This series follows Geng Geng, a slightly awkward but adorable first year high schooler who feels like she's not smart enough to be at the prestigious Zhen Hua High School. The first day she happens to meet her future deskmate, the brilliant Yu Huai, and although they bicker at first, they soon form a strong friendship. They all become good friends with their classmates and have a strong bond with their teacher, Zhang Ping. Geng Geng also attracts the attention of the school's resident rebel, Lu Xing He, who quickly falls in love with her and isn't shy about announcing his crush to the world. The show follows Geng Geng, her friends, and even their teacher, through their struggles in both school and life. The show mostly focuses on their first year in high school, but toward the end also looks at the rest of their high school life and a little bit of the future 10 years later.
Like other similar shows, I love how With You develops really deep and complex characters who feel real. No one is flawless and everyone behaves in a very realistic way. I like that the main conflict comes not from villainous characters, but from challenges in life, such as struggling in school, controlling parents, unrequited crushes, and the like.
I LOVED Geng Geng's rapport with both her primary love interest, Yu Huai, and secondary love interest, Lu Xing He. Yu Huai and Geng Geng clearly like each other from day 1, but neither of them admit it. But what makes the show so beautiful is their friendship and the ways in which they support each other and look out for each other. Their relationship doesn't have grand gestures of romance, but has a solid foundation of friendship. On the other hand, Lu Xing He makes it clear from day 1 that he is in love with Geng Geng and his relationship with Geng Geng is full of shameless declarations of love. He is similarly supportive of her, and so selfless in trying to make sure she's happy.
The only reason I wouldn't rate With You a full 10/10 is because I felt like the ending escalated a bit too much in drama and got a bit too convoluted with misunderstandings, tears, and people hurting each other. It felt too much like a traditional romance drama rather than the slice-of-life type drama it had been all along. But overall, With You is definitely a good watch for warm and fuzzy feelings and adorable friendships.
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The actors are great. All of the acting is a little over the top...so don't expect it to be realistic. There are some great veteran actors in this drama. However, Lee Yoo Ri totally stole the show. She takes crazy to a new level as Min Jung. She wears this thick bright red lipstick that is just way too much which goes perfectly with her character. Her ending is better than the endings for most "bad guys". Everyone else is good in this too. Kim Ji Hoon plays a totally adorable Lee Jae Hwa that acts kind stupid, but isn't. I like that the romance between him and Jang Bo Ri (Oh Yeon Seo) is consistent once it starts. Strangely enough, Bo Ri isn't the center of the story to me although the drama is named after the character. My favorite relationship dynamic was between Moon Ji Sang (Sung Hyuk) and Bi Dan. Kim Ji Young is just the cutest little thing. I worried about Bi Dan from beginning to end.
The music is fine.
I probably won't rewatch this, but it is rewatchable.
I know some people don't like this kind of drama, but I enjoy them. If you like them, then JBR is definitely a must watch.
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It is cute all over, it doesn't bore you, it doesn't make you skip any parts, it enters your heart, grows inside and leaves happily.
I am neutral about the music, there was a german song in the beginning, it was quite fun to watch Daikichi's fantasy and the music fitted it but other than that one song i don't really remember others, means they don't really stand out.
the story is nice, i love Daikichi and Rin's relationship. they do no cuddling, no "i love you so much daddy" but you just feel the love. It is the success of both the story and the actors.
so if you want to have a change of your cliché someone-dying, someone-fighting-so-hard-for-love movies, take the shot, you won't regret it.
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A Fantastic Reinterpretation of the world of Parasyte
Parasyte the Grey somehow managed to tell a compelling story with great characters within a short six episodes. Every single scene moved the story forward. Exposition scenes were well done and did not overstay their welcome. Character introductions and motivations were precise. You're quickly told who everyone is and what they're here to do and the story starts running and never stops.The actors themselves did a terrific job. Especially Jeon Sonee as the lead. Her mannerisms and the inflection in her voice switched between two roles brilliantly. You quickly get attached to her character and want to see her be in her better place and show rewards you (breaks your heart too) for that. And it's not just lead who develops but the side characters as well. Particularly Koo Kyohwan and Lee Junghyun's characters.
I don't see this show as a horror but it definitely delivers on the action, sci-fi front. As to be expected with such a great director. The action is fast paced and well shot. The brief worldbuilding that we get is enough to get you invested in this changing world. The music was nothing special but definitely fit the atmosphere.
You definitely need no knowledge of the original manga or anime adaptation to watch this. It's a splendid story on its own. But it does excite them with that ending scene in the finale.
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“If it's something only a few people can have, it's not happiness."
Monster (2023) directed by Hirokazu Kore-eda who's very famous both in Japan and internationally for his heart-warming and humane stories. I watched this in theaters and it was one of the best experiences of my life. To think I'd be able to watch Sakura Ando and Nagayama Eita on the big screen is a dream come true for me as I'm a big fan of both of the actors. The screenwriter is again, a famous screenwriter in Japan called Sakamato Yuji . The music composer for this movie was Ryuichi Sakamato and he was an Oscar winner. This is his last work. So you can see how this is a collab of the year and can guess how excited Japanese people were for this, including me as I too am a big fan of these people. The movie actually lives up to the hype.
It's hard to talk about the movie without giving spoilers because it's best to experience the movie without knowing anything about it. But as it's my job to tell you, so I'll try to talk about it in vague terms. The movie is essentially about a single mother who noticed that her son, Minato , who's in middle school has started acting strange suddenly, when asked, it seems to be because of harassment from his homeroom teacher, Mr. Hori . The movie is about her trying to get to the truth to protect her child. But in actuality it's more than that. The story is told from different perspectives and how the truth gets lost because humans always try to protect themselves as their survival instinct so they try to believe in the truth that suits them the most unconsciously. There's no good or bad character in the movie, they are all very flawed, complex and humane . In the end of the day, the movie was about being human, not a monster ( In which all of the characters believe themselves to be the Monster) .
It was just so beautiful, I felt deeply touched by it. It's just a masterpiece. No more words. The only flaw is I felt the ending was a bit abrupt. I wanted a bit more closure but it’s forgivable. You should watch it if you've loved other Koreeda movies! If you're new to his or Japanese movies in general, I suggest this movie is for people who enjoyed character driven stories and portrayal of human emotions. The fan inside me wants to say that everyone should watch this movie at least once as it's essentially about being a human but if you can't digest some disturbing themes like bullying and parental neglect, I'd suggest to not watch, but otherwise I feel it's worth a try for everyone.
My rating: 9.5/10
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This review may contain spoilers
a Film about waiting.
I truly think that this movie did an excellent job to portray a story about waiting for the one you love.There is also the fact that whenever they talk about homosexuality in the movie it always done implicitly (even if you can understand that they are talking about that), which is really a great thing because whenever I see an lgbtq+ film when the main character (or other characters) is homosexual, it is almost always screamed on every rooftop (
I do not have a problem with that, all kind of representation is good for me) and I just like to know that you do not have even to mention once in movie homosexuality to talk about it. Also, the fact that the homosexual representation in Korea is so minimal and not always well represented in media, as being part of the lgbtq+ community it does make happy to see such a good film on this kind of topic.
This is my personal opinion, but I do not think that the main point we should focus on here in this film is homosexuality, but love between two people that will continue throughout their growth as young adults, regardless of gender.
The fact that Soo Hyun is in a coma can be interpreted as time stoping for him, at one of the best moment of his life, when he is with Yong Joon at the beach, and then waking up with the world and his lover changed.
Yong Joon is at the same time is enduring the challenges that come with the discovery of his relationship by Soo Hyun's mother, of growing up, having a job, losing his father, continuing his studies and life without his lover and he is only waiting to be reunited with him. Of course, there is the fact that Soo Hyun's mother is at first not supportive of there relationship because it is a homosexual relationship, but she will with time realise that gender does not matter in a relationship and that the love that they have for each other matters more.
I really liked to watch this movie, it was a pleasant break from couples in dramas who are overdoing a bit everything and searching for problems in their relationships (of course, I do not say it is the case with every drama). It was refreshing and taught me a little more about being patient with the people you love.
I highly recommend it to anyone who does like a calm film now and then (and also to cry a bit).
P.S. thank you for reading my review, I do not know if you understood everything that I wrote. I just needed to put this somewhere.
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Hard-hitting Psychodrama
This one popped up on my Netflix feed recently and while the premise sounded intriguing, it was the magic words "Toby Lee" that hooked and reeled me in. Toby Lee last seen by me in the historical detective drama Miss Truth isn’t the main character here but he certainly commands a strong presence throughout the storyline. The titular "her" is played by Tiffany Hsu and she gives a sterling performance as the deeply troubled Lin Chenxi, a competent HR recruiter or “headhunter” whose life is thrown into complete disarray on the arrival of a new employee.The show begins with a suspicious death in an aged care facility in a small town. The victim is a former high school physics teacher Xie Zhizhong. The local cops finger a nurse, Yan Shenghua, a former student of his, as the chief suspect. As the show progresses, who done it, however becomes secondary to why it was done. The teacher's death is more or less a MacGuffin to make way for the real story — a terrible destructive secret that sets the stage for family dysfunction, guilt, regret and estrangement.
Lin Chenxi is a busy professional going places in her company. On the surface things seem to be going well for her. But enter Danny (Chris Wu) the cousin of the CEO who is eager to prove himself as the organization’s new rising star. His cocky, glib, overconfident demeanour camouflages a far more sinister persona. Danny, in fact is a sociopathic misogynist and loathes being upstaged, particularly by women. When Chenxi successfully talks a potential recruit into accepting a contract after the arrogant Danny botches the negotiation process, he goes ballistic. He lashes out and deploys the only weapons available to him — sexual harassment which escalates into violence.
These series of events seem to trigger deep seated memories and emotions that seem to set the stage for a mental breakdown. In a state of panic after escaping from the clutches of Danny, Chenxi meets with a road accident and is rendered unconscious.
When Chenxi regains consciousness she finds herself back in the house that she grew up in with her parents and twin brother in their hometown. From then on she exists in a perpetual state of confusion about where she is, who the people around her are and her relationships with them. The folks tell her that she’s been in an accident and seems to be suffering amnesia but why does she have fragmented memories of of a life elsewhere in Taipei with a supportive boyfriend (Toby Lee) who is now nowhere to be found. Much of the show sees her trying to navigate these memories trying to sift the truth from the lies as she becomes embroiled in the investigation of the death of her former teacher and the disappearance of an old classmate. It soon becomes clear that her family and former besties are keeping things from her as she stumbles around in the dark looking for answers.
“Shards” used here is apt as it points to the fragmentary and even unreliable nature of memories. Moreover it also refers to the fragility and brokenness of a soul stuck in a tragic past with no healing in sight. A shattered visage as it were. Furthermore “shards” can also signify the pieces of a puzzle that the audience has to put together as they journey with Chenxi.
As the audience sees events through Chenxi’s lenses, we are inevitably drawn into the same disorientation and speculation. Has she travelled back in time? Has she landed into an alternate universe? Is this all just a really bad dream?
The answers come eventually because the show isn’t just about the sordid past but about the dysfunctional gender dynamics that plague our world today. Sexual harassment opens the door to other unpleasant subjects related to the treatment of women in the workplace, the use of technology to invade women’s most private and intimate spaces. As it exposes the nasty side of cosmopolitan 21st century living, the show doesn’t shy away from taking a broad perspective on how both men and women are complicit in perpetuating such behaviours this side of the sexual revolution.
Despite the hard-hitting subjects covered in these 9 episodes, all of this still manages to arrive at a satisfying and profoundly moving finale. It's no exaggeration to say that this drama probably has the best ending I've seen all year. There’s undeniably an ugly side to humanity that has to be confronted constantly and often it seems to be our default position to do harm even with the best of intentions. In spite of the psychodrama and psychobabble at the end, I don’t find the resolution simplistic. There is an acknowledgement that the past is not so easily expunged and living with mental health issues does take a toll not only on the survivors but also on their loved ones. The goal is healing which will take time and effort.
All in all this is a strong script that’s tightly plotted. The cast as a whole is excellent — young and old. It’s the first Taiwanese drama I’ve watched in a few years because I had more or less given up finding one with a decent script without tons of fillers. I imagine that the format — 9 episodes — helps in keeping this trim and terrific. Regardless of the fact that I found this show engaging and immersive, I can’t see too many wanting to revisit it.
It would be remiss of me to end this review without some kind of warning. This is not a show for the faint-hearted, it’s certainly not for those who will be triggered by images of sexual assault especially if that’s been a feature of their past. Even though I’m someone with a strong stomach for crime shows, I too found those scenes disturbing and confronting.
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Love transcends all
Where do I even start? I mean I just finished it right now and I feel this weird kind of heaviness. This is one of those shows that I am going to feel nostalgic about. Everything about it was so saddening yet beautiful. All actors did an outstanding job especially the main lead (Fandy). The direction, the lines, the ost were totally on point. Despite knowing how the show is going to end right from the very start you still feel this gravitational pull to continue watching it. It has made me feel so empty right now honestly speaking. It just hits you like like a train I mean it is just so painful yet pretty in its own way. How this one love story helped in bringing together so many people and made us question our own love for those whom we love.It teaches you alot about love and humans. Makes you have so many doubts about your own relationships. It actually literally shows you how pure love can be, transcending even death. How love is more bluer than blue itself that it can surpass time amd continue to live in other people's minds, stories and hearts.
The story is about two people in love who can do anything for each other's happiness even if it means hurting your ownself in the process, about the sacrifices they made for each other and how despite everything their love continues to inspire people.
I will recommend watching it because after a very long time I felt like I will remember a show for the months and years to come. It just hits you right on the spot, makes sure that all your intestines get wrecked and still manages to make you want more of it. I hope the two lovers get a happy ending in their next life.
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The film main point is making a dictionary titled “The Great Passage”, like the chief-editor stated: “A dictionary is a ship which crosses the sea of words and languages”. Being a lover of dictionaries and words in general, I am ashamed to admit that I was ignorant of the hardships and the overwhelming mission of making a dictionary that may take more than a decade to accomplish. Therefore, this film was such a penetrating telling of an intriguing theme.
While watching The Great Passage, you will be stroked by two things: the story’s process and the characters’ portrayals and interactions. The first part is a quite slow narration of events that may not sound impressive at first sight. However, with the film progressing; many parts start to connect and the plot becomes as solid as ever. Moreover, light moments were also used to add some entertainment such as the editors eavesdropping on young girls’ conversation to find out new words invented by the younger generations. Although, this film may not be to everyone’s liking because of the theme and the very slow events’ development but I believe that was the perfect way of making such a film.
The second part is what makes the film quite special too; this film’s characterization was carefully handled to not appear surreal or lacking. For instance, the male lead Majime (literally translated as “serious”) was a quiet man who finds trouble with expressing himself; he’s always surrounded by books and has zero friends and thus no social abilities. The only one who’s able to understand him a little is his landlady. When such a man gets the chance to make a dictionary, he was inspired and determined to make it his life goal. In the meantime, he falls in love and starts struggling to win his lady’s heart, despite his lack of self-expression, while continuing his dream of making the dictionary come to life.
On the other hand there are his co-workers at the dictionary department; his fellows in this enormous mission of defining, refining and editing thousands of words in a modern-day dictionary. All of his colleagues were quite endearing but the most captivating character must’ve been Nishioka; an entirely opposite character of Majime; talkative, social and very affectionate; he was Majime’s right hand because dictionaries can’t be made by bookworms alone.
The acting was powerful. Matsuda Ryuhei is a very talented and versatile actor; I’ve got the chance to see him in five different roles so far and I loved him in all of those but this must be where I become a great fan of his acting style: expressive, calm but turns intense in need. His portrayal of Majime’s was perfect; he involves you with his character at every facial expression. Other actors were also quite good in here especially Miyazaki Aoi and Odagiri Joe, one heck of an iconic Japanese actor.
The selected music for this film was very well synchronized with the film’s theme and developments. It adds a great taste to the watching experience. The cinematography was also pretty well conveyed considering the fact that this film contained many time jumps from the 1995 till 2010.
Watch if:
-You’re interested in different types of films.
-You like watching inspirational films.
-You like to learn more about dictionaries.
-You like watching high-profile acting.
Do not watch if:
-You can’t handle slow films.
-You’re looking for romance.
-You’re not interested in dictionaries or words.
-You find inspiring stories “boring”.
The Great Passage is a motivating film that handles a different topic. It’s certainly not for everyone but if you can handle it then it’s undoubtedly one of those hidden gems that leave you with a smile on your face.
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1I can't let ChiWei go....
When I started this, I thought I was just going to watch a new show but I didn’t know I was signing a contract to have my soul stolen and my emotions permanently hijacked. I’m sitting here, replaying the same scenes over and over like an addict because my brain refuses to move on.Episodes 1–3 are the comedic bait. You’ll think, “aww, this is cute,” and you’ll be wrong. Episode 4 creeps in with the first sparks, Episode 5 straight-up injects serotonin into your bloodstream, and then Episode 10… god help you. That’s when it stops being a drama and starts being the most gorgeous, sensual, heart-aching romance you’ll ever see.
Please. I am begging you. Do not drop it after Episode 1. Give it five episodes. Let it get under your skin. Let it ruin you. You will lose sleep. You will think about them at random moments during the day. You’ll be laughing like an idiot one second and clutching your chest the next.
♡
detailed review, may contain spoilers
So. ARE WE OKAY? Because I’m not. I’m so far from okay. I miss them. I want to cry and throw up just thinking about their journey and how far they have come.
I remember the first episodes, Chi Cheng walked into every scene like he could crush Suowei without even trying, and at first, he would have. He was intrigued but also in control. And Suowei, my clever little fox, my scheming troublemaker...he thought he could keep it all a game. He had no idea that every sly smile, every bratty comeback was driving Chi Cheng out of his mind.
So watching the shift of Chi Cheng go from a man who could pin Suowei against a wall just to make a point… to a man who would drop everything if Suowei so much as frowned?? WRECKED. ME. He went from “you’re my toy” to “you’re my everything.” The same hands that could wrap around Suowei’s throat without hesitation now tremble if Suowei’s in pain. Yeah, he still grabs him by the throat sometimes BUT ONLY WHEN HE’S FUCKING HIM AND THAT’S DIFFERENT OKAY? IT'S AN ENTIRELY DIFFERENT BIBLE OF HAND PLACEMENT.
Agh anyway, its just so beautiful to see how Chi Cheng looks at him in the later episodes...like this is a man who started at the top and ended up metaphorically (and probably literally) at Suowei’s feet. The dominance never fully left, but it warped into this worship that’s somehow more intense than any power play. He still has the strength to break him, but now he’d rather use that strength to shield him from the world.
And Suowei…I don’t think I’ve ever been so obsessed with a character’s development in my life. Chi Cheng’s arc destroyed me, yes, but Suowei’s reprogrammed my brain chemistry. I'M NOT EVEN JOKING.
Because like, we start with this man who is the definition of “straight man panic.” He’s dodging Chi Cheng’s touches. He’s rolling his eyes, making faces, acting like ewww NO HOMO every two seconds. He is CONVINCED he’s untouchable. He treats Chi Cheng like just another rich, arrogant bastard who thinks he can get whatever he wants. And I believed him! I thought, okay, this is gonna be one of those slow, reluctant-to-the-end situations.
But no. No, no, no.
Because little by little, without even realizing it, he starts needing the attention he pretends to hate. The touches stop feeling dangerous and start feeling like home. The man who used to swat Chi Cheng’s hands away is suddenly leaning into them. And then one day, he’s seeking them out.
I just love the way he went from “get away from me,” to climbing onto Chi Cheng’s back for a piggyback or nuzzling their cheeks together with this soft, stupid smile. The way he starts embracing the entire truth about himself. His sexuality. His feelings and he’s PROUD of it. He’s not hiding anymore. He’s not embarrassed. He’s not dodging.
He goes from looking at Chi Cheng like, “ugh, you’re annoying,” to looking at him like, “you are my most precious person in the whole damn world.” And you see it. In the way his face softens, in the way he looks at Chi Cheng like he’s something holy, in the way he reaches for him without thinking.
And here’s the part that absolutely obliterated me...in most BLs, the “submissive” role rarely shows this much affection back. The dominant one does all the simping, all the chasing, all the worshipping, while the other just accepts it. But Suowei breaks that in half. He loves LOUD. He adores Chi Cheng so openly.
By the end, Suowei is pulling him in, holding him there, not letting him go. He’s soft and sweet and filthy and bold and shameless, and the pride he takes in their love is so fucking pure.
I want to rewatch the whole thing just to see every micro-shift in his eyes as he falls deeper and deeper until there’s no escape.
Their journey was amazing, and I will never, ever stop praising the actors for it. Like, story aside, the chemistry aside, these two performed their asses off.
I’ve seen plenty of BLs, plenty of good couples, but this was something else entirely.
Ziyu… ZIYU HAS FUCKING WRECKED ME. The emotional range he brought to Suowei especially in those moments of vulnerability is unmatched. Take the scenes when Wang Shou came back. Suowei had to play that insecure boyfriend role, and I was scared. I was scared it might tip into that annoying, desperate, borderline pathetic portrayal that I’ve seen too many times. But no. Ziyu nailed it. He made Suowei’s insecurity feel real.
And don’t even get me started on Episode 19. I swear, that was his episode. The one that cements him as a powerhouse. The scenes with his mom...Oh my god. I was emotionally gutted.
And then there’s Tian Xuning. No less legendary. I have NEVER seen a BL “dominant” character especially one with a BDSM element NOT make me cringe at least once. There’s always that one line delivery or one scene where you’re like, “okay, tone it down, buddy.” But Tian...my god, Tian pulled every single scene off flawlessly. He brought this heat, this precision, to Chi Cheng’s dominance that felt authentic and magnetic instead of forced. And it was hot. Like, dangerously hot.
But it wasn’t just the dominance. Tian’s emotional work was just as strong as Ziyu’s. If Ziyu’s masterpiece was Episode 19, then Tian’s was Episode 18. The way he broke in that episode...the tears, my god. This is a character who walks through the world in total control, and Tian made you feel the weight of losing that control, just for the person he loves. That’s not easy to pull off AT ALL.
And TBH these performances weren’t just good separately. The magic was in how they fed off each other. Ziyu’s vulnerability made Tian’s protectiveness hit harder. Tian’s dominance made Ziyu’s surrender feel more powerful.
I honestly think that’s why this drama will stick with me forever. Not just because of the story or the characters, but because Ziyu and Tian Xuning made me believe in them. They made me care about them like they were real. They made every high higher, every low lower.
I am ruined for other BLs. I am ruined for other actors. And I will die on this hill: what they did here was lightning in a bottle, and I don’t think we’ll see anything quite like it again.
I will say this though...the quality is not high. There are definitely moments where the execution wobbles, where the plot could’ve been tighter, where certain scenes feel a little rushed or undercooked. I know for some people, that might be enough to knock it down a few points. But I rate shows based on my enjoyment, and those flaws were barely registered while I was watching.
Because MY ENJOYMENT WAS THROUGH THE ROOF. Like, I was floating. I didn’t care about shaky pacing or low-budget moments, I cared about them. The chemistry, the growth, the obsession, the way they made me feel like I was living inside their story… that’s what I’ll remember forever.
So yeah. I’m giving it a 10. Not because it’s “perfect” by objective standards, but because for me, it was. I will forever love them. I miss them already. I adore them in a way that makes me want to rewatch every single second just to feel that high again.
ꨄ
I am devastated to let them go.
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Song Wei Long is Adorable!
This is a sweet, sweet, sweet little rom-com. Sweet in every sense. Though there are some conflicts, nothing too outrageous or unsolvable. Song Wei Long who plays the character Yuan Song has definitely brought life into this lovely drama and his character. I'm normally not a light-headed blurry eyed person, but Song Wei Long has turned me into a silly teenager basking in his youthfulness.When Song Wei Long made this drama, he was still a teenager (18). Despite his very young age, his acting is mature and convincing. As Yuan Song, he doesn't hold back with anything, especially when it comes to intimacy. He dares to kiss and love. Young, handsome and sunny, he is a heart throb. I just can't have enough of his scenes because I love watching him from the start. I love his youthfulness that doesn't lack maturity.
When He Fanxing (played by Victoria Song) meets Yuan Song, she's attracted to him. Fighting back her own emotions, she doesn't know what to do. On the other hand, Yuan Song falls head-over-toe in love with Fanxing and he knows this woman is exactly who he wants in life. Compared with Yuan Song, Fanxing is like a little girl emotionally; she doesn't have what a normal woman her age has. Though smart and strong, Fanxing is naive and clueless when it comes to intimate relationships. Yuan Song however, is mature and devoted. Despite a huge age difference of 10 years, the pair looks perfect for each other.
Of course nothing sails smoothly in life. Comes the killjoy Ye Lu Ming (played by David Wang). He tells Fanxing that their friendship is only platonic, she believes him and treats him as her confidante. But he uses this opportunity to winning the hearts of her parents and making her indebted to him. He creates dates after dates pretending these are their innocent hangouts, and she is oblivious to the facts. He plays her naivete to the fullest. At this point, many viewers curse the Fanxing character, and inevitably the actor herself. This is silly because Victoria Song should not be condemned for being such a good actor that brings the Fanxing character to life.
Initially I questioned the writer for giving us such an emotionally naive character as in Fanxing, and such a foxy character as in Ye Lu Ming; I thought such characters were unrealistic. However, when I searched deep into my own experiences, such characters do exist. I used to know someone who used the same tricks as Ye Lu Ming does, and trapped a girl that he had been pursuing without the girl realizing she was being trapped.
I love the side couples here, in particular Cai Min Min (played by Esther Yu) and He Can Yang (played by Zhang Yu Jian). Cai Min Min is so adorable like a little toddler. He Can Yang's relationship with his twin sister He Fanxing is simply so cute and silly. It's rare for Chinese dramas to portray parents as open-minded as the He's - both of their children have a penchant for very young partners, like at least 10 years younger. The family dynamic is amazing and nostalgic for me.
Many viewers show doubts in following a story that involves a large age gap between the main couple. To this, I'd say, keep an open mind. It's always socially acceptable for a man to marry a very young wife, but not so the other way round. I understand the rationale behind such norm as there is a limitation within a woman's body when it comes to the biological clock and reproduction, but who were to say a couple must always produce offspring in a relationship? Intimacy in a relationship can be expressed in many forms. How Yuan Song plays out in this drama makes me believe that happiness does exist despite the age gap.
I hope through this drama, some single ladies take up the courage to start dating younger men of which I'm supportive. Discard any social pressure or traditional norms. Follow one's heart. Find one's true love. Don't make do with just any men. No one can tell how one should live one's life.
What a wonderful sweet drama this is. Worth watching.
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Karma is a Court Lady.
Billed as a love story between a reformed rake Sheng Chumu and a court lady Fu Rou, this is really an opulent tragicomedy about the succession turmoil that plagued the latter years of Li Shimin/Tang Taizong's reign. It is a surprisingly empathetic and riveting portrayal of the greatest Tang emperor's disappointing and much reviled crown prince Li Chengqian. It strikes me that his story is what the writer really set out to tell; all the other parallel sub-plots are much more indifferently written.The way the drama is promoted as Fu Rou and Sheng Chumu's love story is misleading and misinforms audience expectations. Yes, I know how adorable they look together but their story is rather pedestrian and is not the main meal so they end up spending an incredible amount of time apart. Neither character has free will and their romance does not drive the narrative; it is in fact subordinated to and frustrated by the main succession plot. That is necessary as these two main parallel, interlocking plots are related primarily from Fu Rou's perspective as a court lady or official 女官 with close access to the workings of the inner palace and the imperial family's private moments.
Although Fu Rou is the eponymous character with the most screen time, this is a cardboard character that is made worse by Li Yitong's anodyne, colourless portrayal. Fu Rou is pretty much superwoman - an incredibly talented, resourceful and daring fixer who finds herself in the middle of every palace conflict large and small. She comes to the aid of anyone that appeals to her bleeding heart, taking on matters well above her pay grade. She has the temerity to lecture and chastise anyone and everyone from lowly palace servants to the emperor himself! I would have loved this character to death if she had a bit of a dark side, an odd hobby or even some tiny flaw like picking her nose in public or something, anything. But no, Fu Rou is a suffocating paragon of virtue, moral rectitude and forgiveness; who genuinely believes that good deeds begets positive karma that pays off in the long run. But if karma is a bitch, then her title is court lady because there are heinous, irreversible and tragic unintended consequences to Fu Rou's meddling and her indiscriminate assistance to wicked people. Due to editing/censorship issues, we never get see Fu Rou reflect upon the folly and irony of her interventions or experience any sense of remorse or regret. Thus there is no character development and by the end Fu Rou to me is just a vapid, righteous prig of a character that I most resent - poor Chumu is so much better off remaining Changán's most notorious playboy.
In sharp contrast, Xu Kai's Chumu is a much more engaging, funny, relatable and outside of a lapse in the middle; a smart character that undergoes tremendous growth. It is a pity he gets so little screen time because he has a wonderful ability to just casually infuse a moment with comic relief. The comical antics of the gruffly hilarious Sheng Xianjing, Chumu, Chuling (shout out to the very funny Kris Fan), the gamine Princess Xinnan and Prince Han go a long way toward diffusing the dark undertones to the drama. Nothing made me laugh harder than Princess Xinnan balancing those dastardly bowls. Unfortunately the denizens of the inner palace and especially Fu Rou and Prince Zhou are humorlessly written and portrayed, resulting in some stifling and overly angsty inner palace arcs and a notable darkening of the overall mood in the second half.
With five or six couples, there is at surface a lot of romance in this drama but they are mostly flawed, complex and maddening relationships. This is due to the surfeit of unsavory, corrupt and chauvinistic male characters, from stalkers to lechers and murderers who simply cannot take no for an answer and lame brained female characters willing to indulge their flaws. As a result, most of the ships are leaky and not seaworthy enough to survive stormy seas. These messy, disturbing love-hate relationships are not consistently well written and there are arguably too many of them. That said, these characterizations are compatible with the times and the illogical pairings seem to curiously "work". They are certainly far more interesting than the usual lighthearted and fluffy standard fare of secondary romances.
The main appeal of this drama for me is Li Shimin, Tang Taizong's succession story, which I feel is what this drama is really about and it is compellingly portrayed. For a fictionalized account that takes a fair amount of literary license, it captures the essence of the main historical figures and remains astonishingly true to the important events of the day. The one dark stain in Li Shimin's history was the Xuanwu Gate Incident, where he personally killed both his brothers from the same mother and forced his father to abdicate in his favor. He went on to be a benevolent and revered emperor, one of the greatest in history. This drama is set in his twilight years as history appears to be on the brink of repeating itself. It is an intimate, at times a scathing expose on the insufferable privilege of imperialism and at times a compassionate account of how impotent, conflicted and utterly terrified this emperor and his beloved empress must have felt as they watch their sons at each others throats. In all the moments that count within this main arc, the writing holds up although towards the end when everything comes together, it is quite obvious that some scenes were lost to censorship.
The most phenomenal, multi-faceted and evocative performance that stands out among an absolutely fabulous cast is Li Zefeng's portrayal of the crown prince. I find it unfathomable that I have not noticed this actor before. He starts out as the highly regarded crown prince, showing so much promise and closely allied with his brother Prince Han. But he is slowly cracking under the immense pressure of being crown prince under the exacting eye of his father and the court and constantly measured up against his other talented brothers. The acting was so good I could understand why he sought refuge in frivolous pursuits and why he needed Chenji. I was surprised by how openly and sympathetically their taboo relationship is explored. It is the relationship that moved me the most, I grieved with him when it ended and I could see how he unraveled and gave in to his worst instincts. Prince Han is the other well written and well acted role. It is tragically comical how their sibling rivalry blew them up and I love how their bond is depicted with a multitude of emotions and a good dose of irony and humor.
I enjoyed this gorgeous and expensive production quite a bit although the story is quite dark and there are too many distracting sub plots and frustrating characters. Although the writing is at times lazy, fantastic acting by the veteran cast more than makes up for it. But it is definitely not the kind of story most viewers thought they would be watching when they picked this up and it definitely will not appeal to everyone. I enjoyed it enough to give it an 8.0 and would probably rate it quite a bit higher if they had diminished Fu Rou's role.
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Slow Burn, Big Feels
This series pretty much has it all tbh, there is action, drama and romance with a provocative plot. The characters are well-developed too, the story is interesting and the visuals are really pretty to look at. Plus, it doesn’t shy away from real-world issues so if you are tired of cookie romances and want something fresh then please add it to your list because any series that can make you root for a heist-loving rebel with a heart of gold is worth your time.The Master of Disguise: Joker
He is my favorite character ♡ he has a very suave and charming demeanor but under all that there is a man crushing under the expectations of his parents who only show love if he meets their impossible standards, so to cope he channels his energy into becoming a modern-day Robin Hood and I think that his moral ambiguity makes him a fascinating ML. My man is waging a one-man war against oppressive wealth inequality while trying to find his own freedom from familial pressure.
The Heartbroken Fighter: Jack
His story is a polar opposite yet equally heartbreaking. He begins as an idealistic, shy young man with dreams of becoming a taekwondo champion and opening his own school. But life throws him a cruel curveball because he ends up being forced to become a debt collector to survive, he transforms into someone unrecognizable, hard and intimidating on the outside but still tender and kind within. I think watching Jack grapple with his duality was one of the things I loved the most ngl. He’s a man trying to reconcile who he was with who he has become.
Jack & Joker together :
The relationship between these two is the heart of the show. They start from strangers to friends, then to enemies and finally lovers, they go through so many stages to end up where they do and it's slow but I personally think it's refreshing to see a BL series that takes its time building a relationship between the leads, plus their chemistry is off the charts thanks to YinWar. You can tell these two actors trust and understand each other deeply because whether they are working through misunderstandings, confronting their pasts or supporting each other in the present, they always nail the emotions head on.
Cinematography :
In my opinion, the series is stunning to the eyes which is a rare feat in BL dramas lmaoo but here, the cinematography catches the glittering and superficial opulence of the wealthy with the gritty realities of poverty really good.
Social Commentary :
I have to mention this because the heavy themes in this show are really worth paying attention to, like wealth disparity, family expectations and identity without feeling preachy, these were all subjects that really caught my attention. They went deep in how society shapes us and the lengths we go to in order to break free from the chains.
The Main Cast:
I just fucking love them. Their chemistry is just so damn good y'all, their emotional beats hit hard and they bring so much to their characters like it's so obvious how much they worked for this show, they have poured their hearts into these roles so PLEASE GO WATCH it. You won’t regret it.
➭SPOILERS AHEAD - DETAILED INSIGHT
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First, let me start by saying that Tattoo’s character development was really good. I’ll admit it tho at first, I couldn’t stand him. His decisions seemed selfish, reckless and frustrating. But then I started to understand where he was coming from. He was someone desperate for a better life, for a chance to escape the endless cycle of poverty and the choices he made were just about survival. It’s heartbreaking when you realize that desperation can push even the kindest souls to do things they wouldn’t normally consider but by the end, I found myself really liking his character.. Ahem..with Aran. I SHIP THEM SO BAD OKAY?
An other thing I have to mention is that I absolutely cannot stand the father. Every single scene with him had me seething lmao. The way he treats Joke is beyond infuriating, it’s hella toxic, I mean the constant belittling, the endless disapproval, and the way he dismisses every effort Joke makes ( ͡° ʖ̯ ͡°) I deadass think he was actively trying to destroy his own son. How can you call yourself a parent when all you do is tear your child down, leaving them feeling like nothing they do will ever be enough?
What makes it worse is that he doesn’t even try to understand Joke or his choices. Instead, he clings to this outdated, rigid sense of control expecting blind obedience while offering zero support. It’s no fucking wonder Joke feels like he has to bury so much of himself just to survive under that man’s shadow. Tbh watching their interactions made me sick because you can see how much damage the father’s words and actions have done to Joke’s confidence and that little redemption shit they tried to give him wasn't enough for him, sorry but I can not and WILL NOT forgive that man, he is literally emotionally abusive and Joke deserved better.
Lastly I will say that I am absolutely floored by our main leads ღ The way Jack and Joker started as complete strangers, slowly growing into something that could have been so much more. Sometimes, I catch myself wondering, what if Joker had never gone to that bank? What if Jack had never felt betrayed? Would things have been different? Well I'll never know ಥ_ಥ but seeing Jack so hardened by everything he had been through was painful however after the time skip, when his eyes met Joker’s, I didn’t see hate in his gaze ngl, not for one second. I don’t think Jack ever really hated Joker. Deep down, I think he hated himself. He carried so much guilt, so much anger and Joker became an easy target for it. But as he let go of that anger as he forgave Joker, he started to find himself again and the way their friendship rekindled so slowly, so naturally was what made it all the more powerful. There was no rush, no shortcuts, just a slow rebuilding of trust. Watching them fall for each other, piece by piece, moment by moment, felt really satisfying after all the emotions I have been put through with this show. At the end I think it was more about healing than just love. They became each other’s safe haven.
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This review may contain spoilers
OH THE FEELS!!! And OH THE ORIGINALITY!!! And OH THE AWESOME LEADING MAN AND SUPPORTING CAST OF CHARACTERS!!! Those are the reasons Ho Gu’s Love (HGL) is getting this review from me. After I finished watching HGL I immediately gave it a 10, then I let it soak in a while and let my objective mind take over and bumped it down to 9.5, but really it’s more like a 9.9 with the only flaw being that so much of the plot had to depend on just simple misunderstandings (like 16 hours of Three’s Company). I felt that after a while it might have been better served for at least one of the misunderstandings to have been cleared up a little sooner, and they became so silly as to almost be a parody of themselves within the drama, as though it was self-aware as to what absurd lengths the misunderstandings had gone (which actually made it better for me). That said the feels and the cast and the characters and the originality were just so on point that they overcame this flaw and then bounded past it like a bullet train past a horse and buggy. So without further ado, here is why Ho Gu’s Love is one of my favorite Kdramas of all time.1. Originality: Yes, I consider originality an essential element of a great Kdrama. HGL had many elements we don’t normally see in Kdramas including decent treatment of normally risqué themes (all of which I’m not going to name because spoilers). It also frequently upended my expectations of how the plot would play out, with a particular bit at the end that I was surprised by when I really thought it would go another direction to give a more pat Kdrama moment (once again, you have to see it to know what I mean). Also, there are amazing parental characters that behave in such refreshingly awesome ways.
2. Characters: Oh the characters. I am so in love with HO GU I just cannot stand it. He really is one of the best leading men characters of all time. The writer (and the actor, to be discussed next) took a character that could have been just a fool and just a sicky sweet guy and made him so real and warm that it truly is a feat of genius. I think what is most amazing about Ho Gu and the way he is written and acted is that he makes everyone else in the world look like the fool that they think he is. It’s like he has got it right and we are all wrong. Even when he shows flaws like being a little too clingy or nosy, it’s okay because sometimes in real life our emotions do override our rational and that can happen in the moment. And then at the end he even grows. There’s never been a character like him before.
a. Do Hee: She rubbed me a bit wrong at first, but by the end I was totally in love with her. She really is pretty awesome!
b. Byun Kang Chul: Speaking of rubbing me wrong at first. There are people that dropped this drama because they hated him so much. To them I say WAIT! Nothing is as it seems! He is wonderful and his growth in the drama is the greatest; don’t judge after just a few eps. You are totally wrong!
c. Ho Kyung: BAD ASS!
d. Do Hee’s Baby: The cutest baby in the history of Kdramas.
e. The Support(ive) Cast: The greatest parents ever (Ho Gu’s)! Parents that show a lot of growth. Funny and kind friends who also have lives of their own and aren’t just props. It all results in just the sweetest extended family you’ve ever seen!
3. Acting: Awesome across the board! Even Uee who I previously didn’t think much of was wonderful in her way. And Im Seulong, who I found almost mesmerizing in Mandate of Heaven as the king, was even better here. He really is good and I expect great things from him in the future. He can do drama or comedy with equal aplomb. And his physical comedy is just hilarious. The supporting actors and actresses are all good, especially the parents and the actress that plays Ho Kyung.
But Choi Woo Shik, for him I don’t know if there are words. He is a star. He is wonderful in every way. Without him the character of Ho Gu would have failed with a thud. CWS is PERFECT in this drama with no flaws. When he cries, I cry. When he laughs and smiles, I laugh and smile. When he is intense, I burn and when he does physical comedy, I laugh until my nose runs. He brings Ho Gu so much life and warmth and spirit and even gravitas for a character that on paper would have none. I love him in this. I love him so much it hurts!
4. Plot and Writing: As I said earlier, there is a little weakness here where the plot depends too much on misunderstandings, but the originality and the dialog and the twists more than make up for that weakness. I know this was based on a manhwa so it’s not an original story and I have not read the manhwa so I don’t know how much this deviates, but I think the writing was really top notch. Once again a cable channel brings home the bacon where so many network shows fail miserably.
5. THE FEELS! What puts this drama over the top for me in terms of love and awesomeness though is the feels. I laughed; I cried; I laughed; I cried. I did those things over and over again, episode after episode. I can watch whole dramas and never laugh out loud or cry like a baby; I did both every week with this show. Maybe it touched me more deeply because I have a 16 mo baby. I don’t know. But I will never forget the emotions this show made me feel for as long as I watch Kdramas.
So there you have it. Stop whatever you are doing now and go watch this drama. It is nearly perfect and where it isn’t perfect, the intangibles make up for it. And if you love great acting, you have to see Choi Woo Shik in this. You are really depriving yourself otherwise.
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please tell me this was a social experiment
you know those shows that you just never want to end? this was the complete opposite of that. I spent every single second watching this hoping, wishing, praying it would just end already. I put it on 2x speed and still felt myself growing older by the second, wasting away my precious minutes on this earth watching this trainwreck of a show.now you may ask, why did you finish it if you hated it this much? I have no answer for you. I myself am astonished by my own perseverance. I told myself I would see this show through to the bitter end and I can proudly say I DID IT! I withstood it all. the bad acting, horrible writing, boring cinematography, outrageous advertisement, obnoxious background music and I came out alive. I stand victorious against this show! It hasn’t broken me, but oh boy it certainly tried.
sometimes when I close my eyes I can still see it… the logo “Lodestar Productions” looming in front of me, mocking me. I wake up in the middle of the night, drenched in sweat after having found myself trapped in a nightmare where I, too, am sitting in that office. unable to escape the melodramatics of daonuea and nine. unable to even scream. someone hands me phone and asks me to book a flight using the AirAsia SuperApp™ I take it, my fingers numb, only able to wait for death to put an end to my suffering.
anyways this show was shit. and considering how many people it takes for the production of a drama I cannot believe that this was anything other than a social experiment. there is just no way that many people earnestly signed off on this idea thinking it was going to be a hit. I will not believe it. watch it if you’re looking for something to bore you death and haunt you in your nightmares.
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