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Great show with great casts from great director but I feel like something's lacking
I was having high hopes for this show because the casts are my favorites and the director is famous for his gory and violent scenes. I enjoyed watching the show because of excellent acting from my favorite actors and great cinematography.Jung Hae In proves he is acting genius and master of genre, expressing various levels of pain realistically and perfectly acting with only one eye. Go Kyung Pyo’s acting as serial killer is refreshing and Kim Hye Jun facial acting is great but her action scenes are kinda lagging in some scenes.
But what I feel most lacking is maybe suspense/ tension/ story development? I didn't feel so much excited to know what would happen next (maybe because I got spoilers from behind the scenes videos that Disney+ released in advance before the drama's premier).
OST is nice with Haein’s sweet voice but using the same song repeatedly for many times (although it's necessary for the plot) made me bored.
CGI and VFX are great especially the tentacles used for regeneration.
The gory and bloody scenes are not that disturbing to me.
The chemistry between the casts is great but felt the kissing scene between DongSoo and Yirang is too early Lol.
At the moment of writing this review, people are making noise about the rear nudity of the actors which is nothing strange in acting field but it feels like they used stunt doubles for those scenes.
[Edited - Jung Hae In confirms that he used stand-in (body double) for nudity scene in an interview.
https://youtu.be/nAEMUGOsz4o]
The sex scene was unexpected haha but didn't expose too much.
The last fighting scene between DongSoo and JinSeop didn't help me to maintain suspense and the ending scene hinting for another season is unexpected.
Overall I enjoyed watching the great performance from my favorite actors but sense of satisfaction was not that much and probably I won't rewatch this show within a short period of time. However if there'll be season 2, I'll definitely tune in to explore their so-called new Connect World.
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All you need is love
Sisyphus: The Myth is an intriguing drama. The thrilling teaser that was released late last year stoked the flames of excitement for many avid K-drama viewers. Coupled with a cast that’s headlined by bankable stars the likes of Cho Seung Woo and Park Shin Hye, it became one of the most talked about and highly anticipated shows for 2021. When it finally aired, however, it polarised opinions here in MDL and left a number of viewers’ expectations somewhat unfulfilled, to the extent that the ratings steadily declined to the current score hovering at around 8.There are those who continued to enjoy the show, for various reasons, and I happen to be one of them. Allow me to share my (spoiler-free) thoughts and then you can make your own decision on whether or not to embark on what has largely been a fun-filled escapist roller coaster ride.
What is it about?
In a nutshell, a woman from the dystopian future of South Korea travels back in time in the hopes of altering the course of history by preventing the seemingly inevitable fate that befell the country, the looming catastrophe of nuclear war. Central to this mission is the man who invented the time travelling machine. These two characters are played by Park Shin Hye and Cho Seung Woo respectively.
The drama contains a mix of science fiction, action, drama, and romance genres imbued with themes of revenge, redemption, remorse, love, friendship and familial bond. The director is Jin Hyeok, who notably helmed The Legend of the Blue Sea,The Master’s Sun and City Hunter, among others. The screenplay is written by the husband and wife team of Jeon Chan Ho and Lee Je In, for only their third production.
This show is jointly produced by Drama House and JTBC, and has been publicized as the network’s 10th anniversary special drama. Its title is derived from the ancient character from Greek mythology, King Sisyphus of Corinth, and is completely pre-produced with principal photography having taken place toward the end of 2020.
What’s great about it?
The Production Values
As expected of a JTBC production, this drama is very well made. I love the cinematography (in particular the indoor lighting), the many gorgeous scenic views of both Seoul in the present time and the vast landscape of the dystopian future. The set designs for various settings are quite exemplary while the special effects (CGIs, firefights, and pyrotechnics) are considerably top tier for a show of this nature.
The Acting and Cast
In my humble opinion, the leads are fantastic and I have absolutely no complaints. While Cho Seung Woo fully embodies the character of Han Tae Sul, the same goes for Park Shin Hye’s Kang Seo Hae. They deliver very strong performances in their portrayal of deeply flawed and emotionally scarred individuals. These are the types of roles that perhaps mature actors with adequate professional and life experiences are better-equipped to articulate and convey convincingly, which is very much the case here.
It’s interesting to note that unlike Cho Seung Woo’s other more serious roles, especially that of Hwang Shi Mok in Stranger, here his Han Tae Sul is much more comedic and mischievous with a copious dose of flamboyance and swagger. Despite possessing similar social awkwardness, this character is remarkably more fun while his ingenuity in getting out of tricky situations bears an uncanny resemblance to the MacGyver persona.
Such nuanced characterization is depicted by the other veteran supporting cast as well, notably Sung Dong Il, Kim Byung Chul, and Kim Jong Tae. Kim Byung Chul in particular surprised me with his depiction of Seo Won Ju. Despite being slightly OTT, I suspect he had the time of his life being “unleashed” from his usual more understated roles. Here he plays “dual characters” where his versatility is quite commendable.
Special mention goes to the young actor Lee Joo Won, who plays the young version of Seo Won Ju. This kid truly gave me goose bumps with his chilling portrayal.
The Action
For the most part, the choreography has been outstanding. From the numerous unarmed combat sequences to the firefights involving some pretty impressive military hardware. It’s not often that we see plenty of intense (and at times, logic-defying) gun battles in a non-military drama so this aspect of the production is indeed praiseworthy. Other forms of action include a lot of hard running in chasing (and being chased by) a multitude of characters.
The Romance
This particular theme is so beautifully and convincingly conveyed. It helps immensely that Cho Seung Woo and Park Shin Hye abundantly possess such wonderful chemistry which is poignantly manifested amidst the ensuing intrigue and mayhem. The pairing of Han Tae Sul and Kang Seo Hae, in many ways, makes a lot of sense. They are each plagued by a traumatic past and rendered seriously flawed, emotionally damaged, and are now fighting against the odds to change their fate.
What could’ve been better?
The Science
I love the concept here about time travelling to the past in order to change the future which gives me vibes of The Twelve Monkeys where the premise is quite similar. However, I do feel that the science as depicted in the show is super messy. Many technical aspects are open to interpretation and left to the viewers to fill in the blanks, as the story progresses. It’s a process of trial and error where we discover new things during every episode. The finale is quite possibly the most mind-blowing of all.
The Screenplay
A parallel narrative and converging plot format is used to tell the story, which includes numerous flashbacks and flashforwards by various major characters in multiple timelines - the past, present and future. Sometimes title cards are used to indicate the date, but not when the scene is obvious. It can get a little disorienting unless viewers pay close attention to the details.
How and why certain events transpire are quite convoluted and require too much deductive reasoning to derive a sense of what the answers could be. The credibility of certain characters is questionable while quite a number of the sequences appear utterly ridiculous and fantastical, despite the sci-fi tag. The seemingly lack of logic in certain respects of the overarching plot has led me to strongly suspect the screenwriters were high on recreational psychoactive substances as they were writing this.
Overall
The sooner viewers suspend disbelief and forgo questioning how the technology works by accepting the science as it is, the less confusing the show would appear to be. Regardless of the perceived weaknesses resulting from the flawed execution of the concept, I found myself enjoying the wild and, at times, exhilarating ride once I shut down my cerebral process and went instinctive. I would advise you to do the same for this is the only way to truly appreciate Sisyphus: The Myth. And if you do decide to watch this, be rest assured - the ending is very much a happy one, for everyone (kind of).
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Definitely a gift for DMBJ novel fans
Ultimate Note final thoughts:I remember being extremely suspicious of the cast and the length of the drama in the beginning.
However after the trailers got released I felt a bit more positive.
Then the first ep got released and I was utterly speechless with the amount of info they squeezed in one ep and how fast paced and how much they followed the novel.
Of course there were a few things that were changed to increase the screen time of some characters, but it was handled really well and it even added more depth into the show.
We feared that everything was going too smoothly and we prepared ourselves for the worst. However, it never came? The show was consistently delivering and even improving in the many aspects.
Even though the ending was an open ending, it was quite fitting considering the final book was not included, they were still able to fit in information from book 8 and even fan theories. They were able to lay out everything in a way that was easy to digest.
They were able to make us feel happy, sad, scared and worried about our main characters.
They showed us more than we ever thought we would get.
The sets were amazing and the graphics was good enough to considering the budget constraints. What appeared to me is that they knew where to put more attention in and where to put less.
Also I noticed the awkwardness in the filming mainly showed up when it was mundane scenes where they were not going into tombs or in the wild.
This Iron Triangle is definitely my favorite, we see them growing together, developing an unbreakable friendship after so many life threatening situations.
Now onto the actors,
Zheng Shunxi: I was the most skeptical about him at first, I've heard bad reviews about his previous acting and that didn't give me a good impression. I then watched Journey Across the Night and was impressed with him and I could see him as Wuxie then. And then his performance in UN definitely surpassed my expectations. He acted really well as a innocent but also temperamental Wuxie, a Wuxie that is hurt and has grown throughout the series. And lastly and more importantly is his emotional scenes were always very well done and it's a blessing he was able to act as Wuxie.
Xiao Yuliang: I knew him from Shahai, and honestly there was not enough of him to know if he would be good enough or not. At first I was surprised with how much emotion he was expressing in UN. I sometimes forget that Xiaoge is human just like everyone else, he is good at having a stoic face, but he still feels pain and happiness. I am glad he brought Xiaoge up to life, I could see what he was feeling and thinking when seeing his Xiaoge. And his action scenes are such a delight!! It's so different seeing action scenes performed by someone with some martial arts background! Also the contrast between his irl personality and Xiaoge is really impressive too, it shows how much of a good actor he is.
Cheng Fangxu: first thought seeing him was, he is not fat enough!! But when he started speaking in the trailer I already knew he is Pangzi himself! I liked how he was not here to only bring in the comedic effect, he was here like a mentor to Wuxie, he in many ways influenced Wuxie's growth as a tomb robber. There were times were his acting was a bit exaggerated but it was for comedic effect and I am completely fine with it. What I like the most, is how he himself is such a good older brother to the other two.
The rest of the cast also did a really good job and I am extremely grateful with everyone from this team. This is one of the most beautiful gifts a DMBJ fan can ever receive.
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One step forward for mankind and two giant steps backwards for womankind.
This romanticized account of the life story of Xiao Yanyan, the accomplished Khitan Empress Chengtian (953-1009), gives voice to folk or unofficial history of her relationship with Han Derang. Wild history of their love affair survived over a thousand years and continues to fire the imagination of Chinese historians today.Please be aware of mild spoilers ahead (unless you already know the history).
It is known that Xiao Yanyan, was once engaged to Han Derang, who was from an elite Han Chinese family loyal to the Khitan rulers. According to the drama (which is based on a novel), her father chancellor Xiao Siwen and Han Derang help Mingyi (Emperor Jingzong) ascend the throne. Mingyi is sickly and his hold onto power is thus unstable; many branches of the royal family vie for the throne. Mingyi insists on marrying Yanyan so that like both his main rivals who married Yanyan's older sisters, his wife is also of royal bloodline. This kind of ill fated romance has limited appeal to most romance watchers and is an unnecessary digression for most historical or political drama buffs.
Although I was primarily interested in the history, Tang Yan and Dou Xiao's portrayal of the young lovebirds captured my heart and I was devastated by their forced separation. But alas their chemistry fizzles out later on in the drama and leaves me unconvinced that they are soul mates whose love is as deep or as epic as folk history suggests. At face, the bare facts are tantalizing - he shores up her regency over her young son Emperor Shengzong; is her trusted confidante and is highly ranked in her court; they may even have married and had a child together and; he was likely buried besides her. But in their more mature personas, both characters just seem sad, tired and lonely and not long lost soul mates who finally have their moment in the sun. It does not help that Tang Yan appears to have an easier, more natural chemistry with Jing Chao's Mingyi. To make matters worse, there are no nuances or subtleties in Yanyan's interactions with Mingyi and Derang that suggests they mean different things to her, that her relationship with and affection for each of them is not the same.
Mingyi is the most layered, complex and interesting character in this drama and probably one of the best grey characters I have seen this year. Although I resent his manipulation, his selfishness, his obscene sense of entitlement and his disingenuous excuses for doing terrible things, I also grudgingly empathized with him and the monumental task in front of him. Jing Chao really delivers one of the most convincing portrayals of a sociopath emperor who has the audacity to steal his best friend's fiancé and yet demands and expects them to protect his legacy. Unfortunately although she delivers a few good scenes, Tang Yan fails to evoke a strong and powerful empress who can rule alongside and then after the emperor. She cannot hold onto her strong moments, just defaults back to her comfort zone of a very beautiful and feminine woman that is to be rescued and protected. Her attempts at gravitas just results in a cold, aloof empress that doesn't allow any sparks to fly; even when she is free to be with the alleged love of her life. To be fair Tang Yan was pregnant during the shooting and that put limits on her ability to do the more physically challenging scenes but she still did not have to be written to be so mopey and passive aggressive.
The other magnificently and effortless acted role is Sheh Szeman's Xiao Hunian who is everything and more of what I imagined Yanyan would be. Her portrayal of a strong, yet feminine woman who bows to duty without wallowing in self pity; who is a fierce, strategic warrior that stands up to the menacing Yansage; who does as she pleases and shows her displeasure as effectively in words as in action puts Tang Yan's meek and insipid performance to shame. When Hunian tells Han Derang that it was just a twist of fate, else she would be just as great an empress, that resonates because art imitates life; a younger Sheh Szeman would have conveyed an unforgettable Xiao Yanyan. I did not approve of how the writing undermines Hunian in the final arc - even though Sheh Szeman got more airtime and had some awesome scenes, it was just not the right thing to do to the character.
While this drama as a whole does not live up to my expectations, I found many parts of it to be riveting. The power struggles and the battle for the throne are well written and shot but the story peaks at the Yansage arc. The battle footage and strategies used to route the enemy in this arc are bloodthirsty and exciting but is too early for the climax of the drama. To some extent that cannot be helped as it is the correct sequence historically. That said, after the Yansage arc, the focus of the story should shift from internal strife to external strife rather than focus on a series of much weaker, rather pathetic attempts at coups by the least interesting characters in the drama. It does little more than to drive home how hard it is for a widowed empress to hold on to the throne as regent without a strong military backer. It does highlight Han Derang's contributions and achievements as the unsung hero and the true power behind the Liao throne.
To me this is a 7.5/8.0 but I am going with 7.5 because I expected to watch a drama about a woman warrior who chose her country over her true love and then went on to make Liao great so that her sacrifice would be worth something. Instead, I may as well have watched her get her revenge on Mingyi by doing nothing besides get fat on sweet cakes and having flings with stable boys. But I learned many things about Liao/Khitan culture, including that Khitan women were very equal and progressive - they can get divorced, remarry if widowed, lead armies, hold positions and even rule in court. Which is really ironic because Mingyi's legacy Han reforms that were among Yanyan and Han Derang's greatest achievements basically Sinicized the nomadic Liao people to their vast benefit in terms of agriculture, language, culture and administrative and legal systems. But it also set Liao women back thousands of years in terms of the status and freedom. So what our warrior empress really achieved was one step forwards for mankind and two giant steps backwards for womankind. Maybe Tang Yan's portrayal wasn't that far off...
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An entertaining drama for someone who is unfamiliar with the story
First I want to say I'm coming to this drama without prior knowledge of the donhua or novel. So I am coming to this drama with a fresh pair of eyes and no preconceived ideas what the story should be like.I actually very much enjoyed the drama. I was a little worried at first because there was so much complaints from those who have read the source material complaining it wasn't true to the source and I found the first episode was all over the place. I admit almost dropped it after ep1, but by ep 5/6 I was thoroughly enjoying it. So my advice to give it a few eps before making a judgement.
In terms of the story line, it is very much about Tang San's journey to "level up" and the friendships he makes on the way. I found the pacing was good, the acting decent, and good enough character development that I truly cared about each of the main characters. The dynamic of the shrek seven and their head masters had some serious comedic moments that had me laughing out loud. And for all my worries about the ending knowing there was a second season I have to say I was satisfied with how it ended. I found it was a rather natural conclusion (like the end of a chapter) as opposed to something that felt rushed or like the writers didn't sloppily put together, nothing too jarring.
My only real complaint is I didn't really like the audio. Oftentimes there was a lot of unnecessary background noise, or suddenly the actors voices /volume would change. For those Xiao Zhan fans expecting him to sound like his character in the untamed, get ready for a shock! His voice is much deeper here, and it took a little getting used to, but he did do his own dubbing in this drama so that's commendable. And his voice's tone and timber gets way more natural by the midway point (again I blame this more on the sound director).
Overall I found this to be a very enjoyable drama, I hope it gets the greenlight for that season two and they can invite the original actors back. I am looking forward to seeing more of TS and his journey.
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"It was love at first sight, at last sight, at ever and ever sight."
Road Home is not your typical Cdrama, where you expect to see the most unexpected of them all.In essence, it's just a melodramatic, feel-good, piece-of-life sort of drama. Be prepared to see lots of romantic scenes, Kisses, hugs, long gazes, beautiful locations, and most importantly; how to LOVE and LIVE at the same time.
Plot summary:
This drama is focused on First love. Two youngsters fell in love at first sight and broke up due to fate's plan. Seems simple and predictable at times, yet they take you on a journey of self-discovery and healing. How to grow up and cultivate the love you once lost. It's mature, warm, and heartwrenching at times; yet you will enjoy every single minute of it. Be ready to see flashback scenes and the younger versions of the leads and their interactions.
First Impression:
The drama starts pretty simply as the plot suggests. The pacing is decent, since the leads find each other rather unexpectedly and reconnect because they want to! There is no hatred felt from both side unlike what we see in Asian dramas mostly. From the first episode, you can feel their longing and desire. It's like they are destined to set foot in each other's lives once again.
As the story progresses, there are minimum complications, and no cringe-worthy scenes ( except a few scenes where the leads are cut and can't communicate well). There are no jealous exes or love triangles to mess up the drama. Just sit back and enjoy watching two long-lost, lovey-dovey human beings. However, the ML is a SWAT member, as a result, there are scenes exhibiting his life and work by himself.
Acting:
It was my first time seeing Seven Tan in a drama and I dare say I was impressed. She plays her character so well. You can easily see her development from a teenager to an adult through the course of this drama. She suffers in her childhood as it's depicted through the flashbacks and develops into an independent woman who wants to love and settle down. She expresses her feelings and desires fully and Gui Xiao makes you believe in love if you don't already lol
Jing Boran aka the Male lead Lu Chen. The heartthrob of this drama. I wanna applaud his acting in this drama. It's hard to deliver a rather tough and broken character in a drama, and i must say JBR did a wonderful job delivering a police officer's employment and love life. Not to mention depicting affection and brewing loving chemistry with Seven Tan.
In essence, he is just a simple guy who doesn't talk much but just look at the way his eyes and body move. That is another level of acting in my opinion. Some simply watched the drama for his good looks, Well, you're not alone!
All other actors involved in this drama deserve kudos. Everyone played their respective roles in alignment with the story and this is what makes the drama interesting in my opinion.( A special kudos to the kiddo who plays Qin Xiaonan)
Writing:
This drama is based on a romance novel and the Author is also involved in script writing of this drama, which is a great contribution. I haven't personally read the novel, yet those who have had before mentioned that this drama is closely following the novel's footsteps and we are not deviating much from the novel ( as the novel readers say, the drama followed the novel closely. so if you see things missing or don't make sense, the original book is the same). As a result, the author's presence had a great effect on the script and character development.
Yet again, the only downside was that the second lead had minimum screen time and their relationship was kinda rushed. So we are mostly focused on the main leads.
Production and cinematography:
If you have watched Cdramas before, you are fully aware that their production system is a bit different( In terms of using CGI and dubbing voices, however, in this drama the actors' original voices were used) But this drama uses beautiful locations and picturesque scenery. We see a variety of locations and buildings, camps and bases, and cities too!( not to mention the tents and camps they showed us!)
The episodes that are shot in Qining are the best of them all, which adds to the value of this drama. If you watch the drama, you realize the importance of this magnificent place for the lead's destiny.
Music:
The selection of music is a bit limited, however, the background classical pieces used in different scenes definitely bring about good vibes.
I just want to mention that if you're a romantic and die for romantic dramas with the least complications and cringe, and at the same time crave romantic scenes and beautiful chemistry, be sure to check this drama. It's a solid 10/10. highly recommended.
And another side note. Some did not like this drama. Understandable! Not every drama made in dramaland is aimed to satisfy everyone. But this drama is not at ALL lame and bland. It's designed for a more mature audience who wants to see something realistic and romantic.
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* SPOILERS AHEAD. READ ONLY IF YOU'VE WATCHED THE SERIES* Things that annoyed me about Innocent Man:
1) The heroine that was used as little more than a beauty prop. The heroine is basically introduced to us as this badass, ruthless businesswoman who's the sole heir to a multi-national company. She is supposed to be a complete WOP, strutting in her high heels donning a zero-fucks-given attitude. And at first, she legit got me shouting, 'That's ma girl!' And, then ofc it all came to an end as soon as the guy walked in. From there onward, started the four-staged transition of our heroine from a boss ass bitch to just another irrelevant not-that-pretty face. Dx
Stage 1: When we realize that all the talk about her supposed badassery was just that, talk. For, when she is given a chance to actually prove her worth; she, despite being a Harvard graduate, famous child prodigy and an all-around genius, spends all her time banging her head against a desk and then, passes out in the garden. Whereas, the hero; a med school drop-out who doesn’t know the ABC of business, freaking flies from another country, learn everything about accounting and marketing on an hour-long phone call with his dumb best friend. And overnight, devises a fool-proof and practical investment plan. Like, m888 pls there's pushing it and then there is freaking bullshitting it to Hades and back. Ofc, all the while the heroine just stared at him; tongue wagging and hearty eyes shining.
Stage 2: Now obv, no-one can resist heartless badboys, so ofc she instantly falls in love with him. He is, unsurprisingly, using her for a revenge scheme against his ex (who's coincidentally also the heroine's step mom/sugar daddy's arm piece who wants to steal all her fortune) and ends up breaking her heart. Just seconds after the breakup, she gets a call that her father is on his death bed and wants her there with him but because she is just so fucking heartbroken, instead of going to her dying father she says fuck my privileged life and deliberately crashes into an oncoming car. (Ofc the car belonged to the hero and both of them then, dab their broken bones into the ICU)
Stage 3: Then came a nice dramatic twist where she loses all her memories 'cause of the car crash -joy- and is quickly transformed into a fragile, wimpy, spineless walking talking sob story who constantly whines about how much of a fragile, wimpy, spineless walking talking sob story she is. Double joy with happy tears on top.
Stage 4: Finally after 5, hour consuming episodes, she gets her memories back. And at this point, I was all pumped up and was like "Okay girl, let's bring the swag back on. This is your time to conquer and get back the billion-dollar company that was rightfully yours and show 'em who's the boss". But alas, I just got a stuck up, self-pitying brat who, instead of bringing her best revenge game just pouted, screamed and walked around with her arms crossed. #RIP Not to mention that after she gets her memories back and she finally remembers all that shit the hero did (he basically ruined her life), all she does is show a lil attitude and even in that duration, half of her thoughts are spent on pining after the dude. #RIPx2
2) The highly unnecessary martyr syndrome:
So at the end, both of our MC's realize that they can't live without each other (shocker), and they run around the city, tryna find the other when at last, their eyes connect over a heavily trafficked road. So, the red signal comes up and while all the other obviously dumb pedestrians rush to cross the road, these two geniuses start their slo-mo jaywalk towards each other. Conveniently, the killer (who wants to stab the heroine and take over her company) arrives just when they're steps away from embracing and then outta nowhere the hero magically lights nitrous under his ass, does a fancy little twirl in the air -where he spins the heroine a full 360 degree, while simultaneously giving her a bear hug- and gets stabbed in her place. BRAVO. I mean, I get that he needed his sixty seconds of stardom but in the time he did all that shit, he coulda just pushed her to the side and saved both of their sorry asses. #AllHailGlory
3) The horribly put together ending.
Like, if you're gonna invest in producing 30 hours of screen-time, the least you could do is film a proper ending. Instead, everything is wrapped up in a measly 15 minutes. We are teleported to seven years later; where apparently, it's the hero's turn to lose all his memories. LMAO. 100% Dead-ass. It is revealed that the accident they were involved in had apparently caused him some brain damage too (just like the heroine) and his surgery caused memory loss. How divine. So, basically, he forgets everything that happened and is now starting over with the heroine in a rural town. WTF.
There is no inkling as to where the multinational company (which was the whole focus of the show) went to. The heroine, who was a billionaire in her own right and was basically built to lead the business, is reduced to a giggling girl who spends her time baking horrible goods at a cheap store (that nobody buys) and not-so-discreetly snapping pictures of the hero. They also show the fail killer walking somewhere out of his own volition (hopefully to jail) and the drama ends with a "Love trumps all" moral.
So yes, Innocent Man does come with its fair share of flaws but it still wrenched a 7.0 rating out of me because even despite all of its ludicrousness, I somehow ended up enjoying the drama. The acting is satisfactory. Not a single episode is boring and it would keep you at the edge of your seat till the end. Even though Eun Chae lost her character half way through the show, she had got me on her side with her personality in the beginning and so I was still cheering her on till the end. Kang Ma Roo also had his moments.
Moon Chae Won and Soon Joong Ki are both good actors and even though they did appear rather blank sometimes, I feel like they played their roles nicely. Won't rewatch it all but I might revisit some of the more interesting scenes in the future. Who knows?
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Basically this drama is about a women who works at an advertising company as she enters a crossfire of various love interests including her ex-boyfriend. Despite this, it's a hilarious comedy that looks into how she copes with her work and personal life.
The Good
Can I give a huge hug to the writers for not dragging on this drama at all compared to like 99.99% of the other dramas i watched?? Like damn, considering the 20 episodes- one wouldve thought that 'oh no... there must be some dragging on going around' but don't be deceived! Each episode is around 20 min; hence the reason why there are 20 episodes, but there is never a dull moment!
I seriously loved the storyline as everything gets resolved at the end and the main character isn't as annoying as other female leads. The actors and actresses were spot on! I loved their chemistry and their acting as they got along pretty well and portrayed their character well!
The music was fun and light and all the tracks were enjoyable!
The Bad
There's not much to say about the bad- but imho, i think that whenever there was a 'sick' scene where someone is coughing or sneezing- it was very obviously fake and not well done. I would prefer if they could somehow made the sneezing and coughing scenes not as forceful.
Overall? This drama really is good since it's light and not as melodramatic. If you want something to pass time with or something that doesnt make your brain hurt too much, i seriously recommend this drama!
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In the opening shot, we see a woman whom will be an integral character later in the show, advocating for a woman’s right to openly express her sexuality within Japan cultural mores, shamelessly flaunts her armpit hair to people while saying love means accepting nature, to her it's an expression of feminity and identity. The drama depicts her as a symbol of strong female representation. But even with that, people might still be put off by the show's handling of sexuality at points. It would be too taboo and misogynistic to a different culture, but this drama is not trying to be morally correct, it only depicts a story as what happened, to watch this drama you don't have to agree to enjoy it.
Naked director is an 8 episode drama based on Japanese legend, Toru Muranishi aka "The Emperor of Porn", a controversial figure but considered by many as the most innovative director of Japanese adult videos. He has a fascinating life, went from a Japanese struggling salary man to a legendary director that soon will trigger the Japan's pornographic revolution. It's a fictionalize biography of him, not everything happen is accurate, and some events have been overly dramatized for the sake of entertainment.
Although it's a semi biography about Toru Muranishi, it also shows Japan's economic and cultural expansion, the movement in the porn industry as people move from magazine to video/media age. Rules are changing, everything is changing but not Muranishi's strong resolve. Well paced drama, doesn't felt too slow or fast. It's also has nice balance of slapstick comedy to the underworld dark side of porn. What I especially love about this drama is it doesn't shy away from the bad actions of this main character. They didn't try to portray him as a hero or justified his actions, but also didn't try villainize the character.
It's clearly aims towards international audience. It promotes Japanese culture from food, hustling bustling Tokyo to the infamous Japanese sex industry. The drama also felt inspired by American television, not as thematic and preachy like most Japanese dramas. The music is a blend between electronic and rock. On the technical side, cinematography was the strongest. It clearly depicts 80's vibe, from colors, landmarks and the way they shot famous 80's establishment like disco scenes.
Wonderfully acted all around, these talented casts brought their best in this drama. Yamada Takayuki captivates as ever, brilliantly portray Muranishi, from facial expression to the way he speaks he nailed it. But what's amazing about his performance is how he balances the humor and seriousness given the situation. Biopics needs strong lead actor and Yamada Takayuki delivers. I've seen almost all of his dramas and movies and I think this is one of his best performance and definitely his most daring ever. The one the surprise me the most is the actress who played Kaoru Kuroki, Misato Morita. Talking about a career defining performance, the actress gave it all like literally, that scene alone with Takayuki deserves an award. She's one of the strongest female character in a drama for me, feisty, and she don't give a damn what others will think. Her character is that interesting that they could make a drama out of her. Not just the leads but the supporting cast is a bunch of interesting characters as well, all of them have their own quirks, but don't just serve as comic relief characters, and if there's a standout among them it's Shinnosuke Mitsushima, the one who played that goofy character Toshi, he is the gangster, the do it all of the group. With strong leads and eccentric set of character forms this dynamic group that is fun to watch.
If you're a fan of biopics and you want to learn more about Japan and its fascinating porn history then you should watch this drama. Even if it's considered as the dark side it is still part of its culture. Not for everyone obviously, it's too explicit, and I think even late night Jdrama slot would not show this drama. If there's no Netflix this drama won't get a green light unless they made this into movie. And before someone say it's glorifying porn, it doesn't mean they make this drama that they already glorifying the act, it's just simply telling a story. It's best to separate your morals and reasoning from a story and try to see it through neutral eyes.
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Like a refreshing lemonade in the Summer
My very first review! Watched this with a bit of prejudice as age-gap romance was there. But I'm glad I did.Instead of rushing into everything, the writer gives us a slow-burn romance that is both logically and dramatically appealing.
Happy to see both the Male and Female leads having strong personalities. Entire cast gave their best performance. Everything fit perfectly and we have a closure after completing this series.
Thanks to the entire team of Melancholia for this treat. Would re-watch again in the future.
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For real, my PREJUDICE is showing
I am going to be biased in this review, whether i like it or not. If youre a big KPop fan, who doesnt fantasize about the scenarios in this drama. Its a fanboy/fangirl dream come to life.Kim Kang Min played Choi Si Yeol perfectly as a member of an ageing idol group and Kevin as the almost geeky and perfectly relatable teacher Na Ae Jun. The moment the show started i am immediately transported into the shoes of Ae Jun - the slowmo moments and the cute fangirling - my heart would have exploded and i wouldnt have his self control when faced in similar situation.
Im glad that the episodes were a little bit longer than the usual KBLs and isntead of 8 we got 10 episodes. It was the perfect length to tell the story without rushing things.
The show, however, isnt perfect - first, it felt like there was a little bit of budget constraints especially when acquiring songs because this is a show about a KPop idol but there wasnt really any great song for the soundtrack. I also felt like there was a lot of missed opportunity to tell a deeper story as they glossed over the difficulties faced by idols (and their partners) especially when it comes to their personal lives.
This series also amped up my anxiety to the max. When it was revealed that Si Yeol is only using Ae Jun to exact revenge on Ji Kyusong i felt afraid for him and imagined how devastated it would be if he found out that his bias has been deceiving him. I sincerely felt that the show didnt handle that situation very well because that was some weird dark sh^t and it was downplayed as something to be forgiven easily just because "i like you first for a really long time".
What could have been an impactful romance drama became a cute, fluffy and light fantasy (yes i consider it a fantasy since i think everything is just a fantasy happening in the mind of Ae Jun) series that lacked real depth.
Dont get me wrong, Its not a bad drama but its definitely not on the level as some of the best KBLs like Semantic Error, To My Star, Bleuming and Love for Love's Sake.
Would I recommend? Yes, definitely.
Would I rewatch? Probably not.
Giving it a high 8 just because i love all of the 4 main cast. I told you im going to be biased.
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Great acting from the cast, in particular, from the leads, in which this film was their acting debut. Shawn Dou was great as the hunky lead male (great smile!) and Zhou Dongyu was lovely as the naive lead female. My only gripe: the male lead character seemed to be a bit too perfect and angelic and it would have been nice to have some more dimension to his character.
Even though the film is set during the end of the Cultural Revolution, there isn't too much emphasis on politics. This is a pure love story at its best with the interactions between the main characters at the forefront.
The film also has amazing cinematography. The color palette isn't striking but there is a nice contrast between the village and the city landscapes.
Recommended for those who enjoy those simple and pure love stories.
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It’s a shame that this drama didn’t get the right international attention despite the fact that this is one of the best produced K-dramas back in 2012.
This is a journey in the harsh world of political schemes and the higher ups power struggle where the jungle law is effective: “the strong consumes the weak”. However, a man defies that law and starts his own journey of justice to defend his beliefs accompanied by fellows and confronted by whoever who gets hold of power. The Chaser’s screenwriting is almost flawless if we exclude some events, nothing less from a genius writer named Park Kyeong Soo who never fails in delivering delicious witty dialogues full of wisdom quotes. The thrilling events will keep you at the edge of your seat; just get ready to throw yourself into a ride of consuming twists and endless turns because that’s the core of this drama: Extremely Intense screenwriting.
If I have to talk about acting, I would say it’s high-class and very penetrating especially the main leads’. With veteran charismatic actors like Kim Sang Joong and Son Hyun Joo, you’re bound to expect perfect roles’ portrayal and astonishing acting skills. Other actors were also fitting and quite enjoyable to watch.
As for the characters, you will find yourself compassionate towards the protagonist and not hating the evil figure mainly because he succeeds at making you understand his motives. The rest of characters were appreciated especially their development but if I have to mention the most absorbing character in this drama, I would say Chairman Seo Dong Hwan. He had such a complex character that can be described as a man of wisdom, who represented power but those qualities can also be interpreted as filthy power and misleading wisdom.
It's a given that intense dramas with several twists would lose its factor of surprise once it's rewatched that's why its value is low.
To summarize, you should watch this if you’re looking for a good thriller, unique plot, cliché-free storyline, top-notch acting, powerful screenwriting and deep characters. However, if you’re searching for a romantic plot, cheesy events, light drama or idol actors then you shouldn’t be reading this in the first place.
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Authentic! The people, the stories, the setting. Affectionate, humorous & true to life characters
"Diary of a Prosecutor" is an extremely delightful, unconventional and, despite all the sometimes snappy, sometimes cheerful, sometimes pitch black, sometimes heartful humor, it also offers a quite serious, profound examination of jurisdiction and practically handling the law. This embedded in the simple everyday work-life of ordinary people, told from the perspective of a provincial prosecutor. The script is based on the essay "Civil War Prosecutor", written by a real prosecutor and inspired by his personal experiences.So it is primarily about the everyday life on the office floors and behind the office doors of the public prosecutor's office. First and foremost, this is about profane workdays that often last until late, including dinner and drinks with colleagues. However, this is also about a noble task, the juggling with legal regulations, the ideals of a just society and the diplomatic basics in dealing with superiors in the strict hierarchy from the bottom to the top. And last but not least, this is a potpourri of different individual stories of quite ordinary people who face the challenges of their inconspicuous lives every day anew, and eventually grow from them - as it is in life...
In other words, you get: a variety of people you grow fond of as you get to know them better; a job-portrait that is subject to the highest expectations, but whose credibility in the country is still not easy. And a (fictional) outskirts - a town at the seaside, famous for its oyster harvest. The filming took place in Tonyeong-si in the very south of the country, where practically the entire crew (around 150 people, including cast) stayed during the five-month shooting period... Provincial life is thus breathing from every pore of the KDrama - everything is a bit more relaxed, closer to nature. Seoul is far away…
Conclusion: Authentic! The people, the stories, the setting. The dramaturgical 'trick': the greater narrative of the omniscient narrator. The humor that comes along with it. Sometimes ironic, sometimes satirical, sometimes bone dry. Bottom line: funny and complex at the same time. Affectionate, humorous and true to life personality portraits. In script and play. The cases and the ethical questions involved go deep at times. And yet it is people who deal with it. Colleagues. Eventually in competition at times. Imperfect people, with weaknesses, even if they wear robes. Yet, people who can excel themselves at times, too. Other than that, the days, weeks, months and years go by, case after case, team dinner after team dinner...
As far as Korean life and culture is concerned, with this KDrama you can get pretty close to the people and their everyday world in many ways. Because of this and a wonderful overall concept, whose good spirit works on all scales, I consider “Diary of a Prosecutor” highly valuable.
Maybe it's a bit unusual at first. Don't let it irritate you. Keep going. I´d say it is worth it...
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