This review may contain spoilers
I really don't know whether I can actually write a review for this without giving any spoilers. But I'll try, so here we go. This. Drama. Is. HILARIOUS. I mean, I know different people like different kinds of Humor but this one would definitely tickle your funny bone. Whether it's Hwang Tae Kyung's duck pout or Go Mi Nam's aunt's butt slapping or Jeremy's sexual orientation dilemmas or lots of other things that might get to you. But it'll surely make you laugh! The story is awesome and refreshing in the most cliche way. A girl dresses up as a guy and works with guys and falls for one of those guys. But out of all Gender-Bender stories, this one would definitely stay with you forever. I mean, I've literally had moments where I suddenly zone out and start thinking about random scenes from this drama and laugh hysterically, and then people eye me like, "Did you just have a crazy-woman episode?" and I can't explain it to them because they just won't watch the effing drama! I mean, come on, it's weird explaining.
Coming to acting. EVERY SINGLE PERSON IN THAT DRAMA IS EPIC. Like, seriously, all the characters, even Jung Yong Hwa (playing Shin Woo) who people keep dissing saying he's a horrible actor, is just EPIC in you're beautiful. The actors playing even the smallest characters are epic. The music is mind-blowing. Definitely on my top 5 Korean drama OST (and you know how much competition the K-drama OSTs have). "Without Words" by Park Shin Hye has so much meaning to it, it just gives me goosebumps. Whoever wrote that song, HATS OFF! I have watched this drama twice and keep searching funny clips on YouTube and rewatching them all the time.
So, in conclusion, everyone should watch this drama. It's a rite of passage for every Korean drama watcher. But I guess most of us have watched it already, but still. If you haven't, you should definitely put this one on your PTW list :)
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The Effects of Juvenile Delinquency And the Role Society Plays
From its opener, this drama came out swinging, and it didn't stop to the end. I had high expectations, and I am glad it didn't disappoint. I thoroughly enjoyed this drama, everything from the overwhelming storytelling and cases to the cinematography, directing, and especially the acting of the leads and the supporting cast. Both Kim Hye Soo and Kim Mu Yeol were outstanding, and complimentary of each other. Her strong stance on punishment and his clear belief in nurturing and reform completed each other in many ways. It was almost like when she ran cold, he warmed her up, and when he threatened to go cold, she found a way to warm him up. Their personal traumas helped me understand their stance and shaped the story.What I like most about this drama is how daringly it tackled the complex and staggering psychological and social circumstances surrounding juvenile delinquency, the juvenile court system, and the effects it has on the victims, the juvenile delinquents themselves, their families, and even society as a whole. The thought that the stories it tells maybe someone's real life reality is heartbreakingly crushing. Right after I watching Juvenile Justice I read a review that described the script as "having a tendency to devolve into preachy monologues, which did a disservice to the drama". I was utterly surprised, because I thought those preachy parts were precisely what made the drama so impactful, given the heavy subject matter.
As much as I enjoyed the drama, some episodes were hard to watch, almost cruelly so, especially how desensitized society has become to the pain and injustice of others. The drama was thought provoking. It made me question myself and how I would react to the many uncomfortable situations. I have a newfound respect and admiration for juvenile delinquent judges, counselors, social workers, and everybody who works with and around children. I don't think I could do it. The whole time I watched the drama, I kept thinking that when parents cover up for their children's wrongdoings, are they doing it for their children or for their own sake? I also couldn't stop thinking how children as young as nine could be so disconnected from their community and society that they could commit such atrocities; where and how does it go wrong, be it with the children, the parents or society. A lot to ponder.
I am not a parent, but I know it isn't easy. As an aunt actively involved in raising my nieces and nephews, I know how important it is for children to know that they are loved unconditionally, particularly when they make mistakes because everybody make mistakes. But they also need to those mistakes have consequences, especially when they cause harm to others. Parents sternly disciplining their children is the tough love they need. It's far more helpful in the long run than covering up those mistakes, no matter how bad. And this is especially important in a country like South Korea, where society plays a big role in shaping its citizens, that it becomes part of the solution, not a contributing factor. I wonder if I sound preachy, hmmmm!
Juvenile delinquency isn't just a legal issue that can be taken care of by law, but a major social problem that requires urgent attention. I pray this drama in its ten episodes succeeds in casting the needed attention, and more importantly, to relay the message that punishment shouldn't only be about imprisonment, but also development and reform. As Shim Eun Seok says in the drama, it takes a village to raise a child. It's why we still need the "village" strengthening support mentality for our children today. Is Juvenile Justice a perfect drama; perhaps not, but it does a darn good job expressing how the inadequacy of the criminal and judicial justice system, the breakdown of the family unit, particularly parental guidance, and resulting trauma as well as societal neglect exacerbate serious youth crimes. Yes, reforming juveniles is paramount, but their victims matter too and shouldn't be marginalized in the process.
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1This review may contain spoilers
OH THE FEELS!!! And OH THE ORIGINALITY!!! And OH THE AWESOME LEADING MAN AND SUPPORTING CAST OF CHARACTERS!!! Those are the reasons Ho Gu’s Love (HGL) is getting this review from me. After I finished watching HGL I immediately gave it a 10, then I let it soak in a while and let my objective mind take over and bumped it down to 9.5, but really it’s more like a 9.9 with the only flaw being that so much of the plot had to depend on just simple misunderstandings (like 16 hours of Three’s Company). I felt that after a while it might have been better served for at least one of the misunderstandings to have been cleared up a little sooner, and they became so silly as to almost be a parody of themselves within the drama, as though it was self-aware as to what absurd lengths the misunderstandings had gone (which actually made it better for me). That said the feels and the cast and the characters and the originality were just so on point that they overcame this flaw and then bounded past it like a bullet train past a horse and buggy. So without further ado, here is why Ho Gu’s Love is one of my favorite Kdramas of all time.1. Originality: Yes, I consider originality an essential element of a great Kdrama. HGL had many elements we don’t normally see in Kdramas including decent treatment of normally risqué themes (all of which I’m not going to name because spoilers). It also frequently upended my expectations of how the plot would play out, with a particular bit at the end that I was surprised by when I really thought it would go another direction to give a more pat Kdrama moment (once again, you have to see it to know what I mean). Also, there are amazing parental characters that behave in such refreshingly awesome ways.
2. Characters: Oh the characters. I am so in love with HO GU I just cannot stand it. He really is one of the best leading men characters of all time. The writer (and the actor, to be discussed next) took a character that could have been just a fool and just a sicky sweet guy and made him so real and warm that it truly is a feat of genius. I think what is most amazing about Ho Gu and the way he is written and acted is that he makes everyone else in the world look like the fool that they think he is. It’s like he has got it right and we are all wrong. Even when he shows flaws like being a little too clingy or nosy, it’s okay because sometimes in real life our emotions do override our rational and that can happen in the moment. And then at the end he even grows. There’s never been a character like him before.
a. Do Hee: She rubbed me a bit wrong at first, but by the end I was totally in love with her. She really is pretty awesome!
b. Byun Kang Chul: Speaking of rubbing me wrong at first. There are people that dropped this drama because they hated him so much. To them I say WAIT! Nothing is as it seems! He is wonderful and his growth in the drama is the greatest; don’t judge after just a few eps. You are totally wrong!
c. Ho Kyung: BAD ASS!
d. Do Hee’s Baby: The cutest baby in the history of Kdramas.
e. The Support(ive) Cast: The greatest parents ever (Ho Gu’s)! Parents that show a lot of growth. Funny and kind friends who also have lives of their own and aren’t just props. It all results in just the sweetest extended family you’ve ever seen!
3. Acting: Awesome across the board! Even Uee who I previously didn’t think much of was wonderful in her way. And Im Seulong, who I found almost mesmerizing in Mandate of Heaven as the king, was even better here. He really is good and I expect great things from him in the future. He can do drama or comedy with equal aplomb. And his physical comedy is just hilarious. The supporting actors and actresses are all good, especially the parents and the actress that plays Ho Kyung.
But Choi Woo Shik, for him I don’t know if there are words. He is a star. He is wonderful in every way. Without him the character of Ho Gu would have failed with a thud. CWS is PERFECT in this drama with no flaws. When he cries, I cry. When he laughs and smiles, I laugh and smile. When he is intense, I burn and when he does physical comedy, I laugh until my nose runs. He brings Ho Gu so much life and warmth and spirit and even gravitas for a character that on paper would have none. I love him in this. I love him so much it hurts!
4. Plot and Writing: As I said earlier, there is a little weakness here where the plot depends too much on misunderstandings, but the originality and the dialog and the twists more than make up for that weakness. I know this was based on a manhwa so it’s not an original story and I have not read the manhwa so I don’t know how much this deviates, but I think the writing was really top notch. Once again a cable channel brings home the bacon where so many network shows fail miserably.
5. THE FEELS! What puts this drama over the top for me in terms of love and awesomeness though is the feels. I laughed; I cried; I laughed; I cried. I did those things over and over again, episode after episode. I can watch whole dramas and never laugh out loud or cry like a baby; I did both every week with this show. Maybe it touched me more deeply because I have a 16 mo baby. I don’t know. But I will never forget the emotions this show made me feel for as long as I watch Kdramas.
So there you have it. Stop whatever you are doing now and go watch this drama. It is nearly perfect and where it isn’t perfect, the intangibles make up for it. And if you love great acting, you have to see Choi Woo Shik in this. You are really depriving yourself otherwise.
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please tell me this was a social experiment
you know those shows that you just never want to end? this was the complete opposite of that. I spent every single second watching this hoping, wishing, praying it would just end already. I put it on 2x speed and still felt myself growing older by the second, wasting away my precious minutes on this earth watching this trainwreck of a show.now you may ask, why did you finish it if you hated it this much? I have no answer for you. I myself am astonished by my own perseverance. I told myself I would see this show through to the bitter end and I can proudly say I DID IT! I withstood it all. the bad acting, horrible writing, boring cinematography, outrageous advertisement, obnoxious background music and I came out alive. I stand victorious against this show! It hasn’t broken me, but oh boy it certainly tried.
sometimes when I close my eyes I can still see it… the logo “Lodestar Productions” looming in front of me, mocking me. I wake up in the middle of the night, drenched in sweat after having found myself trapped in a nightmare where I, too, am sitting in that office. unable to escape the melodramatics of daonuea and nine. unable to even scream. someone hands me phone and asks me to book a flight using the AirAsia SuperApp™ I take it, my fingers numb, only able to wait for death to put an end to my suffering.
anyways this show was shit. and considering how many people it takes for the production of a drama I cannot believe that this was anything other than a social experiment. there is just no way that many people earnestly signed off on this idea thinking it was going to be a hit. I will not believe it. watch it if you’re looking for something to bore you death and haunt you in your nightmares.
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Story:
Typical josei romance plot (you'll appreciate this if you're a manga reader). Boy meets girl, the guy fell in love with her, then he pursues the girl. Actually the plot is just ordinary, except for a unique twist that the guy is a monk. The comedic dialogues are present which are good, and I guess that what makes this charming (for me anyway). But what I really liked about the story is honestly the guy's character. His personality is really charming in an enchanting way. I don't know but I developed a deep affection to the main lead not only because of his physical appearance but his character development as well. The girl is our typical josei woman (if you read josei manga, then you know what I mean).
Acting/Casting:
Such handsome and pretty people, I must admit. XD Well, I liked how the actors and actresses (esp the main leads) portrayed their respective roles. I haven't read the manga yet so I can't really say if they had portrayed it well but I can assure you they are really good. Good enough to make my emotions sway every damn episode easily. Ugh, I just so love them all.
Music:
BACK NUMBER IS THE BEST! XD YOU SHOULD LISTEN TO IT. YOU'LL DEFINITELY LOVE IT. HAHA Even though I look like I'm promoting, the OST "back number" really suits this show well. I fell in love with this song first before I fell in love with the show, so if you're still skeptical 'bout watching this, then I advise you to at least try listening to the OST. It made me appreciate the show more, maybe it could persuade you as well.
Overall:
I rated this 10/10 in MDL (personal taste hehe) but I'll go now with 9/10. It's really a good one. I rarely get feels when watching Japanese drama but I must say this is an exception. Maybe because I watched this during Christmas eve and Christmas day. HAHA Welp, I don't really know. But I really like the roller coaster of emotions this drama awakened in me. It made me realize that falling in love is not an easy thing. Again. It brings you pain, suffering, tears, frustrations (lololol hint: lots of drama at the end so beware) but as well as happiness, smiles, laughter, and hope. But at the end of the day, you'll still choose to fall in love despite of the pain it will bring in your heart. Because as they say, love can keep the sadness at bay. It will cure a painfully broken heart as well as warming a cold frozen heart buried with time.
Have a happy holidays. :)
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This review may contain spoilers
Beautiful True Love Depicted
I’ve seen mixed reviews on this but I just have to say I read the manga before watching the show and I LOVED both the show and the manga very much!!!!I thought that the actors for the show did a phenomenal job. They conveyed there emotions very well and there was no awkwardness at all. I could feel there love for one another through the screen. I would actually love to see some of the other films/tv shows they have acted in.
They went by the manga for mostly all of the episodes and I appreciated seeing that. They gave more context for certain details that may have been lost while reading the manga and translated it to screen. I think they depicted the age gaps well too. For 4 episodes only, I feel that they did a great job including the most important aspects. Actually now that I think of it, I would have loved to see more of them in their early 20s depicted on screen because that was like one of there honeymoon phases and I’m a hopeless romantic lol but that’s just a personal preference not complaining. Also, the show stopped at age 40 and they could have gone on throughout there entire lives but I understand why they chose not too.
One thing I really want to touch on was the breakup. I felt really bad after watching that episode especially because of how Akira broke up with Yuuki. It’s sad that Akira felt like he had to live normally with a wife but unfortunately that is something that people who are apart of the LGBTQ+ community have to deal with in there everyday lives. It’s a realistic issue. When he called there relationship a “fruitless relationship” I just about jumped at the screen. Imagine being with someone for 10 years or so and that’s what they say when they break up with you. He didn’t have to do all that to poor Yuuki. None of that was called for. I wanted to see him suffer for how he went about that situation and I’m glad we got to see him pining on the last episode tbh lol
Shoutout to Akira’s sister for being a TRUE ally!!! We love to see it!!!
Also, History Make Our Days Count was one of my favorite shows that I watched and I’m glad the two main characters made a cameo. It was an unexpected but lovely surprise!!!
Overall, loved the show!!! Would totally rewatch!!!
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Her Second Chance - a fight for justice
The Double (in my opinion) has rightfully earned a top spot among the recently aired historical/periodical Cdramas (on par with Love Like the Galaxy and Kunning Palace). It is a suspenseful story that follows the female lead on her journey towards revenge as she makes friends and finds the true love of her life. Both the female and male leads make intelligent decisions (for the most part) as the story progresses, hooking the audience from start to finish.Adapted from the Chinese novel “Marriage of the Di Daughter”, The Double stars Wu Jinyan and Wang Xingyue, both of whom have starred in many successful dramas. Firstly, please allow me to say that their age gap was not a problem. In fact, after watching The Double, I can’t imagine anyone else as Xue Fangfei and Xiao Heng. Their chemistry was simply this strong and is reflected in the satisfaction of nearly all viewers.
The Double was not on my Plan-to-Watch list. In fact, I was skeptical to even begin the drama. What’s so special about some revenge/identity change drama? But there is just so much to talk about, from the plot and production to the acting and characters. After the female lead, Xue Fangfei grasps this second chance to live, she grips it firmly and doesn’t let go, determined to find justice for all who were wronged. We follow XFF on her journey towards justice for her family and powerless civilians as she gains support from those around her. She takes on Jiang Li’s identity, seeking revenge for both herself and the girl who should’ve lived a carefree life as a daughter of the Jiang family, hence the name of the drama. XFF shows us that there is hope in anything we do, as long as we are still alive and hold the motivation and strong belief. She suffers tremendously but fights for her eventual happiness.
What I particularly like about this drama are the complexities of many of the characters. There’s really much more than meets the eye, and we get to see the backstories of a few of the villains. While I do wish that the director/producer allocated more screen time to the main couple, it was quite interesting to learn more about Princess Wanning and Ji Shuran, though I still think that some scenes were unnecessary, such as some between Wanning and Shen Yurong. (it’s also important to know that Chinese regulations have set a max number of eps to 40, so scenes should be chosen carefully). Some were disappointed with the ending, as it seemed a bit rushed and unfinished. However, the ending scene in Episode 40 makes it much more memorable, with XFF’s billowing red gown and XH riding on his horse to his wife. And be sure to watch the extra episodes that the leads just filmed a few days ago! It wraps everything up nicely. (ugh, I just wish dramas could go over 40 eps…)
Compared to other historical dramas, The Double’s romance is much more slow-burning. However, there’s a lot of flirting between the leads and I find myself always forward to their dialogues, no matter how brief they are. The leads’ interactions in the first half of the drama were also quite amusing to watch. XFF constantly asks Xiao Heng for favors, to which he easily agrees. Xiao Heng is known throughout the capital as a ruthless duke who should not be meddled with, but XFF treats him differently. Throughout the drama, there are numerous details (faint but noticeable) that suggest Xiao Heng’s increasing interest in Xue Fangfei. She is originally regarded as a pawn who puts on amusing shows for Xiao Heng to watch but soon becomes so much more important to him.
Another special aspect between the leads is the mutual trust and respect. Xue Fangfei knows that she can trust Xiao Heng no matter what, and he thinks the same about her. While there are supporting characters who are attracted to the leads, they aren’t a roadblock in the leads’ relationship and actually become more loveable. I loved watching the strong friendships form between Xue Fangfei, Ye Shijie, Jiang Jingrui, and Liu Xu. They have such different personalities yet end up becoming each other’s greatest supporters. The bromance between the emperor and Xiao Heng also remains strong from start to finish. The emperor was thoughtful and warmhearted but also remained alert; he is a ruler I would support. So many supporting characters made the drama fun to watch: On top of Tong’er and XFF’s new friends, Lu Ji and Wen Ji were Xiao Heng’s most loyal subordinates and Wen Ji was especially funny. And we don’t want to forget about the villains, who are people that can easily be hated to the bone (especially Shen Yurong, ew). Actors embodied their characters to the fullest extent. Liang Yongqi as SYR really gave off lifeless vibes to the point that I was questioning if his eyes were this lifeless irl. (In reality, he’s a funny boy who enjoys his iced coffees, lol!) Wang Xingyue told stories with his eyes (and bless the eyeliner) and Wu Jinyan completely stepped up into her role as a girl determined to help the righteous. The way WJY runs in her outfit is absolutely stunning as well. She’s received so many hateful comments over the years regarding her acting but has proven the haters wrong with this drama.
In terms of production, the costumes and sets were gorgeous. Duke Su was [perfectly] fierce and handsome wearing his red wardrobe, while Xue Fangfei’s lighter-colored attire matched her elegance and intelligence at the Gu Zheng and chessboard. The women’s hairstyles were intricately decorated with beautiful hairpins and other ornaments, and it was my first time seeing the pearl makeup look (inspired by the Song Dynasty). Camera angles were chosen masterfully and the blossom scenes were particularly memorable. It was fun to watch Duke Su fight the majority of his battles with his fan, and his constant “A’Li’s” (definitely not fangirling).
All in all, The Double may just be the drama of this summer (there always seems to be one or two summer dramas that captivate viewers, and I’m certain this is the one for 2024). On top of the beautiful costumes, loveable/hateable supporting characters, and swoon-worthy moments between the leads, the drama emphasizes the fight for justice. It is an intriguing revenge drama with a slow yet strong love story.
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No matter how beautiful a woman is. No matter how successful she is in her work life. No matter, how good she handles her house and children. No matter how smart, considerate, kind she is. Cheating men will cheat.
And then most of the time that woman has to deal with friends and family who will tell her to forgive the man, innocently selfish children who will ask her to compromise, outsiders who will gossip and an unapologetic man who will think it is his right to cheat. She'll be left with a destroyed family, broken pride and a stamp of a woman who couldn't handle her marriage.
This drama tells the story of what happens when you mess with the wrong woman.
Sun Woo is ruthless and takes no prisoners when it comes to revenge. Giving a new meaning to "Hell hath no fury, like a woman scorned", she is obsessive, borderline psychotic, scarily intelligent, calculating and even selfish but at the same time she is incredibly strong, bearing and someone who's been hurt in the most profound manner.
Kim Hee Ae's acting is beyond phenomenal, not unexpected from a four time Daesang winner. She hits every emotion on the spectrum to the point you are fully attuned with her character. She will make you love her fiercely, frustrate you to no end, question her motives, pity her and even hate her.
The shock value in this drama is no joke. Things that you haven't imagined in your wildest dreams happen in the most iconic fashion and you're just left with your mouth hanging.
There's no passive watching this drama, for it wrenches feelings out of you. You'd be screaming at the screen, tearing at your hair and will probably think of throwing your phone at the wall once or twice.
Every aspect is exceptionally executed. Where there is emotion, you'll be crying your heart out. Where there is thrill, you'll be biting your nails to stubs. Where there is suspense, you would be sitting at the edge of your seat. Where there are makeout scenes, the entire room will feel hot.
None of the characters in this show are truly likable. The moment you start warming up to someone, they'll do something to screw you over. These people are extremely complex, selfish, vindictive, weak- human nature at its worst and that's the beauty of the show.
The music is amazing and added in just at the right moments. The writing plus dialogues are crisp (pretty loyal to the original series) but the direction and delivery by the actors takes the cake.
It's impossible to stop, once you start watching it and it maintains the tension from beginning to end with never a draggy moment.
A true masterpiece, that explores the dark waters of marriage, relationships and being human, it is not reccomended for people who can only root for righteous and wholly good characters. For this drama, leave your moral compass behind or it will explode.
Lastly, the drama beautifully succeeds in delivering its point:
Cheating is NOT ok and you don't have to forgive it. No matter how weak you get, no matter how hard it is (and it will be) no matter what the world says, no matter how much history you have, you don't have to compromise. No excuse should be enough.
The world of married is a place where there are no winners, you just have to do what's right by you. Because, before being a wife, a mother, a daughter, a friend, a working woman: you are your own person.
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1This review may contain spoilers
A Drama to Be Savored and Remembered..
There are many female centric dramas that explore themes of women's freedom and feminism but few have achieved what FP has in terms of depth, execution, impact and the sheer quality of acting and production.. Everything about this drama is exceptional.. The cinematography and costumes, the intelligent main leads with undeniable chemistry and a slow burn romance.. Even the supporting characters were stellar.. Well written and not over dramatic not too slow.. This is how a drama should be done.. The acting, pacing and background score are all perfectly balanced.. Yang Zi’s acting was pure brilliance.. Effortless, heartfelt and completely immersive.. She was simply outstanding.. Li Xian complimented her perfectly.. Effortlessly matching her energy and helping her carry the show.. His nonchalant attitude and performance were nothing short of brilliant..I loved Li Xian's characted Jiang Chang Yang.. He wasn’t the typical ' I will protect you from everything ' hero.. Instead he recognized Mu Dan’s strength and character and treated her accordingly.. He only stepped in when she absolutely needed it.. But more importantly he rooted for her like no one else.. What truly set him apart was the way he treated her as an equal.. He never underestimated her.. Respected her decisions and stood by her as a true partner.. Never forcing his own ' This is what I think is right for you ' mantra onto her..
It was sad to see Miles in his role.. Pathetic and whiny.. But he got exactly what he deserved.. You can’t blame others for your own spinelessness.. That said its not the end of the road for him.. He might return as one of the antagonists next season.. But the real question is how impactful will he be??
When the drama was airing it faced attacks from another actress’s fans.. Rating it low and trying to bring it down.. But in the end haters can only do so much.. A good script, strong performances and quality storytelling will always win..
Now I have high hopes for Season 2.. I really hope they finally share their true feelings and get together in the first half of the show instead of making us wait another 20+ episodes.. It would be great to see more of their moments rather than just the buildup because we had more that enough of that in the first season..
Overall FP delivered an exceptional story with brilliant performances and compelling themes.. Despite the challenges it faced the drama won.. With Season 2 coming soon the expectations are high.. And hopefully it will give us the satisfying moments we are waiting for.. I read somewhere that this drama is truly a tribute to women and I couldn’t agree more..
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Shining as Each Other's Light
Love Like The Galaxy (星汉灿烂) is adapted from the novel of the same name (星汉灿烂, 幸甚至哉). Love Like The Galaxy narrative revolves around Cheng Shaoshang, daughter of the Cheng family, who was left by her parents when she was a baby; and Ling Buyi, a general who’ trying to unfold the conspiracy behind what happened in the past. The drama narrative then starts years later, during the return of her parents.Love Like The Galaxy storytelling is executed nearly to perfection; the story unfolds at a casual pace, with a gradual development of the characters, unravelling their background story and relationships. The drama also has an interesting storyline with a really well-conceived and realistically written character, every character is multi-faceted and complex, with their own background story. It also has a lot of interesting characters and relationship dynamics; their relationship dynamic is realistically and convincingly portrayed.
The first 10 episodes of the drama started off with a hint of comedic and light-hearted note, which is really pleasing. I absolutely adore the comedic elements in the drama with the storytelling approach. The drama's comedic elements are not forced nor cheap, it is genuinely light-hearted and funny, and I adore how they use wordplay. I especially love how Shaoshang is always on her wits to fight back against others who bully her or people around her. The first 10 episode shows Shaoshang's family dynamic, her relationship with her mother, father, brothers, and more. Some scenes were really heartbreaking to see but also heartwarming at the same time. Moving on, the drama gradually shows Shoashang’s growth, how she learns to rely on herself, find love and more. There are happiness, sadness, anger, disappointment and all.
It is comforting to see a drama that focuses on the family dynamics, not all on romance. I personally love how the romance between Ling Buyi and Cheng Shaoshang is taking time, instead of both of them falling in love at first sight. We can gradually see how Shaoshang starts to develop feelings for Ling Buyi because of his gesture and actions, which is more realistic. Though they have very different personalities, it is very pleasant to see how they learn to love, learn to grow up and face problems around them; they are made for each other.
The drama is directed by Fei Zhenxiang, who is known for directing Candle in The Tomb series. This drama is his first time directing a historical drama and he did a really remarkable job. He is able to show his unique and distinct style, and deliver the picture he has in mind. Also because of his experience in tomb raiding dramas, he is able to portray those bloody scenes really well.
Love Like The Galaxy also has really impressive cinematography and sets, it has beautiful wide shots, immersive tracking shots, and many more pretty shots. For now, I especially love the one-long take on episode 7 and the lantern festival shots! The shot is really fluid and immersive. Moreover, the cinematography and colour grading really reflected every atmosphere and situation, it will leave a deep impression on the audience. Through the cinematography and set, you can see that this drama has a big budget and it is allocated well. The fire during the lantern festival is not created using CGI, it is real, the production team spent 3 days creating a new building and for it to be burned down.
The characterizations of each role in the drama are immensely elevated by the excellent acting of Zhao Lusi and Wu Lei. They deliver such an in-depth and rich character arc, with a myriad of emotional expressions. Both of the actors are able to convey their emotions through micro expression and the way they articulate every scene is really praiseworthy. They have small actions that reflect their emotion, for instance, how Ling Buyi’s eyebrow slightly raised when he saw Shaoshang; and how Shaoshang looks away when she saw her mother being close to her cousin instead of her.
The character, Cheng Shaoshang was stellarly portrayed by Zhao Lusi. She did a very good job, it is unimaginable that others can pull off Shaoshang’s character in such a compelling way. Through this drama, she also manages to show everyone that she can also play dramas other than tianchongs drama. She manages to show the character’s sincerity, but also complex and intriguing at the same time, not compromising on what the character experienced. Zhao Lusi manages to infuse her character with kindness and righteousness, also with a sense of pragmatism. Throughout the drama, she also was able to portray layers of Shaoshang; Shaoshang’s facade of being ignorant and unruly but also her fragility and her longing to be loved by her family. Zhao Lusi also uses her own voice here, I love how she has this milky and soft voice that is really soothing! But also, because of her milky voice, some part with heavier elements makes falls short, due to her lack of emotional line delivery.
Wu Lei also did a very notable job! Seeing him in the drama, really makes me feel that he has really grown up, he is no longer the kid in Nirvana in Fire. Ling Buyi is a hard role to play since he has a cold and indifferent exterior, but at the same time he is also complicated, he is sincere and sinister at the same time. But Wu Lei managed to execute it to perfection with his articulation, bearing, stance, and his micro-expressions. He especially displays a remarkable line delivery, which shows Ling Buyi’s authority. Some might dislike how he only has this one expression throughout the drama, but I love it. Because you will gradually see how his character starts changing, how he began to smile more because of Shaoshang’s presence.
Love Like The Galaxy also has enchanting music scoring and realistic yet sweet lines. The drama has bold music scoring with traditional Chinese instruments that match every situation so well. The diegetic and non-diegetic sound is very fitting to every situation. Moreover, the dialogues in the drama are also very realistic. Though realistic, it still didn’t take away its romantic essence of it.
The drama also has some very interesting detail, such as:
1. Ep 11: Yuan Shen broke the shaoshang string while he was playing the guqin, foreshadowing that he’ll not end up with Shaoshang.
2. Ep 12: Shaoshang used a shaoshang string to save Ling Buyi. The string was drenched in blood, which also becomes a red string, connection to 月老, god of love
3. Shaoshang and her fiancées carriage detail:
- Luo Yao-open cart. He won’t be able to go through wind and rain (difficulties)
- Yuan Shen-carriage. He sat in main seat (self centered)
- Ling Buyi-big stable carriage. SS sat in main seat, he sat on side guarding her.
4. Ling Buyi is often framed in a wide shot and positioned in a high place. Showing that he has high and influential power, but also makes him look lonely. And It was only after he met Shaoshang, that those wide high angle shots gradually lessens.
Love Like The Galaxy is considered to release early, they released the drama and also working on the post-production at the same time. LLTG team still did a notable job in editing, but I can’t help to notice that in the latter episodes the CG was not as good and as smooth as in the beginning episodes.
All in all, do give this drama a try! After watching the first two episodes of the drama, you'll find yourself wanting more. The drama visuals, story, and emotion will pull you in deep. And every episode keeps on getting better and better, with unexpected comedic and heartbreaking twists and turns. You would find yourself watching back some of the clips just to appreciate the dialogue and actions.
P.s. I also love how they especially edit their trailer, unlike other drama where they just edit a 1-minute scene of the next episode, LLTG team especially meticulously edit their trailer, leaving the audience to guess and interprets what is going to happen in the next upcoming episode.
“Might as well expect less from others, and be better to yourself. You’ll live more comfortably.”
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1I can't fully explain why I'm just too attached, I see myself in the characters. "My SAFE Place"
My rating is determined solely by the screen time presence of the primary ( KoSong KoNueng ), secondary couple ( Augar Achi ) and August..I hated that Tle totally disappeared in the last episode. They didn't even gave us a hint bout what happened between them, in that 1 year, and he didn't come back to the hometown with them for new year celebration.
Looked like August losed his contact with himm..
It's the most memorable drama I won't ever forget!!
We all connect with dramas differently, and everyone has that one specific show that feels like a safe haven. For me, this drama is that safe place. I know many people dropped it, but it resonated with me so deeply that it will stay in my heart forever. It is a story I never want to forget. I became profoundly attached to it.
I loved the subtle details and the way it beautifully conveyed thousands of unspoken messages.
I will always cherish the story between Ko nueng and Ko song, very part of their relationship. Also the time I spent watching it, I'll never regret it
I never expected to love this show as much as I do. When it was about to release, the trailer made it look like just another boring, cliché coming-of-age story. Because of that, I missed the first two episodes. But curiosity got the better of me, and I gave it a chance.I still can't believe how quickly I fell in love with it—the very first episode was all it took.
Such a cute coincidence with their names! Those nicknames are precious—now I low-key want someone to start calling me 'Orange' (ส้ม).
Watching the characters transitioning from initial dislike to a beautiful, deep friendship completely won me over. Their friend group is incredible.
In real life, I don’t have a chaotic, fiercely supportive circle of friends like Ko does, so watching them filled my heart with such warm, sweet emotions. It left me wanting more and wishing I could experience that kind of connection.
At times, I felt a wave of envy watching Ko Nueng enjoy such a healthy, vibrant school life. It is exactly the kind of life I have always dreamed of and wished for myself.
Seeing them go from simple, newly moved-in neighbours to absolutely inseparable constants in each other's lives was beautiful. This show has truly become my safe place—the safest place I know.
What hurts most is knowing I have to let it go soon. It has become my Wednesday ritual, something I never miss even on my busiest days, and soon my Wednesdays will feel empty. I have watched plenty of slow-burn, school-life, and coming-of-age, youth dramas before, but I swear this is the only show that makes me wish it would never end .
Every single part of this drama holds profound meaning.
Even the endings the last lines, helped me immensely understand life, just those lines. Soon, I will find myself exactly where Ko and friends are standing.
Sometimes, I still feel like I don't belong in the path I chose, experiencing the exact same doubts as Ko Nueng.
While waiting for the next new episode, I decided to watch Lovesick (2024), and the difference in Almond and Progress is incredible.
They have grown so much and their acting has improved tremendously, even though they were always talented.
It makes me really happy to see actors around my own age starring in such a critical drama. I love watching them grow together since they started their careers at the same time, and I truly hope they continue to stay together.
They looked so young, especially Almond. Seeing their drama brought back memories, and watching their new show makes me proud of how much they have grown.
I deeply connect with the characters' inner worlds, finding myself mirrored in their raw thoughts, emotional struggles, and every decision they make, whether reckless or deeply meaningful.
This bond goes far beyond just a shared age; it is rooted in the shared experience of watching their lives shift from a chaotic, sweet youth into the bittersweet reality of growing apart.
Experiencing their transition as they head to college, discover their academic passions, and choose their own paths perfectly captures the beautiful, messy process of growing up. The transition that I'm going to go through in coming years..
This drama is a masterclass in coming-of-age storytelling, a rare piece of television that achieves high-level artistry while perfectly weaving in extreme nostalgic vibes through an immaculate re-creation of an old 1900–2000 environment.
It is a work of total creativity where the entire story revolves around an orange tree filled with a lot of sweet oranges, turning a simple setting into a deep, poetic anchor for the narrative.
Though it functions as a slow burn, every single part has deep meanings, and the show pays incredible attention to extremely great details, allowing each and every episode to conclude really well with just a few chosen words.
At its core, the series beautifully maps out the important phrases a student goes through during the time they're growing, underscoring the absolute importance of living life to the fullest.
The characters live their lives joyfully, showing us what it truly means to enjoy the little moments—whether they are navigating a chaotic and sweet relationship with parents, enjoying a small school trip, or going on a short sea trip with friends and family.
The drama totally teaches us to enjoy these little moments because, even though they're short, they carry very deep emotions that shape who we are. As the story progresses into adulthood, it offers a gentle guide on how to face the world, teaching us that when we grow up, we must learn to adapt to the environment and changes that might change our personality due to heavy academic pressures or career pressure. Instead of letting the stress overwhelm us, it tells us to keep up with these pressures and find what we're interested in calmly.
Ultimately, it serves as a moving lesson on transition, telling us to adapt to the bittersweet changes of life—like getting apart from friends and family for attending higher studies—while reminding us to maintain a proper relation with everyone, keeping our bonds strong and meaningful even though they're away from us..
I feel their pain through these changes, but their courage is inspiring. I hope to be that brave when the stage comes..
Ko used to rely on his parents to wake him up every morning.
Now, he lives alone in a Bangkok condo, far away from his family and his familiar coastal hometown. Moving from a quiet old town filled with the scent of the ocean to a bustling, unfamiliar city with no one around to nag him has been a massive shift. This sudden independence made Ko realize that his high school days are officially over—a beautiful past he will always cherish.
Despite numerous challenges and frequent arguments, their connection remains unbreakable because their love is genuinely pure. They now share a condo far from Ko Nueng’s hometown and the iconic Orange tree.
Ko has matured significantly—a sharp contrast to the chaotic version of him that I deeply miss . He maintained his old friendships with Augar and August and made new friends.
Ko Song pursued a demanding medical career. His schedule as a doctor is entirely consumed by work, leaving him completely exhausted when he returns home.
As a result, he has no time left to spend with Sôm. Ko Nueng carries a heavy emotional burden; he deeply craves quality time with Ko Song to talk through everything, yet he chooses to keep all of these overwhelming thoughts entirely to himself.
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“The song that I madly, deeply wanted to sing... That song should've been mine.”It's been exactly 3 weeks since I completed this movie, and I've made sure that I'm not emotionally attached or blindingly giving full scores. I can't find any fault in this piece, still. I never had such a hard time trying to put my amazement into words. I hate to spoil or guide you to view this film in a certain way, but I believe that the synopsis and the trailer are already a huge spoiler, so here's my attempt to elaborate:
Let me tell you first that this is not a “journey to stardom” kind of music movie or a story about two girls pulling each other's hair and fighting over a guy. Of course it does revolve around the themes of music and jealousy, but there are more to this than just being another love triangle story between musicians.
There is an absolute charm to how its English title accurately describes what this film has to offer. “Love, Lies” speaks for its entire composition: 50% hope and 50% despair, and I don't say that lightly; this film boldly runs for 1 hour telling the story of love, friendship, hope and dreams while building up the tension, then, later at its 50% mark, turns into a story of lies, jealousy, betrayal and broken heart for another hour. It also wraps up with guilt and consequences at the end, leading you to fully sympathize with every decision made by the main character no matter how crooked she’s become.
The setting in 1943-1945, the very end of Japanese occupation era in Korea, was fully utilized here and it intertwined so well with the music theme. It was the last two years that “gisaengs” existed. It was the most modern period of those Japanese backdrops. Also, Korea's liberation at the end of the story plays a good part. Here is where it could become difficult for some people to give this film a high score; the movie does require a little understanding of “musician mindset”.
Music is a form of art, and by art, it means there's no correct answer. It’s very subjective and personal. One may view music as something suitable for high class, but on the other hand it’s never wrong to think that music should belong to people in every social status. This conflict will set lover conflicts in motion in the story. So, think: What if your musician lover prefers someone else’s voice rather than yours? It’s unfavorable, but it’s not wrong, right?
Because the man in question is a musician – a pop music composer, it somewhat allows his unfavorable choices to slip through. It’s quite a given that his mind does not (need to) function entirely logically. He makes choices based on his artistic hunch. When he, according to the synopsis, “falls in love” with his girlfriend’s best friend, I came to fully accept the fact, although I didn’t support his decision either. And that was just one of the many reasons I loved how thoroughly planned the writing for this film was.
The Korean title for this movie “Hae-eo-hwa” is another old term for “gisaeng”, women who received high education in music to perform in front of and entertain men of high social status. “Hwa” means flower, so “haeeohwa” also means “a flower that understands human’s words”. The term represents how women (gisaengs) were treated as social inferior. This “haeeohwa” theme plays a big part in the film more than just suggesting the leads’ profession. One woman is willing to follow the guidance of a man she loves, and another goes against her own beliefs and throws herself at another man to gain power to take back what she loves.
All of these are combined into great storytelling, and in the end, you will see for yourself whether it was the “artistic mindset”, the social derogation of women, a man’s swayed heart, a friend’s betrayal… or it was entirely something else that ruined it all.
“Why did ____ not know back then that it was good enough?”
Also, don’t forget to keep an eye on the minor character Kim Okhyang. She doesn’t appear often, but she’s another character that will leave you with many thoughts in the end.
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I was stunned by Han Hyojoo’s acting as the sweet yet heartbroken Jung Soyul. Facial expressions were the key to this character’s portrayal, and she was utterly perfect. Casting Chun Woohee as Han Hyojoo’s best friend who needs to look and feel smaller and a bit inferior was also a great decision. Yoo Yeonseok’s laid-back demeanor was definitely suitable for his music composer role. He also deserves compliments for his months of effort in practicing piano just for this movie. Everyone including the supporting cast really made this movie come to life.
As for the music, there are plenty of music movies that fail to deliver an excellent result in the music department. This movie did not just reach my expectation but surpassed it to an exceptional level. Traditional “Jeongga” music and 1940’s trot are not what would appeal to everyone’s ears, but this movie made their music very sweet, easy to listen and memorable. For additional points, the two lead actresses performed every song themselves, and they were spectacular.
Lastly, the artistic department deserves great compliments. Locations, costumes and props were top-notch. Cinematography presented this film in vibrant colors, and the composition was beautiful from the beginning till the end. Everything was grand and aesthetically pleasing here.
I usually don’t rewatch, but I will definitely watch this one many times.
I absolutely recommend this film to everyone.
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This is the story that everyone deserves to see
Alright, so now I can finally write my real review of Gaya Sa Pelikula, when I first saw the trailer of Gaya, I knew I had to watch this series cause the trailer had so much packed into it but I was skeptical because I have seen so many series with like great trailers and the series would turn out to be absolute trash but that’s not what Gaya Sa Pelikula was.IF YOU ARE READING THIS, I WOULD LIKE TO START WITH THE ENDING QUOTE OF GAYA
‘LIBERATING LOVE AND EQUAL RIGHTS, TO EVERYONE OF US, THE REAL FIGHT IS ON THE OUTSIDE. WE WILL WELCOME YOU WHEN YOU ARE READY’. This is the most important message of the series and what I want you to carry away with you
GENERAL REVIEW
Gaya is what I consider a real-life series, where it reflects actual real-life series. I am so glad it didn’t have any of the tropes you see in a lot of Thai series [I pointed out Thai because I have seen Taiwan doesn’t do this as much even Pinoy series don’t], like the ‘I am straight bro, but I just love you because mystical forces in the galaxy fell in the right places’, no, they gave me real gay characters, they gave me some hard truths about the coming out process, how some people saying the word ‘GAY’ or treat it like a taboo sometimes, they showed most of the fear and emotions that accompany coming, they didn’t paint it like this rosy path and all love, the internal conflict so many people face to come out and be themselves. Gaya was not another annoying jealousy storyline [eyes tharntype 2], it was a series that actually kept its cast small and made sure that no character was left undeveloped and they actually had a story to tell, one which they executed perfectly.
Gaya Sa Pelikula is the life story of you or someone you know; it feels really right from the get-go and everything done in it has a purpose and is very relatable. The story, cast, soundtrack, and acting are a heavenly match and have easily stepped up to become my best BL of 2020, in fact, I stopped characterizing this as a BL but a story about two people meeting and falling in love with each other, it almost emphasizes the fact that their story can be yours too.
Don’t get me wrong when I say I classify the story as a normal story, that’s not to take away from it as bl because they did definitely handle the theme of discovering one’s sexuality and oneself but it felt real to me. I almost don’t know how to explain. The cast members each had a story to tell, a different struggle to tell, a different perspective and it explored different backgrounds meeting and interacting with each other. Like the person who struggles with an identity crisis and a feeling of inadequacy [sometimes linked to their sexuality], the protective family member who sometimes oversteps certain boundaries to protect the one they love, the person with the happy smile all the time but comes from pain and struggle and how that influences their action, they might make you mad, they might have made you tear up a little, they may have made you happy or disagree with their actions but there was no wasted character, each had a purpose and honestly watching this while my day the series was like a balance, I didn’t have to deal with illogical jealousy from stupid exes kidnapping dogs for no absolute reason or trying to murder someone and everyone hugs it out at the end, no each character had a purpose and I loved that about them, that they felt real, they felt like actual people not some weird fantasy of some random person of what a BL feels likes.
CHARACTERS AND DIALOGUES
I feel the dialogues amongst the characters gave a lot of background to the characters and made them somewhat ‘real’ to me. So I would review the characters because of the dialogue they had, especially keywords or parts they said that had a lot of impact on me.
The lead characters, Karl and Vlad have such insane and beautiful chemistry, its mind-blowing, their flow is just so natural, they did not feel forced, which brought a lot to the story. To talk about the characters I would intertwine it with some key sentences and I would actually refer to this person on YouTube that made the best reviews after each episode [ if you check the comment section you would get what I mean]
Vlad is gay and open about it, he is outgoing, quite stubborn sometimes, and gives you this first impression of a rebel, but we come to see that he is this soft, cute loving guy, who is quite vulnerable and has been hurt before. Karl is someone who grew up with expectations and dreams of another placed on him, so he has never gotten the chance to be a person of his own and he is very reluctant to shake the status quo but, shortly after meeting Vlad, he becomes more courageous about his own person.
Here are some lines that I found remarkably interesting and telling of the series
1. ‘I will not be the plot device to trigger someone else’s identity crisis’
This line could honestly easily one of the most powerful lines in the series and one of the scenes that Gaya started to pull away from other series which give us this usual trope of, ‘YOU ARE DIFFERENT’ ‘YOU MAKE ME FEEL THINGS I CAN’T EXPLAIN’ ‘It is JUST YOU AND NO ONE ELSE EVER’, now don’t get me wrong, I am not saying there aren’t people that have only been with one person of the same gender, I mean my friend is an example but the fact that we have been overfed this trope in almost every series makes it tiring and annoying, SOTUS, Dark Blue Kiss, Water boy, Theory of Love, name the series, it is just like a back to back-feeding of being gay is not normal, a once in a living thing. I first loved the fact that Vlad was openly gay and proud of it. This line just held a lot of meaning to me. This line also showed me a little bit of Vlad’s history with the infamous ex that starts all his pain in the first place.
2. Do not be scared of the word, you can say it, it is not an insult, I do not mind
This line could easily be my most memorable line of the series, like if I could forget every single part of this series, I do not think I could forget those words ever in my life. This is basically I think what the LGBT community does not do on our own part sometimes, we do not educate and communicate and that was what Vlad did for Karl [I would focus more on this role in my review of my last few dialogues]. Communication and trust are the most key things in every relationship, and I appreciated how calm a reasonable Vlad was with Karl especially allowing/guiding him to come to terms ‘on his own terms’. This line kind of debunks how homophobia has changed the view of the word ‘gay’ or anything associated with it, as almost taboo, but this line presents Vlad has someone who has gone through it all and has arrived at a position that he loves, a representation that I loved.
3. I never said I was a perfect ally. I am still learning through this [I am actually not sure if this was the perfect quote but it was something along this line]
I know a lot of people were not fans of Judith, but I think she represented two important things, family as well as being an ally. Let me start with the ally part, I actually argued with someone about Judith’s role during the dinner and being an ally, but I linked it back to her statement in the past, now I am not excusing Judith for putting Karl on the spot, she crossed the line but at that moment, she was not being an ally but a sister rather, a sister who for the love of her brother wanted to protect him from heartbreak. What she right, we can debate that, but the truth is that is what a lot of family members would do, not just for their gay family member but for any family member. At the ending of everything she was a sibling first before an ally and the truth is that sometimes we are too quick to ‘cancel’ people for not being the perfect ally but honestly, I do not think we have a single perfect ally in the world, every ally is just learning at their own pace and the conditions that surround a particular ally of the community definitely impacts their behavior both past and present, Judith represents that, her change from someone that bullied Vlad with her words when she was younger and naïve to someone ready to protect him shows how a lot of families really process in real life. I feel she was a very necessary character to tie this together. Because Judith shows the potential of people to grow and for their mindsets to change, as well as what a single conversation can change
4. “I don’t know if I’m like you. I don’t even know who I am”
This statement perfectly represents Karl and so many people in the world, when we first meet Karl we understand that his image in the eyes of his parents is very important and we come to learn along the line, his parents stopped differentiating between him and his dead brother. He grew up carrying the burdens of living his brother’s life to make his parents, from a young age he never got to know who KARL FEDRICK ALMASEN was and this is representative of so many people, basically empty shells working around. I mean I was a law student, I have had the pleasure of having parents that have supported me through and through everything but I know so many friends in law school who were just there because their parents were judges or owned powerful law firms and the mere thought of disappointing their parents seemed like an impossible scenario. Many people in life don’t actually know who they really which made Karl’s struggle more real, cause he represented so many people who never got to know themselves, discover what they actually wanted, but the truth is that we need to all face those scary truths, at our own time but eventually we do and if we are forced to face them before it’s the right time, a lot of people will shut off to the world.
I think it was great that Karl was actually given the time to face what he needed to face at his own time [like I said I would treat their contrasts in the review of the last episode dialogues]. The truth is that it is scary to face the truth and we got showed that so many times in Gaya, but what is most important is that we move our own pace, we shouldn’t be forced to rush.
5. I don’t know if I can point to a specific quote to Anna and her child but I felt the need to mention, I think I would probably discuss it with Santi [contrasting Santi with Karl and Vlad]
Anna represents when a change comes into your life, how to accommodate that new change but at the same time not lose yourself, trying to balance out the new change to your entire life while maintaining you, cause sometimes, when you lose yourself, you start to hate that thing or person who changed you. Anna wasn’t abandoning her child with her getaway but making sure she was intact herself, that she was complete as a human, because how do you raise a child if there are parts of you that are fundamentally missing a part, you cannot give what you do not have, hence her actions would impact her child more than mere words [as we see is the pattern with so many families, kids tend to pick up the traits of their parents whether intentionally] and honestly I think every human deserves that tiny bit of greediness and self-love.
For Santi, he mentioned something about not growing up with love in the finale and it reminds me of the privilege that LGBT youth like myself that is in their 20s or younger enjoy. Things were not always like this, we genuinely need to appreciate that people fought to get to where we are and that’s why it bothers me a lot when my generation wants to throw away the work the older generation has done to get to where we are, I know they aren’t perfect, they have messed up majorly but we must also respect and recognize that people before us got us what we have not. I think that’s the problem we face majorly.
I genuinely loved that they didn’t waste any character, each character portrayed a lesson to me.
6. I am going to merge a bunch of statements from the finale
a. I know I am not doing anything wrong but why am I still afraid – Karl
b. I’m gay but I still can’t tell papa, I love Vlad but I am not as brave as him – Karl and Santi replied – Soon
c. I don’t want to be silent about my love, I want to be out there, I deserve it just like you deserve to take your time inside – Vlad.
d. Can we just stay here forever – Karl, I want to take you everywhere – Vlad
I think these statements basically carry the most basic story of the entire series and maybe the most important, everyone deserves to move on their own time and I think that is what made me love Vlad in the end realizing that Karl deserves to move at his pace while he himself didn’t have to give up what he deserved to fit someone else. I know a lot of people were a little disappointed by that ending but I think it was a beautiful ending because it appeared to me that both parties actually loved the other person but they truly were not on the same wavelength in terms of growth, the both realized they both had to make a compromise, not necessarily to the other person but to themselves. Karl listened to Anna to be out there, not ‘OUT’ but we get to appreciate that he is making an effort on his own term to be out there. This symbolizes he is taking baby steps until he’s ready to be out there.
Vlad on the other end also understood her deserved not to be someone’s secret [that is genuinely damaging sometimes, speaking from experience] but the most important thing was that he did not force Karl either, he chose to look out for him and be with him, not necessarily in a relationship but being there gave Karl the right support and strength to push forward and for me, that is what love actually is.
As I said, I love Gaya because it didn’t just give me two handsome guys and a lot of skinship, but everything was so well planned, I don’t know if there was a second of the series that was ‘irrelevant’ to the overall story and experience, everything came full circle [or is it cycle] at its own time, no story was rushed, no action was left unexplained, no scene was accidental or without purpose, which I think goes to show great writing on the side of the script. To be able to masterfully explore your script to its full extent and make sure, every single part was explained, the audience wasn’t left hanging on why a specific character acted a specific way, like Judith trying so hard to be there for Vlad because she was lowkey terrible to him as a child, the fact Vlad hated his hair being touched, honestly, I was just as surprised when they explained that it was because it was the last thing his dad did to him before she permanently left which made him feel like he had failed his purpose of saving a marriage, I WAS KUDOS TO THE WRITER, THIS MIGHT BE THE BEST WRITING POSSIBLE. As I said, no character, scene, or moment was wasted
They perfectly complement each other in the cast and characters, they somehow all just felt like the perfect balance, and the fact they never really left that single Unit/building is another mind-blowing thing, like, minus the car scene with Judith, I don’t think they left the building.
OST
I have never been someone that really cares about OST, I am rarely big on OSTs, they don’t really move me, but Gaya’s OST is the first series asides UMWA, history 3, where your eyes linger and the effect, where the OST perfectly fits every part of the series, it makes you feel their joy, pain, and every emotion... Like even if the series was utter trash, which it isn’t, the OST would carry it for me, like 5 songs from the OST made my top 200 songs of 2020, that’s how good it is. Several times I found myself just sobbing or in tears listening to the OST.
The people in charge of the music department were as brilliant as the actors, directors, producers
This was a series that was made with a purpose and they executed perfectly I am so grateful to everyone who was a part of this movement because you truly took us on a beautiful journey, one I would never forget, you made me care for people, made me happy, made me laugh, cry with someone in their pain if that is not arts at its best I don’t know what is. Thank you for bringing this to the world in a year as dark as 2020
IF YOU ARE READ THIS FAR, I WOULD LIKE TO END WITH THE ENDING QUOTE OF GAYA AGAIN
‘LIBERATING LOVE AND EQUAL RIGHTS, TO EVERYONE OF US, THE REAL FIGHT IS ON THE OUTSIDE. WE WILL WELCOME YOU WHEN YOU ARE READY’.
I HOPE YOU ENJOYED THE REVIEW AS MUCH AS I LOVED WRITING IT
BYE FOR NOW
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Really cute and with a good message
On the face of it, the main character, Fukuhara, has terrible luck. One day, he realizes the popular Shinomiya is the opposite - he has fantastic luck, and Fukuhara decides to get close to him to take advantage of this, and accidentally becomes his boyfriend.This seems a fairly straightforward fake relationship to real relationship story, with the lucky/unlucky framework. But where the story takes on some complexity that is easy to miss, is that Fukuhara sees everything in black and white - good luck vs bad luck - but he never considers how good luck can be a curse too. Shinomiya never knows when people really like him or if they're trying to exploit him - he doesn't have to develop any skills, or work at anything, or can he get a sense of satisfaction for accomplishing anything, because everyhing goes his way. In fact, the first time they meet, it's Fukuhara that rescues Shinomiya from being swamped by adoring girls - and it's "bad" luck that brings Shinomiya into his life. It's very yin and yang - good luck and bad luck are also each other.
But the other message of the story is that luck is a matter of attitude. Have you ever noticed that when you're in a hurry, all the traffic lights are red? Why is that? It's because when you're not in a hurry, you don't really notice them. They're just part of driving. Likewise, if you have a negative outlook, you focus on unfortunate things that happen, and might miss all the positive things happening around you, or fail to take advantage of opportunities that come your way. The opposite is true for someone who has a positive outlook.
How unlucky is Fukuhara? Everyone likes him, and a beautiful man, inside and out (especially out) falls in love with him instantly, both for his looks and his quirky personality. A lot of the "bad" luck leads to positive results - it's just that he doesn't see it that way because he's focused on the negative. Even the final crisis - was it unlucky? It certainly appeared to be spectacularly unlucky - but nothing bad happened, and nothing bad could have happened, but it had a very positive outome. So wasn't it actually lucky?
Deep, right?
The writing avoids predictability and cliche - Shimomiya is a classic Prince Charming, but there are times when Fukuhara makes confessions that in a "standard" BL would result in a serious and romantic swoop by the seme, but here Shinomiya cracks up laughing - and it's perfect instead of cringey.
The acting is wonderful - both actors have great comic timing. Soto Ryosuke is adorable and hilarious, OTT, but in just the right way, and Sato Yusuke is just beautiful. Especially when he takes his shirt off. (I'm shallow. And I own it.)
What prevents this from reaching 9 or 10 territory for me is that it's really almost a bromance, and there's really no particular reason for this. A little too much of the run time is taken up by what feels like a repetitive cycle of Fukuhara resisting Shinomiya. In the discussion forum, people came up with many justifications - Fukuhara felt guilty, Fukuhara had low self-esteem and didn't feel worthy, etc. The problem is that we hear Fukuhara's entire inner monologue, and he "thinks" none of these - he just feels the needs to resist. This, and the lack of any physical resolution to their relationship - not even a hug - smells of institutional homophobia. The writing isn't explicitly so - Fukuhara never says "I can't be gay!", and Shinomya appears to be gay, as he states what his "type" is. Fukuhara doesn't think he can manage to fall asleep in the same bed as Shinomiya, suggesting he's sexually excited by the intimate proximity, etc. But, well, actions speak louder than words, and at the end they have a tickle fight, which is cute, but not really the most satisfying end to a romance.
Still, this is a pleasant watch, with some funny moments, more depth than it appears to have on the surface, sharp dialog, and plenty of eye candy, so I have no problem recommending this to everyone - it's hard to imagine anyone not liking it.
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