Reviews

I am not exactly sure what this movie is trying to say. I came away from it not really enjoying anything about the hour plus I spent watching it.

It wants to be a slice of life of four girlfriends trying to find their way after college but it gives you no real story trajectory and no one to really identify with or root for.

I see the conflict of four girls sort of drifting apart after college but I never got a clear picture of why they felt bonded in the first place or what there reasons would be to fight for their friendships. The writer gives you nothing tangable to hang onto. The angst seemed forced and unreal. The girls each had real problems but the way they were presented to me made their reactions to these problems seem petty and selfish.

The acting wasn\''t bad but the story was uninteresting. If I pause a movie to go wash the dishes...something is very wrong. I am not sure why I finished actually.

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I had absolutely zero expectations when I started watching Faith. Then I found myself inmersed in it and all I could think about was getting home to watch another episode. That's how much this drama sucks you in.

I agree with most of the comments. The directing was terrible in some scenes, and don't get me started on the editing. They had a wonderful story to tell and an amazing cast to work with, and those are the things that saved this drama. The cliffhangers were all in weird places, and there were too many flashbacks we had already seen for my liking.

Now, don't let the bad things keep you from watching. Kim Hee Sun is amazing in this. Whoever said she couldn't have chemistry with Lee Min Ho's character because she's older than him was very wrong. Also, if you need a drama that proves that Lee Min Ho can actually act, this is it.

An heroine that isn't afraid of anything, a hero that values honor above everything else, secondary characters that are actually interesting for a change, and a lots of action and drama.

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Did not get the attention as Double Helix and Sammy's Children Day

While we were in a slump with most thai BLs, China got us three good shows. Sadly for this show, it was overshadowed by Double Helix and Sammy's Children Day even when in parts it was much better than the other ones. First of course there is the historical settings, gorgeous costumes and a budget which got strained, so we only have two nice fighting scenes.

While the script was not as polished as it could be, the actors compensated for most of it. Especially the scheming crown price was a delight to watch. Of course it was a bit too gay. 🤣 We not also got a BL we also get a GL but in subdued undertones but very obvious. Combine this with great cinematography and you get a good show.

You get the scheming, the fighting, the fluffyness, tasteful nc-scenes and a bit of sillyness (6th princess). Of course, they could not go with a sad end, because it's a BL after all. You get everything you can wish for in a setting which is interesting with a story-arc which made sense and compared to most other chinese BLs a story without toxicit., Just a fairy tale where the good gals/guys win. For me it was very entertaining, everything is like a small river flowing evenly and then comes the thunderstorm and water is cascading down the hills and flooded everything in it's way. And after the flood comes the time to rebuilding, in this case the search for a cure for Yanzhi with an happy end. So, this is definitively worth a watch!

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STORY: A guy (Chu Tian Ji) has a long-time roommate (Xin You Zhu) who is in love with him but he doesn't feel the same and fears he may not be able to return the love. Chu meets a woman he comes to like but he has a severe distrust of women based on a bad childhood experience.

ACTING/CAST: Nice cast, they do a good decent job acting. BTW: I used the cast names as they are in the list. I don't know Chinese, Pinyin, or anything else.

MUSIC: There's a real cool song sung by Xin that I wish was translated. The video I watched had audio quality issues so I'm not really how to grade this.

REWATCH VALUE: Nah.

OVERALL: The best part of this series are the BL moments. The rest was rather boring. You might be tempted to watch the fan-edited clips that omit everything but the BL. It's not bad to do so but the boring bits do add overall to the story and explain the funky ending. The worse part about the BL is that it's all one-sided romantic love. Xin is "waiting" on Chu to fall in love with him (do people really do this?). It's true, Chu loves Xin but "not in that way." Super annoying. And to have to sit through 4.5 hours of it!? Xin deserved better than that. Oh yeah, the ending: it's not bad or good, just open ended, like a cliff-hanger. Nobody dies. It just...ends. This story is simply unfinished. Also apparently the first 8 episodes deal with Chu and Xin, the second 8 episodes are a different story/cast. I can't seem to find those though.

TL;DR: Well, if you want to watch a slow, one-sided, unrequited burn that ends abruptly, this is your ticket.

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I'm having a hard time with my thoughts regarding this movie. I'm really not sure how to rate it.
On the one hand this movie is a really sweet, young love, romance story. I liked that a lot. It was so cute and both main characters did a very good job portraying their age and love for each other.

Now, on the other hand, the love and story seems incongruent to what is actually happening. Jenny is 15?Korean years? and she becomes pregnant. This is where I had the problem with the story. When it ended I really was left wondering what the point of the whole movie was.
The pregnancy situation was EXTREMELY UNREALISTIC,IMO.There were no consequences to becoming a teen parent. No moral, physical, social, etc. consequences. The girl didn't even get morning sickness or lose her flat stomach. Having a baby is a beautiful thing, but it is also difficult and a huge responsibility. The movie showed none of that. Everything was sweet, rainbows, and roses.From what I could see. There was really no conflict, and the little conflict there was, was not presented strongly enough.
Were they promoting teen pregnancy? Sex education?.IDK Even the sound track was very childish. There was even a scene were they show a video on what happens in an abortion that was very one sided. I'm not saying that I agree or disagree with abortion, just that the scene was presented in what in the USA is called, ProLife, kind of way.

Anyway, it was sweet, but the topic was handled in very unrealistically.

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Again another example of K-fandom rating anything that doesn't appeal to their fangirl midnight fantasies, being rated below 8 or even lower than 5, when pure visual nonsense like Hwarang gets a plethora of 10/10s.

Yes this is a seriously dark movie, and at times it had me feeling nauseated and extremely infuriated. But was any of that towards the script, author or the industry? No, for once it was out of empathy. This was absolutely horrible, and that's what it was trying to deliver, the worst parts of society. It was extremely immersive and acting was just so convincing that at the end, I had almost forgotten this wasn't a work of fiction. The blood effects and other props were on point as well.

This movie absolutely killed me inside, to project yourself into the protagonist or just empathize with her was a purely painful experience -- but it felt so very real and that's what mattered. The rape scenes weren't excessive, and I liked that, in the sense that the development team wasn't trying to capitalize on cheap semi-nude shots like almost every movie similar to this -- which usually just feels like insult to injury.

I honestly cannot think of a better actress for the role, the subtle displays of dismay, suffering and unconditional love from her.

Cinematography was on point as well but at times it felt inconsistent, although the overall quality was still good. Fight scenes had room for improvement, and South Korea's attitude towards weapons had this movie switching between conventional and unconventional weaponry and fight scenes.

The music was absolutely perfect, resonated very well with the highs and lows of the movie and delivered heartbreaking moments very well.

You're not going to feel happy watching this and you're not supposed to. Don't blame the movie for how you feel, but blame yourself for not knowing what to expect.

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“Violent delights have violent ends”

Emerging from the darkness, covered in brutality, comes the King of Pigs and whispers “There is no creature in the world more cruel than human being”. And just like this, it haunts you. It makes sure that watching this drama will be something you won’t forget anytime soon.

‘The King of Pigs’ is a psychological thriller drama that is, as already implied, not for the light-hearted. It contains a lot of violent, gore and psychologically heavy scenes which make it almost unbearable to watch. Prepare yourself, because what you are about to watch is a very rough ride.

The story

The drama’s story is based on a 93 minutes animation film ‘The King of Pigs’ by Yeon Sang Ho which is also based on a true story. As I’ve watched the animation film too, I can say that the drama is lightly based on it. Actually, it feels like the drama took the original story, evolved it and ended up making its own and unique story. Thus, there is no point in comparing them.

Without giving away the plot, the story deals with the trauma caused by intra-school violence and how it affects the victim and the perpetrator. Specifically, the story explores a series of events of school violence which took place 20 years ago and the results of these events in the present.

The uniqueness of the story is that it doesn’t refer to these events passively, as something that happened in the past, but as something that started in the past and is still progressing. In other words, the story emphasizes on the dynamic nature of these events and successfully manages to show how greatly the victims were stigmatized and how even the perpetrators were affected by it.

The story denotes that an act of violence is not a simple act. It’s an act which opens the Pandora's box and destroys everyone involved without an exception, because an action always provokes a greater reaction. Thus, in the end, “these violent delights” can only “have violent ends”.

Moving on to the structure, the story has great coherence. As the story is dealing with trauma, it has many flashbacks that interrupt the present story. The transitions from the present to the past were very meticulously made so they don’t end up as tedious flashbacks but on the other hand, they help the story develop and escalate making the story impactful.

The story’s pace can’t be called fact paced because the events don’t unfold quickly yet, as the episodes are very tense, it can’t be called slow paced either. What is certain, is that the drama pace is balanced and manages to keep your attention until the very end.

Lastly, it has to be noted that the story isn’t perfect. In fact, it has some minor flaws as some illogical things occur. Fortunately, they don’t affect the general plot and also, they can easily be ignored or pass unnoticed by the audience.

The production

From my point of view, the production of the drama is almost flawless. ‘The King of Pigs’ is one of the most well-made and well-executed dramas I've ever watched. The directing is on point and manages to perfectly render the dark tone of the story’s theme. The drama consists of beautiful frames, great scene transitions and camera angles which combined with the dark color palette, make the drama visually stunning. The drama’s soundtrack is the cherry on top, as it works as the last stimulus which makes you shudder and frequents you emotionally with the moment.

As far as the acting is concerned, every actor did a pretty good and decent job as every emotion was delivered with great success, the interpretations felt very realistic to the point that the scenes became more traumatic and tense. Both Kim Dong Wook and Kim Sung Gyu had great chemistry and were great in their roles. It has to be mentioned though, that the young actors, especially Choi Hyun Jin, Sim Hyun Seo and Lee Chan Yoo, stole the show.

Conclusion

‘The King of Pigs’ is technically speaking, a very decent drama which deals with a very sensitive and heavy theme. Thus, it is a drama you can’t watch easily just for enjoyment and also, it may not be to everyone’s liking. If you are a thriller lover, I believe that you should give ‘The King of Pigs’ a try. For me, ‘The King of Pigs’ is a very impactful and unique drama that really deserved my time.

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A decent drama

I have mixed feelings on this drama to be honest. While I enjoyed some aspects of the show, there was also a lot that I didn’t.

I will start with what I enjoyed. I absolutely loved Mijoo and Kangho’s relationship, they were truly the best part of this show for me. I really liked the fact that they actually acted like a couple and did miscellaneous and mundane things that an established couple would do. As much as I love kdramas for the build up to relationships, they often lack any substance afterwards or throw about 15 problems the couple’s way to keep them apart. Which, after 12 episodes (at least), of waiting for a couple to be together can be quite tiresome. This made Kangho & Mijoo such a breath of fresh air, because even when they weren’t together, the longing they both had for each other and the life they could have was very apparent.

The acting in this show was also fantastic! Not that I expected any less from the three leads. I don’t think this show would’ve been as successful if the actors who portrayed the main characters were not who they were. Also shout out to little kids who played the twins! They were adorable and hilarious and I am impressed that they could act so well at such a young age.

I also thought the finale for this show wrapped everything up nicely which definitely does not always happen with kdramas. Now, there are still some things that I did not enjoy or felt frustrated by in this show that kept me from giving it a higher rating.

First, Youngsoon. While I appreciate a complex character and like the fact that she wasn’t one-dimensional, I am left wondering what the writer wanted to portray from her character. It took up until the final few episodes for Youngsoon to admit any wrongdoing that she did to Kangho and when she did admit to it, the drama made us feel like she was doing it only because she loved Kangho. While I believe that Youngsoon loved Kangho very much, that doesn’t excuse her actions and rectify anything she had already done. Youngsoon also never seemed to grow as an individual in the show. I mean she was still blaming Mijoo for things out of her control in episode 12! Any time she would show any progress in her behavior, she would go back to doing the same thing not even 30 minutes later! I just don’t know what the writer’s ultimate goal was with Youngsoon’s character. This is also no hate against Ra Miran, she did an excellent job with what she was given, it’s just the character she portrayed that I struggle with.

Also, the side characters. I really did not care about any of them for the majority of the show. None of them really stood out to me or had interesting depth to them whatsoever. They were kind of just…there, in my opinion. I did warm up to Sam-sik by the end of the show but I don’t know if that was due to me liking the character or liking the actor who plays him. Also, the two henchmen turned farmers were fun, but that was about it.

Overall, I did enjoy this show despite my grievances and looked forward to it every week. It’s not one of my favorites but I don’t think I wasted my time on it either. Mainly due to Kangho, Mijoo, and the twins lol.

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Nirvana in Fire is, to date, the only drama series out of every single drama series I have seen, whether in C-drama, J-drama or K-drama world, that has surpassed all expectation on every front, for me.

STORY (No spoilers)
Aside from an initial round of confusion when watching your first run of the first 3-4 episodes, there is nothing further I can think of that really mars the perfection that exists for this drama - storywise.

And may I just say that even the initial confusion of the first 3-4 episodes which is mainly due to the large number of characters being introduced, and the fact that you are thrown literally right into the show without any prior setup of what's going on, no longer exists upon re-watching.
In fact, you will actually realise and appreciate just how intricate and how detailed the writer has been because lots of foreshadowing and information actually exists within the first 3-4 episodes which would have flown by your head upon a first watch, but which makes complete sense upon re-watching.
It really gives you a sense of respect for the writer who has clearly and thoroughly thought through how her story would flow, and has been diligent in embedding subtle but key information throughout the episodes so that as the series progresses towards the mid-way mark, those individual and seemingly disparate threads then come together to form a brilliant picture which then takes your breath away.

The story appears simple - a man who survived a tragedy returns to the capital 12 years later under a new identity to re-dress the horrific wrongs committed.
The execution of the story, however, is FAR from simple.
Like a grandmaster, this man kick-starts things into motion which will change and transform everything, and the way he does it is simply masterful and marvellous to watch.

The pacing of this show is neither fast nor agonisingly slow. The show takes its time to dwell on certain threads longer than others, which may come across slow and a little boring for some viewers, but patience is a virtue with this series and if you patiently keep on watching, it will become evident that the time spent on those disparate and seemingly unconnected threads will bear much fruit when things come together. You will find yourself marvelling at the level of care and craft that has gone into the storytelling, I promise you.
The best analogy I can give is that of a master sculptor working with a block of wood or ice. At first, all you see is a block. Then, he starts hewing and hacking at certain parts of the block and slowly, a rather vague shape is being formed. As you keep watching the sculptor at work, seeing how he starts to focus on first this section, then that section, the vague shape becomes more discernible and you're able to get a glimpse of the art he is producing. Keep watching and observing and you will see that what was once a block is starting to be transformed into a beautiful piece of artwork and at the end of it, as he puts on the finishing touches, the little carvings here and there, you then marvel to yourself at how amazing it is that he is able to visualise and produce such an outstanding piece of work from just a block of wood or ice.

Since there isn't a section that talks about the cinematography or the sets or the camera-work, I will mention it here.
The cinematography, the scale of the sets and the camera-work is just beautiful. I was informed by friends conversant with the chinese netizen community that some of the directors for the show were art/photography directors, which explains why almost each shot being framed can be screenshotted into a piece of art in itself with its colours and its composition. This makes the show an incredibly beautiful one to watch with every frame and shot a feast for the eyes.
The costumes and the sets were apparently incredibly faithful to the time period in which the show is set, down to the bronze teapots and hand warmers. Court etiquette and forms of greeting and respect were appropriate and in-line with the time period too and apparently the actors had been rigorously trained by experts so that their carriage, their conversation and their movements all conformed accurately and naturally.
A great deal of care and diligence had been put into producing the series and it shows.


ACTING/ CHARACTERS
The show being so large and sprawling with its cast of characters, there is insufficient time to dwell on the merits of each one of them. Suffice to say that each supporting character played their parts to perfection, nary a redundant character or scene in this series. Every conversation bears some significance or the other.

Another marvel is that, in most drama series, supporting characters, even those that pitch up for maybe just an episode or two, tend to been given short-shrift in terms of their characters or personalities. Not so here. There is hardly a one-dimensional or caricature personality here. All come across real and believably alive in this series whether they be a passing character, or an antagonist, or a protagonist.
This show is alive and full of layered, nuanced and complex characters whose motivations, goals and actions are believably real and understandable, if not sympathetic. You understand where they are coming from and why they behave the way they do as more about them gets unveiled. This is a brilliance of not only the writing, but also the acting of actors playing those characters, in being able to bring them so wonderfully alive and to come across amazingly real.

Spotlight on the main lead.
HU GE, playing the main protagonist of the series is simply outstanding in his subtle, layered and nuanced portrayal of his character, Lin Shu/ Mei Changsu/ Su Zhe - why does he have so many names? Please do watch to find out, and no, it is not confusing in the slightest. Powerhouse performance from Hu Ge who has to play a sickly, restrained and controlled man who, for good reasons, have to hide his true self and keep many secrets and cards close to his chest. His quiet and subtle responses to events and news which directly affect him but which he cannot allow to give him away is mesmerising to watch, and utterly heart-breaking to see. Simply stellar stuff which I've not been able to see the equal of since.


MUSIC
There is not a lot of soundtrack for this series. 3 songs with vocals, and all employed sparingly but impactfully throughout the series. Most of the series is carried by brilliant moments of silence and traditional chinese instrumentals which heighten the tension where it needs to be heightened, and gives poignancy to the scenes which require poignancy. Another masterpiece in music direction as nothing detracts from the scenes but only enhances. Beautiful.


RE-WATCH VALUE
Can i just say that this show is an absolute MUST for re-watching. Not only because it is just THAT GOOD, but also because of the level of intricate detail and storytelling that goes in it. A first watch will never really allow you to fully unpack and appreciate the masterpiece that you have just seen. Scenes, conversations, camera close-ups on objects that seem inconsequential, all of these which did not make too much sense upon a first watch will make complete sense upon a re-watch, causing you to marvel even more at this show.
Seriously, if you have time to watch episode after episode of some sub-par K, C or J-drama, why not spend that time re-watching Nirvana in Fire instead?

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Really, I only watched this because of Lee Jong Suk, but the other actors really impressed me. This is the perfect example of love at first sight and when a guy falls in love with a girl who was sick. This is a sad yet lovely story. The fact that they guy fell in love with a woman not only older than him but was also married and had a child shows the power of love. What I liked about this special was that they so clearly showed the possibilities of happiness even when on the verge of death. What I didn't like about it was the ending. I felt it was incomplete.

But I would definitely not mind watching this again. :)

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The script needed a red apple

Honestly for me, the only (and most) enjoyable part of this series was ragging on it in the comments with the other fans/prisoners of this show.

Like I think they had pieces there to make a good series for me. But it just didn't happen. I'm totally fine with slow burn and build up and tension building, but this series was ridiculous. It was so repetitive but also literally nothing happened. A lot of cryptic comments and stares and standoffs. It was an ugly love dodecagon of people pining over people who were obviously uninterested in them because the liked someone else.

Then at some point, we get one of the most one dimensional villains ever who was campy and almost fun but for the low ceiling of this series. Her motivations were non-existent. Her plans were kill her way to the top and then rule with an iron fist, except she had 3 goons who couldn't find 2 people living in pretty much the most obvious place to search for them.

This series was just.... a mess.

Peterpan and Noh were stealing the show but then the "plot" came for them and they separated and this slow af series got even slower. I really want to see them in another show.

The fencers were frustrating as they both were chasing each other sorta, and other people sorta, and one was so mean for no well defined reason to the other one. Then they end up banging outside a house party.

Sun and his MANY cardiac events and red apples and fainting and grimacing. Like dude.
Also at some point, I swear, they gave Kim psychic powers or something like that. Like literally? Maybe? It was very unclear. But it seemed like he had powers. Maybe that's why his brain was bleeding and he was losing memories later.

I don't know.

I still think Snow White was behind it all. That would have honestly made this series make sense.

Please Peterpan take another role in a different series.
Kan too.

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A Journey Into The Hellish Depths of Horror And Loneliness...

There’s no denying that Strangers From Hell is possibly one of the few and most disturbing psychological dramas that South-Korea has ever produced to date with actual investment and creativity over scenes and lighting, as well as quite bloodthirsty scenes in later episodes.

Based upon the eponymous webtoon, Strangers From Hell’s title and concept is taken from a very famous play, No Exit ( 1944)by a French existentialist called Jean Paul Sartre. The play focuses upon three people who are trapped in “ Hell” which exits as a single room, and as they grow gradually sickened by the torment of one another’s company, one of the individuals realises on stage that “ Hell is other people”.

Yet Strangers From Hell isn’t a drama about three individuals stuck in one room. Instead, it is rather a focus upon our main lead Yoon Jong- Woo ( Im Siwan)’s gradual descent into madness after moving into the mysterious Eden Complex in Seoul; a cheap apartment with creepy residents and in particular, falling into the mysterious trap of the charismatic psychopath Seo Moon- Jo ( Lee Dong Wook) . Whilst not unexpected due to Im Siwan’s previous roles , it was certainty a surprising shift since his renowned role in the slice of life and business drama Misaeng, to see Im Siwan tackle a darker and more disturbing role in a psychological horror drama. Undeniably Im Siwan was brilliant within portraying the very slow mental decay of his character by the show exposing dark revelations of Jong- Woo’s past. This role was parallel to the surprising choice of typically typecast romance drama actor Dong Wook , who undeniably went beyond expectations within portraying the sheer complexity and charisma of his psychopathic role as Moon- Jo.

On the other hand, it can’t be sugarcoated that Strangers From Hell’s pacing could have been quicker or the episode lengths reduced. This isn’t to say that the show should have been constantly bloodthirsty or violent as it was part of the suspense to feel unease at what would happen next to our tragic lead, however, by the midway point ( before the ending), the drama often felt a little dragging upon focusing on one element of the story at a time. There’s obviously nothing wrong with doing this, but thus did mean there were a couple of really nuanced plot inconsistencies which were left out ( such as security cameras, suspensions and criminal records) which would have added more realism to some of the tackled scenarios.

Yet despite this, the one element of the show which must be given full praise for ( in addition to the fairly good OST, with The Rose track Strangers adding to the eeriness of the drama) , was the creativity behind the scenes and lighting. There was nothing glamourised nor glossy about the image of the apartment complex or even Jong- Woo’s workplace. It was eerily drab; adding to a later epiphany for viewers that Jong- Woo’s true hell began even before moving into the apartment complex in his hellish everyday life . ( E.g. his “ busy” girlfriend who dismisses his ridiculous claims about the residents and is nearly always at work, his arrogant old friend and boss who constantly undermines him as being worthless, his haughty colleagues as well as his fellow cadets during his time in the army ).

The finale of Strangers From Hell was certainly a surprisingly one, yet nonetheless fitting for its genre and deeper intrinsic philosophical questions of our main lead’s Hellish experiences. Whilst the drama was flawed by certain aspects of pacing and plot inconsistencies, the cast helped to realistically flesh out the characters on screen through their performances, the story was certainly intriguing and disturbing of a man just pushed too far by his experiences and it was overall a very good Psychological - Horror. It is easy to see why this show has earned its status as a cult-classic , and certainly worth a watch.

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The Unveiling

The direct translation and original English title for this production is The Black Sun. This probably refers to the solar eclipse in which the sun appears black. As far as this drama is concerned, it perhaps represents the metaphor where the truth is concealed, hence the befitting title of The Veil. Viewers will find that there is more than just the one piece of veil that covers the hidden truth; there are layers upon layers to be unveiled over the course of the drama, before answers to all questions are finally revealed.

The Veil is MBC’s 60th anniversary special drama with an enormous production budget of 15 billion Won. It is the first drama project by screenwriter Park Seok Ho, who had previously written miniseries for which she had won two MBC creative screenplay awards. The award-winning and prolific composer Kim Jang Woo serves as music director while the production is helmed by MBC’s inhouse producing director, Kim Seong Yong. Being a pre-produced drama, it wrapped up filming in August 2021 right before the lead actress Kim Ji Eun was diagnosed as Covid-19 positive. The drama had reportedly altered its airing time after 4 episodes in an apparent attempt to boost viewership as it was competing against SBS’s One the Woman in the same time slot. A 2-episode spin-off focusing on the backstories of characters played by Jang Young Nam, Park Ha Sun and Jung Moon Sung is scheduled to air by the end of October 2021.

From a technical point of view, the execution is excellent, which is to be expected considering the huge production budget. The standout aspects are the action choreography, stunt sequences and the special effects. From the very first minute of the first episode, the drama exudes Bourne Identity vibes in terms of the action scenes which the quality camerawork captures beautifully. I also noticed that the picture quality of the drama is noticeably different compared to the usual fare. The application of muted colour combinations and high contrast grading contributes to a somewhat subdued and desaturated visuals, which I suppose complements the overall edgy and gritty tone of the drama.

The story is set on the premise of South Korea’s National Intelligence Service (NIS) waging a war against a homegrown drug cartel with mainland Chinese ties. In the not too distant past, the NIS was always depicted as being engaged in espionage cat-and-mouse games against their North Korean counterparts. However, perhaps due to the current political climate, it is much less politically sensitive to cast drug lords as the primary villains, which is the case here. That said, other political affiliations do get their fair share of mentions - China’s Public Security Bureau and NK’s own intelligence outfit. Aside from the action scenes, the ML’s character development is reminiscent of Jason Bourne’s own character arc with the presence of the amnesia plot and his quest to regain his lost memories.

I went into this drama fully expecting a highly exciting and action packed thriller filled with explosive gunfights, slick unarmed combats, high-speed car (as well as speedboat and helicopter) chases and plenty of non-stop adrenaline-fueled agency and urgency. As it turns out, the focus of the drama is not so much on the action, which is still present but not as abundant as I had hoped, but rather on the cloak-and-dagger aspects of investigations into uncovering secret agendas amidst the convoluted internal politics of the clandestine organisation and its major players. A crucial plus point - depending on your standpoint - there is no romance involved in the story as far as the leads are concerned, which is just as well due to the limited duration of the drama. However, there are brief instances of misplaced humour involving primarily a certain data analyst co-worker. Sometimes I wish I could tell K-drama screenwriters directly to cut that crap out and just focus on being consistent with the serious and dramatic tone of the drama.

There are essentially 2 parts to the narrative; the first part concerns the flashbacks, backstories and process of unraveling the web of deceit while the second part sees a unified team fighting against a common enemy. Most of the action happens in the second part which begins from episode 10 onwards. The initial arc unfolds during the first 9 episodes, which I feel takes too long and becomes rather over complicated as well as convoluted than is necessary. In truth, the plot really is quite straightforward and the catalyst that triggers the entire chain of events comes across as somewhat weak, which is shown to viewers in the final reveal. Long story short, the psychologically-induced disorientation along with the long-winded mind games takes up the bulk of this 12-episode drama which, in my humble opinion, finally comes alive in the final 3 episodes despite kicking-off with a bang in the first couple of episodes.

This drama will most likely be remembered for Nam Goong Min’s dedication and commitment in preparing for his role as NIS super agent Han Ji Hyuk. He reportedly began training, via a gluten-free protein-enriched diet and 4-hour daily gym workouts that added 10 kg to his body mass, in January 2021 to transform into the powerful physique and achieve absolute conviction in the portrayal of the character. Additionally, he performs his own stunts in the brutal and savage fight scenes which further enhances the believability of the characterization. From the very first minute of his appearance, I simply could not recognise him both from the facial features (even after his character eventually loses all the facial hair) and the body language which have completely changed. This is not the NGM that we all remember. Amazing! Aside from the physical aspect, NGM also manages to showcase a nuanced depiction of the emotional depth written in Han Ji Hyuk’s character arc.

The main female characters are portrayed by Park Ha Sun and Kim Ji Eun, as NIS agents Seo Soo Yeon and Yoo Je Yi respectively. I think Park Ha Sun is quite compelling but, unfortunately, her character of Seo Soo Yeon is a wasted potential, for obvious reasons. Perhaps the character would be more fleshed out in her spin-off origin story slated for release later this month. On the other hand, I’m not so convinced with Kim Ji Eun’s character. Yoo Je Yi is more suited as an analyst rather than a field agent and even towards the end, is lacking in development. However, this is more an issue with the writing rather than the actress’ performance which is quite decent given what she had to work with.

As far as the supporting cast is concerned, the veterans impressed me the most. Jang Young Nam and Lee Kyung Young as Deputy Directors Do Jin Suk and Lee In Hwan respectively. Both these two experienced actors are no strangers to playing such powerful and authoritative characters, as can be seen from their past performances. Yoo Oh Sung who plays Baek Mo Sa feels somewhat more subdued and has very minimal dialogue this time around, although he still manages to expertly infuse his character with subtle shifts in aura and demeanour that fit the narrative.

The soundtrack features 4 OSTs while the dramatic score composed by Kim Jang Woo generally fits with the overall vibe of the drama.

요아리 Yoari - Reason
일레인 Elaine - Stay With Me
요아리 Yoari - Searching for Reasons Why
이정민 Lee Jung Min - Get Ya

In addition, Eric Clapton's Wonderful Tonight gets some significant airplay in the drama as well.

All things considered and truth be told, I had rather high hopes for The Veil because it has been quite a while since we had a proper espionage-themed drama the likes of the Iris series and Athena: Goddess of War. As fantastic as NGM has been, this drama falls short of my expectations. Fortunately, it does finish as strongly as it started which is the saving grace in the end.

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