At 60 (or 63, depending on which version you're watching) episodes, this is quite a lengthy ride but I wasn't bored one single second. It had never happened to me before, especially when watching longer dramas. C-dramas tend to lose steam in the middle, have a couple of uninteresting side-plots and rush to the finish line, leaving you somewhat dissatisfied. Not so here.
The middle portion of the drama which took place in the mortal realm was just as interesting as the main plot, something the very popular Eternal Love, 10 Miles of Peach Blossoms didn't manage to do. The side plots and side quests also kept me interested because the drama made me care about every single character. Everything ended up enhancing the main plot.
I've read a lot of complaints regarding the huge amount of screen time given to secondary characters in the second part of the story. I think that some scenes could certainly have been shorter but on the whole, these additions made the drama a much better piece of work than the book it is based on. It's much more epic and ambitious, with layers upon layers.
The characters are intelligent and whether we agree with their actions or not, we always understand the motives behind what they choose to do. They're all very consistently written and there is no true villain in this piece. No one is just black or white. This is truly an achievement.
STORY:
Don't be fooled by the somewhat fluffy beginning. This is one angsty ride that will have your emotions all over the place. This is primarily a romance drama which depicts a love so strong that it can defy fate and overcome everything but only after a heavy price has been paid by all the parties involved. The romance is nicely balanced with friendship, family bonds, loyalty, power struggles, slices of life and epic battles. It has everything you could wish for. I loved that every single plot line was thoroughly thought-out and contributed to the overall story. The writing was top-notch and it showed at the end of the drama which did not feel rushed at all. Quite a feat for a C-Drama.
9.5/10 (Took 0.5 point away because they could have slightly shortened certain storylines).
CAST:
Ashes of Love has a stellar cast. All the actors shone in their roles whether they played a main character or a minor part. Every role was lovingly crafted and acted and every single character has depth. To focus on the main trio though, Deng Lun, Yang Zi and Luo Yunxi acted their heart out and made me want to watch every single drama they've appeared in. Deng Lun brought a rawness and touching sincerity to the character of Xu Feng. Yang Zi was able to use her broad acting range to successfully portray Jin Mi's journey from a sheltered and naive fairy to a young deity wounded by mistakes and betrayals. Luo Yunxi was able to masterfully convey all the shades of grey of Run Yu's character.
10/10
MUSIC:
The music is gorgeous. No other word for it. It's one of the only dramas where I always watched the opening and end credits. Epic. The only problem is that although what music we do have is superb, we don't have a lot of it. So the same songs and background music are played over and over again. Luckily for us, they're so good that you don't really mind.
9.5/10 (Took 0.5 away because I would have loved a few more songs)
REWATCH VALUE:
Through the roof. This is a timeless story. Love, betrayal, revenge, redemption, acceptance, regrets. It has everything a classic should have.
10/10
OVERALL:
Watch it. You won't be disappointed. It has everything: a great story, great acting, great music, splendid cinematography and great CGI. You will be totally immersed in the world of Ashes of Love.
9.5/10 Perfection.
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This review may contain spoilers
After a while of not being hooked into any drama, this drama series was a refresher for me. It continuously made me more excited for the upcoming Fridays and Saturdays as these were the days when new episodes premiered. I just finished the series this morning, and here are my thoughts about this drama:Story/plot: -9- The storyline had many cute moments between the characters, and there was not really any huge climax or conflict that lasted for several episodes. This plot was, more or less, very bubbly and cutesy with many squealing moments; it felt as if the main characters were living in their honeymoon phase the entire time due to the amount of innocence they had. Unlike with other Chinese dramas, I did not feel like the middle was intensely dragged out and was instead filled with more sweet and funny moments. Now, for the ending. Yes, the ending was a good ending, so that was a plus; however, I did not feel like it was a satisfying one. I felt the last few large events, starting with Si Tu Mo visiting Gu Wei Yi in Germany, were too rushed and had holes in between. The last scene with their kid though... glad they had a kid, but the kid seemed like he was 5 years old meaning the viewers just lost 5 years right there! It is understandable why they can't fit everything in 24 episodes, but compared to the rest of the drama, I felt the ending could have used more attention when it was made/directed. The hidden egg scenes at the very end of most of the episodes were cute considering the viewers were able to see some scenes from Gu Wei Yi's point-of-view.
Acting/cast: -9- The height difference between Gu Wei Yi (played by Lin Yi) and Si Tu Mo (played by Fair Xing) is absolutely adorable; it reminds me, and probably many others who watched, so much of A Love So Beautiful with Jiang Chen (Hu Yi Tian) and Xiao Xi (Shen Yue). Gu Wei Yi is a physics genius/nerd who sincerely cares for Si Tu Mo, both before and especially after they started dating. There were many times when he was clueless about how to please her or what to do in a relationship, so he had to search them on the internet which was cute and funny to watch. Lin Yi's acting could use some work, but for being the very first drama he acted in, his acting definitely has potential. He is also very attractive, in my opinion! Throughout the series, I had some frustrations and was annoyed with the character of Si Tu Mo, particularly the beginning and towards the end, because of her unwillingness to understand certain situations from Gu Wei Yi's perspective, but overall, her character was still independent and strong. The side characters were ok; they didn't play too much of a role in the drama except for Fu Pei (Xiao Tian Tang) and Wang Shan (Zheng Ying Chen). I enjoyed the character development of Fu Pei after he met Wang Shan, but their last proposal scene felt out of placed and rushed, as well.
Music: -8.5- The music matched the cuteness and bubbly-ness of the drama, so I had no complaints. Although none of the music stood out to me, they fit the flow of the drama. The dog and cat noises throughout the drama were really cute though.
Rewatch value: -8- Honestly, I don't think I can rewatch the entire series from beginning to end, but I might re-watch some cute scenes (there was a lot of those in this drama).
Overall: -9- This drama was definitely a refresher for me in the abundance of dramas, that I can't seem to find interest so much, premiering nowadays. The series kept me on the edge of my seat as I had to patiently wait for the new episodes every Friday and Saturday. The storyline was not extreme and was one that guided the audience through the life of the main character's love story. I honestly didn't have any problems with the storyline until the end, and even then, I am not mad at it.
I recommend this series to those who are looking for a drama with a cheerful and lovey-dovey storyline to wind down, maybe for those who just finished watching a frustrating drama. Sorry this review was a tad more lengthy than I intended, but I wanted to share my thoughts. Hope you enjoyed, and thank you for reading!
Chào for Now!
Lily L.
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This review may contain spoilers
Every Cloud Has a Silver Lining
The Legend of Fei is an intriguing drama.This is a show that has been highly anticipated since early 2020, and for good reasons too. It is headlined by two of the biggest stars in the Chinese entertainment industry today, Zhao Li Ying and Wang Yi Bo. This is also ZLY’s comeback project since her leave of absence due to her maternity. The drama is an adaptation of the novel Bandits by renowned and award winning fiction novelist, Priest who will be having several more of her novels adapted to dramas in the coming year.
In addition to that, the involvement of a highly experienced production team led by director Ng Gam Yuen who had previously directed Princess Agents (also with ZLY) and, somewhat surprisingly although not uncommon, a team of nine screenwriters were engaged to write the screenplay based on the critically acclaimed source material which had won the Network Literature Biennial Award in 2017. All of this points to a potentially successful blockbuster drama in the making, right? Apparently, as it turns out, not many would agree.
Within the first few weeks of airing, this drama ended up becoming extremely maligned and divided opinions of viewers not only in China but also among international audience, so much so that even on the drama’s MDL page, debates and differing opinions were intensely magnified in the comments board. Personally, I feel that although the drama certainly is imperfect, there are redeeming aspects that warrant folks to cut it some slack and maybe shower some love instead.
In a nutshell, this is a wuxia drama that tells the story of Zhou Fei (ZLY), who hails from a renowned family of pugilists and the 3rd-generation heir of the Snow-Breaking Blade technique created by her grandfather, as she leaves her home in the mountains known as Fortress of the 48 to explore the Jianghu world. She meets Xie Yun (WYB) who joins her on her adventures as they encounter colourful characters, both good and evil and from various sects and affiliations.
This is essentially a coming of age tale typical of the wuxia genre where Zhou Fei, as the FL, meets many martial arts masters who help improve her skills to become stronger and finally battle the villains. Along the way, she finds love but also experiences the tragedy of losing loved ones. Themes of chivalry, heroism, brotherhood and loyalty are interwoven with the underlying romance, overarching mystery and, of course, the climax of the story - the epic final showdown. I’m not an avid reader of the recent wuxia novels but I notice the trend of late where the ML of the genre appears to be physically weaker and less of a fighter compared to the FL, as is the case in this show and another similar one, The Moon Brightens for You. But, I’m not complaining and I think female empowerment is a positive trend for a change.
Production
The production values displayed somehow does not seem to reflect the rumoured big budget of the show, with certain set designs that appeared inferior in quality and even obviously fake. For instance the settings of the forest where majority of the action takes place, the setting of the Spinning Wire Formation of the Ximo River (specifically the “rock boulders” which do not seem all that “solid”), and various other scenes, where the lack of authenticity is visibly apparent.
Probably the biggest gripe of all is on the direction, screenplay and editing for this drama. Contrary to most criticisms that are directed at the acting especially of the leads, I think the directing of the interactions between the characters as well as the pacing of the storytelling should take the most blame. Actors can only work with what they are given and how they are directed to act their scenes. Furthermore, how it is that so much fillers and dragging out of the plot were shoehorned into the story seems rather surprising considering the quality of the production crew. Additionally, the transitions between scenes and framing of certain sequences did come across as somewhat disjointed, which is attributed to the editing department. A mitigating factor was mentioned where principal filming had to be halted midway through due to the outbreak of the pandemic in early 2020. However, this is where the final editing and post production process should come in to make the necessary adjustments.
Choreography
The martial arts choreography is not the finest of the genre, it has to be said. A number of the action sequences do not flow smoothly in terms of the swordsmanship, acrobatics, and overall movements. When it works, it can be spellbinding but when it doesn’t, it becomes painfully obvious to see. Granted, there were reports referencing ZLY’s lack of fitness while performing her own stunts and other physical exertions, having just recovered following her maternity confinement. Perhaps, this being the first time a blade/ sabre (dao) is wielded by ZLY’s character instead of the usual sword (jian) resulted in the execution of a different and more challenging fighting technique, the Snow-Breaking Blade.
The same observation applies to all other cast members involved where at times the fighting appeared contrived rather than naturally free-flowing. The awkwardness is exemplified in other techniques such as the Taoist Tao Teh Ching Mayfly formation, Guanxi Yellow and Green Palm, Floating Palm, and Water-Cutting technique. On the other hand, the Lotus Palm, Cloud Impelling Palm and Mountain Sword technique do at least appear more believable and convincing.
Characters
The action stunts aside, I have no complaints with either ZLY or WYB as far as their acting is concerned, and both characters I thought were well written. The issues as I mentioned earlier relate more to the direction rather than the cast themselves. The quality of ZLY’s acting and character portrayals are never in question while WYB possesses much potential to soar even higher through his upcoming projects. I like FLs that are written to be consistently strong not just in terms of physical strength and martial arts prowess but also in mental resilience and fortitude in the face of adversity and tragedy. Zhou Fei is a character that I enjoy watching and she does not succumb to the usual tropes of losing her sense and sensibility or transforming into a damsel in distress that needs rescuing. Likewise the character of Xie Yun as the happy-go-lucky charming and supportive sidekick who hides a traumatic past behind the facade.
There were grievances regarding the perceived poor dubbing particularly that of ZLY and I have to agree. The voice is provided by Liu Rui whose previous works focused mainly on modern dramas like Flash Girl/ Our Shining Days, which sadly lacked the authority and depth needed to elevate the character of Zhou Fei to more imposing levels. WYB’s voice dubbing is provided by Hu Liangwei, whose works include Heaven Official’s Blessing donghua, which is marginally better and probably matches the playful tone of the character Xie Yun.
Regarding the chemistry between the two leads, so many viewers complained about 2 things - that they are incompatible due to the 10-year age gap (ZLY is 33 while WYB is 23) and hence lacks the natural chemistry, and that the FL looked so much older than the actual age of her character who is supposedly a 16-year old teenager. Personally for me, there is no such thing as age gaps when it comes to romance, and therefore I’ll take this as a variation of noona romance which works fine for me. 10 years isn’t a lot even if the female is older and from what I can see, particularly towards the tail-end of the show, the chemistry is apparent to be seen and throughout the entire story progression, the development of their relationship has been slow burn but no less resolute.
As for the second argument, I have to agree somewhat. No matter how much make up applied or soft filters used, it is what it is and there is no escaping that. But look, this is not something that is shockingly unexpected or unprecedented. Tang Yan (37) played a teenage Xiao Yan Yan in Legend of Xiao Chuo, Zhang Lu Yi (40) depicted a 13 year old boy in Qin Dynasty Epic, Tang Wei (38) acted the role of a teenage Sun Ruo Wei in Ming Dynasty, Tan Song Yun (30) played a teenage Li Jian Man in Go Ahead, while Zhang Zi Yi (41) is currently portraying a teenage Wang Xuan in the airing Rebel Princess. For me, good acting with seasoned actors should be the benchmark and that is acceptable to me.
The supporting cast of Zhang Hui Wen, Chen Ruo Xuan, Zhou Jie Qiong, and Zhang Xin Yu gives a decent account of their respective portrayals of Zhou Fei and Xie Yun’s band of friends. In particular, the character development of Wu Chu Chu and her romance with Li Sheng is quite remarkably depicted. Li Yan, however, represented everything I dislike about the annoying females in historicals but fortunately her role isn’t significant. She and the character Yang Jin are truly made for each other, as part of the 3 romantic couples in the show.
It has to be said that a number of villains do not appear all that imposing and intimidating. I’m fine with the colour coordinated costumes and scary masks used to distinguish the bad guys but the respective leaders of the evil clans are simply not all that villainous, in form or substance. Case in point, the Demon Manor’s section chiefs comprising Blessed Dog, Giant Leopard, and Sparrow. The Four Guardians of the Mountain’s Dragon and Tortoise masters are more hilarious and comical than menacing. On the other hand, I do appreciate the Timber Wolf Shen Tian Shu as the leader of the Demons, played by Geng Le who does possess the gravitas for this role. Guo Xin’s Mu Xiao Qiao, the Phoenix master, is one of my favourite (semi)villains in the show and brilliantly gives off Dong Fang Bu Bai vibes. Other villains such as the Snow Wolf and the evil Eunuch are very interesting characters but unfortunately only had limited screen time.
As far as good guys go, I actually enjoyed watching Che Xiao’s compelling portrayal of Li Jin Rong, Zhou Fei’s mother, as a strong woman and competent leader of the Fortress of 48. Dong Xuan’s Duan Jiu Niang is a very likeable character and I suspect she had as much fun playing the slightly deranged role as viewers did watching her albeit for a short portion of the show. Hu Bing, who usually plays the villain, delivers a very charismatic depiction of the legendary grandfather, Li Zheng. I’m a big fan of Zong Feng Yan, who plays Zhou Fei’s father Zhou Yi Tang. This seasoned veteran never disappoints and he seems to excel particularly in historical dramas.
Music
The OSTs for this drama is probably the only aspect done to perfection. Each track seamlessly captures the essence of the story and the scenes throughout. The opening theme truly sets the tone of the show while WYB’s rendition (with accompaniment by the Dizi, which brought memories of The Untamed…) evokes feelings of a dreamy ethereal romance.
1. 《逐浪 Chasing the waves》by 尚雯婕 Shang Wenjie (Opening theme)
2. 《无华 Unadorned》by 张靓颖 & 刘宇宁 Jane Zhang & Liu Yuning (Ending theme)
3. 《熹微 Weak rays of sunlight》by 王一博 Wang Yibo
4. 《如翡 Like Fei》by 王晰 & 赖美云 Wang Xi & Lai Meiyun
5. 《结 Knot》by 胡夏 Hu Xia
6. 《红尘莫欺我年少 Don't deceive me when I was young》by 希林娜依 高 Curly Gao
7. 《采莲曲 Picking Lotus song》by 陈珏 Chen Jue
Overall
Despite the numerous drawbacks, The Legend of Fei does manage to get certain aspects done well enough that even things out and, in my humble opinion, ultimately redeems the entire production. How the drama starts off may leave much to be desired but the improvement towards the second half and the strong finish at the end, with the HEA ending where all that’s well ends well, gave me the satisfaction of completing this drama. It wasn’t always smooth sailing, but I did enjoy myself by looking past the flaws only to discover a rainbow after the rain.
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1HER SECOND CHANCE : A FATE GAME!
For the level of entertainment or how this show had me on a chokehold for these two months, I could give it a 10/10... but when I started picturing it as smthg perfect, they added a few clichés to the game. Adding a character that is pure annoyance, who looks more like a filler, it only made some eps in the middle feel flat when the rest of the thing was popcorn-worthy. Without Yu-Ra this would be a 12 ep show and my rating would really be higher.Sadly it couldn't become that masterpiece show but kudos to the satisfying storyline and the ACTING... By a 'satisfying' story I meant those "yesss go girl, slay" segments of the drama especially in the starting where I rooted with my all for the FL. Female lead's personal character development in the first half was really well done among similar shows I've seen before. Later, be it some bitch slap moments or pity parties it was fun like a polite makjang with warm supporting characters.
on the other hand, I'm in love with my wonderful villains Su Min (Song Ha Yoon) and Min Hwan (Lee Yi Kyung). Never started pitying their characters but only had HATE and hate in my mind. Ngl they're too funny sometimes. I was baffled by their acting and perfect depiction of these selfish to the core characters. Idk anything else but I'm keeping an eye out for everything SHY stars in next, becoz she was such a perfect bitch with her baby face. She's what kept me hooked.
Park Min Young was okay as usual but I discovered Na In Woo ♡.♡ from this drama who managed to shine even though the story revolved around FL and ML had no story for himself. He even bagged all of our hearts with his green forest, puppy coded charisma. But y'all let's be honest, he's so so fictional. Nevertheless, if "fiction" is this tall and beautiful, why not haha. I can't believe he was called "ugly" when this started airing, like get your eyes checked man!
Their chemistry was also great in most of the scenes, seemed very natural and was serving already-married vibes lol. From OSTs, nothing is very memorable except ♪Wounds of Time♪ sung by Kim So Yeon.
So overall try Marry my husband if you want to be impressed by annoying character's acting and hate them a lot, an enjoyable revenge packed with clownish comedy. Usually very predictable but I was still pleasantly surprised by her fate sometimes.
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Story- The first couple episodes sets up the plot and storylines for everyone. I’d say it took me about 5 episodes before I saw myself wanting to see more. I do have to say the writers did a fantastic job. When the story was funny it was hilarious and when it was dramatic you felt the emotions. My favorite part of the writing though was definitely the subtle comedy. I found myself laughing like an idiot whenever something random happened. I liked that each brother had their own loveline and enjoyed watching each one develop. Although the UEE/Joo Won pairing was just too cute! In the end everyone gets their happy ending. That’s not to say it was all sunshine and rainbows throughout, cause everyone had their fair share of drama…
Acting/Cast- Perfectly casted. I liked that everyone got their time to shine. This family felt like they were really a family in real life. I wanted to live on the Ojakgyo farm! Lol. I thought UEE did a fantastic job playing the naïve but temporal Ja Eun. Loved all the brothers. The rest of the supporting cast was awesome as well. Just loved everyone=)
Music- Really liked the score. When it was suppose to be light and funny they had this awesome weird music played that really added to the effect and when it would come on I knew something hilarious/random was about to happen. The ost was good but nothing I’d listen to outside the show.
Rewatch- The episode count is quite large so because of that I’d probably put off watching this for about 2 years.
Overall I’d say Ojakgyo Brothers is the best family drama I have seen and it’s a must watch. You will definitely be entertained and fall in love with all the characters=)
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This review may contain spoilers
I really wish they had just put this into the end of the last episode instead of making people sob thinking the worst. LolBut this is the ending we all really deserved! Ugh I love this so much!! My emotions are all over the place. Even though it wasn't long at all, it's shocking how it made my heart feel like I'd just spent year watching it. Lol
I can't believe this show is really over now. I feel like I just had to tell some of my best friends goodbye forever. Lol It's a weird feeling. bitter sweet.
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About "good" partners in various senses. A pleasantly vivid and complex, well-rounded story.
“Good Partner” is about lawyer and divorce cases, while radiating quite some ´work life in Seoul´ feeling. The main focus obviously is on divorce and everything that comes with it. In South Korea so far, divorce has been an issue ´non grata´ sort of. But it has become quite hot recently. Being able to deliberately elaborating this topic in a KDrama is due to exploding divorce rates. Even the older generation is increasingly daring to take measures by leaving the unhappy marriage behind and finally daring to make a new start. Of course, separation is never easy and becomes even more complicated as children are involved. “Good Partner” tackles the hot topic fearlessly. Additionally, some still questionable legal issues surrounding divorce are mercilessly brought to light, as are the notorious cheaters and the tragic, far too frequent cases of misogynistic, domestic violence.“Good Partner” also deals with the rigid chains of command, often enough turning lawyers in large law firms into mere underlings. On the other hand, the KDrama also confronts the question of the right dose of sense of morality, distance or even abstinence one should/must/may/want to emotionally attach to the cases. Furthermore, "Good Partner" also confronts the closed-meshed career culture in everyday office life, where employees can quickly lose themselves while living up to expectations. Work-Life-Balance ist still a fairly new concept. And last but not least, a critical swipe at the unfairly privileged “elite” (= “we have special status and are allowed to do everything”) should not be missing, too.
Embedded in the office world of the two protagonists, quite a lot of contemporary burning issues that currently concern and shape the lives of many people i.e. in South Korea, especially in Seoul, are carefully considered and illuminated from different sides. In doing so, the KDrama is opening up new space for contemporary approaches towards dealing with well-known life issues. A pleasantly vivid and complex, well-rounded story.
“Good Partner” feels like it gets better with each episode. This is also due to the development of the protagonists as they sincerely face their personal concepts and convictions again and again in the context of their cases (not least thanks to Han Yu Ri's untiring sense of morality)... Thus, in the long run, the KDrama is about "good" partners in various senses, not only when it comes to the female leads. However, together those two are creating a pleasant breeze of sisterhood, one that feels particularly good in the midst of a predominantly patriarchal world.
All of this makes “Good Partner” a deserved success. TV audience in the country more than doubled over the course of the 16 episodes. Understandably so. I can definitely recommend this series.
PS:
PLEASE do yourself a favor and give episode “0” a wide berth!!
It's a complete aberration and has nothing to do with the actual KDrama, except that someone apparently got bored during the temporary broadcast break during the 2024 Summer Olympics... You can definitely ignore that one, believe me.
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The synopsis has already revealed that a female lead lost her family and was seeking revenge or justice. This plot of hers is how our leads cross paths. Initially you will find their banter really cute and you get the feeling that this is only going to get better and better. I honestly had a hard time figuring out our mail lead. This man did an amazing job portraying a strong person, a smart person, a weak person and a cunning person. His facial expressions were second to none.
What I liked about the series is that it is a historical film and I really do enjoy watching historical fans and if you manage to tie in a little bit of romance that is just a big bonus for me. I am truly not a fan of political plotting however the relationships of the royal family was so unique that you really somewhat hope that everything worked out fine. For me I found it somewhat odd that I actually like the villain. Not because they were feelings but because of the scene they were in with their brother and father and even their nephew at times were quite hilarious. This is rare that you get to see our villainess people in a somewhat comical yet plotting manner.
Now for the hard stuff. What I did not like about the series was that thing that hooked me in somehow died off. That’s right it was completely eliminated. That banter between our two leads that was funny and get you wrapped up for more of their entertainment died when or female lead entered the palace. Our feisty, brave, outspoken and tough female lead turned into a submissive palace person. It was a complete 360° change. I am really not exaggerating. It was just like she made a decision and that decision meant she was humble submissive and whatever else you want to call a person that don’t talk unless spoken to. That most certainly ruined it for me because her personality and our male lead personalities were on fire to begin with but because her personality change it just turned bland..
In addition to this, watching the beginning of the series you would naturally assume that there was gonna be this great love, great chemistry but oh was I wrong. There was no amazing love. There was no amazing romance. There was no amazing chemistry. There was no amazing anything about the relationship between the leads. It was just awful. She essentially turned into just another person that is obedient to the emperor and it was no longer fun to watch. After a major turn of events, I don’t want to spoil anything, our smart cunning and strong male leave turns into someone who does not handle pressure well. It was so conflicting and confusing at the same time.
If you’re into historical films and politics you’ll like this one. If you’re into historical romance I would advise you not to cheat yourself because you won’t get it here. This is 62 episodes of politics and plotting. Don’t go looking for love in this place. It ain’t here. Lol.
90% politics
10% palace/harem/romance
The acting was good in the first 22 episodes and it was entertaining. Anything after the 22 episodes was just a blur for me. A blur of going to war and plotting. Not exaggerating.
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This drama surprised me so much. The story is just as crazy as it sounds, memory loss isn't anything new in kdramas and often I shudder when I hear the words amnesia being used to advance the plot, but the story is told in such a amusing, cleaver and sincere sort of way that you can't help but be hooked by it. The show always seemed to be very aware of itself and what it was trying to do and just very comfortable with its absurdity.
The tone of the story is rather slice of life some places, but achieves those more dramatic moments when it needs to, humor is on the black side and takes advantage of how ridiculous everything is around what I appreciated and it always managed to blend it, thrill and more the mundane story of the characters we meet along the way.
I didn’t feel like the drama thread a lot of new ways with some of the tropes it used, or dives too deeply into them. It more so just has a lot of fun with them. There is a very nice balance between the comedy, the absurd and then the more thriller aspect of the show, which makes it stand out. It makes Psychopath Diary become unlike other kdramas I have seen before.
I expected the more serious side of the show to take over at some point, for the comedy to sort of step aside as the story got bleaker. But the story always seems to flow well between those different genres the show has all mixed up in there. It had a rhythm going on. There is always some twist to every aspect of the story, and the comedy interrupts the tension a lot of the time and vice versa. There was such a nice mix going on there, one that I didn’t think would work as well as they did. It never gets too tired.
They never make you guess too much, not even with who the real psychopath is; that makes us just in on the joke. You have a hunch about where this is going, but still the drama is so cleverly absurd that you do have a hard time guessing what will happen next. And the drama makes great use of it.
In Woo also always managed to be one step ahead of the other characters, and while it did feel a bit repetitive (and very annoying towards the end, but in a good way), that I still found myself very enthralled and excited about each new episode. In Woo is a killer I could really enjoy. He's just evil, no trauma or explanation needed, and it’s just great to watch. It worked out well for the story and you somehow never knew what he would do next.
Sometimes he seems a little too cartoonish as the bad guy, smirking and laughing in the background. But it felt so intentional and in the spirit of the humor within the show, that it sorts of works.
Sometimes the comedy goes a bit overboard, and sometimes you can sense when the switch between the tension, the more dramatic points, and the more comedic aspects of the shows (like when the twists are revealed) but it is always so very entertaining and just a very fun ride throughout. I was expecting it loose steam at some point, for the plot to become way to ridiculous, but it just went full steam ahead and just made this crazy plot its own.
There is very little romance here. I was expecting more, but I was very happy with how little we got. There was plenty else to do within the story already and adding romance on top of that would have been too much. We just got more solid character interactions and different relationship development instead. There was definite fondness, possible attraction between Dong Sik and Shim Bo Kyung. But there weren’t much more than a few longing eye-contacts and so on between them
I liked Bo Kyung, our female heroine, as a character. She was always very consistent with herself, rather sensible and smart and always went after what she thought was right. Her character was never set aside as the story went along, people listened to her, she was valued, and she had real impact on the story. So often female cops on these shows are just there running along with the men and just there to get into dangers. Not here.
Dong Sik who goes from being a pushover to someone who learns to stand up for himself, , and over the story does a good job with presenting the characters to us so we can understand them, and get behind their actions and why they did things the way they did them; despite the absurdity that is prevalent all around them. Yoon Shi Yoon plays Dong Sik so well. He is so good in this role and he gets to show all his aspects as an actor here. All the actors here are very good in their roles.
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"The principle of justice are choosen behind the veil of ignorance."
"When you try hard to find answers from your past, the past will come crawling to you and eat you up." The Veil that you wear to protect yourself from external forces, can either cause you immense pain or fee you from all the sufferings. Yet, your efforts to put things at their rightful places shouldn't go waste; make sure of that."The Veil" is indeed one of a kind action as well mystery thriller Korean drama, justifying it's own title and doing a good job in relaying it's performance in overall. It's definitely one of the most underrated dramas of the year 2021 bcs of known reasons.
The story revolves around Han Ji Hyuk (Namgoong Min), an ace among the National Intelligence Service (NIS) top agents and an 'one man army', known to be stubborn & unbeatable. While carrying out an operation to destroy an underworld drug cartel in China with his 2 partners, he comes across abrupt truth behind the entire thing and suddenly vanishes off from the earth surface, while his partners are found murdered. He resurfaces after a year in the Peninsula but this time with lost memories of one year, just to discover the rat or traitor among the NIS who helped their enemy on the back to have the upper hand. Due to his unstable state, he is partnered with Yoo Je Yi (Kim Ji Eun) to carry out minor tasks. Je Yi, who has joined the organization to find out about his father, an ex-agent gone missing a decade ago, joins hand with Ji Hyuk. Together, they work secretly and find out the bigger forces behind it, who turn out to be their own and strive to reveal everything.
The plot development is actually very amazing for a 12 episode drama which reflects a steady progression with several temporary brakes, whenever the antagonists face some downfall. Can't really call it a 'staircase' development but the duo keep solving one case after another with clues from previous case, so yeah, it's somewhat similar to it. 1st ep is the basic intro with lots of confusion which is an obvious happening. 2nd ep also lays the foundation further clarifying the previously created subtle indications. The progress after it, is what will amaze you continuously and keep you hooked. The antagonists continue to dig deeper and unveil more answers and the twists at the end of each episode leaves you awestruck. In fact, the revelations are quite astonishing and very unpredictable; it's like you know who is involved and who ain't but in what way and how much, that's the matter of curiosity. In this regard, the writer has painted an intertwined yet intriguing sketch that's quite difficult to figure out for the viewers.
What bothered me is the ending of 9th episode and the entire 10th episode plus it's ending too. The reason is, one of the most major question of the drama was answered at the end of 9th and first half of the 10th episode bore it's detailed explanation. So I really was worried as to what else is left to explain and answer now when we got 2 episodes yet to come? The latter half 10th episode showed further progress in open investigation within the organization with joined efforts of more people who joined the lead duo. The 11th ep was a lil slow but at least not rushed which is better. Anyways, the ep laid foundation for the final big operation to catch the main culprit behind everything and then the finale went very well according to that. I was again afraid something would go wrong for the drama but I am greatly satisfied.
Just like any other crime dramas, The Veil is mysterious & confusing in many ways, ngl. So, some of us might binge it bcs we're anxious to wait but some others also find it interesting to go slow as it's more interesting that way too. I am telling this because I binged the 10 eps in 2 goes and and had a difficult time for a day trying to put everything in place. Since there are only 12 episodes, binging it would feel like time flying by so fast. So take it slow, try to enjoy and relish each episode as it proceeds and make sure you are attentive to the details because lots of facts are interconnected and there are in fact so many small and merely significant characters, each contributing significantly to the story; so if you don't remember them, you might end up getting confused. They introduce new characters each episode as the lead dup keep digging deeper but they don't stick around or simply, as soon as their essence is over, they are thrown out of the script.
Namgoong Min is the central character as said earlier. Not only he's strong and skillful, he's smart enough to predict and draw an entire scenario, before he start executing his plans. He surfers from trauma related to his chikdhood and is also full of untold emotions. Kim Ji Eun (Yoo Je Yi) does her job well by helping the ring leader at many points. She was definitely more quick-witted and what makes her character strong is her instincts of righteousness by the virtue of which she chooses to believe in Ji Hyuk constantly and taking his side till the end, despite all the odds she had to face.
In supporting role, Ha Dong Gyun (Kim Do Hyun), is a mysterious one who turns out to be different from the usual assumption of character. Dir. Kang Pil Ho (Kim Jong Tae) is a concerned superior to his juniors who also has secrets that he commited in order to protect the organization. Dep. Comm. Do Jin Suk (Jang Young Nam) is a ambitious woman who can pull any strings to get her work done. Dep. Comm. Lee In Hwan (Lee Kyung Young) is a greedy and inimical man and source of all the bad deeds in the org. Seo Soo Yun (Park Ha Sun) is the bearer of many secrets behind the conspiracy but her character is the only one that was poorly written and got wasted unreasonably. There are plenty of other characters played by very very good actors but I suppose I should stop here not to give out any spoiler.
Action!? What are you asking about? How should I explain this? Superb, amazing, etc. fancy words would become understatements. Nam Goong Min carried the entire show with his acting plus action skills. I am not a fan of ripped bodies but well, this is NGM *blushes*. His physique is what we call an ideal fit for stunts. The character Han Ji Hyuk, had his ground rules set. Being so skillful & determined as a person, he was unbeatable. His fleetness and swift hand movements, oof, those are reverential moments to witness. What makes the action scenes and NGM's stunts perfect is, the way those elements serve the story as well as his characters. Those were jaw-dropping and heart-poundinh. Most of the scenes also involve several types of firearms, which were also used skillfully and in an enticing way. In overall, the action and stunt scenes are enthralling and greatly pleasurable to eyes. The action director obviously deserve extra bonus for drawing the detailed arcs and keeping the most appropriate pace. "The Veil" definitely is the 2nd best action kdrama of the year after Taxi Driver, this year; at least for me ;-;
Direction is top notch I would say. For any thriller, particularly action thrillers, the chief PD is the most responsible for the execution and here Kim Sung Yong PDnim has done a stupendous job in directing the drama as well as managing and editing the screenplay. Given that he's not that experienced in directing as thw main PD, it's difficult to say so from this drama. The pacing is accurate for the entire drama, there seemed no exaggeration for the story or any specific event.
Applauses for him. Also, I still can't bring myself to believe that it's the writer's first ever script??? I don't know who are they, but dear jakka-nim, you are very talented. This is so very good to prove how nice your skills are. Please keep this up because we anticipate to witness more of your works. The development of overall plot, the character development for Nam Ji Hyuk, the arcs of each seemingly insignifican characterst, the awe-inspiring revelations at perfect points of the story, the U-turn & downfall twists, etc are very well drawn with visibly wonderful efforts. Brownie points for the dialogue writing too. The screenplay writing along with pleasing dialogues is what makes the character to serve well and makes the audience connect and feel. The formatting is nice and subtext is clear plus no dragging of scenes with only important conversations.
The composition is something that you can look forward to too. For a dark and intense action thriller where every other scene has the smell of sobriety, the OSTs and background scores are very well written and composed which gives off appropriate mood and are very suitably used in the drama. "Reason" by YOARI is undoubtedly the show-bearer, which in fact explains the title and essence of the drama. It depicts the emotions and eagerness of a man who is lost in a dreadful tunnel among plenty of enemies surrounding him. "Stay With Me" by Elaine on contrary, is a melancholic track, that portrays a man's emotions of betrayal, self-realization and has losr track of everything. "Get Ya" by Lee Jung Min is an enthralling and catchy song on the other hand. The OSTs are all in English.
I am happy to be aware that they are giving us 2 extra episodes. I mean we deserve it because there are only 12 episodes even though they're around 80mins each. From the trailer, it seems the special episodes will have the back stories of of entire main plot so it's more like a prequel of the drama and the point where it all started. It feels promising too so I'm kinda looking forward to it.
Notes:
1. There is no romance at all, which is expected and I feel that's the best decision by the writer. There is a subtle portrayal of one sided liking but it wasn't anything near to romantic feelings I suppose.
2. It's kinda gore as well. Since it's NIS and not a simple crime investigation unit, killing people easily is nothing biggie so watch it with TW if you're sensitive to bloodshed and murders.
SOOOO, THE VEIL, in overall is such a stupendous Kdrama, in terms of story, direction, acting, performance, action & stunts, etc and definitely a must watch. It also has high rewatch value for those who are avid action fans. Spy investigation dramas involving NIS and action are not something very new to us but this surely stands out for a unique basic storyline, it's immense action scenes and fabulous execution. If you're hesitant to start because the genre ain't your cup of tea, give it a try for Nam Goong Min at least, you can't help but fall for him deep into the firey pit lmao.
P. S. Didn't know I would end up writing a long review for a 12 episode drama with lil context to narrate w/o spoilers but well, now that I'm done writing, I don't wanna remove any part of it TT.
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This review may contain spoilers
Everyone is a walking meme
I've been waiting for this for a while, mainly cause of FL and also cause I wanted the haters comments to blow up in their faces. And I'm glad it did!! I had expections and I was not let down. From the comedy, to the acting and the production quality everything was satisfactory. Expect for the controversy regarding the Japanese clothing.The chemistry between the couples were good like even the secondary couples made me root for them. Would have liked more romance tho. Most of the characters being a shipper for the main couple. I like how no one is necessarily the villian, regarding the FL father, I genuinely thought he was downright evil but his relationship with the FL mother and main leads was so cute to watch. It's definitely not a serious show, the dialogue is witty which makes it a easy watch. I died laughing a couple of times.
The characters actually got some decent character growth, the FL started as a lovestruck girl and was oblivious to anything except the ML but she learnt to hold her ground with issues she cared about. Her smile and laugh is so infectious. I love how the ML fell for her without even realising, and he fell hard. The way he winks just cracks me up.
The OST is good and catchy, caught myself humming it a couple of times.
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Local country gays breaking free from Brokeback Mountain story trope
This rare gem reminded me of a queer British film "God's Own Country" directed by Francis Lee in 2017. However Restart is so much milder than G.O.C, as this film mainly explores on Mitsuomi's character development and his interaction with local people in his hometown.The resemblances of both films: The chilly picturesque countryside scenic. The use of warm lighting in some titular scenes and soft instrumental music. The gradual transition from cold to warm atmosphere as the story goes. The relationship of main country gay with his parents. The main country gay struggling with life and unwillingly getting involved with another country gay. The gentle coaxing and nurture of one country gay towards the main country gay into submission. The cosy nesting of one country gay's head onto the other country gay's shoulder in a bus/train ride home.
Yuuki Furukawa and Ryo Ryusei's acting as Mitsuomi and Yamato felt rather natural and viewers could easily relate or empathise with their characters. Yuuki's version of Mitsuomi is a resemblance of the manga version (in both mannerism and the voice). Ryo's version of Yamato is more of a goofy sunshine-boy country bumpkin that enlightens every scene possible. The acting from other actors are great as well and their interaction with both mains blend in easily.
All in all, the soundtracks suit accordingly to most scenes and the story plot is well-timed. Although with some minor plot changes and introduction of new characters, the film allows Yamato's backstory with more depth and Mitsuomi's conversation with his father more heart-warming - it is a faithful adaptation of the manga and a realistic representation of how younger generations nowadays feel towards themselves, their family responsibility and the societal expectation.
This film deserves a sequel as it should be.
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While Master Devil uses many familiar romcom tropes reminiscent of Itazura na Kiss and Hana Yori Dango (amongst others), the show stands out well in being a GOOD well-written romcom WITHOUT all the unnecessary angst, frustration over stupid/extreme characters or developments, and exaggerated/pointless drama.
The plot is well-balanced and well-written in being reasonable in its developments, while staying true to the classic tropes of romcoms. There is not only a good balance of romantic development between the leads, but also ample time given for the female lead Chu Xia to independently develop her own story arcs and interactions with other characters without the male lead.
The plot is written in a more realistic way for instance, such that it is NOT a girl-against-the-whole-world trope like the desperation felt in Hana Yori Dango. Similarly, the characters are also written quite distinctively and developed in a reasonable way. Contrary to the title, male lead Qi Lu really isn't an ass at all, even if he may be unfriendly. Many of the supporting characters are really nice, and even the antagonists themselves aren't completely irrational or hateful in their behaviour.
Admittedly still, there is still about ~10% of plot development that doesn't quite make a lot of sense and requires suspension of disbelief, e.g. the first episode lol. (But all will be well once you get over that bridge.) However, I feel like the amazingly funny/cute character interactions would completely make up for this~ (especially interactions with the male lead ;))
It was really a breeze completing this show, helped by its short 20-minute episode length and addictive previews. Forgiving the laughable CG (from the first ep) and not-that-great OST due to its lower web-cdrama budget, the young actors and plot still held the show up well and hit all the right notes for me in delivering almost everything I'd have wanted to see in a classic romcom, without the frustration.
That being said, it's EXTREMELY important to leave a disclaimer that these 23 episodes is NOT a completed story and will be directly continued in the upcoming Season 2 (which I'm still dying in anticipation for). Hence, with the HUGE POTENTIAL for romantic development being left in the air for Season 2 to pick up from, I have been left in a state of withdrawal, which also makes for the high rewatch value of the show, simply from being classic, light and cute.
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This drama started out with a lot of comparisons to Romeo and Juliet. It does have the element of two people who fall in love in spite of their family's bitter rivalry. But where the two part company is that in Mr. Shakespeare's original work you don't really get very much back story about why the Capulet's hate the Montague's. You simply know they hate each other and that the love between Romeo and Juliet is forbidden. In The Princess' Man you get a big sweeping story and you know exactly what odds are stacked against these two. They should have called this... "The Princess' Man and Her Father's Single Minded Drive to Be the King!"
The Princess' Man is packed full of action and revenge, sword fighting and battles to the death! What I'm saying is...This drama isn't just for women or those looking for a well told love story. If you are a person who prefers action, you need to know there is a perfect balance of badassery as well as a lovely and sweeping romance.
The acting in this show is stellar. I can't think of a single character in a single moment that had me cringing or thinking they were wrong for their part. Park Shi Hoo is wonderful and forgetting what I said up there...He is actually wonderful in everything he does so I wasn't surprised. Moon Chae Won is luminous as Sae Ryung. She pulls in a great performance. I loved her character's bravery and steadfastness. The plot kept me guessing until the very end and I love that I was never bored watching this show!
There is a lot going on, plot wise, and it is told to us by a writer with real story telling ability. I say that because I was also kept interested by the side character's stories as well. They were an intrinsic part of the tale, perfect satellites to the main characters and plot. I wanted to know their fates as well as the main couple's.
Let me sum up why you should watch this show in one sentence. The Princess' Man has an extremely well done and balanced combination of incredible acting, writing, directing and amazing cinematography.
I felt the music was a perfect fit for feel of the drama. There was only one song piece that felt a little overplayed. This show was so well crafted otherwise, I feel like I'm nitpicking but the music is my one 9 vote in a sea of 10's. I will watch this Lovely Show again. I can't recommend this highly enough!
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Love the story (mostly) and characters, but it is not flawless for sure
Apart from the fact that the series is adapted from a BL work, I see no reason it would be taken down. In fact, suggestions of BL are few and far between even though the relationship between the two main characters approaches the intensity of romance.I think the story has some basic changes from the original work, but the story in the series is pretty strong overall. It is highly engaging as the characters enter the virtual world represented by one door after another. The progress in the dangers of the different levels of the virtual reality game is also nicely calibrated. But the story would have been much less engaging had it not been for a group of interesting and likable characters that the audience will care about. A case in point is the character, Tan Zaozao, a female actress who starts off being a character one doesn't take seriously but ends up with one we might cry over.
It is a little ironic that a series that toes the line in so many ways is taken down after an hour, with most attributing the cause to censorship. If one has no idea that the series is based on a BL work, one might not even imagine that there is any romance going on between the main characters. No doubt, there is a strong bond between them, but it could either be a strong friendship or romantic interest that never really gets a chance to be expressed. I would even say that one of the major flaws of the series is how it toes the line politically, making it thematically simplistic. In the series, it is none too subtly suggested that America = Capitalist = Evil. (No prizes for guessing which country it is antithetical to.)
As a critique of capitalism, what the characters say may make sense at a certain level. However, it is a different matter to posit that evil Western capitalists will go out of their way to corrupt a virtual reality game (or some sort of game where the line between the virtual and the real is blurred) and fill it with violence. Look, in the series, it is not as though the capitalists can make money when:
1. people who start playing the game have no choice but to continue--they can simply go through any door and be transported to one of the worlds of the game even if they do not wish to play and presumably even if they are too poor to pay to continue playing the game.
2. people who die in the game also die in real life, so they cannot continue playing (even if we assume that they have to pay each time they play)--and it it VERY easy to die in the game.
3. people actually actively discuss the game on the Internet and it is quite possible for the game to gain such a bad reputation that not many are adventurous to even start playing it
4. such a game must take an immense amount of energy to power even if it were technologically possible: which profiteering capitalist will foot the bill?
Another issue here is the pitting of the main characters against the agenda of the evil capitalists. You mean as long as the main characters triumph, the evil capitalists won't be able to replicate an older, corrupt version of the game that can cause people to die?
I suspect the original work is more coherent than this, but alas, it probably runs into censorship issues. But if only someone had the foresight to see that the series would be catapulted to the status of a cult classic because it would be taken down after one hour of release, perhaps a decision could have been made to stay more faithful to the original work.
In the last couple of episodes, the series becomes quite perplexing. It does not make sense to have an "it was all a dream" sort of ending, especially one that ends up being self-contradictory. There are at least three key interpretations we are invited to consider:
1. It was all a "dream"--ok, but why would Ling Jiu Shi's dream reveal to him the names and even personalities of people he sees after the dream and not before, and why isn't Ruan Lan Zhu amongst these people?
2. The game has started earlier than Ling Jiu Shi realizes at first, but when he completes the game, he is transported to maybe 15 minutes after the start of the game. This would mean that all the so-called real-life characters for most of the episodes are game characters. Ok, but why are these characters so similar to random people Ling Jiu Shi later sees around.
3. Ling Jiu Shi is still in the game (not mutually exclusive with 2). Maybe there is a challenge he must overcome. Who knows? He chooses to spend the next 50 years creating a replica of the game (presumably without the awful parts) or basically Ruan Lan Zhu and other people he cares about during the previous 70+ episodes we see him. Ultimately, though, this seems to be an act of self-deception... it it suggested that no matter how real we make the virtual world or "merge" it with the real world, we can escape the fact that our physical bodies age in the real world. That is unless we ditch our physical bodies (die physically) and upload ourselves into the virtual world (which can be sustained by god knows what)... I guess this is one way of achieving a happily-ever-after for our leads. Then again, it is a solution that involves cutting oneself off from the people in a different realm.
I think the series makes things unnecessarily complicated and not quite in a purposeful way. This is where it falters despite being a really engaging series to watch about 95% of the time.
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