The plot was very credible such as the characters. The love story between the two forbidden lovers is amazing and very realistic which only made me like the movie more.
It may be a little slow in the beggining but as we go into the movie it gets better and more interesting, leaving you wanting to know the ending of the couple. The sensual scenes are very romantic and sexy at the same time (at least I thought so).
I noticed the characters growing in me as the movie advances, and I came to love the main couple (even if they don't always make the right choice - in my opinion). Even though the ending is not perfect I was very satisfied with it.
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This review may contain spoilers
OMG!!!! You must watch this drama because the story line is perfect. Sometime when i watching drama, i skipped a few scenes. But, I don't skip anything in this drama. I think the story line is not complicated as the other lakorns but it has plot twist (actually i already guessed it first, but my sister couldn't guess it haha). Their acting are excellent. The female lead succeeds in playing 2 roles from 1 body. I prefer the female lead from the future to the past. Beside that, i can't take my eyes off to the male lead because he is so cute especially when smiling. His smile makes my heart warm haha. The other actor and actress acting's also very good too. The female lead and male lead should act together again in the other drama. Their chemistry is so excellent. The soundtrack from this drama are so easy to remember. I really like the opening song especially when it is played during a romantic scene. At first, it's hard to find the soundtrack in spotify, but finally i found it. I think i will rewatch it again someday. I just don't like the ending (this drama is happy ending but...). I hope there is season 2 or another drama playing by the main couple. A big 100 from me to this drama if they make season 2.... Was this review helpful to you?
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Keeps you guessing type drama/ unpredictable yet very entertaining
Every episode feels like watching an intense action movie in a theatre.One of the best acclaim Kdrama this year so far, there are so many emotions you will feel when you watch this drama, you will cry, smile, WTF moments, you will hate characters, you will feel frustration, but don't stop because every moment is eye catching. If you get distracted you will miss something important for sure, it's that type of drama.
I can confidently say this drama will be to your liking if you give it a chance. the casting is really amazing. As of now there were many backlash and allegations against airing the drama due to historical distortion, but all that has been cleared up by JTBC saying it has nothing to do with it and also they have been given the green light by the Blue House. So I hope people can keep watching, I have now completed the drama and it was more than worth it, it was every bit of what I expected.
Rewatch value for this one is HIGH 10/10 for sure
Overall I will keep my score at a 10 for this drama because I enjoyed every character development especially for Young-Ro she was amazing all throughout and I would love to see her in another drama.
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This review may contain spoilers
Okay...I guess?
Okay, here`s the thing:This was just a mess from a writing standpoint and there`s no two ways around it.We don`t have to find something realistic in order to connect with it and find it interesting. However, in my case, it should be consistent and this drama`s execution is lacking, when compared to the synopsis. And it`s not due to the lack of trying. It just feels mechanic. The girl finds herself in an absurd new world, has trouble dealing with it, a handsome savior appears, they fall in love, chaos ensues. Nope, it's not another Disney movie, it`s a supposedly gritty and ill-fated romance of two people found on opposite sides. But I just couldn`t get into it.
First the acting. This is Hyun Bin`s best acting role to this date, easily. His character is also the most likeable, albeit seen before and the chemistry between his unit is great as well. Honestly, I would`ve been fine watching their perspective of this unfolding, it would make for an interesting change. Seo Dan`s story is also mad intriguing and deserves its own show. Son Ye-jin however... I don`t know. I`ve watched her in this and in Personal Taste and I guess her acting style is just not doing it for me. In that way she reminds me of Lee Min-ho, though I did like his newest project. Se-ri is just an unfinished character. It`s like the writers wanted her to be strong and bitchy, but also a damsel in distress so from the get go, we see her be cunning and calculated, but then at the same time, she makes stupid mistakes a character with her capacity shouldn't. And through it all, it just doesn`t feel believable to me and that does fall on acting. And people will probably judge hard but here it goes: I see no chemistry between Hyun Bin and Son Ye-jin. None. Zilch. They effectively feel like a brother sister duo to me, if anything. Also, and I cannot go without mentioning this but: CLICHÉS!CLICHÉS LEFT AND RIGHT!YOU GET A CLICHÉ, YOU GET A CLICHÉ, EVERYONE GETS CLICHÉS!
I have a bone to pick with the way they used these clichés, rather than them being used at all. Again with the we`ve met before. Only this time we`ve met so many times, that it`s just crazy how we haven't recognised each other already. Again with someone being shot and almost dying. Only this time, it was done twice. Again with, OH LOOK WE`RE IN A BAD SITUATION. Should we solve it and think, as we`ve been established as smart characters?Nope, let`s kiss instead. Look, my main issue is that if you have such an impressive concept and such a cast on board with it, you better use it to your best advantage. And they haven`t really. If I was to interchange North Korea with any other severe world where individualism is not accepted, it wouldn`t make a difference basically. And that`s a problem. There was potential in this:That scene when the main leads had to separate finally made me feel something. But it came too late.
And then, THE COP OUT ENDING. Maybe I misunderstood something but this just may be one of the worst endings to a drama I have ever seen. If I`ve got my facts right, Ri Jung Hyuk was accepted as a pianist in Switzerland and his position was given to Pyo Chi-soo. Meaning that he can stay in Switzerland?And Se-ri, who now has no reason to hesitate decides to stay in Seoul instead of moving in with him and they settle on 2 week-are writers on opiates? What even?I can`t even hide how much I hate the ending and I don`t even like this drama a lot.
Anyway, sometimes you should trust the percentages and sometimes...just don`t.
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"Melancholy is the happiness of being sad."
Edgar Allan Poe in one of his anthologies says, "And so, being young and dipt in folly, I fell in love with melancholy." Knowledge of the soul boundlessly make s us gloomy if the pros of feelings fail to keep us cheerful and vigilant. Melancholy leads to doubt which in turn results in despair and ultimates cultivates wickedness."Melancholia (멜랑꼴리아)" is a journey of desolation, dejection and despondency with fruitful meanings and worthwhile outcomes but what's different? It's mathematics. Yes, the most hated subject in the world, haha. The drama uses a different approach to promote the mathematical perspective of life through the characters who are devotedly peruse mathematics.
The drama have more than a dozen of flaws, even to be called good. It's purely an average piece and can be easily skipped though I can't exactly say it's bad and deserve to be treated as a complete trash, and I have many reasonings for it as well.
Note: There is no paedophilia or cheating involving the leads of the drama. It's just stupid perceptions of some narrow-minded people who jumped into conclusions without watching the drama.
Based on 2 different time periods with a gap of 4 years, the story is almost equally divided into 2 parts; a past story of 2017 and a present narration of 2021. Ji Yoon Soo (Im Soo Jung) and her most favourite student Paik Seung Yoo (Lee Do Hyun) falls victim to a conspiracy of intentionally set up scandal that frames them of having unsound relationship. Owing to the constraints, both of them fail to prove their innocence and fall apart, just to find themselves in misery. 4 years past the tragedy, both of them cross paths and unite to bring to surface, the corruption, conspiracies and the big faces behind it, in the school, of the past and the present.
Yoon Soo, morally upright and endearing woman, is a highschool math teacher, who is aware of the art of steadfastly making someone fall in love with the subject. She's all the qualities to be a perfect teacher but her sense of righteousness gets her in trouble. Paik Seung Yoo, born genius and immensely attracted towards math, is a highschool student after dropping from MIT which he joined at very young age. After a tragic experience, he shows no interest in studies, tho he has all the capabilities to conquer.
Im Soo Jung is an amazing actress and a movie person, rarely opting for dramas and very selective in that regard. She must have seen some potential in this though the execution went shabby. Lee Do Hyun is definitely the best in acting, among the rising Korean actors and his performance was good as well. Other than the leads, there are in fact many familiar and good actors in the drama and I will refrain from mentioning them to keep it short. But special applause for Jin Kyung who played Noh Jung Ah, the Principal of Asung High though she's the main antagonist in here. She definitely created an impression with her character dynamics and we are aware of her acting skills.
Plot development.....umm..... It's inconsistent and unremarkable though it had scopes and rooms for improvement with the episodes; like given the basic plotline and the mixture of 4 genres (romance, highschool, slice of life and corruption reveal), it could have been a lot lot better to finally come forward as a decent melodrama but, alas! I wasn't really that bothered while watching the initial episodes with the slow pacing, but the later half consequences made me realize that that the speed was totally inaccurate to begin with.
As a story, it isn't actually a trash as some people will tell you, or even below average. I would say it's just ordinarily average and the ratings can lie somewhere around 6.5 bcs Well, talking about episodic progression, From ep1 to ep8, i.e exact till the first half, it's a fair watch and didn't feel like skipping or fast-forwarding. The show starts going downhill from the beginning of 2nd half with the repetition of some events and constant push & pull between the characters over one thing. To reach the ultimate goal, i.e. bringing forward the truth, they particularly start dragging from the 13th episode and that's clearly visible. Tbh, I started fast-forwarding from 9th ep at 1.5× and kept the same till the end.
The script could have been squeezed into 12 episodes or even 10 by increasing the pacing and removing all the dragging they did in the last 4 episodes. However, I must admit that the ending sequences in the last 2 episodes were good.
Kim Sang Hyub is a producer of extremely popular yet qualitatively mediocre dramas. His dramas blow up bcs of good-looking cast and the story he adopts are usually typical cheesy romcoms. But this was a different approach, i. e. not a romcom and cast ain't dominated by good-looking young mass. Moreover, the slice-of-life elements along with mathematical pov; all these things are not his forte and he couldn't even execute them experimentally, which is quite visible. The direction was poor, the pacing is unnecessarily slow for a corruption-reveal drama. The slow screenplay could have been manageable only if it were a warm pure romance genre but that's not the case.
Kim Ji Won is known for only one of her scripts, that's Doctor John, which was in fact a good drama. I haven't followed other 2 dramas of her so can't really tell about her skills though I can assure whatever she had to offer for Melancholia, that didn't work to a great extent. Can't cite the script a total failure but it surely had the potential to be a good and likable one-time watch. I have already talked about the plot development above, so let's move on.
OSTs are very good indeed. Park Se Jun is quite a talented composer with the experience of working in uncountable numbers of dramas and the 4 OSTs of this show are the proof. I loved all of them. 2 of them are in English and other 2 are in Korean.
"All I Need" by Jemma is a ballad of comfort. More than love, it depicts solace, relief and assurance. The vocals of one of my fav singers Sunwoojunga in the soulful and longing song "Darling" questions one's faith in love. "Lilly of the Valley" by Band Nah, a popular indie trio is actually a cover of the song with the same title by Daniel. It's simply a beautiful melody that expresses gratitude to the essence of love. "Let Me Know" by Cheeze is a melancholic call in true sense; it has the feels of an authentic Kdrama OST.
The most notable thing about the drama is mathematics. I am a bio major and wasn't that fond of mathematical practises but I, for sure, knew that it's an interesting subject and studying it can be enjoyed though not everyone can accomplish it with utter amusement. The writer has tried to connect mathematics with life, love and living in a beautiful way. Mathematics here is not just a mere subject of academia and profession, it's much more than the mystery of the universe and one's pleasurable experiences.
There is very short-lived romance or you may take it as almost little to no romance, but sure there is development of chemistry, there ie comfort and there is undisplayable emotions that constantly blooms despite all the odds they have to pass through. This is not romcom and you should skip it, if you're actually expecting some romance. Even so, this buildup is worth it, in my opinion.
Bullying in highschool, corruption in admission process, unfair and unequal treatment to students in the same school, illegal & phoney favors, creation of unnecessary competition among students, parents negligence to children as well as leading children towards wrong paths, etc. are the factors used in the drama. I love how the writer has put emphasis on the ways of nurturing a child and their future, both in home and school along with the mistakes in the process that can ruin them. It also addresses the ways in which children are wronged by adults.
In short, the drama had too much potential with a good plotline, good actors and good premisea but what ruined it are choppy script, poor character dynamics, shoddy plot development, superfluous pacing and expendable characters of no significance. But personally, it was watchable for reasons like: mathematical interpretations of life, resolute leads, acting of the major characters, up to par basic plotline and so on.
I don't believe in completely discrediting something for flaws in some parts of it. If something specific has convinced me, I should def be fair with mentioning them. On that note, Melancholia, overally, is not a bad drama though it has a lot of flaws which could have been easily avoided. The major reason to watch the show is the mathematical frame of reference and utilization of that outlook in the drama. I came here, as expected, for LDH and ISJ and several other actors whom I like, and yeah, I loved their performances even though the drama didn't interest me to a great extent. So on a final remark, you can either skip the drama entirely or watch it in leisure when you have nothing to watch.
P. S. All of these in my review are very personal. I loved the drama but I didn't; i would like to describe it like that. For me, this drama was actually very difficult to judge; it'a not really very bad and not very good as 2 different groups will claim but I guess 7.0 is fair enough considering all the aspects. I thought it's important to put a unbiased, fair and balanced review. Some might agree and disagree with both my contents and ratings but I'm okay with constructive arguments.
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On my rating scale, this means « just boring ». When I started it, I had high expectations. The setting was interesting, this was supposed to be a cohabitation drama with a sort of forbidden love we're not used to see. There was even another interesting twist with a lot of potential to bring in some action, the male mc background. Yet, they managed to make it all sooo pointless.
Romance & comedy
I never watched a drama with so little chemistry between the leads. I don't even think it's the actors fault. How can there be nearly no skinship in a cohabitation drama? Just erase the kiss scene and they could have been real step-father and daughter for all I care! All they talked about was how to keep their land and make dumplings. There was nearly no tension between them, you can only expect some cutesy if you like it.
Highlight on the second male lead
On the other side, Lee Soo Hyuk's story was much more interesting. I actually enjoyed his scenes with Shin Se Hwi, his sister in the drama, more than the two leads together. He was a breath of fresh air. At least, I had fun watching him and he's probably the only reason why I managed to finish this drama. (That and because I watched it while it was airing.) On a side note, red really suits this actor. One more thing, if you don't like love triangles, this drama might still please you. Hong Na Ri never gives lawyer Kwon Deok Bong a real chance, neither does Go Nan Gil with anyone.
Background story
This is hard to describe without giving some spoilers, but I'll try. Let's just say that Go Nan Gil past is sure to bring some troubles, dangerous troubles. With that, you can expect him to save the damsel in distress while fighting in front of her, right? Don't. He does fight from time to time and, just because he's good at fighting, everyone seems afraid of him. But come on! His opponents could just try to kill him, it's not like they actually care about life. They could also try to hurt Hong Na Ri, but they don't think of it. With that, another potential interesting story just fell flat.
Music
That's one of the few things I liked. It was fresh, light-hearted and put me in a good mood.
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Revenge Is Sweet…
Screenwriter Kim Ba Da’s revenge-filled drama follows vengeful young woman Yoon Ji Woo ( Han So Hee) who seeks to find and bring to justice by hunting down the murderers of her father ( Yoon Gyung Hoo). Taking up another alias and infiltrating the police force as Oh Hye Jin , Ji Woo’s quest sends her down a dark road with many revelations coming to light.
Whilst the drama does present some prominent messages about corruption and morality both within South-Korean society, the justice system and the police force, the drama itself doesn’t really stray away from the stereotypical reaches of the “ revenge” drama, from Ji Woo’s experiences as an outcast teen to the “ murdered parent” trope soon taking central route before the actual zest of the revenge story crumbling slightly by the midway point . Of course this boils down to the ultimate question; “ is ‘ My Name’ actually worth watching or is it a waste of time?”
One of the strongest virtues of the series came through the acting front of our main cast. Main actress Han So Hee was undeniably dynamic as Ji Woo. Whilst the actress has respectfully formerly come under mixed reception for her role in the controversial Netflix flop ‘ Nevertheless’, Han So Hee reinstates any doubts within her moody, angst-driven and cunning onscreen persona as Ji Woo. As a character, our female lead has two different lives which are both intriguing as one another. On one side it’s easy to understand Ji Woo’s role early on in the series. She’s the “ outcast” and socially isolated from her peers due to her father’s criminal record and past. However refreshingly rather than presenting Ji Woo’s father as a “ heroic figure” in the eyes of a grieving Ji Woo, the series helps to explore more complicated depth to Ji Woo’s emotional state, as well as cunningness and stubborn to enlist help in unlikely places to reenact her revenge.
Helping her along the way comes the merciless and mysterious gangster played brilliantly by Park Hee Soon, Choi Moon Jin. Moon Jin acts both as a major mentor figure and an antagonistic plot foil for Ji Woo by helping to reinvent her identity as Hye Jin as well as hide his own personal motives also . He shares his own reasons for helping Hye Jin / Ji Woo but isn’t afraid to be more brutal or punish those who put a toe out of line.
As Hye Jin our female lead is a talented and a skilled police officer who over the years has not lost her raison d’être for revenge. Her partnership with fellow colleague and partner Jeon Pil Do( Ahn Bo Hyun) presents a great contrast between other relationships in the drama. Bo Hyun plays Pil Do with a laidback yet naturally driven charisma as a hardworking cop. Naturally as he spends more time with Hye Jin he becomes more curious about her identity and motives. Whilst a later plot development was supposed to present a “ moment we’ve all been waiting for” this undeniably felt lacklustre due to lacking screenwriting and bonding opportunities often made revelations between the fall short of plot drive.
Yet ‘ My Name’ isn’t without its more obvious problems either. Pacing could sometimes be a major downfall. Whilst a major drive was evident within Hye Jin/ Ji Woo’s search for her father’s killer, this major plot point felt often rammed into the storyline when it was necessary rather than flowing more coherently within the small subplots which followed in each episode. Evidently another major downfall as a consequence occurred within plot lore and logic with many setups (including early on) often falling short or lacking more depth due to writing and character exploration often falling short. Consequently the ending was overly anti climatic than well-paced or completed with an expected yet abrupt twist which failed to bring a sense of finality or completion overall.
What is refreshing about the series is that it isn’t afraid to trade any punches with presenting brutality in its full glory. Interplayed with moody lightning and a dramatic OST, bloody fight scenes and knife attacks, as well as hallucinogenic palettes of bright reds, purples, blues and golds during drug and dodgy dive raids help to shed a more dangerous and dark presentation of the mysterious underbelly of Ji Woo’s world.
Overall ‘ My Name’ is an odd array of both a highly-talented cast and crew, but often falling short of plot-writing also. The revenge drama was a fairly archetypical approach to the revenge genre; intriguing with many interlaced messages shedding light into corruption, violence and problems in South-Korean society, but sometimes failing to hit the mark with actual build-up . Undeniably a good watch but lacking more finesse in certain areas.
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I am not going to lie, I felt extremely frustrated while watching this drama. It had amazing potential, but close to nothing worked out. The beauty - amazing cinematography and styling of our main character, and the beast - the writing.There honestly is not much to say about the characters, since the only one that had true depth was Man Wol. She was the centre of the drama and IU did an amazing job representing her development and gradual change. Chang Sung could have worked way better if it wasn't for Chung Myung. All the rest of the characters we simply did not spend enough time with, to truly care about. I must say, Sanchez was my favorite and he was the breath of fresh air.
Kim Seon Bi/Choi Seo Hee/Ji Hyun Joong aka when writers do not care.
Out of all their stories, only Seo Hee's had some depth to it. Kim Seon Bin's story was extremely random, there were close to no hints about his previous life so I did not even care to speculate what happened to him. Hyun Joong's past life story had the least sense. How did his sister not recognize that the guy taking care of her was not her brother. How did his family not ask any questions, why did they recognize her and not him? You could say it was a war so they did not see him for a long time, but the same would apply to the sister. Hong sisters did not care enough about those characters to spend time to truly explain and develop their stories. They had the material for a good 8 episodes of Man Wol's side and had to fill the rest with random storylines. I could not feel emotional about them all leaving at the end, because all I could think about was: None of it makes any sense.
I also believe it would be better to start sending away the characters around episode 10-12, and not just have them all gone in the last 2 episodes. We could slowly see how Man Wol is realizing all the people she loves and cares about are gone and moving on to the afterlife. How the ones that stay behind struggle with the loss. We would see her being more concerned about how will Chan Sung deal in the future when she is gone. Them gradually leaving would have more impact on both the characters and the storyline.
Chan Sung/Chung Myung aka the failed romance
While I enjoyed Chan Sung at the beginning, the moment we got more scenes with Chung Myung and the past story developed into something interesting, I could not focus on the present. Chan Sung was simply a boring character that was there only for Man Wol's story to develop and he had nothing going on for himself. When we met another male character that had a past romantic relationship with Man Wol, but also was its own character, it was easy to forget our male lead. At the end of the day I wished for more flashbacks and less present plot. And I would rather have them as friends than as romantic partners.
Kim Yoo Na aka no one truly cares about anything
While I enjoyed Yoo Na, I do believe they should have made her a more tragic character. Yet again, there was no depth to the story. Show me how much she struggles to fit in that new house, how she misses her old friends and family and how she is tired of pretending to be someone else.
All the hotel cases aka when you try too hard to please the viewers
I did not truly like any of the random hotel cases, but I hated some more than others. The most random one with the humans having sex in the hotel room to have some superior child in the future. I was truly confused why this plotline was in the drama.
There were too many cases, so at the end, none of them was developed or complex. They tried to fit any genre (horror, crime, romance, melo, etc.) into the drama, just to make sure all viewers can find something they may like.
Disney ending aka when you are afraid to commit to the tragedy
None of the characters involved in the drama had a truly tragic ending. Which was extremely unrealistic. It could be easily fixed. Make Yoona too late to say goodbye to Hyun Joong. After Seo Hee goes to the bridge, cut to the mother registering the baby with the father's surname because of the grandparents. Make the book about Seon Bi flop. I would even like for Chung Myung to vanish because he used all his energy looking after Man Wol. The Song sisters wanted to show us how sad, tragic, and emotional the feeling of loss is, but they did not want to show the truly ugly side of it. Because of that, the ending felt bland.
Overall, during the whole watch, there was literally (and I truly mean it) only one time when I thought "wow, this is a good writing, I finally feel the playoff" and it was with how they used the Coffee Writer Dude. They spent just enough time for us to be curious about him and wonder what will happen to him, when he will go to the afterlife.
At the end, Hong Sisters had an amazing idea, about an amazing character, and no idea what to do with the rest. Trying to fit too many stories of too many characters made this drama a... mess.
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1Nice first try, lovey-dovey, but boring and with many mistakes
Caution: a very, very long review with, unfortunately, a lot of criticism.As a normal series I would give it a 4 or 3 out of 10, but as in Thai BL-GL industry series I would give it a 6 or 7 out of 10. Frankly, I wouldn't dare give it less because I SERIOUSLY want more GL's to be made, I seriously want industries to know that there is enough audience to start GL's. But that doesn't mean it's okay to accept anything without any criticism. I find it really a shame, but often the first products of something are generally bad. Not to mention the first GMMTV BL's, which were, and I'm sorry, trash. So, don't get me wrong: if we compare this with Love Sick, 23.5 is pretty a masterpiece.
Things I liked: The color palette, View as Aylin (although I didn't really like how the subject was handled) and the acting of Milk and Love. Milk and Love's performances are incredible, they really shined. I particularly liked that Sun has a very thick accent, a way of speaking that Love created for Sun's character (that's great!) Milk is not far behind, her dramatic scenes (both comical and sad) could really produce feelings in the viewer. She took the center stage and never let it go. Milk and Love have my full support. But I think that is all. Sorry, I have a complaint to every element of this series.
Things I didn't like:
I didn't like the camera direction and the pacing. Too slow for so little story being told. I really don't understand why they didn't use the most used and obvious resource to show the passage of time, which is to record several takes in different spaces and with different costumes in different contexts. The series lacks the "show the passage of time" factor. Why is this important? Because it not only shows the quantity of time, but also the time they have to known each other. Although the viewer would feel that Ongsa and Sun had only known each other for 3 weeks, suddenly Sun was blindly in love with Earth (same with Ongsa, ngl). On the other hand, the Aylin - Luna couple, although they are cute and their lovey dovey scenes are adorable, I felt like they hardly knew each other until they "fell in love" as deeply as they did. They practically didn't even take the time to get to know each other. From my point of view, everything that happened in the series could have easily happened in 2 months, and it's supposed to have been just under a year.
The chemistry between Love and Milk was lacking, I felt like they had more chemistry when they were Ink and Pa in BB than here. But I don't rreally blame them, maybe it was the script. As the series progressed, I also felt some discomfort seeing them together. Like I know I have to feel like they have chemistry, but I can't feel it, which is frustrating.
The radical change in pacing between EP 1 and the rest of the episodes is dramatic and a terrible move. The first episode was incredibly dynamic, loaded with jokes, a hilarious Ongsa and loaded with action. However, that episode is behind us and the pace slows to the point that it produces a yawn. Why did they give so much emphasis to Tinh and Chaoren in the first episodes if they were then completely forgotten in the others eps? Why this change?
GOD the infinite shots. They could record just a character's face without any expression for 10 seconds. What does this say to me as a whole? That they had no more story to tell but they had to reach 45 minutes per episode. That's so frustrating. It's like stretching out flavorless gum until it becomes a thread.
It lacks a soundtrack. Scenes without any background music + a story in which essentially nothing happens couldn't be a worse combination. The lack of dynamism could have been compensated with a strong soundtrack to enhance the scenes. But long, boring scenes, no story, MORE silence? It is a combination that induces drowsiness. (Also, too many comical sound effects that after insisting stopped being funny)
Although P'Ton was the character that I liked the most (not saying much, because neither character was developed enough for me to be interested in any of them), or rather the one that made me laugh the most because he is extravagant, his time in screen with Mawin was a mistake. God, why so many scenes of them that led to absolutely nothing? Do you know how terrible, how frustrating, how annoying it was when MAWIN interrupted Aylin in her confession? God, what is he doing there and why did he interrupt her? Why is he on the scene? I repeat, the importance they gave to his character along with PTon's was a complete mistake. Having cut out all the time the pair takes up on screen, easily could have put in the scenes of Aylin Luna getting to know each other.
Something that was mentioned a lot on Twitter, and it's true, is that Sun seems like a secondary character. She seems to be as secondary as Aylin or Luna or P'ton. We don't know anything about her and until episode 10 she had no dreams or flaws at all. She was perfect the entire series. She wasn't a real person. Ongsa, although a little more faceted, we don't know much about her either. We know that she likes dogs, likes astronomy and that she has social problems (and that she is extremely coward). And that's it. The only characters who have distinctive traits (things we know they like) are Chaoren and Aylin. Luna? We know nothing, absolutely nothing about Luna. We know more about Alpha than Luna, and Luna is part of the secondary couple.
Wasn't Sun the most popular girl in school? Why does she seem like just another ordinary girl? Why on her birthday did no one but the protagonists say happy birthday to her and only a few went home to celebrate if she is supposed to be popular? Why does Ongsa have so many social problems? What was her life like before moving? Why did she move out suddenly? What was her relationship with her parents? Why does it seem like she barely knows her mother and is there a latent discomfort in all of her scenes? Are they blood family or are she and Alpha half-sisters? There couldn't be less chemistry between her and her parents. Through the screen, it is as if she has been living abroad and only in the recent year has she returned home. There is no family dynamic or chemistry, they are characters that were created, completely artificial and empty, placed in EP 1 to conform a family.
That's what this series is: hollow. It is somewhat hollow. Not completely, but enough to make it frustrating to watch the series.
Is really no one, no one going to mention the hair color change in Luna's hair? In a single episode, she had light brown hair in some scenes and dark brown hair in others. GOD, why haven't I seen anyone mention that blunder? Why they did that? I can let it go (although it bothers me) the change in haircut or hairstyle (particularly in men) because it is a mistake that its made in almost every series. But the hair color, really?
Do you know why I criticized the series so strongly, even though I waited for it to come to an end? Because I was waiting for this since 2022, and because the news that it was the first GL from GMMTV, the largest BL's company in the world, was exciting news. But here we are. And I'm so, so sad. I really wanted to love this show.
Nice try, really. although I am currently very frustrated, I appreciate all the love put into the series. Thank you very much for finally taking into account the GL's.
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could have been a 10/10
Overall: there was potential to tell a story well that we never see; however, the title, trailer and plot synopsis all misled viewers into what this series would be about. Bed Friend is not a steamy series about friends with benefits and more about coping with trauma. I am basing this review by the series itself and not based on the novel as I believe series should stand on their own. 10 episodes about 40 minutes. Aired on GagaOOLala (cut version, 1 30 second deleted scene per episode is listed separately up to ep 6), iQIYI (uncut version) and YouTube (cut version). Later aired on Viki (uncut?)Content Warnings: *dub con kissing/touching/sex (I'll put more in a comment marked with a spoiler), attempted/beginning sexual assault, trauma, past: parental abuse, grooming, molestation; homophobia, victim blaming, manhandling, punch, sexual harassment, stalking
What I Liked
- frenemies to lovers premise (though they needed to show more why Uea hated King so much)
- child actor did an excellent job
- supportive friendship although Jade didn't make me laugh
- caring/sweet moments
- styling
- NSFW scenes (although they are a bit too choppy for me, the actors actually kiss each other and do a good job during them), liked the consensual kitty play
- episode 3, setting clear rules/boundaries, people might not agree/like some of the rules but I appreciate being upfront about what is acceptable and what is not (though I think they both later violated at least 1 of the rules)
- 1 terrible character had consequences
- showed them going together to get checked for STDs
- referenced therapy and medication*
- some good camerawork/cinematography like at the beach
Room For Improvement
- choppy/difficult to gauge how much time has passed, it's never a good sign when a series changes the number of episodes mid airing, scenes would jump quickly, in episode 10 they were in the car and then immediately in different outfits in the office, also what cheapskate stunt was that, don't combine those two events!
- King is not all green flags, starting at ep 1 around 25 minutes, but it continues with him pressuring Uea to move to his condo, victim blaming Uea, also him doing that "plan" without consulting Uea first (though he checked on his second plan)
- Uea's lack of agency, I really wish Uea had initiated some of the plans, it felt that stuff was constantly happening to him or people were doing things on his behalf
- *still felt a very unrealistic "love cures all trauma" message, especially with episode 10 and the scene about turning off the lights
- I realize this is based off a novel but it's just too much trauma, it's trauma after trauma after trauma, I wish they would have focused on 1 aspect and fleshed that out really well
- why did they make every male character in love with Uea???
- the NSFW scenes were too short/not enough/too artistic for a series called Bed Friend and with the premise of friends with benefits, that glass in episode 10 came off as weird instead of sexy
- several terrible characters had no or little consequences, also they didn't clearly show that the half sister didn't know because if she suspected or knew and still pressured Uea to return home, then she can disappear along with his mom
- the office humor and the comedy sound effects were not funny and the tonal shifts were jarring as well
- King's approach/plan in the beginning felt like a very fictional way to go about things, I couldn't tell if his feelings changed or if they were that way from the start
- ep 1 not a fan of an exposition dump for an intro
- both violated the "rules" they set up
- nonsense stuff, he didn't know there was a camera in his office, who put the camera there??? nonsense computer code/screen
- production value issues including odd camerawork, poor editing
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It's not terrible, but kind of sloppy.
For me, the central problem of this series is the character of Prakan. I don't think the actor was up to the job. It felt like he had a very limited set up expressions, although that might have been the fault of the script and directing rather than the actor.The central conflict of this is that Tuaphee reaps souls, while Prakan is a doctor trying to prevent people from dying. The thing is, though, Tuaphee doesn't kill people, he just escorts their souls to the next world, but every time this happens, Prakan goes nuts, treats Tuaphee like a murderer, and tells him he never wants to see him again. Until he wants to see him again (on account of he's hot). Then the cycle repeats, over and over. This makes him a very unpleasant person who seems unworthy to me of someone as kind and sweet (and hot) as Tuaphee.
The thing is, people are usually capable of fairly mature moral reasoning at around 10 years of age.
For example, if you give small child these two scenarios and ask which is worse:
1. Mary accidentally broke 10 cups while emptying the dishwasher
2. Ann broke one cup by throwing it at Mary's head.
Most children will say #1 is worse because Mary broke 10 times more cups than Ann. by age 10, almost everyone understands the difference between an accident and an act of violence, and that #2 is infinitely worse than #1.
Prakan is probably around 30 or so, and yet he can't figure out something equally basic. I can get deflecting his anguish at being helpless on an available target. Once. And then apologizing - profusely. But not being a total dick on 5 or so different occassions over the same issue.
On another subject, the "rules" of Reapers are silly and seem to be invented to suit plot points and don't really progress in a logical way. For example, what exactly is Tuaphee? He's not a ghost, and he has physical form. So is he a reanimated dead person who can teleport? Does that mean his heart is missing? Or is he a physical recreation of his mortal body in the same form? If he's a reanimated corpse with no heart, what happens if he falls asleep on a park bench and somone checks his pulse? Would he be accidentally cremated?
And why are they invisible except when wearing Hawaiian shirts? Why do they eat and sleep? If's clearly stated more than once that nobody can remember an interaction with a reaper, but everyone does - they all know who Tuaphee is (not what he is), and ask about him when he's not there. And then there are rules that are introduced later, and punishments that make no real sense when those rules are violated, and they are violated constantly.
When a soul is to be reaped, a card appears in the reaper's pocket with the soul's name on it. But a character is apparently mortally wounded (somehow, offscreen), Tuaphee gets the card, and then then that person doesn't die. So what is the ticket for? Just to deliberately waste the Reaper's time?
And an ageless being in a relationship with a mortal who lives to 90, just eww. Come on. I get love transcends all boundaries, blah blah, but it really doesn't. How many 20-year olds do you see dating 90-year olds? Only if one of them is a billionaire and the other knows he's getting a big payout. And why does everyone's soul look exactly like they did when they died except for just one of them?
The acting is fairly strong except for Prakan - all the minor characters are strong. Karn, who plays Tuaphee, is pretty good, but he's so beautiful it's hard to tell.
The secondary couple is underwhelming. I was excited about them, and I really like both actors, but it's just bad. The writing makes very little sense, and there's no buildup to the resolution - it just comes out of nowhere and is dull and anticlimactic.
In the end, the writing is lazy, sloppy, and repetitive, and just dull. It attempts to be profound and meaningful, but it's shallow and doesn't really delve into anything with any depth or insight.
The music is above average (except the coffee commercial) and supports the story well, and expertly sets the mood.
I don't think there's anything I would rewatch, but the thought of rewatching it doesn't give me suicidal impulses like it does for Physical Therapy.
Overall, 6.5. It's not awful, but I don't think I would recommend it. There's some decent eye candy, so if you have nothing better to do you might get some enjoyment out of it.
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This review may contain spoilers
Look, there is a certain market for this type of drama/lakorn: fulfilling the niche of a psychotic guy trying to control a super humble and sweet girl. This lakorn falls into that category. I know not all Lakorns are like this (thank goodness), but this is the first slap/kiss Lakorn I've encountered and I'm not quite sure how to proceed from here in my selection of different Lakorns to watch next. I'd only recommend this Lakorn under very specific circumstances:
1. You aren't sensitive to very triggering themes (rape, mainly)
2. You like watching endless cat fights
3. You're in the mood for something very angst inducing with a couple that gives each other a lot of long looks of despair
4. You are okay with endless misunderstandings
5. You are okay with suuuuuuuuper annoying side characters
I guess it was entertaining (if you FF through all the side stuff)? I don't know, I feel like you have to be in a certain mood to enjoy this. And you also have to suspend your disbelief at how HORRIBLE the male guy is to the lead female.
I just don't think this Lakorn can ever be accused of having "quality" -- it was pretty poorly constructed: not very well fleshed out characters, the character roles basically being caricatures of themselves, no flowing story where the guy earns the love of the female, and really outdated drama tropes that were annoying to see repeated over and over again.
I don't want to give any spoilers, but I was completely unsatisfied with the end and how he "won" the girl. I was hoping for more character improvement and growth.
So....watch this I guess if you're a fan of slap/kiss lakorns? .....I on the other hand will be lamenting over how I gave 14 episodes of my life over to this show, and in the end....I'm not entirely sure it was worth it. I'm an angst addict, so I certainly enjoyed parts of it, but the main guy was waaaay too horrible for me to say I'm glad I watched it.
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It was so hard to wait for new episodes!
The story is so good, it caught me from the very first episode. I really really hate horror stuff but this one just got me waiting for more. The development of the story, the characters, acting and effects were simply amazing. It lets you guess who the "guest" is until the last episode just to realise you got it wrong all the time and things aren't as simple as they seem.
This is now one of my favourite dramas for how unique the plot is, for the amazing acting and for how well it was made overall. Amazing production! 10/10
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