This review may contain spoilers
Women on the ball. Delighting, enraging, inspiring, concerning. Excellent script. High-end KDrama.
"Agency" has it all. Viewership has skyrocketed, as have ratings. "Agency" is the hit. Cool freshness, fashion, speed, one or the other rivalry as well as all categories of human manners, even the lowest, underline the handpicked lifestyle ambience. This all guarantees a lot of fun, seriously...The topic hits the South Korean nerve of the time. The nerve of women in particular, I should add. What may appear to Western eyes as an entertaining office drama with catfights has a completely different explosiveness in the eyes of Asian, especially South Korean viewers: The deeply hidden, rousing topic of the time, which affects everyone, is ´population decline´. The critical nerve bubbling on the surface revolves around ´sexism´ and ´misogyny´. The incumbent President Yoon proclaimed that these topics could be shut into history books, but "Agency" gives him the lie, right on. The KDrama clearly demonstrates how up-to-date it is. More than one South Korean woman in this story, no matter what position – down to the generation of the mothers of those mothers in the series - will find themselves here. And more than one man as well...
It is pleasing to see how razor-sharp and competent the female protagonist proves herself in this man's world. Also pleasantly refreshing side effect here and there: alternative model approaches for female vs. male management styles. And then there is the extravagantly privileged and insolent Jaebeol of the youngest generation who eventually is inspired to break free from her heavy chains of family-clan expectations. Besides their punching power, both lead ladies are palpable, too. Watching the series is a pleasure, even if the topics touched on may also arouse rather different feelings as well... A colorful bouquet of thematically critical, plot-relevant threads is dramaturgically subtly intertwined. In addition to the two female leads, there are also diverting (women´s lib) moving stories about Go Ah-in's employees and colleagues.
Stellar, good-humoured actors. Excellent script. A wonderfully balanced mixture of fun and seriousness, of pace and depth. The coherent details were undeterred on a differentiated, complex overall picture of the current business world. High-end KDrama-'pleasure' – delighting, enraging, inspiring and concerning. And while we are at it, "Agency" is innocently, smilingly, prettily and yet cleverly and valiantly placing a feminism-sting, too.
---------------------------------------------
SIDE NOTE: --- Misogyny and population decline in South Korean society ---
Without women it won´t do. But South Korean President Yoon has now officially messed with them. There was an enormous wave of protests when he announced that he wanted to abolish the ministry, which had been set up around 20 years ago to support women against sexual assaults and for equal rights, arguing the issue was no longer an issue. Immediately, around 800 organizations formed and stood up. President Yoon, who is promoted and sponsored by a strong conservative, patriarchal current, has blown a hornet's nest. His world – that of macho men – is obviously different from that of contemporary South Korean women.
It is a given fact, that misogyny in South Korea characterizes everyday life throughout all classes. Neither an entrenched, male-dominated business world from the bottom up to the boardrooms, nor professional disadvantage and discrimination of women in the workplace, belong to history yet. In the contrary, recently it has even been fuelled by the election of the current President Yoon. Fortunately, there are opposing movements and criticism. The KDrama "Agency" uses a socially critical magnifying glass here. Nevertheless, there is still a long way to go, although a drastic reflection is desperately needed, in order to be redirect economic development towards a positive light.
The current demographic trend is closely linked to the economic and social situation, which is shaped by antiquated patriarchal beliefs. Those old (apparently always happy to be taken off the socio-cultural shelf, dusted off, polished to a high gloss and then put back again) convictions stand in stark contradiction to the high pace of the high-tech modernity of everyday life in South Korea. This tense paradox is already having a negative impact (not just on women's attitudes towards life, but also) on the country´s economy. The official statistics on population development from August 2022 show declining numbers for the first time. Actually, the country's birth rate is the lowest in the world. There is no trend reversal in sight. The population will continue to shrink. And that is already and will even more so affect the economy. The proportion of women in the working population (at 55.1 percent) could certainly be increased. Although South Korean women are very well educated on average, only a little more than half of them actually bring their skills into business life. Among men, on the other hand, 73.7 percent are employed. This is due not least to the misogynist attitude in all areas. The difference in pay between women and men is estimated at 31.1 percent. Nowhere else in the 38 OECD countries is it THAT bad. Added to this is the disadvantage on the career path. Work-life balance is in its infancy, because the motto is: woman to the stove. Executive suites are for men only. Women are rarely seen here. And if so, then often only for ornament or to fill the image of an empty marketing shell (similar to "Agency").
It's high time that the many misogynists among South Korean men (including their president) arrived in the present. In the long run, a trend reversal can only succeed jointly – at eye level.
Was this review helpful to you?
Beautiful cinematography and amazing chemistry
I have liked a bl after a long long time.. BL these days are just not making me interested. its either the acting or the story or the chemistry that lacks. This BL, and i think Japanese BL its itself are really really really good as compared to other countries. they have better acting better direction and mature themes.This is absolutely beautiful. I loved it from the first episode. The characters are flawed but so are we and thats what makes it relatable. Highly recommended if you are bored of shitty thai bl these days.
Was this review helpful to you?
"The Palace" is about two friends Chen Xing and Lui Li, who are palace maids, and their relationships with the 13th Prince. This movie is mainly about Friendship, Loyalty, Betrayal and Love. There is also misundertandings and a stealed identity.
One character turns into a mischievous and schemeful woman that betrays those who trust her. I like how they explain the origin of her behaviour - she wanted to have power and freedom in a place and period where she is fated to serve others.
Another character is portrayed as a pure and innocent woman who stays true to her love and friendships. She tends to make sacrifices and resign to her fate. Sometimes I was annoyed about this while other times amazed.
I liked the evolution of the characters and the contrast between them, but I would have liked some mixings. Not black and white characters but grey characters. Even so, I think that the fact that they are black and white makes the story more epic and memorable.
What I loved most was the photography. All scenes were recorded beautifully and each frame is like a photo itself. Great casting and costums.
I think "The Palace" should be more popular. I haven't watched any of the dramas named "The Palace" that are set in the same years so I don't know if the storyline is very similar or not.
I recommend this movie.
Was this review helpful to you?
Hidden Pearl
The story is not new, but the execution is great. I've seen a lot of C-dramas. This is not to be missed. ML and FL not only paint wonderfully in ancient costumes, but can also play. This was the first story I saw them in, but it certainly won't be the last. FL is beautiful, smart . ML is persistent, handsome and cunning. The chemistry, the humor, and the visuals are also great. The music with the heartbeat and the insertion into the series is perfect. Even though it's only a miniseries, I would watch the characters for a longer time.Congratulations for the team.
Was this review helpful to you?
Low expectations lead to thorough enjoyment
I think this show is the perfect example of how hype and anticipation ruined the experience.I've been holding out watching this drama because of all the negative reviews but decided to give it a shot, and I can honestly say I was HOOKED. I'm so glad I watched it because I actually really enjoyed how complicated the story was because it left me wanting more. I found myself trying to connect the dots between the little details sprinkled into each episode to figure out what would happen next, and that's usually what makes me stick with a drama till the end. I feel like there were a lot of twists added to the stories that I just did not expect at all, and though some of the twists revealed sort of fell flat, I still found it exciting enough to keep going. To me, it was really the overall story driving the show rather than the characters (if that makes sense at all).
The acting was okay, I expected more from Lee Min Ho as I knew how much everyone loved him and this is the first drama I've watched with him in it! I thought that Woo Do Hwan's acting was absolutely breathtaking in this drama. He did such a good job that I was genuinely convinced Yeong and Eun Sap were different people. I expected a bit more chemistry between the main couple but I just loved the story so much that I overlooked this part.
I can understand the criticisms for this drama as there is definitely a lot left unsaid, but it's just one of those dramas that I expected so little from but ended up absolutely loving it. I would recommend everyone give it a chance despite the reviews! It may not be everyone's cup of tea but it quickly became one of my favorites by far.
Was this review helpful to you?
Put Your Feet in My Shoes
Despite a 7.9 rating here on MDL as of this writing, The Trust is a lovely drama. The idea of body switching is not new, but the execution of it is interesting and very funny. Imagine a distrustful couple, the lord of a city and his wife, switches bodies, and they must continue to perform the roles of the other as if nothing has happened. Putting their own feet into each other's shoes, they finally understand the other's pains, predicaments, and perspectives, and come to empathize with each other.This is a story of political power struggle and harem cat fights, though at a smaller scale but as deadly. Political rivals scheme to bring down the other, and the City Master tries to maintain the balance of power while silently fighting against the onslaught of his own uncle who is ambitious and treacherous.
Xu Yu (Song Yanfei) is the daughter of the most powerful general in the land, guarding the northern border with a formidable army. Growing up in such a household, Xu Yu becomes very adept in sword fighting, horse riding, bow and arrow, but not so good academically. She is a carefree girl and in love with Xiao Jinyun (Zhang Haowei) whom she has grown up with. After marrying him, Xu Yu finds life not what she had expected; she becomes disillusioned and unhappy. Disappointed, she stops caring about all matters in the household, and doesn’t vie for attention from her husband, while others in the harem fight tooth and nail. With such an attitude, her mother-in-law does not like her and she repeatedly gets into trouble, and is always being framed and blamed for everything that she hasn’t done by her husband's concubines.
Having a heavy burden to carry for his city kingdom, a discord court of academic (文官) and military (武官) officials, and a big household to maintain, Xiao Jinyun’s demeanor is serious, uptight and unaffectionate towards his wife and concubines (he has at least 4 of them). This has led to his concubines vying for his attention by backstabbing each other, especially they bully Xu Yu who doesn’t care to fight back. He is suspicious and wary of Xu Yu’s father, General Xu and her two brothers because of the strong military power they wield, more so when fanned by the academic officials like his scheming uncle. On top of that, the military and academic ministers don’t see eye-to-eye on anything and always bicker among themselves over even the most trivial matters. Again and again, the academic sect tries to take down General Xu at every chance they get.
On that fateful day, through some magical force from some meteorite stones and an eclipse of the sun, they exchange bodies; Xiao Jinyun lives in Xu Yu’s body and she in his. Now living in a man’s body, Xu Yu is liberated. She/he goes to the brothel, gets drunk, attends court assembly to fend for her father when he’s being attacked; she even goes to war to help her father in fighting the invaders. To others, their City Master has suddenly changed in character, playful, impulsive, an excellent sword fighter and an archer. To Xiao Jinyun’s surprise, Xu Yu manages her role as the City Master in court very well as her way in handling the disarrayed court officials seems to be effective.
For Xu Yu with Xiao Jinyun inside, her change is just as significant; she becomes mature, responsible, and calm in dealing with everything negative that comes her way. For the first time, Xiao Jinyun realizes how badly Xu Yu has been treated by his own mother and concubines; they criticize, backstab, frame her, and lie about her to him. In General Xu's daughter's body, Xiao Jinyun knows that the Xu family is totally committed to him; their loyalty is second to none, One of the hilarious scenes is when he also experiences her menstruation pains. As Xu Yu, Xiao Jinyun manages to improve Xu Yu’s relationship with his mother and helps her in reclaiming her status as the main wife, gaining respect from everyone.
As they grow to understand and trust each other more, all their misunderstandings resolved. They work together to tackle a series of crises, politically and at home. Their romance is gradual and sweet, from distrust to trust with no doubts.
I have never watched any dramas by Song Yanfei and Zhang Haowei, but I find their acting very natural and convincing here. I love how they each plays both characters, bringing out the contrasting individual characteristics and demeanor. How Zhang Haowei becomes girly and rolls his eyes when he acts as Xu Yu is hilarious, while Song Yanfei as Xiao Jinyun becomes the one that always has a plan, and makes the first move. The scenes are cute and very funny, accentuated by playful background music.
There are at least two BL/bromance couples here. The Xu Youran (Li Junchen)/ Xiao Jinming (Cao Junxiang) pair is amazingly good looking with wonderful chemistry. By the way, watch out for the rabbit Xiao Jinming brought for Xu Youran to care. I presume this is a hint of their relationship. The other pair, Jiang Tang (Feng Mingjing) / Xu Jun (Li Ji), is equally interesting and fun to watch. Too bad they have too few scenes and dialogs together.
My Verdict
This is a very underrated series. It is a lovely story, cute with very funny dialogs. As unserious the tone as it is, the acting and the plot are serious. The script writing, directing, editing, and acting are all brilliantly executed. The court powerplay is not boring as we have great acting here by Zhang Haowei, and the harem cat fights are not infuriating as Song Yanfei’s portrayal is brilliant and very lovable.
I've come to realize that the low viewership (hence rating) is probably due to the poor English subtitles. It is such a pity because this is a wonderful series that deserves to be watched and loved. Strongly recommended.
BRAVO!
Anime link:
https://www.youtube.com/playlist?list=PLBakWosU0sfj2hkpghsp3loSDXl6w-P1h
Very good. Recommended!
Was this review helpful to you?
Overall, after watching the final episode and not realising it was actually the final episode (changed from listed 75 eps to 74) I have to say I wasn't too happy with the ending but the drama is for sure extremely well made and in my top 5 dramas of all time. If you're looking for a drama with more depth, a little romance and a smart, independent heroine I definitely recommend this one!
Was this review helpful to you?
This review may contain spoilers
A Love Story That Isn't for Everyone
I have been wanting to watch this movie since I first watched the trailer and had "No Regrets" by Li Rong Hao on repeat for over a month. I knew this was a movie that would make me cry. I don't think this movie is for everyone, when it's a love story that isn't for everyone; especially people that doesn't like very flawed characters and that not all love will have a happy ending.Zhou Xiao Qi is our male lead that is super rash and emotional throughout the movie, while You Yong Ci (our female lead) was a girl that wanted to simply feel loved and safe in a relationship due to her past family issues. I honestly felt like female lead's character was not fleshed out well compared to the male lead's character, but I think the main focus of the story was on Zhou Xiao Qi. They are both very flawed characters though. The moment Zhou Xiao Qi did the stupid thing that ruined his future, I knew their relationship would fail no matter what. There would always be regrets for him, and then for Yong Ci will forever feel guilty for it. No matter how much they loved each other, it would just not work out.
I think the message that the movie wants to tell us is that just because you love each other, doesn't mean you have to end up together. It gave a realistic view on how when you are young, rash and emotional; you make stupid mistakes and say stupid things that can make or break a relationship. But it's important to look back and cherish the love you had for each other in the past. We should view it as a happy memory; it's better to have loved and been loved, then to not have loved and not been loved Also, it's important to live with the decisions you made and to not have regrets. Keep looking forward, learn from your mistakes and try to become a better person.
Was this review helpful to you?
All the usual angst
Manipulation ✔️ Bitchy ex- girlfriend (the worst I have seen in any drama! ) ✔️ Lots of misunderstanding ✔️ Lack of communication✔️ Love triangle✔️And yet somehow, I didn’t skip much and finished all the way through 😂 I did find it quite engaging although the storyline was annoying. There were some nice moments between the main leads, and they did manage to express and communicate their feelings.
Not a great watch. Only if you have nothing better😉.
Was this review helpful to you?
This review may contain spoilers
A Refreshing and Outstanding Adaptation
"Boys Over Flowers" has been adapted in various versions, but one stands out as the best. This particular adaptation did a fantastic job of changing the story in a great way. Thyme's character was portrayed wonderfully, adding depth and making them different from other versions. Gorya's acting was top-notch, and she really nailed her character. Ren, who connected Gorya and Thyme, was also a favorite.What I liked most was that they changed a plot point from other versions. In this adaptation, the main female lead didn't kiss the second male lead, which often made me angry in other versions. It was a welcome change that kept me engaged. However, I didn't like Thyme's mother. She was like a villain throughout, and it felt one-dimensional.
This adaptation beautifully showcased the strong friendship between Gorya and the other F4 members, something that wasn't as clear in other versions. The drama didn't drag on with too many episodes, which was a relief. It covered the whole story in just 16 episodes, maintaining a good pace. While I would have loved to see a wedding part, I still felt satisfied and overwhelmed by the overall experience.
The unity and loyalty displayed by F4 with their motto of "All for one, one for all" was heartwarming and added an extra layer of enjoyment.
In conclusion, this adaptation of "Boys Over Flowers" brought a refreshing take on the story, with standout character portrayals and strong friendship bonds. While not everything was perfect, it left me feeling satisfied and overwhelmed. If you're a fan of the original story, this adaptation is definitely worth watching.
Was this review helpful to you?
An uneven experience: sometimes frustrating, but still engaging enough to keep you watching
Never Forget Your Enemy starts with a premise that immediately grabs your attention, but over the course of its eight episodes, it becomes clear just how much that initial idea is both its greatest strength and its biggest limitation. The combination of rivals to lovers and amnesia works well as a starting point, creating an engaging emotional conflict between past and present. The reveal that the protagonists were never truly enemies, but rather victims of misunderstandings and poor communication, adds a more human layer to the story. Even so, the development doesn’t always live up to its potential, and what begins as something compelling gradually becomes uneven as the series progresses.The non-linear structure, shifting between different moments in the characters’ lives, is an ambitious choice that adds depth but also creates confusion. At times, the flashbacks genuinely enrich the narrative, showing how the relationship evolved and giving more emotional weight to the present. At others, the execution struggles to clearly distinguish between timelines, which hurts the flow and requires more effort to follow. This sense of disorganization becomes even more noticeable toward the final stretch, when the series expands into thriller elements, introducing more extreme conflicts that clash with the original tone and feel exaggerated or underdeveloped.
The writing is, without a doubt, the most problematic aspect. There is a solid foundation built around themes like memory, identity, and emotional reconnection, but the way these ideas are handled raises several issues. Amnesia, which should be the emotional core of the story, is treated inconsistently, both in how characters react to it and in how the protagonist’s journey unfolds. On top of that, the series tries to juggle too many subplots for its limited runtime, including stalking, revenge, unresolved secrets, and family conflicts, without giving any of them the depth they need. As a result, the narrative often feels rushed, messy, and at times even illogical.
The acting delivers mixed results, but not without clear strengths. The leads have strong chemistry, especially in more intimate scenes, which end up being some of the most convincing moments in the series. There is a natural ease in their physical interactions and an emotional sincerity that helps carry the relationship even when the script falters. However, technical limitations become more noticeable in heavier scenes, where the emotional delivery doesn’t always reach the depth required. One actor shows more confidence, while the other can feel a bit stiff at times, with a more limited range of expression. Even so, considering these are relatively early leading roles, there is clear potential for growth.
In the end, Never Forget Your Enemy comes across as an ambitious series that doesn’t always manage to support everything it sets out to do. There are undeniable strengths, such as the engaging premise, the chemistry between the leads, a memorable soundtrack, and well-executed intimate moments. At the same time, issues with the writing, narrative inconsistencies, and uneven execution keep it from reaching its full potential. It works best when approached as a romantic drama with touches of mystery, without expecting strict realism. It may not stand out as one of the most memorable entries in the genre, but it’s far from forgettable. Ultimately, it’s an uneven experience, sometimes frustrating, but still engaging enough to keep you watching until the end.
Was this review helpful to you?
The first half of the show is particularly strong, in part due to outstanding performances by Kim Young Chul as Taejong and Choi Myung Gil as his embittered queen. Taejong may be monstrous, but he’s also powerfully human, and the show loses some of its spark when he exits the scene. The second half is weaker, perhaps because the series was cut down from 100 episodes to 86. This causes pacing issues, as some events are rushed through while drawn-out moments of pathos feel unearned due to a lack of dramatic set-up. Subplots get dropped and major characters disappear without acknowledgment or comment. It also means that Sejong comes off as far more serious than perhaps he was, as the show leaves out such “frivolous” elements of his life as his love of music and his passionate relationships with his concubines. In general, the show is more comfortable in the elegiac than the celebratory mode, but its tendency to emphasize loss sometimes deflects attention from just how extraordinary Sejong’s achievements were. It may be difficult to do great things, but there is great joy in such success as well.
Was this review helpful to you?
This review may contain spoilers
Within the aura of a love story some socially critical topics on successful woman, work & family
"I Do I Do" tends to be humorous, offers a nevertheless emotional love story and at the same time the backdrop for the critical processing of a merciless everyday professional and living environment to which women in South Korea are exposed. As also, for example, "Romance is a Bonus Book", "Scent of a Woman", "Revolutionary Love" or "Angry Mom" the KDrama uses the comedic touch to lift the emphasis of the topic into a lighter tone that is easier to digest. Cheerful and serious aspects are well balanced, also thanks to a great cast.
Within the aura of a love story "I Do I Do" comes along with some socially dominant topics around woman, work and family that want to critically be processed. "I Do I Do" precedes "Now, We are Breaking Up" by nine years. Not much has changed in the status of the professional life of a successful woman (in the fashion scene). The scenario reminds here and there: the experienced, successful and talented designer (here elegant pumps) who has chosen career over relationship/marriage/family; the parents who want their daughter to finally get married properly; a younger man who, after a one-night stand, throws the orderly life of the confident businesswoman upside down. In the case of "I Do I Do", the protagonist ends up in a one-night stand, which is rather untypical for her (and him) due to a chain of special circumstances. The hook for further drama is her completely unexpected pregnancy. ... and 37-year-old Hwang Ji-ahn, still being single, having just been medically diagnosed with a premature menopause...
------------------------------- SIDE NOTE: --- Woman, Work and Family as far as South Korean society is concerned ---
- A woman (in South Korea) can perhaps be successful, but the price for this is her woman-ness (as in many places on earth...). She proves herself to be a better man and simply has no room for relationships where she could live out her soft, tender, feminine side. Showing her weakness at work whatsoever would jeopardize her position. Competitors are already waiting for a devastating neckbutt.
- A woman can be excellent and even unique in her work. From a marketing point of view, however, it is more promising (because it is more binding for business partners) if a man bears the official, managerial responsibility for business sucess... because who knows when the woman will leave the professional world behind and take up her role as wife and mother... The dramaturgical dynamics in this regard are astonishingly differentiated in "I Do I Do". There is even room for the aspect of how women envy each others decisions for either way (instead of solidarily supporting each other - here and there).
- A woman should get married. She can mercifully let off steam for a while in her professional life, since society has already become about 10 years more tolerant in 2012 than in the decades/centuries/millennia before. But the age of 37 is (biologically speaking) a magical limit... because now it's high time. (The KDrama actually offers an exceptional man as a role model who thinks progressively here...)
- Dating, a woman automatically becomes the one who needs/wants to be protected and the one who in turn provides the man with allround care. What a mess, if roles lose their clear assignments. Here, too, the KDrama offers, among other things, another (different) exceptional male role model - one who (although instinctively a protector, too, but nevertheless) is ready to develop in a different way.
- And then equally valid for men and women: relationship is not a private matter. At least the parents are the first to have a say.
-Also: The greatest happiness in life should be a permanent position. Everything else is extra...
---------------------------------------------------
"I Do I Do" defies these societal norms, which in South Korea seem to be chiselled in stone. This is no piece of cake. Interestingly, the KDrama offers only one answer to the question "What are the arguments in favor of deciding to have a child or a family as a professionally ambitious woman?" - this in the face of an almost endless list of reasons that argue against it... This single commitment to a "yes" (towards children and family) is located beyond rationality. This "yes" has nothing to do with virtue and values. This one and only "yes" argument is completely personal. (My respect for taking such a position - one that actually stands outside of society´s right to have a say in this!)
After all, "I Do I Do" eventually shows another variation in the Cinderella spirit of fairy tale love stories ... But. I consider the way as the goal! And the path described in this KDrama (the circumstances and processes of the main protagonist) makes it definitely worth seeing. In addition, Kim Sun-ah finds a good balance between a competent, unapproachable boss and an approachable, not so competent 'woman' with her heart in the right place. Lee Jang-woo also convinces me here in his role as the much younger, impulsive, unconventional Park Tae-kang.
By the way: Since it is about the world of fashion designers and pumps in particular, it would be worth mentioning that the viewers get to see a lot in this regard. Not only in Ji-ahn's well-stocked private shoe room, but also beyond that - 500 pairs of pumps were brought up for the series that were supposedly worth almost 9,000 euros. Also, the protagonist Ji-ahn's individual fashionable style (which goes back mainly to Kim Sun-ah's specific, personal suggestions) became a trendsetter at the time.
Was this review helpful to you?
Was this review helpful to you?
This review may contain spoilers
Started out fun and engaging, even the cinematography (the yellowish filter which reminded me of the horror movies in the 2000s, i thought Sadako was gonna spring out out of nowhere) is A grade, Then somehow it got a little boring in the middle and then i realized i wasnt even looking forward to any of the episodes anymore, i just finished watching just for the sake of finishing the series.One big problem is the chemistry between Sahara and Toki. I dont mind and i actually like the awkward overacting, but they just didnt show enough to make me care about their characters and to root for the relationship. I didnt even understand the 'slap in the back' thingy which were supposed to be a thing of affection considering those were such strong slaps and didnt they say Sahara has (or had) a back injury?
The addition of Nekoto- and for goodness sake his emo hair is so annoying - n the last few episodes even made the show worse, no wonder why Sahara chose Toki isntead of him.
Let me get this out of the way too. The idea of a teacher getting into a relationship with a high school student is very cringy layered with too many inappropriateness that gets worse when being romanticized. I am not a conservative but this is not something that i would feel comfortable seeing in real life no matter how small the age gap is.
Is this something that happens normally in Japan and i wonder what is the targeted demographic for these kind of contents? it smells of something predatory.
The fact that this is the second Japanese BL within the past 6 months with this age gap (the other one is One Room Angel) kinda bothered me a little. One other BL with this kind of premise is Minato's Laundromat (with not just one but 2 of this kind of relationship) and that even got a second season. In these series, they show the younger leads vehemently pursuing the older guys, and they make you think it is ok. I somehow feel its not. These 3 series features younger HIGH SCHOOL male leads being partnered with adult guys (to be fair Minato's Laundromat handled it better) Im not against big age gap between partners but i think we have to be reminded that these high school students are STILL kids compared to the older guys they are running after. At least make both characters "adult" even if you make a 20-year age gap then it might be ok.
Overall, its a 6.5 for me. This is a series i wont even remember after a few months, and its not even entertaining enough to be rewatched.
Was this review helpful to you?
