https://drive.google.com/open?id=0B2PK_v3m5m-LbkdySEUxZW5Cc00
-please let me know if there is anything wrong with the link or the uploads themselves and i'll correct it.
I love this series so much. It was much more than a BL series in all honesty. I mean sure, most people came only for Alex and Benny and they are both my favorites don't get me wrong but the story line revolved around much more than just the lives of two guys whom themselves had a pretty heart wrenching story line. It's about friendship and being there for one another, it's about having the courage to stick up to your parents for you individuality and happiness while maintaining that bond. It's also about not always needing a lover to make you happy or doing something that you feel you should do just when you know that you don't want to.
The actors were amazing, the scenes portrayed a mundane feel. It's a great balance of serious, casual and comical. I would recommend this to a lot of people and i would love for it to have a season 2 if they decided on one.
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Here's what is great about the drama. 1. The lead couple is very dynamic. Lee Seo Jin plays a tough mobster who looks and acts the part with perfection. Kim Jun Eun plays a no-nonsense physician who is both gentle and strong. The chemistry between these two is perfect. 2. There are no boring moments, a lot of good fight scenes, and no silly side story fillers with cartoon characters. 3. There is a great climax-ending the last 2 episodes with fight scenes and a well-defined ending. (I hate it when things are left up in the air.)
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This review may contain spoilers
It is about the basic conflict between political ideals & dirty practice. Emotional complex.
Black meets white and every shade in between.Devious meets sincere.
Truth comes into conflict with truthfulness.
Justice wrestles with just behavior.
Even though the KDrama “Undercover” was produced as a remake of a British series, it still tells a very specifically South Korean story. In recent decades, the South Korean intelligence service has changed its name several times in the wake of turbulent political changes. Heads were exchanged here and there, but ultimately numerous agents and executives carried out their jobs both during the last years of the dictatorship, the first years of the increasingly democratic liberal government of the Sixth Republic and up to the present day. This means that those who had to be bitterly persecuted as enemies of the state at some point, became, at a different time, those who potentially needed to be protected at all cost… “Undercover” is set in that context.
Embedded in this is the emotional dynamic of a former undercover agent and his wife. She is now a committed human rights lawyer and the designated director of the newly established political office for corruption investigation. In principle, her agenda is to uncover those machinations in which her husband's employer was involved or even in charge at the time and to this day...
The dramatic dynamite is hidden underneath the fact that the husband missed the right timing of confessing to his wife what he actually had done before and who he was... for good reason. This secret apparently didn't stop the couple from leading a very happy family life to date. But fatally, his past comes knocking at his door, confronting him with an almost insoluble conflict.
Should he confess to his wife today what he did back then? However, she might never be able to forgive him. That would most likely be the end of the relationship.
On the other hand, if he continues to hide his past, his former colleagues will make sure she finds out. They would do anything to prevent an upright, honest and incorruptible person from taking this groundbreaking new political position, simply because transparency and secret service don´t get along so well…
Therefore:
If he wants to preserve the marriage and his family, his wife must never find out about his past. In order to prevent this, with a heavy heart he has to once again face the parallel world of secret service agents...
If he wants to protect his wife, considering the challenges of her new career, with a heavy heart he has to once again face the parallel world of secret service agents...
Either way, with a heavy heart he has to go back to the parallel world of secret service agents... There, it seems, not much has changed in the past 30 years. It is all about: unscrupulous in the service of the cause. By all means. Failure is not up for debate, whatsoever.
Accordingly, “Undercover” is full of emotional suspense, rather complex, and at times quite nerve-wracking. It is about the inner conflict within in this particular, rather mature marriage. It is about the basic conflict between political ideals and dirty practice. And then, it is also sobering when it comes to the question of whether power can ever really belong to the people...
I liked the emotional complexity and how the area of conflict – personal and political each – was developed. Plus the fact, that it was more about relationship dynamics than action. Therefore, I enjoyed watching it.
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Love and Redemption
Rurouni Kenshin: The Beginning is the fifth and final instalment of the live action adaptation of the Rurouni Kenshin manga series by Nobuhiro Watsuki. This film series finally ended after nearly a decade, having begun in 2012 when the first film was released.This finale features the origin story of Himura Kenshin aka Battosai set during the Bakumatsu - from just before the Hamaguri Gate Rebellion to the end of the Boshin War. Notwithstanding the rather spoilery film poster, fans of both the live action and manga series would have already been made aware of the momentous event that had taken place in Kenshin’s past which went on to shape his future, culminating in his present state as depicted in the preceding four films. However, the true account of what actually transpired has finally been chronicled and presented in this film.
At its very heart, this is a tale of love and redemption between the two main characters, Himura Kenshin and his first love, Yukishiro Tomoe. Personally, I do believe that one major benefit of knowing the outcome prior to watching the story unfold is that rather than anticipating the conclusion and/ or fearing the potential for an impending tragedy, viewers are able to focus on the subtleties of the storytelling while appreciating the development of the characters and nuances of the portrayals.
Among all the films in the series, this instalment is perhaps the most serious and compelling. It plays out more like an actual historical than a manga adaptation and explores much emotional depth and character evolution of its two leads. There is hardly any moment of levity and lightheartedness, in contrast to the earlier films. Even the action sequences for which the film series is famed, is very much subdued where significant portions of the swordplay is presented in the style of a vignette, complete with evocative instrumentals. Although there are two boss fights, they are not as thrilling as those in the other instalments.
Production wise, the quality levels remain consistent as one would expect of the same production team led by screenwriter-director Otomo Keishi. The cinematography is exquisite, showcasing the beauty of the seasons where autumn transitions to winter in the countryside, as well as the framing of poignant scenes shared between the leads in their humble abode. Camerawork and editing for the numerous sword fights and stunts remain exceptional, as has been the case throughout the series.
In terms of the acting, both Sato Takeru and Arimura Kasumi are perfect in their portrayals of Himura Kenshin and Yukishiro Tomoe. No one else can play Kenshin at this point and I can’t imagine someone else in the role of Tomoe. As much as I enjoy seeing Kenshin and Kamiya Kaoru (Takei Emi) together, the connection between Kenshin and Tomoe feels more absorbing. Theirs is a delicate love borne of turmoil and conflict that eventually nurtures and heals the soul. I was honestly blown away by their scenes together, especially towards the heartbreaking ending.
Rounding off the supporting cast, Eguchi Yosuke is back as Saito Hajime but with long flowing hair and without the cigarette dangling from his mouth (for the most part). Araki Towa has a bit part, playing the younger version of Yukishiro Enishi while Takahashi Issei provides an intriguing depiction of Katsura Kogoro.
I would rate this film as my second favourite of the series, with Rurouni Kenshin: The Legend Ends as my top favourite. It may not be as action packed, fun-filled or give off steampunk vibes as the others, but I’ve thoroughly enjoyed the character-driven emphasis and nuanced approach to the performances and storytelling, where viewers finally get to see how Battosai evolves from the killer to the pacifist. There is a tinge of melancholy now that the live-action series has come to an end, but what an eventful ride it has been.
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The premise is pretty simple, 'average' girl ends up living with three guys in pursuit of her dream as a pastry chief. Of course, shenanigans ensue. It's touching, it's dramatic, and it even got me to tear up a little bit.
I really enjoyed the chemistry between cast members. You could tell from VS Arashi they were all friends after filming, and during their scenes it was really impressive. Kento Yamazaki, and Kirie Mirai have absolutely stunning chemistry between them. And Nomura Shuhei is the perfect balance between serious moments and comic relief (without being a joke himself). Shuhei was even cast in the Taiwanese adaptation! The setting is in Enoshima, not too far away from Tokyo (closer to Yokohama though) which was a refreshing change of pace.
My friends and I agree that Chiaki's character development was rather sad, in comparison to the others. And there is a weird insert character whoose got no purpose or name but causes a lot of grief for the others, that we found rather boring and unneeded.
I've already recommended this drama to friends, and I watched it in Japan and with subs after leaving Japan. Not a top favorite of mine, and I won't be rewatching unless it's with friends/for nostalgia but it's a sweet drama worth watching.
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1storyline is a 10/10 for me
the storyline caught my attention, for me it's a uniquely well storyline, i like the casting as well and they act very well. i love the tension between the two characters all i can is that the actors who portray the characters is very good with the acting.
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Gold medal for underdeveloping… everything.
What happened? Someone explain, because I am confused. What started as a loveable cliche mess, ended as just a mess. Around half way through I could sense it - no development, no quality of writing, no details to the storytelling, no real stakes…Personally, I just think there were too many characters and plots for that many episodes. We did not need the stupid siblings duo - truly brought nothing to the table. The side romance was cute, but also unnecessary. The writers should have picked either a tragic mysterious past or the power struggle in the company and focus on developing it more. Random ex to show up 3 times to cause a little bit of trouble that led to nowhere? Why?
I was watching the second half with constant thought - so much is happening, but why does it feel like nothing is happening? Maybe because the plot seemed more like a brainstorm on a whiteboard rather than a full narration with detailed setup and development… The way almost nothing got a proper closure…
What carried the show for me were the characters of Ah Jung, Ji Han and one and only unproblematic powerful queen Chae Won. These three were fun, entertaining, dynamic. Their scenes always left a smile on my face. These three also had an amazing chemistry.
On the other hand, every character other than these three was boring or frustrating, with little to no redeeming qualities.
What’s more, the quality of acting was on average mediocre - either because the characters were too poorly written for the actors to make it work, or because the actors just could not connect to the emotions they were supposed to present.
Overall, what a waste of time. Another case of a great first half and disappointing finish.
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A not-so-cozy mystery/thriller!
More on the light-hearted end but perfect for fans of Beyond Evil, Sell Your Haunted House and He Is Psychometric.This series is a fabulous blend of romance and mystery. Right from the first episode, you see the actual mystery (and I mean MURDER mystery) unfold in no time! This drama is fast-paced and speculative. The opening scene is indeed very gripping. However, the main characters' encounters seem too cliche, abrupt and convenient—basically, there's too much plot convenience!
But if you are here for the thrill, the guessing game and can pull through a few cliches, STAY! It seems like we have an exciting mystery brewing. The past and the present follow two separate suspicious disappearances, so let's see if they tie together at the end. I like the alternating timelines, the flashbacks add multiple layers to the story. There is an equal degree of suspense surrounding the other people living in the neighbourhood whose past connects them all to each other. With so many characters to account for, the possibilities are endless. You can't help but keep speculating and theorizing.
The actors have such great on-screen chemistry and the acting is like—chef's kiss (get the reference?) Their relationship has the ideal amount of pushing and pulling, ideal amount of pining and ideal amount of jealousy and love.
The music also seems quite promising for this one, so look forward to the OST's!
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Entertaining & Good Chemistry Ongoing Review (Happy Ending Answer)
SLOW START:I am amazed that the drama follows the book's slow pace in the first 4 episodes. I was expecting less development of the CSS's family. The first 20+chapters of the book are boring so I thought they would just sum it up quickly, but they did drag it out a bit in slow motion. This will discourage some people who are used to quick-paced dramas. If you don't like wordplay or family (in this case females) bickering, then the first episodes will be painfully slow. However, the drama doesn't need to be abandoned because the later episodes will be better after the "main" characters come out. That being said, I have a feeling that the drama will be developed in a similar way.
It's a slow beginning, but they did try to make it entertaining. I think it's worth giving it a chance to develop the narrative (which although slow, is well-acted and filmed). The cinematography looks amazing so far.
If needed, you can skip the first 4 episodes: they are about a girl who was left behind as a baby because her family had to go to war. She was abused by her aunt and grandma. The story begins as her family returns home to find her grown up without education and fine manners.
The ML LBY came out in the first episode. He "met" CSS's hand. And the face-to-face meeting doesn't happen until episode 6.
PLOT EXPECTATION:
What this story is not about: politics & war (there is some, but it is about 1/4 of the story ... the other 3/4 is about women's and family drama). So it's always good to keep your expectation consistent with the perspective that this novel is about a girl, who is the main character; she has 3 suitors; her character matures as she makes her choices.
For those who expect a quick meeting of the main leads and a fast-paced romance, this isn't the drama. They don't "meet" right away. It's going to take time for her to like him. If you have seen The Story of Minglan, it's the similar vibe in terms of family drama. The focus will move from CSS's family drama to another family drama (the emperor's).
ACTING:
So far I really like the acting and funny moments (including the wordplay). It's a different type of drama. It feels like an artistic rendition rather than the typical C-dramas. If you like ZLS, this is a drama in which she shines because she can act in different stages of growth. LW's acting is not shabby either.
As you watch the drama, look out for the details in the words between the characters. The beauty of this novel/drama lies in the details and words and the interaction between people.
CHEMISTRY:
All the MLs have chemistry with ZLS. The looks (eyes) between them and her show how much they like her.
ENDING:
Happy Ending in the Novel. They didn't get married only talked about it in the epilogue. No actual ceremony. Let's hope the drama will script it in.
EPISODE REVIEW:
ep1:
The old lady who came to fetch CSS said, "If your parents love you, why did they leave you?" - This is the same question that CSS must have asked many times: it makes her feel unloved and orphaned.
When LBY heard the uncle say that CSS was without parents all her life, he must have already felt connected with her through their shared background: both grew up without parents.
ep 1-4
Not as good as could have been because of the excessive bickering. It sets up the storyline. Can skip over the high-pitched overdramatized bickering if you don't enjoy it.
Just finished ep6:
Amazing! They changed the novel. I love the change! It's more exciting/entertaining and makes more sense that she met all 3 on the same night! She still hasn't seen his face clearly, but he saw hers.
7-8
Episodes 7-8 didn't disappoint. Again, the script deviated from the novel, but it's all positive. VERY entertaining. I thought the cinematography and storyline had a Disneyesque quality: the filming of LBY with the black cape (a repetition from previous scenes) from low to the high angle from the back makes him look like a Disney character: intimidating, intriguing, and foreshadowing. The real voice of FL added to the fun and childish scenes. I feel she made it very believable and entertaining to watch.
TBH, I enjoy watching this drama more than reading the book. Although I laughed sometimes while reading, the drama brought out more of the comic element by providing not just the regular rom-com but also sophisticated irony, contrast, etc ... The director gave it a vibe of Disney's Cinderella and "Sense and Sensibility".
EPS 15-6
Again, I am impressed with the screen adaptation and the director of this drama.
An excellent screen adaptation of the novel to include more interactions among the male leads. I love that they are more central to the story and being shown at the same time so the audience can see how they treat her and how she reacts to their perspectives.
Jane Austen's vibe is obvious and consistent as the actors curtsy to each other and politely nod their heads. The director is able to get the actors to perform their roles perfectly. It's funny but not to the point of being ridiculous. The humor has a tasteful vibe. When the grandma's dramatic role is not being overplayed as in eps 1-4, she also has the vibe of JA's old dames.
I also love that ZLS can bring out the little girl vibe. Although she is young (but not that young), she brought out the innocence of a 14-year-old at times and makes you feel like yeh, I could believe in her silliness, idealism, and audacity. I think her real voice and acting make the role so believable even though she doesn't look 14 years old.
17-18
If I were reading Episodes 17-18, I would be fast-forwarding them to the next best parts. It's so painfully slow to wait for next week's episodes! I guess the story is not moving fast enough because it's still evolving around similar plot lines and conflicts: engagement, family fighting, LBY's unrequited love, CSS still needs to fight for herself without getting new skills.
It's like a video game level: she's not getting any extra skills or new conflicts to move on to the next level.
However, it's fun to see the dynamics of different families.
In these episodes, we can see that she's going to have a tough battle against the Lou family. Everyone can see it except CSS. Why? In her insecurity (worrying about not being able to find a suitable husband - Lou is the only one who asked her to be his wife), CSS thinks this is as good as it's going to get for her. She's a young teen. She's full of insecurities due to abandonment and lack of love. She doesn't know what love is. She is only concerned about having independence through being married to an easy-to-manipulate husband who will support her projects. But she doesn't realize that behind the husband is actually a formidable family.
These episodes are fun to watch to see the dynamics of Chinese families. The princes showed up in episode 18 in which you can see the contrast between the crown prince and the 3rd prince. It's foreshadowing who will rule at the end.
The next episodes will be more fun when she becomes engaged to LBY. It's a new plot line involving a new mentor (empress) and a matchmaker (emperor). It will be less frustrating to watch because CSS is getting new skills and love from her mentor. She has a stronger fiancé who supports her.
19-20
Breaking up is hard to do so CSS refuses to accept the verdict that she has to give her fiance, Yao, to the He daughter. Yao and CSS promised to stand against the world. Here we see that Yao actually has a backbone. His relationship with CSS has matured him and inspired a devotion that stands against the bullying of his family. It's a foreshadowing of a decent man and friend that he will become at the end of the story.
In this episode, we see that the relationship between mother and daughter is progressing ... also more disclosures about LBY's past.
One thing I noticed about this director is his use of repetition to emphasize the point: My favorite part about these 2 episodes is the last scene: LBY said, "No need to fear. I am here!" This is a repetition of what he said when he rescued her before. It just emphasizes his devotion to her.
21-22
Finally, the plot moves on! I felt too much time was spent on the first engagement. I would like to see more time spent on CSS and LBY's story. At least now, we are heading in the right direction!
She breaks her engagement with Yao. From here on, LBY will become the main man in her life. This marks the beginning of her exposure to life in the palace.
She overheard a conversation about overthrowing the crown prince. LBY saves her and starts to become involved in her life.
Overall, the plot is moving on. I wish they would not drag on with the grandma's scenes. At this point, I tend to get impatient and fast forward her scenes.
The emperor, on the other hand, is a lot more humorous. His involvement in LBY's love life is hilarious... the scene was fun to read too.
23-24
The script modified the story but it sounds reasonable. Here is where the LBY asks the Emperor to represent his parents and ask for CCS's hand in marriage. She took a chance and said yes. Why? She was touched by his sincere declaration that she is a special lady who is fit to be his wife. No other will do.
25-26
Excellent job in both scripting and directing. Really loved these two episodes, especially the humorous ending of 26! This was not in the book but the script again exceeded my expectation. I loved the way the director showed humor, not just through words but also through the filming angles and the closeup of movements!
In episode 25, CSS had to deal with the gossip and LBY helped her to silence the vicious girls. She realized then that she is solely dependent on him to give her power. And by relying on him, she loses her independence.
27
The hilarious episode shows LBY taking over Cheng's family in a military style.
28
Love doesn't conquer all ... Adjustments and compromises are required. I find this scenario to be very realistic. Romantic love is balanced with conflicts and character development. I like how smoothly the script transition the story to the Palace.
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1
1
1This review may contain spoilers
Romance?? Action?? Logic?? This Drama Said No Thanks..
Disclaimer: This might sound like a rant.. Because it is one.. If you somehow enjoyed this drama.. Good for you..Script?? Bad.. Acting?? Bad.. Action?? Bad.. Romance?? Bad.. Character Development?? None.. VFX?? Worst.. Not one scene had good CGI.. I sat through this drama for SWL and what a disappointment.. It felt like the entire production team lazily put this together.. Apart from the costumes everything else felt completely half assed.. Like the team just threw things together and hoped for the best..
Angela Baby.. I hope you take some acting classes because seriously, what happened?? This was painful to watch..
The ML was supposed to be the next Wolf Lord or something but instead he spent the first half of the drama getting hurt, stabbed, hurt again, stabbed again by the FL and her minion.. And he still wagged his tail like a lovesick puppy while she kept taking advantage of him.. Where was his brain?? His dignity?? His revenge for his parents?? At one point he even got stabbed on purpose just to stop her from leaving.. That’s not devotion, that’s a suicide attempt you fool.. And then, after all that, he goes and gets shot with an arrow to protect her..
The script was all over the place.. Like the writer forgot what they wrote five minutes earlier.. The ML gets stabbed with a sword and yet wakes up the next morning like he is ready to go and win the La Liga.. And man he was so happy becase he saw the FL sitting by his bed.. Dude, she was literally applying medicine and touching another Guy's leg in the previous episode while she didnt even bother to prepare medicine for you.. That didn’t tell you anything?? And to top it off she was shamelessly ready to give away the locket or whatever that was that you gave her.. And you still didn’t realize you meant nothing to her?? At least not at that moment??
And the princess?? Dumb as a rock.. Another infuriating character..
Ep 13 was actually decent and I thought maybe things were turning around.. Then Ep14 happened.. The FL, in her infinite wisdom decided to protect her minion who literally tried to kill the ML by threatening to kill herself if anyone harmed him.. And the ML?? He had to tell his soldiers who had just watched their comrades die, to lower their weapons because his love interest was having a meltdown over the guy who tried to murder him.. What kind of joke is this??
Then somehow in the next scene the ML and FL end up in bed together.. She just threatened to kill herself over another man who tried to kill him and now they are suddenly sleeping together?? So all those soldiers died Just so he could end up in bed with her?? Unbelievable..
Even if she did love him which is questionable, she manipulated him the entire way.. She never once did anything for him.. Yet he kept crawling back like a fool.. She faked her death, ran back to her hometown, and started living her life while he was left depressed thinking she was gone.. She never once made an effort for him.. Not.. One.. Thing.. Meanwhile he spent the entire drama begging for her love..
What a complete waste of time.. Even the conclusion was unsatisfactory.. After everything it didn’t feel meaningful.. Just another half baked ending that failed to justify the mess before it.. I don’t know, maybe I had high expectations.. But for me this was just another drama with a mediocre storyline and wasted potential..
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Story: Prepare for an emotional ride. From the first episode, I just can't let go. A real makjang drama at its finest, it made me shed tears by episode 3. The story will tell you about a guy with painful past, lost family, with nowhere to run, with absolutely nothing at his hand strives to find himself, his dreams and his newly-found family through the world of baking. The childhood part for me was greatly done, it's the family history that made me invest deep emotions; for the 2nd half of the drama were flashbacks has to be made, sad emotions run down and I cried. I lost count how many times I cried in this drama. Most of the lines coming from the teacher were really inspiring and will let you ponder about life in actuality.
The romance is unconventional. It's not I-know-already-who-end-up-who typical love story. It all ends up to a matter of choices. I did like the ending, it's open yet satisfying and will leave you a resting feeling.
Cast/ Acting: The child actors were definitely amazing in conveying heavy-toned drama in the first episodes. Yoon Shi Yoon maintained the well built TakGu character. He was very convincing and his expressions will make you understand what hardships he's going through that seeing them makes it painful. When he cried, I can't help but cry too. Shin Yu Kyung's character is complex and yes, she's also believable. I initially watched this because of Joo Won and I can say, he's also very good in here, the shifting from bad to good was portrayed well, I also did cry for him at the end. The two main antagonists were not a letdown, it seemed nothing can stop them in doing what they want at all cost until the very end.
Music: It simply matches the scenes it has to give enhancements of, and it has a lively yet inspiring feeling as well.
Rewatch Value: It's a heavy drama for me so I will find it hard to rewatch it for sure.
Overall: A great inspiring drama that will max-out your emotions( it is for me anyway) but in a good way! It will make you sad yet satisfied, this is one of those dramas that is hard to forget. :)
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Story - Overall, it was pretty interesting. There were things that kept you wanting to know what happened even though the romance element was predictable at times. It wasn't draggy at all and that was a great thing for this drama. The pace wasn't too slow but not too fast either. Most of the twists in the drama were also well done, the fantasy was what wasn't predictable at all, I didn't see those twists coming. There were definitely some parts that felt out of place in the drama, like the beginning of the last episode was a little too surprising for me... can't spoil it though. ;D
Acting/Cast - When I first started this drama, I wasn't expecting much out of Lee Hong Ki. I thought it was odd he was playing a 29 year old man when he looked so young that I couldn't believe he was even 24! But I'm glad to say, it played out pretty well. A haircut and a change of makeup can do wonders to enhance your age! His acting was impressive and it exceeded my expectations by far. Yang Jin Sung was great too, before this drama, I had never heard of her before. I was surprised that this was her first leading role. The difference in personality was so clearly shown with Yi Kyung and Doo Rim. Not once (except maybe the ending) did I confuse them even though they were being played by the same actress. Lee Hong Ki and her had tons of chemistry, they did good kiss scenes LOL. Everyone else played their role well as well, I didn't see any flaws in the acting. (:
Characters - Kang Ju, who seemed cold and rude in the beginning naturally became softer and more understandable. I loved Doo Rim so much at first, I adore strong female leads. I like how at first she disliked Kang Ju but naturally began understanding him and liking him rather than clinging onto him annoyingly from the start without considering how he treated her. Doo Rim remained true to her character until she fell head over heels for Kang Ju... honestly, this is like the one of the things I really disliked about this drama and it bothered me a lot. Like, all of a sudden she was crazy about him and wanted to be with him for the rest of her life. The development felt unnatural to me. How the relationship started wasn't that realistic but after a while you forget about it and just enjoy the cute moments. After she admitted to her feelings, her tough character didn't show as much as the previous episodes which kind of disappointed me. At first I really hated how horrible the antagonists were. The very people she trusted were lying and deceiving her for their own gain and she was completely oblivious to it all. When she finally did find out, she hardly even cared. It was a good thing that the antagonists end up becoming better people and admitting their wrongs. Another thing that bothered me was Yi Hyun. It's weird how he falls for Doo Rim, who looks exactly like his half sister, Yi Kyung. I don't remember this ever being explained though... Roo Mi, who was initially the usual evil second lead actress, became so much better naturally. It wasn't at the very end where they go on about how they reflected on their actions but it was pretty early in the drama when she changed for the better. My favorite characters were the ghost and Doo Rim's grandmother. The ghost was a important part of the story and added mystery to the drama. I loved Doo Rim's grandmother because she was so adorable and so funny xD
Music - I loved the music in this drama. I never got tired of it and there was a nice variety. Lee Hong Ki has a really nice voice, I really liked the OST he sang for the drama ~
While there were some flaws in this drama, I liked it overall. I'm glad they didn't try to extend the drama because the fact that it's not draggy is really enjoyable. There are so many cute moments that will make you laugh too. A good length for this drama and if you want to watch it, I'd definitely recommend it.
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Dude...
How is an 18-minute short supposed to excuse the emotional abuse and Lhong paying a man to rape Tar? And here Lhong used to be my favorite character alongside Techno lmao, nah the man needs therapy...I just... I don't see how this is supposed to excuse anything. Sure we got context, but that context doesn't really amount to much. Him being ignored by family and friends doesn't mean he gets to go around breaking people up just because he wants Tharn so badly. And yeah Tar isn't my favorite character but... you tried to sell him... to a man who attempted to rape him...
Dude.
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Within a male dominated spectacularly exclusive golden Jaebeol-Cage women stand up for their rights
The (fictional) Hyowon Group's extended family is among the richest one percent in the country. This clan is analyzed in detail with their personal stories and their dynamics among themselves. It quickly becomes clear that despite all the wealth, nobody is happy here. They are prisoners in a golden cage of their own greed. The peacock cage in the park of the estate is a beautiful allegory for this.If they were just satisfied with what is, they might be better off. But it always has to be more. "Mine... Mine... I want it... I want more... I don't want to give it away..." Communication is replaced by competition, love and comfort by money and luxury. The price has to be payed by suffering souls. Having lost their grounding in trust, sympathy and kindness, they somehow blindly fight for a substitute. "Mine" thus illustrates their sandbox games including mud fight. Maybe with designer sand - the architecture and furnishings are spectacularly exclusive down to the last detail. You don't have to like that, but it is supposed to impress - and it does.
Still, mud is just mud... And it is disgusting to deal with.
The Jaebeol orbit traditionally is a man´s world. In this respect the KDrama "Mine" choses a unique and inspiring approach: Here concentrated, intelligent and courageous women's power is fighting for liberation from the golden cage. This is possible in South Korea in 2021. Also that one of the female protagonists is in love with a woman. Can women set themselves free from male dominated power structures and constraints? There are some truly beautiful, touching, powerful moments of sisterhood and women's power. Sometimes offensive, sometimes subtle.
If you like, "Mine" is also a contemporary social criticism, quietly hidden behind the curtain of an exclusive and alien world of feudal arrogance. The orbit of the Jaebeol may be far far away from the rest of the world, but with all the interpersonal and inner-psychic dynamics (actually quite ordinary and human) that are in focus here, it comes very close to the themes of 'normal' (South Korean) society - with its social constraints, its strict hierarchical structures and their prejudices that put chains on people of almost every social class. The audience is thus free to choose who from the Hyowon clan household they want to identify with. And whether they want to dare to break free, too, and take a different path (together with one or the other protagonist).
--------------------- SIDE NOTE: --- Jaebeol and their different topics among second and third generation heirs ---
The rise of the founding Jaebeol, like the growth of their companies, was shaped by strong patriarchal hands. Hardworking hands, too. However, this first generation patriarchs are slowly dying out... this being accompanied by creeping processes of change. The founding fathers knew where they came from. Plus, from the very first hour, they had long-standing, loyal relationships with their assistants, secretaries, drivers, foremen that had grown over time (even if they were characterized by dependency)... and over time they have built up a systematic network that takes care of their interests wherever they wish.
Their offspring however is already born "with the golden spoon in their mouth", spoiled by wealth and far away from the ordinary people who work for them and their living environment. These Jaebeol are increasingly preoccupied with their ego, family dynamics, scandals and inheritance disputes. They lack ´brothers in arms´, who shed their blood, sweat and tears - thus they lack someone they can trust. The principle of bribery may still work, yet the reins are now in several, increasingly fractious hands. By now many Jaebeol-Clans have already begun to dismantle their power structures by themselves. And if not, their past machinations are increasingly catching up.
"Mine" documents quite vividly how the Jaebeol families dismantle themselves... how the heirs identify with their (still young!) identity as Jaebeol as if they were feudal old noble blue blood... They haven't really had to prove themselves yet and by their arrogance are already failing in the second and third generation. Additionally, the youngest generation increasingly is no longer interested in the corporate empire, let alone their management...
In this respect "Mine" also represents a new variety of topics within the Jaebeol-Genre in KDramas for the 2020s. ´Competition´, ´cabal´ and ´revenge´ as leading subjects have already been processed back and forth since the early hour of KDrama. ´Justice´ was an increasing topic during the last decade. ´Breaking free´ as a Jaebeol-topic however so far is rather new and rare, yet it might increase in the future...
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Very dark, very painful but exceptional acting from the whole cast!
PLEASE BE AWARE THAT THIS MOVIE CAN BE TRIGGERING AS IT DEALS WITH VERY DARK TOPICS SO WATCH WITH CAUTION SHOULD YOU CHOOSE TO!I really don't know how to critique or review a story/plot that was so deeply disturbing and uncomfortable for me. Was it good? I don't know. Was it bad? I don't know. All I know is my heart ached for these characters (specifically the twins and their friend) and loathed everyone else. I suppose in a way that makes it a great story because I was soooo immersed in it; every dark turn made me physically sick.
And that was kind of the problem. There were many parts of the story I hated but did I hate it because of the triggering nature of those scenes? Or is there something to critique about the plot itself? It's hard to distinguish for me. I do think the story flows well. The way they showed the present with the flashbacks of Wolwoo is done really, really well. There wasn't ever a point in the movie where I thought "huh this is jarring". Like I said, I was genuinely, intensely immersed.
I went to watch for Jinyoung. As a fan of his since Got7, I've followed his career pretty much from the beginning, and this was truly something special. He was phenomenal as both Ilwoo and Wolwoo. I forgot he was Jinyoung. I forgot everything and just wanted to jump into the screen and protect these boys. His heartbreak, pain and trauma were more than just believable, like I said, it made me really uncomfortable (due to the nature of the topics).
The whole cast was phenomenal.
So that's why I'm giving it a 10 solely for the acting.
I really can't say more about the plot than this because... there's a reason why the synopsis is so vague. Let's just say that.
Would I recommend it? Yes, if you are a fan of Jinyoung or any of these young actors. Or if you're a fan of dark, intense movies about vengeance.
Would I rewatch it? Absolutely not. I'm so sorry, Jinyoung, but once is enough. My heart can't take more.
Anyway, I don't know... Good luck if you do watch haha.
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