, though. Rather, what fascinates me is how specifically Korean socio-political dynamics have been woven into the present story and suspensefully catapulted into a global consciousness.Against this background, the series is truly brilliant. Most viewers might probably miss this or could care less, and thus don't even pay attention to it. Nevertheless, this or that might eventually fall in places, unconsciously. Be as it may be...
"Money Heist: Korea - Joint Economic Area" takes place in a fictional economically united Korea. This premise as a setting alone is ingeniously visionary, because it conveys into the mass consciousness such a not sooo unrealistic agreement scenario for the stuck situation between the two countries: An economic union that could be profitable and attractive for all sides... Yet, immediately the potential stumbling blocks are swimming in the wake... Exploitation, fraud, abuse! The promise of freedom and unlimited opportunity turns out to be just more profit and opportunities for those who are already living in the fast lane. The promising scenario for peace and prosperity for everybody might be one side of the coin, a raised index finger is pointing to the other side already: Attention! Wiheom! Danger!
"Money Heist: Korea - Joint Economic Area" is provoking with a dramaturgical "Hello-Wake-Up!" - On the one hand these potential capitalist dynamics could make a promising peace scenario possible, but on the other hand, in the same breath, would also torpedo it. This is where the big plan of the 'professor' comes in. He wants to counteract the machinations of the powerful, who are busy filling their already full pockets, regardless of those, who pay the price. Thus he comes up with a spectacle that will shake up the public (and their decision-makers). In the end this might ultimately force the system to be more mindful and aware in approaching a true joint venture in order to make it work for the people (not only the CEOs and the powerful).
In this context, the characteristic difficulties between Koreans from North and South are successfully demonstrated again and again: the deep distrust that has been actively cultivated for so long. The fear that the war, which has officially not ended yet, will openly continue. The constant spying. The contempt for the other system. All of this was politically tirelessly staged for more than half a century. Families were being torn apart almost at random back then (1950s) - like in Germany after the Second World War. At a time X, some were on one side of the boundary line and others were on the other. Coincidence. Fate. What followed after that was propaganda, both here and there. Building up an enemy image. And what was done back then, even if the framework conditions for rapprochement might been created, has to heal over time first. (This can be learned by the experience in Germany: having reunited for more than three decades, still in society the 'wall' between ´Ossis´ and ´Wessis´ has not yet been truly overcome...)
"Money Heist: Korea - Joint Economic Area" succeeds in weaving a realistic future scenario for a united Korea into an exciting story. With all difficulties and opportunities. In this respect I consider this KDrama a strong production. In doing so, the KDrama brings this possibility of a Korean peace closer into the mass consciousness - first of all for the South Korean society, which is extremely sensitive to this topic, but ultimately also for the rest of the world.
I also have criticism.
This is neither concerning the story nor the actors, on the contrary. And it is not about the fact that connoisseurs of "La casa de papel" will be strongly reminded of the original (including the names of the characters). No. I rather have a more general complaint regarding many Korean Netflix productions (vs. the national KDrama TV productions).
-First, there is the spice up of the narrative style for an international (rather male) eye that is generally used to a good portion of sex & crime and a higher pacing. Well, I don´t need it.
-Second: Why not really telling the story to the end? Yes, it could be "worth" one or more seasons, but nevertheless. They even split the first season into part 1 and 2. I don´t like it.
-Third: The sensitive emotional momentum, that is so crucial for KDramas, is reduced to the max. Yet, the strength of a KDrama, in my experience, is that we are emotionally drawn inside, that we identify ourselves, feel empathetic, and get very close to the protagonists, get involved into their world. International Style on the other hand is rather characterized by keeping a critical distance. Here the audience is watching from the outside. The story and acting may grab you, but you stay outside and watch. You don't necessarily get emotionally involved. What is happening will be and will remain the story of others. In this particular case as well. So unfortunately once again a central KDrama unique selling point was abandoned for the standards of international Netflix world. This is not necessarily bad, yet different. I would say the experience of watching is less intense compared to other KDramas.
Luckily, the KDrama in general has more than one crucial strength and can instead show off some of those others. So does "Money Heist: Korea - Joint Economic Area"...
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You simply cannot compare
I always find it interesting when people cannot objectively review a series or a movie because of previous bias or rumors they read somewhere. When "2Moons" ended everyone fell in love with Kimmon and Copter and some of the other actors in that series. Then, when it was announced that a sequel was coming but with a completely new cast, people went crazy because they couldn't understand how the company was managing its actors. But, "2Moons2" aired, with all new actors and then people fell in love with Earth (playing Wayo) and the steamy scenes between Pavel and Dome (playing Forth and Beam) were also incredibly popular (just go to Youtube and you'll find A LOT of reaction videos on that). So, the world didn't end because the cast of "2Moons" was completely replaced, right?All this preamble is to say a similar thing about Color Rush S1 and S2... you simply cannot compare both just because the character of Go Yoo-han is not present in season 2, and here is why...
1. The acting of Yoo-jun (playing Choi Yeon-woo) remains as one of the solid points of both seasons. In the first season he deals with the fact that he is a mono, his mother is also a mono but is missing, and he finds new friends and also finds Yoo-han who is also his probe. He experiences the rush of being able to see colors and also the disappointment of losing that ability after the decoloring effect begins. In season 2, he goes from the uncertainty of his mother still being missing, to the dread of witnessing Yoo-han's kidnapping, to the potential of uncovering all the illegal activities the Gray Scale/Woksun/Nerve Candy people (led by a mono that goes by the nickname of "Monowife"), to dealing with his new feelings towards Kim Se-hyun, to finally finding out his mother did die but being rather calm about it.
While I think some of his facial expressions still need a bit of work, his eyes do manage to express a lot of the feelings Yeon-woo goes though in both seasons while showing the calm but decided character that Yeon-woo needs to be.
2. The acting of VIXX's Han Sang-hyuk (playing Kim Se-hyun) was also a nice surprise as he never doubted or was hesitant about acting in a BL story (according to an interview he gave) and showed a very strong character that goes from befriending Yeon-woo, to trying to help his sister improve her condition as a mono and not be bullied by others, to mourning her death, to seeking revenge while protecting Yeon-woo, to confessing his feelings for him despite knowing he might never get a chance if Yoo-han returns. Sang-hyuk was able to mix some serious tones in his acting with some comedic moments, like in ep. 8 when he daydreams he is kissing Yeon-woo.
The chemistry between him and Yoo-jun was quite strong as they acted like a married couple in some parts (like when Se-hyun moves in with Yoo-jun) or like Sherlock Holmes & Watson when discovering the truth about the Lapis Lazuli tea, the Lapizata pill, and the illegal probe surgery or like Batman & Robin in the action scenes in the final episode.
3. The storyline had a bit more action. Season 1 was a slow-burner in many things because we needed time to process the mono-probe world, the introduction of each character, Yeon-woo's mother being a mono and also missing, Yeon-woo's aunt being a reporter trying to uncover the truth and find her sister, and then also go through the color rushes that Yoo-han made Yeon-woo feel along with all their interactions.
But, season 2 had nothing of that as we already knew the mono-probe situation and Yeon-woo's familial situation. A bit of a complain is that a lot of the action happened way too fast and we jumped from scene to scene without proper time to digest what just happened. Further, several things like a) Yoo-han's kidnapping, b) the introduction of Se-hyun as "someone who wanted to get close to Yeon-woo but couldn't because he was always glued to Yoo-han", c) Se-hyun's sister life as a mono and her part in the secret society, d) the secret society of monos trying to see colors through drugs and illegal surgeries, and e) Se-hyun's being a mono himself but being able to deal with it in secret, were not completely explained/introduced and then not fully developed... so in most parts, we need to either remember things that happened or were said in season 1 or figure out by ourselves how the characters get to the point we see in that particular scene. And also, do they never go to school? Not much happens inside their classroom this time and the secondary roles of Yeon-woo's friends are relegated to a few scenes here and there.
The only truth about this series is that Hur Hyun-jun (the actor who played Go Yoo-han in S1) was not present in S2 and honestly, I'm not sure that his absence made much of a difference. Sure, we heard the name "Go Yoo-han" many times during season 2 because of him being kidnapped and Yeon-woo's wish to find him... but at no point I felt like, "geez, it would be great to have Hyun-jun acting here". There are many rumors about Hyun-jun's exclusion from season 2... rumors about him not being happy about his first major role happening in a BL story, rumors about the production crew/staff being unhappy about his "lack of professionalism", rumors about the production company being unhappy about his "lack of acting skills", and rumors that this was all planned along because of the storyline/plot that season 2 was going to have. Whatever the real reason is, the only real fact is that Hyun-jun was not part of season 2 but comparing both seasons or how Hyun-jun would have acted instead of Sang-hyuk ends up being a useless and ridiculous exercise because, you simply cannot compare.
The storyline (especially the after credits scene in episode 8) sets up the series for a third season with Monowife going into Yoo-han's hospital room and telling him to wake up as Yeon-woo "needs him" and him opening his eyes. Could we have a third season with Yoo-han coming back and now having a love triangle if Yeon-woo and Se-hyun remain in the series as well? Could we have a third season that explores Monowife's connection with Yoo-han? Could we have a third season with a whole new plot twist?
Who knows! But it sure is more exciting to think about all these options than waste time lamenting the absence of Hyun-jun or complaining about what this season could have been like if he acted in it, don't you think?
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The Witch Without A Twist
I am a fan of the The Witch Pt. 1 so I have been waiting the sequel for years. I am happy I finally had a chance to watch it on big screen! I followed the production journey and as the team had a copyright issue with their previous film distributor ( Warner Bros. Korea ), they had to butcher up their original The Witch stories with Jayoon as main character. Hence why I lowered my expectation for this part 2.First of all, story wise. They basically have almost showed everything in the trailer except the ending. It is those common stories of lab victim run away, find good ally, enemies catch them, but they win after their loved one got hurt. The acting wasn't my taste, instead of embracing the characters personalities- some of their acting feels staged to me. They tried so hard to look cool. There are english dialogue in it, but it sounds so awkward. I'm sorry I am not really familiar with chinese language so I couldnt judge it. Positive side, I like a lot how they open the story and I didn't expect them to start it like that. The unique "countrified" vibe is shown again in it. The opening and the ending would be a main key for the whole franchise. Please stay until after credit, because they show post credit scenes like those marvel movies!
They casted a ton of people for side characters and cameos but they are all like a copy to each other. I was thinking "Is it on purpose they look similiar as it is a cloning stories?". I also feel like there are quite a lot unnecessary scenes, with the jokes and comedic-like scenes. I wish them to show more the bonding between "The Girl" and Kyung Hee-Dae Gil sibling. That is what I have been waiting as I read the director explaining the differences between her and previous witch, Jayoon.
I have to be honest, I am kinda disappointed with the characters building for the new witch. The director went with repeated heroine route we could find in those human experiment stories. Emotionless, no personality ( yet ), fascinated to outside world like a baby bird, and once again overpowered. But after watching, I do feel curious how he would come up with the next part and how he build her character in the future. "The Girl" is still like a white paper to me.
Action Sequences. There are quite a lot of cool awesome battle scenes and it still has that anime-like battle touch in it. They definitely improved it with their big budget. There is one fight with beautiful billboard lighting, and that is my favorite one. Unfortunately, if you are a slow watcher, you would be troubled with pt 2 fighting style because all the characters are so powerful and their fighting is so fast- blip blip - shoot - blip - slash neck - that is my description. Warning, the rating is 18+ so the killing wound part is quite explicit.
Overall, I gave it a 7.5. I think new audiences would enjoy it so much, but the previous part 1 fans like me- would be in love and hate relationship with the sequel.
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2This review may contain spoilers
"A person is born between two people. It's impossible to live alone"
Umi no Hajimari is a drama that asks only one thing from its audience: to pay attention to the struggles of its characters.Those who are young, inexperienced, or simply haven’t developed a strong sense of empathy yet for fictional characters might look at this drama as being black and white. Meaning, they’ll perceive there being good characters and bad characters, but nothing in between. However, those of us who prefer characters and situations that mirror real life will likely have an easier time watching and understanding the complex motivations of each character.
I’ve been following this drama from week to week and noticed the different themes throughout this beautiful story so I'd thought I'd share some of them.
You Can't Do it Alone
Every flashback scene with Mizuki raising Umi highlights the struggles single parents go through. But through all the struggle, all the hardships, there's one key thing that stood out amongst these scenes: Mistsuki wasn't alone. She had a support system. Yes, she was emotionally distant with them, but still had people to lean on.
Flawed Characters Faced With Big Decisions
Mizuki’s Flaw - Fiercely independent, made decisions on the fly without talking to other people, was willing to struggle alone as opposed to asking for help.
Natsu’s Flaw - Indecisive, a follower, doesn’t express his own thoughts and feelings well.
Yayoi’s Flaw - Too agreeable, feels she is not important, doesn’t consider her own thoughts and feelings.
Each of these flawed characters were forced to make tough choices. For Mitsuki, she was torn between telling Natsu about his child or allow him to continue to live his life. For Natsu, his choice was to step up and be a father for Umi or continue to figure out what is the right thing to do. Lastly, Yayoi was confronted with a decision on whether or not she should play an active role in Natsu and Umi’s lives or leave them entirely.
These thoughts and choices all shape how this drama unfolds. Seeing such flawed yet relatable characters navigate around life’s hardest choices adds a realistic element to the story. As an adult and avid drama watcher, these types of portrayals is invaluable. For younger viewers, this should show you that not everything in life is black and white. Every story doesn’t have a hero and villain, but rather regular flawed people trying their best to make ends meet.
Grief - “Everyone’s so nice but suffering too”
Grief plays an integral role throughout this drama.
It weaves itself in and out of almost every dialogue. At times It’s subtle and poignant. Inescapable. Then there are moments where the grief becomes loud and present - demanding your attention. Urging you to understand the great loss the characters are going through.
For Mizuki's parents, the grief was almost unbearable to see play out. It caused them to unfairly criticize Natsu and even invoked anger towards him (At least on the moms part). Even Natsu himself wasn't immune to the effects of grief.
In Episode 8, Natsu has a conversation with his estranged dad. Actually, it was more like a venting session where Natsu spills out things that he bottled up inside, but that’s besides the point. Natsu said something along the lines of everyone is so nice but suffering too. He then mentioned, like he did before, how he feels like it’s not his right to feel sad because everyone was with her for seven years and he wasn’t. He then said that doesn’t change the fact that he’s sad as well.
Natsu was doing the common thing most grieving people do: quantifying sadness. Quantifying sadness, in simplest terms, is when you place an undetermined numerical value or weight to sadness when comparing it with others. It’s like saying he’s competing in the “Pain Olympics” with everyone who were closer to Mizuki than he was.
Grief doesn’t care about the duration of knowing someone. On the surface, it seemed like Natsu was catching up with everyone's grief, but in reality, he was in pain just like those closest to her. There are no levels of grief. Grief just is.
There are more themes but I didn't want to drag this review on longer lol. Overall, Umi no Hajimari will most certainly have a special place in my heart.
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A crying shame.
The Story of Pearl Girl is the story of an intrepid pearl diver's harrowing journey from the despair of a slave farm to the heights of the prosperous Yangzhou jewelry guild. Aided by an erudite nobleman Zhang Jinran and a ruthless and calculating merchant Yan Zijing, Duanwu escapes from the exploitative clutches of the Cui clan. She throws her lot with Yan Zijing, choosing to make her own way in the world as a merchant galley serf over the more certain future of a nobleman's harem. After multiple betrayals and double crosses in the dog-eat-dog culture aboard Zijing's ship, she emerges clear eyed and better equipped to survive a ruthless, avaricious business world. She learns that underneath his merciless facade, Zijing is saving her by teaching her to save herself; that they have a shared past that she has barely scratched the surface of understanding.Set in a cruel world fraught with treachery, avarice and oppression that belies the ostentatious luxury of the jewelry trade, the narrative is laden with an air of heaviness from start to finish. It is a character story about how one resilient woman fights her way to the top of the jewelry business during feudal China. The characters are well designed with Duanwu and Cui Shijiu as two women who have to fight for their place in a man's world; one who starts with nothing and the other with everything, to lose. Likewise the cynical and realistic Yan Zijing went to the school-of-hard-knocks while the righteous and idealistic Zhang Yiran clearly had an ivory tower education. Both Yan Zijing and Cui Shijiu are consumed by revenge and on opposite sides of a blood feud not of their own making but one's cause is just while the other's is not. I enjoyed watching how these characters, with at times common and at other times with opposing world views interact and react to the situations they are thrown into. Plot wise, the logic holes are evident from the start but for character driven stories, I am very forgiving for as long as the characters stay largely consistent and relatable. But once the characters start to unravel, the issues with the plot are amplified and the entire narrative becomes a mess.
I genuinely enjoyed and was engaged by the first arc of this drama. It is both fascinating and difficult to watch the stunning backdrop of the swashbuckling high seas and the exotic and dangerous Silk Road marred by the unmitigated oppression and cruelty of the ancient world, especially towards women and children. Zhao Lusi's Duanwu is spirited, tenacious and undaunted as she fails again and again until she succeeds. I could understand why Yan Zijing resonated better with her but could also see that she lacked the maturity to appreciate how Zhang Yiran's wisdom and knowledge of the law would aid her later on. These three main characters richly complement each other in their strengths and flaws to make a formidable team when they work together. I didn't mind the romance but I didn't need it and it went a bit abruptly from red flag master-servant to lovers. Nonetheless I was looking forward to it growing and had hoped to see them right past wrongs together. I did not expect it to take a wrong turn down the path of the worst noble idiot trope in recent memory, nor for it to last pretty much until the end of the drama. That is when The Story of Pearl Girl, turns into yet another period drama that starts strong and then inexplicably nosedives at the mid-point and never manages to recover.
After the convoy arc, a traumatized Duanwu re-emerges as Su Muzhe, a detached, gently sad and bland character who Disney princess cries almost every other episode. Lusi's vapid and weepy interpretation of the role lost me as much as her Duanwu engaged me. Duanwu would have gotten angry and demanded an explanation from Zijing or plotted revenge. I was baffled by the Su Muzhe who manages to coldly co-exists with him in the same city, moves on and focuses on business, vowing to live a good life nonetheless. This is so out of character it is almost impossible to reconcile Su Muzhe with Duanwu. I rooted for the feisty Duanwu of the first half who dares to love and dares to hate. The passive aggressive Su Muzhe who only dares to cry turns what could have been a terrific story into a crying shame. The narrative meanders into maudlin sub-plots about boring and poorly acted tragic side characters. Gratuitous crying scenes have diminishing impact, no matter how good the actor is at them. Long before the drama ended, I was bored by Su Muzhe's endless pity parties and stopped caring for her. Su Muzhe is not the kind of role that plays to Lusi's innate strengths and charisma. I hope she avoids taking on such characterisations in the future.
The other narrative mistake was to separate the three anchor characters at the same time so many of the early supporting roles are transitioned into new ones, forcing the audience reinvest in new characters all over again. Yue Yunxiu is a boring, flighty character that has no chemistry with Su Muzhe and fails to shore her up in the same way Kang Ju lifts up Yan Zjijing. The entire business partnership between the women lacks flair and pizazz; I can't imagine any joy in shopping for jewelry at an establishment run by such a dolorous pair. The narrative makes a lame attempt at comedy too late in the game and it is largely left to actors that lack Lusi's fantastic comedic timing. Even when the three friends join hands again, their dynamic is not the same and Duanwu never reemerges.
As for the romance, it stagnates even after they reunite and never blossoms into a full blown relationship. I would have liked to see them seize the day and live in the moment in a way that gives us something really worth crying over. Instead all we do is watch them mourn what could have been. It is incredibly unfair to Muzhe because Zijing refuses to move forward but yet can't set her free either. I wish they both chose differently but since they did not, the way their romance ends is fitting. I respected Zijing's choices especially in the end but I think Su Muzhe's victories were all hollow and I hoped she would find Duanwu again within herself but she never does. I enjoyed how Liu Yuning portrayed Yan Zijing's darkness and complexity but after the best first arc, he is too quickly whitewashed and sidelined. Even though the final arc is all about his justice, he doesn't get to do that much as the hidden villain is too obvious to the audience early on and most of the antagonists are so dumb they pretty much outed themselves.
Zhang Yiran is the best of friends and that rare character that does the right thing even when its the wrong thing for himself. While Duanwu didn't fit in to his world, he may eventually have been able to console Su Muzhe and I wish they had left that door open just a crack. As for Cui Shijiu, this character caught and held my interest from start to finish as a result of Xie Keyin's bold screen presence and her husky and earthy vocals. Her character is flawed, not that smart or especially well written but Xie Keyin embraced her flaws in such a relatable way and conveyed the role so compellingly that I cared about her and did not drop this drama because I wanted to know how her story ends. She and Zijing are both characters that choose revenge over love but only one of them lives to regret it.
The biggest issue with the storytelling is that it tries to incorporate too many themes and archaic ideas of what an independent and empowered woman is supposed to be. The writers bend the plot and characters in ways that don't make sense or is out of character in order to force certain themes and outcomes. This is not a good way to tell a story. Both Duanwu and Zijing's characters are thrown under the bus just to prove that a woman can make it on her own in business during feudal China. We watch allegedly smart villains kill off characters with no motive other than for dramatic impact and shock value. But what makes me really mad is that it is another scratch on the surface empowerment story written by misogynists with a thinly veiled and insidious message about the fate of women who dare to try to make it in a man's world. A true empowered woman would seize second chances and live well in the true and full sense and meaning of the term rather than to wander aimlessly as a shadow of their former selves.
This was a heavy journey from start to finish that does not end in satisfactory way and the ending contains some really questionable messages. There is no payoff for all the suffering, no one gets a great ending and promises to live well were not kept. In the name of both Madame Eight and Shrimpy, I dare not rate this more than 7/10. It is not a drama I recommend unless you are a die hard fan of either of the lead actors and are able to enjoy anything they are in.
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Interesting short stories only told at surface level, and a lack of understanding in AI
Okay, this movie is... weird. It feels like an incomplete draft with missing scenes, actually it's almost like they had shot a short series and edited the key scenes into a movie. There is not enough context and world building which makes it confusing. I get that the science fiction aspect of this movie is not its focus, but it really needed an extra 15-20 minutes at the start to properly explain how exactly this Wonderland service works. Like how are the AI characters programmed and what are they programmed with? There are so many ambiguities but they'll be spoilers. It's almost like the movie itself doesn't know the answers. I can't tell if the director is inexperienced in the sci-fi genre or they cut out those scenes because the basic foundation to make a coherent story wasn't there. At one point towards the end it was straight up a fantasy movie and not science fiction anymore lmao.But then, I actually like the subject matter, the actors and parts of the movie especially in the first half. Most of the scenarios were actually interesting and complex -- but they weren't fleshed out at all. Which brings me to the point that this movie just has too many characters. Basically every story was only on surface level, some were just left hanging or abandoned. Suzy and Park Bogum's arc especially suffered from this, it needed way more screentime to be properly developed. I hate to say this but some of their parts felt half-baked and wasted their onscreen chemistry. Tang Wei on the other hand had the most complete arc and probably the most touching one.
It's a shame because I think if they expanded the material and went more in-depth for each arc, or removed all the arcs other than Suzy/PBG and Tang Wei's, it would have been way better. But alas the potential was wasted. Nonetheless, I think at the very least this movie can spark some interesting post-watch discussions.
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The first thing you should know about this show is that it's a sitcom. It's basis is humor. Different types of humor don't apply to everyone so its really a hit-or-miss with each individual. I myself wasn't sure about it in the first couple of episodes. However, as I continued to watch, I found myself liking it more and more as the characters and plots developed. The story follows the paths of many characters who all intersect with each other dealing with a variety of things like school, work, family, and romance. I thought it was great it all aspects including the music, acting, and story line. Though I love it to pieces, I gave it a five for rewatch value. Not to say it isn't good though. I gave it a five because of the amount of episodes. I wouldn't sit down and rewatch all 123 episodes, but I would catch an episode or two if it came on. That's the great thing about sitcoms, if you're familiar with the characters and story line, you can technically pick up anywhere to rewatch!
I haven't seen "Unstoppable High Kick" or "High Kick Through the Roof!" yet so I'm not sure how it compares to them. However, if you're a fan of comedies/sitcoms, I'd definitely recommend giving this show a go. :D
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Good Start, but it Just Shattered
The Furthest Distance is a drama which tries to convey that in the world between life and death, neither is separated from each other but love is still a constant.Qin Yun Sheng (ML – Leon Zhang) is an emergency doctor, who has a glass house that needs to be renovated and Su Ying was the initial interior designer. They meet again because of their participation in a house renovation reality tv show. Feelings gradually begin, especially for Su Ying and her once closed heart opens up to Qin Yun Sheng. But was he still missing his girlfriend, Mi Su that had passed away? How could Su Ying bridge the seemingly furthest distance between them.
Yes, an exciting love story which I felt was giving us a second chance of love. Such high hopes especially after Qin Yun Sheng's love confession to Su Ying in episode 10, my heart just melted.
The confession:
Qin Yun Sheng: “Su Ying. Maybe I’m not good with words. I don’t know how to confess to you. I’ve thought of many ways. But when I am looking at your eyes, my mind is blank. I couldn’t say any love words. I just know. I want to see you. I want to see you every day. In these days with you, I always say thank you. But what I want to say the most now is--I like you. I like you more day by day. It’s not love words. It’s from the heart. Even though the world has given me a lot of pain, I’m not afraid. If it’s you, I will muster the courage. I want to make our future days a bit more romantic. Will you join me?”
To see the romance between them after Qin Yun Sheng's confession was magical. They were so in love. You enjoyed watching the shy doctor come out of his shell and openly show his affection of Su Ying. He showed her so much love that he felt he wasn't able to express in words but deeds. He did everything to captivate her. Letting her know she was his beginning and end. He wanted nothing more. They felt it was time to tell their friends and colleagues who were elated to finally see this "perfectly match couple" post a picture of themselves in their Moments page with the caption – “Love is a happy thing.” One person who was not happy about this love--Yang Zheng Wen. After seeing this post, he began his all-out campaign to win Su Ying back.
Yang Zheng Wen was Su Ying’s ex-boyfriend who now was the GM of Tiandi Building Materials Corporation. Seeing the interaction of Yang Zheng Wen gave Qin Yun Sheng the courage to finally put his feelings in the forefront with Su Ying hence his confession. But happiness was short-lived because we had to add another piece to this love story so enters the identical twin sister of Mi Su—Mi Bai. Yes, Qin Yun Sheng’s ex-girlfriend who died had an identical twin sister. Not only that, but she also studied cardiology and out of all the hospitals she ended up in the same one as Qin Yun Sheng as a medical director.
Of course, we had to have the infiltrator, to help both the ex-boyfriend and twin sister so we have Tian Mei who quit her previous design firm and began working at Su Ying’s firm. Su Ying thought she was sincere in working for her and made her feel like family just like her other employees. But ambition got the better of her and Yang Zheng Wen “whispering in her ear” that he would give her, her own design firm didn't help but made her become Su Ying's enemy.
We began to see the cracks of the relationship with the endlessly onslaught of tricks played by the trio of Yang Zheng Wen, Mi Bai and Tian Mei. They went from trying to destroy the glass house, changing dates of events, posting malicious email about the firm, changing materials for client's jobs and finally learning that Mi Su's confession under the rainbow was actually Mi Bai.
Everything finally shattered when Su Ying's mother was put in the hospital due to an aneurysm and Qin Yun Sheng knew and didn't tell her. That led to her breaking up with him. Which then open the door for both Yang Zheng Wen and Mi Bai to step in and get the partner they had sought for so long. But what they didn't understand, even if they did break up, they were not going back to either of them.
Su Ying's mother did recover and told her that she misunderstood Qin Yun Sheng, but it was too late, he had made the decision to go abroad for three years. This caught Su Ying off guard, and she never relented to tell him that she wanted him to stay. He left...or did he?
Qin Yun Sheng felt in order to solidify their relationship he had to make Su Ying admit her feelings to not only to him but to herself that she wanted, needed and loved him. Everyone was in on the deception of Qin Yun Sheng not leaving. It all came out when Su Ying went to the glass house. Qin Yun Sheng went to the glass house as well because he could no longer deceive her at this point, he felt he was hurting her. Love was restored between the couple. The glass house was donated for rehabilitation patients.
Qin Yun Sheng went to other countries to volunteer but Su Ying never left his side and traveled with him.
Xu Ming Shi who was the right-hand of Su Ying at the design firm and Du Hui Xuan who was Su Ying's best friend finally got together as a couple.
Mi Bai finally gave up on Qin Yun Sheng and went abroad to work.
Tian Mei did eventually get her design firm and gave kudos to Su Ying for keeping her truthfully to the craft of design.
In all hindsight, I felt we should have been seeing more of how Qin Yun Sheng and Su Ying did come the farthest distance to get to the love that we all seek, not led down a rabbit hole of cliches especially using an ex-boyfriend and an identical twin. Such a great opportunity that I believe was missed. They shattered a beautiful love story of a second chance of love.
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It made me angry
First of all I wanted to slap that mans mother at some point ,, i mean why the heck she thinks that her pervert son is all pure and mask girl is at fault ?? Mask girl killed him when he was raping her ,, that old freak women saw herself that her son has sex toys sex dolls sex videos and all the sex maniac things at his home,,even though she was saying that her son is innocent?? Lol for this type of women , other girls are not safe in this world. … cause no matter what their son do they will always blame the innocent girl ,, I hateee this type of parents who always takes their childrens side no matter what they do to others ,, this type of people deserves slappppsssWas this review helpful to you?
Angst stemmed from a society that shuns
The entire movie was a cry for help, it is about two boys handling their inner demons in very different ways, one taking to recklessness and the other latching on to even the slightest bit of affection, so much so that it turns to obsession...It was heartbreaking to see one having only himself to talk to and him recording those conversations on his camcorder, while the other was seemingly popular but he knew that no one cared much for him and rather he garnered respect by evoking fear in others...The way they met and how it piqued their interest of wanting to get to know each other was quite precious but was made out to be something so much more complicated, leading to them being ridiculed by many...This caused him to distance himself from the friendship, which the other couldn't seem to handle...he turned aloof, while he turned more and more obsessive...his last desperate cry to his mother was so pitiable and painful, yet no one helped him through that and he ends up doing something which I will probably never understand, but with that he surely destroyed his last chance of keeping himself sane...Overall it was disturbingly real and although I cannot condone his final decision, I do not have the right to judge him for it...
The direction was seamless and as a cinematic experience it was thought provoking and quite wholesome...It made me feel terrible for ever having judged someone without knowing their circumstances, since we rise by lifting others and not by pulling them down...
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Now, on to the review.
Firstly, I wanted to write a review because i saw that there are not many reviews and more importantly I think this drama was a little overlooked. Maybe because of the subs that came out so late and are still not so "good".
Story: It's a complex story, that many drama fans may have seen. A scary case that happened a long time ago, a new case that triggered the memories of the old one nowadays, and people who start to investigate it. However this drama is not so simple. Why? Because the story can't go on without characters that start to build it. That is why I want to talk about characters here. Out female lead is a strong policewoman. She is tomboyish and lives happily with her father, but we start the drama already knowing her past. I will not talk about the past but it's super creepy and scary. What is important here is that she can see people's death. well actually not only. She has a fortune telling power from her grandmother. On the other hand we have chic elite detective. His favorite phrase is "do you like science?". As you can guess from it he is someone who believes in science, is great in deduction and may other stuff. So these two get together and try to solve scary mysteries. As the detective says as a joke, she shoots a fantasy and he shoots a scientific crime drama. But together it become super great!Here I want to say a bit about Black it may sound similar. However it is not similar at all. I didn't think about Black even a single moment while watching this drama. Black had a very complex story and even the people who made it messed up in the end because of it. The girl was crying till the end. And the story lost it's logical thread, but had a promising start. Here, everything is different. The female officer is strong. she doesn't cry all the time. If something tragic happens she overcomes it and fight bravely. she is also physically strong and can beat many men. The male lead is also strong physically. (capable police :D) And she doesn't think she is cursed. She accepted her power. She is sad, that she can't save some, but she still tries. She is also smart! And as I said the male lead is somewhat a genius. And more importantly the story is logical till the end. Her powers only grow, and she uses them well. Male Lead also Uses his brain very well, and the story comes to a logical conclusion. So If you didn't like black, Doesn't mean you will not like this one. And visa versa. I can't leave out the second lead who played prosecutor. As he said himself you can't figure out he is good or bad, which makes you curious to see more of him. A man who strong and soft at the same time. You can't really tell what is he. But of course later you start to see other sides of him. The villain character where also interesting. Especially the "small" villains that go used by others. The story starts of as really creepy (like Save me) it gets creepier as the main leads visit a strange island. Later you get used to it and the entangled information slowly reveals itself more and more. Also the little homeless squad :D Honestly I totally loved them!! they played some big roles in this story and they were also a nice breath of fresh air.
Acting: The acting was great! I was seeing the female lead for the first time but she was great!! I was so tired of this super cute, weak ladies who always get in the way and cry. She played very well and her voice was great especially when she was telling the prophesies. The actor of male lead also pulled of smart, cheeky, genius, scientific, sad, angry, serious, stupid character lol. he was annoying at first, for me, but he was great later. The prosecutor (second lead). I saw this actor for the first time in Rebel and I loved him! Here I loved him even more. He pulled off all those complex emotions the character was having - guilt, heart scars from tragic childhood, fear, loyalty, willpower, desire to live, anger, love and more. The villains were good as expected, the veteran actors always end up getting all the hate XD
the "small" villains also did great. They had to show many other emotions and pulled it off fantastically. The homeless squad and other policemen also acted well.
Music: Creepy stuff owes it's creepiness mostly to music. XD well there is also camerawork. But you know those sounds that are usually in scary movies. they help to build the atmosphere here. But thank God it's not much. so It's ok. If you don't like scary stuff like me, don't worry it's not scary (it's like Save me).
This drama has adult cast. These actors are not young. But actually that is a plus for this drama. All the actors were great in it. And the plot actually captured me from the first scenes, because of it's creepiness. xDD
The cons, I think, are the subs!
This drama wasn't subbed when it was airing, maybe this is the reason it was overlooked at that time. Now it is subbed, but at the time a I am writing this the subs are a mess. I mean on the website where I watched it, the subs finally appeared, but they are very very bad. So I guess many people tried to watch it, but the subs were so out of the context that are very difficult to understand. I understand a little bit Korean, but there were parts I couldn't understand and the subs weren't of help. The genders are mixed, women are men and visa versa. From one point all the names started to appear in Chinese. Later that female lead's name Kim Dan was appearing as "altar" "small altar" or "gold altar" lol and there were part were the subs just told whatever. especially on the last episode. in all the important scenes there was written a nonsense. xD
What I was trying to say is don't give up on this drama because of the subs. :)
Overall it was a good drama, worth watching. I don't regret one bit. If you are wonder to watch it or no, I suggest giving it a try. The actual story begins two years from the events happening on the first two episodes. So try to keep on at least until that. Around 3rd or 4th ep. :)
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This review may contain spoilers
Note: My suspicion on why this drama is underrated because there are sooo many time-travel dramas out there that maybe better so viewers are overwhelmed thus skip this sweet romcom. Moreover, people may leave bad ratings not because of the content but because they cannot find the subtitle. But I found this little gem by accident (it has never been in my PTW list) and it caught my interest to watch it right away, though I have another time travel Cdrama in my CWL. FYI, if you read this review in the month of October, the episode on the Ghost Market can be a great idea for your Halloween party! Pretty creepy and gory.
I binge watched and completed it in a day, the story is simple and straightforward yet it allured me to watch more until it ends. So easy to watch: 12 episodes short for a typical Cdrama, no cringy scenes, no need of a box of tissue, only one villain with one goal to overtake the power, no love triangle, no Second Lead Syndrome, no jealousy, no bitches or jerks, no deaths of good characters, no twists on the plot. Sounds boring? Read more...
Actress Yang An Qi played her first main role as the kind, calm, smart, and graceful resident physician Ji Xian Yun who was transported into the past China as the ancient Ji Xian Yun who committed suicide. Using her intelligence, our girl's sole purpose is to return to her real world that include: finding an item connected to the time travel and getting out of the arranged marriage with the handsome but sick and bedridden Qi Ling Xiao. He is the favorite son of the current Emperor, played quite well by actor student Sheng Ying Hao despite this is his first role. Adding to Xian Yun's goal is the arising issues in adjusting to the ancient personal and professional life, the danger of being the wife of a political figure, and the professional duty to care and cure of a patient none other than her husband. Her mind is so occupied with all these things that she does not realize that her husband already falls for her at the first slice (of knife aka scalpel). Clearly our heroine does not listen to gossips around the household that even outsiders but her know about her husband's feelings. So how do they finally get together then? None other than thru subtle attention and gesture, and care given to each other along the poison and recuperation, attempted murders, enemy's traps and political schemes. You will not see forced kiss, stalking, marriage consummation, or any rough dealings, just sweet and gentle chemistry between the leads. Although I should add that the outdoor kissing scene may be too hot for the ancient public to see (and not a stiff cardboard kiss either)
Adding to the praises are the well-done cinematography as seen by dramatic camera angles and panning, dramatic effect, adequate CGI, setting color and ambiance choice, costume selection (I swear I saw many times the main couple wear the same/similar color matching costume other than their wedding outfits). Not too bad for a low budget drama. The OST songs are also sweet and melodious.
Finally, I applaud Lan Lan who subbed this simple but lovely drama meticulously and informed us viewers who are not familiar with the Chinese language and culture, as she explained some words and phrases that are from the era. As a viewer I was educated thus was able to understand and appreciate the beauty of this story.
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From Hilarious Heartwarming to Fire Chaos Sibling's Show
It starts off as family sitcom show to romance and end as chaotic drama.The concept is one of a kind, the casts are all unique and charming. We can see the cast's trueself once they talk to their sibling. It has comedic relief in the beginning and moving family stories. But as there is nothing more to show from the siblings, it leans toward dramatic dating show in the second half. I must admit, the sibling's concept is what made me stay, it is so fun we get to see variety of sibling relationship and their dynamic. Their "Blind Date" game/mission is also exciting as we can see the sibling become their own sibling's biggest supporter, ally, or even... use each other for their benefit?
One more good thing I want to mention is the panelists! They are all so funny and have witty comment. I feel like watching with friends while listening to their views. Also, despite the chaotic drama towards the ending, I still enjoy the show nevertheless. If you are looking for refreshing dating show with uncommon theme, come to watch this series but dont forget to create a room for disappointment in some casts ;)
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This review may contain spoilers
A GMMTV Gem
I can’t believe GMMTV can make BLs like this.Oh my goodness, this series is absolutely phenomenal! The way it fearlessly critiques the Thai government, especially with recent events in the Thai elections, is just awe-inspiring and deeply poignant!
The story of Black and White, these twins with such a powerful connection, is so captivating. Their separation after their parents' divorce, with White moving to Russia and Black staying in Thailand, adds such a heart-wrenching element. And when White returns after fifteen years and discovers Black's condition, I couldn't help but be on the edge of my seat!
The suspense of White disguising himself as Black to uncover the traitor among his friends Sean, Gram, or Yok is so intense! The dynamics between them are just so enthralling, especially when Sean starts to suspect that something isn't right.
Oh, and let's not forget Black's journey as a protester and his struggles with Todd. That breathtaking fighting scene at the pool, the same one as in KinnPorche, brings an extra touch of excitement! This hotel location has been used in many BLs since. I can't help but fantasize about a Black and Todd spin-off, but alas, it might remain a mere dream due to the OffGun shippers and GMMTV.
And Gawin's portrayal of Dan, the disillusioned cop turned graffiti artist, is nothing short of extraordinary! His slow-burn relationship with Yok, a passionate protester and devoted fan of Dan's art, is a symphony of emotions. Gawin's performance had me completely hooked and left me yearning for more of him. First come on my radar only to disappear with his pairing with Khaotung.
All the characters in this series have their own compelling reasons for becoming protesters against the government and influential figures. It's incredibly moving to see their determination and resilience in the face of adversity.
The message about gay marriage and LGBTQIA+ rights is so relevant and crucial, even if there might have been some censorship due to the Thai government. This series courageously speaks up and advocates for important issues!
Overall, I am utterly in awe of this series and all the depth and brilliance it showcases. It's a must-watch for anyone who craves powerful storytelling and meaningful themes. Bravo to the entire team behind this outstanding production!
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Perfection is rare
I started this because of liking both the leads, and they OWNED this. My eyes are still damp from the powerfully moving final few minutes.It might be a simple story, but it was well told and PERFECTLY acted by the two leads. The movie was FULL of surprises for me, from hearing a voice that "like Faye Wong, but not" and finding out it was Leah Dou :), to the way the story and the story-within-a-story messed with perception and reality, to such emotional effect at the very end.
Award ceremonies get A LOT of criticism for their decisions, and most of it is 100% justified. But sometimes, they get it just right, and these two outstanding actors being made joint winners for this film was not merely the RIGHT decision, it was the only possible one. When trying to decide whether to score this a 9 or to go higher, I realised that was no substantive reason to dock any points, and in terms of its overall impact, if I could score it higher than 10, I would.
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