This review may contain spoilers
Please let me live in a BL world
This series / movie / special can be defined with one word: hilarious. This series is clearly made for fans of the BL world, there is no more, to enjoy it and appreciate it in every way you have to be a fan of red bone.All fans of rom-com genre manga (BL or not) will know that most of them are a bit .. absurd, in the world of manga everything is strangely convenient, but it is fine because the format lends itself so that these conventions work and be fun for readers, but if it comes to taking this to the big screen with real characters, well it is obvious that many creative licenses are taken, to turn the absurd and convenient situations of the manga to more or less realistic situations of the in real life, this is not always the case of course, but if it is about taking the manga as it is to another format it does not come out exactly well and many times the only thing that comes out of that is a great cringe complication and not necessarily a good one (you I'm watching you Love Stage!!), a very good way to bring unrealistic situations to the screen and also deliver a good product is parody.
This series uses the power of parody and it comes out perfect, it is very funny, the best thing is everything that happens in the background of the stage, it genuinely feels like being in a world dominated by the BL, another feature in its favor is the duration, the fact that it is so short allows you to better enter the game and participate in the absurdity.
As I said, this series is very niche and although I do not deny that it can be enjoyed by all audiences, I think that if you are not a fan of BL, understanding some jokes or colloquial situations could be not so funny, sometimes this is what you need a production that don't take yourself too seriously, but still strive to deliver a quality product.
Another thing, do not try to run away, sooner or later the BL will catch you in its clutches, ufff... I will know.
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Story: for me the story was really different and unique. A blind person's testimony versus a normal person's testimony. Which do you trust? I felt the story was really well written. It was intense, exciting, heartwarming and thrilling. I loved and hated the baddie at the same time because he was beautifully performed but what he did was creepy, chilling and ever so hateful!
Acting: The dog alone should get an Oscar, she was just brilliant and beautiful! Once again Seung Ho shows us his brilliant acting skills, although he has played a troubled teen before the acting and character he played this time was different and I thoroughly enjoyed watching his character grow. Also the chemistry with Ha Neul worked well. Standing ovation for Ha Neul tho! She did an excellent job, you felt her pain and sadness plus her fear. She did a really good job - in You're My Pet she didnt realy stand out and her character was a bit flat so in this movie I was really impressed!! The acting was really touching I cried many times throughout the whole film. The acting really pulls you in and I thought the actors did an excellent job in expressing the emotions and it sucked me into that world. Before I knew it I was rooting for the leads, becoming really protective of the characters (I wanted to kill the stalker myself!!) so if a film has such effect it's bound to be good.
Casting: there was no problem with the casting I thought everyone was perfect for the role. And as i mentioned earlier Ha Neul didnt seem fit at first but she pulled the role off really well.
Music: the music accompanied each scene perfectly. It effectively made the scenes tense and thrilling, sad and heartbreaking. The music made me on the edge of my seat and at the same time curl up in my duvet because it was frightening plus the acting I felt like I was part of it.
Overall: I would definitely watch this again. It provokes a variety of emotions pulling you into the movie. The acting was superb and the story was well written and developed. The only downside would be the ending, I loved the ending but I would have liked to see more!
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It is about the area of tension between longing, choices in life, accountability and responsibility.
"A Man and a Woman" is emotionally profound, yet subtly leading into intimate depths where it hurts, too. There are no pink ribbons. And the intimate encounter of two souls does not miraculously sort out the problems of the world in a groundbreaking way. Life is difficult. There are also unexpected beautiful moments. But life remains difficult. Is that why it's bad? Only bad? "A Man and a Woman" paints a portrait of two people who have careers of their choice and families - but life is still no lollipop. It is about having an affair. It is about wanting another life. It is about the area of tension between longing, choices in life, accountability and responsibility.Highly valuable.
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The Cutest Meow!!
This is probably one of the best cat/ animal and human dramas!! I ran here after finished watching the drama. Most dramas with this type of genre tend to screw it up with its nonsensical script and cringe-y acting, however, I feel like this drama has got it right in almost all aspects!! Watching this drama definitely makes me smile from ear to ear.The drama script is very well written and detailed, the drama focuses on small things such as how a cat acts and behaves, such as forehead stroke, nose and hair rubs, how a cat bosses its owner and so on. These types of details are often forgotten in other similar genre dramas. This drama is also REALLY ADORABLE AND FUNNY AS WELL!!
When it comes to acting, both leads are really good and natural in their role. Both of them have very natural and comfortable chemistry. Almost all of the casts in this drama acted really well, the female lead portrayal of a cat is just so realistic, I can literally imagine her as a cat. The female lead is also naive and innocent but not the point where she is annoying. The male lead acts so so so naturally. And of course, we have the mom who acts so well that makes all of us wanna slap her hahaha. Even though the relationship progress is kind of a slow burn, but it is still so cute and fluffy!!
The cinematography aspect is average, just like any other sweet idol romance drama with average shots and a bright colour palette. However, the OSTs of this drama is really cute!! it's really fitting with the overall ambience.
Overall, definitely give this one a try!! You might enjoy it more than you thought~
P.s. This drama has a clear ending so no worries ^^
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This review may contain spoilers
Dramas with moms going back to school have been trending recently (not that I'm complaining). And with that thought you might consider Twenty Again to be unoriginal. But it's not. In fact, it's amazing. On the surface, it's a middle-aged woman, her failing marriage and her petty attempt to save it. But it is so much so much more. Just what you expect from a TvN drama. The plot is predictable yes but it never works against the favor. You might consider you'll get bored while watching this show. That's what I thought. But before I knew it, I had breezed past all episodes and had joined the chorus of the post-drama depression. The approach of the show and the mood in which it is presented is very easy going. A husband cheating on his wife is the plot for every 50 episodes family melodrama in Korea. But Twenty Again presents it with a more creative, more youthful edge. You see everyone's side, feel everyone's side and realize everything happened for a reason. There are no bitter feelings for revenge. I never once felt mad at the husband or felt sad for the wife. Both gained so much from whatever they went through. It was worth it.
Coming to characters. Choi Ji Woo was the reason I started this show. I have seen her previous dramas (most of them classic) and I was very curious as to how she'll pull off this character. She did a solid job. No Ra's journey of self-discovery was absolutely beautiful, even if the overall tones for it were very light. I cannot imagine anyone else for this part, she was flawless.
The male lead, I loved him in My Daughter Seoyoung. He is so handsome. But he played a role I have never seen him in. He did not over-utilize that dimple (a first for me to see) and he played an agitated character. It was nice to see him play a role like this. The husband's role was wonderfully done. That balance between not liking him but still not disliking him was so marvelously done. The supporting cast was equally good. The son, the friends (such wonderful friends), son's girlfriend (she annoyed me but I get the need for her role). I felt Na Soon Nam and Park Seung Hyun needed more screen time and more depth though. They were great.
The ost was decent.
Overall, it was really good. I love the kind of vibe TvN dramas give me. They always experiment with new ideas, sometimes even setting trends. It makes me feel like they make dramas because they love making them, they understand them. Instead of making dramas based on what we want, they make us understand what we want. That's just amazing. And Twenty Again lived up to that.
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Let’s Talk About ‘ Love And Leashes’, Baby…
“Controversial”, “risky” and “unconventional” are some of the immediate buzz-words which come to mind when talking about Netflix’s South-Korean movie ‘ Love and Leashes’.
Directed by Park Hyun Jin( ‘ The Color Of A Woman’) and based upon the webtoon ( 모럴센스), ‘ Love and Leashes’ focuses upon office worker Jung Ji Hoo ( Lee Jun Young). Clean-cut, professional and adored by his female coworkers, Ji Hoo has always been able to maintain his prudish persona . However in reality “prim and proper” Ji Hoo hides a deep secret from his peers; he’s a BDSM enthusiast.
When bemused coworker Jung Ji Woo ( Seo Hyun) unknowingly stumbles upon his salacious desires through an open package, Ji Hoo soon finds his sexual fantasies awakened when he enters a consensual-contractual “slave and master” relationship with his coworker. However as their risqué relationship begins to play out, Ji Woo and Ji Hoo soon finds themselves questioning their sincere feelings for one another along the way…
Perhaps one of the most notable things which should be said about ‘ Love and Leashes’ is that it is a daring concept . Topics of sexual and amorous relationships have certainly been explore beforehand in South-Korean productions such as ‘ You’re My Pet’ ( adapted from its Japanese predecessor ‘ Kimi Wa Petto’), or more sardonically throughout ‘ The Handmaiden’ , ‘ Thirst’ and ‘ Happy End’ . However due to a respectfully conservative atitude towards sexual content in South-Korean culture and media , it is still slightly unusual to see this topic addressed in mainstream popular culture .
Despite its eyebrow-raising premise, ‘ Love and Leashes’ surprisingly starts off as a somewhat lighthearted rom-com and office drama. Jung Ji Hoo is established as a smooth-talker and highly liked by his superiors who tries to avoid conflict, whereas Jung Ji Woo is an “ everyday” office worker with a slightly stubborn streak. ( Helping viewers to understand the dynamic between the characters as well as foreshadow their later roles within their racy relationship.)
However despite the somewhat niche early setup, ‘ Love and Leashes’ wasn’t afraid to delve slightly deeper into some issues in the workplace- sexism , prejudice as well as several references towards homophobia and sexual harassment , bustling their way into the film’s early workplace vernacular .
Nevertheless whilst praise must be given towards director Park Hyun Jin’s open address of these current issues early on in the film’s narrative , it is hard to ignore that these references were rarely touched upon after their initial use. ( In theory this dynamic could’ve easily been explained more within the nature of the narrative.)
Yet ‘ Love and Leashes’’ seemingly mundane workplace setup soon begins to into an amalgamation of lighthearted and riskier comedy after main female lead Ji Woo stumbles upon the package.
For those expecting ‘ Love and Leashes’ to be a series revolving entirely around erotica and debauchery, it is noteworthy that ‘ Love and Leashes’ is predominantly a romantic comedy. Risqué and sexually suggestive jokes and setups were mainly used as the necessary pretext behind a surprisingly warm-hearted romantic love story for the main leads.
Naturally this isn’t to say that Park Hyun Jin wasn’t afraid to delve deeper into depicting the misconceptions and taboos surrounding fetishises, hedonism and casual relationships. The narrative would often diverge away from the typical tropes surrounding setups of sexual fantasies being “ nauseating”, “ unhealthy” or “ encouraging sexual abuse”, by instead shedding light into a fairly positive, consensual and healthy relationship between the main leads .
Yet when the film’s narrative wasn’t driving home messages about sensuality or comic relief, ‘ Love and Leashes’ did surprisingly touch upon some sentimental moments surrounding its main characters. In particular this became apparent through . Ji Woo’s uncertainty and gradually growing mixed feelings for her coworker , as well as Ji Hoo’s own struggles with his dating life. However whilst these elements of the storyline were present in ‘ Love and Leashes’, the backstories and problems surrounding the characters were often limited and subdued by the plot. As a consequence it could often feel as though our main leads were roughly sketched out as individuals; necessary plot devices for keeping the storyline afloat, but rarely being given definitive sentience also.
Of course it is hard to ignore the somewhat controversial casting choices also. Former U-KISS member Lee Jun Young ( ‘ Class of Lies’, ‘ D.P’, ‘ Imitation’ and ‘ Let Me Be Your Knight’ ; plays the unusual role of main male lead Jung Ji Hoo, whilst costar and Girl’s Generation’s Seo Hyun( ‘ Private Lives’) takes on the role as main female lead Jung Ji Woo. However despite the somewhat surprising and controversial cast decisions, Seo Hyun and Lee Jun Young were delightful as our main leads. ( Both actors also openly spoke in interviews about their initial surprise upon reading the context of the script, alongside their enjoyment at being able to take on different roles.)
Admittedly the onscreen chemistry between both stars felt somewhat stunted in early parts of the film. Initial “ role play” scenes came across as awkwardly delivered for audiences ( in particular one scene surrounding Jun Young attempting to literally embody a “ dog”). However as the narrative progresses and allowed opportunities for their characters to grow, their chemistry did become more apparent.
The pacing is admittedly tightly-packed in the first half. Whilst this did allow opportunities in order to delve deeper into the characters’ relationship and certain issues, it did provide to be a double-edged sword. This is mainly due to the fact that the second half downplayed the pacing with a notably slower and sharper focus upon the bittersweet elements of the characters; prominent but admittedly rushed in the course of the movie. The attempted climax served in the latter-half felt somewhat anticlimactic. There was little buildup or foreshadowing and whilst the ending did serve a somewhat cheerful resolution for the events of ‘ Love and Leashes’, viewers may feel a little disorientated in parts with the storyline.
Under the directing reigns of Park Hyun Jin, ‘ Love and Leashes’ was notably a multitude of slick and professional cuts, scenes, editing and gradients. Notably Hyun Jin placed heavy focus upon the contrasting tones of minimalistic everyday life and the office, against the lustful neon, vivid and lively palettes surrounding Ji Hoo and Ji Woo’s role play sessions. ( One of the most striking scenes of the film came through Ji Hoo’s birthday “ present” . Against the pallid tones of the room’s surroundings, Ji Hoo’s present in an unopened black box, a pair of patent ruby red heels, greatly sticks out for viewers to visually engorge.)
It is notable that the OST is sparsely placed in the movie. ( Aside from the opening credits, emotional buildup moments and the ending.) Instead under the directing reigns of Park Hyun Jin, ‘ Love and Leashes’ is predominantly focused upon the characters’ dialogue exchanges and interactions. When the OST is present it is climatic; helping to reflect the emotional scope of characters and situations.
Despite its unusual setup and premise , ‘ Love and Leashes’ was foremost a love story between its main leads. It is arguably one of Netflix’s riskier moves from South-Korean production in recent years. Nevertheless despite the somewhat expected controversy surrounding the movie’s casting choices, Seo Hyun and Lee Jun Young’s onscreen chemistry and performances were solid and dynamic. The themes surrounding ‘ Love and Leashes’ are versatile if somewhat stunted in parts, but surprisingly delivered a sweet and risqué romance along the way.
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A must watch drama
This drama was great, one of the best I've seen. The story is so well constructed, all the actors portray such relatable characters, dialogue is so natural that the whole plot feels like it might just happen for real. After each episode I couldn't stop thinking about it and Brush Up Life became a hot topic among my own friends and family for the same reasons. The child actors also did an amazing job, not only are they cast well to fit perfectly for the adult versions of them but they way they act showing the same habits and quirks of the older versions was perfect. The first episode at first might seem boring or bland but its so necessary for it to be that way. I can guarantee that if you just push through the first 30 mins of episode 1 you will be hooked.Was this review helpful to you?
make a wish or make a failure
have after having seen all the episodes without sub clear this. My appreciations are the following:Angel krit started out as a curious, noble and enthusiastic character who wanted to experience what it was like to be human. But as soon as he got it we could see that selfish and vain side.
Doctor paphum, for someone who sees ghosts, takes it too well, the medical parts are good but they have their flaws and they were advised by a doctor.
Angel chan, what a great performance emanating all that aura that a superior angel must have, his dedication and sacrifice to angel krit was captivating.
Dr. Aries was surprising to see in his few appearances totally opaque angel krit showing all his emotions to the fullest. To the point of thinking that he should have been the protagonist.
The comedic scenes were good, a bit over the top, and the sound only made it more noticeable.
The good dramatic scenes especially that of the spirits of the girl and the lover. The death scene of Dr. Aries with his parents and memorable angel chan sacrifice.
The NC scene that I can say everything was going well until Pharm is cheating on dean with dr. Paphum? and there everything rotted. Just discarded. Because I no longer saw the angel krit but another fluke character.
In conclusion, other series the endings take a long time and with this it was the opposite, very fast, everything loses meaning. Enough with SS1 with SS2 would only make it look poorer than it already is.
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Wow.
I thought Meow Ears Up had a weak plot, but at least in that nothing happening made sense. In this nothing happened nor made sense. I think it was supposed to be a parody or something, but I don't really know what it's parodying. I think it might have been making fun of the audience for watching it.There is nothing positive to say about this, except Lee Long Shi who plays Dr. Pak has a hot body, but it's not worth watching the series as he shows it a lot more on his intagram. Here, I can save you 6 eps. https://www.instagram.com/_longlee7/ Pak Papungkorn does too but we already knew that.
Anyway, this is terrible. If you like Kim & Copter, you probably won't anymore after watching this.
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But as good as the story was, there was one thing which bothered me too much to be overlooked: the main character, Na Mi Roo. This woman was not what I imagined for the main lead of this drama. For me, she didn't fit the concept of it at all. She was annoying beyond belief and a few times I wanted to physically hurt her. At times, it also felt like the character wasn't well written. I didn't feel she had much character growth, if any at all. It was like she was meant to be an ordinary and forgettable supporting character and they decided to make her the main one at the very last minute.
So, in one hand we have "loser Mi Roo" and on the other we have Tanya. Now this character was awesome. She was interesting, mysterious, had depth, was funny... In other words, she was everything I had hoped the main character of this drama would be. I also felt she had much more character growth, and was better written, than Mi Roo.
Besides Tanya, all the other characters were also interesting and I actually wanted to know more about them and the reasons behind their actions. The wonderful portrayal of those characters was what kept me watching this drama.
The OST of the drama was good. I already knew some of the songs because they were in English and the opening credits track was very catchy.
And the ending was not common, but not unpredictable since I had a feeling it would end like that.
As much as I loved some of the characters (like 4-D writer Lee, awesome Tanya and cute Kwang Woo) and thought the story was very good, I cannot subject myself to watching Mi Roo for 16 episodes again, so I do not ever plan on re-watching this drama again.
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The only reason why the plot moved at all was because of a series of situations where people kept missing each other, or simply didn't connect the dots. All the information, people and props were there, but the script annoyingly made the characters miss all of that due to either bad timing or not enough questions. It's so common and so overused in kdramas that I couldn't get into the story at all. I'm sorry, but if you let someone stay in your house for the night or longer, wouldn't you try to ask as many questions as possible? The story had great potential, but I feel like it treated fate in a very non realistic way. It was almost suggesting that a tragedy is not a real tragedy unless all the characters involved are a part of the tragic past. The show could have had a deeper message, but totally failed to deliver. Seo Ri's story was tragic enough and could stand on its own without all the extra details. I can't stand how shallow it all ended up being.
Essentially, I had a tough time getting into this drama. It got better with time, but the pacing wasn't all that great. I also didn't particularly care about the characters (excluding Seo Ri) until about the 1/3 of the drama. To me, that points to the fact that the writing wasn't great. The show had some really sweet moments, but the sweetness couldn't compensate for the lack of the actual plot development. The characters were lovable but a bit simplistic. Also, as much as I liked Jennifer, did her character really need to be that weird?
The best things about this show were the characters, the acting of the leads and the music. The music in this show is beautiful. The classical pieces were beautifully woven into the story. Overall, I liked Thirty but Seventeen because it wasn't too angsty and there weren't too many mean characters or meddling family members, but I expected it to be a bit better.
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DO NOT BE FOOLED!!!!
It is unique in its cliche way! and way way to go!
I am trying to convince you guys! just watch the first episode and you will see!Am i being biased? of course I am! why wouldn't I!
i really love this drama and "love is blind".
In my perspective this is a perfect show regardless of what other drama looks like(better or the best out there). Unfortunately, i only watched dramas thrice or lesser whether it is my favorite or not.
Seriously speaking,
I was hooked by this drama because of the "sudden twist and unrealistic events that occurred so naturally". And for a change it was the first time I watched a drama that involved a good sports car racing. what else should i brag about... ow it is also my first time to write a review!...well, just watch and you will find out!
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The best xianxia of 2024!!!!!!!!
This is the fifth drama I'm watching that has been adapted from a novel written by Jiu Lu Fei Xiang (after The Blue Whisper, love between fairy and Devil, Back from the Brink, Love You Seven Times). Since I've mostly liked all of them, especially back from the brink, I decided to give this a try. And as expected, it didn't disappoint.For future viewers, I am just writing what I liked and what you might enjoy the most if you decide to give this a shot:
1. Followed 90% of the novel, so novel fans won't be disappointed. The leads had a lot of screentime together.
2. An independent and formidable female lead- Takes no nonsense from others, the perfect example of a tough exterior but soft interior, is extremely skilled at fighting and loves to protect her people, doesn't need a knight in shining armor to save her every time.
3. An all-powerful ancient god male lead- has an indifferent exterior most of the time(but is lonely and longs for companionship), loves to joke and prank others, is extremely caring towards our female lead, lets her fight her own battles most of the time even though he is more powerful than her (because he knows she prefers that even though at times he wants her to rely on him) .
4. Zhao Li Ying and Lin Geng Xin are old buddies who have starred in Princess Agents before. Being good friends they had a good level of cooperation and were able to deliver every scene perfectly. Kudos to their phenomenal acting. Also since I saw a lot of comments on how LGX looks too bulky or old for this role, let me tell you my opinion. He is playing the role of an ancient god who has lived for eons and is the highest of all beings in terms of power and position. So obviously, he is supposed to look manly and seasoned for that. I cannot picture someone who looks boyish and is skinny as an ancient deity who is all powerful and has lived for that long.
5.Perfect blend of romance, comedy, action, adventure. For me: Comedy : 10/10, Romance: 9/10, Action: 100/10, Angst: 3/10.
6. This is more of a light-hearted xianxia where the angst is followed by a comedy scene as a medicine to the pain.
7. The CGI is top-notch and one of the best you can get in costume dramas. So grateful for the fact that it was an S+ drama meaning the highest level in terms of budget. The CGI will make all those epic fighting scenes look 100% better. I really appreciate all the time, effort and money that they spent on making those scenes so beautiful. Plus the BGM's and OST's were perfect. The BGM accompanied with the CGI made the scenes so majestic.
8. No unnecessary misunderstanding between the male leads. No important sml or sfl.
9. No plot holes. People might have questions in the beginning but hold on, everything will be answered in the end.
10. A very happy ending. Not rushed and we get a full 1 episode of their happily ever after, quite rare in xianxia these days.
So undoubtedly a 10 out of 10 for me.
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1Ask me no questions, and I'll tell you no lies.
Mysterious Lotus Casebook is a dark 江湖/jiānghú story about the ultimately futile aspirations and obsessions of the martial world. In an epic battle for supremacy, Di Feisheng of the dark Jinyuan Alliance challenges Li Xiangyi, the leader of the righteous Sigu sect. Both men disappear from the martial world afterwards, leaving a vacuum at the top and their sects in disarray.Ten years later, aspiring young detective Fang Duobing comes across Li Lianhua, a famous itinerant doctor whom he is convinced is a quack. Determined to expose him, he attaches himself to Li Lianhua as inextricably as a wad of chewing gum in his hair. They run into Di Feisheng, who immediately recognises in him his old nemesis Li Xiangyi. The two old rivals remorselessly keep Fang Duobing in the dark as they try to figure out who sabotaged their fight and search for Li Xiangyi's deceased sect brother Shan Gudao's corpse. An unlikely friendship develops as they work together to solve a series of strangely connected jiānghú cases.
Plot wise, this drama is solid but dry and unremarkable. The cases all unfold at a fast pace and are easy to follow, but do not engage audience participation. They are simply plants for clues to a treasure hunt for artefacts that unlock the main conspiracy. Despite a hint of the supernatural, the cases fall short of chilling or suspenseful. The hidden mastermind behind the main conspiracy is pretty obvious and revealed fairly early on, and even the ironic twist at the end is not much of a surprise. Both villains are one-dimensional jiānghú archetypes driven by vanity and delusions of grandeur. Wang Herun's scarily convincing portrayal of the Saintess of the insane cackle elevated the role beyond its one-dimensional character blueprint.
\What makes this drama a success are fascinating main character designs, strong rapport among the three leads, the scintillating dialogues, and well-choreographed and exciting action sequences. The real mystery is about who Li Xiangyi was and why he was killed. The answers are at surface trivial. Li Xiangyi was perched at the top of the martial arts world as the world's best swordsman and leader of the righteous sects. This made him the envy and natural target of virtually everyone. However, Li Xiangyi was far from the perfect hero of Fang Doubing's idealistic imagination. In fact, he was a self-absorbed, pompous ass who believed the universe revolved around him and his worldview. His swordsmanship is matched by a brilliant, cynical mind and a razor-sharp tongue that, according to poor Ai'man, can slay a person with a few words. If there is one thing lacking in Cheng Yi's otherwise stellar performance, it is that his Xiangyi is too empathetic. This masks his many flaws and hides how insufferable and difficult he was as a person. It took me awhile to realise that his sect had some inkling who Li Lianhua really was but they refused to recognise him because they just did not want Li Xiangyi to come back.
As for Li Lianhua, he is just a shard, a detached, sickly, disillusioned and world-weary remnant of the glorious Li Xiangyi. Cheng Yi really compels with his heart rending expression of this facet of the character singing his swan song without a shred of self pity. I lived for the sudden bursts of energy or sheer willpower that momentarily revives the breathtaking, dazzling and dizzying swordsmanship that propelled Li Xiangyi to dominate wuling. Only to all too rapidly diminish back into Li Lianhua again, a wickedly unapolagetic compulsive liar whose mantra is clearly, "Ask me no questions, and I'll tell you no lies." This is how he keeps everyone, and especially the hapless Fang Doubing, at arm's length; to avoid new personal entanglements. Fang Doubing (which literally means "sickly") is a parody character, the typical naive, high-minded, young adventurer raring to make a difference in the martial world. The dialogue is well written and humorously illustrates how grudgingly Li Lianhua is moved by this pesty young detective and tacitly accepts him as his successor. However, this kind of clichéd relationship dynamic of the clueless sidekick that elevates the brilliant sleuth is too common and quickly becomes boring. Li Lianhua's lies to Fang Doubing went on for too long to the point it became cruel and unnecessary. Their relationship is over explored and shortchanges the more interesting relationship in the drama.
What disappoints me most is that the writers opted to very cursorily explore the more complex and interesting relationship between Di Feisheng and Li Lianhua. Di Feisheng is the most layered villain in this story; that rare antagonist who transforms into a protagonist. Like Li Xiangyi, he rises to the top of his sect through sheer martial prowess rather than by winning hearts and minds. They are enemies who become friends, both betrayed and searching for answers. But his story is sidelined for much of the drama, his backstory is rushed, and his relationship with Li Lianhua does not really get a chance to develop and grow. Yet the best moments of this drama, are when all three of them are together, like a found family.
I like that this ends with an action-packed finale and satisfying final confrontations with the antagonists. But as for the plot, the best reveal is when Fang Doubing figures out who Li Lianhua is, which isn't really a revelation to the viewer. And I can't really pinpoint when the plot reaches its climax, as none of the high points make a strong impression. As for the ending, it is fitting but not as definitive as I would have liked. Most of Li Lianhua's journey is about putting his affairs in order and offering closure to those he cared for; to help them move on from Li Xiangyi who in all the ways that mattered died ten years ago. Yet Li Lianhua continues to string poor Fang Doubing (and us) along, which is too cruel and inconsistent with the drama's core message about letting go of past attachments and moving on. These kinds of endings that try to please all audiences really annoy me. I still enjoyed this superbly well written drama, immensely even though I think it had the potential to be much better. For me, this is an excellent 8.5/10.0 and a highly recommended watch.
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