This review may contain spoilers
Beautiful True Love Depicted
I’ve seen mixed reviews on this but I just have to say I read the manga before watching the show and I LOVED both the show and the manga very much!!!!I thought that the actors for the show did a phenomenal job. They conveyed there emotions very well and there was no awkwardness at all. I could feel there love for one another through the screen. I would actually love to see some of the other films/tv shows they have acted in.
They went by the manga for mostly all of the episodes and I appreciated seeing that. They gave more context for certain details that may have been lost while reading the manga and translated it to screen. I think they depicted the age gaps well too. For 4 episodes only, I feel that they did a great job including the most important aspects. Actually now that I think of it, I would have loved to see more of them in their early 20s depicted on screen because that was like one of there honeymoon phases and I’m a hopeless romantic lol but that’s just a personal preference not complaining. Also, the show stopped at age 40 and they could have gone on throughout there entire lives but I understand why they chose not too.
One thing I really want to touch on was the breakup. I felt really bad after watching that episode especially because of how Akira broke up with Yuuki. It’s sad that Akira felt like he had to live normally with a wife but unfortunately that is something that people who are apart of the LGBTQ+ community have to deal with in there everyday lives. It’s a realistic issue. When he called there relationship a “fruitless relationship” I just about jumped at the screen. Imagine being with someone for 10 years or so and that’s what they say when they break up with you. He didn’t have to do all that to poor Yuuki. None of that was called for. I wanted to see him suffer for how he went about that situation and I’m glad we got to see him pining on the last episode tbh lol
Shoutout to Akira’s sister for being a TRUE ally!!! We love to see it!!!
Also, History Make Our Days Count was one of my favorite shows that I watched and I’m glad the two main characters made a cameo. It was an unexpected but lovely surprise!!!
Overall, loved the show!!! Would totally rewatch!!!
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holy effing chemistry batman
Whoever decided to pair these two up knew exactly what they were doing, I was ready for this chemistry as soon as I saw who they cast for the roles. The show just ended and I have complicated feelings rating it.The story is simple enough, cocky boxer Yoryak (Great) meets his match outside the ring, a doctor who has no patience for his attitude, Dr. Wandee (Inn). He runs into our drunk, heartbroken doctor a few days later and takes him home, just for the doctor to drag him inside for some sexy fun. They hit it off a lot better than either of them expected, so when they they end up tangled up in bed again, they decide to strike up a deal.
These actors are much more than just pretty faces, the two leads have depth to them, and their chemistry is CHEMISTRYING. Their playful personalities make them loveable, and the romance that threatens to break into their FWB situationship is like a heavy sweet and innocent syrup they pour on top to fill the show with flavor.
Yoryak's brother and his boyfriend are adorable too, they bicker like an old husband and wife and im here for these wholesome vibes. I was also really interested to see our asexual best friend get into a cute and loving relationship, but to be honest they didn't do much with it and I was disappointed.
Production quality is good, it's GMMTV after all.
Heres the rub, they hit us with a SOLID first 7 episodes, great quality and gave you all the feels, and then the episodes after that were plain BORING. Not that there weren't some cute or sexy scenes sprinkled in, but the plot felt forced and the tension wasn't there. It went from a 8/9 stars for the first 7 episodes to 5 stars for the last 5. I'm going to go with a 7.5 overall because it will probably be easier to push through the boring now that all of the episodes are out, and the beginning was really worth the watch. Hopefully GMMTV will start focusing on the plot quality instead of pushing out so many of these "could have been incredible" BLs.
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Another sweet romcom falling prey to the sweetest Censorship
so basically when their romance started, this drama has already ended *side eyes*ELM is a decent romantic story which has a subtly good amount of bicker and banter of our leads Gu Xun and Qianling... their dual relationship of online gaming friendship versus their real life attempts to pursue each other were all fun to watch... but when they really got together at last, wait, our sweetest devil censorship enters the chat ;)
Lin Yi and Zhou Ye are pretty actors who have undeniably great chemistry but it leaves you disappointed when some scenes are absurdly removed from the drama... forget triple A games that they're trying to create in this drama, the real gamer is CENSORSHIP :(
ngl I'm being too nice with my 7⛧ rating cuz there were so many "nay moments"
◆ first few eps were hard to digest with ml being such a jerk, good that he got his karma tho
◆ sloppy editing increased the irk-factor
◆ seconds leads could've been a cute pair if they got enough time, I still don't know when Jiang Junnan fell for Xinyi
◆ survived last few eps with 2x speed
◆ and fresh graduates leading a whole unit haha, I'll let this joke pass
◆ ost was nothing special too
Then what saved the day?
◇ lightness. Its an easy no brainer watch.
◇ acting and visuals. If it was not Zhou Ye here, I would really cringe to death at some scenes. her face saved me. Lin Yi was also great. Boy looks good even when he cries.
◇ chemistry. the way she comforted him with a hug in emotional scenes was so precious! I wish they get a better script someday
◇ the slightest love triangle we get for a couple eps was not annoying at all.
◇ so what if those scenes were cut? We've some behind the scenes at least lol
◇ for an airing drama, it still kept me hooked somehow
◇ they dragged? yes. but still ended it at 24 eps... otherwise we know they're capable of dragging it upto 32 or 36 eps format lol.
I've listed the pros and cons, now its upto you if you wanna watch this light gaming business plus romance drama.
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No matter how beautiful a woman is. No matter how successful she is in her work life. No matter, how good she handles her house and children. No matter how smart, considerate, kind she is. Cheating men will cheat.
And then most of the time that woman has to deal with friends and family who will tell her to forgive the man, innocently selfish children who will ask her to compromise, outsiders who will gossip and an unapologetic man who will think it is his right to cheat. She'll be left with a destroyed family, broken pride and a stamp of a woman who couldn't handle her marriage.
This drama tells the story of what happens when you mess with the wrong woman.
Sun Woo is ruthless and takes no prisoners when it comes to revenge. Giving a new meaning to "Hell hath no fury, like a woman scorned", she is obsessive, borderline psychotic, scarily intelligent, calculating and even selfish but at the same time she is incredibly strong, bearing and someone who's been hurt in the most profound manner.
Kim Hee Ae's acting is beyond phenomenal, not unexpected from a four time Daesang winner. She hits every emotion on the spectrum to the point you are fully attuned with her character. She will make you love her fiercely, frustrate you to no end, question her motives, pity her and even hate her.
The shock value in this drama is no joke. Things that you haven't imagined in your wildest dreams happen in the most iconic fashion and you're just left with your mouth hanging.
There's no passive watching this drama, for it wrenches feelings out of you. You'd be screaming at the screen, tearing at your hair and will probably think of throwing your phone at the wall once or twice.
Every aspect is exceptionally executed. Where there is emotion, you'll be crying your heart out. Where there is thrill, you'll be biting your nails to stubs. Where there is suspense, you would be sitting at the edge of your seat. Where there are makeout scenes, the entire room will feel hot.
None of the characters in this show are truly likable. The moment you start warming up to someone, they'll do something to screw you over. These people are extremely complex, selfish, vindictive, weak- human nature at its worst and that's the beauty of the show.
The music is amazing and added in just at the right moments. The writing plus dialogues are crisp (pretty loyal to the original series) but the direction and delivery by the actors takes the cake.
It's impossible to stop, once you start watching it and it maintains the tension from beginning to end with never a draggy moment.
A true masterpiece, that explores the dark waters of marriage, relationships and being human, it is not reccomended for people who can only root for righteous and wholly good characters. For this drama, leave your moral compass behind or it will explode.
Lastly, the drama beautifully succeeds in delivering its point:
Cheating is NOT ok and you don't have to forgive it. No matter how weak you get, no matter how hard it is (and it will be) no matter what the world says, no matter how much history you have, you don't have to compromise. No excuse should be enough.
The world of married is a place where there are no winners, you just have to do what's right by you. Because, before being a wife, a mother, a daughter, a friend, a working woman: you are your own person.
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Mostly centered on the rise and fall of an unfixable friendship, it doesn't stretch out the same one plot for sixteen episodes risking to make it lame and repetitive. Different stories are told, just like different stories happen in one high school class. Each of these plots lead back to friendship in the end, but none of them is like the previous one, as they all touch a second different topic, reminding us we're never the only ones who suffer although not everyone has to face the same kind of hardship we're going through.
This drama is original, true, bitter, at times shocking, but also inspiring, hopeful and fun like the age of its protagonists.
I appreciate the complete absence of romance, not because i don't enjoy it but because it's a nice change in kdramas standards.
At times it seems ridiculous the ability this school has to find a reason to expell someone every other day, but nevertheless the screenplay keeps the suspence up until the very last minute.
And there's no reason to deny or hide it: the bromance will kill you over and over again.
This drama is a jewel.
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Hell hath no fury like a woman scorned.
This excellent adaption of one of Gu Long's best known works 绝代双骄 is also known as peerless or legendary twins. The cringey English title is a shameless bid to advertise the main leads as eye candy idol actors. This delightful romp through jianghu is faithful to the original story and checks all the boxes in terms of what a true blue wuxia ought to be.This is a typical Gu Long plot structured around one overarching conspiracy that comes to light after the main protagonists encounter many adventures and solve a few smaller related mysteries. A woman scorned by unrequited love sets out to extract a terrible vengeance by separating twin brothers at birth and raising them to kill or be killed by each other. As the leader of the powerful Yihua Palace, she raises one of the brothers Hua Wuque (Hu Yitian) to be a stellar martial artist whose mission is to hunt down and personally kill the wicked Jiang Xiaoyu. Wuque is a handsome, refined and righteous but overly naive and reserved young man who is the spitting image of his father Jiang Feng.
Wuque's brother Jiang Xiaoyu (Chen Zheyuan) is rescued by Jiang Feng's sworn brother legendary swordsman Yan Nantian and grows up under the influence of the ten great villains of Wicked Canyon. He is renown for his intelligence (mostly due to self praise) and is a lively, charismatic and healthily skeptical young rogue. Less skilled than Wuque, he relies on his deviousness to squirm out of tight situations. He is a determined bachelor that evades several persistent young women before meeting his match in wit and resourcefulness. This embroils him in several romantic entanglements and triangles. During his many colorful adventures, his path crosses with Wuque and they become friends and allies. Together they tackle their main antagonist, the scheming Jiang Biehe and his son Jiang Yulang. Despite their disparate upbringings and appearing on surface to to be polar opposites, both brothers are innately good natured and have common values that bind them in a deep friendship. Nonetheless in accordance with jianghu code of conduct, they must fulfill their vow to face each other in a predestined duel to the death.
The plot and the many archetypal characters in this well known story may seem tropey and unoriginal but Gu Long was one of the pioneers of the modern wuxia genre. If this feels familiar or like something you have watched before, it is more likely those stories or characters were influenced by this rather than the other way around. It is easy to follow because the audience is usually one step ahead of both protagonists and antagonists and knows the big secret that they are brothers. It is a favorite of mine because the overused revenge trope is handled compassionately and does not devolve into simply just an eye for an eye. All of Gu Long's women are capable of being frighteningly single minded in love, unscrupulous, vindictive and utterly ruthless and unforgiving. One of these bad-ass ladies always gets the guy but this is from the 1950s so while there is romance, it is very chaste by today's standards.
I was really impressed by the cast. Many important roles were played by young and upcoming actors and this was very obvious in the first 4 episodes. After that, almost everyone got into character and it came together quite well. While Chen Zheyuan somewhat overacted Jiang Xiaoyu, he is a very versatile and charismatic young actor. He just needs to not try so hard, be a bit more nuanced and develop his own style. Similarly Hu Yitian's Hua Wuque was a bit too restrained or underacted initially. But they had great chemistry and really excelled at showing us how the brothers grew to become more alike as they got to know each other. I must also mention the awesome cat and mouse encounters between Jiang Yulang and Jiang Xiaoyu - what an excellent villain! I actually found this to be the best acted, most nuanced main role.
Finally in terms of what makes or breaks any wuxia it is the fight scenes. These really knocked the ball out of the park - they were truly awesome - excitingly and powerfully choreographed with the right balance between stills, slow motion and non-stop movement. And naturally it is Gu Long so it is a total feast in terms of the number of heart stopping lethal clashes between some very colorful, slightly eccentric martial arts champions with wildly improbable combat abilities. I love this stuff and immediately rewound and re-watched each epic clash.
What a fun, well paced, light heart-ed and engaging wuxia. I wish all adaptations of the classic, best loved Gu Long and Jin Yong wuxias get this kind of quality remake. Two thumbs up!
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This review may contain spoilers
“The song that I madly, deeply wanted to sing... That song should've been mine.”It's been exactly 3 weeks since I completed this movie, and I've made sure that I'm not emotionally attached or blindingly giving full scores. I can't find any fault in this piece, still. I never had such a hard time trying to put my amazement into words. I hate to spoil or guide you to view this film in a certain way, but I believe that the synopsis and the trailer are already a huge spoiler, so here's my attempt to elaborate:
Let me tell you first that this is not a “journey to stardom” kind of music movie or a story about two girls pulling each other's hair and fighting over a guy. Of course it does revolve around the themes of music and jealousy, but there are more to this than just being another love triangle story between musicians.
There is an absolute charm to how its English title accurately describes what this film has to offer. “Love, Lies” speaks for its entire composition: 50% hope and 50% despair, and I don't say that lightly; this film boldly runs for 1 hour telling the story of love, friendship, hope and dreams while building up the tension, then, later at its 50% mark, turns into a story of lies, jealousy, betrayal and broken heart for another hour. It also wraps up with guilt and consequences at the end, leading you to fully sympathize with every decision made by the main character no matter how crooked she’s become.
The setting in 1943-1945, the very end of Japanese occupation era in Korea, was fully utilized here and it intertwined so well with the music theme. It was the last two years that “gisaengs” existed. It was the most modern period of those Japanese backdrops. Also, Korea's liberation at the end of the story plays a good part. Here is where it could become difficult for some people to give this film a high score; the movie does require a little understanding of “musician mindset”.
Music is a form of art, and by art, it means there's no correct answer. It’s very subjective and personal. One may view music as something suitable for high class, but on the other hand it’s never wrong to think that music should belong to people in every social status. This conflict will set lover conflicts in motion in the story. So, think: What if your musician lover prefers someone else’s voice rather than yours? It’s unfavorable, but it’s not wrong, right?
Because the man in question is a musician – a pop music composer, it somewhat allows his unfavorable choices to slip through. It’s quite a given that his mind does not (need to) function entirely logically. He makes choices based on his artistic hunch. When he, according to the synopsis, “falls in love” with his girlfriend’s best friend, I came to fully accept the fact, although I didn’t support his decision either. And that was just one of the many reasons I loved how thoroughly planned the writing for this film was.
The Korean title for this movie “Hae-eo-hwa” is another old term for “gisaeng”, women who received high education in music to perform in front of and entertain men of high social status. “Hwa” means flower, so “haeeohwa” also means “a flower that understands human’s words”. The term represents how women (gisaengs) were treated as social inferior. This “haeeohwa” theme plays a big part in the film more than just suggesting the leads’ profession. One woman is willing to follow the guidance of a man she loves, and another goes against her own beliefs and throws herself at another man to gain power to take back what she loves.
All of these are combined into great storytelling, and in the end, you will see for yourself whether it was the “artistic mindset”, the social derogation of women, a man’s swayed heart, a friend’s betrayal… or it was entirely something else that ruined it all.
“Why did ____ not know back then that it was good enough?”
Also, don’t forget to keep an eye on the minor character Kim Okhyang. She doesn’t appear often, but she’s another character that will leave you with many thoughts in the end.
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I was stunned by Han Hyojoo’s acting as the sweet yet heartbroken Jung Soyul. Facial expressions were the key to this character’s portrayal, and she was utterly perfect. Casting Chun Woohee as Han Hyojoo’s best friend who needs to look and feel smaller and a bit inferior was also a great decision. Yoo Yeonseok’s laid-back demeanor was definitely suitable for his music composer role. He also deserves compliments for his months of effort in practicing piano just for this movie. Everyone including the supporting cast really made this movie come to life.
As for the music, there are plenty of music movies that fail to deliver an excellent result in the music department. This movie did not just reach my expectation but surpassed it to an exceptional level. Traditional “Jeongga” music and 1940’s trot are not what would appeal to everyone’s ears, but this movie made their music very sweet, easy to listen and memorable. For additional points, the two lead actresses performed every song themselves, and they were spectacular.
Lastly, the artistic department deserves great compliments. Locations, costumes and props were top-notch. Cinematography presented this film in vibrant colors, and the composition was beautiful from the beginning till the end. Everything was grand and aesthetically pleasing here.
I usually don’t rewatch, but I will definitely watch this one many times.
I absolutely recommend this film to everyone.
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This review may contain spoilers
Soothing sweetness of a healing Love Story in the midst of brutal, relentless Seoul business life
"Love Scout" offers a cozy, soft and warm love story for the heart. Here: embedded in the tough Seoul office workday. Also: it offers perfect KDrama craftsmanship for this genre. Somehow everything was done right. The social network of our two protagonists also fits perfectly into the whole. Additionally, there are quite some valuable messages between the lines. And then there is the soothing sweetness of a healing (fictional) KDrama-world in the midst of the harsh, intrusive, inhumane, unvarnished reality."Love Scout" conjures up a sweet love story in the brutal, relentless professional everyday life in Seoul 2025. On top of that: a workplace romance between a female boss and her male secretary is not exactly the easy choice.
The story has a certain sweetness to it, also thanks to 7-year-old Byeol. She actually manages to bring out the best in everyone, aiming directly at the heart.
However, the backdrop of the drama – or rather that of our two protagonists - is actually rather sad.
SHE is a successful businesswoman with good instincts, running her own headhunting agency, but along the way she has somewhat lost touch with herself – she has sort of cut off her needs. The price of her success is high. She is a workaholic, exploiting her body, and just as she tramples over her own needs, she does the same with those of her employees. Apart from work, she practically has nothing. The advantage: her (guilt) feelings are buried under workloads. No time to delve deeper.
HE has perfected the art of anticipating the needs of others. As a single father, he has everything under control. Admirable. But on the downside, he is almost compulsive, as he has no other choice – he cannot help but recognize the needs of others before they do. His antennas are completely tuned to his environment. Thus, he comes across as quite sympathetic, as he is the nice neighbor, friend, colleague... However, as a single parent there is hardly any room for his own needs either. He defines his joy mainly through the joy and satisfaction of others. This inevitably makes him not necessarily alone, but still somewhat lonely. And there, deeply buried, are well-hidden (guilt) feelings, too.
Both our FL and ML are quite efficient. Almost perfect. But both also work like highly efficient machines. In this, they are similar and can each see behind the facade of the other. A good start for a healing love story. A healing story overall, in the midst of a structurally sickening, toxic work environment where there is no place for human beings with human needs – for appreciation, sincere recognition, fairness, and enough regeneration time to recharge their emotional and physical 'batteries'.
The dance of FL and ML, performed on this stage, is touching the heart. Tender, at times playful, heartfelt. The encounter between the boss and her secretary becomes a gentle rapprochement between two people who are so cut off from themselves and their own needs, yet reflecting, recognizing, opening up and learning to love each other in this very aspect.
It is an overall good mixture. A love story with charming side plots, balanced in a well-proportioned way with socially critical issues. Those who wish, may condone the seriousness. And those who appreciate the earnest critique, will generously be served. Thus, in my eyes, „Love Scout“ offers quite salubrious and gratifying KDrama-delight.
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1Hilarious and charming, great acting (especially female lead) even with the cliche plot device!
If you read the synopsis, this seems like every other contract-marriage drama but this one does it very well. Although this show might seem like it'll prey on cliche tropes, it actually is one of the most charming cdramas of the year in my opinion.Characters: First off, you have actually supportive parents. They're not the stereotypical "evil" in-laws. Both parents are good-hearted and want the best for their children and just want them to be happy.
You also have interesting side couples. At first glance, you might think a love-triangle will deter the show, but it really doesn't. At first, you might find the SML as a "bad guy" but you realize that he's actually harmless and caring deep down - it doesn't fall into the pithole of an annoying second male lead. He actually cares for the FL and her wants/desires. The love-triangle essentially stops a bit halfway through and SML starts to focus on the SFL, who is one of the cutest "best-friend-character" of the FL. Even the initially annoying Tang Ping stops her bratty nature relatively quickly and becomes a supportive character instead, Overall, the characters are very enjoyable.
The main female lead is a forceful and strong CEO while the male lead is a caring, quiet, and considerate doctor. It's nice to see more strong female leads. Even though she's assertive, Zhou Yutong is SO funny and adorable as well. So many individual cute moments + cute relationship moments. Simon Gong plays his part great as a foil to the FL. There's great character developments and you begin to see a role reversal in the later episodes which makes everything so much more quirky and entertaining. Honestly, the leads + supporting cast are done so well!
Plot: It's nothing too special but I just wanted to say that it's a very funny drama. It's not really external conflict/plot-driven but more character-driven which I enjoyed a lot. There's actually "laugh out loud" moments. The chemistry between all the characters are great (leads with each other, different combinations of lead with supporting, supporting with supporting). Small misunderstandings are resolved relatively quick so it's a nice watch most of the time. The most important thing to note which might be a SPOILER is that there's actually a time-skip which breaks this show out of the mold of a generic contract-marriage drama. I generally don't like giving a "spoiler" but I feel like this one isn't that "important" to keep hidden but it's still important to mention since potential viewers might want to know. I normally hate a plot device like this, but in Begin Again, it's done very well -- reasons are valid, characters change and grow afterwards.
However, one issue I have with the plot is the business politics side. This is the one part of the drama where it feels forced and unnatural. Character motivations are unbelievable. It's not particularly prevalent but whenever it pops up, it just makes me want to fast-forward [but it's very minimal]. Honestly borderlining unwatchable for me; thank god the romcom aspect is done well to keep me locked in.
Conclusion: Watch this for the adorable characters. Strong female lead, nice male lead, character development, likable supporting cast. Even a show that seems to have many cliches, it actually subverts many obvious ones and is a great watch. It veers away from the melodrama tropes and is fresh and refreshing.
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STORY - While this contains the usual Kdrama cliches (don't we love cliches?), the overload of cuteness, funny moments and its consistent lightness separates it from the rest of the dramas under the same genre. It has a certain pull to make you smile all through out. Each episode contains a subplot to keep you from getting bored while the main plot was just there, peeking from time to time but not revealing anything. It has some serious moments towards the end but unlike other dramas it didn't feel like a drag. I just love how the main plot was subtly shown in each episode and did not ruin the overall feel of the drama. If you're a scaredy-cat, be sure to watch it with a friend because some ghosts were really scary.
CHARACTERS - This is the first time that I've seen Taecyeon act and boy, isn't he good? Acting as a character that is a lot younger than your real age is quite a challenge but he nailed it! II am now a fan! Kim So Hyun on the other hand did a good job being so adorable. She's so cute I wanted to put her inside my pocket and bring her home :). These 2 actors, regardless of their age gap, created a beautiful romantic spark. From the beginning until the end, they were able to keep that wonderful chemistry that sent butterflies to its viewers.
Also, I have to commend Lee David and Kang Ki Young for bringing so much fun in this drama. They had me rolling on the floor laughing. FOR REAL! :) And let's not forget about Kwon Yool. Who would have thought that a handsome face like that was a villain? I certainly didn't!
MUSIC - This is the only disappointment in this drama. Usually, there's at least one song that sticks in my head but this one doesn't have.
REWATCH VALUE - This drama doesn't contains micro details that deserves a rewatch. However, I would definitely watch it again in times that I'm down and would like to feel good.
OVERALL - This goes on top of my list under RomCom genre for this year. I have a serious withdrawal syndrome that I think would last for weeks. I just feel sad not that it has ended :(
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The Effects of Juvenile Delinquency And the Role Society Plays
From its opener, this drama came out swinging, and it didn't stop to the end. I had high expectations, and I am glad it didn't disappoint. I thoroughly enjoyed this drama, everything from the overwhelming storytelling and cases to the cinematography, directing, and especially the acting of the leads and the supporting cast. Both Kim Hye Soo and Kim Mu Yeol were outstanding, and complimentary of each other. Her strong stance on punishment and his clear belief in nurturing and reform completed each other in many ways. It was almost like when she ran cold, he warmed her up, and when he threatened to go cold, she found a way to warm him up. Their personal traumas helped me understand their stance and shaped the story.What I like most about this drama is how daringly it tackled the complex and staggering psychological and social circumstances surrounding juvenile delinquency, the juvenile court system, and the effects it has on the victims, the juvenile delinquents themselves, their families, and even society as a whole. The thought that the stories it tells maybe someone's real life reality is heartbreakingly crushing. Right after I watching Juvenile Justice I read a review that described the script as "having a tendency to devolve into preachy monologues, which did a disservice to the drama". I was utterly surprised, because I thought those preachy parts were precisely what made the drama so impactful, given the heavy subject matter.
As much as I enjoyed the drama, some episodes were hard to watch, almost cruelly so, especially how desensitized society has become to the pain and injustice of others. The drama was thought provoking. It made me question myself and how I would react to the many uncomfortable situations. I have a newfound respect and admiration for juvenile delinquent judges, counselors, social workers, and everybody who works with and around children. I don't think I could do it. The whole time I watched the drama, I kept thinking that when parents cover up for their children's wrongdoings, are they doing it for their children or for their own sake? I also couldn't stop thinking how children as young as nine could be so disconnected from their community and society that they could commit such atrocities; where and how does it go wrong, be it with the children, the parents or society. A lot to ponder.
I am not a parent, but I know it isn't easy. As an aunt actively involved in raising my nieces and nephews, I know how important it is for children to know that they are loved unconditionally, particularly when they make mistakes because everybody make mistakes. But they also need to those mistakes have consequences, especially when they cause harm to others. Parents sternly disciplining their children is the tough love they need. It's far more helpful in the long run than covering up those mistakes, no matter how bad. And this is especially important in a country like South Korea, where society plays a big role in shaping its citizens, that it becomes part of the solution, not a contributing factor. I wonder if I sound preachy, hmmmm!
Juvenile delinquency isn't just a legal issue that can be taken care of by law, but a major social problem that requires urgent attention. I pray this drama in its ten episodes succeeds in casting the needed attention, and more importantly, to relay the message that punishment shouldn't only be about imprisonment, but also development and reform. As Shim Eun Seok says in the drama, it takes a village to raise a child. It's why we still need the "village" strengthening support mentality for our children today. Is Juvenile Justice a perfect drama; perhaps not, but it does a darn good job expressing how the inadequacy of the criminal and judicial justice system, the breakdown of the family unit, particularly parental guidance, and resulting trauma as well as societal neglect exacerbate serious youth crimes. Yes, reforming juveniles is paramount, but their victims matter too and shouldn't be marginalized in the process.
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Shining Inheritance fits both definitions. There's envy, greed, a dead man walking, 10 trillions lies, missed encounters by a microsecond, corporate plotting, memory loss, love polyhedrons and such a dose of odious behaviours your becoming a virtual assassin would be justified.
But before you decide you hate the genre and turn the page, let me say this drama is strangely and acutely addictive. It took me 4 weeks to pant through the first 7 episodes and less than 1 to watch the remaining 21 (granted, with a little fast forwarding here and there).
The plot is very consistent. Every narrative line comes to a conclusion and justice triumphs. Delicate subjects are touched here, and I appreciated this the most.
I maintain the whole story could have been easily condensed in half the time and the dialogues thinned, if only the characters had stopped repeating the same sentences like an echo and the word money had been uttered one thousand times instead of one billion. There will be moments in which you'll question your choice of dramas, but at that point you'll be so implicated in the crime… ehm, plot, drop it will be harder than exit a gang.
The acting mark is the result of an arithmetic mean. The beginning is not encouraging at all, with exaggerations and wooden deliveries all over the place, but it improves a lot in going. It's as though the actors had been attending Theatre Class while filming. With a notable exception: Yun Joon Suk, who plays the autistic brother, is impressive all through, and makes the drama shine in depth and emotion every time he's on screen.
I'm usually only mildly interested in the cast's attire, unless it's so distracting it prevents me from fully enjoying it or it is integral part of the narrative intent. But grandmother's grey wig - I truly hope it was one - looked so disjointed from her skull I watched all her scenes brandishing a comb. Not that Lee Seung Gi's hairdo was much better: now and then it truly looked like it was about to migrate towards warmer shores. I prayed he would be caught in a sudden downpour to flatten it but, alas!, the sun shone brightly on him. There's improvement in this department too, though, and if you fall for the very pretty main couple, the deed is done.
Two words about the music. I had a hard time coming to terms with the blend of Bach's adagio and K-pop, the first being too solemn and fit to a mass in Latin and the second too… pop. Once again, it's the little brother who saves the score with his very sweet piano piece dedicated to his Noona.
So here's my little piece of advice: watch it. Resist the urge to drop it after the first episode, contain your puzzlement in the second and third, wipe your sweat to the 7th and you'll be hooked. Completing it will give you a sense of power and the feeling you have truly watched The Drama of All Dramas.
What does not kill you, makes you stronger.
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The Glory
171 people found this review helpful
This review may contain spoilers
Gripping, intense, a success all round
"The Glory" comes with a drum roll at the turn of the year 2022/23. With a high-end production team in every instance, "The Glory" cleverly intertwines the burning subject of bullying with the long-running topic ´revenge campaign´. The result is gripping, intense, a success all round. (However, one major criticism: Netflix cuts the story in half with a long break in between.)In 2022, for the sad issue of bullying, streaming services cleared the stage several times with their own productions (e.g. "Weak Hero Class 1" and "Revenge of Others"). All of these stories are unbelievable in their brutality and cruelty - teenagers against teenagers! No mercy. Without pity. Without scruples. Without any feeling of guilt. For once, I don't want to blame the streaming providers for the shown cruelty, on the contrary. Maybe the topic is in better hands with them because they have no problem with such radical scenes (compared to TV stations). Isn´t it simply scandalous that such unbelievable violent abuse - and may it be only half as drastic - is part of everyday life in (i.e. South Korean) schools and among young people? Even more scandalous: parents and teachers tolerate it or actively support it and even act up themselves.
"The Glory" swings back and forth between past and present and thus draws a complex picture of the individual characters. Back then the perpetrators, they are becoming victims today. Back then the victim, she finally wants to get out of her role and also make life hell for her abusers. The painful past provides the moral framework, allowing the audience to nod off the plans for vigilantism. Eventually, the protagonist also gains helpers on her way.
Sad enough, in "The Glory" no one is truly happy with their life except for the perpetrator's (still) innocent little daughter.
The bullies of that time live bored and/or stoned and still trapped in their bullying role. Still tangled up in their clique from back then in uneasy ties. None of them found ´true´ friends. Trust and love are words without substance in their life, which rather appears as a shiny variation of Hell disguised with silk and glamourous accessories.
The victim of that time, on the other hand, has found meaning, direction and grounding in her life, no matter how sad the circumstances. Coincidentally, she even made trustworthy friends. Since she has experienced firsthand what hell is like, she can at least distinguish it, as other experiences of brief moments of happiness are also indicated in between. This experience (how happiness actually feels compared to suffering) puts her ahead of her opponents, who aren't even aware that they're living in a hell of emotional emptiness. They only suspect it when Moon-Dong-eun threatens to shake their house of cards and they have to face the illusions of their self-satisfied lives.
The story isn´t completely told yet - after 8 episodes. We will see, how things actually turn out for Moon Dong-eun, as she is indeed messing with someone, who is not willing to give in, whatsoever...
---------- EDIT after finishing the SECOND SEASON: -------------------
Well. Second season is definitely on the revenge-side. Some may say revenge is sweet. In any case it is drastic. And "the Glory" made sure, the mean-spirited deserved it... Among them is so much violence and exorbitant abuse. Almost too much to bear at times. A bit overdone maybe with unnecessary Netflix ruction here and there. Nevertheless suspenseful. Certainly with a coherent ending.
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PS.:
Actually, the screenwriter is herself mother of a high school student...)
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SIDE NOTE: ---- Fiction and reality are not that far apart ---
Some might say that the bullying brutality in "The Glory" - such as the curling wand scene - was exaggerated.
In fact, in South Korea in 2006, there was just such a case.
At a middle school in Cheongju, a student was bullied for money by three classmates. For not delivering, she was beaten with a baseball bat, tormented with a barrette, kicked, hit with fists, and burned on her arms with a hot curling wand. The burns didn't even have time to heal because the girls checked the temperature of the curling iron on the victim's arms again and again every few days. On the contrary, healing blisters were specifically removed by the bullies with their fingernails. The brutal beating also resulted in an injury to the tailbone, which resulted in a six-week hospital stay.
In fact, in this actual case in Cheongju, the perpetrators were apparently officially punished after the victim, despite threats, reported the perpetrators by name. And not only the perpetrators, but also the school administration and teachers were apparently sort of admonished. (However, with that the police report ends. We do not know how the victim, the perpetrators and the school dealt with each other afterwards).
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Acting/Cast: Mature and experienced actors and actresses. Side characters are very entertaining and they have their own little love stories to add into the story as well. I am not a fan of any of the actors or actresses in this drama, but I'll make a special mention for Eric (as Kang Tae Ha) and Yoon Hyun-Min (as Do Joon Ho). Eric showed a relaxed and natural form of acting. He had totally embraced and live the character he was given. One would even ask, is this his true character in real life that he is so comfortable and natural in portraying Kang Tae Ha? Yoon Hyun-Min as Dr. Do Joon Ho was hilarious, serious, smart and very much caught-in-between. Someone give this guy the main lead character in a romantic comedy already! I am sure he will do well in it!
Music: Nice but forget-able.
Rewatch value: This is a drama made to be watched once. You'll like it (but not adore it) and you'll move on from it. If you have nothing fantastic on your plate at the moment and do not mind watching romance drama depicting realistic struggles of dating relationships, you might want to make a time for this drama.
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