script sat in the sun too long
Overall: The number of times I screamed "what is going on?" might have been a record. I was both bored and confused. Beautiful location and great actors were wasted with this nonsense plot. Watched on iQIYI.Content Warnings: suicidal ideation played as comedy, dub con kissing, held against will, manipulation, slap, drugging
What I Liked
- beautiful ocean side location/beach town
- cute intro but on the long side (3 minutes)
- Boun & Prem!!! It was fun to see actors from several different BL series together in this series
- the end of the boxing match was bizarre but cute
- the dads discussing love is love
- the outro with the behind the scenes footage
Room For Improvement
- too many couples, there were (I think) 4 and maybe one or two love triangles. This was just too many for six episodes.
- boring, 1/3 of episode 3 was getting down from a mountain, 5 full minutes of cleaning in episode 4
- confusing, there were several times where I just did not understand what on earth was going on, things just happened and we didn't get enough explanation. The most clear plot was the two boxers and they had about a minute per episode of screen time.
- nonsense things i.e. what was the dad's "plan"?, who leaves their (expensive) adult stuff lying all over a bedroom?, Arthid's elaborate plan instead of just...talking to him?
- some choppiness
- the comedy fell flat for me, the comedy sound effects didn't help
- that suicidal ideation was played as comedy
- the two trans/effeminate male characters played as slapstick comedy characters
- the red/orange hair and glasses weren't my favorite style (would have preferred tattoos/lip ring/etc) but I didn't take off points for it
- subtitle errors, but I didn't deduct points for them
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The weight of your words; Is it heavy enough to save/kill people?
Are "mere words" enough to save someone who wants to end his own life? I think many people who are emotionally struggling need someone to talk it out… a simple talk may not end their years of problems and make them a smiling person again but it could be of little help.
Words can save people but they can destroy them too. "Tomorrow" is about the other side of the coin. The reasons, the thinking and the words that could've hurt a person so deeply that he wants to avoid this "tomorrow." This drama teaches us the real value of the words we speak. they are NOT trying to convince us that suicide is the right option rather they want us to be caring towards people and choose our words wisely.
Tomorrow is a fantasy drama that brings to you the right balance of emotional cases and stories of people suffering (who are at the verge of ending their lives) but the Risk Management team of Jumadeung is right there… just like Koo Ryeon says – "Our job is to offer them comfort, sympathy and support rather than a solution. They're the only one who can free themselves." …So they're grim reapers with angelic twist…
The best take by the writers are those stories, nothing very superficial or highly imaginative. They're social and human problems that may be relatable at some point. Since related to death and people's conflicting mental state, they tend to be dark sometimes… and the words in every scene are so quote-like. Every sentence with deeper meaning. I liked that.
Based on the webtoon "Tomorrow" (내일) by Llama, tomorrow is impactful with cruel reality of society. One thing which stays with all stories is 'Self love'… "Stay strong, have that trust in yourself and face them"… Like one line that hits me highly from Episode 7 is "My standard for happiness is myself."
Many people were curious… is there any romance? Yes there is. It is for a little part only but they looked so good together. Of course, I wish it was longer but that's all we get.
The subtle and spiritual acting by the leads makes everything better.
✧ Kim Hee-Seon (as Koo Ryeon) – my eyes were stuck on Hee-Seon's beautiful-sassy red hairs, badass, i like her her kicks and how she stopped time on her finger tip.
✧ Rowoon (as Choi Jun-Woong) – Rowoon and this role, both keeps impressing me all the time, he takes decisions emotionally, cries with them and gives his all sympathy and support.
✧ Yun Ji-On (as Lim Ryung-Gu) – Ji-on is also great as the Mr. Lim who has a soft heart inside his casual look.
✧ Lee Soo-Hyuk (as Park Joong-Gil)– Soo Hyuk literally comes to the screen for 5 minutes every episode yet he leaves a good after effect with his charm.
What I didn't enjoy here —
—•• The ending was really rushed but we don't get any cliffhanger, it was all clear, yet that one story of leads had so much potential. I hope it was given enough time.
—•• less screen time for Soo Hyuk… I thought he is the main lead but we see him barely in the early episodes and only towards the ending he looks like an important part of the drama.
All four have their own mysterious story that could make you cry buckets. Jumadeung is an afterworld organization that includes many Grim Reapers so this drama isn't going to be all about suicide cases… there will be some natural/accident death cases…
From the OSTs I liked —
♪Red Light♪ – sung by Lee Seung Hyub 이승협 (J.DON) …and… the cover in episode 5 ♪Summer flower♪ – sung by Kang Seung Yoon.
So, DO I RECOMMEND THIS?
— YES… but NOT TO EVERYONE.
Tomorrow does have a special concept "related to suicide/death" and they can be triggering for some people… anyone who is doubtful about whether to watch or not or whoever is scared to get affected by them can ~
✼ try out some episodes and then decide
✼ look out for what are the topics covered and if any topic looks upsetting just avoiding those particular episodes is enough.
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However, despite being known as an excellent kid explorer, Dora wasn’t the brightest bulb in the closet. Every episode went something quite like this; Dora would stand in front of, say, an apple tree and the treasure that she sought after would be an apple. So in order to find that apple, Dora would first cluelessly look to one side then the other, then she’d look all over all the while conveniently missing the tree located right behind her. After a good ten minutes of looking, when Dora still wouldn’t find the darned apple, the creators of the show would decide to give her a hint.
The hint went something like this: “Dora, if you look exactly behind yourself, you’ll find something. Now, we are not telling what it is, since this is only a hint but I think you should look behind you and see what you find.” For further help, a huge green arrow would point towards the apple on the tree. That was when Dora would finally have a light bulb moment and discover the goal of her expedition. Feeling mighty proud of her feat, she would then ask the viewers whether they too were able to find the apple or not.
Even as a child, I was about ready to combust at this point, for I had found the mighty apple the moment the tree came into the view. However, despite all its flaws it was still one of my favorite cartoons because it made me feel so clever. I was smarter than Dora. The world was a good place. What could possibly go wrong?
Except, when the same Dora-style execution is done in Contemporary Crime Shows, things do actually go wrong. This is exactly one of the reasons why people love “Stranger” so much. Stranger doesn’t come with the usual BS. It doesn’t assume that its viewers are mentally impaired baboons who can’t put two and two together. It actually respects the audience by considering them smart enough to follow the plot. There is no spoon feeding here, nor does a big ass green arrow point towards every idiotic discovery ever made. Instead, it’s a drama with an intelligent script that demands your full attention.
Every scene and every character has a reason for existing. With brilliant direction and almost no plot-holes the drama not only succeeds in captivating the audience, rather it also gives them space to really think about all that is happening.
For a lot of actors a “cold and emotionless” role is the gateway for slacking. They leave all their acting skills in the backseat and decide that posing like a cringey af model throughout the show is the way to go. Jo Seung Woo with his “Prosecutor Hwang Shi Mwok” explains that kids, it is indeed not the way to go.
For a character that is supposed to be expressionless and indifferent to everything and anything, Seung Woo sure did put out the acting of the century. While his face remains carefully blank at all times, there are slight nuances in his expression that highlight the emotional development Shi Mwok experiences throughout the episodes. A slight twitch of the brow to show frustration, relaxation of the facial muscles to show ease and the gorgeous, beautiful and rare smile to show happiness. Simply put, Shi Mwok is a delight to watch. Without showing, he still shows so much that by the first half of the drama, the viewers have already formed a deep connection with him.
A lot of people thought that the whole “brain surgery” plot-line was unnecessary, however, I think it was wholly essential in order for Shi Mwok to become who he was. He was a prosecutor who was able to observe every crime scene with a cold detachment that is unachievable for a normal person. And the show facilitated the fact by backing it up with a genuine reason instead of feeding the viewers some bogus and over-dramatic crap.For all those people who have seen God’s Gift, I know that Seung Woo shocked your pants off. The utter versatility of the actor cannot be described in words. He was a completely different person in this show, simply unrecognizable and for that, he has all of my respect.
I think one of the most endearing characters in the show was our female lead Han Yeo Jin. Bae Do Na held her own in terms of acting and the amount of chill that her character had was unlimited. She was such a genuinely cool person. Relentless, strong and quirky. Even though she won against bad people numerous of times, there was never any pomposity in her, for to her, even the wins felt like failures because they were against her own people. You can see how her heart hurt at the name of injustice and how fully determined she was to stand against it. No matter the consequences. She was the kind of fearless cop that is every ordinary citizen’s dream and every corrupt person in power’s nightmare.
So considering how exquisite these two were individually, it’s no surprise that they were unbeatable together. Lieutenant Han and Prosecutor Hwang: The ultimate dynamic duo that made the baddies shiver in their boots. The chemistry between them was excellent; easily topping many romances. They were the kind of comrades that can lean on each other in time of need, rely on the other in time of action and above all, understand each other all the time. As weird Shi Mwok was, Lieutenant Han just seemed to get him and he in turn respected and shared his secrets with her.
With best friends like these, who needs romance?
All of the other side characters came with their own quirks. They had their own story, their own motives behind actions that appeared to be ruthless and their own flaws and weaknesses. Nobody was completely good or completely bad; rather they were all wholly mortal.
Like other crime shows, the show did not make use of convenient plot-lines or shock value. There weren’t any WTF moments or nerve-wracking cliff hangers, rather there was a constant under-current of gravity that kept the viewers rooted to their spot.
This is the kind of drama that will warm your heart, fill you with sadness at the world’s corruption and leave you with the sweet hope that not all people are wicked, that there is still some good left and that little bit of goodness might just be able to overcome the evil.
I know that I should just end this review here but I need to be completely honest. As as you can clearly see, I have nothing but good things to say about this show. However, it doesn't mean that I am going to give it a perfect rating like many others because despite all of its beauty there were times where I wanted something more. I wanted to know why Mwok Shi was so relentless on eradicating all corruption. If he couldn't feel anything, where did all his righteousness sprout from? I wanted to know more about Lieutenant Han's background. Why was she always so alone?
Even though the whole drama came with a certain amount of simplicity and subtle intelligence, the last few episodes did at moments take on a fairy-tale touch. The conclusion was everything that you could've wanted, it was the perfect ending. However, considering the somber tone of the show, personally I expected something more gritty and raw.
So while this was one of the more amazing shows I have watched, I will not claim that "This was the best Korean drama ever made".
That being said, with some of the best dialogues and a spot-less execution, this drama is definitely not one to be missed. Which is why I wholeheartedly recommend it to every crime/thriller fan out there.Enjoy!
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It has one of the most intelligently written plots that one can ever come across. It's psychologically heavy and demands a mature audience. The drama chooses to look at its theme in a very philosophical manner; it chooses to take its audience to the core of a damaged human soul, and then slowly analyzes its each and every layers. As each layer unfolds, the audience learns more and more of the truth.
To put it simply, this drama is about mistakes. However, what it focuses on is not the act of making a mistake itself, but rather its effects on both the person who's made the mistake, and the people who've been hurt by it. This might seem very simple, but in actuality it is profoundly complex.
We watch the characters suffer as they fight their inner battles, the battles between love and hate, good and evil, right and wrong. We watch them as they crumble and still try to find their footing. Even though at times it seems futile, we still hope as hard as we can that they will survive this, that somehow everything would turn out to be ok. And I have to add this: what was very impressive was how in the midst of all this, the most humane feeling started to shine ... love; not necessary a romantic love, but the love that one can have for oneself, for the people around him/her, and for the life itself.
The music was simply AMAZING, I cannot think of a better choice of music. Moreover, the acting was outstanding, specially the leads. Before this drama I didn't know any of the male leads, so their breathtaking acting took me off guard. There were times that the slightest change in their expression would make my tears drop or my heart to skip a beat.
I recommend this drama to people who like to dwell in psychological mysteries. People who enjoy brilliantly written stories with meat to chew on, the ones that will leave you thinking not only for hours, but for days and months to come.
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It will also question whether if we know everything in the future already, Will we still do the same? The answer for me is yes because 'happiness is still happiness'. We still remember that moment as 'happiness' because everything changes but happiness is always in the corner of time.
This movie is one of the best bittersweet love story for this new generation and you will most likely cry after the movie end . Japan has really step up their movie industry with so many quality movie released.
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This review may contain spoilers
Good stuff. Complex. Powerful at times. Yet you better don´t set the primary focus on the romance.
No idea why the international title is what it is... so beware! If you're expecting a love story here, you'll get one, but certainly not in the way you thought it would. With their motifs and soft focus, the posters for the KDrama also promise more heartbreak of the shallow kind than the story does justice to.
The original title "The most beautiful moment in life - the moment when life becomes a flower" describes the moment in which life (not love) acquires meaning, beauty, direction, form and can blossom. And here we are closer to the topic. The two protagonists have been in love with each other since their student days in the 90s. Yes. But it has grown through their attitude to life, the meaning they give to their own lives, through their principles and quite specifically through the class struggle, the union struggle, the demonstrations for more democracy. By boldly standing up for what they believe in, life is transformed into a (bright, fragrant, inspiring) flower.
To reduce life and its beauty to love would not be enough. But love is definitely part of it - just like water or the sun - to let these flowers (which can/want to be a person's life) grow. This flower reveals its inherent beauty in the creative expression of what is important to you, what you stand for, what you believe in.
In that sense, Yoon Ji-soo's seedling came to life after she met Han Yaeh-hyun during his pro-democracy and workers' rights protests. Ji-soo's enthusiasm for Yaeh-hyun's cause didn't go unnoticed for him either.
-------------- SIDE NOTE: --- Early unionists, political protest and rebellion against injustice ---
We are learning about South Korean democracy movement when it was still in its infancy. During the decades of the dictatorship, conservative politicians skillfully exploited the fear of the communist north and consistently interpreted or pursued any commitment to workers' rights as a communist threat. Strikes and demonstrations were always uncompromisingly dispersed and participants and leaders sentenced to prison terms. Even recently, in the last 5 years, trade unionists, fighting for workers' rights, have been and continue to be arrested for "offences against public order". In the case of convictions of corporate bosses/Jaebeol, a pardon usually follows quickly. Unionists, however, always have to serve their long sentences. Recently, for example, the KCTU chairman Han Sang-gyun was sentenced to three years in prison during an organized mass rally for workers' rights (2016) and Jang Ok-gi from the construction workers' union was imprisoned for a protest march for higher pensions for non-permanent construction workers (2017).
---------------
So the context of this love story is quite serious. And the KDrama cleverly wraps and links this 'seriousness' around the love plot of the two protagonists. The story is told in time leaps between then and now. It tells how Ji-soo's father (head of the district attorney's office) opposes the young love, it tells about Yaeh-hyun's father's unsuccessful struggle for worker´s rights, about Jaebeol Jang Sang, into whose family Yaeh-hyun marries, and about the unscrupulous intrigues of father and daughter, as well as the elite family of lawyers that Ji-soo married into. It tells of the intolerable arrogance of the wealthy towards the lower-income classes, which continues in the form of bullying among their children. It tells of courageous class struggle and rebellion against injustice. It tells of the almost hopeless struggle for one's own rights in the face of powerful opponents. And that it's never too late to let the flower of your life bloom.
So, should you watch it? Yes, it´s good stuff. Complex. Powerful at times. But don´t set the primary focus on the romance. Otherwise you might be a bit disappointed.
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This story is realistic and bit sad. I don't know what else to say about it.
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1This review may contain spoilers
"The Best Love Is The Kind That Awakens The Soul And Makes Us Reach For More" – The Notebook..
The Best Thing as the title suggests was truly the best in terms of acting, visuals, story pacing, romance development and chemistry.. No doubt about it.. Zhang Ling he and Xu Ruohan were obviously the heart of this drama.. Not just their characters but also them.. Their chemistry was electric and seriously it was that good.. Their relationship felt natural, built on meaningful gestures and honestly they didnt need anything grand.. Every interaction felt real.. Like watching two people genuinely fall in love.. It is truly a gem for its take on romance.. No over the top drama.. Just two people finding solace in each other.. Visually The Best Thing is a feast with the flowers, beautiful scenery and all the beauty you could ask for, including the actors..The premise might feel trope heavy but it was unique in its own way and the actors brought it to life in a way that was so natural.. I loved how he peeled Shen Xi Fan's layers.. Her indecisiveness, her blaming herself for everything that happens.. Its messy, its human, and it grabbed me right in the feels..
The Chinese medicine backdrop isnt just pretty window dressing.. I was surprised by how much it mattered.. It underscores the theme of healing, both physical and emotional..
The first 12 eps were a solid 10 for me.. But eps 12-16 were a bit irritating.. They added cliche scenes that didn’t quite fit the drama I had been enjoying until then.. Problems were bound to arise obviously.. But her indecisiveness and how it felt like she was leading him on despite knowing she shouldn’t, was not what I expected.. But whatever irritation I felt just vanished after that phase.. And honestly even when it was frustrating, ZLH made his character so good that I didn’t even care about anything else..
That being said, she totally deserved the ML.. After everything she endured.. The love she received wasn’t just a reward, it was something she had rightfully earned.. Her struggles, growth and the emotional toll she carried made her deserving of a love that was unwavering and pure.. Despite her flaws and mistakes, she never stopped trying in her own way.. In the end their love felt justified,earned rather than simply given..
“No matter what happened in the past, good or bad its part of who you are..
Accept the past, and focus on the present and the future.. ”
“In my eyes, every day you get better and more deserving of love than the last..
So from now on just focus on loving yourself.. As for the rest, leave it to me.. ”
Her friends and the rest of the supporting cast were too good not to be mentioned. However the second couple's story felt underdeveloped and lacked a strong sense of fulfillment.. I suppose that’s because the ep count was shortened.. Causing some of their scenes to be lost along the way..
The parents deserve their own spotlight.. They were truly outstanding.. Man they were really good.. Ep 25, with all the nervousness, anxiety, fear and pain felt so raw.. They were too convincing and natural.. Truly commendable performances..
The director deserves praise as well.. Each episode was beautifully executed.. They completely made up for any shortcomings the script had..
The FL’s mother having breast cancer felt like a story arc designed to give the ML closure for the pain he endured from his own mother’s death.. Back then he had to face that pain alone.. Watching helplessly as she withered away.. But now he had the chance to do for the FL’s mother what he had long wished he could do for his own.. Help her face it, fight it and bring her out of it safely.. At the same time, it was also for the FL.. To make her realize that she wasn’t alone.. No matter how bad things got, she had people who would stand by her.. Unwavering and ready to support her through anything..
" But In my heart, you are the most beautiful scenery in this world..
Xifan, Falling in love with you is the luckiest thing l have ever done..
Loving you is the best thing I have ever done.. "
Overall The Best Thing is such a lighthearted drama.. No complicated stories.. Just two people falling for each other and finding their way together.. Slowly but steadily, in a way that proves no distance is too far for them.. Its neither rushed nor dragged out.. It takes its time.. Allowing you to feel every step of their journey.. By the end you can’t help but feel happy because they made it.. And it feels truly earned.. The Best Thing isn’t just a title.. Its a promise.. There’s a reason everyone is obsessed and the drama more than justifies it..
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As much as I love my usual rom-coms, Misaeng completely took me by surprise and gave me thrills and heart wrenching moments in every single episode. Some people find the pace slow, but it worked for me. I was engrossed with each and every character and every single plot. I laughed and cried with the trio from Sales Team #3 and its group of supporting casts. It has unexpected moments and original story telling that is rarely seen. I absolutely loved it!
Give it a try. If nothing else, you will walk away with a few valuable life lessons.
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Now I’ve always loved the HIStory series, and there’s no different with this one. I must say, this one is my favourite of them all simply because of the realism of it all, it’s a simple storyline of enemies to lovers set in a high school surrounding, but, it’s also so much more than that.
I didn’t really care for the side couple as much as I did whilst watching Trapped but I’m honestly very tired of the age gaps in BLs. However, despite this, their story was beautiful and you get to see a realistic couple and their struggles. However, in this review, I will mostly talk about the main couple, Haoting and Xigu. (or xianggu lmao)
Without spoiling anything, the story has a very nice pace, it never felt too rushed nor too slow, and you could really tell how the characters were evolving throughout the series. Haoting being really aggressive in the beginning as he thought Xigu was flirting with his girlfriend to later realise he has feelings for him might be cheesy but I also think that it’s charming, not every LGBTQ series has to go deep about social norms, the gays also deserve a cheesy romance like this one. Just a big guy being head over heels a boy who is the polar opposite of himself and doing everything to get him to like him back. This premise is often a very grey area as consent often is forgotten in BLs and with an aggressive main lead I was very worried he might overstep his boundaries but the way Haoting tries to get Xigu to like him is so different from what I first thought and I was surprised by him many times. We get to see how love can change a person and I think that’s beautiful and although Haoting is aggressive he is always respectful and always wanting the best for the people around him. He makes mistakes but you can really tell that he knows when he’s in the wrong and does everything to make up for it even though he even might hurt himself in the process. (Also wanna talk about how much I love their entire friend group!! Precious!)
I keep seeing people complain about this series focusing too much on sex but remember that they’re in high school so it’s completely normal to think about that sort of stuff when you’re that age + I wouldn’t say it’s focused on sex all that much. The scenes that DO focus on it are so well thought out, meaning the cinematography is amazing, passion, intensity, build-up and climax, it all just made me sit in awe and I really want to applaud everyone who created it. They never fetishize gay people like BLs tend to do as they want to appeal to fujoshis and I appreciate that, they make it all feel so realistic and that might not be super interesting to some but it’s perfect for me.
Now the acting, one word. Amazing. You could feel every single emotion of the characters, despite most of the actors being inexperienced in acting. You could feel the love, the confusion, the sadness, happiness, everything. When the character was in pain my heart hurt too because the way it all was displayed really just made me feel as if I was right there with them, experiencing the struggles myself and that is very powerful.
Although not a lot of songs, the ones that you hear fit perfectly, it never felt out of place or awkward to watch any scenes as the music fit very nicely. The intro is also probably my favourite HIStory intro of all time and the outro is also very very nice to listen to after you sit and stare into the void after finishing every episode lmao.
I have so much to say about this incredible drama but I will never be able to put those feelings into words I just hope you watch it and get to experience it by yourself.
Onto the only negative with this drama, the ending… Don’t worry there aren’t any spoilers here!!
Well going from the best drama ever to a horrible ending, uh I truly do not know what to say about this ending. It felt so out of place and with all the characters so different it just didn’t sit right with me, I truly feel like this ending could be from an entirely different show. It was so sudden and just felt like they didn’t know how to end it which is very disappointing. Watching the preview for the last episode I never would’ve imagined it would end like this and despite the characters not feeling like they used to I cried like a baby, I probably cried throughout the entire 55-minute episode… I can myself think of at least 10 different endings that would fit better with the characters and tie the plot up nicely, it just feels like they threw away all of the work they put into the series right in the last moment which is just so sad.
I will definitely rewatch this but I’ll probably skip the last episode…
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I don't understand why people like these kinds of shows. Typically bubbly, happy girl with so-so or terrible grades + good at everything, rarely talks, absurdly popular guy who treats her like shit but she's 150% devoted to him anyway?
In this show, Nao will ask Uehara a question, a simple one similar to 'What would you like for dinner tonight?' and Uehara will blow up at her for being annoying or butting into his life and then someone will tell Nao about how today is some hard day in Uehara's life or something bad happened at work/school with Uehara that day and then Nao rushes to find some way to apologize to Uehara for being so stupid and not realizing that he's having a hard time, when she did nothing wrong and definitely nothing to deserve him lashing out at her.
Every time she finds joy in something, he criticizes her for it. Literally every time she's happy imagining something, typically involving her and Uehara, Uehara walks into the room and in ONE SENTENCE has her frowning and fidgeting, unsure of how to respond without making him more upset.
Nao is surrounded by people who care about her, who SHOW HER they care about her, who make her smile and laugh and feel good. The only time Uehara makes her feel good is when he's in her mind. And we're meant to believe he loves her too because every once in awhile he frowns when some other guy is being nice to her, or because, when other characters practically force him into it, he does something nice for her, because that one time they had a meal together and he didn't immediately tell her she was stupid for thinking he was enjoying himself, because they had one scene where they slept in the same room because the heating was broken.
Except 90% of the time Uehara accompanies such scenes with dialogue calling Nao an idiot or stupid for thinking it's romantic, for thinking he would ever do anything just for her, for thinking that the moment is nice, happy, or that he's kind. And not in the endearing way some characters do, where you can tell 'stupid' is a term of endearment, but as an actual insult.
That's not a loving relationship. That's abusive. That's toxic. And I put up with it for all but the last 2 episodes, waiting and hoping that Uehara was going to wake the f*ck up and stop being like that, learn from past mistakes and events, grow up and stop acting like a 4 year old who doesn't understand that other people have feelings too. But it didn't happen. And I couldn't finish the show. I couldn't stand to watch a finale where, I assume, everything is tied up with a neat little bow and we're promised that Nao and Uehara are going to have a wonderful, happy, love filled life together. Because I can't believe it. I can't watch what I know is going to be a loveless, abusive relationship. I hated every second of it.
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This short drama is a masterpiece
This is the type of drama that makes you feel respected by the entire cast and crew. The acting was well executed, costumes, cinematography etc… all delivered what they needed to deliver.I found this drama by accident and I’m glad that I pushed through the title and the picture (didn’t appeal to me) and gave it a chance. There was no single awkwardness in the drama, there was no cringe moment.
If you want an intelligently written drama with actors who are invested in their roles, this might satisfy you. The ending of the drama was expected so it was good how it ended.
What I personally didn’t like but it didn’t take away from the acting and screenwriting was the excessive filter imo. The actors had no pores.
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This review may contain spoilers
Truly touching. It makes you angry and concerned, too. You will ride in a rollercoaster of emotions.
"Sorry, I Love You" is an early masterpiece of proven KDrama art, which once again juggles the injustices of ordinary people with sensitive finesse in an emotionally draining manner - against the background of a South Korean sensitively reinterpreted Romeo & Juliet love story.Humiliation, exploitation, devaluation are the everyday life of the socially weak, while the celebrated, influential contemporaries seem to know no shame in their arrogance and haughtiness.
So Ji-sub hauntingly embodies subtly controlled, concentrated, suppressed anger. In the character of the protagonist, hate and compassion, love and indifference are combined in a fatal mixture. He becomes an incalculable time bomb that could be activated at any time.
Of all the early Makjang-infused KDramas, "Sorry, I Love You" is one of my favourites. Even if 'love' is bold in the title, the story doesnt´t romanticize it in a striking and cliché-like manner, yet the KDrama tells the story understated elegantly, but no less touchingly and also sincerely (...and of course dramatically tangled in a complex way.)
There is brother rivalry, revenge, swapped babies, secrets, complicated feelings, accidents, illnesses - the whole program prepared in a new mixture. The KDrama expresses in a concentrated, mostly subtly restrained (and thus even more vehemently impactful) emotional force how arbitrary, mendacious and unfounded it is that some people believe, they are 'justifiably' above others and thus have the given right to make decisions about them.
The KDrama uses a rarely found dramaturgical move to give the emotional force of the collision of two worlds even more power: the protagonist was put up for adoption abroad as a child. So he not only grew up with the feeling of not being wanted, but also with other western socialized (Australian) values. Subservience and humility are not among his strengths. He tends not to respect people in authority, or at least the authority has to prove itself as such first. He often acts disconcertingly strange. In South Korea, however, manners and respect for the elderly and higher ups are everything. Since he's Korean, people hardly pardon his naughtiness (as they would an obvious foreigner).
A touching story that makes you angry and also concerned. You will ride in the rollercoaster of emotions - while one emotional looping has not yet been completed, you are already on the way to the next.
-------------SIDE NOTE: ---overseas adoption of South Korean children---
...is a sad story that began after the end of the Korean War. Since then, around 200.000 children have been adopted, primarily from families in the USA, but also from Canada, Australia and Europe. First they were war orphans, then children from poor families, but then also children from illegitimate or divorced backgrounds. In the 1970s and 80s it became a profitable business. On the one hand, the government imposed veritable quotas on the adoption agencies. On the other hand, demand from western countries was high. Corruption flourished in places - the children were given away to the highest bidder. A halt to adoption in the face of international criticism was followed by renewed liberalization of legislation - as a result of the (lack of) adoption policy of the past decades social system was not prepared for the number of 'orphans' (actually: abandoned children).
Most of those ´orphan´ children have now grown up. There are quite a few, who organize themeselves and advocate for change. They want others to spare the trouble of growing up in a country, in a culture in which they are seen as strangers and bullied for being different and confronted with racial prejudice. In many cases they remain strangers and outcasts, as their country of origin cannot be/become a home for them either. The 'hatred of the homeland' is probably rather high among foreign adopters. In 2004, when the KDrama was released, the mood in South Korea was sensitized to the concerns of foreign adoptions and so a critically discussed topic was filled with 'life' by this KDrama. In 2006, an adoption day was introduced in South Korea and finally, since 2007, the numbers have shifted: there are now more domestic than foreign adoptions in South Korea...
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This review may contain spoilers
Suspense-packed. Elusive. Tough - KDrama shows us a poker face in several ways
"Insider" grabbed me from the first minute. It was exciting and unpredictable, fascinating regarding the world of card gambling and convincing with a consistently top-class cast. The story is knitted around the ever topical issue of corrupt South Korean society. You will not find good and bad in the classic sense. Dark shades of gray on the gloomy side dominate the picture. The focus is on the sobering practice of substituting compromises for morale. And those who are not willing to compromise may experience violence. In this context, the KDrama is also brutal on a high level.Can one person change the predicament of a corrupt society? In recent years, the KDrama has conspicuously often asked this question. Here the son tries to do the same as the father and at least tries... because: if you don't at least try, then nothing can change. So he wants to go to court and do his part there to ensure justice. Also undercover, if it may help. The question remains: Can one person change something about corrupt social structures? Does it help when illegal activities are uncovered? Or will everything in the end remain as it was, since new characters simply fill the vacant roles?
"Insider" focuses on the networking of politics, criminal prosecution and specifically institutionalized criminal organizations. Democracy has practically no chance in the face of these almost overwhelming networks that decide in the background and create facts. It's bitter to see. In particular, the handling of the law, which appears to be swung almost like a sword in the interests of the powerful, thus relentlessly destroying any hope of justice for honest people.
In this respect, "Insider" is more of a pessimistic story. I admit that I'm ambivalent about this overall quite brutal KDrama. It's repulsive but fascinating at the same time. The story ruthlessly unfolds its impenetrably entangled threads. It tells of outrageous machinations of the powerful and infernal manners in prison. Also about being mercilessly dependent on oneself. It tells of the desperate attempt to avenge injustice.
The dramaturgical leitmotif running through all of the 16 episodes is quite concrete and also symbolic: the impenetrable poker face. Illegal gambling with cards dominates "Insider" from the first minute to the end. Especially at the beginning, the card game itself is in the foreground. As the series progresses, the viewer's perspective shifts to the meta level of casino management and what may be attached to it. But who is up to something here and who is on the side of the protagonist remains unclear until the end. Who or what should you bet on? KDrama also shows us its poker face and simply plays its cards unperturbed - one episode after the other, until the end.
In my opinion, the permanent increase in tension during the first 8-10 episodes, which are mainly focused around prison-life, is like a permanently increasing climax - and the most impressive (yet challenging) part. After that, the actual revenge campaign can only lose. Not because it is not also based on a high level of quality, but simply because this permanent increase in tension cannot be continued forever. In the meantime, the audience has so many open plot threads in their hands that they now want to be resolved before they completely lose track (and interest).
Kang Ha-neul as main lead is incredible. He embodies the difficult process of change in the personality of a highly motivated young trainee at court who involuntarily has to get to know the dark end of society up close. If he doesn't conform and play by their rule, he won't survive. However, if he survives in this dark parallel world, he can never be who he was.
But everyone else around him also keeps up the intensive field and contributes to the convincing overall performance. I was particularly drawn to Kang Young-seok, who practically excelled alongside Kang Ha-neul in the first half. It's unbelievable how he manages to embody the worst merciless willingness to use violence on the one hand and yet still somehow is able to win sympathy on the other. A strong, unforgettable performance!
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In the first half, the KMovie is actually a one-man show. And that, I think, is the strongest part
"#Alive" is a variety on hip zombie stories. First things first: it doesn't have much new to offer in this respect - zombies as a plague that spreads fear and terror, a horde that you want to shake off or destroy, like disgusting, annoying vermin. Well, that's not why I would recommend this KMovie.I also don't think that you have to overstrain the reference to the Covid pandemic and the sometimes grueling current lockdown experiences that come with it.
Even fans of the horror genre won't be really happy with "#Alive", because "horrifying" can surely be done even better.
So why am I mentioning the KMovie here? The script revolves around surviving in an almost hopeless situation. However, the focus is not mainly on the action, but rather on the quiet moments in which the protagonist is ruthlessly thrown back on himself. There he is alone with himself and his inability, facing his insufficient survival skills, his loneliness and hopelessness ... and finally the desire to leave this world.
Oh Joon-woo isn't a born hero - perhaps he was trying to be in the day-long, night-long computer games, with his joystick in hand. But then the Internet connection is gone, no water supply, no food, no one can be reached. The self-chosen isolation in his room with his virtual game world, which has shaped him to this day, is one thing. Real isolation with real threats and no virtual team is something completely different. It's about that juxtaposition and the painful process of waking up to a NOW that's so different from the gaming world. Ultimately, the impulse comes from outside, which helps him to venture out of his safe cocoon into the real and thus truely threatening world.
However, the movie isn´t anti-technology. On the contrary, in playful creativity technical gimmicks, old and new, give the story new impetus again and again.
In the first half, the KMovie is actually a one-man show. And that, I think, is the strongest part. It's never boring. Actor Yoo Ah-in once again uses the chance to show what he's made of. In this way, the viewers accompany him through his very personal Hall of Pain, and there he hardly omits any physical form of expression. For this he has meanwhile been awarded the Cine 21 Award for best actor. After almost half the distance he gets support from Park Shin-hye, who embodies a character who pursues a completely different survival strategy - namely, she has one, even if she also reaches her limits with it. As is well known, more than one person form a group and a group develops its own dynamics, which can do more than each individual on their own. Here too. Both of them grow together. Heroes are rarely born as such...
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