Bryan Chang plays Zhao Xu Zhen, a devoted cop who begins to investigate cases involving a mysterious website. This review has been updated now that I've finished this season, although the last story in particular was a bit of a slog.
Futmalls is well produced and edited and the first case was quite interesting. The show's biggest weakness is its stereotypical and over the top male lead; the kind of genius cop who eats at crime scenes and mansplains forensic reports to crime scene investigators. He is a jarring and often annoying cliche and the investigative elements of the show are its weakest. When it veers more into the vaguely-menacing horror that is Futmalls' push advertising to people who are at their most vulnerable, it's definitely stronger.
This ends up being the show's biggest weakness since, after its first case, it essentially jettisons the horror element and becomes more process driven. The procedural police aspects are incredibly weak and the male lead is too much of a cliche. In its third case, the show drives its narrative with torture porn of female characters and a weirdly sympathetic portrayal of a skeevy man and his blow up doll. Yes, men wrote this. You can tell.
The show never answers any questions, never overlays any logic onto Futmalls, never seems to know if Futmalls is a menacing presence or just something that exists to drive its cases (one entire story never becomes a case at all) and then just... ends... clearly setting itself up for a season 2. It's deeply dissatisfying and wasn't good enough overall to tune in for another set of episodes. So I regretfully conclude it's not worth your time.
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Why I end up being disappointed with this epic
Qin Dynasty Epic used to be called Qin Empire 4, I watched the previous three installments last year, they were about previous kings/duke of Qin, all building up to this installment's Ying Zheng unification and start of 2000 years of Imperial China. I'm not overly familiar with Ying Zheng, but he's too well known and has too many achievements for this to not be epic, but I came away rather disappointed. (spoilers reference historical events)First of all, the drama focused on the wrong bits and have terrible pacing issue. Ying Zheng died at 49, most of the common achievements people think of are unification at 38 and what comes after it. He had a fairly interesting childhood and rough start, so I totally understand giving fair amount of attention to that. I'm perfectly willing watch him grow from ascending to the throne at 13 to gaining control of court at 22, clearing obstacles and finding awesome generals and ministers before starting to conquer other kingdoms. Hell, aside from setting up prefecture system, standarising writing system, linking great walls and building roads for carts, his life after unification could have been neat too, he defended Qin against Huns, conquered Bai Yue (modern southern China), and did bunch of things to ensure his reform stayed. Not to mention there's the whole elixir for immortality, didn't name a successor that resulted in Qin's early demise.
The drama covers up to unification so 78 ep over 38 years, which I somewhat understand, since it's more positive ending then setting up for tragedy. It spent 13 ep on first 13 years of his life, bit longer than what I expected but hey it's a long drama, and then 9 ep on last 9 years. These are IMO the best parts of the drama, not just due to pacing but also acting and writing were the best. I'm happy to note that the drama bought up some of the reform fairly early in the drama, and it's sprinkled here and there, so it's not just battles and unification. But these last 9 ep should have been the focus of the drama, I understand that battle scenes are expensive, you could have given me more time to battle strategies? Or other kingdoms' internal issues? Like Chu Kingdom, it lasted less than 2 ep!
Ep 22 to 60 covers him from 18 till 22, that's roughly 10 ep per year, is that really necessary, drama? There's two major events that I expected (from wiki'ing Ying Zheng when I saw him ascend the throne), one lasted 3 ep (bit longer than I expected but reasonable pacing for this story), one lasted 15 ep! There were number of episodes used to set up Zhao as a major opponent, which I don't mind as they were historically rather strong and formidable at the time (featuring two well known generals of Warring States, the other two are Qin's), but I do feel it could have been shorter, or again maybe other kingdoms could have used some focus too? Other episodes feature one major battle and two minor battles, and couple small notable events. Zhengguo Canal was a marvel at the time, but we never saw other big construction projects either, like mausoleum or the roads mentioned in later parts of the drama? The way the drama is paced, the ending arc where the meat of the story should be just feel really rushed. If you slash the middle by half, the pacing would feel much more balanced.
Secondly, the drama's writing was all over the place. Some of the dialogue swere classical Chinese, some of it were fairly plain modern Chinese, which is fine. What's not fine is certain word choices, why does the drama start with what sound like a translation of a western king's speech? What was with that conversation between Ying Zheng and Lv Buwei at ep 12 (?), they make me question if I'm watching a historical epic or a fluffy romcom? To get across the shock, hurt, and confusion, there could have been a lot of other ways, in fact if you just delete some sentences, I wouldn't be all "wtf???" Not exactly word choice, but how the scene was shot, what was with the assassin scene? Okay he got his hair cut to show it was dangerous, but why was he rolling on the floor? What were the other people doing? Why was he fighting like a samurai, it seriously looked super kendo-y? Director, did you just watch the 1998 movie and used that as inspiration and called it a day instead of using historical records?
A big part of the drama was humanising Ying Zheng, as his image to average person is a tyrant. That might have partially been due to Han's Sima Qian's "Record of Historian" demonising him and Qin, since Han is Confucius while Qin is Legalist and dynasty they overthrew, not to mention Qin probably overdid it when it was reforming. That said, I'm constantly confused by the drama being bizarrely in love with "pls love me one more time" narrative, I guess because he had troubled childhood, it make sense and it plays up the tragedy? I found it rather awkward though and it was used way too many times for my taste. The drama was also very intent on selling him as a benevolent king, and it feels super wrong to me. It's fine to have him want to conquer the other kingdoms AND also help some common people he might have met, but why does every decision where he has to kill someone, it's always like he's forced to? He's an emperor, I'm sure they sacrifice some things for their goals, and I'm sure there's some calculated moves, that would made this more interesting. Even with all his flaws (even including tyranny + elixir) , it doesn't diminish any of his achievements.
I had a lot of fun celebrating amazing relationship between previous kings and their ministers because they shared common goals and overcame obstacles together. Ying Yiren and Lv Buwei sort of have that, but there were too little time for it. Lv Buwei became a reluctant antagonist at some point due to circumstances, but Li Si didn't fill his gap as he should have. In fact, Lv Buwei was the most interesting character of the drama, and I could see his love for Qin and I bought everything he does is for mighty goals. Li Si on the other hand, tend to be all talk and not much action, or what little he does seems to end up with a huge mess, e.g. Lao Ai. The writer's plotting simply isn't as awesome as they seem to think, and they really spent way too much time where every single person seem to think unification was totally sure-in and shout it at every chance they have, that's not the case!
Thirdly, our protagonist is completely miscast. I know casting Ying Zheng is real difficult, there's lot of expectation. He did so much when he was young but your average 20-something probably can't hold down such an epic drama and act reasonably well against so many veteran actors. I also know that dramas try to have main lead come out early, but if Han Wu Emperor's Chen Baoguo can come out at ep 22 (out of 58) and leave a classic epic behind, so can you! Casting 40 year old is totally expected, though I would have preferred 30 year old since aging makeup is easier than deaging someone. I can handle 40 playing 20, but you can't possibly convince me they are 13, especially when your actor look older than their age! Couple with some plot points that only make sense if he's super young, he constantly pulls me out of the drama. What's wrong with having him appear in ep 20 or 22 out of 78? You know what, your drama ends before Ying Zheng even catch up to Zhang Luyi's age!
I've been a casual fan of Zhang Luyi since I watched his slow burn republican drama The Red. He fit that role perfectly, he even had a tinge of Shanghaiese accent despite not being one, (it's fairly rare for accents or dialects to appear in cdramas!) Oof this role though, he really really doesn't look like an emperor, ok? He didn't look like one playing Li Longji in Legend of Demon Cat, and he doesn't look like one here. He doesn't always hold himself straight and seem to lean forward at times, it's very apparent when he meets up with Zhao Yan, who looks real regal next to him. The winter costume piled onto him also made his neck disappear, and couple with his posture, it's....not pretty. He tends to yell a lot during intense scenes too, it's not that he can't yell, but he doesn't have that powerful volume? powerful aura that I expect him to have, sometimes I think the scenes would have been more effective if he was quieter. e.g. there was an intense scenes with him and two kids, he looked dangerous and it was nerve-wrecking.
Then there were other little bits that's just really annoying. I know you want to differentiate the countries, but you can't possibly tell me Han could afford purple for the whole army 2000 years ago! Purple is not an easily found natural dye, especially one that bright, it's why nobility/royalty likes purple, did this not cross anyone's mind? Zhao Ji is really really stupid and appeared way too much, Lao Ai shouldn't have that much power and shouldn't look like a final boss! Seriously, why was there street celebration for that arc and not unification? Why was sexual assault even necessary as a plot point? Being Uncle Ying Xi is real suffering, but he was supportive all the way, just because of that one look? You could have implied something happened during that night or was it two nights (ep 12?)? Don't tell me they just stood there and talked?
Despite all of my complaints, I did like fair amount of it. It opened and closed with epic battle scenes, best battles I've seen in cdrama, thank you tencent for all your money. I really like the music, I think that one song that makes me cry is from previous installments but I still love every scene that use it (and important scenes really love using it). I actually rather like Zhao Kingdom's cast and their characterisations, they were source of comedy at one point, later on they had fabulous Queen who could actually scheme and plan and very hateable Guo Kai that I end up half rooting for. There were some memorable supporting cast that only appeared for few episodes, like Ying Yiren who managed to win people's heart with that one speech, or Han Fei with his lofty goals and dignity in dire times. There were a lot of segments I really liked as well, Ying Zheng and his dad overseeing the army and stating their goals, Li Si detailing Qin's couple failed opportunities to conquer, Lv Buwei's final scenes, Zhao Yan's entire visit to Qin, Ji Dan sending Jin Ke off etc.
At the end of the day, epics like this are hard to come by, so I definitely don't regret watching it from day 1. I think if you don't come in with expectation like me, and don't constantly compare drama to history, you would have lot of fun as others did. I had a lot of fun wiking and discussing with others in the comment section. I even made a timeline and everything, since I wanted time to move, which I'll post in the review comment section, as well as some other interesting bits I found that might be helpful. Shoutout to @PeachBlossomGoddess and @WandereR for encouraging me to post a rather negative review, since I wasn't going to write one as it felt bit like raining on people's parade. Little did they know, once I start, I can't stop!
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The acting was superb! Ikuta Toma deserves more than a standing ovation for his acting skill. His expression and gesture were the ones that made this movie special. Also, I love the way they expressed emotions using background music.
Although there were still missing points and, for sure, non-sense matters appeared in this movie, I would say the director, the writer, and all team member did a really great job. Thanks for making this movie!
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DARK COMEDY/ THRILLER AT IT'S PEAK
The retro style of the beginning and the calming before the storm was very well executed, and the upcoming peak and set for story at 2 EP was very well made!!Really recommend it!! Saw my self laughing for things I wouldn't expect it...
Although thriller is the main genre.
O estilo retrô do começo e a calma antes da loucura foi muito bem executado, e o auge que foi planejado e executado pelo 2 EP foi muito bem feito!!
Realmente recomendo!! Ri com coisas que eu não tava esperando...
Apesar que suspense é o gênero principal.
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I loved the acting and the cast, especially Peter Ho. The girl that plays Ye Lin is gorgeus and her acting skills are great.
Also, the music was good. Both the OST and ending song are sung by Peter Ho. ??? and ??.
Overall, this is an amazing drama. The only thing that I kinda didn't like was the fact that there were too many flashbacks for my liking. Otherwise, this is a drama I would recommend to all of you that loves drama.
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So I will focus on second part of it.
Friends go to a new bar that is near and it has hint of comedy that I didn't find in first story. This one was more fun watching. Honestly, it would have been better if it were separate movies even if it took only 33minutes. So a guy falls in love at first sight and it leads to cruel ''reality'' like some comments said and well where most of bl movies do a sad ending as if gay men can't be happy which I find it cruel. But the story was easy to watch.
So ignoring first part I give this 8.5
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Where Does the Ultimate Good Really Lie?
I had been looking forward to seeing this one as it promised to be something intriguing. While by far not my favorite costume drama of the year, it kept me coming back for each episode. It had its pluses and minuses; I do however want to say that nothing I write below is to reflect poorly on any actor. Actors work with what they are given both good and bad.Pros: My two favorite characters of the entire series were Gao Bingzhu and 16th Night. Both actors did a superb job in their characters. Huang Xuan was brilliant in his portrayal of this rogue badass who was hellbent on avenging the deaths of his friends and taking care of all of the people in the Unwelcome Well. His evolution into a more refined badass, didn't take away from his almost psychic notion of who the bad guys were even when they counted in the double digits and could be your closest friends if not family. When meeting Wu Siye and Baili Erlang, these two characters only expanded his already unbelievable ability to digest information that seemed like something in passing to someone else. He also seemed to be extremely lucky in survival no matter how many times he was practically pin-cushioned by 16th Night and others. GBZ was in the thick of it from the moment we met him in the first episode to his absolute last second on screen in the very last episode. This man is absolutely a class act and I would look forward to seeing him in other dramas particularly gritty ones.
Then comes probably the greatest antagonist I've seen in a very long time; 16th Night was absolutely a soulless, brutal killer, who took out adults or kids alike with her creepy three-sided weapon of design, using alleyways and rooftops to showcase almost immortal martial art skills. What made her character particularly amazing was that it wasn't until the episode of her reveal that we even knew she was a woman! Furthermore, she was totally hiding in plain sight and a friend of GBZ, who saved his life on numerous occasions while putting both herself and her "regular" business at risk. Her complete and total double life immersion was very impressive. Sadly, when she killed herself once she was exposed to GBZ, no other antagonist in the show, even the higher ups of the Four Seasons cult were able to replace her brilliance and brutality. Zhang Li who played her was a pleasure to watch.
The two other leads held their own. Victoria Song as Wu Siye had really great martial arts skills and her unfailing loyalty to those who she cared about most was what made her a solid character and leading lady to GBZ. I watched this for Wang Yibo originally as he's the only one I knew in the cast and though Baili Hongyi/Erlang was in a way the brain of the 3 musketeers because he could decode things and figure out maps and plans, his character took a while to thaw out and was reminiscent of his break out role of Lan Zhan in CQL because of his tiny facial expressions even though he had a lot more lines here. However, I appreciated his smarts and solving puzzles and when working together with GBZ and WSY, he was an integral part of the team. Though he couldn't fight and would constantly need rescuing (as the other two would often say to each other "Baili Hongyi is in danger"), he figured ways out eventually to save himself for the short term if nothing else. His and GBZ's hinting towards each other to solve a problem or get someone out of danger was a nice added touch. Showed that they had developed a very good relationship of trust with each other.
Other characters that were notable in good ways were Master Chu, Shen Fei who sadly perished saving BH's life and the sacrificial lamb or scapegoat Li Beiqi. The last was murdered sadly and only at the very end did people find out that he was innocent of all of the crimes against him. And the first always had the best interests of the Empress and people at heart so was reinstated; I actually hope that GBZ returns working for him again.
The last pros were the OSTs, some of the costumes, badass fighting scenes, and the set designs, plus CGI which were simply gorgeous. It was quite obvious where the large budget went.
Cons: In the very first episode, you felt like you already landed into the middle of the series and had to run to catch up. Now some people might like that but to me that's a rather messy start to a series. Furthermore, the amount of characters that were introduced was done at the speed of light and many died before you even had time to blink. You didn't know who was good or bad or why certain ones were killed until maybe the 6th episode in. It was all too hasty and had little cohesion.
The amount of bad guys was ridiculous, most didn't matter and who they actually were more often then not wasn't even properly explained but because there were so many bad guys, you eventually lost track of who the dead ones were. There simply shouldn't be that many completely useless characters running around.
Probably one of the most upsetting things for me was the killer who "replaced" 16th Night was probably the polar opposite of anything I would expect a savage killer to look/act like. Robot Barbie that didn't blink was beyond a cop out. They would have been better off not having another one, because even without the original 16th Night, this chick didn't scare anyone. Nothing about her said scary or killer; Robocop walked with more fluidity.
And how can anyone forget.....EERRRRRRLLLLAAAANNNNNGGG! Dear lord, hold the wheel! 30 out of 39 episodes of this ear bleeding, shriek that happened 76 times per episode. Liu Ran was the clingiest, most cringeworthy, annoying, and dumb as a brick character I've seen in a long time. She was like a pet chihuahua that wouldn't leave her husband alone and wouldn't stop nagging. I was actually amazed they evolved her in 9 episodes into a mature and emotionally stable woman who stood by her husband and trusted him as opposed to running after him and calling his name as she messed up his plans nearly getting them both killed a few times; because those first 30, I wasn't alone in wanting to send her character along with her brother, and maid out of town on the bro's camel!
Romance was the one genre that was not needed at all in this drama. When these kinds of scenes came, it was like throwing a well-oiled machine off kilter. It was unnecessary and extra. The mopey, clingy scenes just poured cold water on a hot detective drama where they just didn't belong. Not every drama needs to have romance because it just doesn't fit; it's like trying to jam a square peg through a circle.
The entire Liu family were either major jinxes or just plain evil. Her brother was another totally unnecessary character and his puppy love for someone who turned out to be also part of the cult, led him down the path of delusion and the even more inconsistent ending to the one character who shouldn't have died as it made zilch sense and made the ending of this series very confusing. Like how did he know where Lord Rodent w/rug would be exactly (a character that was so obviously the big bad since he first appeared on screen, that that revelation in the last episode was beyond underwhelming)? The 3 musketeers work together that one last time was impressive but they lost one. How does one get away with killing a leading inner guard of the Empress and not even get sentenced to prison but to go up a mountain and repent as a monk? That makes as much sense as only 10 days after her death, there was no real feeling of mourning amongst those people who cared about her the most. Again very inconsistent; because GBZ spent 5 years tracking down the murderer of his friends but he won't go up the mountain and take out the moron who killed the only woman he ever loved who actually loved him back w/out strings attached?
And lastly, what was the "greater good" that the cult was constantly yakking about? The massacre of an entire capital? Sounds very Jonestown to me, but it was never explained to the audience.
Would I recommend this drama? Yes, I would. It's a good detective costume drama, but it comes with many errors. So just be aware of that and decide for yourselves.
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How This Drama Rained on My Expectations and.......Gave Me Fish Kisses
I don’t know how to feel about this drama. The premise and title made it seem like it could be something deeper. But what I ended up with? A light-hearted feel-good drama with a sprinkle of parent and workplace drama, and that’s about it. It’s just so forgettable. I literally don’t know what to write here (literally not me saying this nonsense and then proceeding to write a whole essay). It felt monotone, bland, and dry in my mouth. I needed something to shake it up, like a rainstorm to pour over me.=======Kanade and Mashiro======
The premise? Pretty simple: Kanade reconnects with his childhood friend at a café. Great starting point, right? (Note the sarcasm.) Honestly, what bothered me the most was how Mashiro was so clingy and pushy at the start, like he just had to reconnect. I get it, but it pissed me off. Read the room, dude, Kanade doesn’t want to, but he kind of does. We all know Kanade secretly wants to reconnect with Mashiro, but why are you making such a big deal?
And can we talk about Kanade crying in the café? Dude, chill. He’s so sensitive. But I get it, since he has trauma from a past gay love rejection. Then he’s like, “I’m GAY! and I liked you,” and walks out into the rain like he’s starring in his own moody indie film. And of course, Mashiro, being himself, chases after the “princess.” 🙄 As expected, he doesn’t want to lose Kanade. Anyway, they sort out their feelings and navigate their relationship.
Kanade was a bit reserved when it came to getting intimate, and Mashiro wanted more but respected Kanade’s pace: I liked that part. I’m sorry to say this, but their kiss felt awful, like two school kids kissing. Japan, get it together and don’t give us a fish kiss here. 🐟💋 Their NC scene was awkward and looked uncomfortable. I wanted passion, or at least a kiss that felt/looked real. They were gentle, bland, and had no intensity. The chemistry was definitely lacking. I felt no heat/burning passion in their eyes. Maybe that’s how the drama was supposed to be, and I missed the memo (I know that this drama was supposed to give warm comfort vibes).
The flashbacks to their younger days were surprisingly effective. They gave just the right amount of emotional backstory to explain the present without drowning us in nostalgia soup.
========Workplace===========
But can we talk about the workplace women for a second? 😤 Ugh, they were so annoying. I was ready to yank my hair out. The young woman who confessed to Kanade was like, “Hey, I like you, you have a GF ?” and he responded, “Yup.”. Fair enough. But what really got me was that old office lady who told Kanade he should talk to the young woman who confessed. Like, who are you, Grandma, to be giving love advice when it’s not your business? Thank goodness Kanade had a spine and told her off, the best moment of the series. At least he knows when to set boundaries. Then suddenly, these two women and Kanade become buddy-buddy. Just kidding—they work it all out, of course, and they even help him with his love life with Mashiro. I liked how they bonded and offered genuine advice.
========Parent Issues==========
The mom drama with Mashiro was honestly not satisfying enough. First, he was ignoring most of his mom’s calls. I can’t blame him. I’d do the same if I had an overbearing mom calling me multiple times a day. Attachment issues from her husband’s death. She even made sure, during high school, that Mashiro would come home immediately. Damn it, Mom, you’re just keep pushing Mashiro further away. Anyway, she doesn’t approve of her son’s gay boyfriend, Kanade. Finally, Mashiro snaps at his mom, which was a huge relief.. And I think, after that, she sort of reflects on it? (I can’t quite remember.)
Since Mashiro had mommy issues, Kanade has daddy issues. No surprise there. His dad is like, "You’ve got to be a man," and whatever nonsense this dad was spewing. Like, I get he wants his son to toughen up and not always cry, but you’ve got to understand the dad’s a traditional guy and is set in his ways. But when his dad caught him with Mashiro? Woah. That scene was intense. It was the most fire I’ve seen so far, yet we got their NC scene, which didn’t live up to that tension at all. I liked that the mom and sister knew Kanade was gay, but it took him this long to confess to them. I get the dad. You can’t talk to him about things, but the mom and sister are so sweet and less judgmental. It makes me wonder if Kanade was always reserved and never forthcoming with his feelings, holding everything inside until the last minute. I have to say that the talk he had with his dad was the deepest moment in the whole series. It felt real, raw, and finally gave me the emotional depth I’d been craving. That’s saying something.
=========Best Part==============
The best part of the drama, hands down, was the friendship group reunion. It was wholesome, sure, but it also totally exposed Mashiro as the jealous mess he is whenever Kanade gets close to anyone. This guy’s jealousy knows no bounds. He even got jealous when Kanade posed for a BL poster design with a male coworker. I couldn’t, I was dying—like, I legit needed a tissue from laughing so hard. 🤣
========Final thoughts===========
This series was boring with a few funny moments (very few). Their love was sweet and wholesome at times 😘, but it lacked passion. The pacing was alright. Did it have character growth? Yes. Did they resolve their parent issues? Yes. But overall, it felt too safe, too predictable. If you're in the mood for something light with a touch of drama, you might enjoy it. But if you're craving something with real intensity or depth, this one might leave you wanting more. One redeeming thing? The intro song—“It’s Morning Morning.” 🎶🎶 The OST lifted my mood and spirits every time.
Would I recommend this series? Honestly, if you want to make yourself suffer like I did, go right ahead. But hey, to each their own. 🍷
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A must watch series 10/10
I do understand how everyone felt after reading the synopsis of this season 2, I was also in hesitation if I'm going to drop this or not but I give it a try, well to explain further, this is a stand alone story, so if you happen to love the season 1 (which is the series) and the movie ( the continuation of the series) you have to set aside your post drama syndrome first before watching this second season (In the sky) because this is a whole different thing.So far, I really liked this one, the acting and expressions of Haruta is still one of of a kind. I also like the story it revolves around the airport and how the staffs handles their feelings towards each other. It's a 10\10 for me.
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Jane Austin Ambiance, pdone right
This is a piece of art! The rewatch value of this show surpasses everything. By the time the last episode aired, I had rewatched it twice. The first watch was not that impressive as I was watching it with my regular lens , forwarding every slow boring scene. When I gave the show a second chance, I learned the beauty of it. It is a masterpiece and can only be enjoyed if you are ready to hear all the dialogues and see the character development of not just our awesome leads but so many of the side characters. The writing has a flawless rhythm to it. Small plot lines like where Wichai asked Anong to collect compliments given from ppl's hearts and then they can marry, even with all the admiration Wichai had for Anong, giving Anong full decision power to accept him or reject him, the natural progression of relationships e.g Anong with Wichai's sister and niece, Wichai with Anong's brothers, Wichai's servant and his back story... etc etc makes this show a classic to be cherished forever. All plots are connected and add to the depth of story.Not only the characters are well written but the cast is beautifully depicted, yes I have always been in love with Yaya and Tor but Anong's eldest and youngest brother, Wichai's sister, niece, brother & his wife were all amazing actors.
I must admit, Wichai's mom is one character who was too pathetic and her scenes had to be skipped. She was the only one that fit the normal evil Lakorn character profile.
Display of some physical romance is what I crave for. I must admit I don't do well where there are fish kisses or none. This one had a beautiful mix of physical intimacy. Natural kisses that made you believe as if the leads are truly meant for each other but never going over board where u get grossed out with explicit scenes.
I live in States, wish they had a meet and greet with cast and crew. I would love to give them endless comments. Yaya and Tor looked so handsome in every take. Their costumes added to the beauty of the scenes. The lush greenery and perfect sets made this show a gem to be cherished.
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Detetive Hong Gil Dong: Cidade Perdida
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In addition to the story and the well execution of it, the performances were really good. Especially from the girl, who was amazing. She played the coma state perfectly without overdoing it and she also potrayed her rehabilitation process really well.
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Powerful Acting backed up with a strong storyline & distiguished music! What more do you want?
Wow! one of the best medical drama ever!A drama can be awesome when there is Powerful Acting along with a strong storyline & melodious music. This is that drama.
Story is intense, intriguing and gripping. It is based on the theme as the title suggests - Two lives one heart. Two patients struggle for one heart. Each doctor would make different decision which affects the 2 lives. The cases are interesting.
The story mainly tells about the 2 doctors and their choices. Choi seok han went through painful past because of a wrong decision he took with his daughter. So he changes and wants to have more power to stop the discrimination. To get that he goes on wrong path.
Park tae soo is Choi seok han's prodigy. Tae soo lost his mother because of Choi seok han but he never hold it against him. He still makes his decisions in the best of patients. So the drama shows us how different people react to the pain given to them.
Uhm Ki Joon is best as always. Choi seok han's pain, conflicts, his internal stuggle everything was just made for Uhm Ki Joon only. No one could have played it better. Choi seok han was a genius doctor, a warm person and best mentor. But a wrong choice in desperate times took him on wrong path which he was well aware of. He eventually crosses that difficult time and comes to his own self.
This is my first time watching Go soo. But man!! he stole my heart as Dr. Park tae soo!! Tae soo is a strong person and gentle person at the same time. He goes beyond his duties as a doctor. His only motto is - "JUST SAVE THE PATIENT NO MATTER WHAT!" His emotions, ideals, caring personality is well portrayed by Go soo. You root for him, cry with him, smile with him, care along with him.
Seo Ji Hye as Yoon Soo Yeon was good, though they should have give more depth to the character. Her screen time was less and in some episodes she felt like side character.
Choi Dae Hoon should be mentioned for his acting as Koo Dong Joon. He is such cutie character and the development of his character is worth watchable. His relation with his father as well as with Tae soo is great.
Other characters are good too. I loved The interactions between each characters.
Music is one of the key point of this drama. Without wonderful tones and background score, this drama would have been average. But Music is very melodious and gives goosebumps in many scenarios.
I guess they cut short the episodes, but rather than dragging to 20 Episodes with no story, this drama ended quite well with just 16 episodes.
Rewatch is possible if you fell in love with the characters. I certainly did.
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I found it difficult to sympathize with any of the characters in this drama They all do unrealistic things. Han Shen is the only exception, as the long suffering senior brother who sacrifices all happiness to protect the one he loves.
The costumes, design and on location departments get top ratings from me. They did a wonderful job making the show a feast for the eyes as usual. Unfortunately, it isn’t enough to help a show that lacked substance in plot. Nothing was really happening and the final 20 episodes tended to meander towards a predictable end.
My biggest pet peeve was the spoiler previews. What was up with that? I could have skipped whole episodes with all the storyline they gave away. Great soundtrack, weak drama that left me sad and disappointed.
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