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1BL to Thriller or Vice Versa?
At first, my fujoshi heart was all aflutter for some fresh BL content, but six episodes down the line, I found myself spiraling into a rabbit hole of thrills and chills instead.Not a moment of fast-forward was needed through the saga: it's a wild ride through the eerie and the unknown, with narratives that grip you, suspense that keeps you on the edge, and a raw delve into the realm of mental health. It's a murder mystery adorned with a rich blend of folkloric whimsy and literary allegory, each scene more captivating than the last. This series is where the tender allure of BL meets the pulse-racing thrill of a mystery, all wrapped up in a cloak of cultural and literary elegance.
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A good cute story
First things first, a warning about this drama is that there is a lack of attention to detail. Just small things like, ‘how is he not wet after being in the rain’ or ‘what happened to those cuts from five minutes ago’. There are also parts where some actions lack explanation for example, ‘how does bunny’s dad have people that beat people up. what is his occupation’.Also there is a situation where solo is drugged and almost raped by a woman and it’s just ignored. I didn’t like that but as far as I’m concerned it’s because she ran out of the building and got hit by a bus....
SoloGui:
I know people love the side couple, but SoloGui where definitely my favourite. They have a relationship built on mutual respect and honesty so they appear to be perfect, but no relationship is perfect and the flaw of their relationship I’d say is transparency. To explain, when Solo fall in love with Guitar, he falls hard. Gui was his entire happiness, all that mattered was Gui and because of this he doesn’t really think about much else and by that I mean his fiancé. He honestly never loved her because he loves Gui but he just didn’t say anything about it. He should have at least warned Gui about her. Same with when he just disappeared. However I liked that Solo never actually lied to Gui.
PhuKao:
This relationship was fifty shades of pure fluff. it was just really wholesome and cute. At first the bunny thing was pretty weird and cheesy to watch, but it eventually grew on me and I enjoyed it a lot. As they where a side couple they never had any real conflict with each other, so I wasn't that emotionally invested in them. So, when we learn that Phu needs to go to England I didn't expect it to hurt that much lol. but it did.
Kao was also the most supportive friend even when he was missing Phu, which I find so amazing. He is really the perfect friend.
PetchKhimPerthKhem (ugh):
This whole love square thing was an absolute mess. It really made no sense .
Dr. Perch has THE MOST punchable face I’ve ever seen OMG I’ve never been so frustrated. He has got to be the most useless excuse for a doctor how this idiot got a medicine degree is beyond me. He hurts and lies to so many people without even realising how much harm he’s done.
At the start I really didn’t like Khim because she didn’t know how to respect peoples boundaries and would invaded people's space, which I hope was the production mocking the fans that behave like this in real life. I think there was some development in her character, because at the end she seemed to have changed.
Initially the acting of the main couple felt quite awkward, but as the story progressed their acting, as well as their chemistry improved greatly.
I loved the ending of this drama so bloody much. Solo finally fixes his relationship with his father, and he is finally with Gui and their stepson*insert giggle*.
In the last episode, where Solo came to the farewell party and Gui kissed him on the cheek and ran away.... that was by far my favourite moment of the drama. The smile on GUI’s face was so authentic and it felt so real .
Lastly what I love of this series is the OST and sound effects. I don’t know if it’s just me but I love being surrounded by music like I can’t even sleep without listening to music so I really liked that and the intro was perfect. I literally never skipped it .
To conclude if you just want a ‘lightly sweetened’ series with many fluffy cute moments I definitely recommend this one. But be warned!! If you stay to the end it gets stressful as the main drama happens from about ep 10 before then it’s literally all the calm before the storm.
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Você me Ensinou Todas as Coisas Importantes
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Strong Start But Then Became A Downhill Runaway Train
This series had a ton of potential. A show about a psychologist counseling patients with various problems and in depth look at just how each session progressed. Her own life and the life of her friends, family, and romantic interest as well the antagonist were all very strongly introduced. Each main plot and subplot were going well until about episode 29, around that time this smooth moving train lost its conductor and started to go downhill at top speed.The subplots started to obscure the main plot, the characters behavior didn't align with what they had previously done and many useless characters were brought in without a proper explanation to cause trouble only to completely vanish later in the same way they appeared. Or scenes that were shown in opening and closing credits, never actually happened. The guess is that after the first review and cut in episodes, the editing was done extremely poorly.
The main antagonist aka el creepo or YJH was forgiven or given a slap on the wrist judgment for really horrendous things. His character development was a constant tug of war between evil and some version of good. Though he was hell bent on revenge, it seemed his revenge was aimed at the wrong people and totally misguided by his adoptive father who was the real criminal in the entire plot.
The mega scandal promised in the synopsis that would evoke HD's sleep walking problem; didn't and wasn't that huge. It was also left for the final 11 episodes to sort out. HD's father was thrown into the mix and neither that relationship nor problem was solved in the end. Many of these main plots were left hanging. I'm all for a cliffhanger as I've written my share of them, but you need to tie some of the loose ends up and leave just one hanging to really grab the audience, not 36 of them. Which could speak to a season 2 but considering how poorly written and executed the second half of the drama was, do people really want to see season 2? And will season 2 have the same cast because a whole new cast would make this a disaster. Plus c-ent has a tendency to do sequels up to 5 years after the fact and at that point everyone has lost interest.
Lilli's change in men was like a whiplash, because from rich, snotty, and "cute", in a span of one full episode she fell for an average Joe cop. It was as if, the writers really had no time to develop Lilli's evolution as a woman and wrote the polar opposite of what she fell for before like an epiphany of sorts and hoped the viewers wouldn't notice.
Instead of properly closing out this series, the writers threw in another couple for HD to help cure in 2 episodes. And the ending went from el creepo crying over his mom after she tried to kill herself, to an ambulance, to suddenly out of nowhere a monologue of HD talking about her work and the patients she's helped. The last episode honestly looked like it belonged to a completely different show. There were so many inconsistencies and inaccuracies, towards the end that I'm sure I missed explaining a lot here.
I commend all of the actors on their terrific acting but only that and the OSTs were what remained of a really great and strong show at the beginning. I was very much looking forward to this series and I'm really disappointed. Would I recommend? Depends. It certainly has its strong beginning, but a very weak and inconsistent second half and ending. Judge for yourselves if you choose to.
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2) Storyline/Plot : This drama has the closest adaptation of the manga; it followed it literally without much change. It was faithful which made it enjoyable.
3) Acting/Cast : Like I said before this was my first Tw-drama so back then I wasn't familiar with the cast but i loved the acting plus supporting roles were extremly awesome along with all the side stories.
4) Music : I don't actually remember the music clearly but I think it was nice.
5) Rewatch value : one of the fewest dramas that I check out sometimes. If you do rewatch dramas you will definitely rewatch this.
6) The ending : It was extremly good the kind that everyone wants to see while watching a drama but I wouldn't consider it an "End" since there's a second season.
7) Overall : I am so not into chinese languages but while watching this drama I totally forgot my dislike and focused on the story.
Basically, if you're Itazura na kiss's fan you must watch this.
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Daring, Romantic, Beautiful
After CQL (“The Untamed”), many viewers called for more dramas like it, and are pleasantly rewarded with this drama. “Word of Honor” (WoH) is unexpectedly daring, romantic and visually beautiful. Adapted from a BL novel, “The Wanderers” by Priest, this drama was expected to have the BL elements toned down, if not totally eliminated, to pass censorship, To the surprise of many, here, the show of love is blatant and unabashed; according to readers, the adaptation is faithful and they are delighted.Story
One is guilt ridden, and seeks to redeem.
One is revenge ridden, and vows to avenge.
One is young with no skills, and promises to become better.
They all have one thing in common - they’ve lost everything. When they meet, they become a family, watching out for each other. Life becomes meaningful again.
Many viewers ask the question how this drama is compared to CQL (“The Untamed”). Though of different genre, CQL is xianxia and WoH is wuxia, there are many similar parts, such as the search for some relics that everyone kills to possess, the monsters/zombies, music therapy (to heal, Wen Ke Xing plays the flute, Lan Zhan plays the guqin), herd mentality, dark can be light, and white can be black etc. They even use the same composer Lin Hai to compose the music. The visual effect of both dramas is very beautiful with amazingly good-looking actors.
“Word of Honor” is a very typical wuxia story with various sects and alliances, emphasizing on chivalry, altruism and compassion as virtues. Compared with “The Untamed”, the relationship in this drama is more explicit. Within the first episode, one would know it's more than platonic - there're more skin-to-skin contacts, and admiration words are flying everywhere. Having said that by episode 22, the BL elements become more subdue and the dynamics somehow shift to more brotherly. Nonetheless, the undertone is still the vow of “till death we part”. There is not so much of the actual plot, but this drama dwells deep into the inner feelings of the main characters – their fears, their hatred, their guilt – and how they try to redeem themselves. A lot of feelings are channeled in an unspoken way, leaving room for interpretation.
With Wen Ke Xing (Gong Jun aka Simon Gong), Zhou Zi Shu (Zhang Zhe Han) is understanding and benevolent. He has great respect and patience for Wen Ke Xing who is a broken man. Wen Ke Xing continues to use flamboyant words to cover his own pains and feelings, and constantly test Zhou Zi Shu with unanswered questions to determine if the latter can understand him truly. They become each other's soul mate, and accompany each other wherever they may go; their constant bantering and teasing is fun to watch, and their CP chemistry is undeniable. Many of the dialogues have deep meaning using analogies and idioms. The use of poems in expressing love and admiration for the other is lavishly done, making the declaration direct and yet classy and meaningful.
Acting
The overall acting is good, in particular for Gong Jun (Simon Gong) as many viewers have pointed out. He has a playful and at the same time a devilish mysterious look which helps him fit perfectly as the gray Wen Ke Xing character. His ability to change from a dark side with devious hatred in his eyes instantly into a bright, cheeky and flirtatious character, or vice versa, is commendable. All this is done aesthetically and convincingly. I particularly love all his fighting scenes, beautifully executed.
I am normally critical of Zhang Zhe Han's acting, but here, he nails it, either as the dark face rugged looking Zhou Xu or the handsome somber Zhou Zi Shu.
As many emotions are expressed through few words but with the actors’ eyes, both main leads have given a rich performance here.
OSTs
As mentioned earlier, the OSTs are composed by Lin Hai who has also composed the OSTs for CQL (“The Untamed”). For me, the OSTs here are less memorable though I have enjoyed listening to the title theme song.
WoH or CQL
I’m not trying to compare apple to apple of the two dramas. I’m just trying to answer some questions new viewers may have. When viewers express that BL not their cup-of-tea, they are being labeled as homophobes and attacked en masse by fans. But attacking others doesn’t make one less bigot.
The Chinese title for WoH is Shan He Ling, which makes me think, just because Chen Qing Ling (CQL) is successful, did they also try to copy the naming style of the title to give WoH a similar feel for the Chinese audience? Shan He in this case has less relevancy than Chen Qing in CQL (The Untamed).
For me, WoH has not touched me as much as CQL has. I have been almost in control, apart from some burst out laughter, throughout the whole drama whereas CQL has made me cry a river. I like the lighting and colors here, and the CGIs are probably done better here too. The fighting scenes here are very beautifully executed, especially with Gong Jun’s scenes (I know I’m repeating, but his fighting scenes are really very good). But the story is not as rich as CQL, the super villains are not as mysterious, and the pains not as intense. The BL elements though are very explicit which may turn some viewers away whereas in CQL, they are very subtle, expressed in thousands of symbolisms, songs, and minute actions. Some viewers even find the relationship platonic in CQL.
My Verdict
There is great character contrast - one is active and the other passive. Both characters have unbeatable fighting skills. The lavish use of poems to describe feelings is brilliant and sophisticated. Great cinematography and great fighting scenes. Visually, like CQL (“The Untamed”), this drama is beautiful. There is a lot of actions, and at the same time, the drama spends a lot of time exploring the inner feelings of the characters.
If you love watching men ogling each other openly, this drama is for you. Else skip the first 20 episodes, but then there's nothing much left to watch and you may not follow the story. Of course, all this boils down to personal taste. Some people didn't like CQL but love WoH. Likewise for viewers who have loved CQL and found WoH not measuring up. And some love both, like myself.
Though there are flaws, I must applaud the courage in producing such a work of art that does not conform. Overall, I have enjoyed this drama.
Great watch!
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Minha Vida de Ouro
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Weekend family drama, progressively challenging the concept of becoming/living as an ´adult´
“My Golden Life” is one of those KDramas that have been writing drama-history in South Korea. It is considered a 'national' series – popularity increased rapidly, the number of viewers doubled during the broadcast and towards the end, almost half of all nationwide TV audience during the weekends, while “My Golden Life” was broadcast, watched this series."My Golden Life" is a family drama, that doesn't just get lost in family clichés, Makjang and RomCom, but instead explicitly addresses some critical contemporary issues. Additionally, given attitudes and convictions are boldly deconstructed along the way. Thus, "My Golden Life" is a rather progressive family drama, involving also the 'quite new' concept of making personal life decisions despite (and in opposition to) family interests. In addition, more than one protagonist is questioning his/her life decisions or is forced to dealing with 'failure' (up to 'depression' as a result of learned helplessness), which is also quite progressive. Whether rich or poor, such issues likewise hit any income classes - in “My Golden Life”, too. In addition, there are current long-running topics such as the (lack of) work-life balance, discrimination because of social status, and the shame of divorce, as well as the increasingly sensitive issue of 'age'.
Ultimately “My Golden Life” is progressively challenging the concept of maturing in the sense of making my own, accountable decisions and thus becoming/living as an ´adult´. What does it mean, what does it need to be an 'adult'? ´Adult´ in the sense of having grown out of the familiar nest and being able to fly with my own wings? In the sense of being challenged to apply what I have learned in my own, individual manner? Is it allowed? Actually desired? Even wanted?
Notably gratifying and astonishing: Throughout the series, practically all of the divers family members go through their personal maturing processes against the background of various contemporary social issues. Many dramaturgical motifs may be familiar, but you can be sure that sooner or later everyone will be challenged with their attitudes and decisions being on trial. “My Golden Life” is not about stumbling through life with a social reptilian brain in obvious stimulus-response pattern. And it is not about by all means controlling the environment with the arrogant mindset of absolutist power fantasies. "My Golden Life" is intelligently and systematically deconstructing the usual set screws for critical life decisions (and dramaturgical plot developments.) In the end, almost every protagonist gets challenged and in the long run actually they all come to their individual, sometimes astonishingly mature, honest and even wise reassessments and re-decisions. This is (at least in this KDrama) possible, permitted, actually prerequisite.
Strikingly symbolic to deconstruction processes of social and individual assumptions throughout the story, ´gold´ is a metaphor for the estimation and valuation of an individual life. Its meaning and value is changing throughout the KDrama, parallel to the transformation processes of the protagonists... Most of the characters initially have the conviction that money (and associated with it: status) is the prerequisite or guarantee for happiness and a worthwhile, precious life... (as on the other hand the lack or loss of money is the reason or the cause of unhappiness and equivalent to a nugatory life.) However, most of them realize over the course of story that a ´golden´ life is not necessarily one that is successful, prosperous and meaningful because of a lot of money. In fact, an elitist, privileged life - being born with a ´golden spoon´ in the mouth - eventually comes with a ´golden cage´, too... Rather, a ´golden´ life is cordial, substantial and radiant with accountability and authenticity.
Within turbulent relationship dynamics (including a bit of Makjang-style topping when it comes to plot development) the 'impoverished middle class' and the 'dirty rich Jaebeol clan' are cleverly juxtaposed against each other, thus almost offensively confronting with the exaggeration of social class-affiliation and questioning traditional mindsets; additionally, full of wit contrasting submissive obedience and self-confident rebellion. Meanwhile, a dubious, arrogantly patronizing 'Noblesse oblige' virtue is craftily criticized, too.
“My Golden Life” is sometimes funny, sometimes intelligent, sometimes outrageously provocative, sometimes infuriating, sometimes emotionally serious, sometimes touching and sometimes downright grotesque. Being set as a family weekend drama, it is supposed to be easy to digest… yet, at the same time, the KDrama is consistently keeping its unabashed finger (gently, yet persistently) on the social scrapes, quirks and deep wounds, too. An astonishingly felicitous, ambitious balancing act. Overall, “My Golden Life” isn´t long-winded, even with 52 episodes. You may as well give it a try.
P.S.:
'Reassessment' seems to be the greater moral of the story.
Meaning: Traditional structures, rules, proven patterns and given orders may be all well and good. They may give orientation and set a direction in life. They provide a certain range of tools and know-how on how you can meet the challenges of life. But ultimately, in each individual case, it is still indispensable to carefully consider the appropriate application and decide for yourself what actually should be and could be accomplished. What is it, that I want? What is it, that I can do? What is it that I think is right? And what is it, that I am willing to supply?
At the end of education and apprenticeship usually there is a form of diploma or master's degree – not for mere copying, but for suitable, at best innovative application and enhancements. And in "My Golden Life" there are quite a few characters truly having earned their award... each in their own way. Eventually, it won´t do to simply adopt what others suggest, would have done or did before. It is all about individual solutions. Traditional lifestyles and attitudes are put to the test and are systematically deconstructed - voluntarily or involuntarily. In the end, the individually appropriate reassessment and authentically fitting solution does not necessarily have to lead to an easy or obvious decision...
"My Golden Life" is thus also giving a lesson in emancipation, too - in the original Latin and also in the more modern sense. Initially, Latin “emancipatio” was the “release of the son from paternal power”. In a broader sense: the child has grown or the student has been educated, so they can hold themselves accountable for their own life tasks and work obligations and thus take responsibility and reflect on their achievements accordingly. Additionally, in a modern, more general sense, emancipation is freedom from discrimination based on group, sex or class membership…
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The Virtuous Husband.
In this witty satire, a modern business man finds himself in ancient China where he is Ning Yi, a soon to be zhui xu/赘婿 or matrilocal husband to Su Tan'er, the heiress of a wealthy cloth merchant. Using modern business methods, he hilariously wins his Tan'er's heart and mind as they take down internal and external rivals together and he proves his worth beyond being a useless kept man.The wicked role reversals as Ning Yi and Tan'er navigate their marriage made my shoulders quiver with laughter, especially the darned Academy of Male Virtue. I love the way Ning Yi is written in this drama - he is cunning, compassionate, innovative, ruthless and far from the virtuous husband, he is the academy's most farcically subversive element. Guo Qilin and Song Yi sparkled together, transitioning seamlessly between brilliant comic timing and repartee, heart stopping action and moving emotional moments. The colorful ensemble characters, friend and foe alike are well dimensioned and written and acted with verve and audacity. The humble Guard Geng with a big heart and big dreams is my favorite supporting character.
I thoroughly enjoyed the first half of this drama, which is easily a 9.0+, the second half is noticeably loses its mojo and is at best a 7.5/8.0. The decision to back burner both Tan'er and Guard Geng would have been fine if comparable new characters stepped up to fill the void. Unfortunately while Xigua starts out as a powerful and interesting character, she becomes pathetic. It does not help that while she is lovely and likable, the actress Jiang Yiyi is miscast here - she not funny and has little chemistry with Ning Yi/Guo Qilin. Ditto for his shifu and the creepy Lou Shuwan; I didn't really see the point of either character. The drama only picks up again when Guard Geng and Tan'er re-emerge and our power couple is reunited. This makes it obvious that despite Guo Qilin's undeniable talent, he cannot pull off these uproarious moments when he is not lined up with the right team.
Similarly, the antagonists in the first arc are very comical but in the bandit arc, the villains were mostly trying too hard to be humorous caricatures. The attempts at comedy are also often at odds with the heavily political and increasingly complicated plot line, one that leaves scarce room for Ning Yi the maverick to save the day. The story also takes a darker and more cynical turn and even though Guo Qilin impresses with his ability to make me feel the weight of his loss and cry alongside him, the drama ends in a way that does not leave me thirsty for the heavily hinted season 2.
Overall I rate this a 8.0. I would recommend dropping after completing the much more outstanding first arc.
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Cha Eun-woo taking that next step
This is probably the best acting I've seen from Eun-woo without a doubt. Like it feels soo good to see him in roles other than the cold smart guy, seeing this new side of him is just so refreshing, and shows how versatile of an actor he really is. He's portraying his character to absolute perfection. The FL is really beautiful and her acting skills is also pretty good. The other ML is also good, but Eun-woo stole the show for me and was the highlight. Cinematography is just simply amazing and the story got me hooked on the very first episode. I highly recommend this drama if you're into suspense, thriller, and action.Esta resenha foi útil para você?
Story: (9.5/10)
Suits starts off with Go Yeon Woo running away from the police after almost getting caught making a drug deal, and he accidentally slips into an interview for one of the city's top law firms and meets Choi Kang Suk, the best closer in the city. He takes a gamble and hires Yeon Woo after recognizing YW's photographic memory and his passion for justice and the law. The rest of the series showcases their relationship as the dynamic duo, solving many cases and serving justice together with the help of the managing partner, Kang Ha Yeon, the beautiful and intelligent paralegal, Kim Jina, KS's amazing and talented assistant/secretary, Hong Da Ham, and YW's and KS's arch nemesis, Chae Geun Shik.
Each episode features a different theme and motto, and the different and interesting cases within the episode will relate back to the motto (for example one episode's motto is "everyone gets what they deserve", and the case in that episode relates to that). The drama so far basically features the same ideas and cases as the US version, and there aren't huge differences in the story development and the content per episode. The setting is also VERY similar; the financial district and the amazing office views, and even the tiniest details such as the hotdog stand that Harvey goes to and the little toast/fish pastry parallel in the Korean version, the fact that both YW and Mike travels around in a bike, etc, etc. There are endless similarities that I could draw from the 2 versions, and the Korean remake was very refreshingly different, but also very similar at the same time (if that makes sense).
The only thing I'm unsure about in the drama is how everyone will react/find out about YW being a fraud, and how this will play out in the show, since in the US version, he gets caught and he eventually goes to jail for while and then getting out soon after. I'm not sure how the drama will show/solve this issue, so I can't comment on that topic yet.
**EDIT**: i felt like the show kind of ended abruptly in the last 2 episodes, and the ending was a little rushed. However, considering there was only 16 episodes total, I do understand how it all played out. I'm satisfied, as there were no loose ends, however I do wish that they showcased more of GWY and Jina's ending. Other than that, it ended off fairly well, and also very similar to the US version.
Cast/Characters: (9.5/10)
Choi Kang Suk vs Harvey Specter: ahhh, harvey is my ultimate bias, as I just think he is sooo extremely attractive, not just appearance wise, but also his personality. Jang Dong Gun did an amazing job at portraying Harvey's cockiness, his quirks, confidence, and his raw talent. He's Kang and Ham's (the law firm) ace, their best lawyer, and he definitely lives up to his reputation in every episode, as he somehow figures out a brilliant solution (along with GYW) to every problem that they encounter. His bromance with Yeon Woo doe..... you can really tell that he cares about YW even though he's known to be heartless and very cold.
Go Yeon Woo vs Mike Ross: i have to say that I am extremely impressed with Park Hyung Shik's acting. I've only watched a few episodes of Strong Girl Do Bong Soon, so I can't really comment on his acting there, but in Suits, he did a fantastic job portraying GYW! Especially at the fact that he was able to memorize all those difficult legal terms/definitions and pretty much recite the law. Although GYW and Mike Ross are the same character, Hyung Shik made this character into his own. There are so many similarities between the 2, but I do like Hyung Shik's portray better. The only thing I didn't like in relation to the character GWY was that in the Korean version, there are a few times he just makes (kinda dumb) decisions on his own that Mike didn't, and it was just a little unnecessary to me and it was a lot different than the US version, since Mike Ross pretty much never messes up/makes a mistake (apart from lying about his law degree LOL). But all in all, greatttt character.
The rest of the cast was also a joy to watch, particularly Chae Geun Shik, their arch nemesis. This character is sooo funny and hilarious, he's a workaholic partner at the firm, and he constantly tries to get the managing partner's approval/respect, but he somehow always falls short compared to Kang Suk. He tries extremely hard to make Yeon Woo's life as difficult as possible, always waiting for YW to make a mistake, and their relationship is just so funny to watch. Also the fact that the Korean version also talks to a dictaphone, has an admiration for Kang Suk's secretary, and can sometimes be downright cruel. Kim Jina and Yeon Woo's budding romance is so cute and bubbly too, and their interactions with each other are always a joy to watch, kind of like watching a first love blooming. The managing partner, Kang Ha Yeon, is a total badass bishhh, just like Jessica Pearson. They always put the firm's interests on top and always want what's best for the firm. KS's secretary, Hong Da Ham, is also very much like the infamous Donna, extremely witty and pretty much knows everything going on in the firm and also knows everyone.
Music: (8/9)
The OST is quite good, especially the 2 main instrumental songs that play in the backgrounds during certain scenes. Some other songs play in the more emotional and romantic scenes, but they weren't that memorable in my opinion.
Re-watch value: (8/10)
It's a very entertaining show to watch, however since I already watched the US version, the Korean one has many similarities in terms of content and the cases they solve, so to me personally, I probably won't watch it anytime soon, just because I'm already quite familiar with the plot and storyline.
Overall: (9/10)
If you haven't watched Suits, whether the US version or the Korean one, I highly recommend that you go watch it, especially those who like law shows. The story is quite unique and different, and the cast/characters are amazing and their interactions and their relationships with each other are so dynamic and interesting. Don't miss out on this amazing drama!
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Still 2Gether: A Damage Control or How 2 Save Your Series
This season was clearly done to save this series after lackluster finale/final third of season 1. It very obviously addresses most of the complaints and comments we as viewers had while watching the original series and brings back everything we loved at the beginning.And you know what? I liked it! I had a good time watching this!
Thanks to this bonus season, the first season of 2Gether wont leave such a bad taste in my mouth anymore, because i know this exists!
This is the first time in my life that i have seen such an attempt to save a piece of media that went downhill. And i honestly respect it, no matter if the driving force behind this season were money or actual genuine effort to save this series that stems from love for the source material. We could discuss their intentions ad infinitum but simple existence of this bonus season means they care about it.
The story was simple but entertaining. Besides damage control, the script focused on all the things we as viewers enjoyed - be it silly comedy or cute moments (or doubled-down on things the writer very obviously stood behind such as distinct TineWat love language). There were quite some plot holes or cheap plot set-ups like the two club rooms being directly next to each other or Tine missing Wat super hard after like… a week of separation. There are still some glaring issues from season 1, if you want to nitpick.
But lets just be generous for now and overlook these for a sake of general entertainment.
Acting was good and i think the overall cast chemistry was improved in this series. My only complaint is that some of the characters became caricatures of themselves at some point but at the same time it was, again, probably necessary evil so the series could be so entertaining.
I hope Still2Gether will become a case-study for any upcoming series. Not in a way that i want to see a shitty s1 followed by a damage control special season ever again but because im sure there are many ways a filmographer can learn from success, fall and eventual redemption that was 2gether the series as a whole.
My rating is probably a bit too high but i unexpectedly enjoyed this bonus series and i appreciate the amount of thought that went into “saving” 2Gether as a series.
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The ending isn't the only problem with this drama
The whole drama is one big problem. This drama is so bad that I decided to write a review for the first time to warn others. Don't waste your time. There are much better dramas worth watching.Why do I think drama is so hopeless?
It's mostly about the plot. Or rather, the lack of it. What's the point of this story anyway? There isn't any. Really. Normally, every story has a beginning, a middle part and an ending. It reaches some conclusion.The story started out interesting . DAS wasn't as good as other zombie/monster dramas, but it was still interesting. Aliens invasion was quite original idea. And that's it. The further you go, the more nonsense the story becomes.
Part 2 begins by showing the students eliminating the aliens. It's promising. We know it's been a while since the incident when Sergeant Lee was killed. It seems that the children have matured and learned to take care of their own safety. You could not be more wrong. From this moment the story starts to get idiotic and full of plot holes.
First of all, why are the children alone? What happened to Kim Won Bin? Did he leave the children alone? Did he evacuate without them? Why do children talk about everyone who died and not him? He seems to have survived, so why did the writers suddenly forget about him?
As I wrote above, at the beginning of part 2 we see that the children have grown up. And suddenly... They start acting irrationally and getting hysterical again. All character development suddenly disappears. The other scenes don't make sense either. Why was the prison scene included in the series? The kids needed parts for a radio, so shouldn't they look for an electronics store in a deserted city? And how is it possible that the prisoners survived? We know that it's been at least a month since Sergeant Lee's accident by the time part 2 starts, and the town has already been abandoned. Did these prisoners live for more than a month without food, water and other necessities? And they were in such great condition? Seriously? Where is the logic?!
Another thing are the spheres. Where did the spheres come from? What did they want? What was their purpose? In the first part, it seemed that people were learning more and more about aliens, e.g. that they were sensitive to cold and noise, and that they could communicate. And in the second part? Aliens are mindless. They run to the prison because the children screamed a few times, but they didn't show up at the amusement park, where children make noise, So I am asking again where is the logic? At the end, we also learn that a weapon was invented, thanks to which the aliens were eliminated, but the spheres were still in the air. Why?
As for the ending, In my opinion it was stupid. But the stupidest thing was that nothing foreshadowed it. The writers didn't show us that Guk Yeong Soo is slowly going crazy, he just suddenly went crazy because his exam was canceled. Seriously?! PTSD would be much more convincing.
All in all, I do not recommend wasting your time watching this drama. The writers made this story as if they didn't respect the viewers. The series was very hyped, so they wrote anything, after all, the viewers would not notice.
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The plot is quite ridiculous honestly. It makes little or no sense. However, the cast is lovely and the main actress played her role quite well. I have seen her works previously and trust me, she has improved immensely here. This was a drama for me in which I stopped caring about the romance after midway. The murder mystery and villain was what it was all about! The villain is damn good and it helps that he was so, so attractive to look at. :D
This drama had some high-riding moments where you'd wonder who did what and why. A lot of things were wonderfully executed. For me this drama was a solid 9-9.5 till the last four episodes where things happened out of the blue.
This drama is no different from any other Kdrama because like every drama out there, it starts out with a bang and ends leading upto nowhere.
The OST was nice to listen to. It wasn't my favourite but it wasn't bad either.
I recommend this drama to people who don't mind mindless fun. Watch the first couple of episodes to judge if you like it or not.
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If ghost stories lie within your watching preferences, perhaps you would have a better time with Hotel Del Luna. As for myself, I was not a fan of the overall plot. It came off as a tad too shallow. For one, there’s a severe imbalance between plot filler (which is how I classify every individual ghost’s story, each of which occupies 80% of each episode) and the truly interesting main plot, which falls off to the wayside. Unless you enjoy brief appearances of random guest ghosts, you’ll probably end up like me: sitting through over an hour’s worth of time per episode, helplessly asking when the Hong Sisters will address Man Wol’s story—which is rarely, until you cross the halfway point of the entire show. What the writers do with Man Wol’s history when it is addressed feels lackluster, if only due to all the unnecessary time buildup prior to it.
The real problem is that we are hardly given reasons to care about each visiting ghost in any major emotional capacity. Although they have interesting stories, it’s a bit like walking down a city sidewalk: you see someone with a pretty wardrobe, “ooh” at it for a second, and then forget your appreciative impressions of it an hour later. Maybe it seems as if I’m being coldhearted, but as much as the Hong Sisters try to emphasize that these ghosts were human with human sufferings, the way the show frequently relies on shock value and horror elements over the ghosts’ pain and healing resulted in me not being able to build true sympathy for these souls. Imagine repeating this apathy for every episode: it’s exhausting trying to force an emotional connection.
The only saving grace of Hotel Del Luna is Man Wol. The way IU presents her character’s conflicting ego and heart is as poignant as it is mysterious, and she executes the identity of a CEO with a low economic IQ with hilarity. Had it not been for this quirkiness of Man Wol’s character, I would not have stuck around until the end. And that’s despite my love for Yeo Jin Goo: though his acting is excellent as always, Chan Sung is a perfect example of a supporting character who hides behind the guise of being a “main character.” There’s only one protagonist in this story, her name being Man Wol. There’s nothing wrong with this, but it is a bit of a letdown that everyone else has the potential to be equally interesting, yet doesn’t get nearly enough development. Chan Sung, for example, is a nobody—beyond pushing Man Wol to address her emotional wounds, he doesn’t possess the individualism that a lead character should have. This means that while the interactions between him and Man Wol may be compelling to watch, the moment that you isolate Chan Sung away from her, he devolves into a character who’s mediocre at best and painfully boring at worst. Seeing as I view Chan Sung like this, that should give you a pretty good idea of what I think of the other supporting characters: meh.
That all being said, I can see the reasons behind the hype. I just wouldn’t say that they’re justified: gorgeous cinematography, a cast list riddled with famous names, and an amazing soundtrack are all great assets to have within a drama. If future shows could continue Hotel Del Luna’s ability to create an effective atmosphere, I would have zero complaints. But what use is all of that if the show at its core doesn’t match up to the level of its decorations? Hotel Del Luna is almost sadly entertaining in that it may be fun in the moment, but doesn’t leave a deep enough impression to be phenomenal.
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