This review may contain spoilers
The drama delivers a great story of brotherhood and politics. It's not a very emotional drama, so maybe you will not cry watching this, but it delivers a great message of friendship, sacrifice for greater good, and idealism.IMHO, because the drama is loosely based on real history (which they turned into a fiction), you don't see much of character development, but more into how the characters from two factions use tactics to fight one another. Not much character development means that the personality and the ideas of every character in the beginning stays the same until the final episode (except for the Empress'!).
Some people got disappointed on the ending, but I'm rather satisfied as it shows how the main character's heart and priority never changes. From the very beginning he knows that peace is the most important thing, and peace does not lie only in one family name. His determination and personality never changes until the very end.
I love how Regina Wan played the empress role. Very elegant, especially the way she speaks.
I also love the opening and ending music. Perfectly matches the drama.
To sum up, the series is worth watching if you're not looking for a too emotional drama, or wanting a good politics drama.
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This review may contain spoilers
I enjoyed it!
So far I am seeing this series being separated by two types of viewers- those who hate it and those who like it. I am in the latter. And that's okay! Cause everyone has different personal preferences. It's up to the individual to form thier own opinions when they watch this series.Story-9/10
I was in the beginning giving this series an 8/10. However, the latter part of the series I actually liked as they touched on issues that I personally wasn't expecting them to touch. So for that, I raised my ratings to a nine (I still felt that it had something that I don't like, so I can't give it the full ten).
Acting-9/10
I actually liked everyone's acting. They were able to keep my attention and was able to get a chuckle or two sometimes out of me. I was very impressed by Choi Youngjae as this is his first acting gig as a ML.
Music-10/10
People are not going to change my mind! The music is a clear 10/10! Loved the OST and just hearing Youngjae singing so beautifully! I was so happy! I played the OST all the time for every episode. That's how in love I am of the song as well as Youngjae's voice.
Rewatch Valu-8/10
I give this an 8/10. Cause while I did enjoy it and don't mind rewatching it again, I just don't see myself watching it immediately- but I do see myself watching it sometime soon.
Overall-9/10
Overall, I enjoyed this series. Maybe I was the targeted audience (I highly doubt it). But what I do know is that yes, I would recommend this series to others.
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Facing the realities with courage and bursting the lock of patriarchy
I promised myself that I was going to write a review immediately after this drama ended. What can I say? Nothing but thirty is such a beautiful and well written contemporary drama. It’s a drama that breaks stereotype and shapes multidimensional women image (Not every time one size fits all)My emotions are still raw because this drama was so relatable from high point to low point of each character.
The storyline which depicts the life of three women (Wang Man Ni, Gu Jia & Zhong Xiao Qin) who are approaching their thirties and all the struggles/uncertainties that comes with the age.
Wang Man Ni (Jiang Shuying) is an independent, career-oriented sales assistant who is driven and hardworking. Her immediate goal, at least at the start of the show, is to achieve professional success. Throughout the show, her resilience is put to the test, personally and professionally.
Gu Jia (Tong Yao) is a capable businesswoman turned full-time housewife In many ways, she seems like a perfect wife and a strong mother: well-educated, capable, and thoughtful. But, eventually, she too has to face life’s challenges.
Zhong Xiaoqin is a kind-hearted woman -sometimes to the point of being a pushover -, and has spent years at the same company without rising the ranks. Though her story might seem simple/ordinary at first, her peace is disrupted as her marriage takes a turn for the worse when communication problem arises.
Everything single thing is so put together from the interaction at work (especially Wang Man Ni’s job as a sale assistant/ luxury buying) to the set and the cinematography. The pacing is really good, too, not too slow but not super fast.
And the most beautiful part is, of course, their story which brings them all together as they face uncertainties together. It resonates the power of sisterhood and the importance of Feminism. Even if you are not a fan of contemporary c-drama I’ll recommend that you give this a try. If you are a fan of ode to joy, you’ll most likely love this.
The acting was spectacular, Tong Yao (Gu Jia) did a fantastic job as well as the other two leading ladies Jiang Shuying & Mao Xiaotong
You could feel every emotion they felt. Li Ze Feng did well too because you almost forget this is a drama and you want to hate him in real life so bad. The young actor who portrayed Gu Jia’s son deserves an award. So adorable and intelligent.
Every other character had their own unique personalities and portrayed it nicely. I mostly could relate to Wang Man Ni. You either love them or you hate them. Lol. I loved the small family that was shown at the end of each episode. It reminded me of those small neighborhood stalls in big cities that everyone comes across each day (either you interact with them or not). How sometimes you have to find your own happiness even if you are not in the best of situations. Keep working hard. It paid off at the end.
It seems like everything about the drama is perfect even its music is so apt. The entire OST is so enchanting played at right timings. (My favorite thing to listen these days). You’ll definitely be in your feels every time they come on.
Rewatch it? Definitely. It says “To be Continued” at the end so I’ll definitely be expecting a sequel (with the same characters) and I’m excited at the thought.
This drama is literally one of the best drama of 2020 and If you haven't started it yet then YOU should do it RIGHT NOW!!
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My guilty pleasure of 2020
OMG I loved and hated this drama so much!The story is pretty great, and shows how simple actions have big impacts on life.
This drama is about family. The dynamics, the relationships between parents and children, brother and sisters, and even in-laws.
It was a crazy ride, and the FL is such a strong woman, so compassionate and forgiving (a bit too much forgiving, if I may say ... I got really angry about how mistreated she was by her family).
The main couple was super cute and mature. After they fell in love, there was no going back, no stupid break up, just a pure and strong bond. So cool and refreshing to watch!
There are a lot of other side stories that are really good too, and they are responsible for the different perspectivesyou get in the drama. There is always a story that makes you sympathize with a character. They are about redemption, about being too proud, and even blind to the reality. All characters have such a nice growth throughout the drama, it's really nice and it did not get boring. The plot doesn't drag at all.
I definitely recommend it! (I don't remember commenting so much on the comment sections... hahahahah)
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character driven story
this drama was made for me❤ when I 1st started watching kdramas I kept searching for 1 theme and it's "female spy", and if having that with 2020 quality was not good enough they added "female centered plot" as the cherry on top~good casting is a "comedy" spy genre so the show never took itself seriously and honestly that made it even better, I love spy stuff but I hate the crime involved so even here I couldn't 100% focus on their big mission, but I loved everything else involved and I LOVED the characters the most.
Baek Chan Mi was strong, smart and she seemed cold and a "lone wolf" but she really cared for her team and she blamed herself for the incident that killed one of her members.
Hwang Mi Soon was my favorite, she looks like the weak link, she was a normal boring ahjumma/mom but the fact that she was a secret spy made her the most "ironic" spy xD they also mixed her normal life issues well.
Im Ye Eun was the inexperienced "unfortunate" smart maknae that just kept messing her cover. plus her little love line with Gang Woo Won added a little romance that lightened up the mood. though tbh I didn't "like" him, but I could tolerate his picky loud personality because this was a romance (and I kinda wanted to punch him a few times xD)
Yoon Suk Ho is the nicest sweetest male lead, no one else deserves to be called a nice ml. and I really liked his dynamic with Baek Chan Mi. whenever he was trying to pull a "Gang Woo Won/bossy jerk" she was able to stand her ground and he'd let it go, though I wished he found out earlier I was really happy by the smooth discovery, and I really need a 2nd season just to get more of their sweet "normal" romance uwu
Dong Gwan Soo was the boss they could ever have. even as a guy he never doubted or hated working with a team full of women and he never degraded them, on the contrary he hyped them up so much. also I really loved that he was Baek Chan Mi ex boyfriend, it really added depth to both as people.
from one side their past relationship made them better friends and better colleagues and though they had a rocky breakup they both really appreciated their time together and they never held a grudge, so it's nice to see a normal breakup in dramaworld.
Byun Woo Suk was my favorite, he was an unexpected treat. he was funny and silly and a really good friend to both Yoon Suk Ho and Baek Chan Mi❤
so basically this was a character driven story and again I'd love to see a 2nd season (with the same cast, directors and writers!). they made me laugh, cry and it really saved me from boredom in a time when I didn't have any ongoing drama beside it~
the songs were really nice too and they set the mood really well, also I liked the lighting and the aesthetics~
I never rewatch stuff but I want a 2nd season!
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Sad but beautiful, and you will need tons of tissue, lol. :D
hi, I just finished 10 episodes of this drama. In every episode, I cry until I have a headache, lol. before reviewing, as a note that I have not watched the film version of this drama, this is the first time I know the story of K & Cream.I enjoyed everything in this drama. I like the storyline, I like all the couples in this drama, the story of each of them is interesting to follow. for me, the interesting thing about Taiwanese dramas is the warm color tone and more vintage vibes, and it's really pretty. the cinematography of this drama is good. The OST songs are also very good, I cried many times while listening to these songs. I want to praise the acting of the actors, especially the cast of K & Cream, they did a great job, how to manage the feelings so that the audience gets carried away and feels the sadness. this drama is sad but beautiful. if you love someone then tell them, every moment in your life is precious, love the people you love. Even though they are gone, maybe their body or form has disappeared, but they are still in your heart. Thank you for giving us this drama. I will keep the story of K & Cream in my heart.
Edit : After 1 week, then I'm watching the movie. honestly in my opinion for the series is more perfect because it has more screen time when they are together (main lead), so we can feel deeply about their chemistry and pain. TT
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Thrilling performance as always, oof!
I am someone who watched all 3 seasons of VOICE starting the first week of June, back to back, just because I can finish this season in real time. I undoubtedly got traumatised at points due to this but VOICE from s1 to s4 has been a super-thrilling experience all along, I must say.Talking about Voice 4, honestly, It didn't feel as good as the previous seasons to me even though I am not displeased or something. So I am rather not that much pleased considering how amazing plot the other seasons were. Anyways, It was a good watch which thrilled me and was also frustrated because of the cult stuff features (which mean the drama served that part well).
STORY & PLOT:
The story follows the 112 emergency call centre team (Golta team) headed by Kang Kwon Joo with superhuman hearing ability and her team who move to Vimo Island Police Station with the purpose of catching a probable serial cyber killer by utilising their vacation time. An LAPD cop Derek Cho visiting South Korea on an operation joins them as the dispatch team leader due to circumstances. Together, they try solving a case and catch the serial psychpath killer with Dissociative Identity Disorder and similar hearing capabilities as Kang Center.
Just like the previous seasons, Voice 4 has one major case going on, on the background that involves a serial killer and with that there are multiple minor cases that the Golden Time Team solve which somehow also helps them in profiling the major case. One difference is, s1-3 involved brainwashing cult stuffs that were instigated by the murderer which was due to bloodlust but in Voice4 there is an actual religious cult where people are brainwashed to protect each other despite own's fault.
Personally, I am not very pleased by the story development because I had had very high expectations and anticipations from the 4th season since they've evolved through 4 years since 2017 and I feel they should have offered us something extraordinary. But I am not unsatisfied either because it was still good and me thrilled even awe-strucken by many twists and revelations. It has some really good plot devices that are worth anticipating for.
The story had a good & interesting starting and the first episode is good. It has a steady development till the end of 9th but the 10th episode felt a lil blunt at some moments but then it picked up the acceleration and ended with some cliffhangers. The lead antagonist character could have been a lot better. He somehow felt a lil less powerless and did some stupid things as well.
CAST & ACTING:
Umm... Well, we have been seeing the major cast acting since the season 1 and they are as good as before. Lee Ha Na as Kang Kwon Joo/Kang Center has always impressed with her acting and dialogue delivery. I can always witness the kind of aura in her eyes. Song Seung Hun as Capt. Derek Cho did a good job and he's definitely experienced in the industry but the thing that I noticed is he never wore his cop jacket while everyone else did. I mean we know that you're from America and very skillfull in the field but still, HAHAHA.
Son Eun Seo as Officer Park Eun Soo did good too but I think her part is a bit reduced in this season than the previous ones. Kim Joong Ki (Park Joong Ki) and Song Boo Geon (Koo Kwang Soo) are absolute eye candies for me and I have been loving them since the 1st season. I was actually surprised to see Kang Seung Yoon bcs I didn't see the cast before starting. Also, Baek Sung Hyun (Shim Dae Shik from s1) 's comeback in s4, that too as a freaking hot adult, was a delight to witness and there was definitely a solid character development for him. I was also happy to see the familiar faces like Lee Yol harabeochi and Kil Hae Yeon ahjumma in the drama.
Now the antagonist. Don't think of it like a spoiler because the production itself is openly bragging about it plus it was revealed in the 4th episode only. Lee Kyu Hyung as a psychopath serial killer with DID, did a very good job as he was given, BUT! IDK whether I am the only one or not; I think his character as the lead antagonist could have much more to do. He as the antagonist didn't seem as powerful as the serial killers of the previous seasons. The blame is to be shot at Ma Ji Won jakka-nim citing it was not a very strongly written antagonist. Anyways, I have loved his acting skills and been a fan for a long time and undoubtedly loved this too.
DIRECTION & SCREENPLAY:
I think I have already mentioned above it more or less before so let me keep it short. Voice have had amazing direction and production work since the season 1 even though they kept changing for each season. The way they edit the deja vu things or past sequences and try to connect and interpreting through the screenplay is very nice. The sound editing is apt as well that tries to have the audience thrilled all along the show. Voice is undoubtedly Ma Ji Won jakka-nim's best creation which he has been successfully pulling off to make the year's best thriller. Voice 4 for me somehow isn't as good as the previous ones, still a good show to give it a go.
ENDING:
It has a good ending. I was afriad they'll end it with a plothole or something illogical and unreasonable will happen but it was just fine, so I appreciate that. However, it felt a bit rushed starting from the 2nd half of the 12th episode. They were clearly trying to wrap up some minor plot devices so that they wouldn't have to worry about them further but that was absurd. In fact, the main antagonist was caught sonner than expected which somehow made it a bit unintersting but I think they had many revelations to do so they did rush it. In the last 2 eps, they basically tried to solve the puzzles of this season plus gave clarifications about some things which were left on hang in the s3. But again, few unexpected things happen which left me questioned. In fact, the epilogue of s3 showing a sneak-peak of Bang Jae soo (Kwon Ryul) with some mysterious woman which was expected to be answered in s4 has been extended to s5 and that thing will be the main story of next season. I am not sure what the writer is thinking but I assume they'll go for another season for sure to explain whatever they left hanging. It's A HUGE WIDE OPEN ENDING which raises plenty of questions and what happened at the very end scene is enthralling and frustrating at the same time. Won't spoil.
Anyways, they could have make 2 more episodes and give it a smooth ending by not rushing it even when they had a plan for s5.
CONCLUSION:
Overally, this season of Voice is a good thriller and definitely worthy an one time watch so go ahead and finish it. Despite some drawbacks, it was actually enthralling to watch, though I ended up with mental disturbance at some points so I had to drop it for few days and then I went back watching.
I don't how others interpreted it, but when the news about this season came, from the title "VOICE 4: JUDGEMENT HOUR" , I thought this season is a good-bye to VOICE, one of the longest running Kdrama franchise. The phrase "Judgment Hour" is something like the final verdict/decision hence implying to the end of this series. But the way it ended with the introduction of some new plots now I think I was wrong and there will definitely a next season. Well, as long as the jakkanim offers his talent and we tend to enjoy it, then why not? HAHAHAHA Let's wait for the updates from the production team.
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True North
For fans of the critically-acclaimed Kingdom series, this is a much-awaited production that has been a long time coming. Officially designated as a Special Episode and “Sidequel”, Kingdom: Ashin of the North is a feature length film that serves as the prequel to and the basis of the upcoming season 3 (as I understand it at the time of writing). For viewers who are interested in watching the entire series and have not seen the preceding seasons, I would advise starting off with those before embarking on this one. Both seasons 1 and 2 released only 12 episodes between them so it won’t take too long for viewers to get up to speed with the complete sequence of events.The production team remains the same, with Baeksang-winning screenwriter Kim Eun Hee as the creator and showrunner, as well as the art direction and special effects crew. The only notable change from season 2 is that Kim Seong Hun, who helmed the first season, replaces Park In Je in the director’s seat. The franchise is developed by AStory while the production and distribution rights are retained by Netflix. Unlike the first 2 seasons which were filmed on location in Gyeonggi and North Gyeongsang Provinces, principal photography this time took place solely in Jeju Island.
In addition to the gorgeous panoramic vistas of the new filming locale, the overall tone is somewhat darker and more chilling, in comparison with the earlier seasons. Nonetheless we do get the exact high standards in production values and overall quality of the cinematography, set designs and, of course, the special effects encompassing the visuals and the zombie makeup, which is particularly praiseworthy. The action choreography and the stunts involving said zombies and humans alike deserve as much acknowledgment. The original score is composed primarily of dramatic orchestral music while the ominous BGM is generously applied throughout to great effect as well.
In case anyone’s forgotten, here’s a quick refresher. During the ending scene in the final episode of season 2, our protagonists Prince Lee Chang (Ju Ji Hoon) and Seo Bi (Bae Doona) find themselves in a creepy, dilapidated and seemingly deserted village in the northern borders while investigating the origins of the saengsacho, the source of the scourge that plagues their kingdom. Cue the dramatic entrance of a new character right before the end credits begin rolling - the mysterious female figure in a dingy room filled with chained up and boxed up creatures, presumably zombies. Who is she? Is she a villain who created or started the outbreak? Why is she smiling? Well, now we finally get the answers to all our questions and more.
She’s none other than the titular Ashin of the North and this special episode chronicles her origin story. From her humble beginnings, the calamitous circumstances that ensued thus setting off an irreversible motion of fate-altering events that kicked off in the North before eventually engulfing the whole peninsula of the Joseon Kingdom. Epic, cataclysmic, action-packed, thrilling, evocative, and incredibly brilliant. Kim Eun Hee has done it again and expanded on the original concept within the space of 90 minutes to set up a new direction for season 3. You’d expect nothing less anyway from the screenwriter who brought us Signal.
The main cast this time around is headlined by the wonderfully experienced and award-winning Jun Ji Hyun as the eponymous character. With a screenplay that is fully devoted to her character, she carries this show with consummate ease as she projects an aura of darkness and conviction alongside her dynamic range to breathe life into the mysterious Ashin. During a recent interview with Kim Eun Hee, she stated that the role of Ashin was written specifically with Jun Ji Hyun in mind, because of how impressive she had been in the films The Thieves and The Berlin File, incidentally both of which I had watched some time back. Although she is most well known for the dramas The Legend of the Blue Sea and My Love from the Star which established her reputation as a romcom specialist, JJH is extremely versatile and adaptable to diversely multifaceted roles than people give her credit for.
In any case, I thought she utterly nailed her portrayal here that enabled viewers to be engaged in the story and invested in her character’s journey of evolution. Acting chops aside, her action sequences are quite realistically executed as well. She appears very fit and certainly looks the part of a fearsome bow-wielding warrior. I think she has lost even more weight as can be seen in her recent photo calls promoting this show. Meanwhile the talented and prolific child actress Kim Shi Ah portrays the young Ashin while Park Byung Eun returns as Min Chi Rok of the Royal Commandery.
No amount of words will do justice to the spectacle that is Kingdom: Ashin of the North, because seeing is absolutely believing and there is much to be observed in this production indeed. The only downside for me was that it was too short - I wanted...no, needed more! 16 months was definitely worth the wait, especially now that we know for a fact there’s more to look forward to in the horizon. I only hope the wait won’t be as long.
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You have to take it with the context, there are only 3 episodes so the story does not go into great detail, but with the time that they had I thought they nailed it! What made this drama as great as it is was the casting, Benz and Prom's chemistry between their characters had me blushing the entire time I was watching. I mean look at Praram's smile how can you not just melt.
I hope they either give Benz and Prom another series together or possibly redo this story but a full series so it can go more in depth into the storyline!
Benz's acting really made this drama to be honest, he is a very talented actor and I constantly found myself forgetting that he was both Pralak and Praram and that he does not actually have a twin. I will definitely be rewatching this drama as I cannot get enough of these characters, my favourite of the En of Love's so far probably!
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This review may contain spoilers
Moments of brilliance, buried in mediocrity
I approached "Love in the Big City" both eager and guarded, as one who steps into a garden rumoured to bloom with rare flowers, dreading the thorns beneath. And indeed, my patience soon withered/waned under its oppressive sorrow and despair. A suffocating pall of misery clung to the gay characters. The very air seemed heavy and coagulated. And yet, I cannot, in good conscience, deny the actors their due. Their performances were of such distinction, such disciplined passion, that they elevated the poor scriptOf those who graced the stage/screen, Nam Yoon Su did shine with a peculiar radiance. His readiness to partake, without the least restraint of feigned modesty or hesitation, in the delicate and tender manifestations of carnal affection between men, was an uprising against the profane doctrine of homophobia, gnawing ever at the fabric of society. Each kiss, each quivering proximity, was a venture into the "forbidden" and a courageous unveiling of a man's innermost self before another. Stunned I stood, for here were men, yielding mutually and entering the blessed harmony where desire is met with desire, or flame answers flame. Few were the sights that could rival the fair and beautiful scene
Having paid homage to the commendable virtues, I must, with sober and judicious mind, now dissect the manifold imperfections of "Love in the Big City." The narrative faltered at its threshold. Therein, a "straight" identifying woman, she whose eyes roved with lecherous and unbecoming intent on men, trespassed into the charged social space of a gay bar/club, a haven purposed for the free and boundless flowering of same-sex desire (31:07 of episode 1). This is no mere lapse in judgment, but a flagrant assault on the sanctity of single-sex spaces
What cause had the authors and producers for the unceremonious reference to HIV? HIV is not divine chastisement or a gay disease. The military doctor's diagnosis presumed a manner of transmission he himself deemed improbable. "Are you a top or a bottom? The truth is, the chances of spreading HIV to a sex partner are low" (39:50 of episode 5). Whence we may conclude that to afflict a gay character with the blight of HIV, while all else in his life proceeds unimpeded by the ravages of the disease, notwithstanding its low transmissibility or the accessibility of "curative" measures, is to commit an injustice altogether superficial, contrived to stir the blood of the audience and cast aspersion on the inclinations of gay men
Methinks it a wearying contrivance that "straight" identifying women are the sole passage through which the lives of gay men are revealed. A stranger to the sting of homophobia befriended a gay man and claimed the right to utter his sorrows. Is his voice feeble? Can it not speak for itself? Or is it that the ears of society are closed to the truth, unless it be spoken by one it takes to be "safe" and unthreatening to the established order? Be that as it may, the time is ripe for gay men and gay women to gather in brotherly and sisterly concord and recount the trials and joys of their lived experiences. They could find in one another a steadfast, compassionate friend
Evermore were the gay characters denied the solace of a blissful end. I marvel not. From the dawn of civilization, gay existence has been granted provisional legibility within the public sphere on condition that it be sentenced to a life of bitterness, celibacy, or exile. The possibility of societal tolerance rests on the disavowal of collective joy/happiness, the desexualization and deradicalization of same-sex physical intimacy, and the proscription of a viable, enduring future
There is an urgent need for narratives in which gay joy/happiness is the norm, however much they strain against the limits of the prevailing regime of plausibility. It is in their defiance of said plausibility that we can affirm the radical banality of gay flourishing, a mode of being so simple and unremarkable in its presence that it precedes the demand for justification
TL;DR I have, after deliberation, settled on a score of 6/10
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"Suffering is the human condition" in art form.
"Moneyboys" is a raw, visually stunning drama that exhibits the gritty and provocative lifestyle of young, gay escorts. While there are some steamy moments, the story focuses less on the "customer service" aspect and more on what motivates these characters despite the risks involved. With an impoverished upbringing and the weight of his family on his shoulders, prostitution is a means of survival for protagonist, Fei.What we get as viewers is a study on this character. We're taken through a series of experiences and events that make up Fei's life. We witness how the stigma of both his sexuality and profession effects his family life and the mental toll it takes on him. Through Fei's various interactions with other characters, a clear theme rings throughout the film: the sacrifice of one's happiness for the sake of others. Lovers sacrifice themselves for the ones they love, young adults sacrifice themselves to meet family expectations, LGBTQ+ sacrifice themselves to fit the molds of society. When does the cycle of suffering end?
The story finds its anomaly in Fei's childhood friend, Long. Unlike the often numb and apathetic Fei, Long is brimming with life. He sees the perks of being a money boy as a way to live happily for himself and not for the sake of others.
Before I had a grasp on the film's narrative, I was already in awe of its cinematography and editing. The moment I clicked play, I got the feeling I was in for an artistic experience. Atmospheric lighting and color grading sets the dark and solemn tone for the film. Neon colors pop through the screen. There are some close-ups and shaky camera shots that make for intense moments, but you'll mostly see the use of still-camera wide shots. Frame by frame, it appears as though characters are moving through a sequence of modern life art pieces. It doesn't linger on one shot for too long though, especially in the beginning. Scenes are often fleeting, dialogues seem to end just shy of a complete conversation. A stylistic choice that gives the film obscurity and keeps it from dragging, but disappoints story-wise. At times, I was left wishing I knew more about what these characters were thinking and experiencing.
Aside from maybe one actress with a bit part role, all actors were convincing. Lead actor, Kai Ko, did well portraying the emotionally detached Fei. He surfaces the character's vulnerable side in ways that feel both realistic and relatable. The charm and charisma of Bai Yu Fan's Long is definitely one of the film's highlights. There aren't many dramatic acting moments so if you're worried about it being a tearjerker, you're in luck. "Moneyboys" is pulsing with emotion but it isn't necessarily a sad movie, just realistic. It's a bit longer than the average 90 minutes, but very much worth the watch.
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A story of what if, chance, hope, and belief
In this story there are nods to Shakeapeare and Greek tragedies - if you enjoy those types of plays then you'd enjoy this.There IS a romance here, but it's old school. Lingering glances, touches, unsaid words and comfort. Tons, and tons of it. The show is very ASMR-y with its presence. Up until the last 5 episodes. That's when everything has been building meets the peak and the outcome of actions comes back to haunt people.
One could say this is a tragedy, a tragedy of love, a tragedy of 'what if' 'should I have', 'did I love enough' etc. But, the beautiful thing is the woman who thought of others instead of herself, broken, but given a chance to heal and fall in love again. A man who also thought of others, worked eight years with nothing but hope in his heart and regret, fell in love with someone who gave him that hope learned to heal.
That to me is the purest kind of love.
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Compared to many other overrated ones, this one had at least good acting for the most part and a interesting storyline.
The directors made the plots twists appear slightly overdramatic when they were not but the story was still very interesting to me.
I really liked how they portrayed the work of judge and the characters were overall very refreshing.
The romance part was not smothering the rest of the story which was GREAT, and I was happy to see a more mature and realistic romance story instead of the usual cheesy cringy stuff between bright girl-cold guy.
In this drama, I was able to see more realistic main leads with more complex personalities.
So I recommend!
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When love speaks louder!
While the premise might seem like your typical "silly wealthy man and his caretaker falling in love", the drama delves much deeper into their emotional journey.Shao Peng is a positive and resilient character who is deaf and mute. He is aware of his disability but doesn’t let it define him, though he’s sometimes insecure about how others see him. His journey shows his strength and vulnerability and the actor played him perfectly. Also, although I have very little knowledge of sign language, the portrayal felt very real and authentic to me .
Zi Xiang is multi-layered. Initially, he came across as someone who enjoyed a privileged life while evading his responsibilities. But as we move forward , his carefree demeanour was just a show to hide his dissatisfaction with the life he is forced into. He slowly grows from self-centred to someone capable of empathy and love.
The chemistry between them was the highlight of the series for me. What started as a reluctant partnership slowly transformed into a tender, evolving love story. Zi Xiang's feelings for Shoa Peng grow not only because he takes care of him but also because of the perseverance and strength he shows despite his own doubts. Their journey of getting to know each other, understanding one another, and being together was both heartbreaking and heartwarming. They acted as catalysts for each other's growth, helping each other look beyond their struggles.
The second couple's story was interesting but they didn't have enough screen time for their story to be properly developed or for me to really connect with them. Their chemistry was evident and they were sweet and cute together, but more time was needed to make their relationship feel believable.
The pacing felt uneven at times. The tone of the first few episodes was borderline silly and goofy compared to the second half of the series. Plot devices like assassins ,kidnapping and the portrayal of trashy, unsupportive parents felt more like a gimmick where they didn't contribute anything to the plot or was introduced in the final episodes and wasn't executed well.
The drama also tries to address prejudice against disabled people, particularly in a professional environment. It manages to show that not everyone is openly rude or dismissive but there is a subtle bias even when they are not overtly hostile. But it felt like this issue was only touched on superficially serving as a plot device for the love story. I'm not complaining but I would have liked to see more focus on Shao Peng's character and how he personally deals with it.
Overall, while the pacing can be uneven and some plot points feel forced and underdeveloped, the chemistry between the leads and their character development make it a solid, enjoyable one-time watch. Probably more enjoyable if binged.
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